9.12 & 9.19 New Release Book by Redeye

Redeye Label of the Month Q&A

Learn more about our partners in our Monthly Label Spotlight!

This Issue: Marc Jetton at Sargent House

How did you personally get started in the music industry?

My very first job in the music industry was doing Indie Retail Marketing at Interscope Records. I worked with indie record stores and coalitions on different marketing initiatives. I learned a lot and met so many great people in the indie retail community during that time, most of which are still thriving today.

When and where did the label begin?

Sargent House was initially founded as a management company in 2006 by my partner Cathy Pellow, eventually becoming a label out of necessity to help the band Rx Bandits get out of a bad deal and release their album …And The Battle Begun. I came over a short time after to help build the label side of the company.

Is there a genre that you would consider to be the label’s “signature style,” or is it a mix?

I don’t think there’s a specific genre, we work with artists on music we love. A lot of it is forward thinking or left of center, but that’s just what we’re drawn to and find most compelling.

What is the meaning behind the name for the label?

Sargent House was named after a historic home in Echo Park that Cathy owned. It was an amazing four story house that doubled as our office and a place where artists would stay.

How has the label changed since it started?

We’ve obviously expanded our roster and grown as a company, but our philosophy has remained the same; we only work with music we’re passionate about from artists we believe in and strive to help them make a living doing what they love.

How would you describe the average fan of the label?

Passionate and engaged. We’re so lucky to work with artists that create powerful and intricate records, and I think it encourages fans to experience the entire album more often than engaging with individual singles.The music often demands an actively listening experience vs something to passively have on in the background. I also believe that’s why we’ve consistently seen fans choose vinyl over any other format.

Where do you go to search for new music? Who or what has been a new find (on the label or otherwise) you’d like to rave about?

We look everywhere, but recommendations are usually the best, especially when they come from our artists. The latest signing to Sargent House is Hammok, an incredible new band out of Norway. The album they’ve just completed is phenomenal, extremely excited for everyone to hear it in 2026.

We know you can’t choose, but what’s been your favorite label release, and why?

Choosing just one is tough because I truly love all of our releases, but I’ll pick Russian Circles Memorial. It was our second official release with them and marked a huge step for the band, both sonically and gaining more fans. It also capped off an incredible year for the label. The guys in Russian Circles are awesome people and total pros; they’ve helped pave the way for so many bands and are a prime example of how to continuously build your fanbase with each release.

What’s the wildest marketing promotion you’ve ever worked on for any release?

The Armed ULTRAPOP was a blast! It was originally scheduled for release in 2020 but moved it to 2021 because of the pandemic so we had a bit more time to cultivate ideas. Everything was based on the fan experience and interaction; Between the ARG game the band created, the fan funded billboards that ran in major cities, incredible press coverage and the full concert film we produced at the Masonic Temple in Detroit, the hype for that album continued to build and ultimately delivered. It was a lot of fun to work on and felt rewarding to see it be successful. It was released in April 2021, right when people were starting to get vaccinated, so there was a really positive and optimistic vibe around everything, which probably contributed to how engaging it all felt. The Armed’s new album The Future is Here and Everything Needs To Be Destroyed has a more cynical take on the state of our collective experience right now, but arguably even more cathartic.

What in your opinion has been the biggest change in the music industry from when you first started compared to now?

The digital marketplace is obviously the most significant transformation. When I began, legal downloads were considered an insignificant part of the overall business. Everyone in the industry, including stores, were concerned with the increased adoption of piracy.

What’s more remarkable is the resilience and adaptability of independent record stores. They’ve continued to innovate and flourish regardless of whatever new formats or options pop up, and will continue to thrive while large corporations use music as a loss leader to sell other shit. It’s the sense of community built around these stores that makes them irreplaceable, and we’re so incredibly thankful for the support they’ve shown us and the artists we work with over the past 20 years!

They say our sun will explode in about 5 billion years or sohow would you like the label to be remembered?

Who really thinks this planet will be around in 50 years, let alone 5 billion? I’m hopeful that we’ll get through the next few years without the world exploding, but I truly believe so many of the artists we’ve worked with have created albums that will stand the test of (remaining) time.

061524

INDIEEXCL2XLP(TRANSW/BLUE&SILVERSPLATTER): 634457208476(SH297-BS)| CD:634457208452(SH296) BOTCH

2XLP:634457208469(SH297)|

2XLP:634457029217(SH243)| CD:634457029200(SH242)

LP:634457149403(SH265)| INDIEEXCLLP(TRANSPARENT): 634457149410(SH265-IE)

RUSSIANCIRCLES

MEMORIAL

LP:634457623613(SH111)|

INDIEEXCLLP(SILVERW/BLACKSPLATTER): 634457220706(SH111-SB)| CD:634457623620(SH110)

RUSSIANCIRCLES

GNOSIS

LP:634457083943(SH271)|

INDIEEXCLLP(ORANGEW/BLACKSPLATTER): 634457220713(SH271-BS)| CD:634457083936(SH270)

BURDEN

LP:634457176676(SH291)|

INDIEEXCLLP(MAGMASPLATTER): 634457176683(SH291-RO)| CD:634457176669(SH290) REZN

Swervedriver

The World’s Fair EP

ON TOUR IN THE FALL!

9/27 – Austin, TX – Levitation Festival

9/29 - San Francisco, CA - Great American Music Hall

10/1 – Portland, OR - Mississippi Studios

10/2 – Seattle, WA - Neumos

10/4 - St Paul, MN - Turf Club

10/5 - Chicago, IL - Thalia Hall

The early 90’s were an incredible time for Shoegaze fans, and the 12” EP was the format that delivered the most vital music of the era. Usually just 4 songs, these EPs were released as quickly as possible after being recorded, and had tracks that were often not found on the subsequent full-length LP.

We here at Outer Battery are looking to bring back the heady days of the 12” EP, and what better band to do that with than Swervedriver!

Back with their first new music in over 5 years, with 2 tracks recorded with Mark Gardener from Ride and the other 2 recorded by YouTube star Rick Beato, The World’s Fair EP is classic Swervedriver, with Beatles-tinged hits like Pack Yr Vision and psychedelic freak-outs like The World’s Fair. This EP, pressed on orange vinyl, is not to be missed!

Track listing: 1) Pack Yr Vision 2 Volume Control 3) The World’s Fair 4) Time Attacks

Artist: Swervedriver

Title: The World’s Fair EP

Label: Outer Battery Records

Street Date: OUT NOW

UPC: 634457199514

Cat #: OBR 00033

12” XL-1554-T

File Under: Electronic/Dance

Vinyl non-returnable

FOUR TET Into Dust (Still Falling)

STREET DATE: September 8th, 2025

XL Recordings releases a new single by Four Tet titled “Into Dust (Still Falling)” which features a sample of Mazzy Star’s “Into Dust”. One of his most sought-after gems from the last few years, “Into Dust (Still Falling)” is now available on a limited edition 12”.

TRACK LISTING

A: Into Dust (Still Falling) Extended Remix

B: Into Dust (Still Falling) Version

HOT WAX BESTSELLERS

WET LEG

MOISTURIZER

DOMINO RECORD CO.

APHEX TWIN

SELECTED AMBIENT WORKS 85-92

APOLLO RECORDS

TYLER, THE CREATOR

GOBLIN XL RECORDINGS

ELLIOTT SMITH

25TH ANNIVERSARY REMASTER

KILL ROCK STARS

*DEEP PURPLE VINYL

KINKY BOOTS

ORIGINAL BROADWAY

CAST RECORDING

REAL GONE MUSIC

*FUCHSIA VINYL

MIKE & TONY SELTZER

PINBALL 10K RECORDS

BLOOD ORANGE CUPID DELUXE DOMINO RECORD CO.

NORTH MISSISSIPPI ALLSTARS

STILL SHAKIN’ NEW WEST RECORDS

FRANZ FERDINAND

FRANZ FERDINAND DOMINO RECORD CO.

RADIOHEAD

A MOON SHAPED POOL XL RECORDINGS

NEW RELEASES

Street Date: 9.12.25 | Order Date: 8.22.25

KASSA OVERALL | CREAM

FILE UNDER • O/JAZZ

RELEASE DATE • 09.12.2025

SITE • KASSAOVERALL.COM

SELLING POINTS

• Fourth solo studio album by GRAMMY nominee, emcee, bandleader, producer, and legendary jazz drummer and Doris Duke Artist Award winner Kassa Overall.

• Re-interpretations of hip-hop classics by The Notorious B.I.G., Wu-Tang Clan, Dr. Dre, A Tribe Called Quest, OutKast, Digable Planets, and Juvenile.

• Worldwide tour including 18 dates in the USA

• Liner notes written by best selling author Dan Charnas, whose work includes “Dilla Time”, Def Jam Recordings: The First 25 Years of the Last Great Record Label” and “The Big Payback”

• Previous support includes a NYT feature, Zane Lowe interview, and NPR Tiny Desk

• Has drummed for Arto Lindsday, Yoko Ono, Ravi Coltrane among others

OVERVIEW

GRAMMY-nominated jazz visionary and Doris Duke Artist Award winner Kassa Overall presents CREAM. Eight interpretations of hip-hop classics by The Notorious B.I.G., Wu-Tang Clan, Dr. Dre, A Tribe Called Quest, OutKast, Digable Planets, and Juvenile.

A1. FREEDOM JAZZ DANCE

A2. BIG POPPA

A3. REBIRTH OF SLICK (COOL LIKE DAT)

B1. NUTHIN BUT A “G” THANG

B2. CHECK THE RHIME

B3. SPOTTIEOTTIEDOPALISCIOUS

B4. BACK THAT AZZ UP

FORMATS

WAP493

SPEC • Black 12” Vinyl in paper inner sleeve in gatefold outer sleeve

BOXLOT • 12

UPC • 5056818803789

WAPCD493

SPEC • 1CD in 4 panel gatefold wallet with 4 page booklet

BOXLOT • 30

UPC • 5056818803772

BUSCABULLA SE AMABA ASÍ

1. El Camino

2. Divino Tesoro

3. Miraverahi

4. El Empuje

5. Te Fuiste

6. Se Amaba Así

7. Incrédula

8. Mi Marido

9. Mortal

10. De Lejito

CATALOG NUMBER: WIG508

RELEASE DATE: September 12, 2025 FILE UNDER: Electronic “B” CD

Boxlot: 30 UPC: 887828050826 LP w/ DOWNLOAD

Boxlot: 20 UPC: 887828050819 Vinyl is non-returnable

(ltd) w/ DOWNLOAD

Exclusive Boxlot: 20 UPC: 887828050833

is non-returnable

OVERVIEW

Se Amaba Así — which loosely translates to "The way they loved" — sees Buscabulla co-founders Raquel Berrios and Luis Del Valle devoting their eagerly awaited second album to the ruthless examination of their private life as a couple, instrumentalizing myriad strains of Latin music to explore their most intimate struggles as both artists and lovers.

SELLING POINTS

• Full headline US tour this summer (see below for details).

• Featured artist on track "Andrea" from Bad Bunny's 2022 album Un Verano Sin Ti

• All LP formats come with a download card. Indie/D2C Exclusive LP is a limited-edition Clear vinyl pressing.

PRAISE FOR REGRESA (2020)

“After years of yearning for Puerto Rico, Buscabulla are home and they finally sound whole.” PITCHFORK

“A resplendent debut LP... Regresa marks a bittersweet comeback — followed by a gratifying, disco comedown.”

ROLLING STONE

“With Regresa, Buscabulla speaks not only to Puerto Rico’s many challenges, but to resilience, togetherness, displacement, and longing experienced across the diaspora.”

BANDCAMP

“Listening to Berrios sing is a study in the beauty of the Spanish language. Her articulation exudes the emotions packed within the songs that address more the feeling of living in a land of tumult, than the tumult itself. The result is something more universal that can be felt beyond language barriers.”

PASTE

BUSCABULLA SUMMER 2025 US TOUR DATES

06-19 Miami, FL - ZeyZey

06-20 Orlando, FL - The Social

06-21 Atlanta, GA - Masquerade (Altar)

06-23 Washington, DC - Songbyrd

06-24 Philadelphia, PA - The Foundry

06-28 Chicago, IL - Lincoln Hall

Jay Street, Suite 626 Brooklyn, NY 1 1201

/ dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

07-01 San Francisco, CA - Bimbo’s 365 Club

07-03 Los Angeles, CA - The Belasco

07-05 San Diego, CA - Quartyard

07-06 Phoenix, AZ - Crescent Ballroom

07-09 San Antonio, TX - Paper Tiger

07-10 Austin, TX - Antone’s Nightclub

07-11 Dallas, TX - Tulips FTW

07-12 Houston, TX - White Oak Music Hall (Upstairs)

SYDNEY MINKSY SARGEANT LUNGA

11.

OVERVIEW

Lunga is the sound of a door opening onto a pasture, fog rolling over grass as the sun rises in the distance; it is the sound of renewal, and a sense of optimism. These are glistering melodic songs, an antidote to the chaos and abrasive atmosphere of touring, and a beautiful side-step from the music that Sydney Minsky Sargeant has been recording as Working Men’s Club for the past seven years. The 12 songs that mark Lunga were written over a period of years, beginning when Minsky Sargeant was a teenager growing up in Todmorden and following a chronology to the present day. It’s a deeply personal insight and Lunga feels like a haven, a world we can all step into.

SELLING POINTS

• CD format is a gatefold wallet and comes with a 24-page poster insert and printed inner wallet.

• LP format is a black biovinyl 2xLP pressing with a gatefold sleeve and black polylined inner sleeves. LP format comes with a download card.

The 1992 debut from Dazzling Killmen - remastered & repackaged.

Bass geometry.

Gnarled sheets of sound. Jazz cats in a knife fight.

Before Face of Collapse, this lit the fuse.

“ Helped usher in a myriad of movements, including math-rock, math-metal and prog-core , all the while defying classification. ” - CLRVYNT

Originally released in 1992, “Dig Out the Switch” captures Dazzling Killmen in their formative state: raw, volatile, and pushing hardcore to the brink of musical combustion. Engineered by Steve Albini (rest in power) and produced by Wilco’s Jeff Tweedy (that’s not a typo), the album is equal parts pensive and panicked.

There’s more space here than on 1994’s genre-defining “Face of Collapse” - longer silences, stranger structures - but the DNA is unmistakable. Darin Gray ’s bass anchors the chaos with geometric slabs of melody. Blake Fleming ’s drumming rolls and twitches like an oncoming panic attack. And Nick Sakes ’ guitar is pure sheets-of-sound clanging - the perfect foil to the vocal cords he pushes past the pain threshold on tracks like “Serpentarium” and “Bottom Feeder.” The rhythm section’s jazz schooling is evident, but thanks to Sakes’ untrained attack, so is the post-punk impulse to destroy what you’ve just built.

Fully remastered and repackaged, this edition of “Dig Out the Switch” brings a landmark album back into focus - restoring the tension, grime, and urgency that influenced a generation of math rock, noise, and experimental hardcore acts to come.

Essential for fans of Craw, Shellac, Blind Idiot God, and the parts of your record collection you don’t show to strangers.

- AARON BURGESS / June 2025

“This keyed-up debut shows a band dynamically stretching themselves, battering tunes to the brink. They ceaselessly spit scat-jazz and hardcore sparks, with demented drumming backing artful guitar manoeuvres… ” - NME

“A collective personal hell set to tape. ” – Trouser Press

TRACK LISTING:

Serpentarium Dig the Hole Captain Is DeaD Bottom Feeder Here Comes Mr. Big Face Spiral Mirror Reactor No Premonition Torture Ghost Limb Numb Code Blue

STREET DATE: SEPTEMBER 12th, 2025

DAZZLING KILLMEN DIG OUT THE SWITCH

Out of print and unavailable for over a quarter century, this first-ever SKiN GRAFT Records edition has been newly remastered and is being offered digitally for the first time ever.

Pressed on Serpentarium Green Colored vinyl a nd includes a collectible “Footlong” OBI and insert with lyrics and previously unseen artwork and photos.

Engineered by Steve Albini (SHELLAC) and produced by Jeff Tweedy (WILCO).

DAZZLING KILLMEN have re-formed and will be playing select dates across the USA and Europe.

SELLING POINTS

• Florida-Based Deicide Reigns as the Definitive and Most Uncompromising Death Metal Band of All Time

• And 1992’s Legion Is Reckoned by Many as Their Best Album

• It’s Also One of the Best-Selling Death Metal Albums of All Time

• Impossibly Fast Tempos, Headspinning Arrangements, Just Plain Evil Guitar Tones

• When Bassist and Vocalist Glen Benton Labels an Album “$#@!in’ Over the Top” You Know That Shit Is Getting Real

• Drummer Steve Asheim’s Double Kick BPM Reaches Close to Four Digits Amidst Guitar Squalls from the Hoffman Brothers

• “Trifixion” and “Dead but Dreaming” Are Among the Fan Favorites

• Complete with the Customary Incendiary Lyrics on the Enclosed Insert

• Remastered for Vinyl

• Metallic “Rainbow Inferno” Pressing

• Absolutely Brutal Music for Brutal Times

UPC: 848064019343

FORMAT: Regular Weight Metallic “Rainbow Inferno” Vinyl PACKAGING: Album Jacket with Two-Page Insert BOX LOT: 50 iBarcoder Trial

ALSO AVAILABLE:

DEICIDE: Deicide (Remastered Metallic Red & White “Centurion” Vinyl Edition)

iBarcoder Trial

(Remastered Rainbow Inferno Vinyl Edition)

STREET DATE: SEPTEMBER 12, 2025

If Deicide’s first album defined death metal, their second album supercharged it. Impossibly fast tempos, headspinning arrangements, just plain evil guitar tones… when somebody like bassist and vocalist Glen Benton labels the album “***kin’ over the top,” you know where you’re headed (if you said hell you’re getting warm) when you insert the needle into this Legion’s vinyl vein. As always with this band, holding the barely controlled chaos together is drummer Steve Asheim, whose double kick BPM approaches 4 digits amidst guitar squalls from the Hoffman brothers. The material on Legion has stood the test of time, too, with “Trifixion” and “Dead but Dreaming” enduring fan favorites. Indeed, Legion (which, along with their self-titled debut, is one of the best-selling death metal records ever) is reckoned by many to be Deicide’s best album; it’s certainly their most brutal. Remastered for the format and pressed in metallic “rainbow inferno” vinyl, complete with a highly flammable lyric insert.

Side One

1. Satan Spawn, the Caco-Daemon

2. Dead but Dreaming

3. Repent to Die

4. Trifixion

Side Two

1. Behead the Prophet (No Lord Shall Live)

2. Holy Deception

3. In Hell I Burn

4. Revocate the Agitator

UPC: 848064019268

FORMAT: Regular Weight Metallic Red & White “Centurion” Vinyl

PACKAGING: Album Jacket with Two-Page Insert BOX LOT: 50

SELLING POINTS

• Over the Years, Real Gone Music Has Established Itself as the Go-To Label for Vintage HalloweenThemed Recordings

• But Its Long-Awaited Reissue of Vincent Price’s Witchcraft-Magic—An Adventure in Demonology Took Things to a Whole Other Level

• It Is Perhaps the Scariest Spoken Word Record Ever Made

• Price Became Famous for His Appearances in Such Horror Films as House of Wax, The Abominable Dr. Phibes, and Theatre of Blood

• And, of Course, His Narration of Michael Jackson’s “Thriller” Video

• In 1969, He Cut This Double-LP for Capitol Offering a Chilling Tutorial in the History and Practice of the Black Arts

• What Makes the Record So Transfixing Is Price’s Obvious Glee as He Recounts Horrifying Incidents of Witchcraft and Demonic Possession

• And His Sinister Satisfaction Only Mounts as He Narrates Such Tracks as “How to Make a Pact with the Devil” and “Curses, Spells, Charms”

• Fittingly, the Source of This Record Remains Mysterious, as the Author, One Terry d’Oberoff, Has Only One Other Credit to His Name, as the “Mascot” of an Early ‘70s Band Called Black Magic

• Now, by Popular Demand, Real Gone Is Releasing This One-of-a-Kind Album as a 2-CD Set

• Our CD Reissue Reproduces the Original Gatefold Jacket with a 4-Panel Wallet and Also the EightPage Booklet That Accompanied Some Copies

• Its Title Page Depicts a Particularly Unsettling Spell called “The Hand of Glory” Involving the Severed, Salted, and Dried Hand of a Convicted Felon

iBarcoder Trial

UPC: 848064019596

FORMAT: 2-CD Set

PACKAGING: 4-Panel CD Wallet with Booklet

BOX LOT: 30

ALSO AVAILABLE:

VINCENT

(2-CD SET)

STREET DATE: SEPTEMBER 12, 2025

This is going to be the scariest spoken word record you’ve ever heard. We’re not joking…and neither is Vincent Price. The star of such horror classics as House of Wax, The Abominable Dr. Phibes, and Theatre of Blood (and, of course, narrator of Michael Jackson’s Thriller video) can barely hide his delight while he takes his audience through a graphic and occasionally grisly history lesson in witchcraft from the Bible through the Middle Ages, the Spanish Inquisition, and Nazi Germany. Then, accompanied by occasional eerie, abstract electronic music, Price’s sinister satisfaction only mounts as he provides instruction in the dark arts, with such tracks as “How to Make a Pact with the Devil” and “Curses, Spells, Charms.” It’s all in good fun, of course…or is it? The mysterious writer of the script, one Terry d’Oberoff, has only one other credit to his name: as the “mascot” of an early ‘70s band called…wait for it…Black Magic.

This 1969 double-LP release has long been coveted by collectors of the curious and macabre, and for its first-ever (by popular demand) CD reissue, we are giving it the Real Gone treatment, reproducing the gatefold jacket with a 4-panel CD wallet and including the booklet that accompanied some copies. It’s a combination history textbook and how-to manual in witchcraft, with a title page depicting a particularly unsettling spell called “The Hand of Glory” involving the severed, salted, and dried hand of a convicted felon. Happy Halloween.

CD One

1. Prologue/The Tale of Master Seth

2. Hitler and Witchcraft/ Witchcraft in History

3. Women as Witches/ Witch Burning

4. Witch Tortures

5. Witch Tortures (Cont.)/ The World of Spirits and Demons

6. Preparation for Magic/ Instruments of Magic

7. How to Invoke Spirits, Demons, Unseen Forces/The Magic Bloodstone

8. The Witches Cauldron/How to Communicate with the Spirits

CD Two

1. How to Communicate with the Spirits (cont.)/Gerald Yorke and Necromancy

2. How to Make a Pact with the Devil/How to Become a Witch

3. Curses, Spells, Charms

4. Curses, Spells, Charms (Cont.)/Potions

5. The Hand of Glory/The Witches Sabbat

6. Witchcraft Today/Epilogue

VINCENT PRICE: Witchcraft-Magic—An Adventure in Demonology (Clear with Orange “Pumpkin” Swirl 2-LP Vinyl Edition)

iBarcoder Trial

UPC: 848064017523

FORMAT: Regular Weight 2-LP Clear with Orange “Pumpkin” Swirl Vinyl

PACKAGING: Gatefold Album Jacket with Full-Size Eight-Page Booklet BOX LOT: 30

SELLING POINTS

• The 1973 Self-Titled Debut Record from Vocalist Lyn Christopher Is One of the Most Collectible Releases of Its Era

• A Beguiling Blend of Pop and R&B Sounds

• “Take Me with You” Has Been Sampled by Mobb Deep’s Havoc, LL Cool J, 50 Cent, The Game, and, Memorably, by the Smut Peddlers on Their 2001 Underground Classic “One by One”

• Features Such Superstar Studio Sidemen as Guitarist Hugh McCracken, Blood Sweat & Tears Multi-Instrumentalist Lou Marini Jr., and Future Back Street Crawler keyboardist Mike Montgomery

• But Its Biggest Claim to Fame Lies in Two Other Sidemen

• Lyn Christopher Marks the First Appearance on Record by Paul Stanley and Gene Simmons of KISS

• They Sing Background Vocals on Two Songs, “Celebrate II” and “Weddin’”

• And Supposedly That’s Peter Criss on Handclaps

• The Uncredited Engineer on the Album Was the Legendary Eddie Kramer

• Kramer Met Stanley and Simmons During the Album Sessions, and Went On to Produce the Demos That Got KISS Signed to Casablanca

• So Without Lyn Christopher, Maybe No KISS!

• Never Reissued in Any Format and Original Copies Cost a King’s Ransom

• CD and LP Release Includes Liner Notes by Bill Kopp

• LP Pressed in Light Blue Vinyl

• Remastered for Vinyl by Mike Milchner at Sonic Vision

• A Real Slice of Pop Music History

LYN CHRISTOPHER: Lyn Christopher

(Remastered CD & Light Blue Vinyl Edition)

STREET DATE:

SEPTEMBER 12, 2025

Let’s start with this fact: this 1973 record is one of the most sought-after collector’s items of its era. Why? Well, first of all, Lyn Christopher’s self-titled release on the Paramount label is a really fine album, a beguiling blend of pop and R&B sounds featuring the artist’s winsome vocals backed by some of New York’s finest studio cats, like guitarist Hugh McCracken, Blood Sweat & Tears multi-instrumentalist Lou Marini Jr., and future Back Street Crawler keyboardist Mike Montgomery. And “Take Me with You,” the penultimate song on the album, has been sampled by Mobb Deep’s Havoc, LL Cool J, 50 Cent, The Game, and, memorably, by the Smut Peddlers on their 2001 underground classic “One by One.” But there is another very big reason why original copies of Lyn Christopher command a king’s ransom (and no, it’s not because it’s never been reissued in any format). If you know who Chaim Witz and Stanley Eisen are, then you probably already know the answer. That’s right…this album marks the first appearance on record of Gene Simmons and Paul Stanley of KISS! They sing background vocals on two tracks, “Celebrate II” and “Weddin’”; and supposedly that’s Peter Criss doing handclaps. What’s more, this album introduced legendary engineer Eddie Kramer—who, though unbilled, was engineering the sessions—to Simmons and Stanley, who were still calling their band Wicked Lester. Kramer then produced the four-song demo that got KISS signed to Casablanca, and the rest, as they say, is history! We at Real Gone are thrilled to FINALLY be reissuing this fabled album on CD and light blue vinyl, remastered by Mike Milchner at Sonic Vision and complete with liner notes by Bill Kopp that set the stage. A real slice of pop music history that you gotta hear!

SELLING POINTS

• 1978’s Windflower Marked the Rare Meeting of Two Jazz Guitar Titans, Herb Ellis and Remo Palmier (a.k.a. Palmieri)

• Quietly, the Record Has Become One of the Most Collectible Jazz Releases of Its Era

• Our First Pressing of This Record Sold Out Almost Instantaneously and Now It’s Back in Black Vinyl for Maximum Fidelity

• Ellis Came Up Through the Ranks as a Sideman with Glen Gray and Jimmy Dorsey Before Joining the Oscar Peterson Trio and Recording Guitar Trio Albums with Barney Kessel and Charlie Byrd

• Palmier Played with Coleman Hawkins and Recorded Seminal Bebop Sides with Charlie Parker and Dizzy Gillespie

• But Health Problems Caused Him to Quit Recording and Gigging for Close to 30 Years

• Recordings of Palmier Are Therefore Scarce, Making Windflower Extra Special

• Features George Duvivier on Bass and Ron Traxler on Drums

• An Organic Sense of Swing, Beautifully-Voiced Chords, and Lyrical Lead Lines Power Such Fare as “The Night Has a Thousand Eyes,” “Groove Merchant,” and Even “Danny Boy”

• Produced by Concord Label Founder Carl Jefferson

iBarcoder Trial

HERB ELLIS & REMO PALMIER:

Windflower

(Black Vinyl Edition)

STREET DATE: SEPTEMBER 12, 2025

Originally released on the Concord label, this masterful 1978 meeting of jazz guitar giants has quietly become one of the most collectible albums of its era. Herb Ellis and Remo Palmier (a.k.a Palmieri) were contemporaries in the red-hot NYC jazz scene of the ‘40s, but they arrived at this recording through very different routes. Ellis’ reputation steadily grew as he went from being a sideman in the Glen Gray and Jimmy Dorsey orchestras to being a mainstay in the Oscar Peterson Trio in the ‘50s, and later playing in a guitar trio with Barney Kessel and Charlie Byrd. Palmier, on the other hand, got his career off to a blazing start, playing with Coleman Hawkins before appearing on seminal bebop sides (e.g. “Groovin’ High”) with Charlie Parker and Dizzy Gillespie. But then, health issues intervened, and Palmier spent the next three decades or so working a staff job at CBS for The Arthur Godfrey Show. Finally, after the show was canceled, Palmier reentered jazz circles but never really recorded much, which only makes Windflower that much more of a treasure. “Sublime” is the word that springs to our mind, but you can substitute your own superlative; backed by George Duvivier on bass and Ron Traxler on drums, Ellis and Palmier bring an organic sense of swing, beautifullyvoiced chords, and lyrical lead lines to such fare as “The Night Has a Thousand Eyes,” “Groove Merchant,” and even “Danny Boy.” Produced by Concord label founder Carl Jefferson, pressed on black vinyl.

SELLING POINTS

• Halloween Is Just the Newest Iteration of the Age-Old Human Impulse to Commune with the Dead

• Now, Real Gone Music, in Its Never-Ceasing Aim to Explore All Sides of the Halloween Holiday, Brings You Perhaps the Most Haunted Record of Them All

• Ghost Ballads by Dean Gitter Features a Dozen Songs Concerning the Supernatural

• Many Taken from Francis James Childs’ Legendary Book The English and Scottish Popular Ballads

• Lustily Sung by Folklorist and Balladeer Dean Gitter

• Unlike Our Current, Hollywood-Fueled View of Ghosts as Malevolent Spirits, Many of the Manifestations in These Songs Have Come Back from the Dead to Comfort Their Bereaved Loved Ones

• Sad, Eerie, and Moving, These Centuries-Old Ballads Will Make the Hair on Your Neck Stand Up with Their Melancholy Magic

• Features the Original Album Art from the 1957 Riverside Label Release Including Legendary New Yorker Cartoonist Charles Addams’ Fantastic Cover Illustration

• Back Cover Offers Informative Liner Notes

• Clear with Orange Pumpkin Swirl Pressing

• Limited to 900 Copies

iBarcoder Trial

UPC: 848064019947

FORMAT: Regular Weight Clear with Orange Pumpkin Swirl Vinyl

PACKAGING: Album Jacket

LIMITED EDITION: 900 Copies BOX LOT: 60

SELLING POINTS

• Rod McKuen, For All His Earnest, Emotionally Naked Poetry, Was a Guy Who Like to Have a Little Fun

• So, in 1974, Armed with a Newly Acquired Synthesizer, He Created One of the Most Collectible Albums of All Time

• Music to Freak Your Friends and Break Your Lease Was Recorded and Released Under the Name Heins Hoffman-Richter

• Featured Elsa Lanchester as the Bride of Frankenstein on the Cover and Liner Notes Penned by McKuen That, Among Other Things, Informed the Audience That Richter Had Recently Perished from an Ear Lobe Tumor

• The Music Was a Blend of Moog-Tastic Mayhem and Musique Concrete, Kind of Like an Early Version of Lou Reed’s Metal Machine Music

• Very Few Copies Were Made and Original Editions Sell for Big Bucks

• Now, Just in Time for Halloween, Music to Freak Your Friends and Break Your Lease Is Back

• Includes Liner Notes by The Second Disc’s Joe Marchese That Tell the Story Behind this Oddball of an Album

• Pressed in “Dark and Stormy Night” Grey Vinyl to Commemorate the Circumstances Surrounding the Birth of Elsa Lanchester as Frankenstein’s Bride

• Limited to Just 500 Collectible Copies

iBarcoder Trial

DEAN GITTER: Ghost Ballads

STREET DATE: SEPTEMBER 12, 2025

Every Halloween, we at Real Gone Music delight in exploring all cultural manifestations, ghostly and otherwise, of the holiday. And in doing so, we are following a tradition centuries old, if not as old as mankind itself. This 1957 album on the Riverside label takes you back to merry Olde England for a collection of 12 ballads concerning the supernatural, many of them taken from Francis James Childs’ legendary book The English and Scottish Popular Ballads, and lustily sung by folklorist and balladeer Dean Gitter. One interesting thing to note about these songs: unlike, say, Hollywood’s version of ghosts who “live” to scare the living, many of the poor souls in these songs have come back to soothe the grief of their loved ones. It makes for a very different “spin” from your typical Halloween record, and a most haunting listen. And you get to gaze at legendary New Yorker cartoonist Charles Addams’ amazing album cover art while you do! We are pressing this one in clear with orange pumpkin swirl vinyl limited to 900 copies, complete with the informative original liner notes on the back cover. A bittersweet Halloween treat.

Tired of “Monster Mash”? Through with calling “Ghostbusters”? If your Halloween playlist is begging for something different, look no further than the frightfully fun Music to Freak Your Friends and Break Your Lease. Don’t believe us? Take The Bride of Frankenstein’s word for it–she’s on the cover! Real Gone Music and Second Disc Records, in our relentless quest to leave no musical stone unturned, have given a new lease on life to one of the most unusual records of all time. Upon its initial release in 1974, this “Symphony for Tape Delay, IBM Instruction Manual, & Ohm Septet” was credited to “recognized raconteur, genius, composer, musicologist, conductor” Heins Hoffman-Richter, whom the original liner notes blithely inform us, “died from an ear lobe tumor.” It turns out that the late Hoffman-Richter was none other than best-selling poet and all-time cult music hero Rod McKuen…but you won’t find any cats named Sloopy here. Instead, Music to Freak Your Friends and Break Your Lease is Rod McKuen’s very own Metal Machine Music. Like Lou Reed’s later experiment in feedback and noise, Freak Your Friends features no songs or traditionally structured compositions…but it just might scare off those candy-hungry kiddies on your doorstep with its Moogtastic mayhem! Simply put, this wild journey through the electronic underground has to be

that

the collectible original release and also includes an insert with liner notes from The Second Disc’s Joe Marchese. Music to Freak Your Friends and Break Your Lease will indeed act as potent pal and landlord repellent…limited to 500 copies!

SIDE ONE

Anne Boleyn

The Phantom Stagecoach Skin and Bones

The Unquiet Grave Finnegan’s Wake Sweet William’s Ghost

SIDE TWO

1. The Flying Dutchman

2. The Suffolk Miracle

3. Miss Bailey’s Ghost

4. The Reaper’s Ghost

5. The Lady Gay

6. Lost Jimmie Whelan

SELLING POINTS

• When Both Miles Davis and Bill Evans Label You Their Favorite Drummer, You Don’t Have to Become a Vampire to Achieve Immortality

• But Philly Joe Jones Went for It Anyway with the Title Track on 1958’s Blues for Dracula, Giving Us His Best Bela Lugosi Impression

• This Is Jones’ Debut as a Leader, and the Jaw-Dropping Line-Up Demonstrates the Esteem in Which He Was Held in the Jazz World Even at a Tender Age

• Johnny Griffin, Jimmy Garrison, Julian Priester, Nat Adderley, and Tommy Flanagan Comprise the Star-Studded Sextet

• Dark “Coffin Velvet” Purple Pressing

• Limited to 750 Copies

• Be Boppin’ This Halloween!

iBarcoder Trial

848064019961

Regular Weight Dark “Coffin Velvet”

PHILLY JOE JONES SEXTET: BLUES FOR DRACULA

( Limited Dark “Coffin Velvet” Purple Vinyl Edition)

STREET DATE: SEPTEMBER 12, 2025

When both Miles Davis and Bill Evans label you their favorite drummer, you’re granted immortality that stretches even beyond the lifespan of a vampire! But legendary stickman Philly Joe Jones gets it both ways on the must-hear title track to 1958’s Blues for Dracula, on which he does his best Bela Lugosi impression. The personnel on this album further attests to the soaring esteem in which Jones was held by fellow jazz musicians; imagine assembling a line-up of Johnny Griffin, Jimmy Garrison, Julian Priester, Nat Adderley, and Tommy Flanagan on your first record as a bandleader! We’ve resurrected this jazz classic for a dark “coffin velvet” purple pressing limited to 750 copies. Be boppin’ this Halloween!

Side One 1. Blues for Dracula

Trick Street

Fiesta Side Two

Tune-Up

Ow!

TRILOGY 3

CHICK COREA BRIAN BLADE

CHRISTIAN MCBRIDE

In 2020, Chick Corea hit the road with his powerhouse trio— including contemporary legends Christian McBride and Brian Blade—on what would be Corea’s final tour. The recordings from those shows are now being released as Trilogy 3, the third installment from this extraordinary group.

The vinyl release is a double-disc LP in a gatefold jacket. Produced and recorded by Bernie Kirsh, and mastered by Bernie Grundman, both the LP and CD feature personal liner notes from Christian McBride and Brian Blade.

The first two Trilogy albums earned two GRAMMY Awards® each, and Trilogy 3 marks yet another milestone for this celebrated ensemble. The album, captured during their 2020 tour, features fresh interpretations of jazz standards by Thelonious Monk and Bud Powell, alongside Chick Corea originals, and a vibrant take on Domenico Scarlatti’s “Sonata In D Minor.”

RECORDED DURING CHICK COREA’S FINAL TOUR

2-LP SET MASTERED BY BERNIE GRUNDMAN

“A

DAZZLING ALBUM”

—FINANCIAL TIMES

“ONE

SEPTEMBER 12TH, 2025

“A REVOLUTION IN INDIE ROCK” -STEREOGUM

PRESSED ON “WHITE LIE” VINYL LIMITED EDITION OF 1,500 SADDLE CREEK AND INDIE EXCLUSIVE LP ON “SHARPIE YELLOW” VINYL

Trying Not to Have a Thought, arriving September 12th via Saddle Creek, isn’t just the rst Algernon Cadwallader album since 2011’s Parrot Flies . It’s also the rst with their original lineup—vocalist-bassist Peter Helmis, guitarists Joe Reinhart and Colin Mahony, and drummer Nick Tazza—since Algernon’s seminal 2008 debut, Some Kind of Cadwallader Shortly after that album was recorded—and long before it was heralded as a lodestar for the 2010s “emo revival”—Tazza and Mahony departed the band. Despite their looming in uence on the aforementioned “revival,” Algernon broke up in 2012 following the release of Parrot Flies and remained stubbornly deceased until their endishly anticipated resurrection in 2022.

Algernon Cadwallader are certainly cognizant of their cult legacy, a status that's transformed their fanbase into a unique convergence of graying punk lifers and fresh-faced teens who rst discovered “midwest emo” on TikTok. Given the long gap between albums and the critical acclaim they’ve garnered in that time, it would’ve been understandable for the guys to feel pressured to live up to their own standards while making this new record. Thankfully, the opposite was the case.

Trying Not to Have a Thought di ers most from previous Algernon records in its lyrical content. On their rst two albums, Helmis avoided heart-on-sleeve emo tropes by penning prose that was ambiguous and out there. For this batch of songs, Helmis felt compelled to be a little more thematically explicit, pointedly exploring the tension between the necessity of self-improvement and the urgency of the external. Speci cally, the doom-scrollable apocalypse that is modern American life. Album opener “Hawk” is a brisk, poignant meditation on grief that weighs the ache of loss against the bittersweet memories that keep the deceased ever present. “Revelation 420” and “Million Dollars” are scorching political diatribes that excoriate capitalism’s failures and venerate protest. “Attn MOVE” is a historical reminder of the MOVE 9, a group of Black radical activists whose Philadelphia homes were notoriously bombed by police in 1985—a block of houses that's located right between Reinhart’s current house and Headroom Studios.

With Trying Not to Have a Thought, Algernon Cadwallader juggle intrinsic musical connection and shrewd lyrical intention with remarkable poise. The album’s title perfectly captures that dual approach: the e ort to resist being mentally bogged down by the bottomless list of daily atrocities, and the band’s decision to let their unspoken connection guide this rejuvenated take on their classic sound. “This is just what comes out of us when these four people get in a room,” Helmis says. And this record is exactly that: an Algernon Cadwallader album that's leisurely, intensely, tremendously their own.

Artist: Algernon Cadwallader

Corb Lund hair in my eyes like a highland steer

Hair In My Eyes Like A Highland Steer, a fan favorite in Corb’s catalog with features from legends Ian Tyson and Ramblin’ Jack Elliot, will finally get a wide release on vinyl for the first time since its release in 2005. The title track, based on Corb’s childhood memories of his grandpa’s “cows with no eyes,” starts off the album with his band’s signature, punchy swing. Saturated with family history, true stories, and nods to the old west, this record is filled with quintessential Corb Lund tracks. “This album has been our most commercially successful, and really fanned the flames of our torrid and short lived affair with country radio and CMT. We cut it in Tennessee and it’s full of fiddles and country piano. ‘Truck Got Stuck’ was a big moment for us and is still a live favourite. Hair In My Eyes introduced both Brady Valgardson on the drums and Grant Siemens playing guitar, both of whom have been long time band members. We still play a ton of these songs live as the core of our shows…I don’t focus as much on love songs as a lot of writers do,” says Lund, “And I find it more interesting to write tunes about whatever my brain is involved with at any given time. Could be ranch stuff or card games or home renos or starting campfires or books about 1970s politics. It all finds its way into the cauldron. I was spending a lot of time playing cards for semi-serious money during this period so there’s some of that going on.”

This limited edition release is part of the Corb Lund - Dark Horses Club. New West Records will be releasing unreleased records and material from Corb Lund throughout 2025 and 2026.

street date: sept. 12, 2025

track listing

Side A

1. Hair In My Eyes Like A Highland Steer

2. The Truck Got Stuck

3. Always Keep An Edge On Your Knife

4. The Rodeo’s Over (feat. Ian Tyson)

5. Hurtin’ Albertan

6. Big Butch Bass Bull Fiddle

7. All I Wanna Do is Play Cards

Side B

1. The Truth Comes Out

2. Counterfeiter’s Blues

3. Good Copenhagen

4. Trouble In The Country

5. Little Foothills Heaven

6. The Truck Got Stuck Talkin’ Blues (feat. Ramblin’ Jack Elliot)

vinyl

Sel. #: NW5909LP

Config: 1xLP, Jacket, Full Color Sleeve, Black Vinyl

UPC: 607396590919

Box Lot: 20 Count

Genre: Country, Americana

*** First time widely available on vinyl

***Color variant available via D2C

: Modeselektor

Modeselektor – aka Gernot Bronsert and Sebastian Szary –is one of the most original acts to emerge from Berlin's techno underground. After more than three decades of astonishing work – spanning cult labels, critically acclaimed albums and EPs, and era-defining releases as part of Moderat – they remain at the top of their game, as hungry as ever for the freshest electronic music from around the world. In 2025, the same year DJ-Kicks and !K7 Records celebrate their 30th and 40th anniversaries respectively, the duo are finally set to deliver their edition for the vaunted mix series

Modeselektor's passion and drive are writ large across DJKicks Contributing to the long-running series has always been on their bucket list Then, finally, this year, the stars aligned, and they set to work on their edition of the compilation.

Taking the non-linear approach has always been the Modeselektor way. No two tracks on DJ-Kicks sound alike, meaning the magic often happens in the liminal spaces between tunes The rhythmically compelling release came together over a matter of days It features 22 tracks, including two original Modeselektor cuts, plus field recordings from tour listen out for the lively discussion toward the end, recorded in a studio in Kingston, Jamaica True to form, the mix stitches together an impressive mishmash of styles Across the mix, Szary's selections lean more beatless and ethereal, while Bronsert is the dancefloor specialist.

The beauty is in the lining in listening to the mix again and again, and uncovering fresh details and earworms each time. Despite its modern bent, it has an everlasting quality, much like Modeselektor and DJ-Kicks themselves Both are totems of Berlin's rich, shape-shifting electronic music culture Decades later, they remain as relevant as ever "Don't skip the tracks," laughed Szary, when asked how fans should approach the mix "And just enjoy it "

KEY POINTS

World premiere of Kitschselektor project

Two new exclusive tracks by Modeselektor

Includes limited DJ-Kicks playing card

Sustainable record pressed using PET molding technology

Release Date: 12th September 2025

Artist: Modeselektor

Title: DJ-Kicks: Modeselektor

Cat/Barcode:

K7457LP / 4062548115017

K7457CD / 4062548115024

Packaging:

2LP Gatefold (Ecovinyl)/CD Digipak

LP TRACKLIST

A1 Modeselektor - MEGA MEGA MEGA

A2 Kitschselektor - Permit Riddim (feat Pobdon)

A3 Julien Bracht - Melancholia

B1 Modeselektor - Kupfer

B2 Siriusmo - Koko

B3 Beirut - Spillhaugen

B4 GAISTER - Source

C1 Modeselektor - Movement (feat Paul St. Hilaire)

C2 Little Simz - Mood Swings

C3 Untold - Discipline

C4 Ben Klock & Fadi Mohem - The Machine

D1 Modeselektor - USA USA USA

D2 SZARY - PREY

D3 Maxime Denuc - Ouverture

CD TRACKLIST

01 SZARY - PREY

02 Kitschselektor - Permit Riddim (feat. Pobdon)

03 Modeselektor - MEGA MEGA MEGA

04 Slikback - Sea

05 GAISTER - Source

06 Modeselektor - Kupfer

07 Aho Ssan - Hero Once Been (feat. 9T Antiope)

08 DJ Narciso - 10 Minutos

09 Little Simz - Mood Swings

10 Chlär - Populism Is Money

11 Maxime Denuc - Ouverture

12 Modeselektor - Movement (feat Paul St. Hilaire)

13 Ben Klock & Fadi Mohem - The Machine

14 Beirut - Spillhaugen

15 Kaan Pirecioglu - Spellbound

16 Yraki - Percolate

17 PLUS ONE - Bonk

18 Modeselektor - USA USA USA

19 Untold - Discipline

20 Erik Jabari - Stone Rinse

21 Julien Bracht - Melancholia

22 Siriusmo - Koko

Rian Treanor & Cara Tolmie Body Lapse

PLANET MU RECORDS STREET DATE: 12th SEPTEMBER 2025

BLACK VINYL LP: ZIQ479

This exciting new collaboration between Cara Tolmie and Rian Treanor is a highly kinetic and playful endeavour. Body-centric vocal explorations merge with intricate rhythmic systems forming a deliciously disorientating, hypersurreal space of semantic modulations, concrete poetry, cut-up beats and mimicked samples.

Their sound is singular and tactile: dissociative dance music that reassembles contorting vocal lines and knotting biomechanics in an explorative network of unstable forms. It’s a blur of bodily fragility and ecstatic disruption, where swells of meaning rise and fall through clouds of synthetic buzz, ﬂeeting breath, and streamof-consciousness imagery.

The duo ﬁrst performed together when Counterﬂows Festival paired them for a new commission at the historic Arches venue in 2023. Glasgow-born, Stockholm-based vocalist and performance artist Cara Tolmie brought her hypnotic vocal technique, Internal Singing — an intimate practice using breath, movement, and touch that explores the subtle binds between voice and body in an unsettling, engrossing sonic space. Treanor’s richly innovative work provided a compounding counterpart: radical, rave-infused structures that bent and contorted around Tolmie’s incantation.

Growing out of a series of charged, improvisational performances, Body Lapse was recorded between Stockholm and Rotherham in 2024. Echoes of their live energy run throughout — a voice shaking through the body, responding to touch and physical modulation, translating performance into something tactile and immediate. Body Lapse marks their debut release together, it conjures a sound of unsettling beauty and frictional intensity — a playful, physical mesh of computer music, voice, and speculative storytelling. In this gnawing, dreamlike space, breath and body become sites of both connection and disruption, sparking thrilling encounters with the unexpected, the playful, and the decisively weird.

Kerosene 454

At Zero

atalog #: SBR21

Date: September 12, 2025

Originally released in 1998 on Slowdime Records, Kerosene 454’s t hird and final full lengt h album ‘At Zero’, is now back in print after 27 years. It has been completely remastered from t he original tapes by Dan Coutant at Sunroom Audio in Cornwall, NY.

Hailing from t he Maryland/Washington DC area, Kerosene 454 existed from 1992-1998. They released t hree albums, five seven inch records, and appeared on several compilations. One of t he hardest working bands at t he time, t hey played extensively across t he U.S., Europe, and Japan wit h bands like Bluetip, Boys Life, Hoover, The VSS, Karate, The Dismemberment Plan, Unwound and more.

In t he fall of 1997 after touring wit h Boys Life, t he band went into Inner Ear Studios to record ‘At Zero wit h J. Robbins (Jawbox, Magpie Cage Studio), Don Zientara, and Juan Carrera (Warmers, Slowdime Records). The album came toget her at a crossroads where a shifting D.C. scene, evolving musical interests, and broader cultural changes all collided; all of which shaped t he writing and recording of t he record. Whereas earlier records tried to fait hfully recreate t heir live sound, ‘At Zero found t he band letting go and letting t he studio become part of t he process. They even invited ot hers to play on t he songs.

This first pressing of 600 units includes 200 units on Citrine Colored Vinyl exclusively for Indie stores.

BUSCABULLA

EP I

1. Caer

2. Métele 3. Temporal 4. Sono

CATALOG NUMBER: RBN107

RELEASE DATE: August 29, 2025

FILE UNDER: Electronic “B”

10"

Boxlot: 30 UPC: 887834010753

Vinyl is non-returnable

OVERVIEW

EP I is the first EP from Buscabulla , originally released in 2014.

SELLING POINTS

• New album and headline US tour this summer (see below for details).

• Featured artist on track "Andrea" from Bad Bunny's 2022 album Un Verano Sin Ti

• 10" comes with a download card.

PRAISE FOR REGRESA (2020)

“After years of yearning for Puerto Rico, Buscabulla are home and they finally sound whole.” PITCHFORK

“A resplendent debut LP... Regresa marks a bittersweet comeback — followed by a gratifying, disco comedown.”

ROLLING STONE

“With Regresa, Buscabulla speaks not only to Puerto Rico’s many challenges, but to resilience, togetherness, displacement, and longing experienced across the diaspora.”

BANDCAMP

PASTE

BUSCABULLA SUMMER 2025 US TOUR DATES

06-19 Miami, FL - ZeyZey

06-20 Orlando, FL - The Social 06-21 Atlanta, GA - Masquerade (Altar) 06-23 Washington, DC - Songbyrd 06-24 Philadelphia, PA - The Foundry 06-28 Chicago, IL - Lincoln Hall 07-01 San Francisco, CA - Bimbo’s 365 Club 07-03 Los Angeles, CA - The Belasco 07-05 San Diego, CA - Quartyard 07-06 Phoenix, AZ - Crescent Ballroom 07-09 San Antonio, TX - Paper Tiger 07-10 Austin, TX - Antone’s Nightclub 07-11 Dallas, TX - Tulips FTW 07-12 Houston, TX - White Oak Music Hall (Upstairs)

DOMINO RECORDING COMPANY

20 Jay Street, Suite 626 Brooklyn, NY 1 1201

718.797.4229 / dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

REDEYE

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

BUSCABULLA

EP II

TRACKLISTING

1. Tártaro

2. Titán

3. Perdón

4. Frío (Feat. Helado Negro)

CATALOG NUMBER: RBN092

RELEASE DATE: August 29, 2025

FILE UNDER: Electronic “B”

10"

Boxlot: 30 UPC: 887834009252

Vinyl is non-returnable

OVERVIEW

EP II is the second EP from Buscabulla , originally released in 2017.

SELLING POINTS

• New album and headline US tour this summer (see below for details).

• Featured artist on track "Andrea" from Bad Bunny's 2022 album Un Verano Sin Ti

• 10" comes with a download card.

PRAISE FOR REGRESA (2020)

“After years of yearning for Puerto Rico, Buscabulla are home and they finally sound whole.” PITCHFORK

“A resplendent debut LP... Regresa marks a bittersweet comeback — followed by a gratifying, disco comedown.”

ROLLING STONE

“With Regresa, Buscabulla speaks not only to Puerto Rico’s many challenges, but to resilience, togetherness, displacement, and longing experienced across the diaspora.”

BANDCAMP

PASTE

BUSCABULLA SUMMER 2025 US TOUR DATES

06-19 Miami, FL - ZeyZey

DOMINO RECORDING COMPANY

20 Jay Street, Suite 626 Brooklyn, NY 1 1201

718.797.4229 / dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

REDEYE

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

STARMOLES

StarMolesnewalbum,SnackMonsterbeganasanacademicpursuitSongwriterEmily MoraleswastakingacourseonmedievalliteraturewhenshewasintroducedtoAndreas Capellanus’RulesofCourtlyLoveThisleadtohermakingaconceptalbumwithasongforeach rulethatimmediatelyinspiredandcapturedherattentionThisalbumwasmadewithKevin Basso(RubberBandGun,Foxygen)athischildhoodhomeinNewJersey,recordedtocassette withaTascam234

Afterafewyearsofboring,therapizedlovesongsinthepopsphereidealizingromancebetween individualswhohave“workedonthemselves”andreachedastateofmental,spiritual,physical, andfinancialwellness(read:purity)Iwasjustsomovedbythisconceptofcomplicatedand messyromanceasartThenameSnackMonsterwasaworkingtitleofunknownoriginthatjust stuckButit’sfitting,sincethesesongsareaboutloveinmorsels,cravedanddevouredand drivingyouinsane

InmypastcollaborationswithKevinBasko(akaRubberBandGun),wehaverecordedtoanalog tapeusingareel-to-reelOnThreeChimes,AtSilentPalace!,therecordpriortoSnackMonster, werecordedtotapethenlayeredextensivelyontopofthisdigitallyThreeChimeswasmade deepintotheCovid-19pandemic,andit’sthemostlushthingI’veevermadeIt’scinematicand sprawlingandKateBush-esqueSnackMonsterwasadepartureandanescapeWemadeitat Kevin’schildhoodhomeinNewJerseyinlatesummer2022,andsomeinsummer2023Thecore tracksofacousticguitarandvocalwererecordedtocassetteusingaTascam234,andforthe mostpartwetriedtokeepadditionallayeringverygroundedThere’snosynthesizerwhichisa newthingforStarMolesIlikehowmyvoicesoundsonthisrecordSinceI’msingingand accompanyingmyselfonanylonstringguitar,ratherthanaddingavocaltrackoveran instrumental,it’sanhonestandvulnerablekindofperformanceTheguitarandvocaldefine eachotherandcan’texistseparately basicallythesongsarecodependent

Genres:IndieFolk/IndiePop/SingerSongwrtier FFO:WeyesBlood,KateBollinger

HAUSU MOUNTAIN

Artist:MondoLava

Album: UteroDei

Label: HausuMountain

JamesKetchum and LeonHu recordunderthename MondoLava.Their musicchannelstheprismaticpsych-popof1970stropicáliaand compositionalframeworksfromdub,freejazz,andnewagemusicintothe hazyatmospheresandthehomespunproductionqualityoflo-fistraightto-cassetterecordinginthespiritoftheUSexperimentalunderground. WithbandspearheadKetchumlivinginPamplona,SpainandHuresiding inDavis,Californiawherethebandwasformed,theirprojectwhichhas existedinvariousformssince2006blessestheworldwithnewmaterial wheneverKetchumandhiscollaboratorsfleshoutanewprogramof beautifullyfriedexcursionsintotheirhumidrainforestsofsound. Following 2014’s ParrotHeadCartridge (HAUSMO26)and2018’s OgreHeights (HAUSMO77), MondoLava returnsto HausuMountain withthe sprawling75-minutealbum UteroDei.Whilethebandhasalways stretchedtheirreleasestomind-alteringdurationstogivetheirspiraling keyboardlinesandhand-performedpercussionroomtoblossomthrough cyclesofecstaticrepetition, UteroDei setsanewhighwatermarkfortheir outputwithitsdiversemenuoftransportivesonicbiomes.Whilethetenets thathavedefinedtheprojectsinceitsinception—theexploitationof tape-deckproductionqualitytootherworldlyends,thefreewheeling jouissanceoflead-instrumentimprovisationcoupledwiththezoned-out potentialofloop-basedrhythmicfoundations—remainfirmlyintact, MondoLavapresents UteroDei asacampnestleddeeperoutintothe vegetationthaneverbefore.Theyofferustheauralequivalentofpushing asidegiantpalmfrondstodiscoveranamusementparkwaitingforus in theclearingahead—woodenrollercoasters,derelictsideshowgame booths,flickeringneonsigns,allstillfunctioningwithnoothersignsoflife around.Whobuiltthishere,ofallplaces,andhowlongago?

“CaliforniaduoMondoLavawhisktheirlistenersawayto strange,exoticlocalesusingthecheapest,mostrudimentary equipmenttheycangettheirhandson.Aplayful,relaxing journeywhichsoundsfarmoreotherworldlythanwhatonecan imagineitsrecordingsessionslookedlike.”- AllMusicGuide CDEdition

MondoLava’spaletteofacousticandelectronicinstrumentsjuxtaposes gloriouslychintzymulti-trackedmelodicspiralsfromanarsenalof decades-oldCasiokeyboardswithorganicbeatsperformedonhand percussion,aspealsofguitarandsaxophonebubbleoutofthecauldron inparticularlyclimacticpassages.Theband’shybridizedaestheticshares DNAwith TerryRiley’s ARainbowinCurvedAir asmuchasthewaveof late-’00szoned-outundergroundexperimentalelectronicartistslike Sun Araw, BluesControl,and Skaters,withkeyboardsswirlingtogetherinto rapid-firecascadesoveranetworkofcongas,tumbas,pandeiros,shakers, andclaves. UteroDei presentsasuite-likejourneythatweavestracks togetherevenastheytransitionbetweendifferingfidelities, instrumentations,andmoods.Whileeachtrackdialsintoitsownbespoke littleworldwithboldmixingdecisionsthatblastcertaininstrumentsintothe redandsoaktheentirespreadinanalogwarmth,thealbum’ssumtotal offersacontinuousslow-burningnarrativewithanaturalflow.Chubbykick drumsandsynthbasslinesbouncethroughthemusicwithwall-shakinglow end.Washedoutkeyboardmelodiesthatsoundliketheywererecorded underwatersharespacewiththebrittleclangofbonedryCasiochords. MondoLava segueintopassagesoflo-fi50sskifflepopwithjangly guitarriffssaturatedwithhissandgrindtheirwaythroughcarnivalesque workoutsthatsoundlikethemusicthatwouldplayfromawind-upbox beforethetoymonkeypopsout.Drawingpowerfromitswillfulmessiness asmuchasitsprogressiveforwardmotion,teemingwithjovialone-off synthsqueaksandsuddentwistsinmoodandatmosphere,theduo’s ramshackleinstrumentalmusicneverlosessightofitssenseofhumorand mischief.

Speakingaboutthethemesbehind UteroDei,JamesKetchumexplains: “In2020,ImovedtoSpainwithmyfamilytoacitythatfeaturesa prominentportionoftheCaminodeSantiago.Ibegandaydreaming aboutperformingamusicalpilgrimageontheCamino,playingsongs in thechurchesandcathedralsalongtheway.Icomposedanumberof songsforthisalbumaspotentialorgansongstobeplayedinacathedral. However;Ihavenoideahowtoorganizegettingtoplaytheorganina church,letalonemanychurchesthroughouttheNorthofSpain,soIsettled ontheprojectasbeingnothingmorethanafantasy.Sothisalbumisa phantasmpilgrimage,andIliketothinkthatwheneverpeoplelistentoit, theyaregoingontheirowninternalpilgrimage.”

Robin Kester

ALBUM:

Dark Sky Reserve

LABEL: Memphis Industries

STREET DATE: 12 September 2025

On September 12th, Robin Kester will release her new album, ‘Dark Sky Reserve’, via new label home Memphis Industries.

Rotterdam-based Robin Kester’s music thrives in moments of quiet unease. Following her 2020 “mini album” ‘This Is Not A Democracy’, Kester was lauded for her stirring blend of chamber pop and psychedelia for her debut album ‘Honeycomb Shades’ (2023) which was named Dutch album of the year by newspapers NRC and de Volkskrant and nominated for the best Dutch album by 3voor12.

10. Something is

Indie Exclusive Opaque Blue Vinyl

Cat No: MI0819LPX

UPC: 5056340108130

Product Mock Up HERE

Now, Kester returns with second album ‘Dark Sky Reserve’ via Memphis Industries; a soundtrack to all the thoughts that bubble to the surface once the silence sinks in. ‘Dark Sky Reserve’ is Kester’s most artistically focused record to date, combining a rich, layered humanity in the music with minimalist lyricism. With the help of producer Ali Chant and a variety of other collaborators including Adrian Utley (Portishead) and Rozi Plain, Kester balances scenes of idyllic bliss from the “magical and strange” ‘Talybont-on-Usk’ with existential questions on ‘Departure’. Written in the nights of recording sessions in Bristol, ‘Dark Sky Reserve’ is the result of Kester writing from a place of newfound clarity: “I could see myself for who I am.”

Available in indie exclusive Opaque Blue Vinyl, standard black and CD, ‘Dark Sky Reserve’ sees Robin continue to grow and evolve as an artist, reaching blissful new heights in the process of doing so.

Nord Electric

Lonelin ess F o r Sale EP

SELLING POINTS:

-Features vocals from Mark Gardener from Ride

-Neil Conti (Prefab Sprout, Mick Jagger, David Bowie) on drums

-limited edition pressing on white vinyl

It all started, as all great bands should, over the love of both music and football! When Mark Gard ener first teamed up wi th members of long time Italian Shoegaze band Votiva Lux, the conversation moved quickly from music to football, with Mark (Oxford United) and Giulio (Bologna FC) debating the outcome if an unlikely European derby happened between their teams.

Until that day comes, music will remain their primar y connection, with a collaboration that began in 2022 with Mark singing on two Votiva Lux tracks and continues to this day with Nord Electric. Mark’s vocals were, as expected, stellar on the Votiva Lux tracks, but it became clear that this collaboration needed to go to the next level, and thus Nord Electric was born.

The first step involved bringing in Neil Conti, Prefab Sprout’s drummer, and a man who has held down the beat with everyone from David Bowie to Mick Jagger and more. The first song they recorded, Loneliness for Sale, has a chorus that will be stuck in your head for the rest of the year, and with that song they knew they were creating something special. 3 more tracks quickly followed, collected here as Nord Electric’s debut 4 song EP. Pressed on white vinyl, this limited EP is just the beginning for your new favorite band!

Tracklisting:

1) Loneliness For Sale 2) Traces 3) When Are You Gonna Wake Up 4) Dagen H

A rtist: Nord Electric

Title: Lonelines s For S ale

Label: Outer Battery Records

Street Date: 9/12/25

UPC: 634457 219076

Cat #: OBR 00034

Artist: Whitney K

Title: Bubble

Release date: 2025-09-12

Label: Fire Records

Territory: World Excluding Canada

Track List A1

Whitney K – Bubble

Whitney K returns with ‘Bubble’, his first album for Fire Records and followup to 2022’s acclaimed ‘Hard To Be A God’. Whitney K continue his migrant mind games, summoning up a series of intriguing characters, littered with everyday foibles and fantasies.

Along the way, he pens a journal of possibilities as he travels further into transient America, touching on everything from bar room chatter, rumour and distortion to misinformation, daydreams, misunderstanding and selfrealisation; with anecdotes lifted from the paperback in his back pocket and his half-forgotten past.

‘Bubble’ is a 13-part cerebral mystery that unravels on songs that bring to mind the gruff sentimentality of the late Kris Kristoferson, Lennon’s ‘Jealous Guy’, Eels at their most troubled and the American Gothic sketches of David Ackles; the perfect soundtrack for a Raymond Carver book club.

“Nomadic Canadian channelling magical realism, country rock and Lou Reed.”

Uncut

Recorded in Montreal, it’s self-produced by band members Josh Boguski and Michael Halls at their home studio. This stripped back release is Whitney K’s most raw yet refined work to date an honest, sonically paradoxical collection that finds fresh possibilities in the familiar shapes of rock, pop, and folk with the same unfiltered energy and poetic gravity we have come to expect from this modern-day troubadour whose descriptive storytelling is filled with sketchy characters and rudimentary comment.

“Remarkably sophisticated musical blend… Inventing exciting new directions for roots music all along the way.”

MOJO

NEW RELEASES

Street Date: 9.19.25 | Order Date: 8.29.25

"Anytime I'm playing music or getting ready to record, Duane Allman will enter my thoughts, and so will Berry Oakley. It's part of my musical makeup and mental process when it comes to music. We learned to play together and taught each other a lot.”—Dickey Betts

LP TRACK LIST: HIGH FALLS • HAVING A GOOD TIME • BLUE SKY

NOBODY KNOWS • BACK WHERE IT ALL BEGINS • IT HAPPENS SOMETIMES NO ONE TO RUN WITH • RAMBLIN’ MAN • JESSICA CD TRACK LIST: HIGH FALLS • GOOD TIME FEELING • BLUE SKY NOBODY KNOWS • STEADY ROLLING MAN • SOUTHBOUND

HAVING A GOOD TIME • SEVEN TURNS • IN MEMORY OF ELIZABETH REED IT HAPPENS SOMETIMES (AKA MY GETAWAY) • BACK WHERE IT ALL BEGINS • RAMBLIN MAN • JESSICA • NO ONE TO RUN WITH

RELEASE DATE: 09-19-25

ARTIST: DICKEY BETTS & GREAT SOUTHERN

TITLE: OFFICIAL BOOTLEG VOLUME 1

CATALOG NO.: CD-SBR-7997 / LP-SBR-7080

UPC: CD: 708535708021 / LP: 708535799726

CONFIGURATION: 2 CD / FOLDER/ 2LP GATEFOLD

BOX LOT: 15 LPs / 45 CDs

GENRE: SOUTHERN ROCK

Artist: Black Lips

Title: Season of the Peach

Release date: 2025-09-19

Label: Fire Records

Track List

A1 The Illusion Part Two

A2 Zulu Saints

A3 Sx Sx Sx Men

A4 Wild One

A5 So Far Gone

A6 Judas Pig

A7 Kassandra

B1 Baptism In The Death House

B2 Until We Meet Again

B3 Tippy Tongue

B4 Happy Place

B5 Prick

B6 Hatman

B7 The Illusion Part One

Black Lips – Season of the Peach

“Simply masters in their field” NME

Black Lips return with a brand-new studio album, Season Of The Peach, a 40minute rock and roll odyssey, tripping through DIY genres where garage rock meets new wave pop, and disgruntled country shakes hands with epic western soundtracks. The 14-track album captures the energy and spirit of early Black Lips while simultaneously applying new approaches to songwriting.

The album is a musical merry-go-round, a journey featuring road-weary tales from the underbelly of a lights-out America. It’s bookended by “The Illusion” parts one and two: a barroom quest for hope, fear, and hate, thwarted at each turn by a sense of resignation, “you reach for the sky / but it’s an illusion.” Elsewhere, “Wild One” plays out like a Morricone romp through another day in Hell. A mantra for the hungover, a skin-crawling lament in praise of the wild at heart.

“Tippy Tongue” sees Black Lips take on 60s girl group soul, like The ShangriLas and Ronettes infiltrated by Jayne/Wayne County, paying homage to Buddha Records. Meanwhile, “Kassandra” has a guitar sound scrubbed clean for a Sunday, chiming its way through ever-spiralling salvos like The Chocolate Watchband with Zappa on vocals. “Zulu Saints” is an upbeat country honk, a good-time brush with bravado, peppered with Cole on an incredulous radio phone-in show, looking for black-eyed peas and winning big on the slot machines.

For the recording sessions they holed up in the bucolic surroundings of drummer Oakley’s new Sound At Manor studio in the Catskills (the first album recorded there since Oakley built the studio in 2020). In this idyllic setting, the band disconnected from city life and committed their music to analogue tape, part of their quest to embrace spontaneity and capture the energy of a live Black Lips show on record.

“Dirty, raw and distinctly alive” Paste

“A wonderful new chapter” The Line Of Best Fit

Haruomi Hosono – Tropical Dandy –

Artist Haruomi Hosono

Title Tropical Dandy

Cat # STH2515 (Standard)

STH2515-4 (Ocean Blue)

Label Stones Throw Records

Genre Alternative

UPC 659457251512 (Standard)

659457251543 (Ocean Blue)

Formats LP

Release August 22nd, 2025

Pre-order June 27th, 2025

Tracklist

Side A

1. Chattanooga Choo Choo

2. Hurricane Dorothy

3. Kinukaido

4. Nettaiya

5. Peking Duck

Side B

1. Hyoryuki

2. Honey Moon

3. Sanji no Komori Uta

4. Sanji no Komori Uta (Instrumental)

5. Hyoryuki (Instrumental)

STH2515 | STH2515-4

Marking 50 years since its original release, Stones Throw Records’ reissue of Haruomi Hosono's 1975 album Tropical Dandy is the first edition of this record to be released outside of Japan.

Tropical Dandy is the cult classic album that marked Hosono’s shift toward genre-blending, fusing exotica, jazz, and pop to lay the groundwork for Japanese City Pop.

“I’ve orbited around [Hosono] for light years during his pan-Pacific musical adventures. Cinematic romance with sonic texture.”

– Van Dyke Parks

Key Selling Points

• The first-ever international reissue of 1975 album Tropical Dandy

• Pressed in the US on 180-gram vinyl in black and ocean blue, with OBI and a new translation of Haruomi Hosono's original 1975 liner notes.

• Haruomi Hosono is on the cover of most recent issue of The Wire magazine and will be featured in Pitchfork around the album release.

• Headline show at London’s Royal Festival Hall in July, key activations in London and Paris around release.

• Hosono is the founding member of folkrock act Happy End and the pioneering electronic trio Yellow Magic Orchestra. He has also released several solo albums in his five-decade career, spanning many styles and effortlessly fusing exotica, funk, country, electronic, ambient, and everything in between.

• This marks the second collaboration between Stones Throw and Hosono, following the release of Hosono House Revisited, a compilation of songs from Hosono’s solo debut, reworked by artists including Mac DeMarco, Sam Gendel, and John Carroll Kirby.

Sun Ra

HiddenFire

Strut Records proudly presents the official reissue of Hidden Fire Volumes 1 & 2, the final album released by Sun Ra on his El Saturn label in 1988.

Captured live over three nights at the Knitting Factory in New York City, these performances mark the closing chapter of a 33-year odyssey of radical, independent music-making Originally issued in tiny quantities with minimal packaging and cryptic artwork often featuring hand-written labels or Ra’s own handmade designs Hidden Fire was among the most elusive entries in Sun Ra’s vast discography.

Musically, these recordings stand apart from Ra’s other '80s compositions Here, Hidden Fire plunges into darker, more dissonant territory Ra performs exclusively on the Yamaha DX7 synthesiser, pushing its digital sound palette into alien dimensions. The Arkestra lineup is uniquely configured, featuring a rare and heavy string section with three violins, including the legendary Billy Bang, and the singular space vocalist Art Jenkins, whose eerie textures and vocalisations had not been heard so prominently since the early 1960s Choreographers Workshop sessions. The music is raw, unsettled, and often overwhelming

“Retrospect / This World Is Not My Home” opens with a palindromic riff that evokes Ellington before unraveling into a stark sermon from Ra, warning of death’s dominion over Earth-bound minds “Hidden Fire Improvisation” is a furious explosion of tone science, with Marshall Allen, Billy Bang, and John Gilmore delivering fire-breathing solos over relentless drumming and Ra’s cascading synth clusters “Hidden Fire Blues” offers a warped, electrified version of Ra’s familiar blues feature, led by Bruce Edwards on guitar and Rollo Radford on electric bass, transformed through the haze of DX7 textures. “My Brothers The Wind And Sun #9” evokes the experimental weight of The Heliocentric Worlds with its crashing percussion, pulsing synth-vocal duets, and stringdriven chaos that seems to spiral into oblivion Even the quieter moments—such as “Hidden Fire II,” a duet between Ra and Art Jenkins feel thick with unease and shadowy beauty These performances represent a Sun Ra less concerned with cosmic joy or outer-space swing, and more focused on conjuring portals to the unknown.

Remastered from original sources and presented with archival photos, new liner notes by Paul Griffiths, and restored artwork inspired by the original Saturn editions, this reissue offers a definitive window into the last creative surge of one of music’s most visionary figures across two Vinyl LP’s

RELEASE DATE: 19 September 2025 th

ARTIST:SunRa

TITLE: Hidden Fire

CAT NO.: STRUT475LP

FORMAT: VINYL 2LP

BARCODE: 4062548110630

TERRITORY: WW

TRACKLIST

A1.RETROSPECT-THISWORLDISNOTMYHOME

A2. HIDDENFIREIMPROVISATION

B1/B2. HIDDENFIREBLUES

C1/C2 MYBROTHERSTHEWINDANDSON#9

D1. HIDDENFIREI

D2. HIDDENFIREII

KEYPOINTS

ThelastalbumonRa’sElSaturn label,endinga33-yearrunof radical,DIY,Black-ownedmusicmaking.

HiddenFirereissuedforthefirst timeacrosstwoLPs.

Featuresinsertwithlinernotes fromRaexpertPaulGriffiths Remasteredfromoriginaltapes.

For more information, contact: EU / ROW: Karsten@k7.com USA: Adam@k7 com

INGREDIENTS IN A RECIPE FOR SOUL

BACK ON VINYL FOR THE FIRST TIME IN MORE THAN 50 YEARS

PRODUCED WITH THE FULL COOPERATION OF THE RAY CHARLES FOUNDATION

A TOP-TEN STEW OF JAZZ, SOUL, AND POP STANDARDS

INCLUDES THE HITS “BUSTED” AND “THAT LUCKY OLD SUN”

Ingredients In A Recipe For Soul proved that Ray Charles didn’t so much ignore genres, but, by the ’60s, had become a genre unto himself. An academic might want to separate this stack of songs into neat little buckets—country, jazz, standards, blues, pop—but those are just the ingredients. Ray Charles sings whatever he likes and whatever he sings comes out as a Ray Charles song, with a ﬂavor all its own.

Two hit singles, “Busted” and “That Lucky Old Sun,” made Ingredients In A Recipe For Soul an instant Top Ten when it was released in 1963. Bootlegged across Europe for decades, this is the ﬁrst and only legitimate reissue of this essential album on vinyl (and its ﬁrst appearance on CD since the 1990s), now fully restored and remastered with the full cooperation of the Ray Charles Foundation.

SIDE 1

1. BUSTED

Arranged by Benny Carter

2. WHERE CAN I GO?

Arranged by Johnny Parker

3. BORN TO BE BLUE

Arranged by Sid Feller

4. THAT LUCKY OLD SUN with the Jack Halloran Singers

Arranged by Marty Paich

5. OL’ MAN RIVER with the Jack Halloran Singers

Arranged by Marty Paich

SIDE 2

6. IN THE EVENING (When The Sun Goes Down)

Arranged by Benny Carter

7. A STRANGER IN TOWN

Arranged by Sid Feller

8. OL’ MAN TIME

Arranged by Benny Carter

9. OVER THE RAINBOW with the Jack Halloran Singers

Arranged by Marty Paich

10. YOU’LL NEVER WALK ALONE

Arranged by Sid Feller

LP TRC22421

Box Lot: 30

GENIUS LIVES ON TANGERINE

CD TRC22422

Box Lot: 30

Founded by Ray Charles in the 1960s, Tangerine Records is home to the recordings that tranformed him from artist to icon. Each album in the Tangerine Masters series is restored and remastered under the direct supervision of The Ray Charles Foundation.

505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com

TEKE::TEKE DELUX

STREET DATE: SEPTEMBER 19, 2025

SIDE A

1. Meimu

2. Visible Lights

3. Corpse Pose

4. Bankrobber

5. Chidori

SIDE B

6. Doppelganger (Version Française)

7. Jinzou Maria (Live in Concrete version)

8. Gotoku Lemon (SEI remix)

9. Onaji Heya (Holy Fuck remix)

10. Yurei Zanmai (SUUNS remix)

• 10 SONGS! A BRAND NEW TEKE::TEKE SONG, REMIXES BY SUUNS AND HOLY FUCK, COVERS OF THE CLASH, UNWOUND AND JAPANESE SURF GOD TAKESHI TERAUCHI AND SO MUCH MORE!

• ECO MIXED VINYL PRESSING. PRESSED ON 100% RECYCLED VINYL & CARBON NEUTRAL

Psychedelic rock group TEKE::TEKE are intimately familiar with duality, of splitting reality between past and present, complex melodies and hushed interludes, intense action and lingering response. After building their sound through careful assembly of countless splinters of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, the Montreal-based seven-piece indulged in and learned from stretching out in free-floating experimentation on the road. With the release of their sophomore album, Hagata in June 2023, TEKE::TEKE moved fully in the space between, embracing the power of mythic pairings and identities lived at once. Matching muscly intensity with moments of cloudy meditation—like a world-class high jumper finding bliss at the apex of their leap—the group frame expressive compositions with regal flute, rich horns, ecstatic guitar, and a thumping rhythm section.

Revisting Hagata with the release of Hagata Delux (digital only) and it’s companion LP, simply titled Delux, TEKE::TEKE has expanded their overall vision, including brand new song “Meimu” along with remixes and reiterpretations of Hagata tracks from the likes of SUUNS and Holy Fuck, as well as adding on and a collection of Hagata-era tunes available together on vinyl for the first time!

AT HIS ‘64 BEST!

On The Bandstand was a top 10 charter in ‘64 for the honky-tonker, one of two concurrent top-selling albums he had that summer! The nascent Buckaroos magic is here in an early configuration featuring long-time Owens sideman Don Rich, turning in a solid selection of originals and tastefully-chosen covers. Pressed at RTI, on black vinyl!

Based around numbers he was performing in his live shows, On the Bandstand features a mix of self-penned songs and then-current country favorites. Besides Buck, the spotlight shines on individual band members throughout the album. Speaking of the band, they were mere months away from being named The Buckaroos, courtesy of Merle Haggard who served briefly as their bass player before moving on to his own solo career. The sole hit on the original version of the album was “Kickin’ Our Hearts Around,” a song written especially for Buck by Capitol Records label mate Wanda Jackson.

ARTIST: LITTER, THE TITLE: DISTORTIONS

THE LITTER IN MONO!

Minneapolis was their home turf. But in the decades that followed, appreciation for Distortions swelled to tidal wave proportions among fans of amped-up, ramped-up, balls-to-the-wall rock 'n' roll. Headlined by two red-hot, stone-cold killers, "Action Woman" and "Soul Searchin'"--both penned by producer Warren Kendrick--Distortions is arguably the greatest private-press garage band album of the era.

The Litter formed in 1966 as a merger between two popular Twin Cities combos, the Victors and the Tabs. They quickly established a reputation as the wildest, loudest band on the scene. Bill Strandlof was responsible for the incendiary, feedback-laced guitar work on "Action Woman"--a local hit for the band when released as a single in January 1967--but by the summer he'd been replaced by another fast-fingered guitar slinger, Zippy Caplan. Caplan's fiery leads helped ignite the remainder of Distortions, including smoking interpretations of the Who's "Substitute," the Small Faces' "Whatcha Gonna Do About It," an intense reading of "Codine," and a comprehensive reconstruction-destruction of "I'm A Man."

Pure, unfiltered '60s garage rock excitement!

OPAQUE YELLOW VINYL LP

The Sonics, The Music Machine, The Chocolate Watchband,

REAL ESTATE THE WEE SMALL HOURS:

B-SIDES AND OTHER DETRITUS 2011-2025

TRACKLISTING

1. Pink Sky

2. Exactly Nothing

3. Barely Legal

4. In My Car

5. Two Part, Part Two

6. Paper Dolls

7. Blue Lebaron

8. Days

9. The Chancellor

10. Recreation

11. Daniel

12. Two Part

CATALOG NUMBER: WIG563

RELEASE DATE: September 19, 2025

FILE UNDER: Alternative “R”

Boxlot: 30 UPC: 887828056323

Boxlot: 20 UPC: 887828056316

OVERVIEW

The Wee Small Hours: B-Sides and Other Detritus 2011-2025 consists of rarities spanning Real Estate's last decade plus with Domino.

1. Pink Sky - (recorded alongside the “Daniel” cover, released on Bandcamp as part of the Cardinals At The Window Hurricane Helene benefit compilation 2024)

2. Exactly Nothing - (appeared as b-side on "Easy" 7" 2012)

3. Barely Legal - (appeared on Stereogum’s tribute cover album Stroked: A Tribute To Is This It? 2011; originally performed by The Strokes)

4. In My Car - (appeared on a flexi-disc as part of the Record Store Day fanzine Smugglers Way 2012)

5. Two Part, Part Two - (appeared as b-side on "Stained Glass" 7" 2017)

6. Paper Dolls - (appeared as b-side on "Had To Hear" 7" 2014; originally performed by The Nerves)

7. Blue Lebaron - (appeared as b-side on "It's Real" 7” 2011)

8. Days - (released digitally in 2021 for 10th anniversary of their album of the same name; originally performed by Television)

9. The Chancellor - (appeared on the Atlas bonus 7” 2013)

10. Recreation - (appeared on the Atlas bonus 7” 2013)

11. Daniel - (released digitally 2024; originally performed by Elton John)

12. Two Part - (unreleased track from Atlas sessions)

SELLING POINTS

• The band’s catalog has scanned 228K+ units, more than 50% made up of physical sales.

• LP format includes a download card.

Death has always been an unwelcome but integral component of inspiration for Mike Newman. The music he makes as summerbruise—which he started as a solo project in 2015 and which has since blossomed and bloomed into a fully-fledged band of close friends—has been both haunted and propelled by it since it all began, notably by two separate and significant occurrences of it. The first was the death of his dad in 2016. The second was the death of his close friend Kyle some eight months later, just after the release of summerbruise’s first release, the seven-track bummer vacation. Both of those losses triggered a fascination with death that has seeped into summerbruise’s songs, and which finds itself rearing its morbid head again on Infinity Guise, the band’s first actual, proper, real-life, full-length debut album.

“This was so much more of a team effort,” continues Newman. “So much of this album was stuff I had nothing to do with—it’s definitely the first record that was completely written by more than one person. On The View Never Changes I wrote the lyrics, bass, drum and guitar parts—everything. With this one, I wrote the lyrics and a couple of guitar parts, but less than 20% of this album is me. Which is very exciting.”

This album, then, is what Newman calls “Summerbruise 2.0”, where he’s harnessed an almost Power Rangers-esque, well, power to bring this next phase of the band into existence.

The result is a set of songs—recorded at producer Nick Starrantino’s Dead End Studios in Long Island—that play tug-of-war between Newman’s own quirky vulnerability and the steady guiding hand of his musical co-conspirators. Opener “Making It Worse” combines neurotic self-awareness and emotional openness— as well as a good deal of self-flagellating humor—while “What Do You Mean “Guise”?” confronts the idea of mortality alongside a wholehearted dose of anxiety about the fear of dying.

“I didn’t expect this to go anywhere,” he admits. “I’ve just always thought being in a band would be the coolest fucking thing ever. And I tried and failed a few times throughout my life to write music, and just eventually decided I didn’t have the music writing gene, and that was fine because I would just have to be good at something else. So I graduated college and was going to be a teacher for the rest of my life, and then I got dumped. I was really bummed out and I tried to write a stand-up routine about something I was feeling. I was drunk and the next morning when I went back to re-read it, it wasn’t funny at all. It was just depressing. But then I turned that into the first summerbruise song. I was 25 or so and like, ‘Wait, if I can write a song, I can finally fucking start a band!’”

As this album proves, that was the start of something very special indeed.

• FFO PUP, Modern Baseball, The Front Bottoms, etc.

• Summerbruise features members of Saturdays at Your Place and Arcadia Grey

• Album features Hot Mulligan and SideOneDummy labelmates Carpool

• Signing announced in Billboard Magazine

LIMITED EDITION ORANGE AND RED SWIRL VINYL

hayden

Hayden celebrates the 20th Anniversary of his beloved "ElkLake Serenade" with new editions available in both standard reissue and limited, hand-numbered deluxe double LP versions. The release marks the launch of a larger project that will see Hayden's Hardwood Records reissuing his extensive catalogue on vinyl, many for the first time

Elk-Lake Serenade (20 anniversary) th Now Magazine MOJO Uncut Q Recommends The Sunday Times The Globe and Mail

"Elk-Lake Serenade was originally released in 2004, so I’m a few months late putting out this 20th Anniversary edition In early 2002, I had just completed a few tours supporting my Skyscraper National Park record, culminating with Toronto’s Convocation Hall performance which was released as a live record that year. I settled back at home and began writing and recording what would slowly become my 4th full-length studio album. I chipped away at my new songs, mostly on my own, but a few talented folks helped out along the way - including my pals Howie Beck, the wonderful Burke Carroll and East Coast legend Julie Doiron (of Eric’s Trip) singing on the song “Roll Down That Wave”.” -- Hayden Desser, 2025

In their review of Hayden's "Elk-Lake Serenade" in 2004, The Guardian predicted "Chances are it'll grow on ya " and gave it 4 Stars Just over 20 years later, "Elk-Lake Serenade" returns as an expanded edition to fill the void for all those many fans it did indeed "grow on" The deluxe edition includes 4 previously unreleased songs recorded during the Elk-Lake era: "The Show", “Girls Are Gross”, “In A Minute”, and “Hoping it Won’t Go Wrong” alongside fan favourites "Home by and "Hollywood Ending"

artist: Hayden

title: Elk-Lake Serenade (20th Anniversary) label: Hardwood Records / Outside Music release date: September 19, 2025

Reissue LP

Catalogue No: LP-HRDW-8360

Barcode: 623339836012

12" slip sleeve on 24pt reverse board, black vinyl, 24" x 24" double-sided fold out poster, Custom silver foil cover sticker

Deluxe 2xLP

Catalogue No: LP-HRDW-8361IE

Barcode: 623339836111

Indie exclusive - hand-numbered edition of 750, 180g black vinyl 2LP set, gatefold jacket on 24 pt reverse board, 24" x 24" doublesided fold out poster, Custom gold foil cover sticker. N N N N Album of the Week Album of the Week

THANK THE LORD… IT’S THE PINK STONES THANK THE LORD… IT’S THE PINK STONES

THE PINK STONES

“We believe in some pretty strict rules,” says Pink Stones frontman Hunter Pinkston. “We also believe in breaking them. This band was built on reimagining tradition, on honoring the old ways while pushing them someplace new.” On their intoxicating new album, Thank the Lord… it’s The Pink Stones, Pinkston and his bandmates do precisely that, offering up a joyful, adventurous take on ’60s twang that blurs the lines between cosmic country, folk, bluegrass, soul, and psychedelic rock. Recorded once again with co-producer/engineer Henry Barbe (Drive-By Truckers, Deerhunter) in the band’s hometown of Athens, GA, the collection showcases a more deliberate, mature side of The Pink Stones’ sound, one that reflects all the personal and sonic growth that’s defined the last few years for the hard touring five-piece. The songs on Thank the Lord… are humble and timeless, full of wry, sardonic wit and rich, evocative storytelling, and the performances are easygoing and amiable, with an effortlessly natural feel that belies the masterful craftsmanship behind them. The result is a record that wears its influences proudly on its sleeve, even as it subverts expectation, a work of poignant longing and playful humor that tips its cap to everyone from Merle Haggard and Earl Scruggs to Don Williams and The Byrds as it looks both forwards and backwards all at once.

STREET

DATE: September 19, 2025

TRACK LISTING

SIDE A

1. Thank the Lord (ft. Wyatt Ellis)

2. Too Busy

3. Real Sad Movies, Big Jet Planes

4. Cold Eye of Leaving

5. If I Can’t Win (With You)

SIDE B

1. Summer’s Love (Winter’s Pain)

2. Hard to Kill

3. Such a Sight

4. Hometown Hotel

5. Start With Your Name

6. Pile of Memories

VINYL

Sel. #: NTR2044LP

CONFIG: Blue Jean Blue Vinyl, Jacket, Marketing Sticker

UPC: 607396204410

Box Lot: 20

Genre: Rock, Alternative, Americana

CD

Sel. #: NTR1042CD

CONFIG: Digiwallet, Marketing Sticker

UPC: 607396104222

Box Lot: 30 Count

Genre: Rock, Alternative, Americana

CATALOG SALE - 25% OFF VINYL AND CD!

THE PINK STONES

INTRODUCING… THE PINK STONES

TRACK LISTING

Side A: 1. Blueberry Dream 2. Put Me On

3. Shiny Bone 4. Barroom Blues 5. Let’s Sit Down

VINYL

Sel. #: NTR2022LP

CONFIG: Vinyl, Jacket

UPC: 607396202218

Box Lot: 20

Genre: Rock, Alternative, Americana

CD

Sel. #: NTR1031CD

CONFIG: Digiwallet

UPC: 607396103126

Box Lot: 30 Count

Genre: Rock, Alternative, Americana

YOU KNOW WHO TRACK LISTING

Side B: 1. Sweat Me Out

2. Love Me Hardly

3. Nothin’ New 4. Miss Wind Turbine 5. Dream So Sweetly

Side A: 1. Roses & Poppies

2. Baby, I’m Still Right Here (With You) (ft. Nikki Lane)

3. Where We Have To Stay

4. No Rain, No Flowers

5. Moving On (Without You)

6. Who’s Laughing Now?

Side B: 1. You Know Who 2. Someone You Can’t Move

3. Time’s Standing Still 4. Rich Rudy 5. Stoned & Alone

VINYL

Sel. #: NTR2035LP

CONFIG: Vinyl, Jacket UPC: 607396203512

Box Lot: 20 • Genre: Rock, Alternative, Americana

INDIE ONLY VINYL

Sel. #: NTR2037LP

CONFIG: Vinyl, Jacket, Color Vinyl, Autographed UPC: 607396203710

Box Lot: 20 • Genre: Rock, Alternative, Americana

Sel. #: NTR1036CD • CONFIG: Digiwallet UPC: 607396103621

Box Lot: 30 Count • Genre: Rock, Alternative, Americana

WHITEY MORGAN & THE 78’s MAKE IT TO THE TOP SHELF OF BLOODSHOT’S BAR.

NPR may not be the first place you’d think to go for snarling, blood-on-the-tele country music, but they sure got it right when faced with Whitey Morgan & The 78’s: “Staying close to the sound and subject matter of classic outlaw artists like Waylon Jennings, Merle Haggard and David Allan Coe, Morgan is poised to lead this hard-worn brand of country to the next generation.”

More than a decade after we let this record loose, millions of Yellowstone viewers heard “Bad News” as delivered by Whitey Morgan & The 78’s from this here album. We suspect more than a few of those folks will be compelled to drink straight from the source and hear more of what they love. It’s also not a stretch to say the rest of country has caught up with what Whitey Morgan was puttin’ down in 2010. Anyone listening to Chris Stapleton and Jamey Johnson will find a familiar friend right here.

As for us, we like to think of their Bloodshot debut as the birth of Altlaw Country and 16 years later it’s still one of the best damn records we’ve got.

Whitey Morgan & The 78’s 2010 Bloodshot debut Includes “Bad News” as heard on Yellowstone, leading to over 22million Spotify streams

Pressed on Blue Bone Splash Vinyl Includes expanded artwork

Forthcoming album with producer Shooter Jennings On tour forever

Bad News 2. Turn Up The Bottle

3. Memories Cost A Lot 4. Buick City

5. Meanest Juke Box In Town

6. Cheaters Always Lose Side Two

Hard Scratch Pride 2. Honky Tonk Queen

3. Where Do Ya Want It?

4. I Ain’t Drunk

5. Long Road Home

1761 Box Lot: 30 Side One

Bone Splash Vinyl

OFTHEBEST DAMNRECORDS

First time on vinyl Remastered, with expanded artwork done under the bleary but watchful eyes of the band

“tailor‑made for blasting outta your pickup truck”

—Tinnitist

“recalls the best moments of The Faces, mid‑period Stones and Pleased To Meet Me‑era Replacements . . . a textbook example of all that can be right about rock ‘n’ roll” —Indy Week

THE YAYHOOS CATALOG IS FINALLY COMING ON VINYL . . . WHERE IT’S ALWAYS BELONGED.

The Yayhoos are the bar-band you wish stumbled into your local dive every Friday night: A supergroup of four overqualified roots-rock lifers with nothing to prove except that loud guitars, cold beer, and three chords still beat whatever the kids are doing now.

Guitared and produced by Yayhoo Eric “Roscoe” Ambel—Joan Jett’s original Blackheart and Steve Earle’s right-hand man— Fear Not The Obvious (2001), is pure, ragged rock: recorded live to 8-track in a North Carolina barn, every track is a sweaty reminder that rock should be fun first and perfect never. Even their cover of ABBA’s “Dancing Queen” sounds like it’s always belonged on a sticky bar jukebox.

Other Yayhoos include Dan Baird, former Georgia Satellites frontman, Terry Anderson, drummer and ace songwriter, and Keith Christopher, a bassist who’s powered everyone from Shaver to Kenny Wayne Shepherd and likely closed your favorite roadhouse at least twice.

No surprise that we’d pick this shambolic glory for our Barrel Select series, highlighting and enhancing the top shelf of the Bloodshot catalog. And that other Yayhoos album? That’s coming, too. Stay tuned . . .

NC, 27278

side a side b

1. WHAT ARE WE WAITING FOR 2. GET RIGHT WITH JESUS

3. MONKEY WITH A GUN

4. I CAN GIVE YOU EVERYTHING

5. BOTTLE AND A BIBLE

6. FOR CRYIN’ OUT LOUD

1. OH! CHICAGO

2. WICKED WORLD

3. BABY I LOVE YOU

4. HUNT YOU DOWN

5. HANKERIN’

6. DANCING QUEEN

Soul Jazz Records Presents

LATIN FIRE!

Cumbia–Salsa–Afro-Funk: Tropical Dance Music from Discos Fuentes, Colombia 1956-83

19th September 2025

Soul Jazz Records delve into the vast vaults of Discos Fuentes, one of the oldest and largest record companies in Latin America, known as ‘the Motown of Colombia’. Discos Fuentes played a major role in spreading Afro-Latin sounds both to Colombia and around the world and this album explores that legacy.

Latin Fire! features legendary Colombian artists such as Fruko, The Latin Brothers, Michi Sarmiento, Afrosound, Pedro Laza, Wganda Kenya and more and showcases the wide-ranging variety of styles that Discos Fuentes made unique to their sound. The album features music from the golden era of Fuentes; from late 50s and 1960s Cumbia through to the emergence of heavyweight and hardcore salsa and Afro-funk in the 1970s and up to the early 1980s.

Discos Fuentes pioneered the sound of ‘Tropical’ music – Afro-Colombian dance music that originated in the north coast of Colombia bringing it to a new worldwide audience. This album shows how Colombian music was also influenced by New York barrio-style hard Latin and salsa and Caribbean styles such as soka and zouk to create a truly unique dance music sound.

1. Fruko y Sus Tesos - El Vidriero (4.44)

2. Climaco Sarmiento y Su Orquesta - Guiro Y Guacharaca (2.20)

3. Afrosound - El Regresso De E.T. (3.05)

4. Los Corraleros de Majagual - Cumbia Campesina (2.55)

5. Wganda Kenya - Shakalaode (7.30)

6. Afrosound - La Sampuesana (2.57)

7. Peregoyo y Su Combo Vacana - Descarga Vacana (5.28)

8. Fruko y Sus Tesos - Salsa Na Ma (4.13)

9. Wganda Kenya - Fiebre De Lepra (4.21)

10. Latin Brothers - Duelo De Picoteros (9.35)

11. Pedro Laza y Sus Pelayeros - Navidad Negra (3.00)

12. Afrosound - Carruseles (3.29)

13. Los Alegres Diablos - La Magdalena (2.39)

14. Latin Brothers - No Es Negra Es Morena (3.38)

15. La Sonora Cienaguera - La Piojosa (3.00)

16. Fruko y Sus Tesos - Cantando Mi Son Muero (4.17)

17. Juan Piña y Sus Muchachos - La Nena (3.00)

18. Afrosound - La Danza De Los Mirlos (2.55)

19. Michi Sarmiento y Su Combo Bravo - Salsa Con Monte (2.46)

20. Conjunto Lirico Vallenato - Cumbia Cienaguera (2.43)

Street date: 19th September 2025

Artist: Soul Jazz Records Presents

Title: LATIN FIRE! Cumbia–Salsa–Afro-Funk: Tropical Dance Music from Discos Fuentes, Colombia 1956-83

Label: Soul Jazz Records

Format 1: 2xLP

UPC: 5026328005775

Cat. No. SJRLP577

Format 2: CD

UPC: 5026328105772

Cat. No. SJRCD577

Nick Stamey, 877-733-3931 x277

nick@redeyeworldwide.com

No shipments outside of USA & Canada

Cruise Control

Time Is An Angel

Vinyl(US only)/Digital

Catalog#: CURED050

UPC Vinyl LP Black: 850070373135

UPC CD: 850070373142

UPC DIGITAL: 634457227439

Cruise Control are a Portland based band playing heartfelt and hooky tunes influenced as much by the twang of country as by 60s/70s rock and power pop. Starting off as a trio, Izzy Dupuis, Lee Butterfield and Penny Olives wrote and recorded their first set of songs at home before picking up Tim Daylight to complete the lineup, honing their songwriting and live set along the way. On their new LP Time Is An Angel, the band maintains a timeless feel while also expanding upon their sound and arrangements Following the album release, Cruise Control will be hitting the highway with a long stretch of regional and national touring in the coming year, bringing their music to dive bars, DIY venues and everywhere in between.

On Time Is An Angel, Cruise Control has presented us an album like a gifted bouquet of vibrant blooms, showing their hand at vintage tones and sincere songs From a-side to b, it plays like the perfect mixtape for an ambling summer drive Country twang merges with power pop jangle, fuzzy leads and honey sweet harmonies, sounding like the sight of blue sky after weeks of rain. Over the course of the album, you’ll feel the warm breeze of fiddles and haunting sweet pedal steel gather depth and hue to pick n’ strum ballads playing like Ole Opry faves, while washes of mellotron and endless guitar solos add watercolor washes to lightly psychedelic dreamfields, all before reaching the summit of the title track’s heartbreaking (and heart mending) crystalline crescendo of feeling and remembrance - Corby Plumb, Totally Different Head zine

Marketing & Selling Points

● Cruise Control are a Portland based band playing heartfelt and hooky tunes influenced as much by the twang of country as by 60s/70s rock and power pop ‘Time Is An Angel’, their debut album for Curation Records will be released on September 12th

● Following the album release, Cruise Control will be hitting the highway with a long stretch of regional and national touring in the coming year, bringing their music to dive bars, DIY venues and everywhere in between.

● ‘Time Is An Angel’ was mixed by Luther Russell (Those Pretty Wrongs, The Freewheelers)

● The album will be preceded by the singles ‘Like A Bell (2025 mix)’ and ‘So Long Carolina’

LISTEN TO - Time Is An Angel:Stream It

LISTEN TO - Time Is An Angel:Download Wave

DYLAN EARL - “LEVEL-HEADED EVEN SMILE” OUT SEPTEMBER 19TH, 2025

Born in Louisiana and naturalized by the Natural State, Dylan Earl seeks to understand himself by understanding others. His new album, ‘Level-Headed Even Smile’ (2025), charts territory into his formative years discovering Arkansas, the people who showed him the ropes and back roads; and who he hopes to become. Offering poignant nostalgia, history, and a refreshingly progressive approach to country and western music, his newest effort is rife with wry wit, irreverence, and an endearing desire to colour outside the lines.

Earl is a welcome, original voice in the scene, finding favour in mainstream and alternative spaces alike as a loveable, alt-country hippie. Charming and direct, he’s easy to root for, and has spent many hours behind the wheel, driving to play for you. Sharing stages with other fan favourites like Esther Rose, labelmate Nick Shoulders, Judy Blank, Emily Nenni, Teddy & The Roughriders, Rattlesnake Milk and The Deslondes across the USA and the EU/UK, Earl has honed his performance and craft for nearly a decade.

Describing Earl’s catalogue as “an exploration of identity” is fitting, but it’s certainly deepened by the subtleties and clever turns of phrase across the 10 track run-time. Earl is a welcome, original voice in the scene, finding favour in mainstream and alternative spaces alike as a loveable, alt-country hippie. Travelling counter-culture and across vast expanses, not unlike the inimitable White River in Arkansas, Earl carves a path distinctly his own.

7. Outlaw Country

8. White River Valley

9. Lawn Chair

10.

Street date: 9/19/2025

Forgetting is Violent is the most powerful release to date from Los Angeles saxophonist and composer Patrick Shiroishi (The Armed, Wild Up), with timely suites that meditate on racism and addiction. The music developed in part through extensive solo touring opening for Emma Ruth Rundle, in which Shiroishi brought effects pedals to the forefront. For the first time on a solo LP, Shiroishi has brought in collaborators: a who’s who of heavy music, including Aaron Turner (SUMAC), Gemma Thompson (Savages), and Mat Ball (BIG|BRAVE). With liner notes by Pulitzer Prizewinning author Hua Hsu, Forgetting is Violent is Shiroishi’s latest masterwork. We recommend snapping this one up while you can, because we expect copies will fly.

American Dreams Records

American Dreams Records is a transcontinental experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

PATRICK SHIROISHI

FORGETTING IS VIOLENT

A1. To protect our family names (feat. Aaron Turner)

A2. Mountains that take wing (feat. Aaron Turner and Gemma Thompson)

A3. ...what does anyone want but to feel a little more free? (feat. Aaron Turner and Faith Coloccia)

A4. There is no moment in my life in which this is not happening (feat. otay::onii)

B1. One last walk with the wind of my past

B2. Prayer for a trembling body

B3. To become another being there has to be some kind of death

B4. Trying to get to heaven before they close the door (feat. Mat Ball)

RIYL: The Armed, SUMAC, jaimie branch, Zoh Amba File under: Jazz, Heavy

“The saxophonist funnels a painful and triumphant history into his compositions” - NPR

Selling Points:

• New LP from acclaimed saxophonist and member of The Armed

• Collaborations with Aaron Turner (SUMAC, Isis), Gemma Thompson (Savages), otay::onii (Elizabeth Colour Wheel), Mat Ball (BIG|BRAVE), Faith Coloccia

• Touring planned fall 2025

• Extensive promotional campaign, with in-house press via Cody DeFalco and Ryan Cunningham and radio via Terrorbird

• Liner notes by Pulitzer Prize-winning author Hua Hsu

Catalog #: 84 ADR

Black LP: 727431750259

Box lot of 30

Label Contact: Eli Winter, label manager eli@american-dreams.zone

Redeye Worldwide 505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com

JON NOLAN & GOOD CO.

SLOW COOKER

It seemed like a good time to build some community. God knows I needed some. So I started building. But now my band and I wanted to invite you to join us, so we made you “Slow Cooker”—- a humble invitation to gather ‘round some songs and be present just like the friends who made it. Maybe stick around for a minute and get to know the place. Most of Slow Cooker was recorded live after hours, in a circle, all together in the magical upstairs room of our favorite music club. We shined up what needed shining, and left the edges where they pleased us. We made it on purpose, and together. Our friendship and connection to one another as well as where that energy joined the music was the most important and deliberate compass point we came back to over and over when making this record. That’s the stuff that weaves the songs together and inhabits the stories. Where we’re from is important too. The album cover shows us in the room where the songs were recorded, and where we’ve performed our three-year running series the album is named after. It’s where we began, and it’s where all our friends, fellow musicians and neighbors gather to have some food and drink and enjoy one another. We hope these songs lead to more of that. Maybe even with you?

STREETDATE:

September 19, 2025

1.Someone’s In The Driveway

2.On My Own

3.Sea Glass

4.Frozen Man

5.Hidden Glances

6.A Bird That Sings

7.Mad at Me

8.Dust, Sweat & Blood

9.Echos of Borderline

10.Goodbye for Now

Sel. #: SB55CD

CD CONFIG: Digiwallet

UPC: 607396055111

Genre: Americana, Alt Country

Sel. #: SB55 LP

CONFIG: Jacket, Black Vinyl

UPC:607396055135

Genre: Americana, Alt Country

strollingbonesrecords com leigh@strollinbonesrecords com stacey@strollingbonesrecords com

CaiminGilmore BlackGate

Irish double bassist Caimin Gilmore who can be heard performing with the likes of Shahzad Ismaily, Crash Ensemble, s t a r g a z e , The Staves, Sam Amidon, Justin Vernon (Bon Iver), Aaron Dessner (The National), Ye Vagabonds, and Phoebe Bridgers, among many others, releases his debut record BlackGate, via New Amsterdam Records in collaboration with Dublin Based Ten Spot Records BlackGate features renowned cellist Kate Ellis, harpist Lavinia Meijer, and Caimin Gilmore on double bass & DX7.

Each track on BlackGate is designated simply as either a Movement or a Segue which “serve as episodes that capture the rise and fall of lived emotion rushing, yielding, brisk and bright, heavy and halting mirroring life’s rhythms. ” Gilmore pushes his trio to the far ends of their sonic spectrum: The light bouncing rhythms of MVE I are dissolved into a solid wall of noise, the meditative harp in MVE II is met by screeching bowed strings, MVE III adds a Yamaha DX7 into the mix, adding ghostly echoes mirrored in the harp, and MVE IV’s haunting opening renders itself into a lush and pulsing sound world

BlackGate is being released on audiophile quality 10” vinyl, cassette & digital Each record is housed in a custom made — lithographically printed 10” Tip-On deluxe gatefold jacket produced by Ten Spot Records with layout by M&E Studio Sweden. The album has been designed and mixed to be listened to on vinyl record. Pressed at Optimal Media, Germany, on 100g vinyl.

NWAM196-LP 1. MVE I 2. Segue I 3. MVE II 4. Segue II 5. MVE III 6. Segue III 7. MVE IV

FFO: Matthew Calvert, Mary Lattimore, Kronos Quartet, Ye Vagabonds

RELEASE DATE: Sep 19th, 2025

ARTIST: Caimin Gilmore

TITLE: BlackGate

CAT. NO / BARCODE:

NWAM192-LP / 4062548110746

FORMAT: 10"

TERRITORY: WORLD

Heavenly –

Operation Heavenly Skep

Wax Records

LP SKEPWAX031LP 2025-09-19 5055869550680

For most members of the band it’s the best album. But, tragically, the release of Operation Heavenly in 1996 was overshadowed by the sudden death of drummer Mathew Fletcher. The promotional tour was cancelled, the surviving members of the band went into emotional hibernation and no-one could bring themselves to celebrate these vibrant, upbeat songs.

So, this release by Skep Wax Records, nearly thirty years on, is more like an album launch than a re-issue. Time has healed most wounds, and the songs on Operation Heavenly feel like they can finally emerge onto the stage, with Mathew’s spirit very much alive: his effervescent witty drumming sounding as fresh now as it did then. These tracks are gleeful, melodic, sophisticated and knowing. The tough riot grrrl edge that Heavenly had developed a year before with seminal singles P.U.N.K. Girl and Atta Girl, has been blended with a deliberate quantity of Britpop styling.

Operation Heavenly was the band’s first release on a label other than Sarah Records. Matt Haynes and Clare Wadd had brought that exceptional label to a deliberate and dramatic end. The liaison with US punk label K Records continued. But in the UK, Heavenly needed to find a new home - and Wiija Records were welcoming hosts, ushering the band into a brasher, less cloistered world: the production on this album is brighter than before, the artwork is colourful and upbeat. With tracks as catchy and as complete as Fat Lenny, Trophy Girlfriend and Space Manatee there was an expectation that Heavenly might finally emerge from the indiepop shadows and trouble the charts. And who knows if this might have happened. Mathew was lost before the album was released, and the band had no choice but to bring things to an end.

Speed Of The Stars

(Steve Kilbey & Frank Kearns) –

While Italy Dreamed ….Through Summers Of Haze

Easy Action

2LP

EARS206LP 2025-09-19 5060446074374

EARS206CD 2025-09-19 5060446074381

Frontman and bassist Steve Kilbey of the Australian rock group The Church and Frank Kearns, guitarist of the Irish band Cactus World News, had already come together at the end of the 1990s to get some musical pieces off the ground together. However, this material was not captured on any record at the time. Originally released on Red Coral Records & then re-issued by Easy Action in 2023 on vinyl & CD (EARS195 & EARS195LP)

• Brand new recording from Steve Kilbey (The Church) Frank Kearns (Cactus World News ) Hugo Race (Fatalists) & Barton Price (Models)

• Limited Pressing of 800 copies of this deluxe gatefold sleeve 2xLP cut at 45RPM for optimum sound

• An Ambient-Psyche Progressive vibe flows throughout this amazing album intercut with soundscapes and sublime vocals

Pharaoh Overlord –

Louhi

Rocket Recordings

LP LAUNCH380S 2025-09-19 5056321673183

CD LAUNCH380CD 2025-09-19 5056321673831

In the world of Pharaoh Overlord, little is ever as it seems. This band is less comprised of tricksters or mischief makers than fearless obsessives whose musical instincts take twisted and wild pathways. Now, fresh from forays into Italo-disco and synth-pop, they have thrown another still more mighty statement of intent into the universe. Louhi is a thunderous and majestic epic of joyful repetition and earth shaking power. A two-track minimalist-rock monolith forged from guitars, synths and hurdy-gurdy, inspired by the band’s eternal touchstone influence Outside The Dream Syndicate by Tony Conrad and Faust, and constructed around a single riff and melodic idea, it builds and evolves to fearsome pinnacles of elemental intensity.

Vocalist and longtime collaborator Aaron Turner (SUMAC, Isis, Old Man Gloom) and Tyneside maverick Richard Dawson were equally keen to get on board, the former taking a spontaneous and improvisatory approach to his vocal parts, and the latter largely playing a part consisting of one guitar chord. Yet whatever routes Pharaoh Overlord take to their destination, a common theme is the consciousness-warping singularity of the riff and the mantra, and the temporal disorientation this can provoke mirrors the broader designs of this record, which takes traditional folk elements and transports them in the band’s singular time machine.

April Magazine –

Sunday Music For A n Overpass

Tough

Love

LP TLV179LP 2025-09-19 5055869551564

Tough Love brings to vinyl for the first time April Magazine's Sunday Music For An Overpass, a nine track collection originally issued on cassette in vanishingly small number by Paisley Shirt in 2021. The kind of mythical recording you might have once needed to know the band to own. Alas, no longer..

Can the universe have two centres? Because if it's not Gothenburg it's San Francisco... It's impossible for me to think about what's going on in that particular part of the west coast right now without immediately being drawn to April Magazine, a comparatively loosely assembled three (sometimes four) piece centred around artist/musician Peter Hurley, who seem to simultaneously operate at both the heart and the margins of the current Bay Area underground. On the one hand they share members with many other bands, their guitarist/singer runs a gallery that functions as some kind of focal point/social space, and Cindy even have a song named after them. On the other hand, their music is resolutely lo-fi and invariably couched in a mysterious haze, the live footage available online seems to suggest that they sound slightly different each time they play, and there are reports they have dozens of songs (possibly albums?) that have not and may never be released, hidden inside their own private universe. On its initial release, Sunday Music For An Overpass was an early attempt to drag the group a little closer into the light, yet inevitably made them feel as endearingly enigmatic as ever. Typically, this vinyl reissue some four years later only goes part way in clearing that alluring fog

April Magazine channel the greats - Spacemen 3, The Pastels, early B&S, Mary Chain, Rainy Day/Opal/Mazzy et al - but submerge their obvious melodic capabilities within seemingly infinite spray can hiss, as if the songs are being pulled backwards through some vortex to the past. Half of these tracks are instrumentals, and it's in those moments that the band are perhaps at their most expressive, suggesting a very inviting melancholy that can't quite be figured out. Though the LP remasters the original recordings and is a little cleaner sounding as a result, no secret is being given away. The appeal is that the more you hear from them, the less you really know, and all the better for it. Maybe, then, it's that April Magazine are here to show there is no centre to the universe, that instead it's always just off to the side..

Nubiyan Twist –

NT Soundsystem (Dubplate Inferno)

Firebelly Records

LP FBRVA002LP 2025-09-19 5055869551496

Nubiyan Twist present NT Soundsystem - Dubplate Inferno, a new 9 track album reimagining tracks from their critically acclaimed album ‘Find Your Flame’, transforming them into bass-heavy, dub-infused dancefloor killers. Produced by band leader Tom Excell alongside singer Aziza Jaye, the remixes channel the raw energy of the band’s live performances, blending their signature fusion of jazz, afrobeat, soul, and reggae with the gritty, immersive sound of traditional UK soundsystem culture.

The album features some extra guests on vocals, legendary MC Horseman appears on a drum & bass version of ‘Battle Isn’t Over’ whilst newcomer SkillFul Kxng from Kingston, Jamaica, breathes some Dancehall fire on ‘Woman’, adding to contributions from the original record including Seun Kuti, Mamani Keita & NEONE the Wonderer.

This project is a celebration of collective musical innovation, paying homage to the UK’s rich soundsystem heritage while pushing boundaries with their genre-defying style.

Nubiyan Twist have built up a name as one of the forerunners of the UK Jazz scene, fusing together global grooves, soul and jazz; intertwined with electronic elements, horn-led melodies and spontaneous improvisation.

The influence of soundsystem culture has been ever present in their music, from dub sessions the band used to attend in Leeds to jungle raves of East Anglia in the 2000’s. Band Leader Tom Excell has a history of DJing and producing dance music, including with reggae side-project Chief Rockas, working with reggae giants such as Super Cat, Luciano & Turbulence.

Nubiyan Twist’s lead singer Aziza Jaye was born of Jamaican heritage and has grown up around soundsystem culture, boasting an incredibly versatile vocal style and large catalog of work alongside a plethora of producers, including recent work with Mungo’s Hi-Fi.

"A beautiful blend of groovy dub with uplifting horns and soulful vocals" The Guardian "A free-flowing assemblage of jazz, soul, hip hop and diasporic styles." Mojo

“A cauldron of energy that bubbles with invention. Exhilarating stuff.” Record Collector “Energy, rhythm, youthfulness, madness, precision and multiple influences.” Rolling Stone

Memotone –Smallest Things

World of Echo

LP WOE022LP 2025-09-19

5055869551526

RIYL: Jon Hassell, ECM, Robert Wyatt, Tara Clerkin Trio, Blue Lake, The Sea and Cake LP limited to 400 copies worldwide

Will Yates has made music as Memotone since 2007. He operates in the tradition of what Robert Fripp has called 'a small, independent, mobile, and intelligent unit.' If you book him, he will come. When he arrives, he will have everything he needs to make his complex, engaging music: a clarinet, a guitar, synths, samplers and pedals, quickly unpacked in the corner of a club, gallery or village hall. Starting small, he will build layer upon layer of melody, accompanying himself and cutting across himself, creating a music that avoids cliche and moves beyond easy description. His recordings have followed the same trajectory. Moving quickly, he has released fifteen or so albums across various labels. Taken together, these recordings are the sound of a skilled, inventive composer pushing at the edges of what he wants to listen to himself. It is possible to hear a variety of influences in his music: folk and jazz forms, the textural inventiveness of British DIY electronica and Chicago post-rock and the blurred sci-fi brass of Jon Hassell are all discernible. But mostly, Will's work seems to stem from a constant drift between long hours in his home studio, and time spent outside in the woods and hills around his home in Wales.

Newton Faulkner OCTOPUS

NewtonFaulkner’seighthstudioalbum,OCTOPUS,marksa boldnewchapterforthemultiplatinumsellingsingersongwriter-hismostauthenticandadventuroustodate. Overfiveyearsinthemaking,thealbumseesFaulkner steppingintoanewerawitharefreshedsenseofartistic freedom,blendingunexpectedinfluencesfromfunkand R&BtosoulandLatingrooves.Swappinghistrademark acousticguitarforadistortion-chargedHofnerViolinBass, heunlocksafreshsongwritingapproachthatfuelsstandout tracksliketheanthemicleadsingle“Alright,Alright, Alright.”Richincollaboration,OCTOPUSfeatures contributionsfromLissie,LosBitchosandBloomTwins, bringingnewtexturestohissound.It’sarecordthat celebratescreativereinvention,groundedbymomentsof heartfeltreflectionanddrivenbyarenewedpassionfor makingmusic.