Pompidou II

POMPIDOU II 484 2023 ARCHITECTURE STUDIO SEAN KIM

BIO

SEAN KIM > As an architecture student, I am passionate about creating spaces that are both functional and beautiful, while also considering their impact on the environment and people. I believe that sustainable design is essential, and I strive to create buildings that not only reduce their environmental footprint but also contribute positively to the surrounding ecosystem. > In addition to my focus on sustainability, I am also interested in affordability.

I believe that good design should be accessible to everyone, and I work to create spaces that are both costeffective and sustainable, ensuring that people can enjoy well-designed and designing comfortable living spaces that are affordable for everyone.

2

POMPIDOU II | SEAN KIM

> Alongside my studies in architecture, I enjoy exploring product design. I find inspiration in everyday objects, and I am always looking for ways to create products that are both beautiful and functional. I believe that good design can enhance people’s lives, and I enjoy applying my skills to a range of different design challenges. > Overall, I am passionate designer who is dedicated to creating a better space for people and the environment. I believe that good design can make a positive difference in people’s lives, and I am committed to exploring new ways to create sustainable, affordable, and beautiful designs.

TA B L E O F C O N T E N T S

> Material phase 4-5

> Component phase 30-31

> Architectural Systems 50-51

>

Pattern1 6-7

>

Physical pattern v2/Blocks 32-33

>

Museum/Cafe render 52-53

>

Pattern2 8-9

>

Elevation/Plan 34-35

>

Residential Home/Ceiling scaffold render 54-55

>

Pattern3 10-11

>

Physical model 36-37

>

Planting statue/ Product Design render 56-57

>

Pattern4 12-13

>

Solar Analysis 38-39

>

Conclusion 58-59

>

Pattern5 14-15

>

Water Flow Analysis/ Plant 40-41

>

Pattern6 16-17

>

Planting Diagram 42-43

>

Pattern7 18-19

>

Joint Diagram/ 3d Section 44-45

>

Pattern8 20-21

>

VR/1:1 model 46-47

>

Pattern9 22-23

>

Section wall Detail/ Axon 48-49

>

Lawerence floor plan/photos 24-25

>

LiDAR/ photos 26-27

>

Digital model existing space 28-29

POMPIDOU II| SEAN KIM

3

MATERIAL PHASE

M AT E R I A L P H A S E

PATTERN 01 CROSS RHOMBUS

In this pattern I was inspired by the geometric shape of the honey comb so I created a rhombus shapes that intertwine.

The speed for this print was F600.

In the first print the sharp cross section from the digital model has turned the physical print into curves that are now just touching each other side by side instead of being crossed with each other.

6

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Honey Comb Honey Comb

1 mm x 1 mm

POMPIDOU II| SEAN KIM

7

M AT E R I A L P H A S E

PATTERN 02 UNITED STARS

In this pattern looking at the plant and star fish I wanted to create sharp angles for this pattern so, there are a bunch of stars being crossed with each other that created different sizes of shapes.

The speed for this print was F600.

In the second pattern the star cross sections are sharp and dynamic when they cross each other. The physcial printed model makes the corners more round but also the middle cross sections start to create smaller loop hoops.

8

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: SPIRAL ALOE Star Fish

1 mm x 1 mm

POMPIDOU II| SEAN KIM

9

M AT E R I A L P H A S E

PATTERN 03 ANGULAR STRIPES

In this pattern tried to replicate Tiger stripes into this pattern.

The speed for this print was F600.

The third pattern in the digital model have a lot of sharp angles. In the physical model print the print has become more wave like and instead of the overlap seen in the ditigal they are just sticking side by side.

10

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Tiger Fur Tiger Fur

1 mm x 1 mm

POMPIDOU II| SEAN KIM

11

M AT E R I A L P H A S E

PATTERN 04 SHIELD

In this pattern I liked the curves of the plants so I made a combination of what both plants would look like by making a sharp end but keeping a curvature shape.

The speed for this print was F600.

12

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Lotus Cactus Houseleek

1 mm x 1 mm

POMPIDOU II| SEAN KIM

13

M AT E R I A L P H A S E

PATTERN 05 ANGLED TRIANGLES

In this pattern I just wanted to test the sharpness of the pattern by using triangular shapes.

The speed for this print was F600.

14

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Cracked Stone Sea Shell

1 mm x 1 mm

POMPIDOU II| SEAN KIM

15

M AT E R I A L P H A S E

PATTERN 06 CROSS BLAST

In this pattern I was focusing on the leafs vein and how crazy the patterns were on the vein so I tried to make somehing that crosses over each other.

The speed for this print was F600.

16

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Leaf Leaf

1 mm x 1 mm

POMPIDOU II| SEAN KIM

17

M AT E R I A L P H A S E

PATTERN 07 TRIANGULAR CROSS

In this pattern both plants show a strong triangular shape so I created triangular crosses.

The speed for this print was F600.

18

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Tristagma Uniflorum Succulent

1 mm x 1 mm

POMPIDOU II| SEAN KIM

19

M AT E R I A L P H A S E

PATTERN 08 SANDROSE

In this pattern the corals are unique patterns So I created bunch of crosses.

The speed for this print was F600.

20

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Coral Mushroom

1 mm x 1 mm

POMPIDOU II| SEAN KIM

21

M AT E R I A L P H A S E

PATTERN 09 SANDROSE

In this pattern this one was the most fun to create becuase I like the shape of the snake scales and tried to represent those patterns.

The speed for this print was F600.

22

POMPIDOU II | SEAN KIM

1 mm x 1 mm

M AT E R I A L P H A S E

IMAGE: Snake Scale Lizard Scale

1 mm x 1 mm

POMPIDOU II| SEAN KIM

23

M AT E R I A L P H A S E

LAWRENCE HALL FLOOR1 The Orange rectangle in the Lawrence floor plan designates the specific area where the scaffold will be placed, while the dashed lines represent the main circulation paths throughout the space.

24

POMPIDOU II | SEAN KIM

M AT E R I A L P H A S E

Western light

Eastern Light

POMPIDOU II| SEAN KIM

25

M AT E R I A L P H A S E

SCANNED SPACE IN LAWERENCE DIGITAL SPACE AND PHYSICAL SPACE

Lidar model of lawerence main staircase.

To the north receiving western and eastern light. From the south is the main entry way .

26

POMPIDOU II | SEAN KIM

SECTION XX | NAME OF SECTION

Daylight photos of Lawerence main staircase.

Daylight photos of Lawerence main staircase.

POMPIDOU II| SEAN KIM

27

M AT E R I A L P H A S E

DIGITAL MODEL EXISTING SPACE An axonometric drawing will be created to depict the existing components, such as sprinklers and electrical outlets, in their original locations. This drawing will provide a clear and detailed representation of the current layout

28

POMPIDOU II | SEAN KIM

M AT E R I A L P H A S E

A digital model of an existing South-facing space that includes the representation of sprinklers and electrical outlets.

A digital model of an existing North-facing space that includes the representation of sprinklers and electrical outlets.

POMPIDOU II| SEAN KIM

29

COMPONENT PHASE

COMPONENT PHASE

PATTERN MAKING V2 PHYSICAL/DIGITAL PATTERN

I have selected physical patterns that I believe are well-suited for the development of scaffolds. These patterns share a common theme of incorporating acute angles and sharp overlaps, which I believe will be effective in promoting the growth of the desired structures.

Pattern 1

Pattern 2 32

POMPIDOU II | SEAN KIM

COMPONENT PHASE

Moving forward, my focus will be on creating a simple pattern that can be easily replicated and made affordable for on-demand production.

Block Pattern

Pattern 3

DigitalPattern POMPIDOU II| SEAN KIM

33

COMPONENT PHASE

ELEVATION 1/4”=1’

The elevation drawing depicts the scaffold system currently being used in Lawrence, which is offset by 1 ft. Additionally, the red lines on the drawing represent the new piping system that has been connected to the scaffold to facilitate the flow of water through it.

Final Pattern Design

34

POMPIDOU II | SEAN KIM

COMPONENT PHASE

FIRST FLOOR PLAN 1/4”=1’ Plan drawing, the only systems that currently exist are the sprinklers and electrical outlets. The blue lines indicate the new systems being installed, such as the piping systems and electrical wires going into lights. The red lines represent the existing components that will remain in place.

POMPIDOU II| SEAN KIM

35

COMPONENT PHASE

PHYSICAL SCAFFOLD 1/2”=1’ MODEL PRINT

The physical scaffold is being examined more closely, providing a better understanding of its three-dimensional structure and how it is positioned in space. This analysis provides a more detailed view of the scaffold’s shape and orientation

36

POMPIDOU II | SEAN KIM

COMPONENT PHASE

PHYSICAL SCAFFOLD IN LAWRENCE 1/2”=1’ MODEL PRINT

POMPIDOU II| SEAN KIM

37

COMPONENT PHASE

SOLAR STUDY

This study is examining the amount of solar exposure on a scaffold during the period of January to May. The simulation results show that the left side of the stairway has more exposure to sunlight than the right side. This discrepancy in exposure can be attributed to several factors, including the direction of the sun and potential obstructions.

38

POMPIDOU II | SEAN KIM

COMPONENT PHASE

Based on the lux reading, the space is receiving a significant amount of light, which seems to correspond with the solar study when looking towards the north.

Specifically, at 11 AM when the reading was taken, a significant amount of light from the west was reaching the space.

POMPIDOU II| SEAN KIM

39

COMPONENT PHASE

WATER FLOW ANALYSIS

The water flow analysis diagram provides an estimation of the amount of water that is flowing through the scaffold. This analysis takes into account the water flow that comes off the main vertical pipes and is distributed horizontally, which is a positive aspect of the scaffold’s design.

In essence, the diagram shows how the water is likely to flow into the scaffold based on these factors.

40

POMPIDOU II | SEAN KIM

COMPONENT PHASE

SCINDAPSUS SILVER POTHOS -Low Maintenance -Grows without sunlight -Cleans the air -Increases Humidity -PPFD (μmol/m²/s)= 40-600 -DLI (mol/m²/d)= 4-14 -40 PPFD WITH NATURAL DAYLIGHT OF 6500K= 1739 LUX -600 PPFD WITH NATURAL DAYLIGHT OF 6500K= 26087 LUX - These are the calcultions of 40 PPFD and lights are providing a daily light integral of 1.7 mol/m²/d, which is insufficient for optimal growth of your pothos plant.

To achieve better growth, you need to increase your light output to 162 μmol/ m²/s by increasing the intensity or duration of the light exposure.

- These are the calcultions of 600 PPFD and lights are currently providing a daily light integral of 25.9 mol/m²/d, which is too much for your pothos plant by approximately 270%. To achieve optimal growth and reduce energy consumption, you can either reduce your lighting duration to 3.2 hours or decrease your light output to 162 μmol/m²/s.

POMPIDOU II| SEAN KIM

41

COMPONENT PHASE

PLANTING DIAGRAM ON HOW ITS PLANTED

In this diagram the silver Scindapsus pothos in a scaffold system. Involves cutting rectangular cut-outs from a pipe and adjusting the variations of how much each section of the pipe can hold by either holding one or two.

42

POMPIDOU II | SEAN KIM

COMPONENT PHASE

ELEVATION PLANT DIAGRAM In the elevation drawing that shows where the pothos plants will be placed on the scaffold. Additionally, plan to create color variations on the wall by mixing and matching the silver pothos with other varieties of pothos.

The elevation drawing is simply a visual representation of what the plants will look like on the scaffold, and it shows the specific placement of each plant.

POMPIDOU II| SEAN KIM

43

COMPONENT PHASE

JOINT PIECES

To construct the scaffold, three primary components are utilized: a 90-degree PVC connector, a tee connector, and pipes. The chosen scale for building is 1:1, with the pipes having a diameter of 2 inches. This particular diameter was selected to ensure ample space for the roots to spread and grow effectively.

44

POMPIDOU II | SEAN KIM

COMPONENT PHASE

3D SECTION WALL DETAIL The 3D wall detail section is intended to provide a clearer depiction of how the scaffold is attached to the wall and to highlight the specific intricacies that exist within the given space.

POMPIDOU II| SEAN KIM

45

COMPONENT PHASE

VR IMAGE

The VR image presents a 1:1 scale of the scaffold, providing a fascinating opportunity to visualize how it would appear in Lawrence in real-time. Observing the scaffold in this manner can be highly informative and engaging.

46

POMPIDOU II | SEAN KIM

COMPONENT PHASE

1:1 SCAFFOLD

The 1:1 scale scaffold serves to demonstrate how the structure will appear when actual plants are growing out of it. This provides a realistic and tangible representation of the final product.

POMPIDOU II| SEAN KIM

47

COMPONENT PHASE

DETAILED WALL SECTION 1/2”=1’ This drawing illustrates the specifications for the final construction of the wall, including the installation of a waterproof backboard to prevent moisture from entering the stairwell. It also depicts the drainage and piping systems that will be used to discharge water. Additionally, the drawing outlines the layering process for assembling the scaffold in Lawrence, which involves the use of various materials.

48

POMPIDOU II | SEAN KIM

COMPONENT PHASE

EXPLODED AXON

The axonometric drawing provides a clearer view of each individual component, allowing for a better understanding of the new additions such as the pipes, drainage system, and scaffold. This perspective provides a detailed view of each element, making it easier to visualize the entire structure and its various parts.

POMPIDOU II| SEAN KIM

49

ARCHITECTURAL SYSTEMS

ARCHITECTURAL SYSTEMS

MUSEUM

The rendered space depicts how the scaffold would look when presented within an a museum setting, providing a visual representation of the overall aesthetic and atmosphere of the environment.

52

POMPIDOU II | SEAN KIM

ARCHITECTURAL SYSTEMS

CAFE

The rendered space depicts how the scaffold would look when presented within an a museum setting, providing a visual representation of the overall aesthetic and atmosphere of the environment.

POMPIDOU II| SEAN KIM

53

ARCHITECTURAL SYSTEMS

RESIDENTIAL HOME

Through the rendered space, we can visualize how the scaffold would fit within a residential home setting, giving us a sense of the atmosphere and aesthetic of the environment.

54

POMPIDOU II | SEAN KIM

ARCHITECTURAL SYSTEMS

CEILING SCAFFOLD

This ceiling scaffold employs the same components used in constructing a traditional scaffold, but with certain modifications that create a wave-like motion by tilting some of its parts.

Additionally, it features spaces where plants can grow and luminaires can hang from the scaffold.

POMPIDOU II| SEAN KIM

55

ARCHITECTURAL SYSTEMS

PLANTING STATUE

This planting statue employs the same components used in constructing a traditional scaffold, but with certain modifications that create an off-set beauty by rotating some of its parts. Moreover, it features spaces where plants can grow.

Depending on the context, this statue could be placed in a garden area or positioned in front of or inside the main entrance of a building.

56

POMPIDOU II | SEAN KIM

ARCHITECTURAL SYSTEMS

PRODUCT DESIGN

Through these iterations, the component blocks of the scaffold are repurposed to create functional furniture pieces such as bookshelves, tables, and chairs, while retaining the original shape of the scaffold. This playful exploration not only showcases the versatility of scaffold components but also highlights the potential for sustainable design by repurposing materials that would otherwise be discarded. By transforming scaffolding into functional furniture pieces, this approach offers a unique and creative way of reducing waste and reusing materials in innovative ways.

POMPIDOU II| SEAN KIM

57

ARCHITECTURAL SYSTEMS

CONCLUSION

In conclusion, exploring the creative potential of scaffold components has shown us the versatility of this material, allowing us to repurpose it in ways that are both functional and aesthetically pleasing.

Moreover, this approach highlights the importance of sustainable design by reducing waste and reusing materials.

Moving forward, I am committed to finding sustainable materials that can be repurposed and will last longer than traditional materials like PVC pipes. By doing so, we can minimize our impact on the environment and promote a more sustainable future. Additionally, we can further explore the potential of the scaffold as a platform for testing and experimenting with other plants and their growth patterns. Through this ongoing exploration, we can continue to push the boundaries of sustainable design and find new ways to repurpose materials, creating more versatile and dynamic designs that benefit both the environment and the people who interact with them.

58

POMPIDOU II | SEAN KIM

ARCHITECTURAL SYSTEMS

POMPIDOU II| SEAN KIM

59