6.06 & 6.13 New Release Book by Redeye

ON TOUR IN USA & CANADA

UNLEARNING

THE

Transparent Dark Blue vinyl with printed inner sleeve

CAT NO: LUCKY155LP

UPC: 689492209117

Gatefold wallet with printed lyric booklet

CAT NO: LUCKY155CD

UPC: 689492208929 6 8949220911 7 6 8949220892 9

Pearl Edition - Milky Clear Transparent colour vinyl with gatefold sleeve and printed lyric insert

CAT NO: LUCKY172LP

UPC: 689492223113

Gatefold wallet with printed lyric poster insert

CAT NO: LUCKY172CD

TOUR DATES

05/18 - Salt Lake City, UT - Kilby Block Party

05/21 - New York, NY - Berlin

05/22 - Washington D.C. - Lincoln Theatre*

05/23 - Washington D.C. - Lincoln Theatre*

05/24 - Glenside, PA - Keswick Theatre*

05/28 - Orlando, FL - The Plaza Live*

05/29 - Atlanta, GA - Buckhead Theatre*

05/31 - Austin, TX - Mohawk (Indoors)

06/01 - Dallas, TX - Majestic Theatre*

06/02 - Houston, TX - Bayou Music Center*

06/03 - Austin, TX - ACL Moody Theatre*

06/05 - Denver, CO - Paramount Theatre*

06/06 - Salt Lake City, UT - The Union

06/09 - Vancouver, BC - Orpheum Theatre*

06/10 - Seattle, WA - Moore Theatre*

06/11 - Seattle, WA - Moore Theatre*

06/13 - Forest Grove, OR - Grand Lodge*

06/15 - Oakland, CA - Fox Theatre*

06/16 - Los Angeles, CA - Genghis Cohen

06/17 - San Diego, CA - Balboa Theatre*

06/18 - San Diego, CA - Balboa Theatre*

06/20 - Los Angeles, CA - Greek Theatre*

06/21 - Los Angeles, CA - Greek Theatre*

06/22 - Las Vegas, NV - House of Blues*

06/24 - Denver, CO - Hi-Dive

06/26 - Minneapolis, MN - First Avenue*

06/28 - Chicago, IL - Riviera Theatre*

06/29 - Detroit, MI - Royal Oak Music Theatre*

07/01 - Cleveland, OH - House of Blues*

07/03 - Toronto, ON - History*

07/04 - Toronto, ON - History*

07/06 - Long Island, NY - Paramount*

07/07 - Boston MA - House of Blues*

07/08 - New York NY - Terminal 5*

(* - supporting OMD)

Initially released on May 3rd, 2011, the critically-acclaimed Variations fantômes is inspired by classical music themes from Ravel, Strauss, Schubert and Vivaldi, to name a few. Following the exploration, introspection and reinterpretation of the works of these artists, Philippe B was guided by beauty, melancholy, faith, love and death when writing the lyrics of the very personal pieces that make up Variations fantômes, which has ultimately become his seminal album. With his unique way of stringing words together to create vivid imagery, the award-winning Québécoissinger-songwritertellsstoriesﬁlledwithpassion,remorseand torment.

Samples, passages lifted, from canonical pieces, melodies, anecdotes from the life of a composer, and even the titles of certain oeuvres all found their way onto the album. Philippe B pairs his poetic lyrics with a modern folk that is both moving and intense. The result is a harmonious mix of guitars, keys and violins; a musical dialogue between the singer-songwriterandtheghostsofgreatcomposers.

PRESS QUOTES

One of the most remarkable records ever recorded here in Quebec. (CBC Radio)

It’s easily one of the best productions - fascinating really - of the year. (Montreal Gazette)

Philippe B transcends the folk pop restraints and reveals songs that could be as moving as poems or short stories. (Hour Community)

Superbe. Si on me tire les oreilles assez fort, j'avouerai que c'est un des plus beaux de l'année. (Voir)

Variations fantômes est une très grande réussite, d’un bout à l’autre (Le Devoir)

Named one of the Best Albums of the Mid-Decade by La Presse

Named one of the Top 25 Best Quebecois Albums released since 1990 by Journal de Montréal

Named Album of the Decade by CISM (Montreal college radio)

PHILIPPE B VARIATIONS FANTÔMES

OriginalReleaseDate:May3,2011

Bonsound(BONAL012)-LP/LPC/CD 14Tracks,includingsingles: Petite leçon de ténèbres and L’été

Stream/Download

TRACKLIST

A1. Hypnagogie

A2. L’été

A3. La ballerine

A4. Petite leçon de ténèbres

A5. Mort et transﬁguration (d’un chanteur semi-populaire)

A6. Nocturne #632

A7. Le tombeau de Nick Drake

A8. Reprise

B1. Ma photographe

B2. Chanson pathétique

B3. California Girl B4. Croix de chemin

B5. Marie B6. L’amour est un fantôme

LP -Black - Back in stock

Item Number: BONAL012–LP UPC: 779913001267

Box Lot: 25

Packaging: Single LP Jacket, Black Vinyl, Printed Sleeve Export Status: Worldwide

LP 10th Anniversary Edition - Last Chance

Item Number: BONAL012–LPC

UPC: 195497771691

Box Lot: 25

Packaging: Screen-printed LP Jacket, Silver Vinyl, Printed Sleeve

Export Status: Worldwide

Item Number: BONAL012–CD UPC: 779913001229

Box Lot: 25

Packaging: Cardboard Sleeve, CD, 2 Printed Booklets Export Status: Worldwide

Distributed exclusively by Redeye label@bonsound.com / bonsound.com

505 Eno St. Hillsborough, NC, 27278

Stephen Svacina stephen@redeyeworldwide.com redeyeworldwide.com

ROMAN CANDLE

PULP

Friday June 6th, 2025

TRACKLISTING

Spike Island

Tina Grown Ups

Slow Jam Farmers Market

My Sex Got to Have Love Background Noise

Partial Eclipse Hymn of the North A Sunset

SELLING POINTS

• Pulp’s first album in 24 years

• 2025 North American Tour Dates

• Confirmed press with The New Yorker, The New York Times, Rolling Stone, NPR & more

• Limited edition Blue / White “Blue Sky Thinking” marble vinyl for Indie Retail

WORDS FROM JARVIS COCKER ON “MORE”

This is the first Pulp album since “We Love Life” in 2001. Yes: the first Pulp album for 24 years. How did that happen?

Well: when we started touring again in 2023 we practiced a new song called “Hymn of the North” during soundchecks & eventually played it at the end of our second night at Hammersmith Odeon. This seemed to open the floodgates: we came up with the rest of the songs on this album during the first half of 2024. A couple are revivals of ideas from last century. The music for one song was written by Richard Hawley. The music for another was written by Jason Buckle. The Eno family sing backing vocals on a song. There are string arrangements written by Richard Jones & played by the Elysian Collective.

The album was recorded over 3 weeks by James Ford in Walthamstow, London, starting on November 18th 2024. This is the shortest amount of time a Pulp album has ever taken to record. It was obviously ready to happen. These are the facts.

We hope you enjoy the music. It was written & performed by four human beings from the North of England, aided & abetted by five other human beings from various locations in the British Isles. No A.I. was involved during the process.

This album is dedicated to Steve Mackey. This is the best that we can do.

Thanks for listening.

CAAMP COPPER CHANGES COLOR

Caamp formed when Taylor Meier and Evan Westfall met and bonded over a shared love of music and a shared love of home, specifically the inspiration they culled from the Midwest lives they grew up in The two began writing and performing and quickly grew a rabid fan base A self-titled 2016 debut album took flight, Evan and Taylor brought on a third member and longtime friend, Matt Vinson, to join on bass just before recording By and By In week one of the release of their full length, By and By on Mom + Pop, Caamp made multiple chart debuts By and By entered the Billboard Top 200, was the #1 Heatseeker, #1 on the New Artist Alternative Albums, top 5 vinyl album sales for the week and entered the Alternative and Emerging Artist charts Caamp then scored their first #1 at radio with their single “Peach Fuzz,” made their late night television debut on Jimmy Kimmel Live!, and followed that up with a killer performance on CBS This Morning Saturday After a victorious 2019 festival season playing Firefly, Shaky Knees, Forecastle, Outside Lands, Austin City Limits, Great Escape and many more, In early 2020, Caamp performed on the Late Show with Stephen Colbert The trio later released their first live EP Live From Newport Music Hall The five track recording was taken from one of their seminal hometown shows in Columbus, OH The recording contains live versions of songs off their most recent album, By and By Not long after the live album, Caamp released the singles and companion videos for “Officer Of Love” and “Fall Fall Fall” The band then celebrated another victory in 2020 with their single “By and By” resting snugly in the Top 5 Most Spun on Sirius XM’s Alt Nation They kicked off 2021 with “Officer of Love” hitting #1 at AAA radio for 2 consecutive weeks In 2022, the band released “Lavender Days” featuring “Believe” and other #1s at radio 2025 brings Caamp’s new album “Copper Changes Color” and continued sold out tour dates

Caamp

ARTIST

TITLE

LABEL

STREET DATE

CONFIGURATIONS

Retal-AppeRedvinyl GatefodJacketwihposter 810090096773 MP844

Indie-OiveGreenvnyl GaefoldJacketwthposter

DESCRIPTION UPC

CATALOGUE #

DATES

6/20/2025 Washington, DC The Anthem

6/21/2025 Washington, DC The Anthem

7/16/2025 Los Angeles, CA Greek Theatre

7/18/2025 Santa Barbara, CA Santa Barbara Bowl

7/19/2025 Berkeley, CA The Greek Theatre at UC Berkeley

7/22/2025 Nampa, ID Ford Idaho Center Amphitheatre

7/24/2025 Salt Lake City, UT Granary Live

7/26/2025 Greenwood Village, CO Fiddler's Green Amphitheatre

7/29/2025 Missoula, MT Big Sky Brewing Amphitheatre

8/1/2025 Tacoma, WA Dune Peninsula

8/2/2025 Bend, OR Hayden Homes Amphitheater

Cassette-Cear 810090096902

8/26/2025 St Augustine, FL The Saint Augustine Amphitheatre

8/28/2025 Asheville, NC Asheville Yards Amphitheater

8/30/2025 Raleigh, NC Red Hat Amphitheater

8/31/2025 Wilmington, DE Live Oak Bank Pavilion

9/4/2025 Nashville, TN Ascend Amphitheater

9/5/2025 Atlanta, GA Fox Theatre

9/7/2025 Charlotte, NC Skyla Credit Union Amphitheatre

9/10/2025 Philadelphia, PA Skyline Stage at the Mann

9/12/2025 New York, NY Radio City Music Hall

9/13/2025 New York, NY Radio City Music Hall

NORTH MISSISSIPPI ALLSTARS STILL SHAKIN’

North Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.

“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the 90’s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations thru their current instincts. The well never runs dry and the cast of characters never fails.

They recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwaynes Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group look forward to the next 25 years of North Mississippi World Boogie.

SCAN THIS QR CODE FOR ASSETS, BIO, PRESS KIT, MOCKUPS

Street date:June 6, 2025

LP Track Listing

SIDE A

1. Preachin’ Blues

2. Stay All Night (feat. Robert Kimbrough & Joey Williams)

3. My Mind is Ramblin’

4. Pray for Peace

5. K.C. Jones (Part II) (feat. Jojo Hermann & Grahame Lesh)

SIDE B

1. Still Shakin’

2. Poor Boy (feat. Duwayne Burnside)

3. Don’t Let the Devil Ride (feat. Joey Williams)

4. John Henry

5. Monomyth (Folk Hero’s Last Ride)

CD track listing

1. Preachin’ Blues

2. Stay All Night (feat. Robert Kimbrough & Joey Williams)

3. My Mind is Ramblin’

4. Pray for Peace

5. K.C. Jones (Part II) (feat. Jojo Hermann & Grahame Lesh)

6. Still Shakin’

7. Poor Boy (feat. Duwayne Burnside)

8. Don’t Let the Devil Ride (feat. Joey Williams)

9. Write Me a Few Lines

10. John Henry

11. Monomyth (Folk Hero’s Last Ride)

Sel. #: NW6605CD

Config: Digipak, marketing sticker

UPC: 607396660520

Box Lot: 30 Count

Genre: Blues, Americana

INDIE ONLY CD

Sel. #: NW6605SCD

Config: Digipak, marketing sticker, Autographed, limited to 1k copies

UPC: 607396660506

Box Lot: 30 Count

Genre: Blues, Americana

***This is shared with our webstore

VINYL

Sel. #:NW5919LP

Config: 1xLP, Jacket, Full Color Sleeve, Black Vinyl

UPC: 607396591916

Box Lot: 20 Count

Genre: Blues, Americana

INDIE ONLY VINYL

Sel. #: NW5920LP

Config: 1xLP, Jacket, Full Color Sleeve, Opaque Red Vinyl,

Limited to 1500 Copies, One time pressing, Autographed

UPC: 607396592012

Box Lot: 20 Count

Genre: Blues, Americana

LIFEGUARD

Ripped and Torn

Chicago’s LIFEGUARD release their debut album Ripped and Torn on June 6. The youthful trio of Asher Case, Isaac Lowenstein, and Kai Slater have been making music together since they were in high school, nearly a quarter of their lives. Noisy and immediate, cryptic but heartfelt, they draw inspiration from punk, dub, power-pop and experimental sounds, and bring them all together in explosive inspiration.

Over their two prior summers on Matador, Lifeguard’s EPs carefully documented the band’s early, earnest, studio explorations. But their tremendous live shows, anchored by Lowenstein’s rock-steady backbeat, hinted that something greater was waiting in the wings. On Ripped and Torn, the barbed-wire sound frames Slater and Case’s newly rich two-part harmonies and collagiste lyrics. Producer Randy Randall (No Age) captures a claustrophobic scrappiness that conjures the feeling and energy of the house parties and live shows, where ears are easily overwhelmed, and ragged improvisations connect with the same force as melodic hooks.

The band remains a singular and intimate space where freedom, noise, and melody find visceral form. “The physical element is something we’re all very together on,” explains Slater. “The immediacy of making music. The instant pleasure and satisfaction of it.”

• THE DEBUT ALBUM, RELEASED ON MATADOR RECORDS

• POSITIVE PICKUP ON 2023 EP: PITCHFORK,NPR,ROLLINGSTONE, STEREOGUM, MATT WILKINSON...

• TOURING IN NORTH AMERICA AND EUROPE THROUGH 2025

• SIDE PROJECT SHARP PINS GIVEN PITCHFORK BEST NEW MUSIC (MARCH 2025)

“Lifeguard channel the verve and manic energy of making art with like-minded peers and the rush of sharing your bespoke musical world.”

Pitchfork

“Bracing energy, sharp-edged rhythm, and post-punk melody.”

Stereogum

“Awesome waves of noise that evoke icons like Sonic Youth.”

Rolling Stone

TRACKLIST

01. A TIGHTWIRE

02. IT WILL GET WORSE

03. ME AND MY FLASHES

04. UNDER YOUR REACH

05. HOW TO SAY DEISAR

06. (I WANNA) BREAK OUT

07. LIKE YOU’LL LOSE

08. MUSIC FOR 3 DRUMS

09. FRANCE AND 10. CHARLIE’S VOX

11. RIPPED + TORN

12. T.L.A.

SELLING POINTS

• Florida Band Deicide’s 1990 Self-Titled Debut Album Isn’t Just One of the Top-Selling Death Metal Releases of All Time

• It’s Also a Genre-Defining and Definitive Work and a Daring Artistic Statement

• The Group’s Stance on Organized Religion Is Uncompromising to Say the Least, with References to Charles Manson and Jim Jones

• The Instrumental Attack Is Equally Unyielding, Anchored by Drummer Steve Asheim, Whose Double Kick Drum “Blastbeats” Defy Belief

• Brothers Eric and Brian Hoffman Unleash Piercing Twin Lead Guitar Squalls

• And Bassist Glen Benton’s Vocal Exhortations Are Just Plain Evil

• “Sacrificial Suicide” and “Dead by Dawn,” Which Takes Its Inspiration from the Evil Dead Film, Are the Classics

• Includes Printed Inner Sleeve with Lyrics

• Remastered for Vinyl by Mike Milchner at Sonic Vision

• Pressed in Metallic White and Red “Centurion” Vinyl

iBarcoder Trial

UPC: 848064019268

FORMAT: Regular Weight Metallic White and Red “Centurion” Vinyl

PACKAGING: Album Jacket with Two-Page Insert

BOX LOT: 50

SELLING POINTS

• Back in the ‘70s, Before It Became a Ubiquitious Commodity, Pornography Strove to Become Recognized as an Art Form

• The Devil in Miss Jones Was the Film That Made the Greatest Strides Both Creatively and Commercially

• Made by Gerard Damiano After His Success with Deep Throat

• It Became the Seventh Highest Grossing Film of 1973

• And the Plot Drew from Sartre’s No Exit in Telling the Tale of a Lonely Spinster Who, After Being Denied Entrance to Heaven After Committing Suicide, Decides She’d Rather Go Back to Earth and “Earn” Her Place in Hell by Practicing the Deadly Sin of Lust

The Film Boasted Unprecedented Production Values for a Porn Film, Most of All with Respect to Alden Shuman’s Score

• Instead of the Usual Monotonous Wah-Wah of the Time, the Soundtrack Offered a Sweeping, Panoramic, and Plaintive Score Played by Piano and Full Orchestra

• First-Ever LP Reissue

• Pressed in Hellfire Vinyl

• Limited to 900 Copies

DEi CIDE Deicide

(Remastered Metallic Red & White “Centurion” Vinyl Edition)

STREET DATE: JUNE 6, 2025

Are you ready to experience the definitive death metal album?

Deicide’s 1990 self-titled debut is not just one of the genre’s top-selling releases (if it’s not #1, it’s top three); it’s also a staggering philosophical and artistic statement. “Uncompromising” is definitely the appropriate if euphemistic term to describe its stance on organized religion, which doesn’t just include Christianity but also Charles Manson (“Lunatic of God’s Creation”) and Jim Jones (“Carnage in the Temple of the Damned”). But it’s “Sacrificial Suicide” and “Dead by Dawn,” which references the Evil Dead movie for maybe the slightest hint of levity on what is a very black album, that have become stone-cold classics. The ferocity of the lyrics is matched if not surpassed by the musical attack, featuring piercing twin guitar leads from brothers Eric and Brian Hoffman, and bassist/lead singer Glen Benton’s evil exhortations. The real hero—or antihero—of the band, though, just might be drummer Steve Asheim, whose double kick drum “blastbeat” barrages defy belief. Remastered for vinyl by Mike Milchner of Sonic Vision, Deicide comes in metallic red and white “centurion” vinyl, complete with an insert with lyrics. Metal was never the same after this record…

ALDEN SHUMAN: The Devil in Miss Jones —Original Soundtrack Recording

(Limited Hellfire Vinyl Edition)

STREET DATE: JUNE 6, 2025

There was a time, back in the ‘70s before it became the ubiquitous, mass-produced product it is today, that pornography made a bid to become taken seriously as an art form. And it was this film, The Devil in Miss Jones, that made the biggest leap forward both commercially and artistically. Made by Gerard Damiano after his success with Deep Throat, and based on Jean-Paul Sartre’s play No Exit, the film tells the story of a lonely spinster who, after she commits suicide, is denied entrance to heaven and is condemned to limbo. She then decides she’d rather go back to earth and “earn” her place in hell by practicing the deadly sin of lust. The Devil in Miss Jones wound up being the seventh highest-grossing film of 1973, and set new standards for production value and, yes, musical scoring. Alden Shuman’s soundtrack wasn’t the usual monotonous wah-wah of the time, but a sweeping, panoramic, and plaintive score played by piano and full orchestra. It’s never been reissued on LP before; our Real Gone release comes in limited (to 900 copies) hellfire vinyl that you can watch spin…for eternity.

Blaspherereion

Deicide

Carnage in the Temple of the Damned

Mephistopheles

Side One

1. In the Beginning

2. Hellcat

3. I’m Comin’ Home (Theme from “The Devil In Miss Jones”)

4. The Teacher

5. Ladies in Love

Side Two

1. Love Lesson 2. Beauty and the Beast

Walk with the Devil

Trio in the Round

Miss Jones Comes Home

At the End

SELLING POINTS

• We at Real Gone Music Have Been Specializing Lately in Bringing Early ‘90s Metal and Hard Rock Albums That Were Submerged in the Grunge Wave and Never Made It to Vinyl Here in the States

• Blue Murder’s Nothin’ but Trouble Is Another Prime Example

• Band Was Led by Guitarist/Songwriter John Sykes of Thin Lizzy, Whitesnake, and Tygers of Pan Tang Fame

• Other Notables on This Album Include Kelly Keeling of Baton Rouge and Carmen Appice of Vanilla Fudge et al.

• “We All Fall Down” Was the Single

• But Don’t Miss Their Great Cover of The Small Faces’ “Itchycoo Park”

• Remastered for Vinyl by Mike Milchner at Sonic Vision

• Previously Issued on Vinyl Only in South Korea as a 55-minute (!) Single Album

• Vastly Superior Sound on This 2-LP Release

• Gatefold Jacket Includes Lyrics on the Inner Spread

• Blue with Black Cat Swirl in Honor of the Unfortunate Feline in the Clutches of the Little Menace on the Front Cover

BLUE MURDER: Nothin’ But TrouBle

(Remastered 2-LP Blue with Black Cat Swirl Vinyl Edition)

STREET

DATE: JUNE 6, 2025

This 1993 album has only been out on vinyl in South Korea, and that release squeezed this 55-minute-plus record on to a single disc, which is just plain getting away with (ahem) murder! So fans of this band have been screaming (sorry, can’t resist) blue murder for the release of Nothin’ but Trouble in proper 2-LP fashion, which we have pressed in blue with black cat swirl vinyl in honor of the unfortunate feline in the clutches of the little menace on the front cover. This is another one of those great, early ‘90s metal albums that got lost in the grunge shuffle, and it’s more melodic than most; band leader and songwriter

iBarcoder Trial

UPC: 848064019084

FORMAT: Regular Weight 2-LP Blue with Black Cat Swirl Vinyl

PACKAGING: Gatefold Album Jacket

BOX LOT: 60

John Sykes (Whitesnake, Thin Lizzy, Tygers of Pan Tang) knew what he was doing. Also boasts appearances from our old friend Kelly Keeling of Baton Rouge fame, and the venerable Carmen Appice on drums. “We All Fall Down” was the single, but don’t miss their great cover of the Small Faces’ “Itchycoo Park!”

Mastered for vinyl by Mike Milchner of Sonic Vision, and housed inside a gatefold jacket with lyrics.

Shouldn’t Have Let You Go

FOUR

I Need an Angel

SELLING POINTS

• After Her Celebrated Tenure with Atlantic Records, Dusty Springfield Relocated to Los Angeles in the Early ‘70s and Signed with ABC/Dunhill Records

• Her First Album for the Label, 1973’s Cameo, Was an Artistic Success but a Commercial Disappointment

• So for Her Second Album, Dusty Enlisted the Aid of Legendary Producer Brooks Arthur, Renowned for His Work with Phil Spector’s Coterie of Female Artists

• Arthur Chose to Frame Dusty in the 1970s Singer Songwriter Milieu with Material from Colin Blunstone (“Exclusively for Me”), Melissa Manchester & Carole Bayer Sager (“Home to Myself”), Janis Ian (“In the Winter”), Stephen Schwartz (“Corner of the Sky”), Chi Coltrane (“Turn Me Around”), Barry Manilow (“I Am Your Child”) and Others

• Though the Sessions Were Held at Arthur’s Famed 911 Studios, with Bruce Springsteen Sitting In, Dusty Struggled with Professional Exhaustion and Career Uncertainty

• As a Result, Longing Was Shelved, and Dusty Left the Label

• In 2001, Under the Supervision of Producer Arthur, Nine of the Ten Tracks He Recorded with Dusty Were Released on CD

• A Tenth Track (“Corner of the Sky” from the Broadway Musical Pippin) Was Reworked as a Duet with Petula Clark and Included on a Pair of Anthologies

• Now, All Ten Tracks Make their Vinyl Debut on Longing

• Includes the First-Ever Solo Release of “Corner of the Sky” Along with New Mixes for Eight of the Other Selections for This Dual CD & LP Release

• Dusty Is at The Peak of Her Professional Powers While Suffering from Personal Insecurities, Giving These Recordings a Unique Power and Poignancy

• Includes Track-by-Track Annotations by Dusty Expert Paul Howes

• Vintage Artwork and Rare Photos

• Mastered by Mike Milchner at Sonic Vision

• Vinyl Edition Is Pressed on Eco-Friendly PET Black Plastic

DUSTY SPRINGFIELD: LONGING

(PET BLACK PLASTIC ECO-RECORD & CD EDITION)

STREET

DATE: JUNE 6, 2025

In the early 1970s, Dusty Springfield relocated from her native England to Los Angeles in an effort to pursue new opportunities in her career and signed with ABC/Dunhill Records. Her 1973 album Cameo showcased Springfield’s soulful pop in splendid fashion but failed to generate significant traction outside of Billboard’s Adult Contemporary listings. For her sophomore project with the label the following year, Dusty travelled to New York to team with producer Brooks Arthur, renowned for his work with Phil Spector’s 1960s coterie of girl singers,

For Longing, Arthur chose to frame Dusty in the 1970s singer-songwriter milieu, surrounding her with material from Colin Blunstone (“Exclusively for Me”), Melissa Manchester & Carole Bayer Sager (“Home to Myself”), Janis Ian (“In the Winter”), Stephen Schwartz (“Corner of the Sky”), Chi Coltrane (“Turn Me Around”), Barry Manilow (“I Am Your Child”) and others. In many cases, the songwriters themselves contributed directly by playing keyboards on their respective creations at Arthur’s famed 911 Studios. Bruce Springsteen was also known to sit in on some of the sessions in admiration.

As the sessions wound down in the summer of 1974, Dusty found herself suffering from emotional exhaustion and professional uncertainty. She subsequently chose to put the album on the shelf and part ways with the label, ultimately re-recording a pair of the tracks when she signed to United Artists Records a few years later.

In 2001, under the supervision of producer Arthur, nine of the ten tracks he recorded with Dusty were released on CD as part of a collection of her ABC/Dunhill period. A tenth track (“Corner of the Sky” from the Broadway musical Pippin) was reworked as a duet with Petula Clark and included on a pair of her anthologies. Now, all ten tracks make their vinyl debut, including the first-ever solo release of “Corner of the Sky” along with new mixes for eight of the other selections for this dual CD & LP release.

The haunting beauty of “In the Winter,” the warm affirmation of “Home to Myself,” the soulful intimacy of “Exclusively for Me,” the tender romanticism of “Beautiful Soul,” the raw energy of “A Love Like Yours” and the heartbreaking vulnerability of “I Am Your Child” demonstrate Dusty at the peak of her professional powers while suffering from personal insecurities, giving these recordings a unique power and poignancy.

Includes vintage artwork and other rare images along with track-by-track annotations by noted Dusty expert and author Paul Howes. Mastered by Mike Milchner at Sonic Vision. Pressed on ecofriendly PET black plastic for its LP debut!

SELLING POINTS

• Only One Album Is Known Purely by Its Catalog #: Rounder 0044 J.D. Crowe and the New South: The New South

• That’s Because It’s Probably the Greatest Modern Bluegrass Album of All Time

• Instead of Reinventing Bluegrass Like, Say, Aereo-Plain by John Hartford, The New South Perfected It

• Bandleader and Banjoist Supreme J.D. Crowe Got His Start as a Teenager in Jimmy Martin’s Sunny Mountain Boys

• He Then Returned to Kentucky to Form The Kentucky Mountain Boys, Which Morphed into The New South

• The New South Boasted Probably the Greatest Line-Up of Talent of Any American Band in Any Genre

• Bassist Bob Sloane of The Kentucky Colonels Was the First to Join

• Then One Legend After Another: Fiddle and Mandolin Player Ricky Skaggs, Dobroist Jerry Douglas, and Guitarist/Vocalist Tony Rice

• They Lasted Less Than a Year, Leaving Behind This Album Together, They Were Pure Magic: Technically Brilliant but Soulful, Inventive but Disciplined, Each a Virtuoso but Still Part of the Unit

• And, Oh, Those Harmonies

• Our Reissue Features Two Sets of Liner Notes, One by Guitarist Skip Heller and One by Mandolinist Jarrod Walker

• Includes the Bonus Tracks “Why Don’t You Tell Me So” and “Cryin’ Holy” with Emmylou Harris

• Root Beer Pressing

• Limited to 1000 Copies

• Your Bluegrass Collection Cornerstone

iBarcoder Trial

UPC: 848064019602

FORMAT: Regular Weight Root Beer Vinyl

PACKAGING: Album Jacket with Two-Page Insert

LIMITED EDITION: 1000 Copies

BOX LOT: 60

SELLING POINTS

• Jazz Patterns Originally Appeared in 1982 as a Little-Noticed Budget Release on the Everest Label

• Indifferently Packaged and Recorded, the Album Offered No Clue As to the Treasure It Contained

• Previously Unreleased Performances from the Joe Henderson Quintet

• Taken from the Same September 24-26, 1970 Stand at The Lighthouse Café in Hermosa Beach That Yielded Henderson’s Revered 1970 Release If You’re Not Part of the Solution, You’re Part of the Problem

Trumpeter Woody Shaw Was Added as a Headliner to Take Advantage of His Subsequent Commercial Success

That’s George Cables on Electric Piano, Ron McClure on Bass, and Lenny White (Using a Bass Drum Fashioned from an Oil Can) on Drums

• Added Liner Notes by Skip Heller

Newly Mastered by Kevin Chubirka

• Corrected Song Titles

• First-Ever Reissue of This Major Post-Bop Find

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J.D. CROWE AND THE NEW SOUTH: The New South

(Limited Root Beer Vinyl Edition)

STREET DATE: JUNE 6, 2025

Virtually no other album anywhere in history is known to its audience by its label number. Not Kind of Blue, nor Pet Sounds, Glenn Gould’s Goldberg Variations, none.

Except this one. Rounder 44. Probably the most seminal bluegrass album of all time. Notice we didn’t say modern bluegrass, though it originally came out in 1975. That’s because, unlike, say, Aereo Plain by John Hartford (who contributed notes to the original package, reproduced here), The New South didn’t reinvent bluegrass. It perfected it. Bandleader and banjoist supreme J.D. Crowe got his start as a teenager in Jimmy Martin’s Sunny Mountain Boys, before returning to Kentucky and forming The Kentucky Mountain Boys. That band morphed over the years to become The New South, boasting probably the most formidable line-up any American band of any genre has enjoyed. Bassist Bob Sloane (of The Kentucky Colonels) was the first to join, followed by one legend after another: fiddle and mandolin player Ricky Skaggs, dobroist Jerry Douglas, and guitarist/vocalist Tony Rice. Together, they were pure magic: technically brilliant but soulful, inventive but disciplined, each a virtuoso but still part of the unit. And, oh, those harmonies! The New South is the cornerstone of any bluegrass collection. Of course, a group this talented wasn’t destined to last long. Within a year, each member went their own way, pioneering progressive bluegrass with each successive project. But the one album they recorded together, Rounder 44, is THE ONE. Our Real Gone reissue of The New South features two sets of added liner notes, one by guitarist Skip Heller and one by mandolinist Jarrod Walker, along with the bonus tracks “Why Don’t You Tell Me So” and “Cryin’ Holy” with Emmylou Harris. We’re pressing 1000 copies of this classic in root beer vinyl…don’t you dare miss it!

STREET DATE: JUNE 6, 2025 JOE HENDERSON AND WOODY SHAW:

“Diamond in the rough” doesn’t begin to describe the number of carats this long-lost jazz treasure wields, nor the depths of its humble origins. Originally released in 1982 on the budget Everest label, Jazz Patterns was all-too-carelessly assembled collection of 1970 live recordings from saxophonist Joe Henderson’s Quintet, re-titled to give trumpeter Woody Shaw co-billing to capitalize on his subsequent commercial success. A few copies were made, sold for under 5 bucks each, and that was that. But, as Skip Heller’s liner notes (which we’ve added) reveal, what this shoddy little package (it didn’t even have the correct song titles for two of the tracks and misspelled the one it got right) actually contained was, get this, previously unreleased performances from the same September 24-26, 1970 stand at The Lighthouse Café in Hermosa Beach that yielded Henderson’s revered 1970 release If You’re Not Part of the Solution, You’re Part of the Problem! Turns out Milestone label head Orrin Keepnews had turned around and sold these 2-track reference mixes (recorded by Bernie Grundman!) to Everest owner Bernie Solomon, who went ahead and did his usual down-market, take the money and run thing. That’s George Cables on electric piano, Ron McClure on bass, and Lenny White (using a bass drum fashioned from an oil can) on drums, by the way. We’re reissuing this fantastic post-bop find for the first time ever, complete with the aforementioned liner notes, the correct song titles, and a new remastering job by Kevin Chubirka that sounds about a hundred times better than the original. Dig you must!

• Black Jazz Records Is One of the Most Collectible Imprints in Jazz

• Over the Space of About Three Years, the Label Released 20 Albums Spanning the Free Jazz, Soul Jazz, Funk, and Vocal Jazz Genres

• Impeccably Produced by Label Head Gene Russell but Poorly Distributed in their Original Incarnations, Black Jazz Releases Remain Painfully Rare and Pricy

• In 2020, Real Gone Music Began a Critically-Acclaimed Reissue Campaign of These Modern Jazz Gems

• Now, Real Gone Returns with Two of the Most Prized and Rarest Entries in the Black Jazz Catalog

• Keyboardist Chester Thompson Is One of the True Legends of the Bay Area Music Scene

• Long-Time Member of Both Santana and Tower of Power

• His 1971 Album for the Black Jazz Label Marked His Debut Featured Fellow Black Jazz Recording Artist Rudolph Johnson on Sax Along with Ace Drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris)

• Four Tunes Spread Over Two Sides Make Powerhouse a Nonstop Groove

• Liner Notes Include Quotes from Fellow Tower of Power Member Dave Garibaldi and Bay Area Keyboardist Todd Cochran a.k.a. Bayeté

• Blue with Black Swirl Pressing Limited to 750 Copies

• Roland Haynes’s 1975 Album Second Wave Is One of a Kind His Sole Release

• Unique Sound Spearheaded by Dueling Fender Rhodes Tickled by Haynes and Kirk Lightsey (Chet Baker, Pharoah Sanders)

• With a Crack Rhythm Section of Carl Burnett (Gene Harris & the Three Sounds) and Black Jazz Artist Henry Franklin on Bass

• Reminiscent at Time of Early ‘70s Miles and Headhunter-Era Herbie Hancock

• Notes Include Quotes from Burnett and Franklin

• Blue with Black Swirl Pressing Limited to 750 Copies

CHESTER THOMPSON: Powerhouse

(Limited Blue with Black Swirl Vinyl Edition)

STREET DATE:

JUNE 6, 2025

With long-standing stints in Tower of Power and Santana, Chester Thompson just might be the most decorated and distinguished keyboardist in all of rock and R&B, let alone of the Bay Area musical scene. It’s little wonder that this 1971 album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label—it’s Thompson’s debut record, cut a couple of years before he joined Tower of Power, with a smokin’ band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by its title honestly…it’s jazz, all right, but injected with a jolt of electricity courtesy of Thompson’s Hammond B-3, and with just four tunes spread out over two sides, it’s pretty much a nonstop groove. Liner notes feature quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson’s greatness. Blue with black swirl pressing limited to 750 copies!

ROLAND HAYNES: Second Wave

(Limited Blue with Black Swirl Vinyl Edition)

STREET DATE: JUNE 6, 2025

This 1975 album is one of a kind in lots of ways. First, it’s keyboardist Roland Haynes’ only album. But more importantly, Second Wave has a sound—and line-up— unlike pretty much any other jazz fusion album to come out before or since. Anchored by a fantastic rhythm section of Carl Burnett (Cal Tjader, Vince Guaraldi and most notably Gene Harris and The Three Sounds) and Henry “The Skipper” Franklin (leader on a couple of Black Jazz titles, plus Ornette Coleman, Don Cherry, Hugh Masekela, and many others), the album features dueling Fender Rhodes tickled by Haynes and Kirk Lightsey, who played with everyone from Chet Baker to Pharoah Sanders to Sonny Stitt, not to mention a bunch of Black Jazz dates. The cascading sound of the two electric pianos, one (Lightsey’s) often driven through a wah-wah pedal, gives Second Wave a special vibe all its own; there are not horns or guitars getting in the way of these mindblowing keyboard jams. Some folks might hear a little ‘70s-era Miles Davis when Joe Zawinul, Chick Corea, Keith Jarrett and/ or Herbie Hancock were in the band, and Hancock’s own Head Hunters album comes to mind (as well later fusion dudes like Jan Hammer and Bill Bruford), but Second Wave is sui generis. Our Real Gone reissue features liner notes by Pat Thomas, author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975, that include a couple of quotes from drummer Burnett and bassist Franklin. Blue with black swirl pressing limited to 750 copies!

Aicelis

Descent

Funky Mama Moose

STREET DATE: JUNE 6, 2025

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STEPHEN J. KALINICH & FRIENDS I LOVE MY LIFE

Heyday Again Records Catalog # Hey106 / Distributed by Real Gone Music

You’ve heard his lyrics on classic albums like Dennis Wilson Pacific Ocean Blue and the Beach Boys Friends His 1969 collaboration with Brian Wilson, A World of Peace Must Come, gained almost legendary status as one of pop’s most storied lost albums before being resurrected to great acclaim by Light in the Attic Records in 2008.

Now, you are cordially invited to take a trip into the mind of poet and songwriter Stephen J. Kalinich. Heyday Again Records presents I Love My Life – a postcard from one of the last-standing poets of peace and excitation.

You’ll see why heavy-hitters like Brian Wilson, Dennis Wilson, Paul McCartney, Steve Cropper, PF Sloan, and Diana Ross all have worked with him. Produced by Willie Aron & Milo Binder with Kalinich - featuring vocal and instrumental contributions by Randell Kirsch (Beach Boys, Jan & Dean), Rob Bonfiglio (Wilson Phillips), and others. Recorded at Pasadena’s The Pie Studios and engineered by Jeff Peters, who has worked with the Beach Boys collectively and individually for forty years.

Songs

1. Preamble

2. Today

3. What Would Love Do?

4. If I Could Write the Poem

5. Beyond Frightened

6. Change

7. The First One to Heal Is Yourself

8. There Is a Loneliness

9. Across Bridges

10. The Divine

11. Down This Road

12. Enjoy Your Life

13. I Love My Life

UPC: 848064019404 FORMAT: Compact Disc

PETE SHELLEY HOMOSAPIEN

TRACKLISTING

1. Homosapien

2. Yesterday's Not Here

3. I Generate A Feeling

4. Keats' Song

5. Qu'est-ce Que C'est Que Ça

6. I Don't Know What It Is

7. Guess I Must Have Been In Love With Myself

8. Pusher Man

9. Just One Of Those Affairs

10. It's Hard Enough Knowing

11. In Love With Somebody Else

12. Witness The Change

13. Maxine

14. Love In Vain

15. Homosapien (Elongated Dancepartydubmix)

16. Witness the Change/I Don't Know What Love Is (Dub)

CATALOG NUMBER: REWIG172

RELEASE DATE: June 6, 2025

FILE UNDER: Alternative “S”

Boxlot: 30 UPC: 887830017220

2xLP w/ DOWNLOAD

Boxlot: 20 UPC: 887830017213

Vinyl is non-returnable

OVERVIEW

After Buzzcocks disbanded in 1981, frontman Pete Shelley teamed up with Martin Rushent , embracing the producer’s newly acquired synths and drum machines to rework his tracks, crafting a new blueprint for electronic pop music in the process. A production blueprint that would soon achieve massive mainstream success with another Rushent production; Dare by the Human League.

Across both LPs, Shelley combines his urgent songwriting with chugging synthesisers and electronic percussion creating records that straddle rock radio and London’s nascent club scene. These albums sound as fresh today as they did upon release, but the innovative nature of Homosapien and XL-1 has been overlooked. Overshadowed by the influence of Pete’s former band and by the Human League’s runaway hit, not helped by the BBC banning the ‘Homosapien’ single on homophobic grounds (though it became an electro LGBT anthem in gay dance clubs). Domino reissues both albums as standalone double LPs, housed in gatefold sleeves with new liner notes by Clinton Heylin.

"It is like a dialogue between me and myself. I put in the deep dark feelings and what I gain out of the music helps give me a release to keep me sane” - Pete Shelley, to Richard Cook, NME April 1983.

SELLING POINTS

• Original album + bonus LP featuring b-sides and dub mixes.

• Liner notes by Clinton Heylin.

• Includes photo & lyric insert.

DOMINO RECORDING COMPANY

20 Jay Street, Suite 626 Brooklyn, NY 1 1201

718.797.4229 / dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

REDEYE

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

PETE SHELLEY XL-1

TRACKLISTING

1. Telephone Operator

2. If You Ask Me (I Won't Say No)

3. What Was Heaven?

4. You Know Better Than I know

5. Twilight

6. (Millions Of People) No One Like You

7. Many A Time

8. I Just Wanna Touch

9. You And I

10. XL1

11. Many A Time (Dub)

12. Telephone Operator/I Just Wanna Touch/If You Ask Me (I Won’t Say No)/(Millions of People (No One Like You) (Dub)

CATALOG NUMBER: REWIG173

RELEASE DATE: June 6, 2025

FILE UNDER: Alternative “S”

Boxlot: 30 UPC: 887830017329

2xLP w/ DOWNLOAD

Boxlot: 20 UPC: 887830017312

Vinyl is non-returnable

OVERVIEW

SELLING POINTS

• Original album + bonus 12"

• Liner notes by Clinton Heylin.

• Includes photo & lyric insert.

/ dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

REDEYE

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

Venetian Snares

Rossz Csillag Alatt Született (20th Anniversary)

LABEL:

PLANET MU RECORDS LTD.

STREET DATE: 6th JUNE 2025

FORMAT DETAILS:

LTD. 2 x LP ON BLACK VINYL.

CAT#: ZIQ111

BARCODE: 600116811110

ARTWORK:

TRACK LISTING

2xLP

Sikertelenség

Szerencsétlen

Öngyilkos Vasárnap

B: Felbomlasztott Mentökocsi

Hajnal

INFORMATION:

Venetian Snares’ sought-after classic 2005 orchestral breakcore album is reissued on limited edition Black Vinyl for it’s 20th Anniversary.

What if, for just a day, we could both be pigeons?

Sometimes one moment in time can take on such an important significance that it becomes an endless world unto itself and everything outside of that moment, past and future spots in time, become the folklore of that world.

What if we could both fly over the Királyi Palota and see it just as these pigeons do? A beautiful culture of dissimilar angles as donkey angels above this city.

But even in the world of the infinite moment, we cannot choose the feather of our bird and the pigeon may long to be the goose, the donkey the pigeon and so on.

Furthermore as our world blossoms out of this single tick in time, it is for one pigeon a swirling romantic flood of euphoric possibility and fascination, for the other an inferior life of shitting on everyone from the sky, awkward and ashamed, resigning themselves to be the wretched nuisance they are painted as by those they shit on.

Ultimately, as quickly as our world blooms, our world is discordant, and our pigeons are wounded, and as our world dies, we die, and we are extinct. If only we could kill ourselves over and over until we get it right.

So just as an entire genre of music can be born out of one sped up ten second breakbeat, a full symphony orchestra can come together in harmonic unison to create that perfect moment in time, thus every moment can give birth to an entirely new world, and every world can house the perfect moment, and just as that breakbeat may be broken beyond any recognition, that orchestra may combine to bring forth a dissonant barrage of colossal sorrow, and so the moment disintegrates it's world and that world suffocates the moment under

Eli Keszler - Eli Keszler

Release Date: 6 June 2025

For Fans Of: Portishead, Tom Waits, David Lynch

The new, self-titled album from Grammy® Nominated, New York-based composer and percussionist Eli Keszler Having collaborated in recent years with Oneohtrix Point Never, Skrillex, Rashad Becker and Laurel Halo, Keszler has also scored for films like Olmo Schnabel's Pet Shop Days (2023), Lotfy Nathan’s Harka (2022), Dasha Nekrasova’s The Scary of Sixty First (2021) and made contributions to Daniel Lopatin’s score for Uncut Gems (2019)

Following on from critically-acclaimed albums Icons and Stadium, his latest is a freewheeling, Lynchian song-cycle in which Keszler’s virtuosic performances traverse a living landscape of abstract electronic sound The album breathes, creaks and sighs through its twelve tracks: noirish jazz torch songs give way to skittering drums and cinematic, dubbed-out textures; the lyrics whispered and cried by near-inaudible voices, as if from a distant room. Featuring guest appearances from singer Sofie Royer and saxophonist Sam Gendel.

LATE MUSIC REISSUES - 6 JUNE 2025

Barons Court

Limited edition white vinyl LMRIIILP | 5056818801617

Sarah Davachi’s 2015 debut LP. A series of extended electroacoustic solo and chamber works, performed by Davachi and a cast of players from the San Francisco Bay Area, recorded across Canada, California, and Europe. It’s all in a landscape, landscape, the location of the mind.

A1. Heliotrope

A2. Guildford

B1. Tiergarten

B2. Wood Green

B3. Ruislip

The work of Sarah Davachi (b. Canada) is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures thatemphasizesubtlevariationsintexture, overtone complexity, psychoacoustic phenomena,temperamentandintonation. Inﬂuenced by minimalist tenets, baroque chordal suspensions, and experimental production practices, her sound creates an experience that blurs the lines between consonance and dissonance.

Late Music is pleased to offer a triad of ofﬁcial reissues for Davachi’s seminal albums 2015-2018. Released 6 June ‘25.

All My Circles Run Black vinyl repress LMRVIIILPB | 5056818802355

The acclaimed 2017 LP, originally released in a small run of vinyl on the Cincinnati-based Students Of Decay label. Featuring a suite of extended pieces for strings, voice, organ, and piano, it is said to hover “somewhere between the conscious and the unconscious, barely there and indisputably present” - Pitchfork.

A1. For Strings

A2. For Voice

A3. Chanter

B1. For Organ

B2. For Piano

Let Night Come On Bells End The Day

Limited edition yellow vinyl LMRXLP | 5060263727958

Davachi’s ﬁfth album, released 2018. Number 6 in the wire magazine Top 50 releases of that year. Comprising a collection of hours for the evening with mellotron, electric organ, piano, and synthesizer. O beautiful was the werewolf in his evil forest. Electric green and red tears.

A1. Garlands

A2. Mordents

A3. At Hand

B1. Buhrstone

B2. Hours In The Evening

For more information, please contact matthew+latemusic@warprecords.com / harrellp@redeyeworldwide.com

JUN 6 2025

LANDLADY Make

Up / Lost Time

SIDE A

1. The Opening Ceremony 2. The Car Alarm

3. The Shaky Hand 4. A Poor Reﬂection

5. You Must Admit 6. Enough 7. Do It The Bad Way

8. Beverly 9. The Crowd

SIDE B

10. Beating the Cowd 11. Kick Punch 12. Stay on Me

13. Thank You 14. I Saw Hope In Half

15. The Great Lime Shortage of 2014 16. At Odds

17. The Day Before The Day Before Today

Welcome to Landlady’s Make Up / Lost Time, where traditional orchestral sounds are as vital as the glitchy synthesizers and long-lost sound-effects seeping in through the cracks in the walls. Flanked by an all-star cast of collaborators—Foxygen’s Jonathan Rado, Wye Oak’s Jenn Wasner, Big Thief’s Buck Meek—Schatz’s songwriting prowess seems to level up in front of your very ears as the LP progresses in a way that suggests there is no ceiling. Equal parts Vampire Weekend, The Roches, Flaming Lips, and Randy Newman, Schatz knows how to mangle mundane and miserable moments into raw, unforgettable pop hooks. The song “At Odds” declares, “Your money’s no good here / it’s never good anywhere” and, guess what kids, it just so happens to double as a statement on the album itself: big budgets don’t create this kind of musical triumph, only imagination and elbow grease do. In fact, if the LP title can be read as a mission statement, then the listener is bound to conclude these 45 beautiful minutes with a stunned declaration of “mission accomplished.”

• FIRST PRESSING LIGHT BLUE COLOR VINYL.

THE BAD PLUS - HE COMPLEX EMOTIONS OMPLEX

Artist: The Bad Plus

Title: Co mpl ex Emo ti o ns

Genre: Jazz/Progressive Jazz

CD Catalog #: MAC1215

CD UPC: 673203121522

CD Config: 4-panel digipak

Box Lot Qty: 30

LP Catalog #: MAC12115LP

LP UPC: 673203121553

LP Config: 1LP 140-gram black vinyl in standard jacket

Box Lot Qt y: 50

The Bad Plus has taken a bold step forward with Complex E motions, the second album released as a quartet After 21 years of redefining their sound, founding members Reid Anderson and Dave King expanded the group by enlisting guitarist Ben Monder and saxophonist

Chris Speed. This fresh lineup has unlocked new creative possibilities, fully explored in Complex E motions. The album’s title, drawn from a phrase long used by Anderson and King, reflects the wide-ranging musical explorations that have defined the band's journey. By choosing this title, The Bad Plus signals that the reconfigured group has discovered new depths of their creative potential.

Produced by Reid Anderson + Dave King

Reid Anderson - Acoustic Bass + Synthesizer

Dave King - Drums + Synthesizer

Ben Monder - Guitar

Chris Speed - Tenor Saxophone

The recipient of the 2023 American Piano Awards and Steinway Artist, pianist/composer Isaiah J. Thompson has become the first call for the greats such as John Pizzarelli, Steve Turre, Wynton Marsalis, Christian McBride and more! For his Mack Avenue debut, The Book of Isaiah: Modern Jazz Ministry, Thompson enlists legendary pianist Cyrus Chestnut to produce his 8-song autobiographical musical statement exploring faith, musicianship, race and humanity.

Worldwide Street Date: June 6th, 2025

Artist: Isaiah J. Thompson

Title: The Book of Isaiah: Modern Jazz Ministry

Genre: Jazz

Producers: Cyrus Chestnut, Isaiah J. Thompson

Isaiah J. Thompson: Piano (all tracks), Background Vocals (II, VIII)

Julian Lee: Tenor Saxophone (all tracks except III, VII), Background Vocals (II, VIII)

Marty Jaffe: Bass (all tracks except VII), Background Vocals (II, VIII)

Miguel Russell: Drums (all tracks except VII), Background Vocals (II, VIII)

Vuyo Sotashe: Vocals (II, V, VI)

Herlin Riley: Tambourine (II, VIII), Vocals (VIII), Background Vocals (II)

Kaitlin Obien-Thompson: Background Vocals (VIII)

Side 1

I. The Cakewalk Dilemma 5:24

II. The Highest Calling (Asé, Yahweh) 5:54

III Spring Flower, Sprung Flower 4:44

IV. In the Temple (Spiritual Warfare) 5:12

CD Catalog #: MAC1213

CD UPC: 673203121324

CD Config: 4-panel digipak

Box Lot Qty: 30

LP Catalog #: MAC1213LP

LP UPC: 673203121317

LP Config: 1LP 140-gram black vinyl in standard jacket

Box Lot Qty: 50

Mack Avenue Records

Exceleration Music contact: mike.gillespie@excmusic.com

505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com

Side 2

V. The Feeling of Freedom 6:24

VI. Our Father Who Art in Heaven (The Lord’s Prayer) 5:10

VII A Prayer 3:07

VIII. The Prophet 6:20

Radio play will be handled by noted promotion company, GROOV Marketing, to encompass traditional jazz radio including college, satellite and specialty outlets

877-476-6832

Mark Rini: mark@groovmarketing com

Josh Ellman: josh@groovmarketing com

RYAN CASSATA

Greetings From Echo Park

STREET DATE: JUNE 6, 2025

SIDE A 1. i feel like throwing up 2. a Knack for Overthinking 3. if you ever leave long island 4. Scriptures, Scripts, & Bottles 5. My Body’s My Home

He’s My Man

r u safe?

SIDE B

8. If You’re Not Dead Yet, Will You Be My Friend?

9. Bad Things

10. Wants & Needs

11. QUEER american DREAM

12. HOWL (Protest Song)

13. Halfway House

• 1ST PRESSING ON TRANS-BLUE VINYL

• VINYL

INCLUDES POSTCARD SIGNED BY THE ARTIST

“... he fearlessly confronts systems of oppression, inviting listeners to join him in the fight for equality. Ryan Cassata isn’t just a musician; he’s a force to be reckoned with.” – OFM

In his debut LP with Kill Rock Stars, Greetings from Echo Park, Ryan Cassata (he/him), a genre-defying powerhouse musician and activist, constructs a raw collection of folk punk, blues, and pop punk songs that soundtrack stories of anxiety, escapism, illness, and transphobia. The album is due out June 6th, 2025.

In Greetings from Echo Park, Cassata has seemingly spent the past few years swallowing down all the feelings of isolation and anxiety he could hold. Now he’s spitting it back up like bile. The result is a rich mosaic of influences and voices, bringing in collaborators such as Jason Hiller, David Scott Stone (Melvins, LCD Soundsystem), Mark Pelli (MAGIC!), and utilizing styles from emo pop-punk to Springsteen-style guitar. The album art even plays homage to Bruce Springsteen's iconic Greetings from Asbury Park.

Partially written and recorded while battling an autoimmune illness and Lyme Disease coinfections, the album serves as both a cathartic release and a deeply personal chronicle of survival. Songs like “a Knack for Overthinking” capture the relentless grip of anxiety, blending emo pop-punk with confessional lyricism. “I’ve got a knack for overthinking, tip me over so you can stop the shout,” Cassata sings, embodying the push-and-pull of intrusive thoughts and self-doubt. Elsewhere, tracks like “i feel like throwing up” reflect on the isolation of sickness, featuring trans youth actors in its accompanying music video to highlight the systemic loneliness queer people often endure.

Ryan Cassata’s music has long been intertwined with activism; he is an award-winning singer-songwriter, actor, performer, published writer, LGBTQ+ activist, and transgender motivational speaker. With over 650 performances nationwide and internationally and seven original and critically-acclaimed musical albums, Cassata is proud to be recognized as the first openly-trans performer at the Vans Warped Tour, in addition to featured performances at Jazz at Lincoln Center, The Oregon Shakespeare Festival’s Green Show, Global Pride, and SXSW. He has been praised by The Advocate Magazine as a “Transgender singing sensation.” Paper Magazine included Cassata on their "50 LGBTQ Musicians You Should Prioritize" list, and LOGO’s New Now Next included him on the “9 Trans Musicians You Need To Get Into” list. Billboard Magazine has referred to him as a “true force in the industry,” honoring him as one of the esteemed "11 Transgender & Non-Binary Musicians You Need to Know".

GRRRL GANG SPUNKY!

STREET DATE: JUNE 6, 2025

SIDE A 1. Birthday Blues 2. A Fight Breaks Out At A Karaoke Bar 3. Rude Awakening 4. Spunky! 5. Cool Girl 6. Better Than Life

SIDE B

7. Tower Moment

8. Mother’s Prayers

9. Blue-Stained Lips

10. The Star

LIMITED EDITION TURQUOISE VINYL

Indonesian trio Grrrl Gang build on their considerable worldwide buzz with Spunky!, their full-length debut album. Released on 27 September 2023 by Green Island Music in partnership with exclusive licensees Kill Rock Stars (for North and South America), Trapped Animal Records (UK and EU) and Big Romantic Records (Japan and Taiwan), the album is preceded by its title track and first single which drops on May 31.

Spunky! arrives following some major life changes for Angeeta Sentana (vocals, guitar), Akbar Rumandung (bass, vocals) and Edo Alventa (guitar, vocals), including a switch in locale from Yogyakarta, the city where they formed the band while still in college. “This is Grrrl Gang’s first release after we graduated and got day jobs that made us have to move to Jakarta, which is undeniably 180 degrees compared to Yogya,” says Rumandung. “But moving to Jakarta enabled us to work with Lafa on Spunky! from start to finish.”

Overall, Spunky! is the sound of a band not content to rest on its laurels, despite gathering an impressive list of achievements since Grrrl Gang first got together in 2016 and proceeded to take the local, regional, and international indie scenes by storm, leading to a prestigious performance slot on the pandemic-induced online edition of SXSW 2021 and an A- review that esteemed music critic Robert Christgau bestowed upon Here to Stay!, the 2020 compilation of their early singles. According to Rumandung, “We want this album to show that we’ve changed, that Grrrl Gang is a band that isn’t stuck in one place and that we always have the urge to discover new things.”

In other words, Spunky! proves that Grrrl Gang are – to borrow a familiar phrase – here to stay.

Marconi Union

The Fear of Never Landing

06/06/2025

Marconi Union, one of the most infuential names in contemporary ambient and electronic music, announce their twelfth studio album, The Fear of Never Landing, set for release 6th June via Just Music

Known for their ability to craft cinematic, immersive soundscapes that blur the lines between ambient, electronic, and experimental music, the Manchester-based duo once again push the boundaries of sonic exploration. The Fear of Never Landing takes us on a dynamic journey that's atmospheric, diaphanous and never short of mesmerising.

Formed in Manchester in 2003, their debut album, Under Wires and Searchlights (2003), introduced their signature sound, but it was their 2011 release of Weightless that brought international acclaim. Developed in collaboration with a sound therapist, Weightless was scientifcally recognised as "the world's most relaxing song", praised for its ability to reduce anxiety and heart rates. With over 900 million streams and widespread coverage across media, the track remains a cultural phenomenon.

With The Fear of Never Landing, Marconi Union once again showcases their unmatched ability to create immersive soundscapes that resonate deeply. The album reafrms their position as masters of atmosphere and emotional storytelling, making it an essential addition to their storied catalog - A 55-minute odyssey presented as one seamless piece divided into nine movements.

Tracklisting

1. Through The Heat Waves

2. Eight Miles High Alone

3. In Motion

4. Inhale

5. Crystalline

6. Exhale

7. One More Rush

8. Silence Is Gliding

9. Cloud Surfng

LP (2LP Set)

Item number: 1

UPC: 677603033423

Packaging: (2LP Set)

Boxlot:

Item number: 2

UPC: 677603033324

Packaging: Boxlot:

Ambre Ciel still, there is the sea

Black BioVinyl LP, in printed sleeve, and packed in resealable protective sleeve.

Black BioVinyl Limited LP, in printed sleeve, containing a ltd 12” lyric insert and packed in resealable protective sleeve.

CD edition, in printed gatefold style sleeve and packed in resealable protective sleeve.

Label: Gondwana Records

Catalogue No: GONDLP077

GONDLP077LE GONDCD077

Barcode (EAN): 4062548104509 4062548104516

4062548104493

Contact: adam@k7.com

File under: Indie / Alternative Classical Crossover

Street Date: 06/06/2025 - June 6th

Gondwana Records is delighted to announce ‘still, there is the sea’ the debut album from Canadian composer and singer Ambre Ciel

Ambre Ciel is a composer, violinist, pianist and singer who hails from Montreal, Canada and is a purveyor of dreamy, expansive, spacious pop music that draws influence from the contemporary classical influenced artists such as Agnes Obel, Patrick Watson, Sufjan Stevens and Thom Yorke. As well as the impressionist world of Debussy and American minimalists such as Phillip Glass and Steve Reich and in addition mentions ‘music that breathes’ from such artists as Gyða Valtýsdóttir, JFDR, or the collaborative work of Jónsi and Alex Somers.

Ambre who sings in both her native French and English hails from a family of singers and artists, “I started my journey learning violin at six and began experimenting with pedal effects and looping melodies later on”. University followed with a focus on composition and recording “That’s when I started exploring composing and songwriting more deeply both the world of sounds in itself and songs built mostly with layers of violin and voice. It was also during this time that I returned to my ‘first’ instrument, the piano, which opened more harmonic possibilities.”

For Ambre, her debut album still, there is the sea, represents a beginning, a first and she says imperfect attempt to create this other world that was living in her mind. She has crafted a beautifully refined ‘pop album’ making a lot of space for strings arrangements and other acoustic instruments, as well as her own beautiful voice. “On a personal level, I was searching for silence. I had just finally moved to a quiet apartment in Montreal and for the first time, I had all the time and space to hear silence and create, being solitary and living in the intangible world of possibilities”.

The enigmatic title of the album, ‘still, there is the sea’, came to Ambre when she realised that water was a subconscious but recurring theme throughout the album in terms of melodies and lyrics: ‘eau miroir’ refers to how the water can be some kind of mirror, ‘cycle’ embodies a cyclical, perpetual movement, ‘atlantis’ refers to this inward looking quest and distancing from the world, ‘sometimes’ has sounds from rain and storm, and refers to a storm happening inside someone’s thoughts. The water element can be very thin, fragile, but it’s always in movement and can resemble a larger and massive current, expansive, and I wanted to move between instrumental and song with this fluidity and was interested in finding ways to create something that could still feel cohesive. It also reflects this entire season of solitude and silence, how to me creating music represents this access to an underworld closer to the realm of dreams, that can be deep, surreal, rich and very grounding too”.

While ‘still, there is the sea’ is very much Ambre’s own personal statement and artistic vision as a composer, arranger and producer, Pietro Amato, a member of Bell Orchestre and The Luyas and a french horn player for Patrick Watson and Arcade Fire, offered support and experience (and an extra pair of ears) as co-producer and Owen Pallett (Final Fantasy, Arcade Fire) gave assistance with the orchestral arrangements Ambre wrote for the FAMES Skopje Studio Orchestra conducted by Sasho Tatarchevski. And deeply sensitive musicians such as percussionist Stefan Schneider (Bell Orchestre, The Luyas), clarinettist Guillaume Bourque and a string trio made of Marilou Lepage, Sebastian Gonzalez Mora and Julien Siino all brought their unique voices to the record.

This then is ‘still, there is the sea’ the debut album from Canadian composer and singer Ambre Ciel, at once dreamy, spacious, self-contained, fragile, mysterious but open and honest and we’re delighted to share this gift with the world and invite you to join this wonderful artist on the first steps of her artistic journey.

Pressed on high quality black BioVinyl at Optimal in Germany for maximum sound quality

Track

Listing:

A1 the sun, the sky

A2. eau miroir

A3. cycle

A4. atlantis

B1. dream / mirage

B2. sometimes B3. pièce no.8

B4. fragment of

Official Websites: https://ambreciel.com/ https://gondwanarecords.com/

InBetweenRevisited:JazzanovaLive

Celebrate 20 years of Jazzanova’s groundbreaking debut album In Between with this stunning live reinterpretation. Recorded at Little Big Beat Studios, the Jazzanova Live Band breathes fresh energy into timeless tracks like That Night, No Use, and Days To Come This performance seamlessly blends the album’s sample-based origins with the vibrancy of live music. A must-have for fans of jazz, soul, and electronic fusion.

“In Between became a defining moment not just for Jazzanova, but for a burgeoning sound that fused jazz, soul, electronic, and broken beat,” the collective reflects “Two decades later, we’ve revisited this milestone with the Jazzanova Live Band, a group that has been touring the world for 15 years, captivating audiences with its dynamic blend of precision and improvisation.”

When In Between was released in 2002, it reflected the influences that had shaped the group since the mid-1990s—a seamless blend of jazz, soul, broken beat, and electronic music, brought to life by producers Stefan Leisering and Axel Reinemer, alongside DJs Alex Barck, Claas Brieler, and Jürgen von Knoblauch. Created as a studio concept, it was never intended to be performed live. That changed in 2008 with the formation of the Jazzanova Live Band, coinciding with their second studio album, Of All The Things

In September 2024, this vision came to life At the renowned Little Big Beat Studios in Liechtenstein, the Jazzanova Live Band performed In Between for the very first time in an intimate studio session in front of an audience. Captured on three analog multi-track tape machines and accompanied by a full video recording, this session reimagines the album with a fresh energy, combining samples and live instrumentation seamlessly.

In Between Revisited: Jazzanova Live celebrates a milestone as the collective breathes fresh life into their legacy, proving that great music transcends time and evolves with every listen.

SK500LP-Tracklist

A1L.O.V.E.andYou&I(LittleBigBeatStudioLiveSession)

A2.NoUse(LittleBigBeatStudioLiveSession)

B1.TheOne-Tet/FadeOut(LittleBigBeatStudioLiveSession)

B2.Mwela,Mwela(HereIAm)(LittleBigBeatStudioLiveSession)

C1.PlaceinBetween/Cyclic(LittleBigBeatStudioLiveSession)

C2.AnotherNewDay(LittleBigBeatStudioLiveSession)

C3.DaystoCome(LittleBigBeatStudioLiveSession)

D1.ThatNight(LittleBigBeatStudioLiveSession)

D1.DancetheDance(LittleBigBeatStudioLiveSession)

2LP, Gatefold

Gold printed details

Live recorded at Little Big Studios

INSTAGRAM FACEBOOK

RELEASE DATE: 6th June 2025

ARTIST: Jazzanova

TITLE: In Between Revisited: Jazzanova Live

CAT. NO: SK500LP

BARCODE: 821730050017

FORMAT: 2LP, Gatefold

TERRITORY: WW

RAF REZA EKBAR

RELEASE DATE: APRIL 25TH, 2025

JUNE 6TH, 2025

The ﬁrst album proper from Bangladeshi-Canadian producer Raf Reza explores his obsession with all things dubwise, heavily referencing his UK connections via soundsystem culture bleep nostalgia whilst simultaneously serving as a research outlet for his fascination with late-era internet arrival in the Bangladeshi cultural landscape.

Growing up in Tokyo with a musical education in Toronto via lockdown escapades in Glasgow, Raf’s sound has progressed over the years from low slung boogie and house experiments to a more centred, identity-informed path which has culminated in this album for Telephone Explosion.

Massively attuned to the Baul devotional music of Bangladesh, Reza carefully picks samples from ﬁlm soundtracks and folk music which combine with his studious approach to Jamaican dub foundations.

Conceptually, Reza is concerned with exploring the potential of sonic futurism via mining and combining Bangladeshi sounds of the past. With a rise in DJ culture and soundsystems across the capital of Dhaka and an interest in electronic dance music amongst the diaspora.

HAUSU MOUNTAIN

Artist: EricaEso

“Onthesurface, EricaEso appeartobeanoutlieronChicago’s HausuMountainRecords:aproperindie-rockbandamonga rosterofexperimentalmusicianswhorevelinabstraction.While theirworkdoesn’timmediatelyresembletheglitchySegaGenesis soundscapesof Mukqs orthemetal-infusedsmoothjazz FireToolz,theintentisstillthesame:toincrementallytweakthe familiar—thepedestrian,even—untilityieldstheuneasethatlay dormantallthistime…liftingthesynth-popzeitgeist’shoodand tinkeringwiththeengineunderneath.”- Pitchfork

Kingston,NY-basedcomposer/vocalist/producerWestonMinissalimakes musicunderthemoniker EricaEso.MinissalihasparticipatedinNewYork’s musicsceneformorethanadecadeasamemberofprojectslikeavant-rock post-popband CloudBecomesYourHand (NorthernSpy,FeedingTube)and chimericmusiqueconcrèteexperimentalists VaVatican (NNATapes).Minissali’s workas EricaEso injectsstrategiesassociatedwiththeelectronicavant-garde, includingmicrotonalnotevoicingsandadvancedsynthesis,intoornate compositionsshapedintheidiomofartpopandfocusedonthekeyboardasa primaryinstrument.Sinceformingin2015, EricaEso hasshiftedthroughdiverse personnelconfigurationsforliveperformancesandtheirstudiorecordings releasedwithNNATapesandRampLocal,beforesettlingintoaquintetfor theirHausuMountaindebut 192.Forhisnewalbum SongsInMyPocketLike GrainsOfSand,Minissaliapproachedcompositionasasoloprocess,honingin onthegranulardetailsofhisownsongwritingandelectronicproduction. Bolsteredbytheexperiencegainedovertheyearshespentexperimentingin hiselaborateself-constructedhomestudio,Minissalisoughttotiehisartistic practiceholisticallyintohisdailylife,cuttingawayinessentialsandfocusing inwardbothinsoundandinlivedexperience. SongsInMyPocket offersus Minissali’smostadventuroussongwritingandhismostornateproductiontodate, pushingthe EricaEso projectintonewrealmsofcomplexitycharacterizedby completefreedominelectronicarrangement.Whatoncecouldhavebeen called“DIYbedroompop”nowshowcasesMinissali’stime-earnedstudio expertise,broughttolifebywhathedescribesas“amuchbetter(but still limited)understandingofjusthowexpansiveastudio-basedprocess canbe.” Minissalihasalwaysfocusedonfine-grainsynthesisforhisworkas EricaEso, reachingbeyondthetraditionaltwelve-tonetemperamentintomicrotonal territorythatimbueshisworkwithanotherworldlycharacterandan unpredictableharmonicsophistication. SongsInMyPocketLikeGrainsOfSand surroundsMinissali’sclarionvocalperformanceswithateemingnetworkof bespokeelectronicvoices,sheddinginstrumentsassociatedwithrockmusicto zoominonthedetailsofhissynth,samplingandsequencerperformances. Whirringoscillators,languidchordalpadsthatmeltfromnotetonote,and burstsofnon-recursiveelectronicdrumsplayedonaMIDIsequencersitfront andcenterinthemix,possessingenoughspecificityoftonetomakeitseemlike we’repeeringatthemthroughanauralmagnifyingglass.Withsuchan atypical paletteofsynthsandelectronicdrumsasthecentralelementsanimatinghis songs,Minissali’svocalsatoncedetachthemselvesfromeasilylegibleharmonic signpostsandlandmoredirectlythaneverbefore.Wetraceeverynuanceof histoplinemelodiesastheycascadeintodynamicarcsthatshowoff hisrange asavocalistandtheemotionalweightthathecanwringfromvibrato.Vocal harmoniesweavethroughouttherecord:mosttracksfeatureTorontoluminaries AlexSamaras,and RobinDann,withonecameofromLA’s LinaTullgren.The backingvocalsswarmaroundtheleadvoiceinmomentsthatinstantlyheighten thedrama,beckoningtowardssomefutureincarnationofpoporR&B.Minissali usedthefree-formyetstillresolutelyin-the-pocketrhythmsfeaturedon“Yolk,” onetrackfrom 192,aswhathecallsaguidinglightforthedynamicdrum machineperformancesthatanimate SongsInMyPocket.Kickdrumsandsnare hitsskitteraroundthecornersofthemix,lockingintoloopinggroovesfor afew momentsorjettisoningintoone-offfillsthatevadeeasypatternsofrecursion. Intalkingaboutthecompositionalmindsetthatbirthed SongsInMyPocketLike GrainsOfSand,Minissalidescribesadeliberatemoveawayfromthebombast offull-bandarrangementandtheintensityofrockmusictowardswhathe describesasa“clear,strippeddown,austereaesthetic.”Withmoreroom to breathegrantedtobothhisvoiceandhisrelativelysmallsoundpalette,every decisioncarriesweightanddemandsclosescrutiny—testifyingtohis confidenceasacomposerandvocalistandhisoverallshiftfromconsidering instrumentsasprimarycompositionaltoolstowardsconsideringthe studioitself asthenexusofcreativity.Minissaliremembersdrawinginspirationfrom Japanesecalligraphy,whoseformssparkeddrummachinesinhishead. “Lookingatthesesimple,plainbrushstrokes,I’daskmyself‘howdo Imakea drummachinesoundlikethislooks?’” SongsInMyPocket givesustheanswer,not onlyinitsdrumperformancesbutineveryfacetofitscomposition.Thealbum’s generalparingawayofunnecessaryelementstoachieveastateofausterity mirrorschangesinMinissali’spersonallife:gettingmarried,devotinghimselfto formalZenBuddhistpractice,movingfromNewYorkCitybacktotheHudson Valleywherehegrewup,andgettingbackintouchwithtwobelovedmountain ranges,theCatskillsandtheShawangunks.Wehearthesoundofthesepoints ofreconnection,aholisticrecenteringthatpullsMinissaliinward, allwhilehis songsandhisstudiopracticecontinuetoexpandbeyondanylimits.

Artist: Lucy Gooch

Title: Desert Window

Release date: 2025-06-06

Label: Fire Records

Track List

Side A

A1 Like Clay

A2 Night Window (Part One)

A3 Night Window (Part Two)

A4 Keep Pulling Me In

Side B

B1 Jack Hare

B2 Clouds

B3 Our Relativity

B4 Desert Window

Lucy Gooch – Desert Window

"Expansive, upfront, spectral pop" KEXP

On her debut album, Lucy Gooch stays true to her electronic foundations, while incorporating more acoustic instrumentation and digging deeper into her folk roots through songwriting. But at the heart of Lucy’s music is her rapturous vocal, with which she has experimented more than ever over the course of her first full-length.

Many of the pieces on ‘Desert Window’ started out as vocal improvisations from which she pulled a narrative. Taking cues from the incantatory chanting found in middle English poetry such as ‘The Names of the Hare’, as well as the prescient imagery in contemporary works like ‘The Hearing Trumpet’ by Leonora Carrington (1974). “To a larger extent, this became an experiment in placing my voice in a more narrative way, while remaining oblique,” Gooch explains.

While her previous work could be compared to drawn-out landscapes punctuated with moments of romance and radiance, this album feels grounded in materiality and the everyday. Gooch’s voice is at times strident, while elsewhere restrained and broken. “I lost connection to my voice and then had to rediscover it, which was exhilarating. There were these bursts of energy where I’d be messing around and occasionally stumble upon something”. There are hushed melodies and exhausted squalls, creating dissonance and space.

The result is an atmospheric balance between Kate Bush and Cocteau Twins harmonies, Vangelis major chords, and a juxtaposition of folk ambience reminiscent of the offset madrigals of The Third Ear Band and Italian cult film composers Goblin. It is a complex and elegant album, an all-consuming series of songs that reach into jazz, electronica and classical song construction.

Sun Ra

OnJupiter

A cosmic fusion of deep funk, interstellar jazz, and avant-garde soundscapes, On Jupiter stands as one of Sun Ra’s most iconic releases. Recorded in 1979 during a prolific period at Variety Arts Studios in New York, this album captures the Arkestra at the height of their creative powers, blending futuristic improvisation with infectious rhythms and otherworldly textures.

Sun Ra’s Variety Arts Studios sessions (1978-1982) were legendary he recorded there two to three times a week, often after a late-night concert, gathering his musicians on West 46th Street at 10 a.m. for marathon sessions that stretched into the early morning These recordings featured a core group of John Gilmore, Marshall Allen, Danny Thompson, Michael Ray, Tyrone Hill, Craig Harris, Luqman Ali, and Samarai Celestial, alongside rotating contributors, including guitarists Skeeter McFarland and Taylor Richardson, as well as bassist Victor Sproles and a young Knoël Scott on saxophone and vocals.

Originally released on Sun Ra’s Saturn label, On Jupiter is a masterclass in cosmic jazz-funk. The album features the irresistibly funky “UFO” recorded before the Sleeping Beauty sessions alongside the hypnotic, groove-laden title track and the expansive "Seductive Fantasy", a mesmerizing journey through space and sound.

By the late 1970s, Sun Ra was embracing an even broader musical spectrum, incorporating soul, funk, and electronic fusion into the Arkestra’s evolving repertoire. As disco, punk, and hip-hop reshaped the cultural landscape, his “sub-underground” approach connected with a new wave of listeners On Jupiter exemplifies this era where deep basslines, swirling horns, spaced-out synthesizers, and Afro-futuristic chants collide to create a truly singular sound.

Now remastered by Technology Works, Strut proudly reissues On Jupiter on vinyl LP, featuring a replica of its original hand-assembled sleeve (selected from the many unique 1979 editions) and newly commissioned liner notes from Arkestra member Knoël Scott and Sun Ra expert Paul Griffiths

TRACKLIST

A1. On Jupiter (03:58)

A2. UFO (08:30)

B1. Seductive Fantasy (17:08)

KEYPOINTS

Classic album taken from Sun Ra’s prolific recording sessions at Variety Arts Studios in NYC (19781982), where he gathered his core Arkestra members and rotating musicians for near-daily, all-night recording marathons

Featuring original Saturn Records artwork, housed in a deluxe hard sleeve. Featuring new liner notes from Arkestra saxophonist Knoël Scott and Ra expert Paul Griffiths.

Remastered by Technology Works.

RELEASE DATE: June 13th

ARTIST:SunRa

TITLE: On Jupiter

CAT NO.: STRUT476LP

FORMAT: Vinyl LP

BARCODE : 4062548108163

TERRITORY: WW

For more information, contact: EU / ROW: Karsten@k7 com USA: Adam@k7.com

The Vanilla Fudge, Mark Stein, Vinny Martell, Tim Bogert and Carmine Appice put the hammer down on the 60's by jamming pop ballads into their psychedelic meat-grinder and coming up with heavenly hash.

No one has ever done "heavy" any better than the Fudge on their original albums, The Beat goes On, Near The Beginning, Renaissance and Rock & Roll, and their concoctions are mentioned in the same breath as Hendrix, Led Zeppelin and Cream.

With its mind-altering, waltzing-through-hot-asphalt take on the Supremes' "You Keep Me Hanging On" scorching the '67 charts, Vanilla Fudge burst to the forefront of all the "heavy" new combos. The group's debut disc is relaunched here in its rare and unique mono mix, a decidedly different and more powerful listening experience than the more common stereo release. Cut by Kevin Gray from the original Atco analog reels!

ARTIST: VANILLA FUDGE

TITLE: S/T

BOX LOT QUANTITY: 30 LP / 60 CD

FILE UNDER: ROCK

LP-SUND-5168C UPC: 090771421210

SQUAREPUSHER •

ULTRAVISITOR (REMASTERED EDITION) •

RELEASE DATE • 06.13.25

FILE UNDER • S/ ELECTRONIC

WEBSITE • squarepusher.net

TRACKLISTING

A1. Ultravisitor

A2. I Fulcrum

A3. Iambic 9 Poetry

A4. Andrei

B1. 50 Cycles

B2. Menelec

B3. C-Town Smash

C1. Steinbolt

C2. An Arched Pathway

C3. Telluric Piece

C4. District Line II

D1. Circlewave

D2. Tetra-Sync

D3. Tommib Help Buss

D4. Every Day I Love

WARPLP117R

SPEC •

Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

BOXLOT • 15

UPC • 5056614797671

OVERVIEW

“Ultravisitor is an immensely thrilling, technically exciting, wildly emotional and challenging record.” –The Quietus (Reissue of the week)

An album beloved by fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher’s entire discography. A unique blend of studio and live recordings, it’s an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of “Iambic 9 Poetry” to the sunlit bliss of “Tommib Help Buss” and beyond.

Following last year’s 20th-anniversary expanded deluxe reissue, the standalone remastered edition is now widely available. Carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson—who was never entirely happy with the original release—this edition brings fresh dynamics and details in the tracks. NO EXPORTS • NO EXPLICIT CONTENT

SELLING POINTS

• Remastered from the original tapes by Jason Mitchell at Loud Mastering, overseen by Tom Jenkinson.

• Reissued last year as part of a limited edition expanded deluxe edition, now making the remastered version of the main album more widely available.

49TH & MAIN

HAPPYTEARS

Release Date:

June 13, 2025

Happy Tears is the debut album from 49th & Main

Aduo known for combining sharp electronic, UKG and jazz-infused house with emotive indie and pop influenced songwriting. “I wish you knew the good old days while still in them” is the overriding sentiment of this eclectic album. It’s a powerful statement from a duo whose sound resonates with a loyal and growing fanbase that have sold out sizeable tours both sides of theAtlantic. Happy Tears not only chronicles their extraordinary journey so far but offers a vibrant reflection of today’s youth culture, overflowing with energy and nostalgia in equal parts.The album features collaborations with rising MCs mustbejohn and Brandon Nembhard, electronic producer SHEE (supported by Barry Can’t Swim & FredAgain..), and BBC Radio 1 ‘Future Star’and Sugababes collaborator,ALittle Sound.

49th & Main just wrapped their debut NorthAmerican tour which sold out all dates including NewYork (Elsewhere, 675 cap), LosAngeles (500 cap) Toronto (The Velvet Underground, 430 cap), San Francisco (The Independent, 550 cap), Chicago (Sleeping Village, 350) some several months in advance.

Standard LP:

CATNO: COUNT293

UPC: 5054429202977

Box Lot:20

CD:

CATNO: COUNTCD293

UPC: 5054429202984

Box Lot:30

￫ Limited 140g ‘Glenmalure Blue’inkspot pattern vinyl (blue / white)

￫ 3mm spine sleeve with a printed inner.

￫ Please note, final vinyl colour/pattern may vary.

A1. GoodTimes

A2. WelcomeAboard

A3. Rewind (feat. mustbejohn)

A4. Possibly Hunger

A5. Most Days (feat. Brandon Nembhard)

A6. Happy Days

A7. Can’t WalkAway (feat.ALittle Sound)

A8. SomeAdvice

A9. Nothing Comes Close

A10. Hold On

￫Housed in a card digisleeve.

B1. Feels Right

B2. Roll Over

B3. Glenmalure Blue

B4. Distractions

B5. Percontation

B6. Mr Rain

B7. Self Sabotage

B8. Half Chance

B9. Come Home

B10.Ardbeg

B11. Invictus

RIYL: FredAgain.., Barry Can’t Swim, Disclosure, Piri & Tommy, JoyAnonymous, Confidence Man, Rex Orange County, salute.

Top Markets: NewYork, LosAngeles, Chicago,Toronto, Denver, San Francisco, Washington DC

SIDEA

Side B

A STUNNING REIMAGINING OF MAX ROACH’S ICONIC FREEDOM NOW SUITE

FEATURING WEEDIE BRAIMAH, MILENA CASADO, MORGAN GUERIN, SIMON MOULLIER, MATTHEW STEVENS, ZACCHAE’US PAUL, & LIZZ WRIGHT

“PRESERVES THE PIECE’S POLITICAL POWER AND MUSICAL INVENTION WHILE SUBTLY MOVING THIS MASTERWORK TO THE PRESENT.” —All

—All About Jazz

About Jazz

We Insist 2025! is an extraordinary reimagining of Max Roach’s classic We Insist! Freedom Now Suite, an album that stands among the earliest and, still, most confrontational musical statements of the Civil Rights era. is powerful update comes to us from NEA Jazz Master Terri Lyne Carrington, one of the nest jazz drummers and producers of her generation, and award-winning, mutli-genre, master vocalist Christie Dashiell. In a way that both honors Roach’s original masterpiece and furthers Carrington’s passion for using jazz in the ght for social justice, We Insist 2025! feels like a perfect work of protest for our current moment.

Fittingly, this homage is, like Roach’s original, a Candid Records release, and bursts with ery, stirring ideas and performances, as well as unstoppable grooves and the spellbinding interplay that only remarkable jazz musicians can deliver. With Roach and Brown’s compositions alongside original music and words by Carrington and her collaborators, We Insist 2025! runs the emotional gamut, from anger to tenderness to love and spots of delightful humor and emerges as a crucial reminder that, no matter what governments and institutions attempt, they cannot prevent us from celebrating our lives.

Carrington also works here to ful ll Roach’s pan-African vision, one that encompasses and connects all the rich strains of music that descend from the Mother Continent. “In making this album, it really felt like, yes, we’re dealing with the things that were happening in the states in 1960, many of which are still happening,” Carrington explains. “But we’re also dealing with elevating a global musical diaspora, which is something Max worked toward — with in uences not only from jazz and improvised music, but from gospel and spirituals to soul and Afro-Cuban music.”

SIDE A

1. DRIVA’MAN

2. FREEDOM DAY (PART 1)

3. ALL AFRICA

4. BOOM CHICK

SIDE B

1. TRIPTYCH: RESOLVE/RESIST/ REIMAGINE

2. TEARS FOR JOHANNESBURG

3. DEAR ABBEY

4. FREEDOM DAY (PART 2)

1. DRIVA’MAN

2. FREEDOM DAY (PART 1)

3. ALL AFRICA

4. BOOM CHICK

5. TRIPTYPCH: RESOLVE/RESIST/ REIMAGINE

6. TEARS FOR JOHANNESBURG

7. DEAR ABBEY

8. FREEDOM DAY (PART 2)

9. FREEDOM IS…

10. JOYFUL NOISE

PERSONNEL:

Terri Lyne Carrington

Christie Dashiell

Morgan Guerin

Matthew Stevens

Milena Casado

Simon Moullier

Weedie Braimah

Devon Gates

Lizz Wright

Ayodele Casel

Tamia Elliott

Christiana Hunte

Julian Priester

Terri Lyne Carrington and Max Roach circa 1976

Joe Armon-Jones – All The Quiet (Part II)

Release Date: 13th June 2025

1 • Vinyl AQU012LP

5056818800610

2LP Black vinyl, poster insert

2LP Vinyl Tracklist: A

2 • Vinyl (Limited Edition Blue Vinyl) AQU012LPC

5056818800627

2LP Transparent blue vinyl, printed inner sleeves, poster insert

3 • CD AQU012CD

5056818800573

4pp Digipak CD

Keyboardist, producer and songwriter Joe Armon-Jones shares his most elevated solo project to date, All The Quiet A galvanising statement of intent, traversing jazz, funk, dub, hip hop, and soul music, entirely written, produced and mixed by Armon-Jones himself As a band member, he is best known as part of the Mercury prize winning Ezra Collective, who capped 2024 by being the first jazz band to headline London’s Wembley Arena All The Quiet (Part II) is the second chapter of a two part album, released on his own label, Aquarii Records Guest musicians & features include Greentea Peng, Wu-Lu, Yazmin Lacey, Hak Baker, Nubya Garcia, Oscar Jerome, and more

Six years have passed since Armon-Jones’ last solo album, 2019’s Turn To Clear View was released on Gilles Peterson’sBrownswood Recordings, but don’t mistake that gap for a break In this time he’s toured the world, built a studio, contributed to albums from the great and good of UK jazz, and recorded collaborative releases with Liam Bailey, Fatima, Hak Baker, Prince Fatty, Ranking Joe, Maxwell Owin, and dubstep legend Mala

1. Acknowledgement Is Key (feat. Hak Baker)

2. Lavender

3. Westmoreland (feat. Asheber)

4. PSR Orchestra

5. Paladin of Sound & Circumstance C

6. Another Place (feat. Greentea Peng & Wu-Lu)

7. War Transmission

8. 505 Standby

9. Journey South

10. One Way Traffic (feat. Yazmin Lacey)

CD Tracklist:

1. Acknowledgement Is Key (feat. Hak Baker)

2. Lavender

3. Westmoreland (feat. Asheber)

4. PSR Orchestra

5. Paladin of Sound & Circumstance

6. Another Place (feat. Greentea Peng & Wu-Lu)

7. War Transmission

8. 505 Standby

9. Journey South

10. One Way Traffic (feat. Yazmin Lacey)

DJ-Kicks: DJ Koze (Colour Vinyl Re-issue)

DJ Koze – with his friendly and sometimes slightly melancholic take on the world – is one of the greatest auteurs of club music today, and one of the few internationally active DJs who dares to make music that has relevance beyond the dance floor In celebration of !K7's 40th anniversary year, Koze’s seminal DJ-Kicks is reissued on a beautiful orange 2LP with a brand new DJ Koze DJ-Kicks playing card

During the 70-minute journey on his DJ-Kicks – the 50th edition – Kosi Kos manages to establish a uniform color even though genres alternate in a way that is rarely heard on a mix CD: the stripped down hip hop of Madlib, brutalist Berghain techno, timeless songwriting, floating indie-pop and outlier numbers that oscillate between absurdity and melancholy. Koze's disregard for the stylistic yoke presents him with an immense challenge Hence, almost all the tracks are more or less edited, and one is fully rhymed (Session Victim: Hyuwee)

Koze rambles on here himself: "I didn't want to kick around sophisticated knowledge, but rather try and weave together some good gems that would make sense to anyone, even people who aren't necessarily music nerds" But this is blabbing that you can count on, also because he approaches the term "mix" from a different angle and doesn't even try to make something fit that doesn't fit: "During the day, I don't need to hear anything that's mixed on the beat. I put the focus on making sure that it works harmoniously – the idea is more to create the impression of a radio show, like people such as John Peel did so uniquely There is a giant cosmos of music and it runs through my filter" .

Release Date: 13th June 2025

Artist: DJ Koze

Title: DJ-Kicks: DJ Koze

Cat/Barcode:

K7325LP40 / 4062548111552

Packaging: 2LP gatefold orange colour vinyl

LP TRACKLIST

A1 DJ Koze – I Haven’t Been Everywhere

But It’s On My List (DJ-Kicks )

A2 Dimlite– Can’t Get Used To Those ?

A3 cLOUDDEAD– Dead Dogs Two (Remix –Boards Of Canada)

A4 Strong Arm Steady – Best Of Times

A5 Homeboy Sandman – Holiday

A6 Freddie Gibbs & Madlib – Shame

B1 Mndsgn – Camelblues

B2 Broadcast – Tears In The Typing Pool

B3 Daniel Lanois – Carla

B4 Hi-Tek & The 2 Bears – Modern Hi Tek

Family Bears (Kosi Mashup)

B5 William Shatner – It Hasn’t Happened Yet

C1 Marker Starling – In Stride

C2 Session Victim – Hyuwee

C3 Frank & Tony Feat Gry – Bring The Sun

D1 Marcel Fengler – Jaz

D2 Portable feat. Lcio – Surrender

D3 The Gentle People – Superstar

For more information please contact Adam Calman adam@k7.com

KEY POINTS

Special colour vinyl edition as part of !K7's 40th label anniversary celebration

Re-issue of the 50th edition of DJ-Kicks Includes limited DJ-Kicks playing card

Lyra Pramuk - Hymnal

Multidisciplinary artist Lyra Pramuk – producer, composer, vocalist, performance artist and astrologer – shares her sophomore album Hymnal: an earthy, raw and psychedelic burst of euphony for our collective healing. Classically trained and deeply inspired by Berlin’s club culture, Lyra has garnered critical acclaim for her vocal virtuosity and original, genre-fluid sound rooted in experimental vocals, instrumental composition and left-field electronics

Throughout Hymnal, she creates a radical and primal polyphony of innovatively-sampled vocals, expressive in-your-face strings (in collaboration with Sonar Quartett), and exceptional future-facing electronic production These varied elements combine to form an ecstatic genesis – an audacious symphony of the universe. Lyra’s rich, process-driven compositions intersect with the minimalism of Steve Reich and Terry Riley, the avant-garde vocal storytelling of Meredith Monk and Laurie Anderson, and the political and communal spirit of American folk and dance music.

For Lyra, Hymnal is her own book of worship songs: for the earth, the cosmos, and all life-forms, living and dead Inspired by the natural world and our place within a mysterious universe, it’s an invitation for cosmic interconnectivity, unfurling like a mass bloom in time-lapse from sunset to sunrise. Hymnal responds to the multiple, intersecting crises of our times –ecological, humanitarian, socio-political, and technophilosophical. Driven by the role we must play to address and process the feelings that emerge as our home and human rights are taken from us, it calls us to remember music's early, communal roots, and our own agency in the process of our individual and collective transformation

Hymnal is a collaborative release on 7K! and Lyra Pramuk’s own newly launched imprint pop.soil.

Release Date: 13th June 2025

Artist: Lyra Pramuk

Title: Hymnal

Cat/Barcode:

7K057LP / 4062548108620

7K057CD / 4062548108637

Packaging: 2LP gatefold / CD

Territory: WW

Lyra Pramuk INSTAGRAM

CD/LP Tracklist

01/A1 Rewild

02/A2 Unchosen

03/A3 Render

04/A4 Incense

05/B1 Oracle

06/B2 Babel

07/B3 Meridian

08/B4 Gravity

09/C1 Swallow

10/C2 Umbra

11/C3 Crimson

12/D1 Reality

13/D2 Solace

14/D3 Ending

CONFIRMED TOUR DATES

April 6: The Hague, Rewire

May 23: Vienna, Hyperreality

May 29: Lyon, Nuits Sonores

June 5: Athens, Subset Festival

June 26: Berlin, Volksbühne

July 4: Parma, LOST Festival

July 5: Roskilde, Roskilde Festival

KEY POINTS

Recent collaborations with: Sam Smith & Moses Sumney, Caterina Barbieri, Holly Herndon

Press support from: Pitchfork, The Quietus, The NY Times, RA FFO: Bjork, Anohni, Caterina Barbieri, Meredith Monk, Laurel Halo, Laurie Anderson EU and UK tour

Adrian Sherwood — The Grand Designer

Release Date: 13th June 2025

Adrian Sherwood returnswithhisfirstmusicasa solo artist in 13 years with the mutating rhythmic soundscapes of The Grand Designer EP, the latest instalment in On-U Sound's long-running andmuch-loved'discoplate'series.

Thetitletrackservesasatrailerforaforthcoming full-length album, with different instruments filtered through Sherwood's bank of effects over an irresistible groove, and typically deft percussivedetail.

Available as a strictly limited and collectable 10" vinyl, mastered and cut by Frank Merritt at The Carvery, housed in a classic On-U disco plate sleeve, with cover collage by Studio Tape-Echo, basedonanoriginaldesignbyKishiYamamoto.

Catalogue. No. ONUDP67

UPC 5056818801754

Format 10”

Description Black10"Vinylin3mm spineprintedsleeve

Box Lot 20

A1.TheGrandDesigner

A2.Let'sComeTogether(feat.Lee"Scratch" Perry)

B1.RussianOscillator

B2.ColdWarSkank

VARIOUS ARTISTS

ROAD FEVER

13th JUNE 2025

1LP

SNDWLP183

ELECTRONIC, SOCA, CARIBBEAN, CARNIVAL

UNITED STATES, CANADA, MEXICO

SAINT LUCIA, DOMINICA

Generation Carnival Riddims from St. Lucia and Dominica

OVERVIEW:

A hurricane of turbo-charged, body-buzzing tracks collide on Road Fever, a compilation of razor-produced, road-tested instrumental riddims from St Lucia, Dominica & Guadeloupe that showcases the producers forging the future of Caribbean music in 2025

Road Fever draws together instrumental Dennery Segment and Bouyon riddims originally made for vocalists, presented for the first time as stand alone pieces of music Distilling carnival riddims down to the bare bones, producers push minimal 150+ bpms, FL-percussion packs, DJ/vox samples & synth riffs, bridging trap, drill, dancehall, sped-up Haitian konpa & Angolan kuduro

Ricocheting at the intersection of TikTok culture, best heard blasted through walls of speakers travelled by stage-sized carnival trucks or via bluetooth car speakers, StLucia’s ‘Dennery Segment’ sound, (as iconic producer, G6 described in an interview), “sparks your inside; a sound you can’t hear and not move”

Amsterdam-based, Curaçao-raised compiler Rozaly echoes G6:

“Once you hear it, you can’t unhear or unfeel it”

“This is a musical movement with an entire history with so many relevant reasons why it still exists, and why it exists the way it exists right now” . Rozaly concludes, “there is nothing more simple, let the artists speak”

TRACKLIST:

Principe Discos, Nyege Nyege, Marfox, Kuduro, Soca

LISTEN LINK: FOR FANS OF:

https://soundcloudcom/soundway-records/sets/road-fever-new-generationcarnival-riddims/s-QOKzrumxHmw? si=1014b202967f4917aac71d9c4ada98f0&utm source=clipboard&utm medium= text&utm campaign=social sharing

ForRedeyeNorthAmericasales,contact: LoriMillerLori@redeyeworldwidecom(+1)8777333931ext216 wwwsoundwayrecordscom SIDE A SIDE B

1 Ransum Records - Soca Panda Riddim

2 Viral Riddims - Smash Or Pass Riddim

3 Shazdown Mmw - Bouyon Beam Riddim

4 DJ Demafidem - On Di Road Riddim

5 G6 Productions - 2 Stroke Riddim

6. Bad Sound, DJ Marfox - Both Twanche

Riddim Refix

7 Veaygel Productions - Dirty Lows Riddim

1. Krome Productions - Tic Tac Toe Riddim

2 LMT Mafia - DAF Riddim

3 Viral Riddims - Heat Wave Riddim

4 Veaygel Productions - Fire Ball Riddim

5 Slaughter Arts Media - Bad Weather

Riddim (part 2)

6 Ransum Records - Walk It Riddim

7 ScarnX - Midnight Fever Riddim

Live Dates:

13 APRIL CLIMATE OF FEAR, BERLIN (ROZALY)

25 APRIL GARAGE NOORD, AMSTERDAM (ROZALY)

10 MAY LAAK, THE HAGUE (ROZALY)

8 JUNE LENTE KABINET FESTIVAL, AMSTERDAM (ROZALY)

17th JULY | ST LUCIA CARNIVAL, CASTRIES & DENNERY (VARIOUS ARTIST & VENUES)

9 AUGUST | MELKWEG, AMSTERDAM (ROAD FEVER ROOM)

RELEASES

MAX KNOUSE CHIMPMUNK'D AWAY

SIDE A

1. Mint and Tobacco

2. Nook Salmon

3. Chrysanthemum

4. Chipmunk'd Away

SIDE B

5. Beaverbrain/Kittyjesus

6. Diane

7. Clumsy Hunter

8. Marijuana Is A Carpet

9. Banana, Orange, and Something Else

• FIRST PRESSING “FALL LEAVES” COLOR VINYL.

“Max Knouse’s ‘Chipmunk’d Away’ is organic, frightful, sexy as a spring thunderstorm rolling over a mountain. Music, narrative, vocal tone, guitar phrase are all forever new in his hands.”

– Jolie Holland

Max Knouse’s voice feels like laughter that follows a well-loved joke. Only afterward, it dawns on you that you don’t fully understand the punchline. Or for that matter the set up. In fact, you’re not even sure what language the joke was told in.

What to make of such a laugh—inexplicable, delightful, surprising, seemingly nonsensical? And what to make his voice, at once comforting, beguiling, and just beyond the bounds, like a blues moan or a Mingus lick or some ancient guttural holler? It’s the kind of haunt that lingers long after the record fades, echoing back in your imagination, laden with cryptic possibilities and occulted meanings.

Chipmunk’d Away is his third album, following the ramshackle glories of 2016’s Dinasaur From Jensen and 2020’s Road Toad Ribet Known for his sessions and live shows with artists like Califone, Jolie Holland, Adan Jodorowsky, Psychic Temple, Simon Joyner, Alex Dupree, and others, Knouse has established himself as an essential factor in the West Coast indie pop underground, brandishing guitar chops that mirror the rawness of his voice; he treats his instrument like a divining rod of spiritual tension and joyful racket, pushing and pulling on it with affection and sometimes something darker.

From the swelling cosmic folk of “Mint and Tobacco,” which features Knouse intoning apocalyptically over engineer Michael Krassner’s washing guitars, “Your breathing ain’t so deep,” to the jazz standard swooner-meets-West Coast psych-pop title track, to the nightmare-scape blues of “Clumsy Hunter,” to the concluding audio collage sway of “Banana, Orange, and Something Else,” Chipmunk’d presents the range and scope of Knouse’s style: bold, adventurous, frightening, and then frequently, when you least expect it, heartbreakingly lovely, like a joke that clarifies your feelings before you could actually verbalize what those feelings even are. They had been hidden from you, chipmunk’d away, but now Max Knouse has revealed them.

Subsonic Eye Singapore Dreaming

In less than a ten-year span, Subsonic Eye have established a deep catalog across jangle- and indiepop spectra On their 2023 album All Around You, the Singaporean ve-piece rened their signature snappy hooks with a renewed appreciation for the natural world’s entanglement with their urban milieu Ever enraptured by nature and their surroundings, Subsonic Eye have dedicated much of their music to celebrations of their environment

Their fth album, Singapore Dreaming, centers their hometown through a more focused lens Where All Around You comprised a space to sit with the complex feelings inspired by the intense world we inhabit, Singapore Dreaming is that intense world itself Subsonic Eye’s interpretation of their high energy urban context refracted through straight-to-the-point, poppy, ergonomic songs tinged with tension that could explode at a moment’s notice

Despite the newly honed vision, Singapore Dreaming still has all of Subsonic Eye’s signature elements: spellbinding walls of tone, hooky riffs, zippy rhythms, and punches in the perfect place all led by singer Nur Wahidah’s dreamlike voice, whose vaporous and velvety character always makes the layers whole

For Fans of: Alvvays, Sonic Youth, Dinosaur Jr , Snail Mail, snappy invigorating pop-rock, and other Topshelf artists: Boyscott, Gingerlys, Harry the Nightgown, Lunarette, No Vacation, Ratboys, Sobs, Wild Ones

Selling Points:

• Open Edition LP features "Philosophising" Yellow + Red Aside/Bside vinyl, obi strip, download codes, marketing sticker, and printed dust sleeve

US college radio campaign through Pirate Promotions

• Touring history includes North America and Asia

• Asia tour planned for Summer 2025

• Previous in-studio performances at KEXP and Audiotree Live

• Last LP peaked on NACC Top 200 at #14, 9 weeks on Last LP NACC's biggest one-week climb in 2023 (197 to 20)

• Last LP #193 on the NACC Top 200 Year End 2023 Chart

Credits:

Download Code Yes

LP UPC 634457215986

• CD UPC 634457216006

•

• Previous press support from Pitchfork, Paste, The Fader, Guitar World, and more.

• Music video for lead track "Aku Cemas"

• CS printed on purple shells with sticker label and standard J Card CD is packaged in standard Digipak 28k Spotify monthly listeners

• Spotify playlist placements include Just Rock!, Summer Indie, ORG, Indie shufe, OTW, and more

• Apple Music playlist placements include New in Punk, New in Rock, New in Alternative, New in Indie, and more

'All Around You' proves that connection to nature, to a lover can be a profoundly potent force -Pitchfork

Restless and condent, and topped with a sugary chorus that packs a deceptively effective punch, Hurt Your Head is one of those ‘this is my new favorite band!’ songs – you know the ones -Guitar World

FALTYDL

NEUROTICA

BLACK VINYL LP: ZIQ475

UPC: 5056321682901

Side A Son Of The Morning Don’t Go Con Air

Craving You Chaotic Child Breeding Fix Me

Side B Trace Your Ground Speed Lay Your Heart Down By Your Side

5056321682901

It’s been ten years since Drew Lustman a.k.a. FaltyDL last released on Planet Mu. In the meantime he's been running his own label Blueberry Records, been in-house producer for Mykki Blanco and has become a dad.

The best things come out of play and it was Drew’s relationship with his young daughter that switched on this playful side of his music. The album in question, ‘Neurotica,’ expresses Drew’s fun in creating such energetic pieces people will want to move to. It's a dizzying sugar-rush at a high-speed bounce; the music is fresh and inviting and most important of all, joyful.

"Summer of ’24, we were in Catalonia. My girl, our young daughter, the old folks. Days by the village pool, afternoons on the dirtbike. At night, I made salads. Simple things. Good things. One afternoon, lying back, phone in hand, I saw a friend post a GRWM. The music behind it stopped me. A song grabbed hold. The track was ‘Secret’ by Mietze Conte, which is fast-paced europop dance music, like soft fluffy gabber with childlike vocals. I hunted down the full version. Played it again. And again. Twenty times over the next few days. It unlocked something. The best music does that. Like the first time I heard Burial. Had to know what was happening under the surface. That time, it led to ‘Love Is A Liability’ in 2009. This time, it led to ‘Neurotica.’“

I Can Hear It All The Time We Have Everything We Need Cried Later

LABEL: PLANET MU RECORDS STREET DATE: 13th JUNE 2025 REDEYE WORLDWIDE

“I started to record, getting down fast, bright, sugar-rush sounds. 185 to 200 BPM. I wrote them quick—half a day per track. In between, I slowed things down. Gave space for breath. Mike Paradinas helped shape the album, his ear guiding the ﬂow. I tested the tracks. Played them for kids barely out of diapers and grown folks who still move like they are. It worked, on all ages. I kept it simple. Only two rules: keep it moving and don’t look at my phone. Cut the vocals like I used to.”

‘Neurotica’ is FaltyDL with his mojo refreshed, a new life squared, do yourself a favour, crack a smile and feel the joy.

Sunday Driver –

Silk & Filth

Trapped Animal Records

LP TAR155V 2025-06-13

CD TRAR155CD 2025-06-13

5056688830311

5056688838911

LP on Orange Vinyl 180GSM. CD digipak.

Sunday Driver returns with Silk & Filth, the next chapter in their captivating Spaghetti Eastern series. Following 2021’s critically acclaimed Sun God, this album continues their exploration of rich storytelling, cultural fusion, and genre-defying sounds. Known for their unique blend of Eastern and Western influences, sharp wit, and a touch of cynicism, Sunday Driver has spent over two decades crafting music that stands in a league of its own. Silk & Filth brings a strong rock influence to the forefront while also featuring an atmospheric instrumental track that weaves together drones and harps, showcasing the band’s versatility and creativity. The album also features the extraordinary talents of tabla maestro Kuljit Bhamra, whose intricate rhythms add depth and vibrancy to the band’s sound. Pressed on stunning orange 180gsm vinyl and accompanied by a beautifully printed lyric inner sleeve, Silk & Filth is as much a visual masterpiece as it is a sonic journey. Building on the success of Mechanical Angel and their groundbreaking South Indian-inspired EP, Flo, Sunday Driver continues to push creative boundaries.

“Their welcome return brings a temptation to tease out tendrils of thought.” ★★★★ The Financial Times // "...a feverishly inventive record which rewards repeated listens". Record Collector Magazine // “a band to watch, without question” The Sunday Times