AUSTYN TAYLOR (b.1984, Rochester, NY, USA - Ceramics MFA Alfred University 2016). Taylor has maintained a 8 year nomadic studio practice working around the world as a visiting resident artist. Her works have traveled across the globe as well finding collections in Lebanon, Japan, Mexico, United Kingdom, South Korea, Germany, Spain, France, Taiwan, Netherlands, Thailand, Belgium, United States, Denmark, Indonesia, New Zealand and Hong Kong. She is currently based deep in the coastal redwoods of Mendocino, CA, USA.
Friends, Aren't We?
CLASUTTA (b.1995). Graduated an architect from Tarumanagara Unversity, Jakarta. Clasutta is now taking a little turn in her path. What used to be her side gig is now her main focus: painting. Using oil paints, Sutta aims to transform her own daily struggle into comedy as represented by characters she create.
Return of the Mack mixed media on french linen
130 x 86 cm
2023
Un Oasis Dans le Desert
Mixed media on French linen
135 x 172 cm
CYRIL KONGO (b. 1969, Toulouse, France). He started doing graffiti as an urban street artist in 1986. In the early years of his practice, he was a solely street artist; he produced large frescoes, whether on walls or other urban constructs, throughout the world. These artworks, which unfortunately can now only be found in photos and film, gained him recognition on the international stage. His twenty years of experience in the French Graffiti scene as a member of the MAC CREW collective allowed him to hone his mastery in this discipline and earned him the title as one of the early representatives of the world’s Graffiti scene; introducing graffiti as a genre.
Kongo’s works gained international recognition from the many national and international festivals he participated in. He held numerous solo exhibitions, and his art was also featured in several gallery exhibitions. Most of his works are now part of exclusive private collections. Cyril Kongo has worked with D Gallerie since 2013, where he held his Solo exhibition A stroll in Paris with Kongo. In 2019, Kongo launched his solo show Les Ephémères de Cyril Kongo (Kongo’s Studio) in Jakarta with D Gallerie. Being recognized as a world-acclaimed artist, prestige brands began to commission Kongo for the creation of luxury goods. Some of his notable collaborations include a silk scarf (a carré) with Hermès in 2011, the RM 68-01 TOURBILLON CYRIL KONGO watch with Richard Mille, and a pâte de Verre spray-paint can with crystal manufacturer Daum in 2016. In 2018, Kongo had a collaboration with Karl Lagerfeld for the 2018 Chanel Métier d’Art collection shown in New York.
Whispers of Colours (Socotra Island ,Yemen) printed on paper flanked with 3 mm & 2 mm acrylic
90 x 120 cm
A Crimson Notein a Sea of White (Socotra Island, Yemen) printed on paper flanked with 3 mm & 2 mm acrylic
90 x 120 cm
Desert Solitude (Socotra Island, Yemen)
Printed on paper flanked with 3 mm & 2 mm acrylic
120 x 90 cm
HERMANDARI KARTOWISASTRO, (Banjarnegara, 13 November 1943) Co- Founder of PT Caturgrya Naradipa in 1989 an Interior Contracting Company (retired in 2015). Hermandari has a passion for traveling and started seriously to pursue her hobby in Photography. She has Published 2 Photobooks, the first book in 2013 MENGAPA TIDAK Black & White Photos. The second book in 2020, RUTA 77 about Hermandari’s travels in South America and Antarctica. Hermandari held her first Solo Exhibition in 2013 at Kunst Kring, Jakarta, the 2nd one in 2023 at D Gallerie Jakarta. She has participated in several exhibition such as in Galeri Nasional Jakarta, Galeri Yogyakarta, ART: 1 New Museum, Jakarta. The highlight as a photographer is, Hermandari was choosen to participate in the very wellknown Indonesian Art Exhibition, ART JOG 2023 which up today is 17 years old. She has visited 77 countries.
Boundaries Dissolved
fiberglass resin on synthetic fur 135 x 200 cm
Benih oil, acrylic on canvas
110 x 100 cm 2024
Di Antara Bagian oil, acrylic on canvas
80 x 60 cm 2024
Di Atas Bingkai oil, acrylic on canvas
70 x 60 cm 2024
IPIKI SUYERSA (28), an alumnus of FSR ISI Yogyakarta (Indonesian Institute of the Arts Yogyakarta), raises profound questions about the use of resin as a symbol of "change" and "practicality" in the era of modernity. Synthetic polymer resins, which now dominate the world of art and industry thanks to their ease of processing, present an ethical dilemma along with their negative impact on the environment. Parallel to the non-biodegradable nature of plastics, resins bring long-term consequences to the ecosystem. The choice of a striking candy tone color palette reinforces the visual narrative, threatening traditional patterns in a striking way. In the process of melting, the resin melt forms hundreds of melt tantacles that create a kinetic effect, conveying a hidden message about change and its impact on cultural identity. Visually, these characteristics refer to a narrative that seems to "speak" about the negative impacts produced by technological acceleration. The importance of reflecting on the impact of resin materials on the environment and culture is at the center of the conversation. This dynamic and vibrant visual creation attempts to set the stage for a critical dialogue on environmental awareness and traditional values amidst the ever-changing currents of modernity.
Reminder II
acryliconcanvas
MICAH CRANDAL-BEAR
Reminder III
MICAH CRANDAL-BEAR
Of The Alpine III acryliconcanvas
MICAH CRANDALL-BEAR’S abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear layers that cascade from atmospheric to subterranean. Landscape details hint at daily and seasonal shifts in light, evoking a sense of evolution and balance. He presents abstractions that inspire a deep and effusive connection to nature. Crandall-Bear achieves longitudinal depth by exacting precisely renderedlinesandseamlessexpansesofcolor.Thisexplicitlycomposed depth communicates a sense of contingency and locality. Micah’s construction of space is enhanced by his painting method. His ‘wet-onwet’ method is a contemporary application of ‘alla prima,’ a traditional technique used mostly in oil painting, where layers of wet paint are appliedtopreviouslayersofwetpaint.Nomatterhowpreciseorgeneral the area, Micah’s layered brushstrokes are decisive, but also gestural, often spanning the entire surface of the canvas from left to right. This highly active method of painting is sometimes tempered through rapid buffing and blending. The outcome is a smooth, boundless, and energetic surface. As a Sacramento, California native, Crandall-Bear established his artistic roots locally and continues to promote the growth of his community. His work is represented in the United States, Asia, and Europe. He has been featured in ArtSlant, Art Maze Mag, AmericanArtCollectorMagazine,Forbesandmore.
Senandung Pacar Air No. 8 (Song of Impatiens Balsamina Rose)
Senandung Pacar Air No. 9 (Song of Impatiens Balsamina Rose)
120 x 90 cm 2024
acrylic on Canvas
Jatiluwih No. 11
acrylic on canvas
80 x 60 cm 2024
Jatiluwih No. 12
acrylic on canvas
80 x 60 cm 2024
Jatiluwih No. 13
acrylic on canvas
80 x 60 cm 2024
Jatiluwih No. 14
acrylic on canvas
80 x 60 cm 2024
Jatiluwih No. 21
Jatiluwih No. 22
I PUTU WINATA was born in Denpasar, Bali, February 27, 1977. His interest in the world of art, since his youth, was honed even sharper at the Faculty of Fine Arts, Metal Crafts Department, at the Indonesian Art Institute, Jogjakarta from 1995 to 1999. At the same time, his interests and talents in the field of painting was also forged, along with his friends in the Sanggar Dewata group. Apart from being actively involved as an administrator at Sanggar Dewata Jogja in 1997, and as the main treasurer at Sanggar Dewata Bali in 2008, Putu ‘PW’ Winata has also always been active in creating and exhibiting since 1996 until now. Some of his latest exhibitions are group exhibitions at the Art Moments Jakarta 2, 2022, “Online Raw Art” and “World Without End” exhibitions in Kuala Lumpur, Malaysia, then the solo exhibition “Garden of Intuition” at the Zen1 Kesiman Gallery, Denpasar, Bali, Indonesia. PW was also included in the top 10 nominations for the 2022 UOB Art of The Year Awards. His admiration for the beauty and majesty of nature is expressed in many of his works. Meanwhile, his perseverance when practicing, experimenting, and exploring in the process of self-discovery has made his work not only more interestingly enjoyable, but also more authentic.
RANGGA APUTRA (b. 1995, Yogyakarta, Indonesia). He graduated from the Faculty of Fine Arts at the Indonesian Institute of the Arts Yogyakarta in 2021. Rangga’s artworks are exploring its various media media as means of expression, including sketches, paintings, reliefs, sculptures, and installations. For Rangga, these various media have their own strengths that can represent his ideas. Rangga using texture strokes as a representation of the time he scratch to return to his personal memory. He captured a wide variety the everyday human activities with this paintings to represent absurdities in life, and some use of poetic language in translating his work so that his artwork can have a much deep artistic meaning.
Rangga actively participates in various exhibitions, both inside and outside the country, joint the group exhibition and solo exhibition. His recent solo exhibition in 2021 in Swiss and Yogyakarta, and some of his exhibitions that took place in Italy.
SABINA FEROCI
70 x 70 x 5 cm
Capitan Stripe Mixmedia on Wood
SABINA FEROCI
Flash Mixmedia on Wood
40 x 40 x 5 cm
SABINA FEROCI
40 x 40 x 5 cm
Capitan Tempesta Mixmedia on Wood
SABINA FEROCI
70 x 70 x 5 cm 2024
Topolino Mixmedia on Wood
SABINA FEROCI
Bat-man
Mixmedia on Wood
70 x 70 x 5 cm 2024
SABINA FEROCI
Born in Florence, Italy, in 1971 Sabina Feroci lives and works in Carrara; she is an illustrator and creates sculptures in papier-mache. Between the end of the Nineties and the beginning of the Millennium she has collaborated with publishing houses and advertising agencies, while starting a number of collaborations with art galleries, both in Italy and abroad.
Even though she has involved herself more and more into sculpture in the last thirteen years, she has bridged an ideal gap between 3D paper figures and pictorial ones, delegating once to the latter and once to the former the task of investigating the emotions of that particular charachter, lived in his or her everyday life. The automatic gesture, the most sincere, links the language of the body to that of the soul and talks honestly of our brazeness or shyness, it talks about us. “Sabina Feroci’s art is that of sculpting emotions” (Paola Gennari, 2018).
SEKARPUTI SIDHIAWATI
Anchoring
handbuilt stoneware, underglaze, luster
21 x 19 x 16 cm
2023
Treasure of Us
handbuilt bone-china, underglaze, luster
20 x 23 x 18 cm
2023
SEKARPUTI SIDHIAWATI
Reinforcement
handbuilt bone china, underglaze, luster
30 x 23 x 13 cm
2024
Benign Garden
19 pc - Slab, stoneware, glaze, engobe, wire
Approx. 190 x 60 cm (site-specific)
2018
SEKARPUTI SIDHIAWATI is a visual artist who raises stories about the empowerment of women in domestic and intersection culture to give them and herself the drive to continue working. She is mainly working with ceramic, the material that highly represents house and women in general. She was born in Jakarta 1986. Taking formal education at the Faculty of Art and Design ITB-Ceramic Art studio. She is now known as the founder of the studio Arta Derau, while consistently working in the art world. After working in Bandung, in 2018 she moved to Bali to expand her ceramic studio business. With woman related issues, Puti had been a finalist of several fine art awards such as the Soemardja Art Award (2010) and the Bandung Contemporary Art Award 2013. She had join several prestigious exhibition include Jakarta Contemporary Ceramic Biennale, National Gallery of Indonesia (2014); Temperature Affect, Museum of Fine Arts and Ceramics Jakarta (2017); Manifesto, National Gallery of Indonesia (2017); Termasuk, Darren Knight Gallery Australia (2018); Southern Constellations: The Poetics of the NonAligned, Museum of Contemporary Art Metelkova, Ljublana-Slovenia (2019).
TUSITA MANGALANI
60 x 90 cm 2024
Starry Cliff
acrylic paints, beads, and threads on canvas
Autumn’s Cryptic acrylic paints, beads, and threads on canvas
60 x 90 cm 2024
Tusita Mangalani (b. 1998) is a ranger of Atreyu Moniaga Project 12: Mixed Feelings - Ad Maiora. As a ranger of Atreyu Moniaga Project, Tusita Mangalani has figured out a way to build her confidence and extend her comfort zone. This project has been a turning point in her art journey, Tusita has grown significantly in her personality, honed her soft skills, built good connections with people, and become more genuine in her personal style. Going deeper into her artistic journey, Tusita’s interest has grown in exploring the ebb and flow of emotions, as well as the noisy thoughts in her daily life. Working with paints, threads, and beads, Tusita's works depict the mysterious tapestry of human emotions.
WAYAN YUSA DIRGANTARA
30 x 40 cm
2023
Wild Garden
acrylic, spray, solid marker on canvas
WAYAN YUSA DIRGANTARA
30 x 40 cm
2023
Sebelum Terbenam
acrylic, spray, marker on canvas
WAYAN YUSA DIRGANTARA
The Flower Is You
acrylic, solid marker, spray on canvas
60 x 80 cm
2023
WAYAN YUSA DIRGANTARA
Floating Away
130 x 130 cm
2023
acrylic, spray, solid marker on canvas
WAYAN YUSA DIRGANTARA
Summer Dialogue
acrylic, spray, solid marker on canvas
120 x 150 cm
2023
WAYAN YUSA DIRGANTARA
The Flower In Summer
acrylic, solid marker on canvas
135 x 175 cm
2024
WAYAN YUSA DIRGANTARA
30 x 40 cm
2023
Aku dan Bagian-Bagian
pasir silika, oil, solid marker, spray on canvas
WAYAN YUSA DIRGANTARA
30 x 40 cm
2023
Aku dan Bagian-Bagian
pasir silika, oil, solid marker, spray on canvas
WAYAN YUSA DIRGANTARA
30 x 40 cm
2023
Aku dan Bagian-Bagian
pasir silika, oil, solid marker, spray on canvas
WAYAN YUSA DIRGANTARA
WAYAN YUSA DIRGANTARA was born and raised in Bali then studied at ISI Yogyakarta and graduated in 2021. The panorama of the beach with white sand and beautiful limestone cliffs became the initial attraction of Yusa's works, coastal activities and childhood memories play an important role in the process of creation. Environmental issues are also addressed by Yusa in her works.
As a migrant living in Yogyakarta, Yusa releases her longing for the coast, recalling simple fragments that pop into her head and rearranging them onto the canvas. Memories are certainly not perfect, there are sides that are blurred when recalled, therefore abstraction becomes the most appropriate language to express that feeling. The emergence of fragments in the form of colors, textures and textures represent the longing for the beach panorama. In her work, Yusa will continue to reflect on nature.
Yusa actively exhibits in Bali, Yogyakarta, Jakarta and South Korea. Her first solo exhibition titled My Space was held in 2020. Her next solo exhibition was held at Artotel Thamrin, Jakarta and at Space 1326 Gallery, Seoul, South Korea in 2022. Followed by a solo presentation at TIAF (Tamra International Art Fair), Jeju, South Korea. Yusa was also a finalist of the UOB Painting of the Year in 2021.
ZITA NUELLA
ink and acrylic on canvas
70 x 70 cm
Moonwalker
ZITA NUELLA
I Speak of The Moon ink and acrylic on canvas
90 x 70 cm
ZITA NUELLA
Zita Nuella (b. 1998) is one of the members of Atreyu Moniaga Project 12: Mixed Feelings Ad Maiora. Zita Nuella, also known as Z, gained her self-assurance and acquired important abilities from the Atreyu Moniaga Project. Through the project, she learned to handle herself effectively, inside and out, build her personal brand, network, and collaborate with others. The fundamental skills for a professional artist. Z’s work delves into the deep connection between inner selves and physical reactions. Exploring the depths of solitude, Zita extracts the essence of life and translates her body movements into captivating works of art.
