AGUS BAQUL AUSTYN
TAYLOR CLASUTTA
DEDI SUFRIADI ELDWIN
PRADIPTA FIAMETTA
GABRIELA GUSTI KADE
HENDRA HEHE I GEDE
SUKARYA IPIKI SUYERSA
KADEK MARTA DWIPAYANA
NURRACHMAT WIDYASENA
PUTU WINATA RANGGA
APUTRA SEKARPUTI
SIDHIAWATI TUYULOVEME
WAYAN YUSA DIRGANTARA
WINA LUTHFIYYA IPNAYATI
Do'a Mohon Ampunan untuk Kedua Orang Tua #2 acrylic on canvas 140 x 180cm
Do'a Agar Dibukakan Pintu Rezeki
acrylic on canvas
120 cm x 150 cm 2024
AGUS BAQUL PURNOMO is an artist who graduated from ISI Yogyakarta, and Contemporary Abstract Calligraphy Painter, already had some exhibition in Yogyajarta, Jakarta, Bandung, Semarang, Surabaya, Magelang, Bali and Kalimantan.. he also had some abroad exhibition, such as ARTIADE Olympic of visual Art in Yunani, TERROR? in California, TENGGARA, Novas Contemporary Urban Center at Liverpool and London, Biennale Print and Drawing in Taiwan, PROKLAMASI in China and Korea, COLORS OF ASIA in Tokyo, RECITE! / IQRA! in Malaysia, HALOHALO in Philipina, International Arts Exhibition to Glorify the 5th Cycle Birthday Anniversary of HRH Princess Maha Chakri Siridorn in Thailand, MONUMENTAL SOUTHEAST ASIA in Singapura and ART DUBAI, Madinat Jumeirah Dubai.
AUSTYN TAYLOR (b.1984, Rochester, NY, USA - Ceramics MFA Alfred University 2016). Taylor has maintained a 8 year nomadic studio practice working around the world as a visiting resident artist. Her works have traveled across the globe as well finding collections in Lebanon, Japan, Mexico, United Kingdom, South Korea, Germany, Spain, France, Taiwan, Netherlands, Thailand, Belgium, United States, Denmark, Indonesia, New Zealand and Hong Kong. She is currently based deep in the coastal redwoods of Mendocino, CA, USA.
Drifted
70 × 100 cm oil on canvas 2023
Mouthwork
70 × 100 cm oil on canvas 2023
Preview
70 × 100 cm oil on canvas
Tangled 70 × 100 cm oil on canvas 2023
CLASUTTA (b.1995). Graduated an architect from Tarumanagara Unversity, Jakarta. Clasutta is now taking a little turn in her path. What used to be her side gig is now her main focus: painting. Using oil paints, Sutta aims to transform her own daily struggle into comedy as represented by characters she create.
Iqro #3
mixed media on canvas
150 x 180 cm
DEDI SUFRIADI
Love acrilyc on canvas
122 x 122 cm 2023
DEDY SUFRIADI (b. 1976, Palembang, Indonesia) is the second of six siblings and began painting seriously at the age of 15 while still in Senior High School for the Arts (SMSR). From there, he went on to study at the prestigious Indonesian Institute of the Arts (Institut Seni Indonesia) in Yogyakarta, where he majored in painting. In 2013, he obtained his Masters degree from the same institution.
In the past few years, Dedy Sufriadi has also been creating large-scale installations that elaborate and elucidate the changing literacy landscape from analog to digital, an extension of his focus on text beyond the canvas. More recently a simulated rain installation, inundating thousands of books with water, became the centerpiece for his 18th solo exhibition “Superficial Readers” in 2020, this time a statement about the changing literacy habits of readers today as the shift from the analog to digital worlds occurs. The change in text delivery medium affects our reading intensity to becoming more casual and generally more superficial in what we absorb from our textual consumption.
Fabric #6
Single-board computer, C++ code, 7-inch LCD screen, camera, acrylic
30 x 25 x 6 cm (4 edition + 1 ac), 2024
ELDWIN PRADIPTA born in Jakarta (1990). Graduated from Faculty of Art & Design, Bandung Institute of Technology, majoring in intermedia art studio, currently living and working in Bandung, Indonesia. His work primarily explores video installation and digital projection as media. For him, media art has an interesting position between the distinction of high art and low art. His early works often focus on the subject of populist or low art in Indonesia, in placement and dichotomized with high art objects and praxis. People's lives also become one of the backgrounds and recurring themes in some of his works. Through such a perspective, Eldwin highlights the divisions and ruptures in the fabric of everyday life in Indonesia as a third-world country. In his latest development, Eldwin focuses on interactive art to re-explore the relationship between the artwork and its audience. This theme asks to what extent influences, other than the artist, can affect the end result of the artwork itself. Along with these series, triggered by the need to use various sensors in his work, Eldwin is also interested in examining the extent to which a machine, computer, or artificial intelligence can have human-like "senses".
acrylic, spray paint, soft pastel, pencil color on canvas
240 x 154 cm
2023
FIAMETTA GABRIELA a versatile artist based in Jakarta, Indonesia, excels as a visual artist, artistic director, performer, and project manager. Proficient in diverse mediums—painting, illustration, installation, video, and performance. Highlights include exhibitions at Art Moments 2023, Grand Sheraton Gandaria, Jakarta with D Gallerie. Noteworthy roles as artistic director for various projects like "Di Tepi Sejarah," "Ariyah
dari Jembatan Ancol," and "Yang Tertinggal di Jakarta" at prominent venues in Jakarta. Notable contributions as a stage designer for the Bunyi Puan Nusantara event and co-director, artistic director, and performer in multiple projects like "SVARA MANIBUYA," "SVARA SVARI," and international showcases in Australia. Additionally, she managed Nunung WS's solo exhibition "The Spirit Within" at Galeri Nasional, Building A, Jakarta while actively pursuing ongoing exhibitions.
Pangus #9
Embroidery thread and remasol on canvas and sponge
115 x 85 cm
GUSTI KADE was born on May 22, 2000, in Jembrana, Bali. In 2018, he decided to continue his education at the Indonesian Institute of the Arts Denpasar, majoring in Fine Arts. Currently, he is actively working with embroidery techniques, an interest he developed during his final exam when he researched fabrics commonly used in Bali. Influenced by his parents' profession as tailors, he has a deep familiarity with fabric materials.
After completing his undergraduate education at ISI Denpasar in early 2022, he became aware of the importance of creating works to fulfill spiritual needs and the purpose of his studies. His current work stems from observations of the surrounding environment, including community habits, the environment, culture, and traditions in his birthplace.
Jembrana serves as a source of spiritual fulfillment, integrating discussions on how civilization manifests in daily life. He characterizes the application of complementary colors in Jembrana embroidery and positions Jembrana embroidery as a valuable material in ceremonial processions.
Breathing All This Year
acrylic on canvas
180 x 300 cm 2024
Days of Smile acrylic on canvas
110 x 110 cm
2023
Nice Smile in The Square acrylic on canvas
110 x 110 cm 2023
HENDRA ‘HEHE’ HARSONO is an Indonesian artist based in Yogyakarta. He is a part of the early 2000s generation artists of the Indonesian Institute of the Arts, born mostly in the early 1980s. This group of artists was brought up being exposed to diverse subcultures, growing up within the paradoxes of Western multiculturalism and changing values in their own countries such as MTV invasion, cable TV, internet, and neoliberalism. Thus, the traces of influences of Pop Culture, the Indie Movement, graphic novels, lowbrow art, pop surrealism, street style fashion, and more can be evident in HeHe’s works.
HeHe has always been interested in working with paintings, drawings, resin toys, and premises-based on his experiences in everyday life and contemporary culture issues. He maintains his signature childlike, surreal characters. His works contain some personification, in which he portrays inanimate objects in a way that seems alive such as giving them their characters and personalities. They convey the concept that the land of the imaginary could not be said as entirely unreal or completely fantastical. It is apparent within us. His artworks embrace friendliness and fun, a kind of acceptance and openness of new possibilities and potentials. While, at the same time, he is still fully aware of its ironies and distance. Moving on with his existence in the real world, he believes that exploring life’s absurdities and abnormalities can enhance his life experience, creating it more colorful.
Pohon #2 acrylic on cowhide
155 x 85 cm
I GEDE SUKARYA (1995.b) was born in the old village of Bulian - Buleleng. His simple life made him care about art portraits, his interest in painting was shown since he was in elementary school by participating in competitions. His interest in painting was shown since elementary school by participating in competitions that took him to the provincial level. In order to develop his art, he migrated to Gianyar - Denpasar while getting a vocational high school education and entered college to study Fine Arts at the Indonesian Institute of Arts (ISI) Denpasar with a scholarship.
During his studies he actively explored the medium. His works are inspired by daily life, customs and culture. In his exploratory studies, he discovered a Balinese cultural heritage called Tatah Art, an ancient art that can be found in the clothing of barong, rangda and wayang. From his exploratory findings, I.G Sukarya chose to use cowhide, as a medium that is linked to the regeneration of the image development of inlay art, which was originally intended for wearable/order art into fine art. Inheriting the inlay technique always depicts a hedonistic form full of Balinese ornaments. In I.G Sukarya's eyes, this becomes a simpler form that is close to today's reality. So that every detail of his work provides room for imagination for the viewer to pay more attention to how his work can form imaginary illusions and experiences of the viewer.
Shifting Tides #1, #2,#3
Fiberglass Resin on Synthetic Fur
135 x 46 cm (each)
135 x 160 cm (total)
IPIKI SUYERSA (28), an alumnus of FSR ISI Yogyakarta (Indonesian Institute of the Arts Yogyakarta), raises profound questions about the use of resin as a symbol of "change" and "practicality" in the era of modernity. Synthetic polymer resins, which now dominate the world of art and industry thanks to their ease of processing, present an ethical dilemma along with their negative impact on the environment. Parallel to the non-biodegradable nature of plastics, resins bring long-term consequences to the ecosystem. The choice of a striking candy tone color palette reinforces the visual narrative, threatening traditional patterns in a striking way. In the process of melting, the resin melt forms hundreds of melt tantacles that create a kinetic effect, conveying a hidden message about change and its impact on cultural identity. Visually, these characteristics refer to a narrative that seems to "speak" about the negative impacts produced by technological acceleration. The importance of reflecting on the impact of resin materials on the environment and culture is at the center of the conversation. This dynamic and vibrant visual creation attempts to set the stage for a critical dialogue on environmental awareness and traditional values amidst the ever-changing currents of modernity.
Tempuh
acrylic on canvas
90 x 90 cm 2022
Other Side
acrylic, canvas, glue and rubber foam
90 x 40 x 25 cm
Basically, Balinese childhood tends to be familiar with activities related to art and culture, ranging from those related to religious rituals, traditional games, making crafts, etc. On the other hand, in the world of education, starting from kindergarten to junior high school, art subjects such as drawing have been introduced. I myself felt interested in drawing activities starting at the age of 14/15 years. So a few years later I decided to get an art education at the SMK level or what was then known as SMSR and continued to the ISI Yogyakarta college.
During my studies, I was very interested in exploring art mediums and adjusting techniques to open up other possibilities that were not yet known, and perhaps could be utilized well artistically. In practice, there is a tendency that often occurs, consciously or unconsciously, to combine things that feel different into a harmonious whole. As in the paintings, I present abstract elements/shapes combined with plastic forms of human body parts. And the 3D works that I have done are an effort to change the image of the basic painting material whose surface is flat into a 3 dimensional form; by combining 2 flat patterns with different shapes into one unit. For me, the works that have been done are like seeing myself in various situations such as dilemmas, efforts to fight, helplessness, peaceful hopes for a feud / conflict, freedom, to the shadows of solutions to improve. If you look back when you decided to pursue art, especially Painting, it might be influenced by the feeling of comfort to freely express various things that are sometimes difficult to express vulgarly.
Now Work Proposal Sketch
N-C Series
Resin & enamel paint
55 x 75 cm (3 pcs)
Jembatan Einstein-Rosen #5 ron pines and enamel paint
158 × 77 × 10 cm
NURRACHMAT WIDYASENA known as Mas Ito (born 1990) is an Indonesian artist who lives and works in Bandung, Indonesia. Majoring in printmaking arts at ITB Faculty of Art and Design, he primarily working in the applied techniques of printmaking, installation and painting. His works explores notions around retro futurism art, where he tries to stand in the crossroad of reality and fantasy. Mas Ito is also co-founding a geeky fashion brand known as KITC.
Jatiluwih No. 1
acrylic on canvas
80 x 60 cm
2024
Jatiluwih No. 2
acrylic on canvas
80 x 60 cm
2024
Jatiluwih No. 3
acrylic on canvas
80 x 60 cm
2024
Jatiluwih No. 4
acrylic on canvas
80 x 60 cm
2024
I PUTU WINATA was born in Denpasar, Bali, February 27, 1977. His interest in the world of art, since his youth, was honed even sharper at the Faculty of Fine Arts, Metal Crafts Department, at the Indonesian Art Institute, Jogjakarta from 1995 to 1999. At the same time, his interests and talents in the field of painting was also forged, along with his friends in the Sanggar Dewata group. Apart from being actively involved as an administrator at Sanggar Dewata Jogja in 1997, and as the main treasurer at Sanggar Dewata Bali in 2008, Putu ‘PW’ Winata has also always been active in creating and exhibiting since 1996 until now. Some of his latest exhibitions are group exhibitions at the Art Moments Jakarta 2, 2022, “Online Raw Art” and “World Without End” exhibitions in Kuala Lumpur, Malaysia, then the solo exhibition “Garden of Intuition” at the Zen1 Kesiman Gallery, Denpasar, Bali, Indonesia. PW was also included in the top 10 nominations for the 2022 UOB Art of The Year Awards.
His admiration for the beauty and majesty of nature is expressed in many of his works. Meanwhile, his perseverance when practicing, experimenting, and exploring in the process of self-discovery has made his work not only more interestingly enjoyable, but also more authentic.
Celebration acrylic enamel on canvas
100 x 120 cm
Dinner time 07.25
acrylic enamel on canvas
70 x 60 cm 2024
Dinner time 07.30
acrylic enamel on canvas
70 x 60 cm 2024
RANGGA APUTRA (b. 1995, Yogyakarta, Indonesia). He graduated from the Faculty of Fine Arts at the Indonesian Institute of the Arts Yogyakarta in 2021. Rangga’s artworks are exploring its various media media as means of expression, including sketches, paintings, reliefs, sculptures, and installations. For Rangga, these various media have their own strengths that can represent his ideas. Rangga using texture strokes as a representation of the time he scratch to return to his personal memory. He captured a wide variety the everyday human activities with this paintings to represent absurdities in life, and some use of poetic language in translating his work so that his artwork can have a much deep artistic meaning.
Rangga actively participates in various exhibitions, both inside and outside the country, joint the group exhibition and solo exhibition. His recent solo exhibition in 2021 in Swiss and Yogyakarta, and some of his exhibitions that took place in Italy.
We’ll Wing It
40 pcs of slab stoneware clay, underglaze, gloss glaze, wire
approx. 100 x 100 cm
2023
SEKARPUTI SIDHIAWATI is a visual artist who raises stories about the empowerment of women in domestic and intersection culture to give them and herself the drive to continue working. She is mainly working with ceramic, the material that highly represents house and women in general. She was born in Jakarta 1986. Taking formal education at the Faculty of Art and Design ITB-Ceramic Art studio. She is now known as the founder of the studio Arta Derau, while consistently working in the art world. After working in Bandung, in 2018 she moved to Bali to expand her ceramic studio business. With woman related issues, Puti had been a finalist of several fine art awards such as the Soemardja Art Award (2010) and the Bandung Contemporary Art Award 2013. She had join several prestigious exhibition include Jakarta Contemporary Ceramic Biennale, National Gallery of Indonesia (2014); Temperature Affect, Museum of Fine Arts and Ceramics Jakarta (2017); Manifesto, National Gallery of Indonesia (2017); Termasuk, Darren Knight Gallery Australia (2018); Southern Constellations: The Poetics of the NonAligned, Museum of Contemporary Art Metelkova, LjublanaSlovenia (2019).
150 x 200 cm 2022
Feel The Rhythm acrylic on canvas
d. 70 cm × 2,5 cm
TUYULOVEME (b. 1990, Indonesia) is an Indonesian artist who began his artistic practice on the streets of Yogyakarta creating work in between the art and graffiti aesthetic. Although not a native of Yogyakarta, he has been a resident for couple of years as a base for him to do creative work while working with his national and international network. Tuyuloveme has been painting his unique style religiously on the streets for over ten years. He started developing his own character, the Tuyul, in 2009. It represents an alter-ego, a self-portrait of sorts, popping up on walls and street corners in different places. His visual style is often depicted as organized, expressive and chaotic at the same time; it is almost like a mirror to his personality in real life. You may find this artistic works in the walls or corner of streets in major cities all over Indonesia, Asia, Europe, Australia and US. His career has been nourished and influenced by extensive travels and an ability to work and collaborate with other artists. Tuyuloveme has been featured in national and international events with a number of solo exhibitions.
Sekar
acrylic, oil, benang woll, spay, solid marker, marker
pasir silika di atas board
75 x 70 cm, 2023
Cerita pagi #2
acrylic, oil ,benang woll, spay,solid marker, marker
Pasir silika di atas kanvas
135 x 155 cm , 2024
Sea Mood
acrylic, spay, oil marker on canvas
30 x 40 cm
2023
Morning Hope
acrylic, spay, oil marker on canvas
30 x 40 cm
2023
WAYAN YUSA DIRGANTARA
WAYAN YUSA DIRGANTARA was born and raised in Bali then studied at ISI Yogyakarta and graduated in 2021. The panorama of the beach with white sand and beautiful limestone cliffs became the initial attraction of Yusa's works, coastal activities and childhood memories play an important role in the process of creation. Environmental issues are also addressed by Yusa in her works.
As a migrant living in Yogyakarta, Yusa releases her longing for the coast, recalling simple fragments that pop into her head and rearranging them onto the canvas. Memories are certainly not perfect, there are sides that are blurred when recalled, therefore abstraction becomes the most appropriate language to express that feeling. The emergence of fragments in the form of colors, textures and textures represent the longing for the beach panorama. In her work, Yusa will continue to reflect on nature.
Yusa actively exhibits in Bali, Yogyakarta, Jakarta and South Korea. Her first solo exhibition titled My Space was held in 2020. Her next solo exhibition was held at Artotel Thamrin, Jakarta and at Space 1326 Gallery, Seoul, South Korea in 2022. Followed by a solo presentation at TIAF (Tamra International Art Fair), Jeju, South Korea. Yusa was also a finalist of the UOB Painting of the Year in 2021.
Merekah
resin, duco gloss paint, varnish, wood
108 x 55 x 45 cm (without base)
121 x 56 x 56 cm (with base)
2024
WINA L.I. is a multidisciplinary artist, she occasionally makes sculptures, drawings on paper, printmaking and performance art. Wina L.I. or familiarly called Defiyya was born in Majalengka in 1996, since 2014 she has intended to migrate to Jakarta to pursue her dreams of working in the Indonesian art world. 2015-2019 devoted herself to exploring the arts of acting, performance and theater with the Regu Kerja Didi Petet and Sena Didi Mime communities, which then went hand in hand with that 2017-2021 she studied Fine Arts at the Jakarta Institute of Arts. Departing from her final project which raised a Pesinden figure from Majalengka named Marni and made an Archive Exhibition, which then the results of this exhibition made Marni's figure remembered again and recognized as one of the influential figures who was then made a totem in the Majalengka Historical Park by the local government, with Marni's background written by Wina L.I.. Currently Wina L.I. is active in the collective Galeri Saku, Kosarupa, and works as an Administrator at D Gallerie Jakarta, as well as a member of the Jakarta Arts Council Fine Arts Committee for the period 20232026.
Jl. Barito I No.3
Kebayoran Baru
Jakarta 12130
www.dgalleriejakarta.com
dgalleriejakarta@gmail.com
@dgalleriejakarta
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Wina +62
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