2-01 & 2-08 New Release Book

NEW RELEASES Street Date: 2.01.19 | Order Date: 1.11.19 Street Date: 2.08.19 | Order Date: 1.18.19 REDEYEWORLDWIDE.COM

MANDOLIN ORANGE TIDES OF A TEARDROP (FIRST EDITION)

(2/01)

WHAT’S INSIDE: Boy Harsher | Big Wild | Harriet Brown

Happy 2019 from Yep Roc! It’s a brand new year, so we’re offering 20% OFF all Yep Roc catalog CD and vinyl, including favorites from Nick Lowe, Dave Alvin, Johnny Cash, Robyn Hitchcock, Mandolin Orange and MORE! That’s hundreds of titles to choose from!

This sale ends on February 1 - so act fast!

Ask your sales rep for details!

NICK LOWE

JESUS OF COOL YEP-2620

DAVE ALVIN

JOHNNY CASH

YEP-2118

YEP-2322

WEST OF THE WEST

CD:

CD:

LP:

LP:

ELENI MANDELL I CAN SEE THE FUTURE YEP-2278

CD: LP:

ROCKABILLY BLUES LP:

6

34457 21182 7

6

34457 21181 0

LOS STRAITJACKETS JET SET

THE MINUS 5 THE MINUS 5

YEP-2268

CD:

YEP-2065

CD:

LP: 6

34457 22682 1

6

34457 22681 4

LP:

ROBYN HITCHCOCK MANDOLIN ORANGE THE MAN UPSTAIRS

BLINDFALLER

YEP-2368

YEP-2487

CD:

CD:

LP:

LP:

CHUCK PROPHET BOBBY FULLER DIED FOR YOUR SINS YEP-2490

CD: LP:

34457 24902 8

6

34457 24901 1

34457 24872 4

6

34457 24871 7

ELI PAPERBOY REED MY WAY HOME YEP-2474

CD: 6

6

LP:

CHATHAM COUNTY LINE TIGHTROPE YEP-2387

CD:

JONAH TOLCHIN

TONY JOE WHITE

THOUSAND MILE NIGHT YEP-2431

RAIN CROW

CD:

YEP-2450

CD:

LP:

LP:

YEP-2392

CD:

SKY FULL OF HOLES YEP-2247

CD:

AOIFE O’DONOVAN

YEP-2416

YEP-2428

IN THE MAGIC HOUR

CD:

CD:

LP:

LP:

YEP-2476

TIFT MERRITT STITCH OF THE WORLD YEP-2469

LP:

SONIK KICKS YEP-2259

THE FLESHTONES

THE BAND DRINKS FOR FREE

GANG OF FOUR CONTENT

YEP-2451

WILLIE NELSON HEROES YEP-2294

LP:

CD:

LP:

PAUL WELLER

LIFE IN THE DARK

LP:

JOSH ROUSE

THE EMBERS OF TIME

THE FELICE BROTHERS

CD:

LP:

LP:

FOUNTAINS OF WAYNE

CD:

SLOAN

COMMONWEALTH

YEP-2228

6

34457 24692 8

6

34457 24691 1

GRANT-LEE PHILLIPS THE NARROWS YEP-2468

THE SADIES

NORTHERN PASSAGES YEP-2493

CD:

CD:

CD:

CD:

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LP:

LP:

LP:

6

34457 24932 5

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34457 24931 8

30% OFF ALL FLESHTONES CATALOG TITLES! NOW THROUGH 2.1.19!

Whether you know them as the “The Kings of Garage Rock” or “America’s Garage Rock Band”, there’s no debate that THE FLESHTONES are one of the hardest working (and rocking) bands of all time. They’ve stayed particularly busy in the past decade, releasing loads of new music that rivals the efforts of their forty-year career.

Yep Roc is offering 30% OFF all FLESHTONES catalog titles, including the limited edition red-yellow splatter vinyl of their most recent release - Budget Buster! Stock up on your Fleshtones catalog now, as this sale ends 2/1/19!

ASK YOUR REP FOR DETAILS!

BUDGET BUSTER

(LP arrives on limited edition red-yellow explosion splatter vinyl!)

YEP-2497 CD:

THE BAND DRINKS FOR FREE b/w LOVE MY LOVER YEP-2484 SI:

THE BAND DRINKS FOR FREE YEP-2451 CD:

AVAILABLE b/w LET’S LIVE YEP-2349 SI:

LP:

LP:

6

34457 24972 1

6

34457 24971 4

MONDO ZOMBIE BOOGALOO (The Fleshtones, Southern Culture on the Skids, Los Straitjackets) YEP-2347 CD:

WHEEL OF TALENT YEP-2344 CD:

QUATRO X QUATRO YEP-2289 SI:

LP:

BROOKLYN SOUND SOLUTION YEP-2226 CD: LP:

LP:

STOCKING STUFFER YEP-2184 CD:

TAKE A GOOD LOOK YEP-2154 CD:

BEACHHEAD YEP-2095 CD:

DO YOU SWING? YEP-2050 CD:

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❝Alejandro Escovedo has one of the most fascinating career paths in music and his upcoming album is another example of his singular vision....’The Crossing’ is a power collection of songs that may in fact be the most succinct statement of Alejandro Escovedo’s musical and personal story ever.” - NPR Music - Alt.Latino ❝One of his best.” - PASTE ❝A stirring and impassioned consideration of the contemporary immigrant’s plight, drawn straight from the headlines.” - Chris Morris, Variety

PRAISE FOR THE CROSSING ☛ #39 on PASTE Magazine’s Best Albums of 2018 ☛ NPR Alt.Latino’s Best Music of 2018 ☛ Slate’s Best Albums of 2018 ☛ #2 on Chris Morris’ Best Albums of 2018 List in Variety ☛ #64 Most Played Albums at Americana Radio in 2018 ☛ Nominated for Little Steven’s Underground Garage Coolest Songs in the World for 2018

COMING IN 2019! ☛ US Tour Kicks off January 2019 in Houston ☛ NPR Weekend Edition feature interview the weekend of 12/29/18 ☛ NPR Tiny Desk Concert in February 2019 ☛ New single, “Something Blue,” being serviced to Americana/AAA radio in February.

☛ PBS “Overheard with Evan Smith” show spring 2019 (on hundreds of PBS

stations) ☛ Alejandro Escovedo receiving Lifetime Achievement Award at Austin Music Award in February

Andare Footsteps In The Shadows Texas Is My Mother Teenage Luggage Something Blue Outlaw For You Amor Puro Waiting For Me How Many Times Cherry Blossom Rain Sonica USA Rio Navidad Silver City Fury and Fire Flying MC Overload The Crossing

20% OFF CD 10% OFF LP LP:

ARTIST: Alejandro Escovedo TITLE: The Crossing CATALOG #: LP-YEP-2591 UPC: 634457259119 PACKAGING: 2xLP in gatefold jacket BOX LOT: 25 TERRITORY: Worldwide

DELUXE EDITION CD: 6 34457 25911 9

ARTIST: Alejandro Escovedo TITLE: The Crossing CATALOG #: CD-YEP-2647 UPC: 634457264724 PACKAGING: CD Wallet w/ 4-postcard set BOX LOT: 40 TERRITORY: Worldwide

6

34457 26472 4

ALEJANDRO ESCOVEDO 2019 US TOUR DATES: 1/06 Houston, TX 1/08 Birmingham, AL 1/17 Philadelphia, PA 1/18 - 1/20 New York, NY 1/24 Fall River, MA 1/26 Fairfield, CT 1/27 Ithaca, NY 1/29 Detroit, MI 1/31-2/02 Chicago, IL 2/04 Indianapolis, IN 2/09 Dallas, TX

BEST S E L L E R S 01

JD MCPHERSON SOCKS

02

JOHN HIATT THE ECLIPSE SESSIONS

03

CHARLES BRADLEY BLACK VELVET

04 05

ACE OF CUPS ACE OF CUPS

NEW WEST RECORDS

NEW WEST RECORDS

DAPTONE RECORDS/DUNHAM RECORDS

HIGH MOON RECORDS

MADVILLAIN MADVILLAINY STONES THROW RECORDS

06

RICHARD THOMPSON 13 RIVERS

07

BAUHAUS THE BELA SESSION

08

ELLIOTT SMITH EITHER/OR: EXPANDED EDITION

09 10

KHRUANGBIN THE UNIVERSE SMILES UPON YOU

NEW WEST RECORDS

LEAVING RECORDS

KILL ROCK STARS

NIGHT TIME STORIES

LOS STRAITJACKETS COMPLETE CHRISTMAS SONGBOOK YEP ROC RECORDS

VINYL S P O T L I G H T TOM MORELLO THE ATLAS UNDERGROUND

CHARLES BRADLEY BLACK VELVET

MOM+POP

DAPTONE RECORDS/DUNHAM RECORDS

TONY JOE WHITE BAD MOUTHIN’ (WHITE VINYL)

ODESZA A MOMENT APART

YEP ROC RECORDS

COUNTER RECORDS

VARIOUS ARTISTS 3X4

SHARON JONES & THE DAP-KINGS IT’S A HOLIDAY SOUL PARTY

YEP ROC RECORDS

HOLGER CZUKAY, JAH WOBBLE, JAKI LIEBEZEI FULL CIRCLE GROENLAND RECORDS

DAPTONE RECORDS

ACE OF CUPS ACE OF CUPS HIGH MOON RECORDS

THELONIOUS MONK MØNK

RODNEY CROWELL CHRISTMAS EVERYWHERE

GEARBOX RECORDS

NEW WEST RECORDS

COMING S O O N 2/15/19

ROBERT ELLIS - TEXAS PIANO MAN - NEW WEST RECORDS

2/22/18

FEELS - POST EARTH - WICHITA RECORDINGS

ORDER FORM Street Date: 2.01.19 | Order Date: 1.11.19 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

634457263864

CD-YEP-2638X

Mandolin Orange

Tides Of A Teardrop (First Edition)

CD

$12.00

$17.99

634457263888

LP-YEP-2638X

Mandolin Orange

Tides Of A Teardrop (First Edition) (BLUE VINYL)

Vinyl

$15.30

$22.99

4250506830984

CD-NUDE-005

Boy Harsher

Careful

CD

$8.65

$12.99

4250506831004

LP-NUDE-005

Boy Harsher

Careful

Vinyl

$13.30

$19.99

4250506831271

LP-NUDE-005X

Boy Harsher

Careful (INDIE ONLY / WHITE VINYL)

Vinyl

$13.30

$19.99

4250506831561

LP-NUDE-001X

Boy Harsher

Lesser Man (Extended Version) (GOLD VINYL)

Vinyl

$13.30

$19.99

4250506831578

LP-NUDE-002X

Boy Harsher

Yr Body Is Nothing (SILVER VINYL)

Vinyl

$13.30

$19.99

5054429135787

CD-COUNT-169

Big Wild

Superdream

CD

$9.30

$13.99

5054429135770

LP-COUNT-169

Big Wild

Superdream (LIGHT BLUE COLOR VINYL)

Vinyl

$15.30

$22.99

810874022929

CD-IL-2050

Brown, Harriet

Mall of Fortune

CD

$9.30

$13.99

810874022936

LP-IL-2050

Brown, Harriet

Mall of Fortune

Vinyl

$14.00

$20.99

090771406118

LP-SUND-5184X

NRBQ

Scraps (RED VINYL)

Vinyl

$16.65

$24.99

090771406217

LP-SUND-5185X

NRBQ

Workshop (BLUE VINYL)

Vinyl

$16.65

$24.99

090771406316

LP-SUND-5356X

Neighb’rhood Childr’n

Neighb’rhood Childr’n (PSYCHEDELIC SWIRL VINYL)

Vinyl

$16.65

$24.99

090771512710

LP-SUND-5127

Incredible String Band, The

Incredible String Band

Vinyl

$16.65

$24.99

730003737725

CD-K7-377

Vynehall, Leon

Leon Vynehall DJ-Kicks

CD

$10.00

$14.99

730003737718

LP-K7-377

Vynehall, Leon

Leon Vynehall DJ-Kicks

Vinyl

$20.00

$29.99

5055274709109

LP-RAS-1815

Jaar, Nicolas

Nymphs

Vinyl

$22.65

$33.99

689770738278

CD-NS-111

Louca, Maurice

Elephantine

CD

$9.30

$13.99

634457899070

SI-BRGR-1280

Those Pretty Wrongs

A Day At The Park

Vinyl

$5.30

$7.99

634457899414

LP-NUB-0041

Ersahin, Ilhan

Silver (COLOR VINYL)

Vinyl

$16.65

$24.99

634457899513

LP-NMR-421

A. Sinclair

Catpaws

Vinyl

$12.65

$18.99

5055869558846

SI-HDB-119LE

Gamble, Lee

In A Paraventral Scale EP

Vinyl

$10.00

$14.99

781484072225

CD-DC-722

Batoh, Masaki

Nowhere

CD

$11.30

$16.99

781484072218

LP-DC-722

Batoh, Masaki

Nowhere (WHITE VINYL)

Vinyl

$18.65

$27.99

749846023728

CD-SLR-237

Business Of Dreams

Ripe For Anarchy

CD

$7.30

$10.99

749846023711

LP-SLR-237

Business Of Dreams

Ripe For Anarchy

Vinyl

$10.65

$15.99

805520031523

CD-PRP-152

Hubbard, Neilson

Cumberland Island

CD

$10.00

$14.99

634457811270

SI-GEM-5008

Diamond Street Players with Amanda Joy

Million Miles

Vinyl

$5.30

$7.99

689770738711

CD-YEGGS-004

Dave Harrington Group

Pure Imagination, No Country

CD

$9.30

$13.99

843563108536

LP-YEGGS-004

Dave Harrington Group

Pure Imagination, No Country

Vinyl

$12.65

$18.99

634457811348

CS-HAUSMO-81

Sharkula x Mukqs

Prune City

Cassette

$6.00

$8.99

634457898646

CS-BRGR-1370

Pink Mexico

DUMP

Cassette

$5.30

$7.99

DEAL

ORDER FORM Street Date: 2.08.19 | Order Date: 1.18.19 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

809236153227

CD-FIRE-532

Lemonheads, The

Varshons 2

CD

$10.00

$14.99

809236153241

LP-FIRE-532Y

Lemonheads, The

Varshons 2 (YELLOW VINYL)

Vinyl

$19.30

$28.99

809236153234

LP-FIRE-532T

Lemonheads, The

Varshons 2 (INDIE ONLY / GREEN VINYL)

Vinyl

$19.30

$28.99

095081020221

CD-ALIVE-0202

Beechwood

Trash Glamour

CD

$8.65

$12.99

095081020214

LP-ALIVE-0202

Beechwood

Trash Glamour

Vinyl

$12.65

$18.99

701237702827

LP-SIG-7028

Twisted Pine

Dreams

Vinyl

$12.00

$17.99

688923003027

CD-VTDT-0030

Bloodest Saxophone

Texas Queens 5

CD

$10.00

$14.99

607396525317

LP-NW-5253

Collins, Albert

Live From Austin, TX

Vinyl

$16.65

$24.99

607396525416

LP-NW-5254

Brown, Clarence “Gatemouth”

Live From Austin, TX

Vinyl

$16.65

$24.99

5055300392978

CD-ZIQ-402

Silk Road Assassins

State Of Ruin

CD

$9.30

$13.99

5055300392961

LP-ZIQ-402

Silk Road Assassins

State Of Ruin

Vinyl

$18.00

$26.99

5060384613673

LP-LFM-004

Young, Nate

Volume One: Dilemmas Of Identity

Vinyl

$13.30

$19.99

843190009213

LP-BAYL-92

Kent, Julia

Asperities

Vinyl

$14.65

$21.99

843190055562

LP-PARCEL-369

Craven Faults

Springhead Works (CLEAR VINYL)

Vinyl

$10.00

$14.99

NO UPC

SI-TR-717

Sisco, Emilia and Cold Diamond & Mink

Don’t Believe You Like That b/w Instrumental

Vinyl

$6.00

$8.99

023632674807

LP-577R-5803

Daniel Carter, Tobias Wilner, Djibril Toure, Federico Ughi

New York United

Vinyl

$12.65

$18.99

634457898745

CS-BRGR-1360

David Liebe Hart Meets Jad Fair and Jason Willett

For Everyone

Cassette

$5.30

$7.99

DEAL

NEW RELEASES Street Date: 2.01.19 | Order Date: 1.11.19

MANDOLIN ORANGE TIDES OF A TEARDROP WORLDWIDE RELEASE DATE: FEBRUARY 1, 2019

FIRST EDITION 1. Golden Embers 2. The Wolves 3. Into the Sun 4. Like You Used To 5. Mother Deer 6. Lonely All the Time 7. When She’s Feeling Blue 8. Late September 9. Suspended in Heaven 10. Time We Made Time BONUS EP: 1.

2.

3.

4.

Little Margaret Silver Dagger Rolling Mills I Just Think I’ll Go Away

CD

ITEM NUMBER: CD-YEP-2638X SLP: $17.99 UPC: 634457263864 GENRE: Folk/Americana PACKAGING: 6 panel Digipak 2 clear trays - 8pg booklet - 2x CD BOXLOT: 20 EXPORT: Worldwide

LP

6 34457 26386SLP: 4$22.99 ITEM NUMBER: LP-YEP-2638X UPC: 634457263888 GENRE: Folk/Americana PACKAGING: Gatefold - 2x LP double colored vinyl (Blue) - insert BOXLOT: 25 EXPORT: Worldwide

6

TIDES OF A TEARDROP

34457 26388 8

(FIRST EDITION)

☛ Limited Edition first pressing (CD and LP) ☛ Includes Bonus EP featuring 4 traditional cover songs ☛ CD packaging is double CD ☛ LP packaging is double LP - featuring blue vinyl

HIGHLIGHTS ☛ Over 100,000+ album scans in the US across catalog ☛ Over 107 million track streams across band’s catalog ☛ Tides of a Teardrop is the follow up to 2016’s critically acclaimed Blindfaller and the band’s 6th studio album ☛ World Tour kicks off February 1 in Durham, NC ☛ Produced by Mandolin Orange - Recorded at Echo Mountain in Asheville, NC ☛ Album announced + first single - “Time We Made Time” - premiered with NPR Music

Distributed exclusively by Redeye. 505 Eno St, Hillsborough NC, 27278 | INFO@YEPROC.COM | YEPROC.COM | 336-578-7300 | FAX 336-578-7388

❝ a slow-burning, steadily rising duo” that “exudes gentle elegance.” ❝ It’s really once in a lifetime that a band comes around like Mandolin Orange.”

Mandolin Orange’s music radiates a mysterious warmth —their songs feel like whispered secrets, one hand cupped to your ear. The North Carolina duo have built a steady and growing fanbase with this kind of intimacy, and on Tides of A Teardrop, due out February 1, it is more potent than ever. By all accounts, it is the duo’s fullest, richest, and most personal effort. You can hear the air between them—the taut space of shared understanding, as palpable as a magnetic field, that makes their music sound like two halves of an endlessly completing thought. Singersongwriter Andrew Marlin and multi-instrumentalist Emily Frantz have honed this lamp glow intimacy for years.

TOUR 2/01 2/02 2/04 2/06 2/07 2/08 2/09 2/10 2/12 2/13

DPAC - Durham, NC Orange Peel - Asheville, NC Jefferson Theater - Charlottesville, VA (TBC) Union Transfer - Philadelphia, PA 9:30 Club - Washington, DC Music Hall of Williamsburg - New York, NY Royale - Boston, MA Higher Ground - Burlington, VT Phoenix Theater - Toronto, ON The Ark - Ann Arbor, MI

2/14 2/15 2/16 3/07 3/08 3/09 3/10 3/12 3/13 3/14

Majestic Theatre - Madison, WI First Ave - Minneapolis, MN Thalia Hall - Chicago, IL Imperial - Vancouver, BC Mt. Baker Theatre - Bellingham, WA The Moore - Seattle, WA The Knitting Factory - Spokane, WA The Wilma - Missoula, MT Commonwealth Room - Salt Lake City, UT Washington’s - Fort Collins, CO

3/15 3/16 3/17 3/19 3/20 3/21 3/22

Boulder Theater - Boulder, CO Ogden Theatre - Denver, CO Meow Wolf - Santa Fe, NM Crescent Ballroom - Phoenix, AZ El Rey Theatre - Los Angeles, CA The Fillmore - San Francisco, CA Crystal Ballroom - Portland, OR

ALSO AVAILABLE : 30% OFF YEP ROC CATALOG TITLES

THIS SIDE OF JORDAN

SUCH JUBILEE

BLINDFALLER

“On This Side of Jordan, their Yep Roc label debut, Marlin and Frantz seize the powerful – and personal – themes of love and loss, observing faith and religion, life and death, in their strongest and most mature album to date.”

“Full of graceful ease that subtly pulls you in.”

“The musical tapestry of ‘Blindfaller’ is delicately woven with lush threads of acoustic guitar, banjo, mandolin, violin and pedal steel...However, it’s the vocal interplay of Frantz and Marlin that is the band’s most distinctive calling card.”

ITEM NUMBER: CD-YEP-2338 SLP: $15.99 UPC: 634457233829 GENRE: Alternative, Singer Songwriter PACKAGING: Digipak BOXLOT: 30 EXPORT: Worldwide

ITEM NUMBER: LP-YEP-2338 SLP: $19.99 UPC: 634457233812 GENRE: Alternative, Singer Songwriter PACKAGING: Standard Jacket with CD, 180 Gram Vinyl BOXLOT: 50 EXPORT: Worldwide

ITEM NUMBER: CD-YEP-2417 SLP: $15.99 UPC: 634457241725 GENRE: Folk/Americana PACKAGING: Gatefold jacket BOXLOT: 40 EXPORT: Worldwide

ITEM NUMBER: LP-YEP-2417 SLP: $19.99 UPC: 634457241718 GENRE: Folk/Americana PACKAGING: Single jacket with four panel insert; CD + download code included BOXLOT: 50 EXPORT: Worldwide

ITEM NUMBER: CD-YEP-2487 SLP: $15.99 UPC: 634457248724 GENRE: Folk/Americana PACKAGING: 4-panel digipack with poster insert BOXLOT: 40 EXPORT: Worldwide

ITEM 6NUMBER: LP-YEP-2487 34457 24872SLP: 4$19.99 UPC: 634457248717 GENRE: Folk/Americana PACKAGING: single LP jacket with insert, download code BOXLOT: 50 EXPORT: Worldwide

6

34457 24871 7

Boy Harsher

Lesser Man (Extended Version) – Gold Vinyl Yr Body Is Nothing – Silver Vinyl Release Date: February 1, 2019

New, Limited-Edition Color Vinyl for the Re-issues on Artist-Run Label Nude Club BOY HARSHER is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable. Augustus Muller develops the underbelly of sound with minimal beats and grinding synths, where Jae Matthews whispers, screams and chants on top. Together, the music created is somewhere between industrial, drone and confessional storytelling. Muller and Matthews both have a strong background in film and their cinematic approach translates effectively in both their recordings and live performance, where the band have steadily been creating a loyal following.

Lesser Man (Extended Version) February 1, 2019 Genre: Electronic Lesser Man (Extended Version) is the first release of Boy Harsher`s imprint, Nude Club Records, originally released on cassette by Soft Science in (2014), and Night People (2015). The album was reissued by the infamous Berlin goth label aufnahme + wiedergabe in Nov 2017 on 500 copies, and sold out in less than two weeks. Remastered by Thomas P. Heckmann at Trope Mastering, Lesser Man (Extended Version) includes the dark wave hit, “Pain” and the unreleased track “Run” which was recorded during the Lesser Man session.

Cat#: NUDE001LPX UPC: 4250506831561 Spec: Ltd Gold Vinyl Box Lot: 20

Cat#: NUDE002LPX UPC: 4250506831578 Spec: Ltd Silver Vinyl Box Lot: 20

Tracklist 1. Lust 2. Modulations 3. Pain 4. Run 5. Crimea 6. Love 7. Spell

Tracklist 1. Intro 2. A Realness 3. Yr Body Is Nothing 4. Last Days 5. Suitor 6. Morphine 7. Save Me 8. Deep Well 9. Big Bad John 10. Cry Fest

Label: Nude Club Export: Yes

Yr Body Is Nothing February 1, 2019 Genre: Electronic Yr Body Is Nothing was originally released by DKA Records. All three LP pressings sold out in a matter of weeks. With a heavy emphasis on rhythm and atmosphere, the 10-songs presented here showcase a songwriting and production style that is sophisticated and unique, dark but powerfully uplifting. The sound is paradoxically massive yet minimal, providing the perfect space for Jae Matthews’ rich, deep, and emotive vocals to occupy as she, along with copilot Gus Muller, pulls the listener ever deeper with each passing song.

Label: Nude Club Export: Yes

Released in conjunction with the band’s new album Careful (Feb 1, 2019).

US Tour Dates US & Canada Tour in February in support of new album, Careful http://boyharsher.com/shows Web https://www.facebook.com/boyharsher/ https://twitter.com/BoyHarsher https://www.instagram.com/boyharsher/

Contact City Slang USA - Kevin Duneman - kevin@cityslang.com - www.cityslang.com Nude Club Records - info@nudeclubrecords.com Redeye Distribution - Perry Harrell - harrellp@redeyeworldwide.com

BIG WILD Superdream

Street Date: 2/1/2018 COUNT169 | COUNTCD169 Big Wild releases his debut full-length album Superdream on Counter Records. Available on 1LP and CD. Producer and composer Big Wild has announced the release of his highly-anticipated debut album, Superdream, which includes singles, “Joypunks” , “Maker”, “Heaven”, and “City of Sound”. The album demonstrates Big Wild’s, AKA Jackson Stell’s, craft for lush soundscapes and sweeping melodies. In addition to Stell providing lead vocals for many of the tracks on Superdream, the likes of Rationale and iDA HAWK make guest appearances on the album.

TRACKLISTING SIDE A

1. City of Sound

This year, Big Wild sold out the legendary Red Rocks Amphitheatre, performed at Lollapalooza, Bonnaroo, EDC Las Vegas and made his mark on the main stage at San Diego’s CRSSD Festival. He coheadlined WaMu Theater in Seattle and Bill Graham Civic Auditorium in San Francisco alongside Louis The Child for sold out shows in December. Big Wild will kick off a 17-date headline tour across the US in March 2019, which will bring the Superdream album experience to the stage via a brand-new live show, making stops in Los Angeles, Portland, Chicago, New York, and more.

2. Joypunks

3. 6’s to 9’s (feat. Rationale) 4. No Words 5. Alley-Oop (feat. iDA HAWK) 6. Pale Blue Dot SIDE B

1. Maker 2. Mopsy’s Interlude

HIGHLIGHTS

3. Purple Sand (My Home)

COUNT169 • 1LP light blue vinyl • 12” card sleeve • Printed inner sleeve • Download code included COUNTCD169 • CD card wallet

Label: Counter Records File Under: Electronic Export: No Export

4. She Makes Magic 5. Heaven

6. Awaken

CD: COUNTCD169 UPC: 5054429135787 Box Lot: 35

LP: COUNT169 UPC: 5054429135770 Box Lot: 20

Parks Vincent - parks@ninjatune.net

- Ninja Tune

Lori Miller - lori@redeyeworldwide.com

-

-

www.ninjatune.net

Redeye Worldwide

-

www.redeyeworldwide.com

Harriet Brown

Mall of Fortune mess we’re all in. ‘Cinnamon Sky’ wonders how LA can be this beautiful and this polluted, a sun-soaked biohazard.

‘Hardwalkin’ takes on our growing police state, surveillance and the fear we feel around people who are supposed to protect and serve.

This is a sonically and emotionally eclectic album, a ‘Sign O’ The Times’ for our times. It’s a stew of r&b, soul, funk, and free experimentation, both dense and expansive. Repeated listenings rewarded.

Harriet Brown’s live show mirrors the themes of each of his releases. At first he was a one-man orchestra, self-contained fury - a solo artist playing multiple instruments, cueing machinery and selling it with sweat and aplomb.

He was a man apart, making contact through song, behind emotional plexiglass.

With the release of Mall, his live performances feature a rotating cast of dynamic singers, rhythm players and melodic instruments. The songs breathe and wind, tumbling forward with Harriet at the helm, the mid 90s Bulls with Jordan on the boards. He’s reached out to the world and found himself closer to others, closer to the muse, closer to that 6th ring.

You’ll walk away from Mall of Fortune craving the smell of the food court, the stickiness of the arcade. But no matter what you’re in the mall for, pull your check out, hit the checkout, we close in five minutes.

Pioneer of romantic funk - The FADER Sultry r&b solo artist Harriet Brown is back with a new batch of fully-realized future funk, a slow-burning dispatch from a dayglo dance floor.

It's funk music for a new generation, for all of us worried about saving the world while having a good time - LA Weekly

The Los Angeles by-way-of-the Bay artist honed his musical chops in church, the birthplace of so many soulful sirens. His first project, New Era EP came out in 2014, setting off a firestorm of critical and fan adulation. Who was this bowl cut rocking, falsetto dropping, shiny suit man?

Harriet Brown should be seen live. He's a luminous avant-garde beacon.

The sounds are plush, the visuals are wavy, it's little goofy, elevating, funny.

- i-D Mag

He followed up with a bombastic debut album, Contact, an expertly crafted, extraterrestrial soul rumination on the ways we fail to connect, restart, and try again. It was also a transitional album. Made between the Bay and LA, it’s about the electricity of new connections, the distance of old friends.

Not Available for Export

Mall of Fortune is his second full-length album, an airtight meditation on anxiety, paranoia and indecisiveness – decision paralysis and the free-flowing guilt that follows. The bowl cut is gone, but the shine is intact.

CD $13.99 CD Box Lot: 100 Packaging: 6 Panel Digipack

It was written and recorded entirely at his home in Los Angeles, and in many ways is about Los Angeles - the instagram sinkhole of jealousy, the warm but filthy air, the constant waiting, waiting waiting. Your thoughts and your ride stuck in bumper-to-bumper traffic.

The album was produced, arranged, composed and performed by Harriet Brown. He plays every note of every instrument, sings every come-hither falsetto flight - save for two felicitous features from singers Ana Roxanne and Felicia Douglass. Pressing play is stepping into a damn-near singular vision, a world apart.

And what a world it is. This album is 14 songs of meticulous and introspective soul from LA’s foremost funk documentarian. Where his debut album was more cosmic, more spiritual, this follow-up is grounded and personal, driven by day-to-day experiences and self-imposed solitude. The best albums sound like emotions registered in real time, then rendered for maximum impact.

Album opener ‘Window Shopping’ lays it out clear – ‘Baby what you want, what you spend your life on / when it’s time oh what kind of fortune are you bringing back home?’ The weight of each decision can cause conniptions, but choosing nothing is no choice at all.

‘Shower Up, Saddle Up’ is a bucket of water in the face, the moment you shake it off and find peace with your dime piece, new cologne and a time piece – you stop worrying what people think and hit the town for some me time.

As personal as the album is, its also a rumination on the deep murky macro

LP $20.99 LP Box Lot: 30 Packaging: 2LP Standard Jacket + Download Card Vinyl is non-returnable

ITEM ID (CAT#): IL2050 Release Date: 2/1/19 For Fans Of: Prince, Janet Jackson, Jodeci, Serpentwithfeet, Dam Funk, Blood Orange, Mykki Blanco, Cupcakke, Nite Jewel Genre: R&B/Soul

TWO WILDLY ECLECTIC Q’S BACK IN PRINT AND ON COLORED VINYL! The wildly eclectic New Rhythm & Blues Quintet, better known to its worldwide legion of adoring fans as NRBQ (or just the Q!), is the only band on the planet that can play rockabilly, bar-band blooze, Beatles sound-alikes and Sun Ra-style free jazz in the same set and remain standing.

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Artist: NRBQ Title: Scraps Configuration: Colored Vinyl LP Boxlot Quantity: 30 File Under: Rock LP 5184X UPC: 090771406118

By the time keyboardist Terry Adams, vocalist Frank Gadler, bassist Joey Spampinato, drummer Tom Staley and fabulous new guitarist Al Anderson released Scraps, their wonderful second album in 1972, they had relocated from Florida to New Jersey–and, like their name says, they were actually a quintet for the only time in their career. From the infectious “Howard Johnston’s Got His Ho-Jo Working” to the lovably understated “Magnet,” Scraps is loaded with NRBQ classics that lived up to the eye-popping press garnered by their self-titled 1969 debut.

INCLUDES: HOWARD JOHNSTONʼS GOT HIS HO-JO WORKING • MAGNET • DONʼT KNOCK AT MY DOOR • TRAGIC MAGIC • ONLY YOU • WHO PUT THE GARLIC IN THE GLUE? • GET A GRIP • BOYS IN THE CITY • NEW TUNE • SCRAPS • AC-CENT-TCHU-ATE THE POSITIVE / THINGS ARE GETTING BETTER • ITʼS NOT SO HARD • DO YOU FEEL IT? • AINʼT IT ALL RIGHT The Q immediately followed Scraps LP with 1973’s equally terrific 0 90771 40621 7 Workshop. Gadler had Artist: NRBQ departed, reducing the Title: Workshop Quintet to its customConfiguration: Colored Vinyl LP ary foursome Boxlot Quantity: 30 (natch!), but the File Under: Rock band never missed a beat with an album LP 5185X UPC: 090771406217 that featured the hypnotically chugging “Come On If You’re Coming,” the mouth-watering “RC Cola and a Moon Pie” and the ultra-prophetic “Get That Gasoline Blues."

INCLUDES: CʼMON IF YOUʼRE COMINʼ • RC COLA AND A MOON PIE • BLUES STAY AWAY FROM ME • MONA • JUST TO HOLD MY HAND • GET THAT GASOLINE BLUES • DEAF, DUMB, AND BLIND • MISS MOSES • I GOT A LITTLE SECRET • HEARTS OF STONE • MISUNDERSTANDING • FOUR MILLION B.C.

TWO MUST HAVES BACK IN PRINT AND CUT BY KEVIN GRAY! 1967 debut by San Francisco-based psych pioneers!

When Dyan Hoffman, Rick Bolz, Ron Raschdorf and W.A. Farrens drove 350 miles through the mighty redwood groves down to San Francisco to cut their first album at Leo de Gar Kulka's Golden State Recorders, they couldn't have picked a better time. It was the summer of 1967--now known as the Summer Of Love--and San Francisco was inundated with young people from all over the world, spurred on by a blossoming rock scene that included Jefferson Airplane, Big Brother and the Holding Co. and the Grateful Dead.

And yet, none of those legends in the making ever cut an album as hard to find these days--extremely rare and collectible--as the LP by the Neighb'rhood Childr'n.

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Artist: Neighb'rhood Childr'n Title: Neighb'rhood Childr'n Configuration: Colored Vinyl LP Boxlot Quantity: 30 File Under: Psych / Rock LP 5356X UPC: 090771406316

Cut by Kevin Gray & pressed at Third Man!

Not only is their record hideously hard to find, it's amazingly groovy coming from four kids from a rural background.

Dyan's voice has the earnest zeal of a young Grace Slick, and the complex arrangements run the table from acid-soaked tripsichord to fiery anthems meant to spur on a new generation of street-fighting men as well as lonely navigators of the mind.

Not surprisingly, Dyan reveals that some of this amazing material was inspired by seeing Quicksilver Messenger Service for the first time. "They were always my favorite group," she says. It just goes to show what you can soak up and give back to the world if your heart is in the right place.

INCLUDES: UP DOWN TURN AROUND WORLD • LONG YEARS IN SPACE • FEELING ZERO • OVER THE RAINBOW • CHANGES BROUGHT TO ME • PLEASE LEAVE ME ALONE • CHOCOLATE ANGEL • HAPPY CHILD • PATTERNS • HAPPY WORLD OF CAPTAIN K • SHEʼS GOT NO IDENTIFICATION • HOBBITʼS DREAM Beginning as a duo in Edinburg, Scotland, acoustic musicians Robin Williamson and Clive Palmer sought to stretch the boundaries of contemporary folk music LP from the start. Composing much of their own material rather than 0 90771 51271 0 relying solely on the hidebound traditional repertoire, they were Artist: The Incredible String Band spotted by Elektra Records' Title: The Incredible String Band Joe Boyd while playing in the Configuration: Vinyl LP Crown Bar and, duly impressed, he signed them Boxlot Quantity: 30 File Under: Rock to the label. After adding additional guitarist Mike LP 5127 Herron, they traveled to UPC: 090771512710 London's Sound Techniques Cut by Kevin Gray & pressed at RTI! Studio in May 1966 to record their self-titled debut album with Boyd producing. Incredibly, they completed recording in two days, with Boyd instructing them to focus on their original compositions. The resulting album, featuring only three traditional tunes among the sixteen tracks, was quite unorthodox despite its standard instrumentation of guitars, mandolin, banjo and fiddle. It was a pioneering example of what later became know as psychedelic folk or pysch-folk and it was an instant hit with adventurous music consumers. Bob Dylan singled out Robin Williamson's "October Song" as a particular favorite and the LP won "Folk Album of the Year" in the annual Melody Maker poll. Despite the accolades, the group broke up immediately after the album's release. Heron and Williams later reunited, but this LP is the sole document of the groundbreaking original trio. How fitting, then, that Sundazed Music has preserved this piece modern music history on resonant high definition vinyl, sourcing it from the original Elektra analog tapes. And check out that resplendent recreation of the U.S. cover!

INCLUDES: MAYBE SOMEDAY • OCTOBER SONG • WHEN THE MUSIC STARTS TO PLAY • SCHAEFFERʼS JIG • WOMANKIND • THE TREE • WHISTLE TUNE • DANDELION BLUES • HOW HAPPY I AM • EMPTY POCKET BLUES • SMOKE SHOVELLING SONG • CANʼT KEEP ME HERE • GOOD AS GONE • FOOTSTEPS OF THE HERON • N-TOWN • EVERYTHINGʼS FINE RIGHT NOW

Leon Vynehall Leon Vynehall DJ-KICKS First to take the reins of the DJ-Kicks mix series in 2019 will be ever evolving UK artist, Leon Vynehall. His 26-track mix features new material from the man himself, as well as exclusives by Hessle Audio and Timedance affiliate, Ploy, rising newcomer Peach, and Pavilion, plus a number of gems that will be available digitally for the first time ever.

In a short space of time, Leon Vynehall has established himself as a DJ and producer with real craft. He brings a much wider than usual array of skills and influences to electronic music, and is always as likely to talk about minimalism, post-punk, or hip-hop as he is house and techno. This comprehensive approach to was confirmed by his spellbinding debut album Nothing Is Still on Ninja Tune in June 2018. An imagined soundtrack to his grandparents' emigration from the UK to New York throughout the 1960s, it told a TRACKLISTING CD 01 02 03 04 05 06 07 08 09 10 11 12

Leon Vynehall - Who Loved Before Kemikal - Genie Tomaga - Giant Bitmap De Fabriek - Loopy Haruomi Hosono - Rose & Beast (薔薇と野獣 ) dgoHn - Force To The Bygraves - Set Me Free Degrees Of Freedom - August Is An Angel Ellen Fullman - Over And Under Bourbonese Qualk - Moving Forward Shamos - Nuws Genesis P. Orridge & Dave Ball - Sex & The Married Frog

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distinctive story that unfolded into a resonant narrative; a richly layered affair filled with curveballs and a wealth of adventurous ideas that Vynehall pulled off with confidence and style.

It’s the same story with his DJs sets, and particularly this DJ-Kicks mix, which goes from 79-169bpm in fluid fashion. Always interesting and distinctly diverse both in genre and tempo, the mix works in a range of settings, as was the artist’s aim.

“I wanted to approach this more like a compilation than a stand-alone ‘mix,’” he says. “To me, compiling a DJ-Kicks is a significant statement of intent and representation, so with that in mind, I thought more about the selection than the mix. Being given the responsibility to select work from artists I admire, some of which have only ever been released on their first vinyl presses many years ago, was a task I didn’t take lightly.”

Run Dust - Full Slice DJ Zozi - Mellow Vibe RAC - Fushigi Primitive - Lapis Lazuli B2 Crinan - Kilimanjaro Ploy - Pressure Leon Vynehall - Ducee’s Drawbar (DJ-Kicks) Pavilion - Happy Track Peach - Faxing Jupiter Etch - Unsung Hero Of Irrelevance Mirage - Deep Rage AFX - Children Talking Jana Rush - Divine Robert Haigh - Music For Pianoixxman Protocol

KEY POINTS

PRODUCT INFO

• First official licensed compilation mix from Leon Vynehall

Release Date 01.02.2019 Artist Leon Vynehall Title Leon Vynehall DJ-Kicks Cat. K7377CD / K7377LP Barcode CD 730003737725 LP 730003737718 Packaging CD / 2xLP + DL card

• Includes exclusive music from Leon Vynehall, Ploy, Peach and Pavilion

• Full DJ-Kicks tour to support release • LP includes download to full length tracks and continuous mix

For more information please contact Adam Calman: adam@k7.com (P) 718-722-9935 x 12

TRACKLISTING LP A1 Leon Vynehall - Who Loved Before A2 Leon Vynehall - Ducee’s Drawbar (DJ-Kicks) B1 Ploy - Pressure B2 Peach - Faxing Jupiter C1 Pavilion - Happy Track C2 Crinan - Kilimanjaro D1 AFX - Children Talking D2 Primitive - Lapis Lazuli B2

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On Elephantine, his new Northern Spy album, Cairo-based Maurice Louca guides a 12-piece ensemble through a 38-minute masterwork that might best be described as panoramic.

Elements of free improvisation, Sun Ra’s cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

Maurice Louca Elephantine

His first US tour is in the works, and he’s booked for EU festivals.

Simply put, Elephantine—which Louca calls “by far my most ambitious work”— would stand as a grand achievement for any musician, of any background. But for an artist hailing from Egypt, where the history of expression has been equally brilliant and daunting, the album is astounding.

In recent years, Louca has become something of an ambassador for his nation’s thriving experimental music scene, via two previous solo records and an evolving lineup of genre-defying collaborations. The Wire called his 2014 sophomore effort, Salute the Parrot, “remarkable music—dense, driven and splashed with colour.” In 2017, the selftitled debut by Lekhfa, the trio of Louca and vocalists Maryam Saleh and Tamer Abu Ghazaleh, was praised as an “edgy triumph” in The Guardian. This past July, Louca appeared again in The Wire, in a cover story on “Cairo’s new wave” that featured his solo work as well as the Dwarfs of East Agouza, his mesmeric unit with Sam Shalabi and Sun City Girls’ Alan Bishop.

Louca’s narrative begins with music we all know, albeit in circumstances that most of us can’t imagine. Born in Cairo in 1982, he started on guitar at age 12, and became immersed in the music of the MTV era, as well as such 60s psychedelic mainstays as Pink Floyd, Hendrix, and the Doors. These were preInternet years in a country with staterun media, so access was scarce; tapes were dubbed and traded at school, along with bits and pieces of information. By the mid-to-late-’90s, spurred on by a media panic that connected metal fans to Satanic ritual, the state had essentially outlawed live rock music. Louca, just in his early teens, was able to rehearse with his bands and explore his burgeoning interest in songwriting. But booking gigs was almost impossible, and he witnessed older generations playing rock and metal become targets of the authorities. “It was a very, very depressing time to be a musician,” he reflects.

As the ’90s became the aughts, the reins were loosened on live music, and Louca’s tastes eventually expanded into classical and contemporary Arabic music, especially the street-level pop called shaabi, as well as the avant-garde and electronic music. Accordingly, his toolbox grew to include the synthesizer, laptop, sampler and drum machine. Following the Arab Spring protests of 2011, a galvanized DIY scene developed in Cairo, building upon the passion and elbow grease of the music and arts community

recently featured in the cover story Cairo’s New Wave in the July 2018 issue of WIRE.

that’d been gathering steam in Egypt throughout the prior decade. Artists, promoters and fans could suddenly operate without police oversight, and the results were remarkable, with shows attracting large numbers of concertgoers.

Sadly, as new leadership has taken hold in Egypt, and as those leaders have been alarmed by the sight of tens of thousands of spirited young people joining together, performance opportunities have regressed. A system of dedicated promoters and artists has been replaced by what preceded it, namely embassies and institutions with the funds to throw events in an economically distressed nation. A mind-boggling 14 governmental permits are required to throw the average gig, in addition to other requisite bribes and payoffs. Not surprisingly, the lack of operational spaces is dismaying. “When you have millions of people and around 10 venues,” Louca says, “there’s something wrong.” Despite these challenges, Egypt continues to provide fertile ground for Louca and his peers, like the celebrated Egyptian visual artist Maha Maamoun, who contributes the album’s cover art. Today, the Egyptian scene is a familiar feature of contemporary art and experimental music festivals across Europe.

Certain components of Elephantine, especially Louca’s use of avant-jazzstyle improv, a developing fascination, required the composer to go outside Egypt’s rich talent pool and tap players from Italy, Iraq, Sweden, Turkey and Denmark. The sessions, however, held in 2017 in Stockholm, made these efforts worthwhile. “There was a blessed thing about the process of making this record,” he says. “The dynamic between us musically but also as people … it was a very exciting time.”

Artist: Maurice Louca Album Title: Elephantine Catalog #: NS111 Release Date: 2/1/19 UPC: 689770738278 Format: CD Tracklist: The Leper, Laika, One More for the Gutter, The Palm of a Ghost, Elephantine, Al Khawaga RIYL: Sun City Girls, 70s Miles Davis, Don Cherry, Alice Coltrane, Tortoise

Label Contact: Adam Downey adam@northern-spy.com Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287

A. SINCLAIR - ‘CATPAWS’

Every song that Aaron Sinclair writes has a certain underlying feeling. SPIN described it as "twitchy paranoia." Baeble Music sensed a "strung-out urgency" in his voice, while the Austin Chronicle called his music "tensiondriven" with "tight, rough riffs and sharp post-punk lines."

‘Catpaws’ was recorded in two to four song batches over the last year and a half usually using a different ground of musicians on each session. Most of ‘Catpaws’ was recorded at King Electric Recording Studios in Austin TX with producer/engineer Justin Douglas. The band also spent some time recording with Danny Riesch at Good Danny’s Recording Studio in Lockhart TX (producer/engineer for A Sinclair’s previous two releases ‘Pretty Girls’ and ‘Get Back To The City’ on Dangerbird Records).

1. Cars 2. Hurts So Good 3. Just Remind Me 4. All I Wanna Do 5. Ease Your Mind 6. In The Beginning 7. Out Of My Mind 8. Got A Lot Of Love 9. Bananas 10. The Same Thing 11. Just Remind Me Again Release Date: Feb 1, 2019

Digital

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‘Catpaws’ widens Sinclair’s songwriting focus and brings a new level of focused energy to song craft and the most intensely rocking album of their career.

It’s Rock n Roll. It’s Texas. Turn it up Loud.

Distribution Contact : Jeep Ward I Redeye Worldwide 505 Eno Street Hillsborough NC 27278 jeep@redeyeworldwide.com 877-733-3931

Label Contact: Tim Regan l Nine Mile Records 210 Peach Street Buda, TX 78610 tim@ninemilerecords.com 901-487-1182

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stephen@redeyeworldwide.com

~ LEE GAMBLE ~

IN A PARAVENTRAL SCALE EP Catalogue Number Release Date Format UPC Box Lot

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SI-HDB-119 02/01/2019 12” 5055869558846 25

Flush Real Pharynx is the title of sound designer/junglist/composer and DJ Lee Gamble's new three-part album for Hyperdub, which will be revealed in a series of EPs. The triptych sonic documentary loosely explores three stages of the ‘Semioblitz’ - the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces. The first part of the series – ‘In a Paraventral Scale’ - zooms in on the seductive/destructive nature of present-day reality through a symbolic prism inhabited by snakes, vehicles and mirages.

From the sound morphologies of ‘BMW Shuanghuan X5’ where recordings of high performance cars melt and spectrally morph into synthesized orchestral timbres, through the arpeggiated neon hyper patterns of the beautiful ‘Folding’ and the electro slam of ‘Moscow’, this chapter veers into a crystalline, neon sound mirror of ‘In The Wreck Room’, where 21st century jungle meets footwork and electro, takes a ride on board a hypothetical super highway in the rain at night, leaving us in the haunted tension of Lee’s most emotive tracks to date – ‘Many Gods, Many Angels’ - to await the second part of the triptych...

‘In A Paraventral Scale’ is a clash of Gamble’s brand of hyper-concrète, where unmanned vehicles hover around us, steel ball bearings roll and scatter, jet engines end up as smashed objects, voices instruct, orchestral instruments morph into the sounds of doppler-shifting vehicles – all this distilled into signature jungle mirages, with brash, restless DJ Stingray-style 160bpm electro and haunting ambience.

Gamble exposes us to a new type of digital theater, a unique and futuristic filmic world blurring the distinction between non-musical sound, music and dance floor, a push and pull between reality and fictional worlds. All sonics co-exist in an unreal place whose spatial and temporal location is left for us to assemble .

A1. Fata Morgana A2. Folding A3. Moscow A4. BMW Shuanghuan X5 B1. Chant B2. In The Wreck Room B3. Many Gods, Many Angels

www.hyperdub.net

DC722 LP

Masaki Batoh Nowhere

Tracklisting:

LP/CD

Tambourine Devil Got Me Gaucho No Sora Dum Spiro Spero Sundown Boi-Taüll

Street Date: February 1, 2018

NO EXPORT TO EUROPE/JAPAN/AUSTRALIA — SEND NOWHERE EVERYWHERE ELSE!

Nowhere Tower of the Silence

List Price: $24.98/$14.98

CD

W

e come from nowhere and fade back there again, leaving the foggy dreams and obscure anxieties of this life behind when we go. Life is enigma, and with great respect for the vagaries of this truth, Masaki Batoh’s Nowhere reaches out of the darkness, with strings of steel and voices echoing out of time.

In the summer of 2018, Masaki Batoh held sessions at GOK Sound in Tokyo, with the goal of making his fourth solo album. With a pure folk singer approach, he started the recordings as a basic live performance of guitar with vocal, using only two mics. If more elements were needed, they would be added — but most important to him was to capture the performance as immediately as possible.

GOK Sound is an all-analog recording facility, and once Batoh had added a few elements such as bass, percussion, harmony vocals, electric guitar, harp and a bit of mellotron (all played by himself in response to his basic performances) and added the necessary reverb, the world of Nowhere was rendered as deep and sparkling as he had hoped, consecrating the spiritual intentions of his songs.

Batoh played the basic tracks with acoustic 6- and 12-string guitars, mainly a 1973 Guild D-40 and a 1972 Guild F-212. Two 1968 Gibson models (a J50 and a B12) were used, as well as a 1972 Martin D18, a 1966 Pirles long-neck 5-string banjo and a Gibson Firebird for electric guitar. Everything was tuned to drop D, a tuning taught to him in the early 1980s by the legendary British folk musician Martin Carthy, when Batoh was traveling through London. Many of the lyrics of Nowhere, sung in English, Japanese, and on one song, Latin, reference his younger days as well, when traveling the world and witnessing for himself the majesty and shame of humanity.

The sound of Nowhere reflects with dimensional richness the world that Batoh has been traveling since those early days — a vast space echoing with the music of many eras, played and sung in tongues of many nations. This is a world where the guitar can play songs as they’ve been played for centuries, or play in a hauntingly hallucinogenic style, or, as in the closing track, play with an open mind and heart, thinking about these things without knowing exactly where it will end.

The theme of Batoh’s music is finding a common tradition in all these various musics, to bring them forward in his own style and provoke a shared desire to promote humanity in the audience. Batoh has opened the door for you — if you are able to pass through, Nowhere is waiting for you.

DRAG CITY P. O. BOX 476867 CHICAGO, IL 60647 • (312) 455-1015 sales@dragcity.com

Also by Masaki Batoh Collected Works

DC180 LP/CD

Brain Pulse Music

DC471 LP/CD

Business of Dreams “Ripe For Anarchy”

Label: Slumberland Records Catalog Number: SLR 237 Street Date: February 1, 2019

1. Chasing That Feeling 2. My Old Town 3. Ripe For Anarchy 4. N.R.E.A.M. 5. Don’t Let Our Time Expire 6. I Never Could Tell You 7. The Hatchet Song 8. Naive Scenes 9. La La La La 10. I Feel Dread 11. Keep The Blues Away File Under: Alternative/Indie - B TL; DR: Gorgeous, layered pop that recalls the best moments of The Go-Betweens, The Field Mice, The Servants and The Smiths. Excellent song-writing and sensitive production mark this as a very special album.

Corey Cunningham's Business of Dreams is all about emotional catharsis. When his father passed away a few years ago, Cunningham took leave from his long-running Bay Area/LA musical partnerships Magic Bullets and Terry Malts to return to his home state of Tennessee to grieve and confront his past.

Making music to cope with this loss resulted in Business of Dreams' lovely eponymous debut album, an unexpected pop pleasure that wound up on Bandcamp's and Raven Sings The Blues' year-end lists for 2017.

Soon the live version of Business Of Dreams took shape as Cunningham opened for Rogue Wave on a national tour and played scores of local shows with Frankie Rose, Real Estate and many others.

With his new album Ripe For Anarchy, Cunningham has honed the songwriting with an eye towards regret, existence, and perseverance. "When I’m gone you won’t cry for me, focus on the moment, be free," he sings on "Chasing That Feeling." And that’s the mantra here: it’s time to let go. "The album is about living in the moment, shedding neurosis, and the desire to discard the general societal malaise we’ve been roped into."

Ripe For Anarchy is a through-and-through ode to indie pop, in the historic definition of the genre. "My Old Town" and "N.R.E.A.M." could be album cuts on a Grant McLennan solo album, "Don’t Let Our Time Expire" and "Naive Scenes" could be The Smiths, the Sparklehorse cover "The Hatchet Song" bears an uncanny resemblance to Australian pop pioneers Even As We Speak, and "I Feel Dread" has the unmistakable earmarks of The Field Mice.

And while he may be more noted for playing guitar in Terry Malts, Smokescreens, and Merge Records' Mike Krol's backing band, Cunningham is most at home making soft sounds extolling the wounded and mournful. "I think music is the most personal of mediums. You can work and listen, you can run and listen, you can drive and listen. And I think I’m a misfit. If I can make the most personal music for misfits, then I’m satisfied."

LP UPC: 749846023711 LP List Price: $15.99 Packaging: Black vinyl LP with DL code Box Lot: 20/40

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Contact: Lori Miller lori@redeyeworldwide.com 877.733.3931

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CD UPC: 749846023728 CD List Price: $10.99 Packaging: Gatefold eco-pack Box Lot: 50/200 master

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Territory: World Posters and stickers available, ask your rep.

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DAV E H A R R I NGTO N GRO U P PURE IMAGINATION, NO CO U NTRY

Street Date: 2/01/19

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LABEL: YEGGS RECORDS

TRACK LISTING 1. Well 2. Dreams Field 3. Belgrade Fever 4. Then I Woke Up

Since the 2011 debut of Dave Harrington’s revered Darkside project with long-time collaborator, Nicolas Jaar, Harrington has become one of this century’s most unlikely guitar heroes.

Harrington blends avant-garde improvisational jazz roots to psychedelic touchstones like Jerry Garcia and David Gilmour, to sophisticated dance-floor burners. While his latest album, Pure Imagination, No Country, doesn’t necessarily sound like a Darkside record, it exists at a different axis in the same continuum. Harrington uses guitar as a lead voice, sculpting and creating a new core language with a gifted cadre of players including vibraphonist Will Shore, synth bassist Andrew Fox, drummer Samer Ghadry, and post-rock polymath Lars Horntveth of Jagga Jazzist.

Harrington also announces a 5-night residency at Threes Brewing in Brooklyn Jan. 30th - Feb 3rd featuring a rotating line-up of players including Brian Chase, Joe Russo, Kenny Wollesen, Stuart Bogie, Yuka C. Honda, Shahzad Ismaily, Greg Fox, Jeremy Gustin, Spencer Zahn, Samer Ghadry and Will Shore, as well as at Zebulon in Los Angeles on February 21st.

Harrington embodies the notion that you have to master the rules before you can ignore them. Dave Harrington’s Pure Imagination, No Country arrives February 1st via Yeggs Records.

“It involves a lot of collaboration, a lot of trust, a lot of improvisation most of all, and a lot of presence.”

5. Slides Redux

- Dave Harrington

6. Neoarctic Organs 7. Patch One 8. No Country

•

Residency - 1/30 - 2/3 - New York - THREES BREWING

9. Pure Imagination

•

2/21/2019 - Los Angeles - Zebulon

•

Limited edition 180 gram vinyl with download code.

•

Tip-on jackets

Yeggs Records 584 8th Ave, Suite 603 New York, NY 10018 Contact: Josh Urist - josh@yeggsrecords.com

Redeye 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery - will@redeyeworldwide.com

HAUSU MOUNTAIN

Doug & Max HausuMountain @gmail.com 847-220-1755

Underground hip hop wild card Sharkula (born Brian Wharton) has carved himself into the grain of the Chicago music scene through 20 years of determined grinding.

Artist: Sharkula x Mukqs Album: Prune City

Label: Hausu Mountain Cat#: HAUSMO81 6 34457 81134 8 Format: Cassette Release Date: 02/01/19 CS - $8.99

(CLICK THE ALBUM ARTWORK TO STREAM)

RIYL: Kool Keith, Lil B, Gang Starr, DJ Premier, Three 6 Mafia, SpaceGhostPurrp, Kool A.D., Eric B. & Rakim, Boogie Down Productions, Danny Brown, Sir Menelik, Busdriver, J Dilla.

Sharkula is a legendary Chicago musician, has collaborated with Willis Earl Beal and Kool Keith, and is the subject of the documentary film Sharkula: Diarrhea of a Madman.

“Sharkula has been crafting a career all on his own for decades, becoming a local cult figure in the process. His hustle hasn’t changed much over the years: He still walks the streets of Chicago selling CD-Rs and cassettes of his scatterbrained rhymes for $10, or $5, or pocket change. He’s an extreme case of the DIY lifestyle, and fewer and fewer rappers are following in his footsteps.” - Forbes “Every time I run into Sharkula, which I do on average of once a month, he usually tells me he’s got some new music hidden in the pile of CD-Rs he stores away in a backpack. Sometimes it’s hard to tell if he’s made a CD’s worth of new material since we last spoke or if the latest CD-R he’s trying to sell me is something he had with him the last time I ran into him... it can be a challenge to keep up” - Chicago Reader

He records his free-associative verses over a wide spectrum of scene-sourced beats and has built a catalog of over 40 individual albums & EPs that he wraps in his own distinctively drawn packaging and sells hand-to-hand across the streets and bars/venues of the city – establishing an infinite circuit of local haunts and a constant stream of selfies with fans on the sidewalk or public transit. Hausu Mountain co-founder Max Allison records under the name Mukqs.

He twists elements of noise, techno, video game music, and freefor-all sample collage into rapidly shifting productions united under the banner of his strictly live, hardware-focused practice. Prune City marks their first collaboration as MC/producer duo Sharkula x Mukqs. The album finds Sharkula stretching out into hereto unexplored realms of discontinuous thought and randomized rhythmic cadences, while Mukqs zeroes in on a ramshackle strain of rap production animated by stuttering percussion loops and washes of dark cityscape synthesis. Recorded over the course of one afternoon as a series of first take freestyles, the album reveals the innate chemistry between the two artists’ freewheeling approaches to song structure and improvisation, both warping time-honored tropes and genres into uniquely vibrant, personal art. The collaboration extends to the album’s visuals, as Allison’s finely detailed, pixelated mosaic style that has come to define Hausu Mountain’s psychedelic aesthetic meets the packaging design of dense sharpie collages that Wharton draws onto his arsenal of burned CD releases.

On the microphone, Sharkula pours the raw details of his life into tumbling rhyme structures speckled with surreal imagery, references plucked from 40+ years of obscure pop culture, and scatological stream-of-consciousness commentary. He approaches rapping from a place of unbridled joy and humor, lacing his verses with laughter and topical one-off observations that reveal just how instantaneously his brain fires when he enters the freestyle mindset.

Inspired as much by the out-to-lunch alien approach of his friend and collaborator Kool Keith as by the deliberate, battle-ready bars of golden age icons like Rakim and KRS-One, Sharkula’s raps feel at once like a time capsule through his extensive hip hop tutelage and a kaleidoscopic trip through the mental recesses of a true stylistic outsider. The beat pack delivered by Mukqs bears the influence of the ice-cold horror score productions of DJ Paul and Juicy J of Three 6 Mafia, the hard-chopped pianos and zigzagging percussion patterns of DJ Premier, and the fragmented hands-on-MPC loops of J Dilla. Mukqs frosts his beats with bursts of jittering FM synths and patches of harsh static or lush ambient drift, pitting loops against each other in criss-crossing layers of rigid and arrhythmic voices. When he takes a break from brooding atmospheres and punishing boom bap kick drums, he coasts into instances of oceanic, major-key synth bliss built over steady hi-hats and sine-wave basslines. With Prune City, Sharkula x Mukqs eke out some bizarre, anachronistic vision of hip hop that hovers somewhere in the margins of underground mixtape culture and the noise scene’s ongoing fascination with the cassette tape as the ultimate delivery method of unpredictable, ego-erasing sound.

NEW RELEASES Street Date: 2.08.19 | Order Date: 1.18.19

BEECHWOOD

OUT 2/8/19

Trash GLAMOUR

REISSUE

Exquisite music taste and ideas make them seem from another era. – PLEASE KILL ME

*Beechwood’s very first album, recorded in 2013 when Gordon was just 18 and Isa was 17. *REMASTERED and RELEASED ON VINYL AND CD FOR THE FIRST TIME. *Features photos by legendary rock photographer Brad Elterman. *Features liner notes by Gordon Lawrence.

ALIVE0202-1 BOX : 30 LPS - VINYL UPC : 095081020214 SRLP : $18.99 ROCK

ALIVE0202-2 BOX : 30 CD DIGIPAK UPC : 095081020221 SRLP : $12.99 ROCK

N E W

F R O M

S I G N A T U R E

S O U N D S

TWISTED PINE On February 8th, Twisted Pine re-release Dreams, the highly anticipated follow up to their self-titled debut on Signature Sounds, on vinyl. Praised by NPR for their “upbeat, poppy vibe; energetic, driving rhythms; virtuosic solos” and “tight harmonies,” the acoustic quartet deftly reimagines seven pop, rock, and disco favorites. Twisted Pine wrote every song on their acclaimed, self-titled 2017 debut album. Now, they’ve turned to Sam Kassirer (Lake Street Dive, Josh Ritter, Elephant Revival) to record inspired interpretations of Blondie, The Beatles, The Cranberries, and others. Though steeped in traditional music, these musicians are also fearless, tuneful improvisers and passionate lovers of pop. Each member impresses on their own, but the ensemble playing and arrangements, create a sound that is much more than the sum of its parts. Even when Twisted Pine plays the music of legends, what you hear most of all is their singular voice. Vinyl LP includes a bonus track (Hall & Oates ‘I Can’t Go For That [No Can Do]).

LP BARCODE:

TRACK LISTING SIDE A:

1. El Chepe / The One I Love Is Gone 2. Raised On Robbery 3. Heart of Glass 4. I Can’t Go For That (No Can Do) SIDE B:

1. Funky Kentucky 2. I Don’t Feel Like Dancin’ 3. Lucy In The Sky With Diamonds 4. Dreams

ARTIST: Twisted Pine TITLE: Dreams LABEL: Signature Sounds Recordings GENRE: Folk/Bluegrass KEY US MARKETS: Boston, New York & Springfield, MA WILL APPEAL TO FANS OF: Nickel Creek, The Punch Brothers

FORMATS AVAILABLE: Vinyl LP STREET DATE: 02/08/2019 LP UPC: 701237702827 LP BOX LOT: 30 LP CAT NUMBER: SIG-LP-7028

PAST RELEASE: TITLE: Twisted Pine CAT NUMBER: SIG-CD-2087 FORMATS AVAIL: Digital, CD UPC: 701237208725 CD BOX LOT: 50

Signature Sounds Recordings

32 Masonic St. Northampton, MA 01060 USA Contact: Abbie Duquette - abbie@signaturesounds.com

Redeye Worldwide

505 Eno St. Hillsbourough, NC 27278 USA Contact: Lori Miller - lori@redeyeworldwide.com

BLOODEST SAXOPHONE TEXAS QUEENS 5

Formed in Tokyo, the jump blues & swing band, BLOODEST SAXOPHONE has been playing oldschool vintage sounds since 1998. The group’s leader, Young Corn Shintaro, established the band with the ambition “to rule the world with the saxophone.” Over the years they have gotten together with the likes of sax icon Big Jay McNeely and vocalist Jewel Brown, and established themselves on international stages.

STREET DATE: 2/8/19

Legendary Austin record man, Dialtone Record’s chief Eddie Stout got together with his Japanese counterparts to dream up the concept of combining Bloodest Saxophone’s retro sound with some big female voices from Texas. So, it had to happen — get Bloodest’s wild men to Austin to play Eastside Kings Festival until they nearly dropped from exhaustion, and then get them into the studio, quick.

Featured singers include the cream of the Texas R&B scene: Diunna Greenleaf, Lauren Cervantes, Angela Miller, Jai Malano and Crystal Thomas (okay, she’s from Shreveport, Louisiana.) Bloodest Saxophone’s members include Koda “Young Corn” Shintaro, Coh “Colonel Sanders,” Osikawa Yukimasa, Shuji “Apple Juice,” The Takeo “Little Toyko,” and Kiminori “Dog Boy.” Local Texas musicians Nick Connolly, Kaz Kazanoff and Johnny Moeller fill out these powerhouse tracks.

01. I’ve Got A Feeling 02. I Just Want To Make Love To You 03. Losing Battle 04. Walking The Dog 05. Pork Chop Chick 06. Run Joe 07. It’s Your Voodoo Working 08. Don’t Move Me 09. Don’t Hit Me No More 10. I Done Done It 11. The Grape Vine 12. Cockroach Run

Bloodest Saxophone title: Texas Queens 5 Label: Dialtone/VizzTone Genre: Blues Territory: Worldwide minus Japan Compact Disc - Jewel Box Cat. # VT-DT0030 Street Date: 2/1/19 UPC: 688923003027

Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com

ALBERT COLLINS

e v i L TX n i t s u A

from

STREET DATE: February 8, 2019 TRACKLIST

SIDE ONE Mr. Collins, Mr. Collins My Woman Has A Black Cat Bone Iceman SIDE TWO Lights Are On But Nobody’s Home Put The Shoe On The Other Foot SIDE THREE The Things That I Used To Do Head Rag SIDE FOUR Travelin’ South Frosty

MARKETING POINTS •Pressed on vinyl for the first time •2-disc, 180g LP

VINYL Sel. #: NW5253 CONFIG: 2x180g LP, Gatefold UPC: 607396525317 List: $24.99 Box Lot: 20 Count Genre: Blues, Live Music

6

07396

52531

7

DIGITAL

HD: 607396643851 NewWestRecords.com LiveFromAustinTX.com

Albert was on fire the night of his taping

on October 28, 1991. “You just can’t believe how long it took me to get on this show!” he declared, and wasted no time proving why it was long overdue. His performance was a wild ride, and the ACL stage proved too small for his antics, so with his long guitar chord in tow he took off into the audience during his ten-minuteplus finale of “Frosty.” He was first and foremost an entertainer, but nonetheless belongs up front in the pantheon of great blues guitarists. He awed at least two generations of young pickers, not the least of whom including Stevie Ray Vaughan and Jimi Hendrix, who was quoted as saying back in the 60’s, “There’s one cat I’m still trying to get across to people … his name is Albert Collins … he’s good … really good.”

- Terry Lickona (producer Austin City Limits®)

CLARENCE GATEMOUTH BROWN

e v i L TX n i t s u A

from

STREET DATE: February 8, 2019 TRACKLIST

SIDE ONE Ain’t That Dandy Born In Louisiana Honky-Tonk Dark End Of The Hallway SIDE TWO Bits And Pieces Leftover Blues SIDE THREE There You Are Early In The Mornin’ Things Ain’t What They Used To Be Up Jumped the Devil

MARKETING POINTS •Pressed on vinyl for the first time •2-disc, 180g LP

VINYL Sel. #: NW5254 CONFIG: 2x180g LP, Gatefold UPC: 607396525416 List: $24.99 Box Lot: 20 Count Genre: Blues, Live Music

6

07396

52541

6

DIGITAL

HD: 607396643950 NewWestRecords.com LiveFromAustinTX.com

Suffice

it

to

say,

in

all

of

music

there was only one Clarence “Gatemouth” Brown. Texas music has always been a melting pot of many styles, genres, cultural and ethnic influences, but Gatemouth was a one-man cauldron of sonic intensity and originality unmatched by anyone before or since. Gatemouth Brown’s live shows were always a musical roller coaster, seamlessly bouncing from song to song and instrument to instrument, with his irrepressible banter sometimes competing with the music. His was a highly personal approach, and he was a larger-than-life personality.

Keeping with show biz tradition, he “rocked till he dropped,” maintaining a busy touring schedule until just before he died in 2005 at 81.

- Terry Lickona (producer Austin City Limits®)

Silk Road Assassins State Of Ruin LABEL:

PLANET MU RECORDS LTD. STREET DATE:

02/08/2019

FORMAT DETAILS: 2LP: ZIQ402. EAN: 5055300392961.

BOX COUNT 25. 3MM SPINE. SRP $26.99

CD: ZIQ402CD. EAN: 5055300392978.

BOX COUNT 25. JEWEL CASE. SRP $13.99

Silk Road Assassins, a trio consisting of Tom E Vercetti, Chemist and Lovedr0id, return to Planet Mu with their debut full-length 'State Of Ruin' two years after their first EP 'Reflection Spaces'.

The trio recorded over two years, working together to start with, then across different studios and via the internet when their lives became more separated. They also finessed the album at Abbey Road studios, making use of some short time to add in extra layers.

01 Overgrown 02 Split Matter (ft. Kuedo) 03 Armament 04 Vessel 05 Familiars 06 Bloom 07 Pulling The String 08 Bowman 09 Shadow Realm (ft. WWWINGS) 10 Taste Of Metal (Instrumental) 11 Saint 12 Feeling Blu 13 Thorns 14 Blink

The three producers day jobs are in production music, music designed and created specifically for film and games, and this album uses these skills to explore the musical forms that they love. The album explores how trap and grime's minimalist form can be built and curved into musical architecture: elegant, opaque and layered, turning the sound into lush, melodic world-building.

The work gone into the album is revealed on repeated listens, every sound on this record feels built to sit within it's delicate ecosystem. The fundamentals of the music are given their own sense of purpose: hand claps spray, bells tumble, guitars splinter and lush melodies waft over and fill the track's spaces like light, glinting across snapping, crisp rhythms and deep bass tones.

The album also features two Planet Mu alumini, Kuedo who features on 'Split Matter' brings some of his bitter-sweet shimmering melodies and on 'Shadow Realm' Russian producers WWWINGS give the music a violent metallic edge, providing the record with an epic and unexpected twist towards the end.

Silk Road Assassins music is built to last, and a pleasure to indulge in.

REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / STEPHEN SVACINA svacina@redeyeworldwide.com

Nate Young

Volume One: Dilemmas Of Identity

CAT NO:​​ LFLP004 ​ 060384613673 UPC​​: 5 RELEASE DATE:​​ 2/8/2019

Overview: First release in a new multi-part series of solo releases by the Wolf Eyes frontman. An evolution from the previous Regression material, taking in elements of classic synth soundtracks, ambient and electronic body music, but filtered through a typically off-centre Michigan underground sensibility.

In the Regression series–Regression (2009), Stay Asleep (2011), Other Days (2012), Blinding Confusion (2013)–Young drew a compositional aesthetic from Italian library music and musique concrète. Since then, Young has been interpreting the traditional musical methods of rhythm and melody into complex synthesizer compositions. These songs were commonly made as a distraction from grief, seasonal depression, and isolation. Sometimes severely ridiculous and unrelenting; other times slow, sparse and strange; this material didn’t fit in with the Regression series. It was archived and unreleased until now. Nate Young Volume One: Dilemmas Of Identity will be released February, 2019 on Lower Floor Music.

NATE YOUNG (b. 1977, Mansfield, MO) is a Detroit-based musician working in experimental electronic sound for over twenty years. In 1998, Young founded legendary noise group Wolf Eyes. Solo and as Wolf Eyes, Young has toured the world, released countless records, collaborated with Anthony Braxton and Marshall Allen, and inspired a generation of electronic musicians. Recent accomplishments include performing his compositions with the BBC Scottish Symphony Orchestra, and creating Trip Metal Fest, an annual free experimental music festival in Detroit that has brought luminaries such as Morton Subotnick and the Art Ensemble of Chicago to Detroit. In 2016, Young co-created (with John Olson) Lower Floor Music with assistance from iconic electronic label Warp Records.

Selling points: First solo work by Wolf Eyes’ frontman since 2013 and his most fully realised work to date.

In now traditional Lower Floor style, record comes with a double-sided fold-out A2 newsprint poster insert.

Bonus track “Pardon The Mess” included on Vinyl DL card.

File under Y/Alternative Vinyl:

Tracklist: Side A 01. In The Shadow Of 02. Mindless Voices 03. The Weeping Babe 04. Crumpled Body

Spec: Vinyl includes download card (with Bonus Track), reverse board sleeve and double-sided fold-out A2 newsprint poster.

Box Lot: 25 Ⓟ & © 2019 Lower Floor Music

Side B 05. Vents Of Blue 06. Dribbling Insane 07. Flushing 08. On Repeat Download card bonus track 09. Pardon The Mess

JULIA KENT ASPERITIES street date: file under: territory:

February 8 2019 Contemporary classical/ambient No export

2019 black vinyl repress + download BAY 92V UPC 843190009213 box lot: 20 CD BAY 92CD UPC 843190009220 box lot: 40

Asperities is the fourth solo album by acclaimed Canadian cellist Julia Kent. As the title suggests, this is a record born of conflict: internal, personal and global.

Universal themes. The build of pressure and the threat of violent release. Modern guilt. Modern fears.

Kent draws from a rich well of emotion, the pieces deceptively rendered, each feeling like a miniature dramatic epic in its own right – sculpted and selfcontained. Her work on recent film scores is very much in evidence. While cinematic in scope, there is nothing as trite as a Hollywood ending here. There is tension and darkness, the edges cracked and frayed. “A lot of the melodic material is based on semitones,” Julia elaborates. “So in the music there is an inherent sense of dissonance; that things are too close for comfort.

More generally, it seems like a particularly dark time in the world right now, and I think that definitely had an influence too.”

Utilising looped cello, electronics and found sounds, Kent creates a world where the technological and the organic merge in perfect symbiosis, the layers of sound peeling back to reveal a beating, bloody human heart at its centre. “I did quite a lot of processing of the cello sound and used different electronic textures,” she explains of her technique. “I was trying to get away from the acoustic cello sound and find one that was more textural and more expressive of the material.”

On Asperities: “A masterclass in tonal diversity, expressionist narrative and finespun drama… Recommended without reservation, Asperities is an edifying and invigorating spectacle” 5/5 The Skinny

• 2019 black vinyl repress – out of print for the last two years • Released to coincide with elegant new album Temporal • Asperities is the fourth solo album by acclaimed Vancouver-born, New York-based cellist Julia Kent • Recorded, produced and mixed in its entirety by Julia in her New York studio • Julia Kent rose to prominence with cello trio Rasputina and as arranger and performer in Antony & The Johnsons • Her extensive résumé includes recent work with Swans, Aidan Baker, Rachel Grimes, Rutger Zuydervelt, Barbara Morgenstern, Library Tapes and Khan of Finland • Kent has also composed for film, theatre and dance.

Recent cinematic work includes the documentaries The Boxing Girls of Kabul and Rwanda, L’Impossible Pardon, American feature A Short History of Decay, as well as the award-winning short film Oasis • Her first solo albums, Delay (2007) and Green and Grey (2011), were released by Important Records in North America. Her previous solo record, Character (2013), was released to critical acclaim on The Leaf Label with new album Temporal released January 2019 • As a solo artist Julia has toured extensively in Europe and North America and performed at festivals including Primavera Sound, Reeperbahn, Unsound, and Meltdown • The album is packaged with collage artwork by Canadian artist Anthony Gerace (a-gerace.com) • File alongside: Nils Frahm, Hauschka, Hildur Gudnadóttir, Colleen, Owen Pallett, Olafur Arnalds

juliakent.com

The Leaf Label theleaflabel.com contact@theleaflabel.com

877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com

Craven Faults Springhead Works PARCEL 369

Springhead Works is the second release by Craven Faults.

Where have we been since the last time? The UFO Club, 1966. Runcorn via Stockholm a few years later. Progress. But at what cost? The Scottish Borders have been mentioned. The landscape is reminiscent of home.

Rolling hills. Long hot summers. The smell of dusty 1/4” tape. Fairfield Halls, 1970. It’s all a little hazy. Ask a question, but don’t be surprised to get a question back in reply.

When was the last time you listened without distraction? Do you remember how it feels to lose yourself completely? Each tiny variation becomes seismic. A lost cause? Perhaps.

Netherfield Works is the debut release from Craven Faults. Two long form pieces for half-remembered journeys across post-industrial Yorkshire.

Originally released in Europe in late 2017, it was supported by Four Tet, Demdike Stare, Dan Snaith, James Holden, Luke Abbott, Gold Panda, Graham Massey, Bill Kouligas, Not Waving, Resident Advisor, NTS and Beats In Space.

Craven Faults Netherfield Works PARCEL 322

Craven Faults Springhead Works

Craven Faults Netherfield Works

8 February 2019 Clear vinyl 12” EP Limited edition of 300 PARCEL 369 UPC 843190055562 box lot: 20 No export

Out now Silver vinyl 12” EP Limited edition of 300 PARCEL 322 UPC 843190056569 box lot: 20 No export

X. O.

X. O.

Intakes (17:01) Ings (14:13)

cravenfaults.com contact@cravenfaults.com

Eller Ghyll (16:20) Tenter Ground (15:56)

877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com

Legendary downtown music master Daniel Carter meets Tobias Wilner from world-renowned electronic band Blue Foundation. Featuring WuTang Clan bass player Djibril Toure & drum wiz Federico Ughi. As a band, they have played a number of concerts in NYC, including the Forward Festival 2016 and 2018, and are currently promoting their debut album. This group is the ultimate mix between the classic New York sound of the avantgarde (i.e., John Coltrane & Albert Ayler) combined with electronic manipulation and production.

Although this is the first album they have released as a group, the four musicians have collaborated on different projects for years. The group was first formed when drummer Federico Ughi envisioned an ensemble comprised of some of his favorite super talented people. This includes Daniel Carter, who Federico first met in 2001. The two quickly developed a strong playing partnership, going on to create many albums and tours around the world and eventually founding 577 Records and the Forward Festival together. Federico plays drums in Tobias Wilner’s group Blue Foundation, renowned for its Hollywood movie soundtracks such as the vampire series Twilight in addition to Miami Vice and a busy world tour schedule. Federico also plays with Djibril Toure in the group Major Taylor, one of the best punk rock bands to come out of Bedstuy, Brooklyn in the last 10 years. Djibril plays regularly with GZA, a founding member of the Wu-Tang Clan and he’s the bass player featured on a selection of Wu-Tang’s legendary albums.

To make this recording, New York United entered the studio without any preconceived plans or written music. They improvised brand new sounds on the spot that were later produced and molded by Tobias Wilner. The result is four strong and dreamy tracks that showcase the rich sound of the acoustic instruments alongside the power of the electronic beats. This project is being released as a limited edition 12’’ vinyl album plus one bonus track for the digital version.

Daniel Carter, Tobias Wilner, Djibril Toure, Federico Ughi New York United

Label: 577 Records Release Date: 02/08/2019 Cat#: 577R 5803 Format: LP Packaging: LP Jacket Barcode: 023632674807

577records.com Label Contact: Adam Downey adam@clandestinelabelservices.com Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287

FLAT WORMS

INTO THE IRIS Surreal New Year Into the Iris Plastic at Home Shouting at the Wall Scattered Palms...

At the Citadel

GOD#016 12”EP / CDEP Release Date: February 8, 2019 NO EXPORT TO EUROPE, EXPORT EVERYWHERE ELSE

LP

CD

6 new songs from Los Angeles-based Flat Worms, which feature Tim Hellman, Justin Sullivan, and Will Ivy. The “Into The Iris” EP follows an LP on Castle Face (s/t, 2017).

Filled with anxiety and angst, Flat Worms summon perseverance in an apocalyptic era, passing through decrepit strip malls and surreal headlines. These songs were recorded by Ty Segall in his home, and are now being offered on God? Records.

GOD? RECORDS MANUFACTURED & DISTRIBUTED BY DRAG CITY P.O. BOX 476867 CHICAGO, IL 60647 ph 312.455.1015 fx 312.455.1057 sales@dragcity.com

505 Eno St. Hillsborough, NC 27278 {toll free} 877.733.3931 REDEYEWORLDWIDE.COM

SALES AND LABEL STRATEGY DIRECTOR Jason Taylor jason@redeyeworldwide.com § ext. 245 SALES MANAGER Alex Ashkenes alex@redeyeworldwide.com § ext. 295 CHIEF MARKETING OFFICER Billy Maupin maupinb@redeyeworldwide.com § ext. 262 MARKETING DIRECTOR Hank Stockard hank@redeyeworldwide.com § ext. 201 MARKETING MANAGER Laura Campbell Pittard laura@redeyeworldwide.com § ext. 299 ACCOUNT REPS Steven King steven@redeyeworldwide.com § ext. 219 Steve Dixon steve@redeyeworldwide.com § ext. 229 Christie Coyle christie@redeyeworldwide.com § ext. 294 Jonathan Elder elderj@redeyeworldwide.com § ext. 235 Jeff Laughlin laughlinj@redeyeworldwide.com § ext. 237 Ben Wilson ben@redeyeworldwide.com § ext. 238 Mitchell Smith mitchell@redeyeworldwide.com § ext. 248 Kali Benjamin kali@redeyeworldwide.com § ext. 263.

Paul Sabisch pauls@redeyeworldwide.com § ext. 232 SENIOR LABEL MANAGERS Perry Harrell perry@redeyeworldwide.com § ext. 207 Lori Miller lori@redeyeworldwide.com § ext. 216 LABEL MANAGERS Will Savery will@redeyeworldwide.com § ext. 287 Jeep Ward jeep@redeyeworldwide.com § ext. 225 Stephen Svacina stephen@redeyeworldwide.com § ext. 249 Tim Jones tim@redeyeworldwide.com § ext. 230 SALES ADMINISTRATOR Ryan Haughney ryan@redeyeworldwide.com § ext. 223

505 ENO ST. HILLSBOROUGH, NC 27278

THE LEMONHEADS VARSHONS 2

(2/08)

WHAT’S INSIDE: Beechwood | NRBQ | Leon Vynehall