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ANAGNORISIS Marii Pawlikowskiej-Jasnorzewskiej Głupcy robią z ziemi muzeum okropności, mądrzy zrobiliby raj i dzieło sztuki.

(M. Pawlikowska-Jasnorzewska, Notatnik, 24 lipca 1944 roku)

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Leżę w upiornych cierpieniach krzyża, a ciągłe zastrzyki coraminy i morfiny muszą mnie dobić.

Bezwład mój sięga do pasa i jest jak ciężki opatrunek z gipsu. Nie mogę pojąć, że mogłam wpaść w taki wilczy dół.

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Ilustracje: Renata Cygan

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Tak jak sport poprawia jakość mojego życia, tak sztuka bez przerwy je ocala

Czarnej Madonny. W il]u o }`V˙U l} i `˙r `]P]u}ˇviv˙BÓ TlX GV} Z ]G } } u}ii ]`i `˙`˙ ` }l] (}u`}V`u}i}}v]XM}ilo}P] u}ˇv}B`RPo]R`P}oPV]v]Goo˙ A `P}vv]UM}`]l]uD}uAl˙iv˙u`W`] ] ` C}u ` S}}]X J ˇ }Gv˙ ` Gu]v] Goo˙`E]vR}v`H}ov]]XSl]u]Gv˙u`˙u `˙`v]`]U P˙ˇ i viVv]iU ` l]ol u]iR }l˙`vX J ` v]u U æ }v˙X N} ] i }iVUlovXJP}}l˙` B ]Gu}]u]v] v]u`v]]io]viXW˙l]lo}P] `˙`Vu `Vv˙u uuU R}B ˙ `ZR ]` ˙Ro]liRl]ol}v}Z`}l˙V}GBl}Z`X iG C Uˇ}`]vvu˙B}K}GQ K}}]ov]v]vi C M}vv˙XT}uZi`]ol]`}v]lX J o uv] il `]GX T}U l]u ˙VU } }]VU il}˙v]VUVl}`]] }l˙`]G vP]U lZi u]vio]ˇXK}iv]}˙`]Uu}v ]uv]˙vUo``]`XJ}iuv] XM}iu]V}B}v]iv]˙Vl˙˙vUo` `]`XuZ R˙˙vu}u]Bi Vv]iX PV˙v˙ } v]i l `V˙vV v `]o u}]R `ˇv˙R˙i]`ˇ˙]XCR}B˙vG}}i]`} `v]P}U ˙ }o]B ]] ] ˙B } ` Vvi P}] ˙uU l]u l v`G iuX ˙] Ż i iv} ] lZ l]XIl`]o``v]uV}`]l]˙VUv]R`]G `o˙ ˙viuv]i } }U } i ]}X P} ˙u K} v]iiv}vvXN]ilivil}l}]XN}} } v]}VJ Dˇ} ˙ uZ`]BX K}˙liG uZi }v] lo}PXJ`v]uˇ}}v]]wXK}vUv`˙V] V}˙l]XT}iuZiR}Vov]iX A u C] ˙v] }RG vovU o iG i lˇu ˙]U lZ˙u }`u `˙`]X

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Urodził się w Poznaniu w 1967 roku. Debiutował w 2017 w „Twórczości”. Publikował dotąd w „Wizjach”, „Wydawnictwie j”, „Krytyce Literackiej”, „Przeglądzie Prawosławnym”, „MEGA*ZINE LOST&FOUND”, „Czasie Literatury”, „Protokole Kulturalnym”, „eleWatorze”, „Akancie” i „Twórczości”. Jest autorem trzech tomów artystycznej prozy: Kąty (2018 - Liberum Verbum), Dyptyk wschodni (2018 Miniatura), Człekołak (2019 - MaMiKo). Współpracował ze Sceną Nowej Dramaturgii Teatru w Rzeszowie i z Instytutem Teatralnym nad sceniczną adaptacją Człekołaka. Z utworów opublikowanych (2017-2020) na uwagę zasługują krótsze i dłuższe opowieści: Pani Zofia, Mahler, Adela, Kotłownie.

W roku 2019 Pani Zofia otrzymała wyróżnienie w literackim konkursie im. Bronisława Faca. Rok 2019 zakończył się dla autora pojawieniem się bardzo pozytywnych recenzji jego prozy autorstwa Gerarda Ronge („Nowe Książki” 11/2019) i Leszka Żulińskiego („Twórczość” 11/2019).

Artur Dudziński

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C ISZ A GÓR

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JA ŃSKIE ŁA Ź NIE

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Meisterstück

Rysunki: Agnieszka Ograszko

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Ilustrcja: Renata Cygan 46

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Dialog z Przyjacielem, który wyjechał w najdalszą podróż…

Renata Szpunar

O szczęściu

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Jorge Luis Borges Ten, co obejmuje kobietę, jest Adamem. Kobieta jest Ewą.

Wszystko zdarza się po raz pierwszy.

Zobaczyłem coś białego na niebie. Mówią mi, że to księżyc, ale cóż mam począć z tym słowem i z całą tą mitologią.

Drzewa budzą we mnie jakiś lęk. Są takie piękne.

Spokojne zwierzęta podchodzą, abym nazwał je po imieniu.

Nie ma liter w księgach biblioteki. Lecz, kiedy je otworzę, wynurzają się.

Kartkując atlas, wymyślam kształt Sumatry.

Ten, co w ciemności rozpala zapałkę, właśnie wynalazł ogień.

W głębi lustra jest ktoś inny, zaczajony.

Ten, co patrzy na morze, widzi Anglię.

Ten, co wygłasza wiersz Liliencrona, rozpoczyna bitwę. Śniłem o Kartaginie i o legionach, które pognębiły Kartaginę. Śniłem o mieczu i o wadze.

Pochwalona niech będzie miłość, w której nie ma strony posiadającej i posiadanej, bo tych dwoje oddaje się sobie.

Pochwalone niech będą koszmary senne, albowiem dzięki nim możemy uwierzyć w piekło.

Ten, co wchodzi do rzeki, zanurza się w Gangesie.

Ten, co patrzy na piaskową klepsydrę, widzi, jak rozsypuje się imperium.

Ten, co sztyletem się bawi, śmierć Cezara przeczuwa.

Ten, co śpi, jest wszystkimi ludźmi.

Na pustyni ujrzałem młodego Sfinksa o dopiero co wyrzeźbionych kształtach.

Nic dawnego pod słońcem.

Wszystko zdarza się po raz pierwszy, ale na modłę wieczności.

Ten, co mnie czyta, stwarza moje słowa.

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`v} D uv]Vu`iv˙uiZ`P Szukam porozumienia. Nie tego najoczywistszego, tego złudnego, które odbywa się w rozmowie, z pomocą słów.

Nawet nie tego, które nawiązuje się we współobecności. Pragnę porozumienia, które przychodzi samo. W ciszy, w milczeniu, we wspólnocie jednego losu…

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SlVu l}P}cU l]u u}PV˙u v`]B ]o}P } vi`ˇv]i˙R ]ul]R `RX L} }lV ]G o uv] Vl`˙ W VV u] P˙ i]oU lZ˙u }}˙V ]G u}i }u}`X OlV} ]G } Gco]` }l}o]v}c]U v] ˙l]u }r ˙lu˙v]l]˙`Vc]`˙Ro]v } `}iP} ˇ˙]X Tl]RU lZ˙ i u}ˇo]`}cB iv] ` PV r u˙R ]] ] il }` r v] o v˙R `}}v˙R u˙co]U lZ }]ii ]G ` v]R il ` l˙V}`˙u `]]oX P}v]r `ˇ ` ˙`]}c] ]o}P r P]u V}`]l]u ˙` ]o}P]u u˙u] }X ˙` B }P }R} v] } `Vvi ``vGvi `˙X D} }vi˙`v] ]] r u˙R`˙P]P}V}`]lX

szczęśliwy, a jednak nie było tak. ~Noc w Lizbonie, EX MX RuZ r

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Sv]V` Lu ]V } ˙u ` Solaris lP Nie szukamy nikogo oprócz ludzi.

Nie potrzeba nam innych światów.

Potrzeba nam luster.

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Nieprzyjemne wspomnienia mają jedną dobrą stronę i przekonują człowieka, że jest szczęśliwy, choć jeszcze przed chwilą nie był. Szczęście to kwestia porównania. Myślałem nad tym, że powinienem czuć się bardzo

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P}}v] il }R Ru[ ` }o] }v}c] R}`i ]G ˙ Av}v] Bo}l ` .ou] Siódma pieczęć IvPu Puv B X G ` R˙ cu]]U ˇ˙ ˙ r lB}v˙}}}`]r v] }] v vi`ˇv]i ˙v]P ˙]v]iBZPÓ]il]vuˇ˙]Ó N]voVv]}]vP}B}PUv] Gc] ]]GB o `}ivvi `˙`˙l˙ˇ}`i`Z]u]Ś`]GiX Jl u `]G uB W iU ˇ `]V `}i ˇ˙]U Vˇ ]oi]Ó ˙C }V }lv˙Ó Jl O˙ T}]`}`}iP}}uU}r lii v v]P} `]vi u l}]˙ W}}˙ol}Uˇ˙vlZl]u}uv }B Gc] ] }lZi `VvP} u]i v ]u] W ] uBX ˙C ˇ˙ }vo˝B `}i Gc] `vi}˙u˙]U`G r }`BV`}i ˇ˙]Ó Jl v]V ``] ItakaK}vv]v}K`.P Itaka dała ci tę piękną podróż, bez Itaki nie wyruszyłbyś w drogę.

Niczego więcej już ci dać nie może.

I choćbyś ujrzał, że jest biedna - nie oszukała cię Itaka.

Wróciwszy tak mądry, po tylu doświadczeniach, zrozumiesz prawdziwie, co to jest Itaka.

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Serce mam puste. Pustka jest zwierciadłem zwróconym ku mej twarzy.

Widzę w niej siebie, i ogarnia mnie odraza i strach. Obojętność wobec ludzi sprawiła, że żyję teraz samotnie. Jedynie pośród zjaw. Zamknięty w snach i fantazjach – `˙vi ˙ r v}`]]Uv]`ˇiUˇ uZ`] } Śu]]X Sv u] ˙B l]}l˙]`}]l] ` }o] r l}w`VvP} ˇ˙]X ˙] Ż lˇ r P}V}`]l}uP]G`˙Vv] r v]]c UvuU]u]X Dlaczego nie mogę zabić Boga w sobieÓW˙˙Śu]]X – Dlaczego ciągle żyje we mnie tak boleśnie i tak upokarzająco, mimo że złorzeczę Mu i pragnę wyrwać z serca? Dlaczego, mimo wszystko, jest On tą złudną prawdą, z którą nie potrafię się rozstać?

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P˙uiC]]UP˙i]oU˙ }ui}v] cu]] v}lVc v]}cBÓ P]ˇ u iˇ v] u ] ]v] ] v] V] ]G ` ]uv}c] v]`]˙QZviˇ`ol]}} `]] v `˙l] `ˇv ˙v]X ˙C ic Gco]`˙Ó M}ˇ }v Gc] i }`}u } u]] `] c Ó P}`}u } }lU } ˝ZVQ Wic]u ` Ś`]V}U ` M]V}cB W ] }ov] N]v`]v}cBQÓ

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P˙i]o ˙V uv] l]˙c ` o] r c]U ˙ iu Gco]` W v] V ]G`]Bv˙R˙w]}˙u˙ r `B l}uo]l}`v˙R }}`]]X Al]˙u}i}liu˙cou]r V ` u}lU l]}`V i lŚ`]VX ZuV ZV }l ˝v]i Z U }`} `ZVvi vu]]U }}v] il ˙ Av}v] Bo}l ` v]} c r `]X ˙V C v l}v]U i v] `]U ˇ }v] P} }Gv R}}U Kres istnienia Fv} D M] ] Gdy rozerwą się więzy czasu… M]RV HooU i }] ˙v] } }v}cBQ N l}r v] `]]V v vo cu]]U ` v]R `]o] c v]}V˙ }icv] r i JP} }`Vv]i `}PGX

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Jv˙u o]}v˙R .ouZ` u}ir P} P˙i]o ˙V `i˙ ]} r P.v˙ u MaudieU `˙ˇ˙ r }`v˙ A]o]vP WoRX T} v]`o]` ˙]V} }}`] } vvi lv˙il]i uo v r ]`vi W M L`]X }B l}ur v ˙V} ˇ˙] i v]Vv}`vi ˙l]U ` lZ˙u i˙v˙u iv˙u }u]v]u `]V c `˙i ]G ˙B }P}uv }cB uo}`v] l`]r `Z v c]vR }P]P} }ul ] }Pov] iP} uowl] }lv} v `] c Q N ˙v] ˙ir ]ZVl] W co daje Ci siłę? W lRU } r }v }]vGU R}}`v v ˙uU lolU } }P ] v]Gco]`] l}Rv ` Pr }`˙u V}`]l M] }} r `]P Nie wiem. Chyba po prostu nie potrzeba mi wiele. Tak długo, jak mam pędzel w ręku i mogę malować – jest dobrze… Okno – uwielbiam przez nie patrzeć. Czasem przeleci ptak… czasem trzmiel… co dzień coś innego. I to jest całe życie... całe życie oprawione w ramę… Tak. M}ˇGc]u i`]G }} ˇ˙BU uZ `}˙BU B PVG}l} ] l}r RBU u]B `o]`}c]U }l]`B ] `B }] ˙v] W ˙ v l} v]U v v] `VvP} }v o˝B vi} u}ˇo]`˙R }} `]]Q

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Esej poświęcony pamięci przedwcześnie zmarłego na covid-19 artysty malarza, literata, krytyka sztuki i barda – Stanisława Tabisza.

KlZ`Ul`]]w}l RS

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AWOKÓŁMNIEPŁONIE oˇGl]v`ZV lVG˙`]i]}V˙}`] }uP}}P

}}wuvol]v] `˙olV˙u`]o}PlZ` R}B˙v}RG o]Vˇi

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v]Rlo˙˙``]˙ R`]oV˙vo lo}u}uv]v] ˝

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PVR˙(liR`]o] }}V`u`˙uvl] ]o}v}B viv]V}uvi}`˙ POZOSTAŁYM vl}v]`˙˙V˙vVZ]v }i]}}PR u]ilR}˙}v}u

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KIEYD KOTŚPI N] oGPV˙]G}P}˙ W]G]Gv]l}uv] l}vi}}v]u W˙lil`]}`}viˇ˙ Z ˇ}u˙V˙

Dariusz Zeller

iu˙v]`]]ov] }˙`}l}vV}B }v]u] ivlo]˙

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Polska sztuka na Litwie

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MirosławPOST BryżysSCRIPTUM

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Czesław Połoński r r r r r

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Danuta Lipska r r r

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Stanisław Plawgo

ROBERT BLUJ

gwiazda litewskich galerii sztuki (}X}B Fl

Robert Bluj

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GRUPA ELIPSA

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JAN ŻYREK

MONIKA ŚLÓSARCZYK

LESZEK ŻEGALSKI

JAN DUBROWIN

DAREK MILIŃSKI

JANUSZ SZPYT

POST SCRIPTUM

R O B E R T H E C Z KO

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73

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przyrody Foto: K. Komarowska – Kolonia pingwinów białobrewych

F}}PMXK}`ol]WM}v]}]vPl}o}P]v˙

POST SCRIPTUM

75

a Styr daw pr wi,mó wgldóz si aekzwyr – Ignacy asick Kr

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Rysunek: Konrad Wieczorkowski

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Renata Cygan

Adam Gwara 76

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Rysunek: Sergio Palazon

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Adam Gwara POST SCRIPTUM

77

Lucy

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