8.19 & 8.26 New Release Book by Redeye

THEE SACRED SOULS THEE SACRED SOULS

RELEASE DATES: 8.19.22/8.26.22 | ORDERS DUE BY 7.29.22/8.05.22

PENROSE / DAPTONE RECORDS

Redeye Label of the Month:

OUTSIDE MUSIC FELA KUTI | STEVE EARLE & THE DUKES | HOT CHIP

The Outside Music Label was founded in 2001 with the firecracker record “Stories Often Told” by The Sadies. In the years since, Outside Music has become one of Canada’s leading independent labels, racking up awards and accolades across many genres. Stellar songwriting and world-class musicianship reside at the core of each record Outside Music releases. Outside Music: Great Music. Nice People.

TAMI NEILSON Kingmaker

July 15, 2022

From being cradled as a baby in the arms of Roy Orbison, to performing “Beyond the Stars” with Willie Nelson on her new album Kingmaker, you would think that Tami Neilson lived a musical fantasy life. In between these monumental occurrences, the Neilson Family were having to busk in the streets to put food on the table, roaring down the highway in an exploding RV to open for Johnny Cash, which she did, at 18, in her pajamas. Recorded at Neil Finn’s Roundhead Studios, "Kingmaker" exposes the patriarchal structures of the industry, society, and the family. She sings of the underestimation of women, of their resilience. From singing with Kitty Wells at 10, to slipping demo tapes in the laundry bags of stars. From humble beginnings to success on her own terms. Tami Neilson is a game changer, a cage shaker, a Kingmaker. “Royal Yellow” LP OUT9177lp

Digipak CD OUT9177CD

“Peach Blossom Pink” LP (Indie Exclusive – ltd to 300) OUT9177lp-PBP

In celebration of being named “Label of the Month”, the below listed bestsellers are on sale thru 7/31. 10% off CD / 5% off LP.

JENNY BERKEL These are the Sounds Left from Leaving

ABIGAIL LAPELL Stolen Time

Release date: May 13, 2022 Apricot LP – OUT9172lp Digipak CD – OUT9172cd

Release date: April 22, 2022 Bone LP – OUT9175lp Digipak CD – OUT9175cd

JILL BARBER

Entre nous

OUT9139cd OUT9139lp

TAMI NEILSON

CHICKABOOM!

OUT9130cd OUT9130lp

JUSTIN RUTLEDGE

Islands

OUT9150cd

OUT9150lp

Chances Chansons

Sassafrass

Passages

OUT9042cd OUT9098cd

OUT9119cd OUT9119lp

OUT9123cd OUT9123lp

ROSE COUSINS

Bravado

OUT9132cd OUT9132lp

MATTHEW BARBER

Ghost Notes OUT9037cd

Natural Conclusion

Phase of the Moon

OUT9104cd OUT9104lp

OUT9116cd OUT9116lp

Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight

This Issue: Even Newman & Lori Stanton from Outside Music

How did you personally get started in the music industry? Evan: I was in finance, hated every second of it, quit and moved out west to Vancouver where I got a job at a predatory lender, then it was robbed, in which I was held hostage, and with a gun to my head I said “if I ever get out of this, I’m not going to work shit jobs anymore”. I moved back to Toronto and started my journey in the music biz. Lori: I started in HMV Canada’s management training program straight out of college. There were no guns involved. When and where did the label begin? Lori: Outside Music (the label) was founded in Toronto, Canada in 2001 as an offshoot of indie distribution company, Outside Music. What is the meaning behind the name for the label? Evan: I believe Lloyd, the founder of the company, wanted something simple that indicated a company that existed Outside of the norms of the industry How has the label changed since it started? Evan: The label was initially an outlet for the warehouse staff who were also in bands, which included The Sadies. The label was always the little sibling to the distribution company up until 2007 when industry trends started to shift. The label has grown significantly over the past 15 years, and has become the major focus of the company. We’ve expanded beyond the singer songwriter genre and have expanded to include a sub label in Next Door Records Describe the general makeup of your team at the label. Evan: Of course being an independent label, we’re all doing various things. I do a lot of the big picture stuff, Lori is very much on the day-to-day details and steering the ship, Peggy Hogan is focused on marketing but has expanded her role into A&R while Emma handles a lot of the manufacturing and public funding. Cathy runs the finances and is a co-owner and Margaret is our D2C contact and assists in the marketing campaigns. Lori: Women who like to get things done. +Evan, who I suppose also likes to get things done. What has been the biggest challenge for you and the label during the Pandemic? Evan: Album sustainability. With the absence of touring, sustaining the visibility on albums past release date has been challenging. We focus on content creation whether it be in the form of recordings or videos.

We know you can’t choose, but what’s been your favorite label release, and why? Lori: This is an evil, evil question! My current favorite is Abigail Lapell’s new album “Stolen Time” but with a new Tami Neilson record due out in July, I might be swayed! If I hop into the wayback machine, our early releases from The Sadies would all make the list. Evan: It’s Matthew Barber’s “Ghost Notes” which was one of the first releases for Outside Music. He had been on Warner Music for 2 records and he absolutely hated the major label experience. I felt this record was the first one he made for himself and it showed remarkable confidence from an artist who was almost beaten down by the machine of the music business. What’s the wildest marketing promotion you’ve ever worked on for any release? Evan: I worked with the White Stripes and we had them play every province and territory in Canada, at their last stop, in Newfoundland, they played one note but were able to say they played every place. We ended up releasing it as a record/DVD What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released? Lori: I worked in distribution forever before moving over to the label, so I’ve heard (and possibly made) every argument both for and against color variants more times than I care to count. From a label perspective, we leave it to our artists to decide what feels right to them. Our planned releases for 2022/2023 all have a standard version and an indie exclusive variant. More often than not, our artists choose to have them both be colored vinyl. Forget about the vinyl boom - how are you and your label responding to the ever-increasing popularity of cassette tapes? CDs?? Lori: We never stopped making CDs so we welcome the uptick in demand. No cassettes. Managing vinyl manufacturing is tricky enough. How would you describe the average fan of the label? Lori: The best looking, least annoying, most discerning folks with the greatest taste. Before working at the label did you have any experience playing in bands or making music of your own? Lori: HELL NO. Evan: Absolutely not

Is the label tied to a specific geographical area? How is this reflected in your releases? Evan: We are Canadian and we are subsidized by the Canadian government so every release of ours is by a Canadian artist. “Canadian” is not a genre but there’s a certain charm that exists within Canadian albums, hard to classify but you know it when you hear it.

How important are issues like mental health and social justice to you and the label? Evan: They’re very important to us. We want our artists to be aligned on values and morals, and good people who believe in equality and measures that protect a just society. Our artists are our main resource, and we need to be aware of the toll that a career in the arts can take on one’s mental health.

Where do you go to search for new music? Who or what has been a new find you’d like to rave about? Evan: Mostly online, and through other artists on the label, and artists who reach out to us unsolicited. One of those artists is Bells Larsen, the youngest artist we’ve worked with in some time, they have a classic late 90’s alt singer songwriter vibe but their youth gives their sound this quirkiness and earnestness that makes the songs so endearing Lori: I follow a lot of record stores and labels online so I guess that’s where a lot of my new finds come from. Shazam is my friend, too, though my Shazam history can get pretty embarrassing. I’d echo Evan in being inspired by Bells Larsen. That’s a record I can’t wait for people to hear. My most recent purchases have been the new Frightnrs LP (Daptone) and Dehd (Fat Possum).

What in your opinion has been the biggest change in the music industry from when you first started compared to now? Lori: I started in the 90’s, before the online world really existed. “Change” has been the one constant, but increasingly the changes seem to be for the better. We are slowly moving towards a healthier industry that is more inclusive for women, BIPOC and those who identify as LGBTQ2SIA+. Too slowly, still, but I think the momentum is there.

Is there a genre that you would consider to be the label’s “signature style,” or is it a mix? Evan: Timeless Songwriters. We don’t have singers, we have singer-songwriters How would you describe your overall ambitions and goals as a label from when you first started compared to now? Evan: When we first started we wanted to be a small curated label with a few select releases a year that were all very special. We try and keep that mantra of working with artists we care for and respect, both as artists and as people. We just expanded our roster and look to continue to grow year after year Lori: I love when the roster grows and we bring new artists in. There’s an energy that comes with each one that just adds life to the label. This year, Abigail Lapell and Jenny Berkel joined us, and we have a pretty exciting new addition coming on board later this year – a name many will recognize.

If you had to start a new sub-label, what would it be called and what kind of music would it be geared towards? Evan: We started Next Door Records two years ago and it’s a more free-form label that doesn’t subscribe to one genre but aims to support marginalized artists as a primary focus Lori: I would start a punk label that Evan would not agree to distribute. The name stays private. Want to shout out a personal favorite record store or retail establishment? Now’s your chance: Lori: This question is almost as evil as the “favorite label release” one. Canada is home to some truly stellar independent record stores, from Red Cat in Vancouver, BC all the way to Fred’s in St. John’s, Newfoundland. At home, in Ottawa, I am a sucker for Vertigo Records. When ordering online, I buy from Toronto indie shop Pop Music. They say our sun will explode in about 5 billion years or so- how would you like the label to be remembered? Evan: We put out good music from good people, and that the records remain timeless such that one could put a record on from 2011 and it would sound pretty good as that comet hurdles towards earth.

4 IC SALE 20% OFF ALL T S U M ITLE AS X E S T

JOHNNY WINTER Texas ’63-’68 CD-SBR-7982 (2 CDS)

LIGHTNIN’ HOPKINS King Of Dowling Street CD-SBR-7993 (3 CDS)

13TH FLOOR ELEVATORS You & I & Me CD-SBR-7977 (2 CDS)

ROY HEAD One More Time CD-SBR-7992. (2 CDS)

529 Fifth Avenue, New York, NY 10017

ROKY ERICKSON & THE EXPLOSIVES Live At The Whisky 1981 CD-SBR-7013 (1 CD)

MANCE LIPSCOMB Navasota CD-SBR-7006 (2 CDS)

WILLIE NELSON Texas Willie CD-SBR-7996 (2 CDS)

CARLA OLSON & MICK TAYLOR Sway: The Best Of CD-SBR-7016 (2 CDS)

505 Eno Street, Hillsbourough, NC 27278 • redeyeworldwide.com

LOS LOBOS

LE!! A S 2 202 S FALL TIVE SON d!

NATIVE SONS

ol NA year f the e n o is no G ratio WINNIN b e l e In c AWARD s is cord e Y R M t M es GRA ew W a sale. N m nd albu running CD a e h t FF e 0% O the entir 2 E TAK LPs for gust. u A all f ho mont

Original Street Date: July 30, 2021

TRACK LISTING Love Special Delivery Misery Bluebird / For What It’s Worth Los Chucos Suaves Jamaica Say You Will Never No More Native Son Farmer John Dichoso Sail On, Sailor The World Is A Ghetto Flat Top Joint Where Lovers Go

Marketing Points Z Grammy Award for Best Americana Album 2021 Z The band will be performing on Jimmy Kimmel Live on August 16th Z On tour June - October in the United States. “The Best Albums of 2021” - AllMusic ”Readers’ 50 Favorite Roots Music Albums of 2021” - No Depression “The Best Albums of 2021” - Americana UK “They are a national treasure.” - Mother Jones “Los Lobos makes almost all other bands look like novelty acts.” - Marc Maron “Pin Ups en Espanol: East LA’s greatest dance band hosts a ‘covers’ party. 4 Stars” - Mojo “Even when they’re playing songs from other artists, Los Lobos sound like no other band.” - Pitchfork “Mainstays on the LA scene since the early 1970s, the band showcase their wide range on this imaginative and timely covers album…” 8 out of 10 Stars - Uncut Magazine

Sel. #: NW5514LP CONFIG: Gatefold, Color Sleeves, 2x LP, Black Vinyl, 4th side etching UPC: 607396551415 Box Lot: 35 Count Genre: Rock, Latin, Cover Record

07396 55141 5

INDIE EXCLUSIVE LP

Sel. #: NW5526LP CONFIG: Gatefold, Color Sleeves, 2x LP, Coke Bottle Clear Vinyl, 4th side etching UPC: 607396552610 Box Lot: 35 Count Genre: Rock, Latin, Cover Record

NewWestRecords.com

Sel. #: NW6516CD CONFIG: 6-panel Digiwallet, 24-page booklet, sticker UPC: 607396651627 Box Lot: 30 Count Genre: Rock, Latin, Cover Record

07396 55261 0

LosLobos.org

07396 65162 7

H HOT OT W A AX X BESTSELLERS & MORE INTERPOL THE OTHER SIDE OF MAKE-BELIEVE

JUST MUSTARD HEART UNDER

ODESZA THE LAST GOODBYE

TAMI NEILSON KINGMAKER

MATADOR

NINJA TUNE *INDIE EXCLUSIVE CRYSTAL CLEAR VINYL

BLACK MIDI HELLFIRE

PARTISAN RECORDS *TRANSLUCENT BLUE VINYL

OUTSIDE MUSIC

LAURA VEIRS FOUND LIGHT

ROUGH TRADE *INDIE EXCLUSIVE CLEAR RED VINYL

RAVEN MARCHING BAND

ALICE MERTON S.I.D.E.S.

SUPERORGANISM WORLD WIDE POP

THE SADIES COLDER STREAMS

NOSO STAY PROUD OF ME

MOM+POP

DOMINO RECORD CO.

YEP ROC RECORDS

PARTISAN RECORDS

Check Out These Other Redeye Distributed Releases:

RADIOHEAD IN RAINBOWS

BELLE AND SEBASTIAN IF YOU’RE FEELING SINISTER

XL RECORDINGS

MATADOR

NEW RELEASES Street Date: 8.05.22 | Order Date: 7.15.22

RUSSIAN CIRCLES GNOSIS

Across the span of their previous seven studio albums, Chicago-based instrumental trio Russian Circles

traversed a diverse topography of sounds, moods, and approaches with their limited armory of drums, bass, and guitar. It’s difficult to chart an evolution in their sound when their records have always felt like

well-curated playlists. It wasn’t uncommon to hear drone-heavy meditations, dazzling prog exercises,

knuckle-dragging riff-fests, haunting folk ballads, and tension-baiting noise rock all within the span of one album. Still, it’s difficult to ignore the progression from the pensive and intricate melodies of Enter (2006)

to the layered distorted dirges of Blood Year (2019). It’s been a gradual sonic shift owing to the band’s rigorous tour schedule and a predilection towards playing their more authoritative material on stage. But

with their latest album, Gnosis, Russian Circles eschew the varied terrain of their past work and bulldoze

a path through the most tumultuous and harrowing territory of their sound. As was the case for so many artists in the age of COVID, the obstacles of geography and isolation forced Russian Circles to reevalu-

ate their writing process. Rather than crafting s ongs out of fragmented ideas in the practice room, full

songs were written and recorded independently before being shared with other members, so that their

initial vision was retained. While these demos spanned the full breadth of the band’s varied styles, the

more cinematic compositions were ultimately excised in favor of the physically cathartic pieces. Gnosis

was engineered and mixed by Kurt Ballou. Drums and bass were tracked at Electrical Audio in Chicago

to maximize the natural room sounds of the rhythm section. Guitar and synth overdubs were conducted

at God City in Salem, MA to take advantage of Ballou’s vast inventory of amps and effects pedals. De-

spite the entirety of the album being written remotely, the songs were recorded with the full band playing

together to retain the live feel of the material. Owing to the climate of the times and a new writing method,

Russian Circles created their most fuming and focused work to date—an album that favors the exorcism

of two years’ worth of tension over the melancholy and restraint that often colored their past endeavors. HIGHLIGHTS:

- Gnosis is the highly anticipated 8th full length from Russian Circles

- Album announce along with first single "Conduit" and NA headline tour dates set for June 16th - Indie Exclusive Transparent Orange vinyl in gatefold jacket [Limited to 1500] - North America Headline tour slated for Fall 2022 (Dates below)

- Recently completed an Arena tour supporting System of a Down and Korn

- Russian Circles have also toured with Mastodon, Coheed & Cambria, Deafheaven, Chelsea Wolfe, Red

CD CATALOG NUMBER:

SH 270

INDIE EXCLUSIVE

SH 271

SH 271IO

Fang, Boris and MANY more.

- US publicity handled by Ryan Cunningham @ Biz 3 / UK/EU PR handled by Lauren Barley @ Rarely Unable

- Russian Circles have received coverage from most notable press including Pitchfork, Rolling Stone, UPC:

634457083936

634457083943

634457098282

Stereogum, FADER, AV Club, Consequence, Decibel, Revolver and much more.

· College + Commercial Specialty campaign will be handled by Pirate! Radio – Targeted add date of

8/22/2022 BOX LOT:

· Much more to come! TOURING:

PACKAGING: 6 PANEL DIGIPAK

BLACK VINYL, GATEFOLD JACKET, DL CARD

LIMITED TRANSPARENT ORANGE VINYL, GATEFOLD JACKET, DL CARD

Sep 15 Minneapolis, MN - Fine Line Sep 17 Denver, CO - Gothic Sep 18 Salt Lake City, UT - Urban Lounge Sep 20 Seattle, WA - Croc Showroom Sep 21 Portland, OR - Revolution Hall Sep 23 San Francisco, CA - Great American Music Hall Sep 24 Felton, CA - Felton Music Hall Sep 25 Los Angeles, CA - The Regent Sep 26 Phoenix, AZ - Crescent Ballroom Sep 29 Austin, TX - Empire Garage Sep 30 Dallas, TX - Ampliied Live Oct 01 Memphis, TN - Growlers Oct 27 St. Louis, MO - Delmar Hall

TIM JONES REDEYE WORLDWIDE tim@redeyeworldwide.com (336) 578 - 7300 x 2300

MARC JETTON SARGENT HOUSE marc@sargenthouse.com (310) 808 - 8083

Oct 28 Louisville, KY - Headliner's Oct 29 Atlanta, GA - Terminal West Oct 30 Orlando, FL - The Social Nov 01 Asheville, NC - Grey Eagle Nov 02 Carrboro, NC - Cat's Cradle Nov 04 Washington, DC - 9:30 Club Nov 05 Philadelphia, PA - World Cafe Live Nov 06 Brooklyn, NY - Warsaw Nov 08 Boston, MA - The Sinclair Nov 09 Montreal, QC - Theatre Fairmount Nov 10 Toronto, ON - Opera Nov 11 Detroit, MI - El Club Nov 12 Chicago, IL - Metro

For more on Russian Circles h t t p s : / / w w w. r u s s i a n c i r c l e s b a n d . c o m https://sargenthouse.com/russian-circles h t t p s : / / t w i t t e r. c o m / r u s s i a n c i r c l e s h t t p s : / / w w w. i n s t a g r a m . c o m / r u s s i a n c i r c l e s

Artist:

FELA KUTI

Title:

ROFOROFO FIGHT

Streetdate: 8/19/22

OVERVIEW Fela Kuti (1938–1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond. “Roforofo Fight” is the 4th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be on color vinyl and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela’s global impact on music. Like Fela’s other early 70’s releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism. The lyrics of the title track illustrate Fela’s frustration at intolerant, violent human behavior by depicting a fight that breaks out in the streets in Lagos. The second song ‘Go Slow’ is a 17:22 minute groove of super funk featuring the deep rhythmic interplay that is a hallmark of Fela’s Afrobeat. Lyrically, the song uses traffic jams in Lagos as a metaphor to criticize the harmful social and environmental impact of urbanization. The 2nd LP of rarities includes 2 songs not previously available on vinyl, ‘Question Jam Answer’ and ‘Trouble Sleep Yanga Wake Am’, and 2 songs previously not available on vinyl nor digitally, ‘Shenshema’ and ‘Ariya’!!!

TRACKLISTING Side A:

1. Roforofo Fight

Side B:

1. Go Slow

Side C:

1. Question Jam Answer (not previously avail on vinyl) 2. Trouble Sleep Yanga Wake Am (not previously avail on vinyl)

Side D:

1. Shenshema (now available for the first time physically and digitally) 2. Ariya (now available for the first time physically and digitally)

SELLING POINTS • Four songs available physically for the first time! • Special double LP edition on color vinyl - the A/B LP is on translucent lime vinyl and the C/D LP is on yellow vinyl • Wide spine jacket, printed inner sleeves and wrapped with gold foil OBI strip • Limited to 10,000 worldwideinsert featuring photos and lyrics

281 North 7th Street Brooklyn NY 11211 Partisanrecords.com

FORMATS Double LP Catalog #: KFR2006-8 UPC: 720841206682

505 Eno Street Hillsborough NC 27278 877.733.3931 Redeyeworldwide.com Perry Harrell, harrellp@redeyeworldwide.com

HOT CHIP

FREAKOUT/RELEASE

TRACKLISTING 1. Down 2. Eleanor 3. Freakout/Release 4. Broken 5. Not Alone 6. Hard To Be Funky feat. Lou Hayter 7. Time 8. Miss The Bliss 9. The Evil That Men Do feat. Cadence Weapon 10. Guilty 11. Out Of My Depth (Vinyl LP only track) CATALOG NUMBER: WIG481 RELEASE DATE: August 19, 2022 FILE UNDER: Electronic “H” CD Boxlot: 30 UPC: 887828048120

2xLP w/ DOWNLOAD Boxlot: 20 UPC: 887828048113

Vinyl is non-returnable

2xLP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828048137

“THE UK’S GREATEST EXPONENTS OF QUIRKY, COMPELLING POP MUSIC.” THE GUARDIAN OVERVIEW Hot Chip are pleased to announce their eighth album Freakout/Release, due for release on August 19. Freakout/Release is another dizzying high in a multi-decade career that’s seen Hot Chip continuing to innovate and develop a rich, resonant songcraft. And while they continue to operate at peak form, the album also feels like a new chapter for the group—a collection of flesh-and-blood songs that finds the band reaching into the darkness to emerge as a true creative unit, their gazes fixed positively on the future ahead.

Freakout/Release was written and recorded in the band’s newly minted Relax & Enjoy studio in East London, a creative space that Al Doyle put together before and during the first year of the COVID-19 pandemic. Coalescing in the Relax & Enjoy studio was essential in establishing the album’s lively, full-band sound and marks the first time Hot Chip began work on a new record all together as well as reuniting them in the same room for the first time following their touring behind 2019’s A Bath Full Of Ecstasy. Lyrically, Freakout/Release explores darker emotions than previous Hot Chip albums have, drawing from the personal and the political to chart the ways people survive even amidst immovable struggles. “We were living through a period where it was very easy to feel like people were losing control of their lives in different ways,” Goddard explains. “There’s a darkness that runs through a lot of those tracks.” Thankfully, Hot Chip aren’t alone while exploring emotionally uncertain territory. Canadian rapper Cadence Weapon features on “The Evil That Men Do”, British DJ and musician Lou Hayter lends her vocals to the slinky “Hard to Be Funky,” while legendary production duo Soulwax contribute additional magic to the raucous title track. Over the last 18 years, Hot Chip have established themselves among similar British luminaries like Pet Shop Boys and Depeche Mode — a true gap-bridging between the worlds of pop and dance music, with a catalogue of songs that move bodies and touch hearts with equal impact. The eleven songs on Freakout/Release are evidence that the band’s not even close to slowing down—even as it’s clear that the weight of the world has seeped into these tunes’ nooks and crannies.

Vinyl is non-returnable

SELLING POINTS

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com

•

Hot Chip's previous albums combined have scanned 250K+ copies. The Grammy and Mercury Prize nominated band have made appearances on Jimmy Kimmel Live!, The Tonight Show Starring Jimmy Fallon, Conan, and sessions with KEXP, KCRW and more.

•

Headline North America tour this spring including a performance at Coachella. Further North American touring & US festivals in 2022 to be announced soon.

•

US radio campaigns to impact Non-Comm, Alt Specialty, and College formats on album release.

•

All LP formats come with a download card. LP (ltd) is a brown pressing. All vinyl formats include the bonus track "The Most Painful Game."

Artist:

Title:

HEART UNDER

Streetdate: 8/19/22

OVERVIEW ‘Heart Under,’ Just Mustard’s second album, asks you to forget what you know. At every turn, this remarkable record reconfigures and stretches the ideas and ambition of a rock band, and turns a year of lockdown and personal struggles into a breathtaking artistic statement. The music the five friends from Dundalk, Ireland make is strikingly untraditional. Though to look at them, it appears that the band are a five-piece with uniform make-up of a vocalist, two guitarists, a bassist and a drummer, not a single one of them utilizes their instrument in a confined or regular fashion. Guitarists David Noonan and Mete Kalyoncuoglu make their sixstrings shriek and wail, the sounds produced sounding like everything from whirring machinery to horror movie monsters. Behind them, drummer Shane Maguire uses the rim of his drums almost as much as the skins, providing a clattering, metallic backbeat. Most of the melodies on offer poke through from Rob Clarke’s inventive, nodding bass lines. Then there’s Katie on vocals; she’s the transfixing focal point of the band.

SELLING POINTS • The band’s unique sound transcends genre and their immersive and all encompassing live set appeals to fans across rock, dance and noise audiences

Across its 10 tracks, the album presents a coherent style and ethos – those scything guitars, Katie’s magical • They just completed 23 live shows in the US and vocals – but still incorporates a wide and untethered Canada leading up to the album release, including 18 vision. There are brooding, atmospheric rock songs shows opening for Fontaines D.C. and others that apply a lighter, dreamier touch, all tied together with impeccable instrumentation and a united • Incredible support from Brooklyn Vegan, Clash, DIY, vision. ‘Heart Under’ serves as the next stage of this Dork, Rolling Stone, Stereogum, So Young, Under The development, with every instrument brilliantly pushed to Radar, a a 94% score on Metacritic its limit and every boundary of the band stretched. • Great playlist support for the single ’Still ’on Spotify: New Music Friday, Apple; New In Rock, Deezer; Brand FORMATS New, Rough Trade; Counter Culture, NME; Best New Tracks and The Line of Best Fit, New Music Discovery Standard Black LP

Catalog #: PTKF3019-1 UPC: 720841301912

• A ton of support at Alternative Specialty and College radio including a live in-studio session at KEXP • The album is in a single pocket jacket, with a black inner sleeve and a 6 panel insert featuring photos and lyrics • The CD and translucent blue vinyl are also available

281 North 7th Street Brooklyn NY 11211 Partisanrecords.com

505 Eno Street Hillsborough NC 27278 877.733.3931 Redeyeworldwide.com Perry Harrell, harrellp@redeyeworldwide.com

The Soft Pink Truth Was It Ever Real? Thrill - 583 Limited CD BOX LOT CD 50

79037H-058321

GENRE : ELECTRONIC / DANCE FILE UNDER : “S” Soft Pink Truth, The RELEASE DATE : 19 - Aug - 2022 NO EXPORT (JAPAN EXPORT OK)

TRACK LISTING:

LISTEN HERE Was It Ever Real? is the latest release from Drew Daniel, the brilliant mind behind The Soft Pink Truth and one half of the iconic experimental electronic duo Matmos. Throughout this limited a mini album of exclusive mixes and songs, is a collection of promiscuous moves across the genres of disco, minimalism, ambient, and jazz, sliding onto and off of the dancefloor. These tracks are luscious other worldy disco with loads of inventive sounds and surprising breaks. This is not retro kitsch but paying homage to highly personal interpretations of disco such as Arthur Russell, Don Ray, Dr. Buzzard’s Original Savannah Band, and Mandré, or the jazz funk of Creed Taylor and CTI records, its emphasis upon slowly morphing deep house grooves will also appeal to fans of DJ Sprinkles, Moodymann and Theo Parrish. At once catchy and spacey, poppy and perverse. This limited Mini album, a teaser for the Upcoming Is It Going To Get Any Deeper than this? a 10 song Banger are both sonically wider than any other Soft Pink Truth record in terms of sound source. Grab it while you can it will not last long. Coming in October 2021 thrill 573 The Soft Pink Truth Is It Going To Get Any Deeper Than This? 2x lp and Cd

Also available from The Soft Pink Truth: Why Do the Heathen Rage? CD/LP (Thrill 368)

1 2 3 4

Is It Going To Get Any Deeper Than This? (Dark Room Mix) You Don’t Know (The Full Rose of Dawn) The Anal Staircase Was It Ever Real? SALES POINTS Was It Ever Real? is the latest release in the Limited Edition CD Series, celebrating Thrill Jockey’s 30th Anniversary, this series has consistently sold out. Features 4 exclusive songs, a bonus to the upcoming full length release Is It Going To Get Any Deeper Than This? Gorgeous artwork designed by Robert Beatty, known for his work with artists such as Tame Impala, The Flaming Lips, The Dream Syndicate, Thee Oh Sees, Neon Indian, and Oneohtrix. Special guests: Daniel Clarke, ID M Theft Able, Rose E Kross, M.C. Schmidt (Of Matmos), Tripp Trapp Trull, Koye Berry, Mark Lightcap, Tom Boram, Andrew Bernstein and is mastered by Jeff Carey “a cathartic, emotional windfall unlike anything Daniel has ever recorded.” - Pitchfork’s “Best New Music”

Shall We Go On Sinning So That Grace May Increase? CD/LP (Thrill 519)

Follow The Soft Pink Truth Chicago / London Ph : 312.492.9634 sales@thrilljockey.com

@thrilljockey

Lightning Bolt Oblivion Hunter Thrill - 504

LP (Cover Shown) BOX LOT LP 25 Vinyl is non-returnable

79037H-050417

Rainbow Splatter LP Blue and Dark Purple Cover BOX LOT LP 25 Vinyl is non-returnable

79037H-504118

GENRE : NOISE METAL FILE UNDER : “L” Lightning Bolt RELEASE DATE : 19 - Aug - 2022 NO EXPORT

LISTEN HERE

Lightning Bolt redefines what it means to be DIY. An utterly singular band in every way, unbridled creativity and energy propel them well past most categorical boundaries, least of which is the boundary between band and audience. Theirs is an immersive experience – a sound so huge it can swallow us all. Oblivion Hunter is a monster. Not a compilation, not concept album and more than the sum of its parts, the record is a peek into the band’s inner world on their home turf (the Hilarious Attic in Providence), collecting deep explorations into distortion, bass manipulation and its intersection with rhythm. A Limited release in 2012 sold out almost immediately. This first re-issue is a deluxe one coming with 4 different covers each matched with it’s own color vinyl. Re mastered by Josh Bonati, you can now immerse yourself in this pivotal Lightning Bolt album’s sonic oblivion and YOU are now the Oblivion Hunter. A cathartic listening experience, Oblivon Hunter finds blast-beats colliding with distorted vocals and all shapes and sizes of guitar noises, even some metallic riffage on the album closer and aptly named “World Wobbly Wide.” Throughout, the sound is amped-up and free with an ear on the railroad tracks to the big sounds of industry and clamor. Bass sounds jump out of the speaker cones that conjure up ears in alien propulsion systems, nights in faraway wind tunnels. Experience this pivotal album in Lightning Bolt’s catalog like never before. “After so many years, albums, and shows, Lightning Bolt have grown into one of the fiercest bands on the planet. But the looseness of Oblivion Hunter is a nice reminder that the core of their appeal isn’t so much that they’re pushing their sound into new places, but that they’re two guys who can’t hide how happy they are that they get to spend their lives making this kind of a racket.” - Pitchfork

TRACK LISTING: 1 2 3 4 5 6 7

King Kandy Baron Wasteland Oblivion Balloon Fly Fucker Fly The Soft Spoken Spectre Salamander World Wobbly Wide SALES POINTS Lightning Bolt are touring throughout 2022 including festivals such as Arctangent Festival (With Opeth, Cult of Luna, and The Locust), Wine Nat White Heat Fest, Moers Festival, and Maifeld Derby Festival Oblivion Hunter has been remastered for LP by Josh Bonati Deluxe reissue of Oblivion Hunter issued on 4 different color Vinyl, each with a unique cover/version of the “Oblivion Hunter”. This is the first time that all the art ,as conceived by Brian Chippendale in 2012, is available. “Oblivion Hunter, is thrilling,.. and ecstatic in equal measure” - Pitchfork “...it is hard to believe that all the glorious chaos of Lightning Bolt — a stalwart of the big noise-punk scene — is being made by only two people, the bassist Brian Gibson and the drummer and vocalist Brian Chippendale. Mr. Gibson and Mr. Chippendale toss back and forth gigantic metal riffs and giggly high notes, creating rainbows of dissonance.” - New York Times

Also available from Lightning Bolt : Hypermagic Mountain LP (Thrill 502) Sonic Citadel CD/LP (Thrill 505) Wonderful Rainbow LP (Thrill 501) Follow Lightning Bolt Chicago / London Ph : 312.492.9634 sales@thrilljockey.com

@thrilljockey

Pelican Australasia Thrill - 557

LP BOX LOT LP 13 Vinyl is non-returnable Trans Orange LP BOX LOT LP 13 Vinyl is non-returnable

79037H-055719 79037H-557114

GENRE : ALTERNATIVE METAL FILE UNDER : “P” Pelican RELEASE DATE : 19 - Aug - 2022 NO EXPORT

LISTEN HERE Pelican’s debut album Australasia, originally released in late 2003 by Hydra Head Records, is a landmark record in the shifting tides of heavy music that took place at the turn of the millennium. 20 years since its release and with several sold out represses, Australasia is a proven essential for any listener exploring the bounds of rock music. Now issued as a deluxe double LP edition newly remastered for vinyl and complete with 3 never-before-released bonus songs, including a remix by James Plotkin and digital downloads of early Pelican live recordings. Artwork by ISIS/SUMAC/Hydra Head founder Aaron Turner. Following the release of the band’s auspicious self-titled EP, Australasia’s singular integration of melodic complexity and tremendous density redefined conceptions of what constituted “heavy.” Pelican’s unique manipulation of atmosphere and dynamics seamlessly alchemized their disparate influences beyond metal into music grand, mercurial and utterly sublime, worthy of the album’s namesake. Billowing clouds of strange serenity give way to tectonic riffs. Hypnotic rhythms chug at the precipice between doom and euphoria. Guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec twirl soaring harmonies around the roaring thunder of bassist Bryan Herwig and drummer Larry Herwig. Throughout the album, the quartet move as one like a glacier, awesome and forever imbuing the landscape with their mark. Australasia stands as a pioneering work, unmatched in the level of unbridled beauty and devastation Pelican wields across the album. Coming soon Thrill 559 Pelican City of Echoes Thrill 558 Pelican Fire and Earth Roads Will Beckon The Thaw

TRACK LISTING: 1 Nightendday 2 Drought 3 Angel Tears 4 GW 5 Untitled 6 Australasia SALES POINTS Essential Metal album Australasia gets a Deluxe Reissue gatefold double LP with 3 tracks of bonus material, and fully artworked inner sleeves, newly remastered for vinyl and complete with 3 never-before-released bonus songs , including a remix by James Plotkin and digital downloads of early Pelican live recordings. Artwork by ISIS and SUMAC founder Aaron Turner. Limited edition translucent orange Lp available. Pelican are touring throughout 2022, being joined by the founding guitarist Laurent Shroeder-Lebec for the first time in 10 years, and will be playing songs from this classic, including sets at Dunk! Festival, FreakValley Fest as well as Hell Fest and Post Fest. “...if growing up is often a process of coming down, then Pelican are still focused on finding transcendence in subtle places. Their music has always thrived on patience—a virtue that makes aging gracefully feel like a seamless evolution.” - Pitchfork “...they lurk, they strike, the guitars crunch and wallow, the tracks are alternatively mercilessly swift or mournful and lugubrious. This is a complete change of mood to everything they’ve produced previously, for the better; here they sound alive and excited to be playing. It’s encouraging to note that everything hangs together very well, strung together by the imperious guitars.” - The Quietus Pelican also record for Southern Lord

Follow Pelican Chicago / London Ph : 312.492.9634 sales@thrilljockey.com

@thrilljockey

Loudon Wainwright III’s latest album, Lifetime Achievement, has 15 new and original songs, and establishes his singular talent as our foremost six-string tragicomedian, not only undiminished, but hitting new heights. The album was co-produced with Stewart Lerman (Last Man on Earth, I’d Rather Lead a Band) and Dick Connette, Loudon’s partner on his Grammy-winning High Wide & Handsome. The orchestration varies from solo performance, to trio work with his longstanding musical cohorts, Chaim Tannenbaum and David Mansfield, to Nashville and Memphis-style little big bands, to a full-blown string arrangement by Rob Moose (Bon Iver, Amos Lee, Paul Simon). On his latest, Loudon lives up to a legacy the New York Times calls “rich, complicated and often surprisingly dark,” sounding as engaged and passionate as ever, richly displaying what NPR calls his “unmatched wit and wisdom.” Loudon puts his most recent achievement in the context of a lifetime of music making this way: “When I made my first record for Atlantic in 1969. I was always saying, ‘I want to make a voice and guitar record, and I want it to be a record, not only a recording, but a document that captures a moment.’ I was 21 and very serious, and I thought I’d be dead in four years. So I wanted to make something that would last. A testament. Now, fifty years later, I guess I still want to make a testament. I want to write a group of songs and get them down in the best possible way. And I like to think they might last a while.”

TRACK LIST: 1. I Been 2. One Wish 3. It Takes 2 4. Fam Vac 5. Hell 6. Little Piece of Me 7. No Man’s Land 8. Back in Your Town 9. Town & Country 10. Island 11. It 12. Hat 13. Lifetime Achievement 14. How Old is 75? 15. Fun & Free Artist: Loudon Wainwright III Title: Lifetime Achievement Item: SSS-046 • Genre: Folk Packaging: Digipak Box count: 40 • Export: N. America Only UPC: 634457100473 Release date: August 19, 2022 StorySoundRecords.com | LW3.com 6

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JOHN ZORN THE HERMETIC ORGAN VOLUME 9— LIBER VII TZA CD 8391 Archival Series John Zorn. Office nr 29—Mars: Birth Words * Saturn: And I Behold Pan * Jupiter: IIIOOShBTh-IOIIIIAMAMThIBI-II * Sol: Into My Loneliness Comes * Mercury: V.V.V.V.V. * Luna: Even to the Abyss, Annihilation * Venus: The Sixfold Star Filled with wild sounds, bizarre juxtapositions, soulful melodies, and pulsating drones, this outrageous recital is one of Zorn’s very best. Inspired by Aleister Crowley’s Liber Liberi vel Lapidis Lazuli, and performed in a kind of trance state, this is music beyond thought, beyond beauty, beyond rationality. Recorded at St. John’s Cathedral in Knoxville, Tennessee during the 2022 Big Ears Festival, this is Zorn at his metaphysical zenith. Organ improvisations with Mystery at its very heart—you have never heard such sounds!

02397-8391 - 2

File Under: Avant-Garde/Classical

Street Date: August 19, 2022 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

Analog Africa No. 35

The Movers - Vol. 1 1970-1976 Street Date

CD: 8/19/2022 05/08/2022 LP: 8/26/2022 Artist: Album: Label: UPC LP: UPC CD: UPC Digital: Genre: Catalog No: Box lot: Format:

The Movers The Movers - Vol. 1 1970-1976 Analog Africa 4260126061590 4260126061705 4260126061606 South African Soul AALP095/AACD095 LP:12/CD:21 Gatefold LP pressed on 180g high quality virgin vinyl CD with 8-panels booklet

Gatefold LP pressed on 180g virgin vinyl CD with 8-panels booklet Download for LP/CD from Bandcamp also includes unlimited streaming of *The Movers - Vol. 1 - 1970-1976* via the free Bandcamp app along with high-quality download in MP3, FLAC and more

The Movers were titans of South African soul who left a legacy of countless songs of pure groove. On The Movers 1970–76, Analog Africa presents 14 of the finest tracks from the band’s undisputed peak. “I first discovered The Movers on my very first “record safari” in 1996. Twenty-five years later I’m still grooving to them.”

Tracklisting

1. Give Five or More 2. Tau Special 3. Soweto Inn 4. Soul Crazy 5. Kudala Sithandana 6. Oupa Is Back 7. Balele

02:39 02:30 03:17 02:38 02:53 04:03 03:10

8. Hot Coffee 9. Gig Soul Party 10. Ku-Ku-Chi 11. 2nd Avenue 12. Phukeng Special 13. Six Mabone 14. Plenty Time

02:34 02:57 02:31 02:38 02:34 02:42 02:32

https://soundcloud.com/analog-africa/sets/the-movers-vol-1-1970-1976/s-Y4KosR2OMCk?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Redeye 505 Eno Street, Hillsborough, NC 27278 Distribution Contact: Jeep Ward / Redeye jeep@redeyeworldwide.com

Analog Africa GmbH Ottomühle 22 88662 Überlingen mail@analogafrica.com

facebook.com/AnalogAfrica/ analogafrica.bandcamp.com soundcloud.com/analog-africa youtube.com/user/AnalogAfrica

zannie How Do I Get That Star STREET DATE: AUGUST 19, 2022 SIDE A 1. mechanical bull 2. a rose for every puppet 3. get that star 4. lovers 5. for a while

SIDE B 6. forest flesh 7. poison plant 8. song of rose pain 9. route 32 10. holy ghosted 11. doppler

• DEBUT ALBUM FOR KILL ROCK STARS FROM THIS BROOKLYN SINGER SONGWRITER • 1ST PRESSING ON CLEAR PURPLE VINYL “. . . it’s in the music – its translucent guitar melodies, sunrise synthesizers, and zannie’s own classic folk songwriter cadence… becomes something almost too lovely to come from our wretched planet.” – THE FADER

How Do I Get That Star is Zannie Owens’ debut record under their own name, as well as the first release with Kill Rock Stars. Previously, they performed as Potted Plant and they co-helmed the band Really Big Pinecone alongside Michael Buishas (0 Stars, .michael). This latest effort is self-produced, and features contributions from friends in New York, as well as zannie’s brother Sam, who plays bass and also mixed the record. Made over the course of four years, the record deals with feelings of pining for the unknown, the mystical, and the mundane. To paraphrase zannie, the record was produced mitotically from their mind. The resulting 11 songs (picked precisely because of the number’s magical, symmetrical qualities), are warm to the touch. To listen to How Do I Get That Star is to immerse oneself in a sound bath or look up at the stars on a summer night in the middle of nowhere.

CD-KRS-722

LP-KRS-722LE

59656

07224

59656

07222

KAMIKAZE PALM TREE Catalog: DC843 Formats: LP/CS Vinyl comes in black & brown versions

Street: August August 12, 19,2022 2022

“MINT CHIP”

Since 2015, Kamikaze Palm Tree have been a relative mystery. Now, in times no less mysterious, Drag City welcomes them to our tropical island desti-nation, celebrating the energy of their second LP, MINT CHIP, CHIP where KPT play their offbeat strain of 21st century rock.

Export of Mint Chip to the UK & Europe, Japan and Australia is STRICTLY FORBIDDEN Scoop Up All Sales Elsewhere

TRACK LISTING

reach deeper into their bag of tricks than ever before, dialoguing with an absurd FLAMINGO shared intent they haven’t yet paused to IN THE SAND question. The off-center pieces gathered BONGO’S LAMENT together for Good Boy have given way PREDICAMENT to pulsing aquatic compositions on MINT CLUB BANGER CHIP. Cole’s guitar tones, wire thin, bellCHIP WESTSIDE SYNCOPATION like, bluesily downtuned, slinky and slidY SO K “HOW CAN YOU TELL?” ing elegantly, arc purposeful around their COLE’S MILK Seven years back, they emerged — full- SMOKE ON THE MILK, BUT MY WAR peripherals. Dylan’s kit work, effortless yet precise, grounded with heavy bottom, born, finding themselves in SF. Over two MINT CHIP drives and interacts organically with all EPs and a live set released on Bandcamp, COME IN ALONE the emerging structure, nailing down they were exploring everything they CHARIOT ON TOP finely detailed frames and canvases to loved, all at once. The KALX set, played in THE HIT backdrop her singing and the unremitearly ’18 with a bigger band lineup (harp STABILO ting landing of melodies and songs. With and sax!) was a sign of things to come. The wild world they’d created for themselves was filling out nicely, but the addition of Josh Puklavetz, things that didn’t make sense the clock on the wall said Kamikaze Palm Tree were set to bring before — like bass — are now on the beach, fully lotioned, essence their sound in from the out door. With the thought in head, they to essence. Violin and clarinet (Laena Myers Ionita and Brad crafted their debut album, 2019’s Good Boy, recorded at SF’s Tiny Caulkins, respectively) round out the tonal spectrum. All strung Telephone by Spencer Hartling. Written to play live, Good Boy together in the foothills of Altadena’s Wiggle World Studios with was (and still is!) a subtle mutant monster of a pop album that has Hartling back in the engineer’s seat and Tim Presley producing only become more and more fun listening to for the last two years. the proceedings! “LAUGH TO YOURSELF” ...but that’s all over for now, Baby Blue. Now it’s time for some MINT CHIP. CHIP The songs: their imagined pictures — anything from faintly to innately ridiculous — are somehow intimate yet devoid of context (“none of “EASY TO TRY” the songs are about anything”). Ambiguity and nostalgia, hand in Making MINT CHIP, CHIP Dylan Hadley and Cole Berliner hand — for you, cognitive and dissonanced, humming along.

DRAG CITY INCORPORATED Post Office Box 476867 Chicago, Illinois 60647 312.455.1015 sales@dragcity.com

CASSETTE

Peel Dream Magazine

Label: Slumberland Records Catalog Number: SLR 251 Street Date: August 19, 2022

“Agitprop Alterna”

Back in stock - new album out in October!

“Peel Dream Magazine have cemented themselves as reliably strong pop purveyors. They’re reminiscent of classic shoegaze, but still keen on stretching sonic boundaries and perplexing listeners.” - PASTE “the Brooklyn shoegaze band’s second album is a patchwork of brainy indie-pop influences with its own absurdist charm.” Pitchfork “hooky, harmonic rock that seems to glow softly from within all the noise. It's an enveloping, oddly comforting soundtrack to troubled times.” - Exclaim! “They manage to encapsulate the historic spirit of their genre while flourishing it with their own textures and discoveries.” Post-Trash

New repress on classic black vinyl!

LP UPC: 749846025111 Packaging: black vinyl LP with DL code Box Lot: 20/40

File Under: Alternative - P TL; DR: Dreamy, motorik pop with terriﬁc production and major shoegaze ﬂavor. RIYL My Bloody Valentine, Stereolab, Broadcast, Lilys. CD UPC: 749846025128 Packaging: Gatefold digipack Box Lot: 50/200 master 7

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Peel Dream Magazine is the musical vehicle for NYC's Joe Stevens, who launched the band in 2018 with the critically acclaimed album Modern Meta Physic, a mysterious, liminal tribute to the hazy end of ‘90s dream-pop that found its place on numerous "Best of 2018" lists. Now Peel Dream are back with Agitprop Alterna, an album that pays homage to the fuzzy, mod-ish pop of acts like My Bloody Valentine and early Stereolab, but it's also indebted to stateside bands like Yo La Tengo and Rocketship that were cut from a similar cloth. Agitprop Alterna ﬁnds Stevens channeling the collaborative spirit of the band's live incarnation in the studio, deepening the connection between the existential and the interpretive ﬁrst explored on Modern Meta Physic. It is a rejection of manipulation in all its forms and a buzzsaw against complacency; it's a rare trick to agitate without being obvious, and perhaps that makes Agitprop Alterna the most Peel Dream Magazine-like statement yet.

Also available:

“Modern Meta Physic” Repress LP/CD

Contact: Stephen Svacina email: stephen@redeyeworldwide.com tel: 1.877.733.3931

Also available:

“Moral Panics” 12” EP

Territory: The Americas & Japan

DAISY PRESS

YOU ARE THE FLOWER Music from Hildegard von Bingen - Vol. 1

Artist: Daisy Press Composer: Hildegard von Bingen Title: You Are the Flower Music from Hildegard von Bingen - Vol. 1 Genre: Sacred & Religious / Vocal non-Opera / New Age Cat: SSS-047 UPC: 634457106499 Packaging: CD with 24 pg zine-style book Box: 12 Export: N. America Only Release date: Aug Sept 19, 9, 2022 2022

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With You Are the Flower, her first solo album, vocalist Daisy Press finds her voice in communion with the sainted and celebrated 12th century composer, Hildegard von Bingen. Daisy’s deeply personal approach, both irreverent and devotional, breathes new vibrant life into the world and work of the medieval visionary. Press first encountered Hildegard in a graduate school program at Oxford under the tutelage of the rockstar theologian nun Sister Benedicta Ward. Years later, in the midst of her career as a a go-to, indemand, classically-trained singer, spanning the diverse musical worlds of nightlife, classical new music, and experimental pop, searching for something she could call her own, Daisy rekindled her relationship with the 12th century mystic. Hildegard’s words and music spoke to her of a reclaimed power, of taking up space and demanding autonomy. Even more so, of the ecstasy of the body. Of the six chants on the You Are the Flower, three celebrate the martyred St. Ursula and three celebrate the Virgin Mary; they all speak about a devotion to the feminine. The first chant on the album, “Favus Distillans,” proclaims Ursula as longing to “embrace the Lamb of God with honey and milk under her tongue,” the imagery at once chaste and sensual. Fittingly, the album ends with “Ave Maria O Auctrix Vitae,” a full-on psychedelic ride (and epic homage to the Virgin Mary). Hildegard was 42 was when she started having visions and started writing. So when Daisy approached the same time in her life, Hildegard resonated. Thus inspired, Press has put her own stamp on Hildegard, birthing a new voice into the world, and inviting listeners to go on this adventure with her.

ELI WINTER self-titled

LP-TLR-140 Street Date: August 19, 2022 Format: Vinyl LP (with download) UPC: 634457095298

Chicago-based guitarist / composer Eli Winter’s new self-titled album finds him building on the promise of his recent records—like 2020’s Unbecoming and his 2021 collaboration with Cameron Knowler, Anticipation—with a gem of an album on which he leads an ad-hoc group that delicately balances a range of colors and moods. Winter is an accomplished player with impeccable technique and an unassuming virtuosity, capable of both mesmerizing intricacy and florid romanticism, but on Eli Winter he frequently plays a supporting role, creating ample room for his collaborators. The result is the sound of an artist escaping any lingering shadows of his primary influences and coming into his own; ironically, Winter does this by deemphasizing his role as traditional bandleader. Assisted by a murderer’s row of peers and contemporaries including Cameron Knowler, Yasmin Williams, David Grubbs, Ryley Walker, Tyler Damon, jaimie branch, and others, Eli Winter showcases a compositional depth and authoritative skill only hinted at on Winter’s rightfully acclaimed previous work. “For a Chisos Bluebonnet” begins the album on a perky and playful note, placing Winter in conversation with guitarist Knowler and pedal steel dynamo Sam Wagster, displaying in microcosm the dialectical, sympathetic collaborative language that is a hallmark of the album. The sound, largely captured by engineer Cooper Crain, is light and tight, with a panoramic clarity that renders the music lifesize. “Davening In Threes” continues, at first, the galloping, exuberant feel of its predecessor, as the harmonizing guitars of Wagster, Knowler, and Winter manage to extract beauty from a bluegrass breakdown tempo. Then, suddenly, Williams joins the trio for an interlude of harmonics before the suite concludes with a martial third act in 6/8 time. At this point it’s as if Winter begins to intuitively worry that all this prettiness is making us a tad too comfortable. The antidote arrives in the form of the dark-hued “No Fear,” which sounds like a prelude to a showdown; the slow-burn improvisation blends Wagster’s slingshots of whinnying pedal steel, Jordan Reyes’ rangy synthesizer scramble, and all manner of tube-sizzling, tremolo bar scree by Winter, Knowler, and Walker. The track provides no catharsis but rather hums with a sustained, agitated intensity. Side two begins with the pastoral post-rock of “Brain on Ice,” a soaring piece almost tender in its elegance, punctuated by the telepathic rapport of Damon’s percussion and Knowler’s nimbly ruminative acoustic guitar. “Dayenu” sounds at first as if it were composed on a commission or a dare to convey in sound a twinkle of the eye, before its fake-out ending pivots to a dramatic crescendo of branch’s proclamatory flugelhorn, Knowler’s rabbit-punch guitar interjections, and a shower of cymbals courtesy of Damon. The album saves the best for last, in the form of “Unbecoming,” which features Winter on 12-string guitar alongside Grubbs’ spectral harmonium and the harmonic, birdsong-evoking trills of Whitney Johnson’s viola, before gradually clearing a space for Liz Downing’s bowed banjo and a distant choir, courtesy of Downing and vocalist Giulia Chiappetta, whose lush harmonies provide the welcome and unexpected sound of heavenly human voices just as the song begins to fade, concluding the album with a tacit reminder, perhaps, that when God is busy or silent or absent, angels often pick up the slack.

1. For a Chisos Bluebonnet (3:48) 2. Davening in Threes (6:33) 3. No Fear (6:25) 4. Brain on Ice (4:41) 5. Dayenu (6:52) 6. Unbecoming (8:25)

SALES POINTS - Third widespread Eli Winter solo release and first with Three Lobed (prior releases on American Dreams and Worried Songs), this self-titled album demonstrates Winter pacing a tight band (including members of the Circuit des Yeux touring outfit) through expertly arranged and performed ensemble tracks. - Guest appearances from Yasmin Williams, Ryley Walker, jaimie branch, David Grubbs, Jordan Reyes, Cameron Knowler and more. - 140g black vinyl LP housed within a full cover bearing photography from Winter with insert (& multi-format download). - “…really sublime…” Laura Snapes, The Guardian (from “50 New Artists for 2020”) - “Every moment is earned, every note rings out with warmth and wonder. Beautiful stuff.” Tyler Wilcox, Aquarium Drunkard - “…a stellar addition to the canon of gut-punching, emotionally brave guitar music that’s become its own genre…” Will Schube, Passion of the Weiss - “Rich and inviting, The Time To Come is especially impressive for coming so early in the songwriter’s career. The future is bright for Eli Winter, and we’re lucky to be able to witness it.” Luca Cimarusti, Chicago Reader - “Winter is one of the brightest new lights in the world of guitar music today.” Keith Hadad, Record Crates United - RIYL: Daniel Bachman, Jack Rose, William Tyler, kosmisch Americana.

Three Lobed Recordings PO Box 2345 Jamestown, NC 27282 www.threelobed.com media queries to Nathan Walker (nathan@riotactmedia.com)

James Toth, 2022

Distributed by Redeye, 505 Eno St., Hillsborough, NC 27277 / stephen@redeyeworldwide.com / (877) 733-3931 ext 249

LIVE FROM THE 40 WATT STREET DATE: August 19, 2022 TRACK LISTING SIDE A 1. Bride Of Frankenstein 2. Catholic Girls 3. The Prince Of Wails 4. Ellie Dee 5. Relax 6. Cindy

SIDE B: 1. Na Nanana 2. Pop Roots 3. Waltzing Mathilda 4. Information 5. Crickets 6. Snowman

SIDE C: 1. Dancing Example 2. Satellite 3. Tell Me Now 4. Unrelated Happenings 5. Kathy 6. The Sheik

SIDE D: 1. Kalinka 2. S.P.Q.R. 3. Strolling Bones 4. Modern World 5. What You Get 6. Elephant Radio

VINYL Sel. #: SB4 LP CONFIG: Gatefold, 2x LP, Turquoise Vinyl, Sticker UPC: 607396004133 Box Lot: 35 Count Genre: Rock

Squalls were a band who came from the same rich Athens, GA scene as The B-52’s, Pylon, R.E.M., and Love Tractor, but played their own brand of quirky pop with their own unique sound. Equal parts Lovin’ Spoonful, Grateful Dead and Talking Heads, they got many a person up on the dance floor. From 1981 to 1989, Squalls rocked Athens and made several tours of the South, the Midwest, and East coast cities including several shows at New York City clubs CBGB, Danceteria, and Peppermint Lounge. They released 4 recordings and were included in the 1986 movie Athens, GA: Inside/Out. The band also played at the legendary Athens 40 Watt Club 64 times during their heyday.

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CD Sel. #: SB4 CD CONFIG: Digiwallet, Sticker UPC: 607396004119 Box Lot: 40 Count Genre: Rock

Squalls Live From The 40 Watt is a collection of 24 tracks recorded by 40 Watt Club soundman, T. Patton Biddle, and selected from five early 1980s shows. Live From The 40 Watt is set for release on August 19, 2022 via Strolling 6 Bones Records.

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www.squalls.band

www.StrollingBonesRecords.com

SZUN WAVES

EARTH PATTERNS Street date: file under: territory:

The members of Szun Waves may not have been collectively in the same country, let alone room, for over two years, but that hasn’t prevented them from realising their third album, Earth Patterns.

The trio – comprised of producer Luke Abbott, saxophonist Jack Wyllie (Portico Quartet) and drummer Laurence Pike (Triosk/PVT/Liars) – recorded the album sessions together at the tail end of their 2019 European tour, locking themselves away in the studio for three days of improvisation. They emerged with hours of music, some inspired by their live shows, most born fresh in the studio itself, ready to be moulded into the group’s third album in five years. However, with Laurence marooned in Australia, and Luke and Jack grounded in different parts of the UK, it meant an unexpected reassessment of the band’s creative remit, and the enforced long gestation period almost inadvertently ended up creating the most fully-formed Szun Waves record to date. Where second album, New Hymn To Freedom, had its face tilted up to the heavens, Earth Patterns is a more grounded record, and in places, a more claustrophobic one: Wyllie’s saxophone squalls ripple in the background as Pike’s dense drums clatter, both shaped and guided by the atmospherics of Abbott’s synths. Moments of jazz harmony collide with cinematic soundscapes; long searching passages build into kaleidoscopic frenzies. “I think the record we’ve ended up with is an emotional outpouring,” Abbott says. “There’s a fluidity to it that feels like we tapped into something quite raw. The last record felt like drifting in space but I see this new record as a journey from the outer reaches of the universe down onto the earth, like a macrocosm to microcosm arc,” he explains.

The Leaf Label theleaflabel.com contact@theleaflabel.com

Friday August 19 2022 Jazz/Electronic World ex. Europe

Black vinyl LP BAY 119V UPC 843190011919

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Limited edition ‘brown smoke’ vinyl BAY 119VX UPC 843190011933

43190 01193 3

CD BAY 119CD UPC 843190011926

43190 01192 6

• Szun Waves’ third album, following New Hymn To Freedom (2018) and At Sacred Walls (2016) • Recorded over three days in London in 2019, with additional input from James Holden and mixer David Pye • The album will be released on CD, black vinyl LP and limited edition indies only ‘brown smoke’ vinyl (900 copies for the world) • Vinyl editions include a spot varnished cover, printed inner sleeves and a download code • Earth Patterns will be preceded by three digital singles: ‘New Universe’, ‘Exploding Upwards’ and ‘In The Moon House’

• Dom Harwood’s video for lead track ‘New Universe’ is a brilliant distillation of what Szun Waves are - a marrying of the organic and the strange: spectral and widescreen • Harwood has worked on all aspects of the visual identity for this era of the band, including the beautiful artwork that embodies the rich, detailed approach of Earth Patterns as a whole • Previous album New Hymn To Freedom was incredibly well received, placing at number 4 in The Guardian’s Contemporary Albums of the Year list, and also featuring in end of year lists for The Quietus, Loud & Quiet and Get Into This • Support from XLR8R and Resident Advisor On New Hymn To Freedom: “Here the woozy, dream-like electronic meditations of Portico Quartet saxophonist Jack Wyllie and synth player Luke Abbott are brought to life by Laurence Pike’s fluttering, fizzing drums” The Guardian “Szun Waves jams come as swells, with a power that is hard to dismiss” Pitchfork

877.733.3931 x225 redeyeworldwide.com lanie@redeyeworldwide.com

Leatherface – Minx Call Of The Void LP

VOID005LP

809236190512

Ltd edition RED Vinyl, DL card . Re-writing the rule book when it came to punk requisites, Leatherface combined passion, angst and power with undeniable songwriting and technical prowess. Led by wordsmith Frankie Stubbs their explosive hooks and thrashing guitars quickly became their trademark and made them one of the most exhilarating UK bands of the 90s. Arriving at the peak of their career, ‘Minx’ channelled Stubbs’ love for Joy Division and features their much loved fourth bassist, former Snuff band member Andy Crichton. A lost classic, it brought with it a more emotional direction to their sound which was released on the brink of the band’s hiatus. ★★★★ MOJO

Side A

Side B

A1 Wallflower

B1 Don't Work

A2 Books

B2 A Sad Day Indeed

A3 Fat, Earthy, Flirt

B3 Skin Deep

A4 Do the Right Thing

B4 Dustbin Modo

A5 Evil that Men Do

B5 A Cartoon (With the Pain)

A6 Heaven Sent

B6 Pale Moonlight

The Stooges - A Fire of Life Easy Action

2LP Orange Vinyl

EARS174LP 5060446073261

2CD

EARS174

5060446073278

A composite of mixing desk recordings from shows featuring original Stooges guitarist Ron Asheton. 6 tracks recorded in the studio, 5 of which are re-recordings of iconic Stooges tracks. Deluxe card gatefold sleeve with photos of all band members and full color printed inner bags . VINYL; Side A: 1. Loose 2. Down On The Street 3. I Wanna be your dog. 4. 1969 Side B: 1. TV Eye 2. Dirt 3. Real Cool Time 4. No Fun Side C:1. 1970 2. Funhouse 3. Skull Ring 4. Little Doll Side D: In The Studio 1. Intro 2. Little Doll 2.48 3. Loose 3.22 4. Trollin’ 2.13 5.TV Eye 4.03 6. I Wanna be Your Dog 4.18 7. No Fun 4.04 CD DISC 1: Live in Concert 1. Loose 2. Down On The Street 3. I wanna be your dog. 4.1969 5.TV Eye 6. Dirt 7. Real Cool Time 8. No Fun 9.1970 10. Funhouse 11. Skull Ring 12. Little Doll Sydney 26.01.2006, New Orleans 2003, DISC 2: Studio Sessions and the “Shop bootleg” 1. Intro 2. Little Doll 3. Loose 4. Trollin’ 5. TV Eye 6. I Wanna be Your Dog 7. No Fun 8. Intro “you think I'm gonna play a gig in a record store? fuck no“ 9. Loose 10. Down On The Street 11. 1969 12. Real Cool Time 13. TV Eye 14. Monologue by Iggy 15. No Fun 16. Dead Rockstar 17. Skull Ring 18. Not Right 1-7 In the Studio 11-19 Newbury Comics, Cambridge MA USA 4.11.03

0100213243ÿ30617

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FMG100: LP/CD/CASS available August 19, 2022

First single 'Company Man' out 5/27/22 Second single 'Come Alive' out 6/30/22 8/19/22 (Digital/LP) Album "Special Interest" (Focus Track: 'Your Secret is Safe With Me') out 7/20/22

“Think of deep cuts from Ambrosia, Bob Welch-era Fleetwood Mac, Ace, and Todd Rundgren and that is the mission statement of Bloomington, Indiana-based singer-songwriter Damion on his new album Special Interest 'Company Man' [...] features all the checkboxes of a lost ’70s soft rock hit along with blistering guitar solo and helium harmonies that beg for repeat plays." -Glide Tour: 7/22 - Bloomington, IN + More TBA Credits: Mastering: Mike Bridavsky Produced: Ben Lumsdaine and Lewis Rogers Engineer: Ben Lumsdaine and Lewis Rogers Mixing: Ben Lumsdaine Artwork: Aaron Denton Genre: Alternative Hometown: Bloomington, IN Key Selling Points: Limited to 500 copies, Full Top Tier PR & Radio Campaigns, Indie Retail Focused, Detailed Artwork by Aaron Denton, Featured on key outlets like New Commute, Glide, and Earth Libraries. Damion has been a member of Laﬀing Gas, Amy O, Bugg. Tracklisting: A: Company Man / Your Secret Is Safe With Me / Round Springfield / See Through B: Come Alive / Roadhouse / Bad Side / I Don't Need Anything / Special Interest 12” LP UPC: 810017649891 CAT #: EL252LP

Distribution: jillw@redeyeworldwide.com Label: bryant@earthlibraries.com PR: erin@tellallyourfriends.com

"A wooly groove with airy doo-wop oohs and aahs and radiant streaks of Harrison-esque electric guitar squalls." - New Commute

"A nice slice of bummed out orchestral pop" - Brooklyn Vegan

Artist: Charlie Reed Album: Eddy Genre: Alternative/Americana/Chamber Pop Hometown: Chicago, IL Key Selling Points: Limited to 500 copies, Full Top Tier PR & Radio Campaigns, Indie Retail Focused, Detailed Artwork, Featured on key outlets like New Commute, Brooklyn Vegan, and Earth Libraries. Charlie Reed features members of Spread Joy, …. Tracklisting: A: All Again / Love Store Stickup / Holding On / Helpless / Leave Me In Here B: Too Late Mamma / Baby Who Are You / Donʼt Drop Me / Your Hair Is Nice / Saving Up 12” LP UPC: 810096650177 CAT #: EL271LP

Distribution: jillw@redeyeworldwide.com Label: bryant@earthlibraries.com PR: erin@tellallyourfriends.com

Her lyrics and melodies are wonderful, careful, and winding, but they donʼt feel particularly fussed over. One gets the sense that Cohen just starts singing lines on a jog or a drive, filling the dishwasher or raging against a heavy-bag in kickboxercise class. You also get the sense that Cohenʼs done some hard, regular time in the therapistʼs armchair, just as busy judging herself as she is everyone else. Sheʼs developed a droll perspective on her own anxiety and depression, but it seems that the voice weʼre hearing is more self-assured than it was a short time ago; it carries a nimbleness and an endearing twang to it — in some moments, you can almost hear her grinning.

Artist: Jackie Cohen Album: Tacoma Night Terror, Part 1: I've Got the Blues / Part 2: Self-Fulfilling Elegy Format: CD UPC: 810599022464 CAT #: CD-EL-353 Genre: Alternative / Indie Hometown: Los Angeles, CA Selling Points: The debut EPs from Jackie Cohen together on one CD. Produced by Jonathan Rado, Brian D'Addario, & Michael D'Addario. Tracklisting: Ladies' Man / Maddy / Darlin' / Bold / Make U Sick / Tacoma Night Terror / Darlin' The Trip / It's Rainin' Again / I Hate My Body

Distribution: jillw@redeyeworldwide.com Label: bryant@earthlibraries.com PR: daniel@luckybirdmedia.com

"Oﬀering a blend of vintage sounds including early psychedelic folk, country, and portable-radio-filtered '70s AM pop, N.Y.C.-based singer/songwriter Jackie Cohen makes a melancholic brand of indie pop." - All Music "Utterly spellbinding" - Line of the Best Fit "A half hour ride of mad pop that flirts somewhere between Phil Spector and the Grease soundtrack" - Secret Meeting Artist: Jackie Cohen Album: Zagg Genre: Alternative / Indie Hometown: Los Angeles, CA Key Selling Points: Produced and Engineered by Jonathan Rado of Foxygen. Recorded at Montrose Recording, Richmond, VA. Mixed by Ali Chant / Mastered by TW Walsh. Detailed Artwork by Adam Green painted Jackie looking like a doctrinal seer peering into a cartoon mirror for the cover. Limited remaining stock of 130 copies, Mixed Vinyl Colors, Hype Sticker, Sticker Sheet, Obi Strip, Digital Downloads. Full Top Tier PR & Radio Campaigns, Indie Retail Focused. Tracklisting: FMK / Caught In A Feeling / Get Out / Take Care Of Your Skin / Chico Chico / My Size / It Hurts / Too Cold To Cry / Yesterday's Baby / Goodbye Love Of Mine / Keep Runner 12” LP UPC: 810599022747 CAT #: EL355LP

Distribution: jillw@redeyeworldwide.com Label: bryant@earthlibraries.com PR: daniel@luckybirdmedia.com

The Nightingales - King Rocker (Soundtrack) Fire Records LP

KROCK001LPB

809236190819

Black vinyl, includes A3 Theatrical Poster, Booklet + DL Card. Following the huge recent success of ‘King Rocker’, spotlighting The Nightingales as one of the best band’s in Britain, comes the soundtrack. All of the highlights from the film are here, along with rarities which won’t appear on any of the deluxe reissues of the Nightingales’ catalogue, among them 7″ versions of “Use Your Loaf”, the Bob Luman hit “Let’s Think About Living” and “Black Country”, a glam remix of crowd favourite “Thick And Thin” and a version of Christy & Emily’s “Ghost” which rivals the Nightingales’ take on TLC’s “Unpretty” for sheer beauty. A1 Use Your Loaf (7” Version) A2 Surplus And Scarcity (Live) A3 What A Carry On A4 Let's Think About Living (7” Version) A5 Black Country (7” Version) A6 Ghost B1 Born Again In Birmingham B2 Overreactor B3 Thick And Thin (Glam Version) B4 Chaff B5 The Desperate Quartet B6 Gales Doc

PHIL SEYMOUR IN CONCERT! Phil Seymour Archive Series Volume 3

2 COLOR CAS

rummer, guitarist & singer-songwriter PHIL SEYMOUR came on the scene with a Top 20 hit with the Dwight Twilley Band called “I’m On Fire” in 1975. After 2 albums with his Tulsa, OK bandmate, SINCERELY (1976) and TWILLEY DON’T MIND (1977), Phil decided to go solo. Initially he struggles to find a foothold, but once the new wave hits America, the Phil Seymour Band storms Hollywood and becomes one of the hottest acts on the circuit. Signed to Neil Bogart’s Boardwalk label, by 1981 Phil is riding high at #8 on Billboard’s Hot 100 with the self-penned classic ‘Precious To Me’. In support of his album, Phil begins to tour the World. At long last these legendary Phil concert recordings have been made available as part of the PS Archive Series. Each disc features a different band, first Phil Seymour & the Feel and then the outfit he put together to support his debut album’s release. Special note - Phil’s version of the John Prine / Phil Spector song If You Don’t Want My Love is a rockin’ masterpiece, as are Baby Come Back (the Equals song), Dwight Twilley’s Looking For The Magic, Phil’s own Baby It’s You and Bobby Fuller’s Let Her Dance—both versions! SIDE 1 1. MY BABY LEFT ME 2. LIVE IS LIKE AN ITCHIN’ IN MY HEART 3. BABY, COME BACK 4. LOOKING FOR THE MAGIC 5. YOU’RE MY LOVER 6. TRYING TO GET TO YOU

7. DO I LOVE YOU 8. WHEN I WRITE THIS BOOK 9. BABY IT’S YOU 10. COME WHAT MAY 11. CAN’T HURRY LOVE 12. LET HER DANCE

SIDE 2 1. BABY ITS YOU 2. LOVE YOU SO MUCH 3. WON’T FINISH HERE 4. DON’T BLOW YOUR LIFE AWAY 5. THEN WE GO UP 6. PRECIOUS TO ME

7. LET HER DANCE 8. TRYING TO GET TO YOU 9. IF YOU DON’T WANT MY LOVE 10. (YOU’RE SO SQUARE), BABY, I DON’T CARE 11. WE DON’T GET ALONG 12. I FOUND A LOVE

SETTE

MARKETING INFO: n LIMITED EDITION — ONLY 500 UNITS! n ONLY CASSETTE AUTHORIZED BY THE PHIL SEYMOUR ESTATE n DIGITALLY REMASTERED n 24 POWER POP GEMS n REMIXED UNDER THE SUPERVISION OF GRAMMY WINNING PRODUCER RICHARD PODOLOR

RELEASE DATE: 8/19/22 ARTIST: PHIL SEYMOUR TITLE: PHIL SEYMOUR IN CONCERT! PHIL SEYMOUR ARCHIVE SERIES VOL 3 CATALOG #: CS-SBR-7019 UPC: 7 08535 70192 7 LABEL: SUNSET BLVD RECORDS BOX LOT: 20 PER BOX GENRE: ROCK / POWER POP

REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com

TRACKLIST A1 A2 A3 A4 A5 A6

Danza Negra Mi Pueblo Colombia Tierra Querida Nelly A Orillas Del Chicagua Gaita De Las Flores

B7 Fiesta De Negritos B8 Que Caña Dulce B9 Roberto Mendez B10 Tambores De Chambacu B11 Prende La Vela B12 Santa Marta C1 Mi Cumbia C2 Gaiteando C3 Arroz Con Coco C4 Plinio Guzman C5 Navidad Negra

RELEASE DATE : 2022-08-19

Lucho Bermudez y su Orquesta The Coastal Invasion Cumbia, Porro, Gaita & Mapalé from Colombia’s Caribbean Coast (1946-1961) 'The Coastal Invasion’ highlights the golden age of big band cumbia and the maestro who is often seen as Colombia’s most influential composer, Lucho Bermudez. Bermudez was a key figure who modernised the tropical music of Colombia's Caribbean coast. At the beginning of the 20th century, this music was largely looked down on. Bermudez changed all that by injecting a modern, jazzy big band sound to the Afro-Colombian sounds from his native region.

D6 Tolu D7 Taganga D8 La Buchaca D9 Irma D10 Mi Cumbia (alternative version)

High Quality 2 LP. Includes a 16 page booklet with the illustrated biography of Lucho Bermudez. Catalogue nr. RMLP009

radiomartiko.bandcamp.com

The infectious Afro-Amerindian dance rhythms of Lucho Bermudez y su Orquesta took over the elite nightclubs of Bogota and Medellin and from there, his music spread all over Latin America. For many Colombians, the songs of Lucho Bermudez and his wife and starlet singer Matilde Diaz represent the sound of their nation. This compilation contains a selection of the music of Lucho Bermúdez y su 505 Eno Street Hillsborough NC 27278 Orquesta recorded during the years that they lived and worked in Medellín, 877.733.3931 - Redeyeworldwide.com Lanie Graettinger - lanie@redeyeworldwide.com probably the best work the orchestra ever recorded.

CS + CD: available now, LP: August 19, 2022 Topshelf Records TSR228 Home market: Denton, TX

Record Setter - I Owe You Nothing Gle under: emo hardcore post hardcore post rock rock screamo

Info: Explosive, unpredictable, and persistently candid throughout, I Owe You Nothing is a lesson in introspection and identity. The Denton, Texas-based Record Setter are unHinchingly inventive with every new release, creating intricate compositions which balance their Gerce spirit and delicate emotions. Frenzied and impassioned vocals soar over thunderous guitars, ferocious percussion, and bone-shaking low-end, comprising fervent songs that oscillate between raw powerful screamo and affective post-rock melodies. Through introspective lyricism and turbulent sonic soundscapes, I Owe You Nothing chronicles the lifelong journey of coming to terms with yourself, your anxieties, and your mistakes, ultimately rewarded by a sense of empowered independence.

Track List: 1. Someplace 2. Sometimes 3. Humus 4. Present Tense 5. A Portrayal 6. An Impression 7. An Explanation 8. Rigor Mortis 9. Reprise 10. Future Tense 11. Fail and Fall

For Fans of: Suis La Lune, Loma Prieta, This Will Destroy You, Touche Amore, Underoath, and other Topshelf artists: Crash of Rhinos Deer Leap Donovan WolGngton Frameworks Gulfer My Fictions Oyama Pianos Become the Teeth The Saddest Landscape Suis la Lune Touche Amore We Were Skeletons The World Is a Beautiful Place & I Am No Longer Afraid to Die

Selling Points: • Vinyl packaging includes printed dust sleeve, insert, OBI strip, marketing sticker, colored "butterHy" vinyl in a standard, matte LP jacket. • US college radio campaign through Pirate Promotions. • Press campaign handled by Will Osiecki. • 25k+ monthly listeners on Spotify • US college radio campaign through Pirate Promotions.

Your new favorite band. -Washed Up [M]elding screamo abrasion, pop-punk melody, and molten shoegaze textures, their past decade of musical and emotional repression burned off in an all-consuming blue streak. -Stereogum

• • • • • •

Download Code Yes x2 LP UPC 634457069091 CD UPC 634457043435 CS UPC 634457043442 Export Worldwide Box Lot 30 LP / 15 CS / 30 CD

Topshelf Records 540 NE Tillamook Street Portland, OR 97212 United States info@topshelfrecords.com

I Owe You Nothing does indeed feel like analbum where absolutely nothing is heldback... There's no way to listen to this album other than start to nish, and when you do, it's hard to imagine not feeling swept off your feet. -Brooklyn Vegan I Owe You Nothing is emotional, raw, and thrashing in its delivery, making for one of the most instantly invigorating and vital records of 2020. -UPROXX

Redeye Distribution 505 Eno Street Hillsborough, NC 27278 United States harrelp@redeyeworldwide.com

Thank you for your interest in our catalog! Over the last thirteen years, Topshelf has released 250+ albums by 100+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit: topshelfrecords.com/like

CD, CS: May 27, 2022 // LP: August 19, 2022 Topshelf Records TSR256 Home market: Philadelphia, PA

Sweet Pill - Where the Heart Is Hle under: emo indie rock pop pop punk punk rock

Info: Philadelphia’s Sweet Pill write eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene—through a handful of notable side projects and the show-promoting Philly staple 4333 Collective—the quintet’s sound takes wide-spectrum inIuence from its environment. The result is an amalgam of complex song structures and Iourishes of technical acumen, wholly unconcerned with genre, yet evoking the speciHc styles of touchstones such as Paramore and Circa Survive. On their debut longplayer Where the Heart Is, Sweet Pill’s unbound, raucous energy presents through ten autobiographical tracks that hinge on singer Zayna Youssef’s elastic, enrapturing voice—at times belting and controlled, at others textural and guttural. Supporting Youssef are guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. Their blistering lead single “Blood” sees Youssef exploring a deteriorated friendship over Williams and McCall’s trudging riffs and tactful counterpoint, with Cullen and Kearney rumbling nimbly in the song’s foundations.

Track List: 1. Where the Heart Is 2. Blood 3. High Hopes 4. Dog Song 5. Sucker Punch 6. Sometimes 7. Diamond Eyes 8. Fate 9. Red String 10. Cut

Second single “High Hopes” counters with introspective, melodic punk that reshapes anxiety rather than succumb to it. But third single “Diamond Eyes” momentarily slows the pace, with McCall joining Youssef on vocals for a breakup lament laden with acoustic sentimentalism and an emotive Iurry from guest Iutist Jill Ryan. Such range is the central facet of Where the Heart Is, where Sweet Pill’s penchant for combining punkish tropes enlivened with the vibrance of math-rock and the aggression of post-hardcore sweetened with pop sensibility compound into something stylistically new yet still familiar.

For Fans of: Mannequin Pussy, Circa Survive, Paramore, Now Now, Forth Wanderers, and other Topshelf artists:

Selling Points: • US college radio campaign through Pirate Promotions. • Press campaign handled by Will Osiecki. • Music video shot for lead single. • vinyl includes OBI strip, printed dust sleeve, two download codes, marketing sticker. • LP includes 180-gram red colored vinyl. • Manufactured with green processes: using steam and solar energy, using no toxic chemicals in the vinyl granulate, printed with water-based inks, packaged and shipped with biodegradable parts and via carbon-neutral methods.

• • • • • •

Download Code Yes LP UPC 6 34457 09606 6 CD UPC 6 34457 09605 9 CS UPC 6 34457 09604 2 Export Worldwide Box Lot 30 LP / 15 CS / 30 CD

Topshelf Records 540 NE Tillamook Street Portland, OR 97212 United States info@topshelfrecords.com

there is no denying [their] formidable presence and charisma. -The Key

Redeye Distribution 505 Eno Street Hillsborough, NC 27278 United States harrelp@redeyeworldwide.com

Jeff Arnal, Curt Cloninger

Drum Major Instinct

Mahakala Music (mahakalamusic.com) - MAHA-034 // CD&DLavailable available6/10/2022 8/19/2022 CD&DL

UPC: 195269173784

Drum Major Instinct is an experimental music duo from Asheville, North Carolina. Jeff Arnal plays (mostly) percussion and Curt Cloninger plays (mostly) modular synthesizer. The Wire describes Jeff’s drumming as a “highly original concept" having "a balletic sense of time and imaginative deployment of colour;” and Byron Coley says Curt's modular synthesis “moves like blocks of radioactive adobe being shifted around by architects in space suits.” But, of course, nothing is ever that straightforward. The resultant music is about waves of energy, patterns within patterns (within patterns), sounds from the natural world, and running the voodoo down.

Jeff Arnal – Percussion Curt Cloninger – Modular Synthesizer Track Listing: 1. Walking in Rotterdam 2. Modulating Bodies (i-viii) 3. Live at Citizen Vinyl

lori@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

The Cat's Miaow - Songs '94-'98 World of EcHO LP

WOE006LP

5055869549301

Songs ’94-’98 is a smart selection of material from The Cat’s Miaow, an Australian indie-pop group that gifted their decade with some of its finest songs. Part of the burgeoning international pop underground of the nineties, The Cat’s Miaow’s legend has only built over subsequent decades, as more people discover this most quixotic and curious of groups: a recent appearance on A Colourful Storm’s compilation of Australian indie-pop, I Won’t Have To Think About You, is testament to their enduring influence. In part emulating the selection of tracks on the 1997 CD-only compilation, Songs For Girls To Sing, Songs ’94-’98 is also the group’s first ever full-length 12” vinyl collection. The Cat’s Miaow started out in 1992 as a home-recording duo, Bart Cummings (guitar, bass, vocals) and Andrew Withycombe (bass, guitar) taking time out from duties with Girl Of The World and The Ampersands (respectively), knocking out songs on Withycombe’s fourtrack. Soon joined by Kerrie Bolton (vocals) and Cam Smith (drums), the quartet spent the next five years quietly, slowly working away in the suburbs of Melbourne, recording gem after gem of independent pop.. 1. Hollow Inside 2. Light the Beacon 3. Not Like I Was Doing Anything 4. Note On The Table 5. You Know It's True 6. What Time Is It There? 7. I Can't Sleep Thinking You Hate Me 8. Smitten 9. Portland, Oregon 10. Let Me Brush the Hair From Your Face 11. Stay 12. Shoot The Moon 13. Barney & Me 14. Firefly 15. LA International Airport 16. Crying 17. If Things Had Been Different 18. I Take It That We're Through

Gabi Garbutt & The Illuminations – Cockerel Trapped Animal LPcol TAR050VX

5055869548366

TAR050V

5055869548359

TAR050CD

5055869548373

Indies Blue Vinyl

Blue Sky 180GSM vinyl is for Indies only (TAR050VX). Sophomore album ‘Cockerel’ which follows the brilliant 2019 debut album, ‘The Discredited Language of Angels’ .Gabi and her band summon up a volcanic concoction of sounds, from the poetic punk sensibilities of Ezra Furman and Patti Smith, the soaring alt pop of The Voidz and The Flaming Lips, to Motown inspired soul stompers, the record conjures up a range of atmospheres to occupy the listeners mind over many, many replays, as they fall deeper into the universe that is Cockerel. Connecting again with multi-instrumentalist and producer Sean Read (Beth Orton, Edwyn Collins, The Pretenders) at his Famous Times Studio Gabi set to work bringing their songs to life on record. 1 Cockerel 2 Bad Boy Bird 3 Subterranean Stars 4 Genet’s Journey 5 Never Never 6 Your Blues 7 I Can’t Win 8 Habit of Sadness 9 Sea Organ 10 Angel Of Third Avenue 11 Our Dying World

Regressive Left - On The Wrong Side Of History Bad Vibrations Records / Fuzz Club 12”

BADVIBES5V12B

5060467889490

180g black vinyl, standard sleeve, printed inner sleeve. In dark, troubling times, maybe the most instantly gratifying solace one can seek is a wittily barbed diagnosis of the situation. They are a staunchly political group, but far from your average po-faced by-numbers punk band. There is a gristly social commentary at the band’s core, but the songs themselves are characterised by a need to have fun, to find some kind of solace and escapism from the inevitable rapture. Recorded over an intense 5-day spell with in-demand producer Ross Orton (Arctic Monkeys, MIA, Amyl and The Sniffers) in Sheffield, Regressive Left’s debut EP ‘On The Wrong Side of History’ was immortalised over a handful of 11am-1am sessions in his studio. Angular guitar scratches meet dirty synth basslines, whilst Simon Tyrie’s Edwyn Collins croon is chased around by effervescent drums. The banal horror of life in Tory Britain expressed with sharp and dry wit, and then set to truly barnstorming and infectious dance music 1) The Wrong Side of History 2) World On Fire 3) Bad Faith (ft. Mandy, Indiana) 4) No More Fun

Lida Husik - Fly Stereophonic Tongue Master LP

TMASTLP003

5055143211139

500 LPs. 180g CLEAR VINYL. 180gm. Lida Husik has her 1997 album 'Fly Stereophonic' released on vinyl for the first time. Lida Husik's versatile recording career has been via a broad pantheon of labels - Shimmy Disc, Caroline Records / Astralwerks, Alias Records and Rough Trade. ' Fly Stereophonic ' was her fifth album, another inventive slab with clever twists and turns. Laced with three solid minute dream pop confections and balanced with addictive melodies and quiet pop sensibilities. Lida Husik's personal stamp is surreal, mature, with catchy trippy hook laden guitar and a great seductive voice to match. A treasure trove - ' Fly Stereophonic ' splendid celestial rhyme; the cosmic wobble of ' Fade Sister Cool '; the panoramic swoon of ' Chocolate City ' and the giddy cover of the Monochrome Set's great masterpiece ' Eine Symphonie des Grauens ' all served with panache. " an alluring 34-minute seduction, the songs revealing new layers of wonder with each listen " Chicago Tribune // " as many psychedelicious, bouncing, organ-drenched pop hits as a Stereolab album " Time Out New York Side 1 1. Fly Stereophonic 2. Fade Sister Cool 3. Sharon Hill Shadows 4. Soundman 5. Cape Fear 6. Café Con Leche Side 2. 7. Death Trip 8. Ein Symphonie Des Grauens 9. The Slide 10. Dead Poets 11. Chocolate City 12. Dancing Pants

NEW RELEASES Street Date: 8.12.22 | Order Date: 7.22.22

DAP-074

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T H E E S A C R E D S O U L S TITLE........................................ THEE SACRED SOULS LABEL.......................................................DAPTONE C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P - 0 7 4 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A U G 2 6 , 2 0 2 2 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C D / L P ( w / D O W N L O A D C O D E ) NO EXPORT For Thee Sacred Souls, the first time is often the charm. The bandʼs first club dates led to a record deal with the revered Daptone label; their first singles racked up more than ten million streams in a year and garnered attention from Billboard, Rolling Stone, and KCRW; and their first fans included the likes of Gar y Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. Now, the breakout San Diego trio is ready to deliver yet another landmark first with the release of their highly anticipated, self-titled debut. Thereʼs something inevitable about the sound of Thee Sacred Souls, as if these ageless songs of love and loss have somehow always existed, as if Garcia and his bandmates—bassist Sal Samano and singer Josh Lane—have been playing together for a lifetime already. Produced by Bosco Mann (aka Daptone co-founder Gabriel Roth), the record is warm and textured, mixing the easygoing grace of sweet ʼ60s soul with the grit and groove of early ʼ70s R&B, and the performances are utterly intoxicating, with Laneʼs weightless vocals anchored by the rhythm sectionʼs deep pocket and infectious chemistr y. Hints of Chicano, Philly, Chicago, Detroit, and even Panama soul turn up in their music, and while itʼs tempting to toss around labels like “retro” and “vintage” with a deliberately analog collection like this, thereʼs also something distinctly modern about the band that defies easy categorization, a rawness and a sincerity that transcends time and place. This is the future of Soul Music.

MARKETING HIGHLIGHTS • Over 40 Million streams to date pre album announcement. • World-wide PR/Radio campaigns in US, UK, EU and Latin America. • Previous PR/Radio coverage in LA Times, KCRW, KEXP, Rolling Stone, Cool Hunting, Billboard and many others. • Recent tour support for Belle & Sebastian and St. Paul & the Broken Bones. • Fall headline tours being planned for US and the EU. • Outdoor billboards scheduled in Los Angeles CA for week of release. • Social support from Alicia Keys, Princess Nokia, The Black

•

TRACKLISTING •

1. CAN I CALL YOU ROSE? 2. LADY LOVE 3. EASIER SAID THAN DONE 4. OVERFLOWING 5. A TRADE OF HEARTS 6. WEAK FOR YOUR LOVE 7. FUTURE LOVER 8. SORROW FOR TOMORROW 9. FOR NOW 10.ONCE YOU KNOW (THEN YOU’LL KNOW) 11. HAPPY AND WELL 12. LOVE COMES EASY

Pumas, Timbaland, Gary Clark JR. and various others. • Previously sampled by Curren$y. .

INDIE EXCL. BLUE VINYL

DAPTONE

RECORDING

Co.,

115

TROUTMAN

S T. ,

BROOKLYN,

11206

PRS-1007

PRS-1001

THEE SACRED SOULS

CAN I CALL YOU ROSE b/w WEAK FOR YOUR LOVE

WILL I SEE YOU AGAIN b/w IT’S OUR LOVE

•

PRS-1011

PRS-001

THEE SACRED SOULS

PENROSE RECORDS, VOL. 1 (LP) VARIOUS ARTISTS

TRADE OF HEARTS b/w LET ME FEEL YOUR CHARM

DAPTONE

RECORDING

Co.,

115

TROUTMAN

S T. ,

BROOKLYN,

11206

STEVE EARLE & THE DUKES JERRY JEFF street date: August 26, 2022 TRACK LISTING 1. Gettin’ By 2. Gypsy Songman 3. Little Bird 4. I Makes Money (Money Don’t Make Me) 5. Mr. Bojangles 6. Hill Country Rain 7. Charlie Dunn 8. My Old Man 9. Wheel 10. Old Road 11. Up Against The Wall Redneck Mother* 12. Night Rider’s Lament* 13. Rodeo Cowboy* *EXCLUSIVE TO THE INDIE CD

vinyl

LP Sel. #: NW5622 LP CONFIG: Jacket, Sleeve, 1xLP, Black vinyl UPC: 607396562213 Box Lot: 40 Count Genre: Country, Americana, Singer-Songwriter

07396

56221

INDIE retail exclusive vinyl

Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009’s Grammy-nominated record, TOWNES, was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of JERRY JEFF. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, “Mr. Bojangles” and “Gettin’ By”, Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.

LP Sel. #: NW5631 LP CONFIG: Jacket, Sleeve, 1xLP, Color Vinyl UPC: 607396563111 Box Lot: 40 Count Genre: Country, Americana, Singer-Songwriter

CD Sel. #: NW6534 CD CONFIG: CD Digipak, Booklet UPC: 607396653423 Box Lot: 30 Count Genre: Country, Americana, Singer-Songwriter

07396

65342

indie retail exclusive cd

CD Sel. #: NW6534 CDI (INDIE RETAIL EXCLUSIVE CD) CONFIG: CD Digipak, Booklet, 3 BONUS TRACKS UPC: 607396653454 Box Lot: 30 Count Genre: Country, Americana, Singer-Songwriter

steveearle.com

56311

• Available for contesting and ticket and test-pressing giveaways • Digital release on May 27 • Touring throughout the summer of ‘22

07396

65345

newwestrecords.com

BRAXE & FALCON STEP BY STEP EP

TRACKLISTING 1. Step By Step (Feat. Panda Bear) 2. ? 3. Creative Source 4. ? 5. ? CATALOG NUMBER: SMGLR002 RELEASE DATE: August 26, 2022 FILE UNDER: Electronic “B” 12" w/ DOWNLOAD Boxlot: 20 UPC: 887828049813

Vinyl is non-returnable

OVERVIEW Alain and Stéphane Quême, or Alan Braxe and DJ Falcon, are indisputable architects of the French Touch - the emotive house music conjured from looped samples with an inimitable Gallic flare that emerged from Paris in the mid 90s. A source of infinite inspiration, time and time again subsequent generations of dance music producers have cycled back and discovered the joys to be found in the stomping repetition of endlessly tweaked and filtered disco and soul sound grabs. These two originals will present their first ever collaboration as Braxe & Falcon in the form of the Step By Step EP, released on Smugglers Way. The release represents a sublime distillation of their shared musical essence, a revelatory realization and a compelling expansion only conceivable for them at this point in time. The collaboration between Braxe and Falcon serves to create a modern duo both in scope and talent; Braxe is known for making some of the most important and iconic house and pop music records of the late 90s and early 2000s including “Music Sounds Better With You” (The Upper Cuts) as Stardust with Daft Punk’s Thomas Bangalter and official remixes for Beyoncé, Britney Spears, Kelis, Kylie Minogue and more. Bangalter also collaborated with DJ Falcon in the early days, releasing the French Touch anthem “So Much Love To Give” as the duo Together. Along with quintessential remixes for Phoenix, Cassius and Justice. Falcon most recently co-produced / wrote and featured on “Contact”, the explosive closing track of Daft Punk’s 2013 megalith Random Access Memories.

SELLING POINTS

SMUGGLER'S WAY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com

•

Pioneering French House architects Alan Braxe and DJ Falcon are known for their part in creating some of the most iconic house and pop records of the late 90's and early 2000s; Braxe, whose work includes “Music Sounds Better With You” (The Upper Cuts) as Stardust with Daft Punk’s Thomas Bangalter and official remixes for Beyoncé, Britney Spears, Kelis, Kylie Minogue and more. Falcon most recently co-produced / wrote and featured on “Contact”, the explosive closing track of Daft Punk’s 2013 megalith Random Access Memories.

•

12" vinyl LP is housed in a die cut sleeve with a printed inner sleeve and includes a download card.

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.

No Tomorrows Now I Ran Down Every Dream (feat. Elvis Costello) I Hope Livin’ on the Losin’ End The Greatest Show on Hurt California That’s What Mama Used to Do Somebody (feat. C.C. Adcock & Augie Meyers) My Hidden Heart Stand for Something If You Don’t Love Me Before I Grow Too Old London Too

TOUR DATES

TOMMY MCLAIN I RAN DOWN EVERY DREAM LP / CD STREET DATE: AUGUST 26, 2022 On August 26, Yep Roc Records will release I Ran Down Every Dream, the first album in over four decades by swamp pop legend Tommy McLain. Produced by his musical protege C.C. Adcock, the album features thirteen tracks, including ten original songs written or co-written by McLain. I Ran Down Every Dream was recorded in Louisiana, Texas, California, and England, with a similarly disparate group of friends and fans, including Elvis Costello and Nick Lowe (both of whom contribute co-writes), plus Jon Cleary, Denny Freeman, Ed Harcourt, Roy Lowe, Augie Meyers, Ivan Neville, Van Dyke Parks, Mickey Raphael, Steve Riley, Speedy Sparks, Warren Storm and more. As an album, I Ran Down Every Dream is both a celebration and a requiem. It bookends a career that has seen Tommy scale the upper reaches of the Billboard charts, share the stage with the likes of Sam Cooke, Otis Redding, The Yardbirds and ZZ Top, and become a global ambassador for the swamp pop sound - that singularly affecting combination of rhythm and blues, country and western, gospel, and traditional French Louisiana styles. The album also looks back, with more than a little heartache, in tribute to some of the fellow musical travelers that McLain has lost. Two tracks on the album were written by McLain’s dear friend and Louisiana music royalty Bobby Charles, and it also marks the final sessions for two legendary musicians who died in 2021; Texas guitar slinger Denny Freeman, and Tommy’s close collaborator Warren Storm. For McLain himself, the years-long road to I Ran Down Every Dream was beset by a heart attack, two hurricanes and a house fire. With every obstacle he overcame, McLain’s resolve to complete I Ran Down Every Dream grew stronger. Tommy McLain is perhaps the last great artist from rock ‘n’ roll’s pioneering first generation awaiting rediscovery. The signature swamp pop sound that he helped create spawned multiple national hits in the 1960s and inspired artists like Creedence Clearwater Revival, Little Feat, and Tony Joe White, among others. His best known songs - “Sweet Dreams,” “Before I Grow Too Old” and “Try To Find Another Man” - are to this day considered cornerstones of the genre. He’s been inducted into the Louisiana Music Hall of Fame (twice!), earned a gold record for writing “If You Don’t Love Me (Why Don’t You Just Leave Me Alone)” for Freddy Fender, and even appeared - as himself - in the 1975 Paul Newman thriller The Drowning Pool.

(all supporting Nick Lowe & Los Straitjackets) June 8 - Memorial Hall OTR - Cincinnati, OH June 9 - Beachland Ballroom - Cleveland, OH June 11 - Buffalo Iron Works - Buffalo, NY June 14 - Center for the Arts - Homer, NY June 15 - Colony - Woodstock, NY June 17 - Musikfest Café - Bethlehem, PA June 18 - Tarrytown Music Hall - Tarrytown, NY June 19 - SOPAC - South Orange, NY June 22 - Landmark on Main Street - Washington, NY June 23 - The Ardmore Music Hall - Ardmore, PA June 25 - Narrow Center for the Arts - Fall River, MA

FIRST EDITION LP:

ARTIST: Tommy McLain ALBUM: I Ran Down Every Dream CATALOG #: LP-YEP-3049LEC UPC: 634457096820 PACKAGING: Single LP Jacket w/ Emerald Green Vinyl BOX LOT: 25 TERRITORY: Worldwide

CD:

ARTIST: Tommy6McLain ALBUM: I Ran Down 34457 09682 0 Every Dream CATALOG #: CD-YEP-3049 UPC: 634457096844 PACKAGING: Digipak BOX LOT: 30 TERRITORY: Worldwide

34457 09684 4

Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278 INFO@YEPROC.COM | YEPROC.COM 336-578-7300

HIGHLIGHTS: ☛ First studio album in over 40 years from one of the pioneers of the Swamp Pop genre, Tommy McLain. ☛ First Edition LP pressed on emerald green vinyl and limited to 1,000 copies worldwide. ☛ Produced by GRAMMY-nominee C.C. Adcock (Florence + The Machine, Nick Cave, Neko Case). ☛ Features contributions from Elvis Costello, Nick Lowe, Augie Meyers (Sir Douglas Quintet), Van Dyke Parks, Ivan ☛ ☛ ☛ ☛ ☛ ☛ ☛ ☛

Neville, Warren Storm, Speedy Sparks and more. Shore Fire Media is US publicist. Paddy Forwood is UK publicist. Tommy McLain will be touring North America supporting Nick Lowe and Los Straitjackets in summer 2022. Tommy will be showcasing at AmericanaFest 2022. Tommy recently performed at New Orleans JazzFest and supported Lucinda Williams on her US dates. The lead track “I Ran Down Every Dream” premiered at Rolling Stone in April 2022. Official music video for “I Hope” premiering in June 2022. Brad Paul Media is promoting the album at AAA and Americana radio. Lacquer cut by Kevin Gray at Cohearant.

RELEASE DATE CD/CAS 4/22

LP 8/26

Debut physical release from hotly tipped NY producer Carrtoons after a string of highly successful digital self releases. Huge Instagram following of 120,000 and rising have been drawn to the wizard’s fantastic studio videos and collaborations with a host of rising stars. This releases features buzzing rapper Rae Khalil, Grammy winning singer Nigel Hall (Cabbage) and a host of rapidly rising young stars. Notable previous releases Saturday Morning (album 2020) RIYL J Dilla Thundercat Mac Ayers Knxwledge

TRACKLISTING Homegrown Toons Groceries (Feat Nigel Hall) Be There For You Lighta (Feat Rae Khalil) Vamp Read My Lips (Feat Floyd Fuji) Cadillac (Feat Richard Carr, Pierce Allen) Hollywood Flamingos (Feat Tennishu) Young Buck (Feat DJ Harrison) Northern Lights (Feat Fonville) Pressure Over Pleasure (Feat Lo Artiz, Juia Zivic) White Widow

RADIO SERVICE BY Co Sign. PRESS CAMPAIGN BY ESPR Media LIVE DATES 3/24 NYC Terminal 5 (w/ Mac Jones) 4/20 NYC Elsewhere 5/17 LA Golddiggers LP Limited Edition Transparent Pink Vinyl 634457080546 WEBB-618 (box lot 50) CD 634457080577 WEBB-618 (box lot 30)

CS 634457080584 WEBB-618 (box lot 30)

Redeye Contact Info: Redeye Worldwide 505 Eno St Hillsborough NC 27278 Label Manager Perry Harrell HarrellP@redeyeworldwide.com Label: Mark Bowen Wichita Mark@wichtia-recordings.com

Pono

p: Tyler Soucy

TSR240 LP / CS / CD ^ ^ ^ clear shell w/ white ink cassette

A Great Big Pile of Leaves • For fans of Minus the Bear; Oso Oso; Piebald; From Indian Lakes; Delta Sleep; and Slaughter Beach, Dog. • US college radio campaign through Pirate Promotions • Press campaign handled by Stunt Company PR • Digital campaign handled by Terrorbird Media “picks up right where they left off.” -Pitchfork “This is meticulous, sophisticated music about living as casually as possible.” -Stereogum Brooklyn-bred A Great Big Pile of Leaves deals in 90’s tinged indie-rock that is brainy yet accessible. Founded by Pete Weiland and Tyler Soucy in 2007, the band expanded to include Tucker Yaro, writing and recording as a trio since the release of their self-produced and self-released debut album Have You Seen My Prefrontal Cortex? in 2010. In 2013 the You’re Always significant across five

band released their sophomore LP On My Mind, which garnered critical acclaim and debuted Billboard charts.

New album Pono was produced by A Great Big Pile of Leaves themselves, and recorded primarily at their home studio. With eight years between releases, the band recalls how the recording process of Pono felt like they were making their first record, adding “we worked at our own pace with no preconceived notion of what it needed to be.”

CS/CD STREET DATE November 26, 2021 LP STREET DATE due spring 2022 LABEL Topshelf Records CATALOG # TSR240 TRACKS 10 FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS / 30 CD LP DOWNLOAD CODE Yes EXPORT yes LP UPC 6 34457 06580 2

34457 06580 2

CD 6 UPC 6 34457 06581 9

CS 6

34457 06581 9

UPC 6 34457 06582 6

34457 06582 6

Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like

redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com

topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com

LOVE TRACTOR THEMES FROM VENUS STREET DATES

CD: 03/18/2022 - LP: 08/26/2022 The Mitch Easter-Produced 4th Album By Athens, GA Luminaries to See Remastered and Expanded Edition

“Themes From Venus presaged the future: Tame Impala’s blissed-out electro, thrumming ‘90s post-rock and the success of freewheeling pop merchants such as Pixies.” – Annie Zaleski (journalist/author)

LP - INDIE EXCLUSIVE

ITEM NUMBER: LP-PSR-005LEC UPC: 634457085145 GENRE: Alternative PACKAGING: Gatefold Indie Exclusive Opaque Yellow Vinyl BOX LOT: 30 EXPORT: World

34457 08514 5

34457 08513 8

ITEM NUMBER: LP-PSR-005 UPC: 634457085138 GENRE: Alternative PACKAGING: Gatefold BOX LOT: 30 EXPORT: World

34457 08515

ITEM NUMBER: CD-PSR-005 UPC: 634457085152 GENRE: Alternative PACKAGING: Digipack BOX LOT: 40 EXPORT: World

FOR FANS OF

R.E.M., Pylon, the B-52’s, Guadalcanal Diary LABEL CONTACT JAY COYLE PROPELLER SOUND RECORDINGS

JAY@PROPELLERSOUNDRECORDINGS.COM

DISTRIBUTION LORI MILLER REDEYE WORLDWIDE

LORI@REDEYEWORLDWIDE.COM

PUBLICITY BRENDAN GILMARTIN CHART ROOM MEDIA

Art Rock pioneers and, along with the B-52’s, Pylon and REM, founders of the Athens, Georgia alternative music scene, Love Tractor, bookended the Eighties with two superb, unique records: 1982’s self-titled debut and 1988’s Mitch Easterproduced Themes From Venus, the band’s fourth album. Propeller Sound Recordings is happy to announce an expanded, remastered reissue of Themes From Venus. The album will be available on black vinyl, indie exclusive opaque yellow vinyl, CD, and digital. (Expanded tracks available on CD and digital only).

TRACK LISTING • • • • • • • • • •

I Broke My Saw (Remastered) Themes From Venus (Remastered) Crash (Remastered) Satan’s New Wave Soul Losers (Remastered) Venice (Remastered) Crystal World (Remastered) Hey Mess (Remastered) Nova Express (Remastered) Fantasy (Remastered) Here Come The Cops (Remastered)

ADDITIONAL TRACKS ON CD EXPANDED EDITION • • • • • •

Nighttime Time Zone (Brendan O’Brien Mix) Hey Mess (Brendan O’Brien Mix) Fantasy (Instrumental Mitch Easter Mix) I Broke My Saw (Long Version Mitch Easter Mix) Satan’s New Wave Soul Losers (Instrumental Mitch Easter Mix) Crash (Instrumental Mitch Easter Mix)

BRENDAN@CHARTROOMMEDIA.COM

505 ENO STREET, HILLSBOROUGH, NC 27278 REDEYEWORLDWIDE.COM | 877.733.3931

PROPELLERSOUNDRECORDINGS.COM INFO@PROPELLERSOUNDRECORDINGS.COM

Rachika Nayar ‘Heaven Come Crashing’ Heaven Come Crashing finds the protean guitarist and producer leaving behind the ghostly netherworlds of her debut in favor of vivid, fluorescent, cinematic maximalism. Heaven Come Crashing, the sophomore electronic fulllength from Brooklyn-based composer and producer Rachika Nayar, finds the protean guitarist and producer leaving behind the ghostly netherworlds of her debut in favor of vivid, fluorescent, cinematic maximalism. On her debut, Our Hands Against the Dusk, Nayar used her guitar as the primary source for sound design, mutating the instrument beyond recognition through layers of digital processing. Soon after, the album’s companion EP, fragments, demonstrated the types of raw guitar-playing that would be transfigured into those grander compositions—miniature genre sketches that touched upon everything from post-rock to Midwestern emo. With these two 2021 releases, Rachika resculpted the limits of both guitar and electronic music, placing her at the forefront of various contemporary music scenes in her current home of New York City and more broadly amongst the likes of Mary Lattimore, Julianna Barwick, and Tim Hecker.

Release Date: August 26th, 2022 Tracklist:

1. Our Wretched Fantasy 2. Tetramorph 3. Death & Limerence 4. Nausea 5. Promises 6. Gayatri 7. Heaven Come Crashing (ft. maria bc) 8. Sleepless 9. The Price of Serenity File Under: Electronic / Alternative Label: NNA Tapes Catalog #: NNA149 UPC: LP: 309272740110 Format: Metallic Gold Vinyl, Digital RIYL: M83, Yoko Kanno, Grouper, Mary Lattimore, Julianna Barwick, Tim Hecker, Elysia Crampton, Kelly Moran, Ben Frost Selling Points: ● Follow up to 2021’s acclaimed Our Hands Against The Dusk (NNA Tapes) and companion EP fragments (RVNG Intl) ● Past performances with Julia Holter, Laraaji, Matthew E. White, Lonnie Holley, Florist, Emily A Sprague, Bing & Ruth, SUSS, LEYA, Lea Bertucci, Horse Lords, Baths, Machine Girl, Kush Jones ● Previously earned acclaim from The New York Times, Pitchfork, NPR Music, Bandcamp Daily, WNYC’s New Sounds, Wire Magazine, The FADER, New York Magazine, among many others “Nayar’s music illuminates the forces that shape us and the forces that push us away from our centre” – Wire Magazine “a master of lush guitar manipulation” – Bandcamp Daily (The Best Ambient Music of 2021) “an experience that captivates all the senses” – The FADER (The 50 best albums of 2021) “pitting the warped sound against the original. It feels as though the instrument is searching for its essence.” – The New York Times (The Face of Solo Guitar Is Changing. It’s About Time.) “visionary ambient music” – Pitchfork (8 New Records That Reimagine What a Guitar Can Do) NNA Tapes, LLC 122 Washington Avenue ● Brooklyn, NY 11205 ● USA Contact: Adam Downey | info@nnatapes.com Web: nnatapes.com

Heaven Come Crashing retains Nayar’s mangled guitar stylings but expands the color palette by looking not so much to the fretboard, as to the dance floor and the silver screen. Influences enter into the frame ranging from 90s trance, to early M83, to Yoko Kanno anime soundtracks. With its M1 piano stabs, supersaws, and glimpses of Amen breaks, the album charts a luminescent space between 5 a.m. warehouse raves and the urban freeways of its cover image—romantic, nocturnal, and reckless in its velocity and emotional abandon. Regarding this interpretation, Nayar says: “I both love and feel so wary of melodrama, because its inherent nature is to be uncritical. It’s just unabashed emotion taken at face value. And isn’t that so fraught when feelings originate with structures you can’t control, that you maybe even feel at war with?” Within this conflicted relationship to its own theatrics, the album wages a battle between surrendering to desire and incinerating it. Heaven Come Crashing invites the listener to revel within fantasy, before helping light the match to burn it down—one final embrace in the dream world before it shatters to pieces.

Distributed by Redeye 449-FA Trollingwood Road ● Haw River, NC 27258 ● USA Contact: Lori Miller | lori@redeyeworldwide.com 877-733-3931 x216

Dendrons

5-3-8 When it came time to record 5-3-8—the title being a reference to the lyrical refrain that appears at a few points of the album of “Fifths, thirds, octaves only”— Dendrons decamped to Sonic Ranch in Tornillo, Texas, and did additional recording at Highland Recording Studio in Phoenix, Arizona, producing the album with Tony Brant and Sonny DiPerri. A far cry away from where they started as two friends doing everything themselves, from the recording to the booking to even the graphic design, the band is now an eagerly collaborative project. And they’re already thinking about what’s to come. “You’re always gonna leave a record feeling like there is something more to be said,” Jarvie says. “I don’t believe in a magnum opus. Art is contextual, and exists for the specific time and circumstance it was created in. Every record is a conversation with the last.”

At times, the music seems a juxtaposition: ballistic, suffocating, pummeling, sweetness. Hints of sugar and quiet laced with regimented madness. A joyful racket that pulses throughout ....“ Vents Magazine

CD Box Lot: 30 Packaging: 4 Panel Digipack

Dendrons hit the road before they even knew exactly where they were headed. On New Year’s Day 2018, Dane Jarvie and Zak Sprenger first convened in Chicago to start a new project, recording a demo at home by the seat of their pants, and almost immediately after, began to play shows. “I would just email as many people as possible,” says Jarvie. “I’m like, ‘Can we open this?’ It didn’t matter if it was in Dallas or New Orleans or Sioux Falls, South Dakota. It was like, let’s go.” With a band name chosen by flipping through books in the library (“Dendron” is Greek for “tree”) and a sound and lineup in healthy evolution as they bounced around North America, Dendrons were finding who they were in front of a live audience. Over the course of 2018 and 2019, they were developing a propulsive, acerbic rock style both reminiscent of midwestern peers like Deeper and Dehd and reaching beyond to develop an unmistakable aura all their own. They put out their debut, 2020’s Dendrons, and were packing their bags for a full European tour before it had to be abruptly canceled when borders closed and venues shut down around the world. Suddenly, a band that cut their teeth on the road had to get comfortable staying at home. “It was out of necessity,” says Jarvie, who started brainstorming ideas for a new album back at his family’s home in Phoenix, Arizona, just after the pandemic took hold. When he returned to Chicago a few months later, the full band of Jarvie (vocals/guitar/synth), Sprenger (synth/guitar), Matt Kase (bass/synth/vocals), John MacEachen (guitar/samples), Nick Togliatti (drums), and Stef Roti (drums) formed a bubble to get together and work out what would prove to be their highly ambitious and meticulously crafted second album, 5-3-8. “It was just like, well, we can’t tour, we can’t do anything,” Jarvie remembers. “So we might as well just stick together and really create something.” Meeting three or four times a week, and ultimately rehearsing almost 40 song ideas, Dendrons began to methodically whittle down the batch to a set of songs that weaved through one another intricately, with lyrical and musical motifs dancing around a swirling rock arrangement. Taken on their own, tracks like “Vain Repeating” and “Octaves Only” tap into the manic energy and wit of bands like Wire and Stereolab—but in the context of the album’s full vision, they come together to paint an album informed by post-truth spectacle, and a desire for optimism in the face of isolation. The lyrics paint those emotions with subtlety, having been put together partially through a cut-up method, grabbing words and phrases from places such as CNN and CSPAN. “That was a real intention with this record was to try different techniques in terms of how words are coming together—stringing together sentences through collage,” Jarvie explains. On “New Outlook 1,” he sings in his direct, almost Stephen Malkmus-like style: “Soon we’ll be stooped over laughing / Watching ourselves high on a vision.”

LP Box Lot: 30 Packaging: Standard Jacket & Download Card Vinyl is non-returnable

Catalog: IL2093 Release Date: August 26, 2022 Genre: Alternative/Rock For Fans Of: Sonic Youth, Afghan Whigs, Slint, Wire, Gang of Four, The Replacements, Deeper, Dehd, Preoccupations, Shame, Iceage, Parquet Courts

Operating between the European electronic dance music tradition— minimal techno, French house—and American indie, Benoit and Sergio have always existed in a sonically liminal space. It’s no different here with their debut album, "Lost Decade," which explores themes of displacement, isolation, and fugitive time within a context of gently shifting kaleidoscopic synth work.

Benoit & Sergio / Lost Decade FFR-443 Released worldwide August 24, 2022 UPC 860006078423 634457088894 (sunburst) 634457088900 (translucent)

The opening track, ‘It’s Enough You Mention Me,’ sets the tone for the album. Its lyrics—"the other day I found tracks we made”—refer to tapes of old field recordings Benoit came across in storage during the early stages of studio work for the LP. These sounds, stretched and distorted like a memory throughout the track, serve as the madeleine for the record, triggering a reflection on music and friendship that embodies the pair’s journey and creative partnership to date.

This decade-plus journey has been peppered with accolades and milestones. Awarded the iTunes Breakthrough Electronic Artists of the Year in 2011, they were also voted a Top 10 Live act in the world by Resident Advisor two years in a row. A steady stream of EPs and 12”s followed on a variety of labels, including DFA, Ghostly, Visionquest, and Soul Clap. Songs such as ‘New Ships’ were awarded Best New Track by Pitchfork and worldwide touring became their schedule for many years. However, despite the acclaim and growing popularity of the duo, they remained a musical force that did things on their own terms, eschewing fickle trends or following any pre-prescribed roads. They retained an element of mystery, choosing to willingly lurk in the shadows and haunt the periphery, rather than chase spotlights. This is reflected in the slow-burn approach to releasing their debut album, a record that in many senses is an ode to lost time. The tone of their debut—mixed by Beatriz Artola and mastered by Heba Kadry—was born from the environment and time it was created in. Despite living in Berlin and Paris, they reconvened in DC, where they first started working on music together for the initial studio recording. Taking time to pause from touring, the tracks began to

Artist:

LÉA SEN

Title:

YOU OF NOW PT. 1

Streetdate: 8/26/22

OVERVIEW Open-eared and open-hearted: these are the watchwords of Léa Sen’s music. At just 22 years old, the Paris-born, London-based, songwriter and producer has established herself as one of the capital’s most in-demand talents, meandering between vocal features for Joy Orbison to solo work that references everything from Bon Iver’s electronic timbre and folk guitars to Sampha’s impressionistic lyricism. At 15 Sen learned the guitar and began to craft songs with an experimental, intuitive sensibility. Production and mixing skills soon followed out of a DIY necessity. In 2019 she moved to London from her home of Paris and caught the ears of drummer Kwake Bass and singer-songwriter Wu-Lu. A session with DJ and producer Joy Orbison produced the stand-out track “Better” from his 2021 mixtape, Still Slipping, Vol. 1. And that same year Sen’s tender version of David Bowie’s 1976 track “Golden Years” was the highlight of the Modern Love compilation album, featuring the likes of Helado Negro, Khruangbin and Meshell Ndegeocello. The five-track debut, You of Now Pt. 1, presents the self-assured maturity of an artist twice her age, with all tracks written, produced and mixed by Sen.

FORMATS 12” EP on translucent blue vinyl UPC: 720841132530 Cat#: PTKF1325-3

SELLING POINTS • Léa ’s stunning 5 song debut on limited edition translucent blue vinyl! • The EP has been on rotation on KEXP since mid-May • She has received great play listing support from Spotify and Apply Music • You of Now Pt. 1 has had tremendous early support from Crack, Dazed, Fader, Line of Best Fit, and Total Guitar amongst others • She’ll be playing multiple UK & EU festivals this summer • Léa sang on Joy Orbison’s track “better” from his 2021 mixtape which made it on Pitchfork’s Best Songs of 2021 list • Her cover of Bowie’s “Golden Years” was the highlight of the David Bowie tribute Modern Love that was released last year with contributions from L’Rain, Khruangbin, and Helado Negro amongst others

281 North 7th Street Brooklyn NY 11211 Partisanrecords.com

505 Eno Street Hillsborough NC 27278 877.733.3931 Redeyeworldwide.com Perry Harrell, harrellp@redeyeworldwide.com

Califone

Roots and Crowns Thrill-163/THJ - 70163

*90377-ABGDCb GENRE: ROCK FILE UNDER: “C” “Califone” Roots and Crowns. “Uniting where you come from – your roots -- with what you strive to be or what you reinvent yourself to become -- crowns,” explains Califone’s Tim Rutili. “At the bottom of these songs are the memories and images you sift through in the process.” Califone’s earliest roots lie in the band Red Red Meat, from whence came Califone’s founding members Tim Rutili and Ben Massarella and its longtime producer Brian Deck. The band’s first release was a self-titled EP on Flydaddy in 1998, followed later by the full-length debut, Roomsound, in 2001 (recently re-issued on Thrill Jockey) and eventually the band’s Thrill Jockey debut, Quicksand/Cradlesnakes in 2003. After touring for the release of Roomsound, Califone had little time off to take in the impact of the music they were creating. In three years, they recorded four albums (two instrumental, two song-based including Heron King Blues) and toured heavily in between with Wilco, Modest Mouse, Sea and Cake and others. They performed at All Tomorrow’s Parties curated by Sonic Youth and Rutili contributed to Isaac Brock’s Ugly Casanova project and Michael Krassner’s Boxhead Ensemble with Fred Lonberg-Holm and members of Smog and Dirty Three. “Before we started to work on the new the record, I was listening to ‘Orchids’ by Psychic TV on repeat,” says Rutili. “This song made me want to start writing songs again.” Califone offers a sparse and beautiful cover of “Orchids” on Roots & Crowns. The line from the song, ‘In the morning after the night/ I fall in love with the light,’ became a theme for the new album. Imagery of rebirth comes up often on Roots & Crowns. On “3 Legged Animals,” Rutili sings, “3 legged animals shut their sweet eyes/ lick your scars and grow wings,” and later, “leave your memories, we’re almost new.” He explains, “that song started out as a song called ‘Dreamless’ for the end credits of The Lost. The last scene in the film is a total bloodbath; after that it seemed like the film could use a little sweetness, a bit of salvation for these dark, misfit characters after a period of intense violence. We re-recorded it with Califone and took a more detailed approach, both lyrically and instrumentally. Where the first version felt more about balancing the mood of the film, the one from the album feels more about hope and joy, rebirth, survival and self-acceptance.” Califone started recording Roots & Crowns in October 2005 and worked on it in chunks at 4Deuces Studio in Chicago with Brian Deck, in Long Beach and Phoenix with Michael Krassner, and at home in Los Angeles and Chicago until May 2006. “Some of these songs started as hummed melodies into my cell phone recorder while I was driving. Others were triggered by overheard conversations, loops brought in from home, field recordings or sounds we made in the studio before the tape was rolling,” says Rutili. For instance ‘Spider’s House’ is built on the sound of a piano with duct tape and paper clips all over its wires. “We took our time to shape and manipulate a more experimental collage of sounds into solid melodies and more concise song structures.” The time away and each member’s individual work naturally brought new elements into the sound of Califone’s music. Both Rutili’s and Becker’s soundtrack work are more atmospheric, however the challenge of enhancing a scene of film without cluttering it or overwhelming it informed their approach to the new recording. The burglary of Califone’s equipment during the band’s last tour, including guitars, banjo, a 1917 violin, bells and more, altered the sound. The band had to find new gear on a tight budget. The instruments are new partners, new sounds that forced them to stretch in new directions. Limitations, obstructions and darkness, and the new possibilities they illuminate; roots and crowns. “In that way”, says Rutili, “this album is a conscious and resolved thing. It fully realizes ideas we touched on in the past and where we come from as a band, and takes us into our next phase of life.”

Release Date: 10/10/06 TRACK LISTING 1. Pink and Sour 2. Spider’s House 3. Sunday Noises 4. The Eye You Lost in the Crusades 5. A Chinese Actor 6. Alice Crawley 7. The Orchids (Psychic TV) 8. Burned by the Christians 9. Black Metal Valentine 10. Rose-Petal-Ear 11. 3 Legged Animals 12. If You Would SALES POINTS Califone’s albums consistently sell in excess of 20k upon release, and their back catalog titles are steady sellers. Roots is poised to take them to another level and will be the sales priority at TJ this fall Califone will embark on an extensive US tour in the Fall LP version is limited to 1000 and comes in a screenprinted jacket Press handled by Pitch Perfect PR Califone have toured with Wilco, Iron and Wine, Modest Mouse, The Shins, The Sea and Cake, and were invited to the Sonic Youth-curated ATP

www.

.com

RAT TALLY IN MY CAR 6131132 CD STREET DATE: 08/26/2022 08/12/2022

FILE UNDER: ALTERNATIVE / INDIE

Hailing from Chicago (by way of LA and Boston), Rat Tally emerged in 2019 with an impressively

fully

formed

sound

her

self-released debut EP, When You Wake Up. The release quickly caught the attention of 6131 Records, who were eager to work with the young, yet clearly very talented songwriter. Rat Tally (the moniker of musician Addy Harris) TRACKLIST: 01. Longshot 02. Spinning Wheel 03. Zombies 04. Tacoma Narrows 05. Prettier 06. In My Car (feat. Madeline Kenney) 07. Allston 08. Phone 09. White Girls (feat. Jay Som) 10. Hold Me Over 11. Mount Auburn Cemetery 12. Looking For You

has a special way of capturing the most specific moments of life, magnifying them for examination, and putting a finger on the essence. All the while, encapsulating these moments in lyrics that perfectly balance the poetic and relatable. Add to that a songwriting sensibility that's rooted in the strong melody, creating a perfect bedroom pop vibe.

12851 59882

CD BOX LOT: 50 6-PANEL WALLET

• Debut album from promising young singer-songwriter Addy Harris • Album features guest appearances by Jay Som and Madeline Kenney • Cover photo by Chris Strong (American Football, Wilco, Mavis Staples) • Music video to accompany "Longshot" also directed by Chris Strong

DISTRIBUTION Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Stephen Svacina stephen@redeyeworldwide.com redeyeworldwide.com / 877.733.3931

• UK Press campaign by Someone Great PR (Asgeir, The Album Leaf, Charlotte Cornfield) • UK Radio campaign by Farewell Transmission (Jonny Greenwood, Andy Shauf, Superchunk) • US Radio campaign by Pirate Promotion (Tegan and Sara, Wilco,

LABEL 6131 Records 6131records.com

Silversun Pickups) FOR FANS OF: Phoebe Bridgers, Shannon Lay, Samia

“It might sound a bit strange on paper, but Nutrients make the delicate weaving of disparate sounds feel like the breezy rush of outside air diffusing the humid heat of a car as one rolls the window down. It's soft rock for the influx of spring.” – Flood “You can almost feel the summer road trip vibe as the atmosphere hazily reminds you of the warm sun on your bare shoulders, even if it's the dead of winter.” – Vinyl Chapters Artist: Nutrients Album: Different Bridges Genre: Alternative / Indie / Jangle Pop / Bedroom Pop Hometown: Toronto, Ontario, Canada Key Selling Points: Limited to 500 copies, Full Top Tier PR & Radio Campaigns, Indie Retail Focused, Detailed Artwork, Featured on key outlets like Flood Magazine, Come Here Floyd, and Earth Libraries. Lyric Insert. For fans of Mac DeMarco, Unknown Mortal Orchestra, Women, The Smiths, The Feelies. Drawing inspiration from the likes of Haircut 100, Steely Dan, and China Crisis. Previously opened for Luna Li and Jaun. Tracklisting: A: Different Bridges / I / Nauseous / How the Breeze Felt / The Dolphin B: Window Seat / Long Walk on the Beach / House Fire Painting / Nausea / Kool Kat ʼ22 12” LP UPC: 810096650733 CAT #: EL307LP

Distribution: jillw@redeyeworldwide.com Label: bryant@earthlibraries.com PR: churchill@hivemindpr.com

This LP is the culmination of one and a half years of writing and collaborating with musical friends, both old and new. Hunter is joined by label-mate Lady Dan, James Terris, Ashley Allred, Andy Pitcher, Gabe Katz, Linden Reed, Asher Katz, Brandon Hendrickson, Ian Simpson, and more. The drums were one of the last things recorded on Pete Townshend's Neve console before it was parted out in 2022. The title and many lyrics come from Hunter's daughter Alma, who was 2 and 3 during the writing and recording of this album. The album art was designed by the god-father of Hunter's daughter, Clay Hickson. LP to be followed shortly by an EP titled Torch Songs.

Artist: Hunter Ellis Album: Princess Daddy Genre: Alternative/Indie/Experimental Pop Hometown: Santa Rosa, CA Key Selling Points: Limited to 200 copies, Brown Colored Vinyl, Full Top Tier PR & Radio Campaigns, Indie Retail Focused, Detailed Artwork. Hunter Ellis has been a member of The Coma Lilies, My Dads, SHAT, and Mean Girls. Tracklisting: Is This Your Card / Exit Wounds / Lil Rocks / Round the Corner / Princess Daddy / Orenda / For the Beast / We All Fall Down 12” LP UPC: 794677079956 CAT #: LP-EL-383C

Distribution: jillw@redeyeworldwide.com Label: bryant@earthlibraries.com PR: erin@tellallyourfriends.com

Chagall Guevara : Halcyon Days cd

btv126

On paper, Chagall Guevara were an absurd proposition: Start with five musicians in their mid 30s who were already years deep into reasonably profitable music careers. Have them junk those careers completely and cram into a van to play remote clubs in the American South, subsisting on convenience store snack and scraping together their per diems to pay the bills and buy the occasional cheap gift for their wives and children. (Did I not mention their wives and children? They have wives and children.) Appoint an absentee manager, fire the staff of their record company, and have them try to break into the mainstream almost a year before “Smells Like Teen Spirit” made al rock the lingua franca of American Radio. Oh, and also: Give them a band name that no one can pronounce.

TRACK LISTING

1. Resurrection #9 2. Got Any Change? 3. Surrender 4. A Bullet’s Worth A Thousand Words 5. Still Know Your Number By Heart 6. Goldfingers 7. Halcyon Days 8. I, Madness 9. Treasure of the Broken Land

SELLING POINTS Supported by a Kickstarter campaign that raised over $140k. Finished material from the follow up recordings to their 1991 self-titled MCA Records debut. Mixed by Matt Wallace (Faith No More) who recorded and produced their debut album. Mastered by Bob Ludwig at Gateway Mastering. Headlining show at the Ryman Auditorium, Nashville, on 02 July 2022 CD CATALOG #: btv124 UPC: 798154875130 STREET DATE : 26 August 2022 FORMAT: cd digipak BOX LOT: 40 cds GENRE: Alternative Rock FOR FANS OF: Chagall Guevara, Squeeze, The ‘90s RELEASE: Worldwide

On the other hand, absurdism was a crucial part of Chagall Guevara’s DNA. [the band] imagines Jonathan Swift writing for The Stooges, pairing razoredged social satire with searing guitars in songs that pierce like poisontipped arrows. At the time, the band was fond of saying that they were trying to play intelligent music like mindless fools. As frontman Steve Taylor wryly put it during a 1991 press conference at a festival in the UK: “We got the last part right, I think.” Critics took note: A glowing, three-and-a-half-star review in Rolling Stone raved, “Not since the Clash has a group so effectively turned militant discontent into passionate rock & roll.” And while the band didn’t scale the heights of rock stardom to which it seemed they were destined, what’s striking now, thirty years later, is how prescient the band seems. –J. Edward Keyes Thirty years ago Nashville’s rock scene was not the thriving hotbed it is known for today. In fact, it was barely hanging on life support. Enter Chagall Guevara, part of a fresh cast of music makers—recent arrivals to “the Music City.” Oblivious to the low bar of expectation for rock bands, the group set its sights on getting noticed by record companies in Los Angeles and New York. Word spread fast as they made the jump from sold out local shows, to opening act slots for the alternative rock darlings of the day, to signing with a major label, and quickly becoming a critics’ darling. Over 30 years from their heralded national debut, Chagall Guevara has returned to the studio with their original co-producer, Matt Wallace (Maroon 5, The Replacements, Faith No More, Train, O.A.R.) The result is Halcyon Days—a fierce, burning collection of songs that are assertive, immediate, and remarkably timely.

Distributed by Redeye, www.redeyeworldwide.com 505 Eno St, Hillsborough, NC 27278 Stephen Svacina, svacinas@redeyeusa.com, 877.REDEYE1 Burnt Toast Vinyl, www.burnttoastvinyl.com PO Box 42188 Philadelphia PA 19101 Scott Hatch, btv@burnttoastvinyl.com, 215.353.0990

Chagall Guevara : The Last Amen 2xLP/cd

btv124

Who in the hell is Chagall Guevara and why does he matter? Surely Tom Cording, the publicist for MCA Records, was wrong when he told me Chagall Guevara was from Nashville. Shit, I thought Mr. Guevara was dead!! Anyway, why would a revolutionary operate out of there, unless he was a true subversive with a death wish? Tom assure me I was mistaken, and that Chagall Guevara was the name of a band, indeed out of Nashville. Oh, and by the way, look for a package in the post with their new self-titled album on a promo cassette (MCA spared no expense). The day the package arrived, I immediately noticed the opening track title, “Murder in the Big House.” Uplifting!! I jumped in my van with the cassette and went for a drive across the Mississippi River. I brought along some road mix cassettes of proven rock tracks as back-ups, in case this Chagall stuff was just more polished toe-tapping “rock.” Needless to say, I never got around to my tried-and-true road tapes. By the time I got to the West Memphis levee, I was sure I heard the finest rock and roll album to come out of Nashville, maybe an album that would endure for the ages. This concerned me. If I loved it that much, it usually was a sign this was destined for the cut-out bins in no time. (Cue: ominous foreshadowing music biz tragedy underscore here.)

TRACK LISTING

Side 1A 1. The Wrong George 2. Tale I’ The Twister 3. Escher’s World 4. Monkey Grinder Side 1B 1. Candy Guru 2. Play God 3. Love Is A Dead Language Side 2A 1. Violent Blue 2. Number By Heart 3. Can’t You Feel The Chains 4. If It All Comes True Side 2B 1. Murder In The Big House 2. Workin’ for MCA 3. Gloria

SELLING POINTS Supported by a Kickstarter campaign that raised over $140k. Mixed from the 24-track analog tape live recording by Russ Long. Mastered by Pete Lyman at Infrasonic Sound. Vinyl lacquers cut at Infrasonic Sound a pressed on 180g high quality vinyl by Gotta Groove Records. Headlining show at the Ryman Auditorium, Nashville, on 02 July 2022 LP CATALOG #: btv124 UPC: 798154877974 STREET DATE : 26 August 2022 FORMAT: double 180g vinyl in gatefold jacket BOX LOT: 25 LPs GENRE: Alternative Rock FOR FANS OF: Chagall Guevara, Squeeze, The ‘90s RELEASE: Worldwide CD UPC: 616422141827 STREET DATE : 26 August 2022 FORMAT: cd gatefold BOX LOT: 40 cds

When I got home, I couldn't’ call the record label fast enough to ask when I could see this band. The next things I knew, I had an invite to attend a Chagall Guevara show on November 15th, 1991 in Nashville at a warehouse-turned-venue called 328 Performance Hall. This was one show I would drive from Memphis to Nashville to experience, and what a show it was! The album is a classic, but this concert was an indelible experience that too the already excellent studio material to an even more emotionally immediate level. Years passed, and the memory of their no-holdsbarred performance and a killer CD fueled my sense that this was one of the great bands that slipped through the cracks. Many of the tracks from that album became regulars on my coveted road mix collections. It was a little like having something special that had become an unintended secret. It is the kind of thing that makes one a disciple because it is selfish to not spread the word. When the band recently sent me the recording of this 1991 album release show, I was blown away at how it was every bit as good as I remembered it and then some. This isn’t merely a document of a band recreating what was recorded in the studio. This is the sound of a real, dynamic band, where everyone was on the same wavelength, laying down their visceral truth with newly minted music. Steve Taylor was an eyeful on stage. I’m not even sure he is a vertebrate because human beings with any regard for personal safety don’t through themselves around on the stage like a possessed rag doll without breaking bones. Not for one second did I ever feel like I was watching some arena rock poseur moves. He was totally in the moment, shooting sparks, words, and limbs, thrashing away as the band navigated a tightrope that was simultaneously chaotic and rock solid. Wanna hear what a great guitar team sounds like? Check out Lynn Nichols and Dave Perkins on this live recording. Dave and his Les Paul can be heard on the left channel with Lynn’s 6 and 12-string counterpoint on the right side. What a conversation between the two! It is rawness orchestrated by intuition. As much as guitar platers seem to get most of the love in rock bands, much of the secret sauce in Chagall Guevara is the unshakable rhythm section of Wade Jaynes on bass and Mike Mead on drums. I absolutely love how solid they are. Something about Mike’s snare and kick sound is so confident and grounding, and Wade’s bass balances melodicism with the right about of string buzz and rattle. Picking highlights here is impossible. Just put this on your turntable, turn out the lights, and crank this sucker up. Kudos to Malcolm Harper for the recording of the performance and to Russ Long, who’s been part of the band’s journey since the beginning, for mixing this live show so faithfully. He nailed the spirit of that night. At the ending crescendo of “Murder in the Big House,” Taylor and the band are screaming, “who will say the last amen?” All I can say is, “Not, me!!!” I’m ready for more. –Rick Clark There was a time in the not-too-distant past when music was performed in front of live audiences. The best bands were judged both by the creativity they sparked in a recording studio and the electricity they generated on a stage. Chagall Guevara's 1991 self-titled debut can still be heard wherever fine music is streamed. But their live show is a fading memory for those who saw them back-in-the-day performing in clubs, a handful of music festivals, and as the opening act for Squeeze on their U.K. tour. On November 15th of 1991, at the height of the band's musical powers, Chagall Guevara's live show was recorded to 24 tracks of analog splendor in front of a very rowdy hometown crowd at Nashville's legendary 328 Performance Hall. With the band's full cooperation, it has now been lovingly mixed by Russ Long, who began his illustrious career as a recording engineer and producer by mixing Chagall Guevara's live shows. That live album, now entitled The Last Amen, is finally ready to be heard.

MUSIC ROUGH GUIDE S

THE ROUGH GUIDE to

MEMPHIS BLUES Various Arists The Rough Guide To Memphis Blues Cat No: RGNET1411CD Label: World Music Network Format: CD UPC: 605633141122 Street date: August 26, 2022 Compiled by: Neil Record Format: CD digipak Box lot: 61 ct/CD

Marketing points:

From the classic sounds of the jug band heyday to the earthy blues straight from the Mississippi Delta, Memphis was at the very epicentre of the 1920s country blues explosion. This Rough Guide charts the city’s huge influence with classic tracks by blues legends Memphis Minnie, Furry Lewis, Sleepy John Estes and many more. Track list: 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26

Jed Davenport & his Beale Street Jug Band Save Me Some 02:50 Sleepy John Estes The Girl I Love She Got Long Curly Hair 02:56 Memphis Minnie North Memphis Blues 02:33 Minnie Wallace The Old Folks Started It 02:40 Robert Wilkins Falling Down Blues 02:36 Memphis Jug Band On The Road Again 02:47 Hattie Hart I Let My Daddy Do That 02:59 Furry Lewis Kassie Jones – Part 1 03:03 Cannon’s Jug Stompers Viola Lee Blues 03:07 Allen Shaw I Couldn’t Help It 03:03 Jack Kelly and his South Memphis Jug Band Cold Iron Bed 03:05 Tom Dickson Happy Blues 03:00 Frank Stokes How Long Blues 03:15 Carolina Peanut Boys You Got Me Rollin’ 02:29 Gus Cannon Poor Boy, Long Ways From Home 03:09 Charlie Burse & his Memphis Mudcats What’s The Matter With The Well? 02:36 Pearl Dickson Little Rock Blues 03:00 Beale Street Rounders Sitting On Top Of The World 02:49 Noah Lewis Like I Want To Be 03:05 Beale Street Sheiks Mr. Crump Don’t Like It 02:39 Will Shade Better Leave That Stuff Alone 03:23 Will Weldon Hitch Me To Your Buggy, And Drive Me Like A Mule 03:00 Memphis Sheiks He’s In The Jail House Now 03:10 Vol Stevens Baby Got The Rickets 02:53 Will Batts Country Woman 02:57 Charley Nickerson with Jug Band Going Back To Memphis 02:22

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An album which traces the development of the Memphis blues during its 1920s/30s heyday

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Featuring seminal recordings by many blues legends including Sleepy John Estes, Furry Lewis and Robert Wilkins

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Memphis is one of the quintessential musical melting pots of the US, which helped spawn the blues

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Featuring classic tracks by blues divas Memphis Minnie and Minnie Wallace

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Nowhere provided a concentration and diversity of early blues forms to rival Memphis

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Featuring classic tracks by the great jug bands, including Will Shade’s Memphis Jug Band and Gus Cannon’s Jug Stompers

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Memphis is often dubbed as the “Home of the Blues”

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An incredibly diverse selection of tracks from classic songster and hokum tunes to bottleneck guitar and harmonica virtuosity

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Includes many lesser-known gems by artists shrouded in mystery

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Lovingly remastered using pioneering restoration techniques

Total Playing Time: 76:28 Available for instore co-op campaigns, listening posts and racking / Servicing all specialist music magazines, radio programmes and websites

Redeye

World Music Network (UK) Ltd

505 Eno St, Hillsborough, NC 27278 Contact: Kali Benjamin kali@redeyeworldwide.com www. redeyeworldwide.com

US Label enquiries, contact: Neil Record neil@worldmusic.net www.worldmusic.net

ITZHAK VENTURA ALI GN ED

After many years of study with master musicians around the world, Itzhak Ventura explores the sound of the ney (Middle Eastern end-blown reed flute) as part of his contemporary quartet. Aligned, his debut release, unfolds his personal story with heartfelt and virtuosic musicianship.

Marketing Points: • •

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A unique integration of the ney into a contemporary jazz setting Aligned is the culmination of years of dedication and sacrifice to attain mastery of the ney Debut international release featuring ten original compositions combining traditional motifs with virtuosic expression An album inspired by some of the greatest ney players in history along with some of today’s musical innovators Highlighting his different Arabic, Turkish, and Persian ney playing styles An artist with his roots in Jaffa-Tel Aviv, a cultural hotspot of a city and very much the heartbeat of Israel’s music scene

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Itzhak Ventura has performed with the Jerusalem Orchestra East & West since its inception in 2009 Featuring the instrumental brilliance of pianist Yonatan Daskal, double bassist Avri Borochov and drummer Aviv Cohen An album which will appeal to both jazz and world music fans alike Following on from the success of other jazz/world cross over projects on the Riverboat Records label An album born out of adversity and an experience which made Itzhak re-evaluate his life

Artist: Itzhak Ventura Title: Aligned Catalogue No: TUGCD1136 Barcode: 605633013627 Box lot: 61 CD/ct Label: Riverboat Records Street date: August 26th, 2022 File under: World

Available for instore co-op campaigns, listening posts & racking / Servicing all specialist music magazines, radio programmes & websites

Redeye

World Music Network (UK) Ltd

505 Eno St, Hillsborough, NC 27278

US Label enquiries, contact:

Contact: Kali Benjamin kali@redeyeworldwide.com

Neil Record neil@worldmusic.net

www. redeyeworldwide.com

www.worldmusic.net

Chime School

Label: Slumberland Records Catalog Number: SLR 260 Street Date: November 5, 2021

“Chime School”

1. Wait Your Turn 2. Taking Time To Tell You 3. Dead Saturdays 4. Fixing Motorcycles 5. Anywhere But Here 6. Radical Leisure 7. Get A Bike 8. Gone Too Fast 9. It's True 10.Calling In Sick File Under: Alternative - C TL; DR: Terriﬁc jangle-pop from SF’s bumping DIY pop scene, sitting comfortably next to scenemates Seablite, Flowertown and The Umbrellas. RIYL: the Creation and Sarah labels Tape UPC: 749846026040 Packaging: Professionally-duplicated cassette with blue shell.

CD UPC: 749846026026 Packaging: Gatefold wallet Box Lot: 50/200 master 7

49846 02604

49846 02602

Chime School is the project of San Francisco musician Andy Pastalaniec. Endlessly charmed by 80s indie and its 60s forbearers (and any record with a 12-string guitar), Andy cut his teeth as a drummer with SLR labelmate Odd Hope in their early group Pink Films; later with shoegazers Cruel Summer, and currently with indiepop outfit Seablite. But it wasn't until he was gifted a cassette 4-track portastudio "almost as a dare," that he came out from behind the kit to write and record his own material. Aptly named for its autodidact roots, Chime School pays homage to the formative jangle of The Byrds by way of early Primal Scream and The Springfields; the production and pop sensibility of the Biff Bang Pow and The Razorcuts; and the spirit of great singles labels like Creation, Postcard and Sarah. From the dreamy album opener "Wait Your Turn" to the driving jangle of "Dead Saturdays" and the lush, epic "Gone Too Fast" we can see that we're in the presence of a very talented writer indeed, someone with a lifetime's worth of pop fandom just waiting to burst out in song. It's challenging to take familiar musical forms and make them feel fresh and new, but Andy has tackled the task with aplomb on this assured debut. Featuring future classic singles like "It's True" and "Taking Time To Tell You" it's certain to catch the ears of indiepop fans, for sure, but will also be a balm for anyone in love with melodic, classic guitar pop. Contact: Stephen Svacina email: stephen@redeyeworldwide.com tel: 1.877.733.3931

Territory: The World Posters and stickers available, ask your rep.

Cameron Morse - The Truth Is Release Date: August 26th 2022 12” Black Vinyl LM085EP | 5060263728986 Boxlot: 25 | Ⓟ & © 2022 LuckyMe Cameron Morse is a Montreal based musician and visual artist whose experimental production and art direction first created waves as half of Littlebabyangel with their cult 2015 release Gada a mixtape circulated via email chain letter, laterally reviewed by Pitchfork who said it “...feels like entering the eye of a hurricane”. Following up with a standout remix on Jacques Greene’s Dawn Chorus and two tracks for the celebrated LUCKYME® Advent Calendar compilations - The Truth Is fully reveals the political impetus behind Cameron’s artistic practice: his music, fashion design, writing and digital painting. Cameron considers The Truth Is part of a years-long self initiated project named Anthropocene: an upcycled clothing experiment meant to end fast fashion. Through single editions of garments, we can literally produce an individual personal style. But those garments carry blunt, factual typographic prints which badge us within a micro community proudly aware of consumption, desire, commerce and inequality. The work aims to create a waypoint for people feeling unable to contribute to the body politic. On The Truth Is, the stems of todays bedroom producer - hacked poly synth, drum machine, electric guitar and voice - gel to express our milieu. These textures tune-out and drop-in: suspending themselves in the air of a room for our generation to externalise doomer vacuity beyond the body. Projected out of you, let’s start by looking at the problem: then it might be clearer for us to move forward. This stunning EP expresses the loss of meaning within the modern world and begs we move together towards our potential future.

Vinyl Tracklist: A

1. 2. 3. 4.

The Fifty Richest Men Decide Every Second Each Day

6:42 3:07 3:33 2:37

1. 2. 3. 4.

That You Should Starve And Slave And Burn

5:46 4:42 2:06 3:43

FILE UNDER : EXPERIMENTAL, ELECTRONIC.

HOLY NOW - DREAM OF ME LP-LAZYOCT-032 / LAZYHNA002 Street date: August 26th, 2022 Formats: 12” vinyl (limited to 300 copies) File under: Alternative / Indie UPC: 634457084551

“Holy Now are one of those bands who posses a magical spirit and project an easiness about their art that is captivating on first listen.” - Gorilla vs. Bear “the perfect mixture of the bitter with the sweet” - CLASH

Holy Now is one of the finest indie bands to have emerged from Sweden in recent years. Perfect yet deliberately off, dreamy indie pop with Julia Olanders voice at the center. On August 26th, they’ll release their new album via Lazy Octopus Records (AOP, Therese Lithner, MANKIND etc.) 2018 debut album “I Think I Need The Light” and follow-up EP “It Will All End In Tears” were acclaimed both internationally by prominent media, such as Gold Flake Paint, Gorilla Vs Bear and Line of Best Fit. On the band’s second studio album “Dream of Me”, out this fall via Lazy Octopus, the building blocks remain: crisp reverb-drenched guitars, dreamy choruses and a very analog feel. It also showcases a new side of the band that is more withdrawn, dressed in sparse soundscapes, with a lot of focus on lyrics, a song for anyone who wears their heart on the outside. Tracklist: 1. Ballad, 2. Places, 3. Hold Me / Know Me, 4. Dream of Me, 5. Never Fall In Love Again, 6. Silk, 7. Alright, 8. Don’t You Understand, 9. Every Time The Morning Comes

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RUSSIAN CIRCLES GNOSIS

RELEASE DATES: 8.19.22/8.26.22 | ORDERS DUE BY 7.29.22/8.05.22

SARGENT HOUSE

T O M M Y M C L A I N | W O M B O | B R A X E + FA L C O N