BLUSH Dream #31

n°31 - FALL/ WINTER 2023-2024 - 8€ - 9CHF

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old has been the strongest currency for 6,000 years and is therefore considered a solid long-term investment. As the largest independent precious metal trader in Europe outside the banking system, Degussa is able to offer you comprehensive advice in our Swiss branches in Zurich and Geneva. We help you compile your personal investment portfolio with a wide selection of Degussa-branded gold bars. Degussa bars are produced in Switzerland. Furthermore, they are LBMAcertified and bear a bank security number. Our bullion coins represent an alternative investment opportunity.

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Self-winding movement. Interchangeable strap using patented One-Click system.

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CONTENT

CONTENT FALL/WINTER 2023-2024

25. EDITORIAL JEWELLERY 28. LOUIS VUITTON Deep Time.

36. MESSIKA The new line, called So Move.

38. WINDESHAUSEN Elegance in uniqueness.

40. ESTELLE LAGARDE A talented and passionate “gouacheuse”.

TIME-KEEPERS 42. AUDEMARS PIGUET The Royal Oak’s 50th anniversary.

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50. BRISTON The new Streamliner Urban 10th anniversary.

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52. ROGER DUBUIS Excalibur Monobalancier Titanium.

54. CHARLES ZUBER Back to the roots.

FASHION 66. AGNÈS B Socially responsible, sustainable, and casual chic.

74. SATOSHI KONDO The new Japanese king of Pleats.

82. DEGREE Design Eyewear Group new concept store.

84. PUREST A single name for respectful luxury.

86. ARNO BUND When the utopian becomes a realistic ideal.

88. FUSALP A savoir-faire reaching new heights.

PEOPLE 90. ANA DE ARMAS Armed and Dangerous.

96. CILLIAN MURPHY Murphy’s Law.

56. CLAUDE MEYLAN Tortue “La pointe de sable”, the women’s watch.

WELLNESS 102. SPA NOLINKSI

By La Colline.

58. SHOPPING TIME-KEEPERS Elegance Elevated.

104. SHOPPING BEAUTY The It list.

CONTENT

CONTENT FALL/WINTER 2023-2024

108. NESCENS A winter in style.

110. L’ELIXIR DES GLACIERS The Swiss art of beauty.

PHOTO EDITORIALS 112. ROUGE DE PLAISIR

By Contarsy-Karecha.

DESIGN 122. JEFF KOONS Art Attack.

130. MEETING WITH SERGE HIÉ Passing on a heritage: a passion, a duty.

134. MONTBLANC HIGH ARTISTRY A journey on the Orient Express.

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140. GOLDMUND Sound realism.

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DRIVE 142. TAG HEUER Team Ikuzawa and Bamford.

148. 718 SPYDER RS A roadster without compromise.

152. MERCEDES-BENZ Vision One Eleven.

158. GENESIS Redefines automotive luxury with the G90.

TRAVEL 160. BVLGARI HOTEL ROMA Back to the origins.

166. AMANGIRI A pearl of serenity in the heart of the desert.

172. VERMELHO MELIDES HOTEL When discretion and conviviality embody true luxury.

178. TOILE BLANCHE Or passion rethought and sublimated.

180. GOLDENPASS EXPRESS A panoramic train journey through Switzerland.

182. SUREH’VALOR The rewarded innovation.

CHEF 184. IRIS Sustainable seafood in a spectacular setting.

190. PIERRE HERMÉ A French pastry chef at the top of his game.

EDITORIAL

As the world transforms into a winter wonderland, we are delighted to present to you the enchanting winter edition of Blush Dream Magazine. This season, we dive into the cozy embrace of winter’s magic, and we’re thrilled to share it with you.

Winter is a season of contrasts — it’s both a time for introspection by the fireplace and a time for exhilarating adventures in the snow. In this issue, we’ve captured the essence of this beautiful duality. From fashion trends with the talented Agnes B. to the controversial artist Jeff Koons, the intriguing Cillian Murphy and the beautiful Ana De Armas, we’ve curated content that put into light creativity on all levels.

Within these pages, you’ll find high jewelry and horology exceptional pieces, and inspiring travel destinations for your winter getaways. As we embark on this winter journey together, we hope that the pages of Blush Dream Winter Magazine become your trusted companion, filling you with inspiration, warmth, and a touch of magic. Thank you for choosing us to be part of your winter dreams. May your season be filled with the joy, beauty, and wonder that winter brings.

Wishing you a cozy and dreamy winter season.

Publication Director: Gregory Ayoun Art Director: Yvan Babillon KYF Studio Editorial Project Manager: Caroline Sambucchi Beauty: Quitterie Pasquesoone Fashion: Helene Battaglia Lifestyle: Helena Perdoux-Frances, Eduardo Costerg, Louis Bouillot Sales and marketing: Fiona Esther, Cyril Montegu Marketing Director Blush Africa: Johan Zue Eyi

Distribution: Renzi communication SARL - Geneva EDS Media AG -Meilen MPK Luxembourg GmbH - Luxembourg

BLUSH DREAM is a biannual edition.

Edited and published by BLUSH EDITIONS. BLUSH DREAM declines responsibility for any unpublished texts, illustrations or photos it receives.

Reproduction of texts, drawings and pictures published in this magazine remains the property of Blush Editions, owned by Publiscope, which reserves the right of reproduction and translation in the whole world.

Publiscope accepts no responsibility for the published documents.

All rights reserved. ISSN n°2267-7372 Printed in EU at 30.000 ex.

Covers: Samantha Gradoville - Ford Models © Contarsy-Karecha for Highmark Studios Cillian Murphy, Ana de Arma © Shutterstock

BLUSH DREAM

Gregory Ayoun Publication director

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JEWELLERY

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Louis Vuitton

Deep D eep Time BLUSH DREAM

Vuitton presents Deep Time, an epic journey through the eons, narrated by the most exceptional stones. This is the Maison’s fifth High Jewelry collection designed by Francesca Amfitheatrof, Artistic Director for Watches and Jewelry. Photos © Louis Vuitton

RIGHT PAGE: Seeds necklace - Yellow gold, Mandarin spessartite garnets, rubellites, and diamonds.

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“AT LOUIS VUITTON WE ARE AS EVER ADVENTURERS, TRAVELLING TO EXTRAORDINARY, UNEXPECTED PLACES,” SAYS AMFITHEATROF. “DEEP TIME WILL TRANSPORT YOU DEEPLY INTO THE PAST, TO A TIME AND PLACE THAT IS SO REMOTE AND PERHAPS EVEN DIFFICULT TO COMPREHEND. BUT AT THE SAME TIME, THE STONES – THESE TREASURES THAT SPAN MILLENNIA – WILL BRING YOU RIGHT THERE, TO THE BEGINNING OF THE PLANET AND INTO A HISTORY OF THE WORLD AND ITS MYSTICAL GEOLOGICAL LEGACY.”

LEFT PAGE: Wave necklace - White gold, sapphire, and diamonds.

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JEWELLERY BLUSH DREAM

LEFT PAGE: Flight necklace - White gold, rubies, and diamonds.

RIGHT PAGE: Plants necklace - Yellow gold, white gold, emeralds, rubies, and diamonds.

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apocalyptic evolutions, expressed through the themes of Volcano, Wave and Rupture, whose explosive powers come to life via the Maison’s distinct design language. There is the signature Louis Vuitton V, graphic and strong, that galvanises the one-of-a kind jewels, as custom-cut LV stones radiate with innate power.

The final chapter Drift embodies the sun and sea with a magnificent pairing of aquamarines and yellow sapphires – and makes way for Deep Time’s second act.

Life heralds an intricate and sophisticated universe, where lifeforce drives creation and the graphic makes way for the organic, all set in spectacular jewels across an initial eight themes. Ranging from Origin and Fossils through to Seeds and Flowers, the themes bring a seductive play and juxtaposition of textures, layers and of course the most spellbinding stones. The jewels are also increasingly versatile, with many designed to be worn in multiple ways – a directive around transformability that Amfitheatrof has continued to drive forward over the past five years.

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eep Time is an ultimate and profound voyage, spanning the birth of the planet to the creation of life. With this new collection, Louis Vuitton’s singular, original design signature and high jewelry savoir-faire fuse with the origins of geology and geological legacy that’s at the heart of jewelry and gemstones. This is the Maison’s largest High Jewelry collection to date, featuring over 170 unique pieces – including 95 in the first chapter alone – and a record number of precious stones. Deep Time is explored through two acts – geology and life – and encompasses a total of 16 themes, 13 of which are presented in the collection’s debut. Each one features masterfully executed jewels that capture this epic tale of transformation, life and also interconnectedness. Geology charts our planet’s extraordinary evolution, starting with Gondwana, one of two supercontinent landmasses that marked our planet’s formation.

Featuring an exclusive selection of the rarest, no oil Colombian emeralds, Gondwana is followed by various

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Myriad necklace and earrings - White gold and diamonds.

“WE HAVE THIS INCREDIBLE AMBITION TO FIND THE MOST BEAUTIFUL STONES, WHICH IN DEEP TIME ARE ALL CONNECTED TO A THEME, WHETHER FORMED FROM LAVA, HAIL FROM DIFFERENT CONTINENTS OR SYMBOLISE AN IDEA,” SAYS AMFITHEATROF. “DEEP TIME IS A CELEBRATION OF THE PAST, BUT ALSO THE BEAUTY OF NATURE AND THE INCREDIBLE FRAGILITY OF LIFE.” MORE INFOS: www.louisvuitton.com

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GAÏA

AN ODE TO NATURE

EXPLOSIVE SOUND, EXPANSIVE SOUNDSTAGE

JEWELLERY

Messika is on the move!

This year, the renowned Messika jewelry house is showing its audacity.

The result: powerful pieces and XL wear with a powerful impact. The new line, called So Move, marks a new chapter in Messika’s classic history.

Discovery.

By Quitterie Pasquesoone

AN INSPIRED LINE The emblematic Uno, a famous skin jewel with slender lines and a veritable Maison icon, is boldly transformed here into a strong, intense knit. A powerful line that imposes a very statement style, making it a true symbol of self-assertion. We love the remarkable work in gold, where flat surfaces and striking angles give this collection a resolutely contemporary touch, while the repetition of the motif on the same scale lends it a singular elegance. A chic, modern blend.

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GENDER-NEUTRAL MODELS With a subtle blend of classicism and modernity, Messika’s Move jewelry can be worn by both men and women, with an assertive genderless style.

Sublimating every silhouette with a structure of powerful geometric lines, this collection breathes an unsubdued, almost insolent modernity into all who wear it.

MORE INFOS: www.messika.com

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A VERY COUTURE SET So Move comes in pendants on chains, necklaces, earrings and rings. XL jewelry that adds a couture touch to any outfit in the blink of an eye. You’re sure to love the solo pendant, which offers an attractive presence. As a link, pavé or set necklace, it reinvents itself in a more jewel-like version, while as a ring, it oscillates between classic and modern, offering a clever blend of the two. So Move defies convention and redefines contemporary elegance with powerful pieces and avant-garde designs. Between individuality and self-assertion, Maison Messika has created a unique collection synonymous with boldness and self-assurance. We love it!

THIS SET WAS A DARING BUT EXHILARATING CHALLENGE FOR ME. I LOVED THE CHALLENGE OF TRANSFORMING THIS JEWEL IN SUCH A POWERFUL AND EXPRESSIVE PIECE.

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JEWELLERY

JEWELLERY

Windeshausen Elegance in uniqueness

Windeshausen Luxembourg, exceptional expertise. In 1982, the passion of a father, Jean Windeshausen, gave birth to a jewellery house in Bastogne (Belgium) that has since become a flagship for innovative design. His son Lionel, immersed in the world of jewellery from an early age, soon joined him.

Strengthened by their shared passion, father and son combine their talents for the love of beauty.

By Helena Perdoux-Frances

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FROM BASTOGNE TO BERTRANGE, THE ITINERARY OF A SUCCESS STORY WITH NO HALF MEASURES In 2009, they found ‘their’ space, one that would showcase the delicacy of their creations. In Bertrange (Luxembourg), they found the place of their choice, whose name exudes the fragrance of Europe: the City Concorde. Their timid beginnings gave way to legitimate confirmation from the biggest watch brands: Rolex, Hublot, Tag Heuer and many others. Watch lovers were quick to notice this new emblem of their affection for exceptional chronographs…

The Boutique in Bastogne will remain the birthplace of this brand, now recognised by jewellery designers and watchmakers alike... The family stronghold, the place where the adventure takes root. The City Concorde in Bertrange is the perfect setting for harmony. The extraordinary personalities of the Windeshausen family convey a concept that is both innovative MORE INFOS: www.windeshausen.lu

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and traditional. Perfection certainly comes at a price, but above all it has a meaning that is inevitably captured by a clientele in search of astonishing pieces, whether ostensibly elegant or not.

On 11 November 2020, still at City Concorde, the Windeshausen jeweller opened a new concept store following the predictable saturation of the first boutique. But if you’re going to innovate, you might as well add a little something extra. This new 500 m 2 space will ensure that the personalised service for all the brands continues.

After the first eleven years at City Concorde, this new shop is one of the largest in Europe. Its surface area, designed on the basis of a modular system, is organised around areas dedicated to the biggest names: Cartier, Breitling, Chanel, Hublot...

The warm atmosphere of the first shop has been retained, but the emphasis has been placed firmly on design. The décor of wood, bronze and glass, with its beautiful reflections of selected lights, highlights the codes of their original boutique, including the orange furniture.

The brands of the major watchmaking houses are joined by those of independent manufacturers such as Louis Moinet, a watchmaker producing limited editions of exclusive Swiss watches, and other jewellery brands such as Messika, Nanis, Hulchi Bellini... This new temple to artistic creation does not shy away from originality. It also boasts a library specialising in books on watchmaking, a bar with a wall-mounted wine cellar, and a lounge whose atmosphere is punctuated by the sound of a fountain.

This year Windeshausen is opening a new point of sale dedicated to “Certified Pre-Owned” watches.

“Certified Pre-Owned”, a first in Luxembourg.

This boutique will offer you the chance to buy authentic, certified second-hand models from a number of major watchmaking houses, including Rolex, Cartier, Chopard and Breitling.

But there can be no doubt about it: the Windeshausens are, and will remain, jewellers who advocate convivial sharing.

JEWELLERY

“The human hand and the thoughts that guide it provide an irreplaceable emotional dimension”

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Estelle Lagarde

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Estelle Lagarde is a talented and passionate “gouacheuse” who takes us into her world of remarkable elegance and finesse. Her works are “gouachés”, namely drawings of jewels and watches, of admirable precision, for top jewellery and watchmaking houses. Essential to the creative process, the “gouacheur” conveys the soul of a piece of jewellery and the emotions it evokes. What’s more, the precise codes of a “gouaché” (scale, luminosity, etc.) are all indications that facilitate the manufacturing process.

By Helena Perdoux-Frances

JEWELLERY

This world of beauty and ingenuity, at once pragmatic and magical, suits Estelle Lagarde, who loves working with her hands to create objects in precious stones and metals. When she was younger, she fell in love with fashion and enjoyed sketching silhouettes.

Fashion and jewellery are twin sisters; as she loved one, she adored the other. Working in an enamel workshop, Estelle discovered the magic of dials and how they relate to jewellery.

Estelle Lagarde fell in love with watches by chance. She ended up choosing watchmaking.

THE PROJECTION OF HUMANITY IS ESSENTIAL TO THE IMAGINATION After a period of retreat, the watchmaking and jewellery industries have gradually returned to craftsmanship in search of that extra touch of soul so prized by aficionados. Watchmakers and jewellers are looking for what only human beings can provide … unbridled creativity, the emotion of a moment repeated over and over again, and a rich, evolving imagination.

‘I believe that the human hand and mind are the luxuries of tomorrow’ TRANSMISSION IS ESSENTIAL TO ART Estelle believes that passing on knowledge is a way of perpetuating it. She’s not afraid of other enthusiasts invading her creative space. Always on the move, her desires may take her elsewhere. In fact, she orchestrated the transfer.

Although it was planned that her talent would be shared face to face, the Covid turned this into a digital transmission.

Standing in front of others, working with these new kind of apprentices and mixing their gestures are all aspects she misses, but Estelle couldn’t resist. Curious amateurs, students and designers have all come to feed this niche market. The demand is there.

‘People feel the need to create with their hands and to go towards beauty’ FROM DESIGN TO MANUFACTURE… In 2019, Estelle has created her own jewellery brand and is gradually making a name for herself on the networks. Talking about her ‘gouachés’, an art so accomplished, she realised that it was only a step from drawing to making. Her collection, called LAGARDE, will have its own website at the beginning of 2024.

Gouaché is – and will remain – an integral part of Estelle Lagarde’s development, so potential customers will have the pleasure of discovering her world in advance. On Facebook, Instagram or LinkedIn, you’ll find her page lagardejewelrydrawing. Estelle also shares the stages in the creation of her jewellery collection.

THE ART OF RENEWAL… In partnership with Lefranc Bourgeois, a famous paint brand, Estelle Lagarde has also decided to create large canvases depicting watches to be exhibited at major watchmaking events.

‘I’m still learning. That’s the most important thing’

BLUSH DREAM

IT WAS ONLY A STEP FROM JEWELLERY TO WATCHES

MORE INFOS: +33 6 12 86 23 45 - www.lagardejewelrydrawing.fr - Instagram: lagardejewelrydrawing- es.lagarde@yahoo.fr

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TIME-KEEPERS

Audemars Piguet Royal Oak “Jumbo” Extra-Thin Fully Set Variations

BLUSH DREAM

Swiss Haute Horlogerie manufacturer Audemars Piguet unveils two new limited editions of its 39 mm Royal Oak “Jumbo” Extra-Thin model. While the first timepiece is crafted in 18-carat white gold and decorated with 1,528 brilliant-cut diamonds, the second combines 18-carat yellow gold with brilliant-cut yellow sapphires. Both models are powered by the selfwinding Calibre 7121, the Manufacture’s most recent and sophisticated extrathin selfwinding movement that was unveiled in 2022 for the Royal Oak’s 50th anniversary.

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50 YEARS OF DESIGN

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The Royal Oak is a high-end watch adapted to the wearer’s lifestyle and not the other way around. What may seem obvious today did not necessarily make sense at the dawn of the 1970s.

The gap between sports and evening watches looked insurmountable, but the ongoing cultural revolution tended towards abolishing such distinctions across the board. It is at this point that the concept of the Royal Oak took seed: a watch as sporty as it is elegant, adapted to modern lifestyles. The disruptive lines, sketched in one night by Gérald Genta, established a recognisable look for the next five decades.

The first evolution, unveiled four years later, was designed for women by a woman; Jacqueline Dimier, then Head of Product Design at Audemars Piguet. She took up the challenge of reducing the proportions of Gérald Genta’s original: the new Model 8638 was only 29 mm in diameter. In response to those who found the 5402 unsuitable for slimmer wrists, the 4100 was introduced in 1977. Its 35 mm case, also designed by Jacqueline Dimier, opened wide the doors to markets still holding out against the so-called 39 mm “Jumbo”. At the same time, the first gold and two-tone copies made their debut in the catalogue. The unique Royal Oak steel model had given rise to a whole collection.

Between 1977 and 1981, more than 27 new references were born, available in many sizes, for men and women, powered by seven different calibres and adorned with varied dial animations, sometimes without Tapisserie. The first quartz Royal Oak arrived in 1980. Initially reserved for women’s models, the new technology reached the men’s range two years later. In ten years, nearly sixty Royal Oak quartz models were launched, equipped with six different calibres. By the mid-1980s, nearly half of the Royal Oak watches were quartz, a proportion that would continue to decline thereafter.

In 1992, the Manufacture unveiled reference 14802 to celebrate the 20th anniversary of its flagship model. It was the collection’s first limited edition consisting of 1,000 pieces in faithful tribute to the 1972 “Jumbo.” A version with a leather strap – a notable first – appeared the same year. In 2000, the 15202 was the fourth Royal Oak to claim the name of “Jumbo” following the original 5402 reference, 1992’s limited edition Jubilee 14802, and the 15002 of 1996. The millennial version reinterpreted the codes of the 5402 much more freely than its two predecessors.

After the spectacular, futuristic and often imposing creations of the previous decade, the Royal Oak entered a phase of full maturity after 2010. With a retrospective exhibition travelling around the world in 2012, the “Jumbo” 15202 unveiled a blue dial that was even more faithful to that of 1972 with its Petite Tapisserie pattern and AP monogram at 6 o’clock.

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TIME-KEEPERS

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THE SPARKLE OF A FULL SETTING These two variations are an evolution of the Royal Oak “Jumbo” Extra-Thin model, revealed in 2022. The 18-carat white gold timepiece is paved with 1,528 brilliant-cut diamonds for a total of ~8.3 carats, which adorn the case, the bezel, the dial and the bracelet. The same gemsetting can be found on the 18-carat yellow gold model, but this time, the timepiece is entirely covered with yellow sapphires for a total of ~10.4 carats. The Manufacture’s artisans have opted exclusively for brilliant-cut stones, giving these two models perfect uniformity.

The two timepieces are also the embodiment of “a river”, in the high jewellery world, flowing seamlessly through the entire timepiece. Each gemstone has been carefully selected and cut to meet Audemars Piguet ’s highest standards in terms of its purity, cut and colour. The brilliance of the diamonds and sapphires is also enhanced by the mirror-polished chamfers outlining the bezel, the case and the individual links of the bracelet.

The two gold dials offer subtle nuances of colour. Each of their 422 stones reflects against the gold bezel, applied hour-markers and hands, offering luminous contrasts. The resulting plays of light enhance the legibility of the hour and minute hands, while the “Audemars Piguet” signature and AP monogram have been discreetly printed onto the sapphire crystal. The background of the date window at 3 o’clock has been specially matched to the watches’ white or yellow gold hues. The same applies to the 22-carat pink gold oscillating weight, visible on the caseback side, which is either rhodium-toned or plated with yellow gold.

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A LUMINOUS DIAL

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TIME-KEEPERS BLUSH DREAM

THE EXTRA-THIN CALIBRE 7121 The two new models are driven by Calibre 7121, which displays the hours, the minutes and the date. This selfwinding movement has been specially designed for the extra-thin case of the “Jumbo”, without altering any of its finesse. Produced by Audemars Piguet’s engineers and watchmakers, this movement, which is only 3.2 mm thick, took five years to develop. It delivers more energy than the previous generation (Calibre 2121) thanks to its new construction that includes a larger barrel, thus giving MORE INFOS: www.audemarspiguet.com

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it more power and increased precision. In keeping with Haute Horlogerie codes, Calibre 7121 is embellished with emblematic decorations such as Côtes de Genève, traits tirés and circular satin finishing, which can be admired through the sapphire caseback.

These two fully set variations of the Royal Oak “Jumbo” ExtraThin are available exclusively in Audemars Piguet boutiques.

“Seek Beyond.”

Nature’s majesty meets timeless elegance.

purest.com

TIME-KEEPERS

Briston

The new Streamliner URBAN 10th anniversary BRISTON celebrates its 10th anniversary! To mark this unique occasion, the Brand has decided to launch the Streamliner Urban automatic chronograph for the first time.

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dited & exclusively numbered to 50 pieces for each dial, the new Streamliner Urban 10th anniversary is a pure condense of BRISTON know-how. Featuring a 43 mm case with an uncommon design in the Streamliner tradition, this new model is equipped with the Swiss Sellita SW500a caliber. This ultra-reliable movement not only tells the time, but also features a chronograph function, day, date and small seconds at nine o’clock. This prestigious caliber runs at 28,800 vibrations/hour (4Hz.) with a power reserve of approximately two and a half days.

Purity of line and craftsmanship define this new Streamliner.

Featuring a sapphire crystal, the bezel’s tonneau-camber shape keeps its four screws visible, while the case body is designed in tortoiseshell acetate with polished-satin finishes on the rest of the case. The new case is distinguished by its transparent case back, which reveals the automatic movement featuring a rotor specially engraved with the BRISTON blazon and the mention “10TH ANNIVERSARY”.

The distinctive features of the Streamliner Urban10th Anniversary are to be found in each of these details, making it a unique model and, for the first time, Swiss Made. The two dials that make up this exclusive series are not only highly legible thanks to their graphic design, but also sporty,

MORE INFOS: www.briston-watches.com

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with an inner ring featuring a tachymeter scale. Square-shaped with rounded corners, the three distinctively colored counters have been carefully chamfered to arrive at a central sunray section. Each of these dials is embossed with the “waffle” motif that is the hallmark of the Streamliner Urban line.

The Arabic numerals and indexes are carved into the dial, adding depth to this watchmaking novelty. An important detail is the 10th Anniversary inscription under the date. The ultimate distinction, the “Swiss Made” inscription is delivated written on the inner ring at 6 o’clock and the date window with its square outline give this model understated elegance.

Even the baton-shaped hands, with their Superluminova® inserts, bear witness to refinement. Delicate attention has been paid to the steel seconds hand, which stands out from the white chronograph hands. Equipped with the brand’s blazon on bottom, the central hand, lacquered in black or white, is featuring a red tip on top that adds a sporty touch firmly anchored into BRISTON’s DNA. To complete this new Streamliner Urban10th Anniversary, BRISTON has specially developed a black or brown alligatorstyle calfskin strap with a safety stitching in the colors of the French flag!

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TIME-KEEPERS

Excalibur Monobalancier Titanium The Power Of Lightness

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MASTERED FOR MODERN LIVING

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Showcasing its game-reinventing approach, Roger Dubuis crafts its iconic Excalibur MB anew from titanium. 33% lighter than stainless steel and legendary for its strength-to-weight ratio, the space-age metal boasts many innate benefits: from its naturally soft and hypoallergenic nature, to its high anti-corrosion and anti-magnetic properties. Skin-friendly, comfortable, and durable, titanium is the finest choice for connoisseurs searching for a timepiece fit for modern living.

Roger Dubuis’ watchmakers continue to perfect the art of technical material mastery, crafting the bezel and the case in the Maison’s complex and expressive signature shape despite the challenges brought by working with a soft metal like titanium Grade 5. To ensure that the timepiece is just as expressive at night as during the day, SuperLuminova® is applied on the hour markers, the tips of the hands, and the logos.

To achieve a fully metallic look, the timepiece’s bracelet is also crafted with titanium. Utilising expertly shortened links, this subtle articulation rework has a big impact, with better adhesion to the wrist. An evolution that entirely enhances the way the bracelet rests and moves when worn would not be complete

without the signature quick release system, ensuring both comfort and versatility for the owner wherever they choose to wear it.

Modern and edgy, the Excalibur MB Titanium is adorned with a premium matte metallic sheen that is complemented by shiny polished bevels on the bracelet. Creating this crisp contrast showcases the continued technical prowess of the watchmakers, overcoming the challenges coming from titanium. Attention to detail is pushed further still with the case’s central lug featured on the bracelet links demonstrating even more harmonious aesthetics. Hallmarked with the Poinçon de Genève, each element of the timepiece is meticulously hand-finished with the utmost care. Exceptionally light and comfortable, it perfectly adapts to the most demanding lifestyles. Living your most epic life every single day has never been easier.

POWERED BY ICONIC PERFORMANCE To exceed expectations in fine watchmaking, the movement of a timepiece must match its aesthetics. The Excalibur MB Titanium offers the perfect balance of both. Powered by the automatic RD720SQ, it features a calibre already well-known for its breathtaking performance.

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a fully titanium piece granted Poinçon de Genève certification, despite the challenges of working with this material. Bringing the power of lightness and the luxury of comfort to those who live fast every day, it reaffirms Roger Dubuis as the most thrilling way to experience Hyper Horology™, now and always.

The rush of adrenalin, a pounding heart, the sure and certain knowledge that something is about to happen: ENTER THE FUTURE OF HYPER HOROLOGY™. Impertinent, excessive and slightly mad, this is Roger Dubuis. Solidly sustained by an integrated Manufacture, an innovative spirit, and a flagrant disregard for convention, this is what Roger Dubuis is all about!

Laugh, scream, roar, and above all, create… for an exclusive tribe that believes in the philosophy of living larger than life at every turn. Inspired by other cutting-edge industries and out-of-thebox designs to prove, time and time again, that Roger Dubuis is unquestionably the most exciting way to experience Hyper Horology™.

NO RULES, OUR GAME™

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The micro-rotor is designed to minimise vibrations, while the remarkable inertia of its balance wheel maximises stability and reduces its sensitivity to shocks. Finally, the advanced mechanics of the diamond-coated silicon escapement wheel paired with diamond-coated silicon pallet-stones ensure an impressive 72 hours of power reserve, bringing even more practicality and comfort to the wearer.

Not forgetting the design of the calibre itself, Roger Dubuis chose to turn its attention to the micro-rotor. Over the past ten years, the Maison’s focus on miniaturisation led to such elevated technical mastery that the watchmakers were able to take on a new challenge developing and playing with its aesthetics.

Completely skeletonised, this traditionally highly functional element is now an integral part of the design of the timepiece, enhancing the architecture of the calibre, enriching visual perception and bringing further lightness too.

The Excalibur MB Titanium is a modern interpretation of an icon: visually powerful yet remarkably light. It plays with the Maison’s codes in the most distinctive way, and reaffirms its commitment to crafting the future of fine watchmaking by creating MORE INFOS: www.rogerdubuis.com

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Charles Zuber Back to the roots The new PERFOS 36mm set with diamonds

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harles Zuber’s latest creation represents the subtle and refined expression of neo-Swiss luxury.

Introducing the Perfos “Diamonds” - an elegant and sophisticated watch that embodies the epitome of understated luxury. This 36mm watch has a steel case, with an added touch of brilliance thanks to a bezel that is fully encrusted with 60 diamonds totalling 1.23 carats. Among Perfos’ subtleties, the sophistication of its dial is one of the most distinctive - and uncompromising - expressions of elegance. Set against a black background with grey rhodium-plated hour markers, it takes extreme precision to create each triangular groove from a mother blank, the first dial base, onto which a second plate is then placed, delicately cut by laser. Each opening coincides perfectly with each of the sixty indexes. Its strap is made of shiny black alligator leather, matching the colour of the dial in a striking balance of contemporary aesthetics.

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ABOUT THE CHARLES ZUBER BRAND Charles Zuber is a brand distinguished by exceptional designs and beauty in simplicity. Initially known for his expertise in setting precious and semi-precious stones, Charles Zuber, the legendary Swiss jewellery designer, celebrated through the brand that bears his name, was an artisan of the most prestigious brands of Haute Joaillerie and Haute Horlogerie, endowed with an aesthetic sensibility, an in-depth knowledge of materials and precious stones, and an exceptional know-how stemming from the Métiers d’Art of jewellery and watchmaking creation. Charles Zuber is a Swiss brand based in Geneva, imbued with the spirit of the Founder, carried by three passionate investors who have combined their respective talents to revive the legacy of the late great master jeweller. With each creation, Charles Zuber’s teams put all their knowledge and virtuosity at the service of an exceptional final result, meeting the demands of connoisseurs and lovers of rare refinements. Each creation combines several skills to give birth to a dazzling work combining technical prowess, ancestral mastery and contemporary inspiration. Originally, Haute Joaillerie was the pillar that built the reputation of Charles Zuber the master jeweller. Today, Charles Zuber gives life to the unpredictable by escaping the norms of traditional luxury in a neo-Swiss approach that exudes exuberance.

MORE INFOS: www.charleszuber.com

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Un nouvel espace feutré dédié aux montres d’occasion ET a une large gamme de bracelets de montres sur mesure.

City Concorde - 80 Route de Longwy - L-8060 Bertrange - 00352 27 44 95 91 - preowned@windeshausen.lu

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Tortue “La pointe de sable”, The women’s watch by

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t a watch fair in London, Philippe Narbel was more than seduced by the TORTUE Lady movement, and expressed his desire to add his signature to it.

The two Philippe ended up meeting at L’Abbaye, unknowingly neighbours who discovered each other and shared strong values, a boundless passion and, above all, the freedom to express themselves and create. CLAUDE MEYLAN has given MANUFACTOR carte blanche.

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PHILIPPE BELAIS GIVES AN OPPORTUNITY TO AN OTHER WATCHMAKER He lets his thoughts run free, goes, comes, goes and returns to give free rein to his imagination and the expression of his talents. He considers the object in its entirety and within a theme that is close to his heart. We are in L’Abbaye, in the Vallée de Joux, very close to the lake that inspires so many beautiful creations. An archway from the first abbey dating back to 1126 has survived, and a very special detail has given rise to the engraving on the mass cover. This sculpture is an anchor for the village, an anchor for the Maison CLAUDE MEYLAN in its lair. Like a window on the lake, the dial and the three o’clock bridge become one and the same work, an entirely handmade engraving combining strength and finesse to suggest a breath on the lake, the movement of the boat and the dance of the surrounding vegetation. The work is a unique and very personal view of the lake. The many details and subtleties will transport you and give free rein to your imagination. Philippe Narbel and his Manufactor workshop created this unique piece on the water’s edge, from «La pointe de sable». With this Sculpture of Time, CLAUDE MEYLAN demonstrates that a ladies’ watch is certainly not a reduction of a men’s timepiece, and even less a timepiece that has to be set…

To meet the clearly expressed expectations of its customers, CLAUDE MEYLAN has developed an ultra-feminine calibre for TORTUE LADY. True to our philosophy, Claude Meylan offers a unique combination of reliability, accessibility and creativity.

So, on an ETA 2671 base, we are proposing a completely new construction of an automatic movement: The dial moves towards 12 o’clock; to echo it, the oscillating weight is «wound up» at 6 o’clock and becomes a regular animation. From eleven to sixteen o’clock, a gentle, curved line reveals the escapement and balance wheel, while the bridge at three o’clock blends in with the desired decorations.

TRUE TO OUR PHILOSOPHY, CLAUDE MEYLAN OFFERS A UNIQUE COMBINATION OF RELIABILITY, ACCESSIBILITY AND CREATIVITY

MORE INFOS: www.claudemeylan.ch

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LA MEILLEURE VERSION DE VOUS - MÊME A la Clinic Lémanic, nos experts ont consacré plus de deux décennies au bien-être et à la beauté de nos patients, pour des résultats aussi remarquables que naturels qui soulignent avec raffinement la beauté de chacun d’entre nous.

EMBELLISSEZ VOTRE REGARD REDESSINEZ VOTRE NEZ DÉLIMITEZ VOTRE VISAGE

REDÉFINISSEZ VOTRE POITRINE

SUBLIMEZ VOTRE SILHOUETTE

Clinic Lémanic | Avenue de la Gare 2 | Lausanne | Suisse | T. +41 21 321 54 44 | info@cliniclemanic.ch | www.cliniclemanic.ch

SHOPPING TIME-KEEPERS

Elegance Elevated

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Discover exclusive limited editions that are a testament to the horological mastery.

From intricate complications to precious materials, these timepieces are both a work of art and a technical marvel.

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IWC SCHAFFHAUSEN

IWC Schaffhausen presents the Portugieser Tourbillon Rétrograde Chronograph Lewis Hamilton. Designed in collaboration with the seven-time Formula OneTM world champion and IWC brand ambassador, it features a refined platinum case, a teal dial and a matching textile strap.

The IWC-manufactured 89900 calibre drives a flying minute tourbillon, a chronograph function and a retrograde date display. This timepiece is limited to 44 pieces, reflecting the number Hamilton has raced with since the beginning of his incredible career.

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PORTUGIESER TOURBILLON RÉTROGRADE CHRONOGRAPH LEWIS HAMILTON

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AUDEMARS PIGUET

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ROYAL OAK SELFWINDING

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Swiss Haute Horlogerie manufacturer Audemars Piguet is pleased to introduce its very first Royal Oak models shimmering with snow-set diamonds. Conceived for the smaller wrists, these Haute Joaillerie timepieces in 34 and 37 mm are executed in a choice of 18-carat white or pink gold and covered with an array of varioussized brilliant-cut diamonds. The rare and highly technical snow setting creates a luminous effect that highlights the Royal Oak’s multifaceted architecture and recalls a winter wonderland.

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JAEGER-LECOULTRE

This year, in keeping with the pioneering spirit of La Grande Maison, which has created watches for women since its early days, Jaeger-LeCoultre presents two new expressions of the Reverso One. Cased in pink gold, they illustrate the union of Fine Watchmaking and High Jewellery down to the smallest detail. Expressing the full potential of an icon that never ceases to inspire the watchmakers of La Grande Maison and the craftsmen of the Métiers Rares® workshop, the case of the new Reverso One Duetto Jewellery is entirely set with diamonds. One model is complemented by a shiny black leather strap and the other by a pink gold bracelet entirely set with diamonds.

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REVERSO ONE DUETTO JEWELLERY

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OMEGA

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SEAMASTER DIVER 300M “PARIS 2024” SPECIAL EDITION

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The Seamaster Diver 300M “Paris 2024” Special Edition has been crafted as an exclusive tribute to the Games of the XXXIII Olympiad. This edition of the Olympic Games will mark OMEGA’s 31st me as Official Timekeeper, a role the company has fulfilled since 1932. As an Olympic Games timepiece, the use of gold is an essential inclusion, and a reminder of the coveted medals that every athlete strives for. Most prominently, it has been used for the watch’s bezel, which features a laser-structured diving scale in positive relief, and a single dot of Super- LumiNova at 12 o’clock.

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ROLEX

With its two time zones and annual Saros calendar, the Sky-Dweller is an elegant and precious companion for those who travel the world. The Sky-Dweller range is being renewed through a number of developments that remind us that excellence to the smallest detail. Rolex renews its Oyster Perpetual Sky-Dweller, renowned for its ease of use and modern design, with a number of aesthetic and and technical enhancements.

The 18 k Everose gold version features a blue-green dial. A subtle combination of two colours, available only on the reference presented, which which comes with an Oyster bracelet.

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OYSTER PERPETUAL SKY-DWELLER

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SHOPPING TIME-KEEPERS

VACHERON CONSTANTIN

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OVERSEAS SELF-WINDING

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As Vacheron Constantin unveils the visuals for its Overseas campaign created with its new ‘One of not Many’ talent, artist Zaria Forman, its sporty-chic collection welcomes a new Overseas selfwinding model attired in pink gold from 35 mm case to bracelet, including the tone-on-tone color of its dial coated with transparent lacquer and featuring a sunburst satin-brushed finish. A refined yet sporty allure for this model with the look of a fine cuff, delivered with two additional straps and beating to the precise cadence of an in-house self-winding Calibre 1088/1.

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Socially responsible, sustainable, and casual chic : Since 1973 this is

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agnès b. is celebrating its 50th anniversary this year.

Established in Paris in 1973, the popular French readyto-wear (women, men, kids, and accessory) brand has turned itself into a successful independent global familyowned group with 1.400 employees working worldwide in the 242 stores and corners. At 82 years old, Agnès Troublé, worldwide known as Agnès b.’, the founder and brilliant inventor of the iconic and timeless snap cardigan designed in 1979, is today an accomplished woman: Not only a visionary and talented fashion designer and a powerful female entrepreneur since decades, but also an environmental activist and a beautiful and generous human being and philanthropist, who cares for humanitarian causes and for the environment. A Parisian by adoption born in Versailles with an original style, a one-of-a-kind personality, and a free spirit, who dreamt of a career of curator but instead became, almost by chance, a popular and beloved Fashion Designer.

A female role model, who resolutely stands out of the crowd. A special, passionate, strong and committed woman, who has always tried her best to make the world a better and fairer place. Working hard with dedication, giving back to the ones in need, and caring for our planet. By Hélène Battaglia

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ince our childhood, we keep dreaming, and making plans. But sometimes something goes wrong, and life brings us far away from our first expectations.

Sometimes indeed, we end up in unexpected places and situations we never dreamt of or planned.

Born in Versailles in 1941, in the middle of the second worldwide war, into a wealthy and conservatist French Family of four children which owned a property with classical gardens whose clean lines had a big influence on shaping her own taste, young Agnès Troublé couldn’t surely imagine that one day, she will become a renowned Fashion designer, a philanthropist and an avid art collector. It just happened. Daughter of a lawyer, who has communicated her his passion for art and music, as a teenager, Agnès attended drawing classes at the Ecole des Beaux-Arts de Versailles for several hours each week. At this early age, she dreamt of becoming a museum curator. This was what she truly wanted to do in her life. But fresh from finishing school, at only seventeen, she married and started a family with young publisher Christian Bourgeois. Unfortunately, the young couple quickly got divorced. However, she forever kept her ex-husband’s surname and used it for her eponymous brand. At 19 years old, Agnès was a single mum of twins (Nicolas and Etienne) with a professional career to build from scratch to be able to survive. As she has not much money at this time, she used to buy second-hand workwear clothes at the flea market in Paris. By chance and fortunately, her personal, unique, and resolutely original casual chic style caught the attention of the French and prestigious magazine Elle, which at once offered her a junior editor position that she accepted and kept for only two years before starting to work at Dorothée Bis. Two years later, she finally made the best move ever and started on her own as a freelance fashion stylist. In the Sixties, like her whole generation, she went through the historic and epic social revolution of 1968, which literally transformed the conservative French society.

Often grown up frustrated and limited in their actions, young women like Agnès, could finally enjoy more rights, more freedom, work to achieve their dreams and be financially independent. In 1973, the same year she welcomed her first daughter Ariane with her companion Philippe Michel, she set up the company called CMC-agnès b.-, which is short for “Comptoir Mondial de Création”. In 1975, in the Parisian central district of Les Halles, at 3 rue du Jour, an area going through radical change at the time, together with Jean-René de Fleurieu, her second husband and father of her two youngest daughters, Aurore and Iris, she opened her first store. The latter which served as both an office and a workshop, quickly became her special happy place. A safe and familiar space where she slowly became the worldwide renowned founder of agnès b. and where she freely expressed her creativity at 360°.

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“FOR ME, CLOTHING IS REALLY ABOUT FEELING IN TUNE WITH YOURSELF AND THINKING ABOUT SOMETHING ELSE. IT’S JUST A MEANS. IF I CAN HELP PEOPLE FEEL GOOD, FEEL BEAUTIFUL, THAT’S WHAT MAKES ME HAPPY. TO MAKE NICE CLOTHES, YOU NEED IDEAS, QUALITY FABRICS, CLEAN CUTS, WIT, HUMOUR, RESPECT AND LOVE”.

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rom the iconic striped shirts that have been part of each of her collections to the snap cardigan, honoured in 1996 during an exhibition at the Centre Pompidou.

From the printed t-shirts with fancy messages “b. naughty”, What a “drag!”, “Fragile”, “Nothing is fooling anyone”, “We’ll go to Valparaiso”, “Rock’n’roll is not dead” to the digital prints of her own photographs and the over 300 artists series. It was a place like no one: The walls were decked with posters and graffiti; you could sit and chat or listen to music. The store also sold bicycles and objects from the world over and highlighted a selection of timeless workwear such as Chinese jackets, dungarees, t-shirts, and gym shoes dyed, reworked and mixed by Agnès. As a practical and active woman and as a nature lover and a true environmental trailblazer, Agnès has always loved to create casual chic, conscious, long-lasting, timeless and essential pieces which allow freedom of movement and adapt to every style and cross generations. Easy-to-wear garments that make women, men and children (since 1981) feel good. Since day one, agnès b. is a brand committed to the environment. Before the global Slow Fashion movement recently born, the founder has always regarded fashion as sustainable and put the planet first. Avoiding wasting materials and reusing fabric scraps to make pouches, not destroying any clothes or old stocks, but instead giving them back to charities and humanitarian organizations. As reducing carbon footprint matters, today more than ever, together with the company’s CSR Department, a Green Committee established in 2006 oversees the greenhouse gas emissions. To this end, a business decision has

AS A PRACTICAL AND ACTIVE WOMAN AND AS A NATURE LOVER AND A TRUE ENVIRONMENTAL TRAILBLAZER, AGNÈS HAS ALWAYS LOVED TO CREATE CASUAL CHIC, CONSCIOUS, LONG-LASTING, TIMELESS AND ESSENTIAL PIECES WHICH ALLOW FREEDOM OF MOVEMENT AND ADAPT TO EVERY STYLE AND CROSS GENERATIONS.

been made to produce the clothes and accessories as close as possible to the points of sale. Wherever possible, the ones sold in France are produced in France or Europe. In the same spirit, items sold in Japan, Hong Kong or Taiwan are produced in Asia. At agnès b., the choice of eco-friendly materials and processes is a priority: the company is proud of having never used fur or exotic leathers and having not used Angora for many years in its collections. Jeans are now rough and not synthetically washed. In addition, all the suppliers and creators must honor the social and environmental commitments set out in the Initiative for Compliance and Sustainability (ICS) of which the company is an official member.

Inspired by their eternal and common passion for the ocean, in 2016, Agnès and her son Etienne Bourgeois, CEO of CMC- agnès b., established the Tara Ocean Foundation, the first officially recognized ocean foundation. It all started in 2003 with the acquisition of the Tara schooner, which was first built by French explorer Jean-Louis Etienne and named Antarctica before being sold to the yachtsman Sir Peter Blake, who dubbed it the Seamaster.

The boat’s purpose was to observe, study and understand the impact of climate change and ecological crises on the ocean and to provide it a better protection. The project’s aim is to involve eminent scientists, artists, and the public, to foster a pluridisciplinary and multicultural approach.

Through the Tara Ocean foundation, which is financially supported by the “Agnès Troublé dite Agnès b.” endowment fund, established in 2009, the fashion house is actively committed to the fight against plastic pollution in the ocean.

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The latter has already sponsored six major expeditions (over 500,000 kilometers travelled and stops in more than 60 countries) conducted in collaboration with leading international laboratories (the CNRS, the French National Centre for Scientific Research) which have facilitated significant scientific progress.

The endowment found, which was one of the first created in France, also supports Agnès’s fight for the preservation of the environment and against social injustice, promotes culture and creativity and structures sponsorship, partnership, and philanthropy initiatives and humanitarian causes she has been driven by since she was a young girl.

Located in Parisian 13th arrondissement in place JeanMichel Basquiat, its official HQ called La Fab was opened in February 2020. The space of over 1.200 square meters,

MORE INFOS: www.agnesb.eu

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designed by SOA Architectes, also presents themed exhibitions of the agnès b. art collection (5000 pieces of Art) and houses the Galerie du Jour which opened in 1984, and the Art bookshop The Librairie du Jour. Another new place, closest to the founder’s heart and opened in 2021, is her first tearoom known as “Le Pain Grillé”. A cosy space, located on the first floor of the 6 Rue du jour women’s boutique and modelled in the style of a convent refectory, which offers a fun and friendly atmosphere. Agnès besides being an avid Art lover, is also a music lover: since 2018, the French brand agnès b. is one of the few clothing brands which has launched its own web radio platform.

The station is broadcast on three continents – Europe, Asia and North America – and runs ad-free, 24/7.

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Satoshi Kondo, the new Japanese king of

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Late Hiroshima-born iconic, Visionaire and technologydriven Fashion Designer, Artist and Storyteller, Issey Miyake, who passed away in August 2022 at the age of 84, could not have been prouder of young new Artistic Director and Head designer Satoshi Kondo.

The 39-year-old Osaka-born and graduated from UEDA College of Fashion who succeeded to compatriot Yoshiyuki Miyamae in 2019 and took the creative helm of the ISSEY MIYAKE line, is following into the footsteps of his 16-year mentor and master with confidence and talent. His fifth women’s fashion show S/S 2023, which took place in September 2022 in Paris, just a few weeks after the founder’s death, was such a beautiful and emotional tribute to mister Miyake and his priceless and one-of-a-kind heritage. An unforgettable celebration of joy and positivity with an explosion of colors, fabrics, and shapes. A contemporary and joyful ‘East meets West’ collection in the perfect Miyake’s style and spirit.

Because the show must go on. By Hélène Battaglia

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ragedies happen unfortunately in everyone’s life. And every human being has a way out.

If most of the people find relief sharing their tragic experience with a community, at the contrary, others choose to remain silent, go forward and embrace optimism despite all. Issey Miyake almost never talked during his whole life about him being a survivor of the Hiroshima’s nuclear attack. The 7-year-old boy, who unfortunately witnessed this historical drama which happened on the 6th of August 1945 and lose his mother because of radiation exposure only three years after, has grown up enjoying every second of a life, which was miraculously not taken from him. From this day on, young Miyake focused exclusively on being alive, staying positive and willing to create things which bring beauty and joy to forget all the terrible memories of destruction he kept deeply inside. No surprise then if “I believe there is hope in design. The design evokes surprise and joy in people.” was one of his favorite quotes. Through creativity and Art, the latter found his personal way to happiness and to an unexpected international success, he has really never looked for.

After studying Graphic Design at the Tokyo’s Tame Art University, he moved to Paris in 1965 to attend the prestigious École de la Chambre Syndicale de la Couture Parisienne and train to become a fashion designer.

He has always been fascinated by the creative and modern format of Fashion. Designing clothes was exactly what he wanted to do. Simple, comfortable, easy-to-wear clothes which were able to enhance every woman’s body without exception and make them feel good, free to move, happy, and attractive in their daily routine. He learned the job from the best: French couturier Guy Laroche, Hubert de Givenchy, and American Geoffrey Beene. On the 11th of April 1970, only some days before turning 32, back home in Japan and finally ready to stand on his own two feet thanks to his rich Parisian experience, he established the MIYAKE DESIGN STUDIO in Tokyo. More than a Fashion house, a kind of laboratory for researching, generating ideas, planning, and creating clothing both socially conscious and universal in nature and unbound by the Western vs.

Eastern conventions of clothing design, which reflects the needs of its times.

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I BELIEVE THERE IS HOPE IN DESIGN. THE DESIGN EVOKES SURPRISE AND JOY IN PEOPLE.

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A safe and creative happy place where, surrounded by his trusted team, Master Miyake, who has been considering clothing as “a piece of cloth” wrapped around the body from the beginning, was daily exploring the relationship—the ease and ma (the unfilled space)—between the wearer’s body and the fabric of the wear and experimenting with new materials and techniques at the company’s own workshop. Developing yarn and creating new original fabrics in partnership with local production areas and factories and giving birth to innovative technologies, and unique methodologies.

Two decades after the ISSEY MIYAKE’s first collection was revealed in Paris during the presentation of the Autumn/Winter 1973 Collections, in 1993, the Maison launched PLEATS PLEASE ISSEY MIYAKE, an iconic and avant-garde collection celebrating the Art of pleating and made with a special jersey fabric created by the founder himself. Ever since, for his innovative origami-like design, Issey Miyake has often been called the King of PLEATS. A humble and smiling King. A King with a best-seller and legendary perfume launched in 1992 and called ‘L’eau d’Issey’.

A lucky, grateful, and passionate man who was living his best life after having to go through the worse as a child. An artist couturier who wants to show the people how wonderful it was to make clothes. A fashion designer who did not take Fashion too seriously but, at the contrary, made it something funny, effortless, and timeless.

After working by his side for 16 years, young Satoshi MORE INFOS: www.isseymiyake.com

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Kondo is proudly following in Issey San’s - as he called him- footsteps: “Miyake’s work is a great inspiration to me. He had always told me to be curious and to engage myself in making and designing and to create collections and clothing that give people a sense of joy and to make people happy. So, moving forward, I would like to take what I learned from him and create something that is modern, reflecting his philosophy.” Since his debut as artistic director and Head designer in 2019 with the collection spring/summer 2020, Satoshi Kondo is doing his best to pay tribute, in the way he deserves, to his late mentor.

As the first king of PLEATS passed away in August 2022, a new king of Pleats was born. A younger one who will go on expressing the joy of wearing clothes and the joy of movement as Issey Miyake loved to do at the occasion of every collection. A young and talented fashion designer who has worked hard behind the scenes for years and learned the job with one of the best. The chosen one who has the challenging mission and big responsibility on his shoulders to cherish a unique legacy and built the future of the Maison but also his own destiny in the major league. Going on experiencing and innovating but also telling amazing new stories. Because at Maison ISSEY MIYAKE since the foundation, there has always been a beautiful and emotional story behind every collection.

It never has been only about fashion. Indeed, it always has been about human being.

The Art of Beautiful Nos artisans nourrissent un parti pris radical : celui d’insuffler de la passion dans chacun de leurs gestes au quotidien. Nous vous souhaitons la bienvenue dans cet espace où la générosité de la nature n’a pour égale que celle des hommes qui l’habitent.

#IleMaurice

#BeachcomberExperience

www.beachcomber.com

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Design Eyewear Group new concept store

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Head to 4 rue Pernelle in the 4th arrondissement of Paris to discover the “Degree” boutique designed by Design Eyewear Group.

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ager to offer the public a unique experience, Design Eyewear Group opens its flagship store near its Paris offices. An invitation to immerse yourself in the world of its nine emblematic brands of Danish, English and French origins, through a wide range of sunglasses. The Degree boutique welcomes its customers in a warm setting in the heart of Paris, a bustling capital always bubbling with trend inspiration.

Designed by a Danish architectural firm, all materials used in the concept store are natural and custom-made from solid oak.

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FIND YOUR OWN SOLAR IDENTITY In this Parisian showcase, you’ll find the exclusive sunglass creations from three different cultural universes that brilliantly create a coherent whole. Each of the brands offers a world of eyewear with a strong identity, where colour, creativity, originality, elegance, and comfort merge.

MORE INFOS: DEGREE - 4 rue Pernelle - 75004 Paris

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9 BRANDS IN 1 PLACE FACE A FACE offers designer eyewear inspired by contemporary art, made in France and Italy from quality materials. Straight from Denmark, the KILSGAARD brand works with Japanese acetate and aluminium to produce sunglasses with a contemporary, elegant, and minimalist design. ALIUM, on the other hand, aims for performance, elegance, and innovation. PRODESIGN sunglasses, made from acetate, titanium, or aluminium, are renowned for their timeless aesthetics. WOOW offers a graphic look, blending the retro with the eccentric in its latest colourful collection. WILLIAM MORRIS is inspired by London trends with refined details. CHARLES STONE NEW YORK takes us back to the 70s and 80s. For functional, urban and, above all, elegant design, the INFACE brand hits the bull’s-eye.

And if you’re looking for the perfect pair of sunglasses for slim faces, NIFTIES has a brand-new collection with a sleek design that will follow the lines of your face. As you can see, at Degree, it’s impossible not to find “glasses to fit your nose ».

Tortue Lady With its pure and timeless curves associated with its unique and exclusive caliber, “Tortue Lady” introduces a new sculpture of time.

www.claudemeylan.ch

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A single name for respectful luxury

Purest

PUREST or the elegance of cashmere redefined by its founder, Patrick Garbini. Cashmere has long been synonymous with luxury, softness and refinement. But when it comes to the PUREST brand, cashmere takes on a whole new dimension... a delicate, high-quality experience that combines traditional craftsmanship with an avant-garde vision of style.

By Helena Perdoux-Frances

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atrick Garbini’s interest in cashmere began in 2007 during a trip to Nepal. A visit to a local cashmere plaid and scarf workshop captivated him and in 2011 he created Maison PUREST. Since then, the brand has taken its place in the world of luxury, offering scarves, travel and home accessories hand-woven by Nepalese artisans and designed by creative director Saverio Palatella, in Milan. The result is a range of products that combine luxury and respect.

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CASHMERE, AN EXCEPTIONAL FIBRE THAT LOVES THE PLANET This fine, soft wool is one of the most sought-after natural fibres in the world, and its rarity makes it a symbol of luxury and exclusivity, as well as being ecologically sustainable because it is completely natural; an aspect reinforced by PUREST’s spirit of innovation and perfectionism, which lies at the intersection of craftsmanship and eco-responsible (r)evolution. Cashmere has

become the symbol of respect for the environment for lovers of conscious fashion.

PUREST, THE ART OF WORKING CASHMERE The Swiss brand PUREST, based in Lugano, was conceived with a simple yet complex objective: to create exceptional pieces from this noble fibre, based on the three fundamental pillars of Patrick Garbini’s thinking: quality, sustainability and innovation.

Undeniably superior in quality, PUREST products are made from the finest cashmere from the plateaus of Chinese Inner Mongolia and Mongolia, a region renowned for the quality of its wool. Each piece is hand-woven on traditional looms to ensure unrivalled softness and exceptional longevity.

Sustainability is the ultimate goal that Patrick Garbini and his team have set for themselves. They are determined to minimise the environmental impact of their business. To achieve this, they source their yarns from trusted partners known for their

FASHION

Innovation is synonymous with PUREST, which is not only concerned with perpetuating traditions, but also seeks to innovate in the world of cashmere, and not just thanks to its creative team in Milan. With the help of BluAct, a spin-off from ETH Zurich, a new filtration technique has been developed in the PUREST workshop in Kathmandu. Waste water from the dyeing process is filtered before it enters the sewerage system. So why not imagine a new source of irrigation or the possibility of a new dyeing cycle?

WHO IS THE MAN BEHIND PUREST?

him an inspirational leader. PUREST is about to launch its Green Book... certainly a statement of intent, but more than that, a reflection of an acute awareness of the urgency of sustainability, translated into concrete action. Working closely with some of the world’s most prestigious luxury brands, PUREST excels at creating unique, bespoke accessories. These pieces perfectly reflect the brand image of its prominent partners, who then offer them to their customers or sell them in their boutiques.

WE BELIEVE IN RESPECTING PEOPLE, THE ENVIRONMENT AND TRADITIONS.

Patrick Garbini is much more than a lifestyle entrepreneur.

He is a visionary who has combined his passion for travel and cashmere with a vision of sustainable and ethical fashion. His determination to conserve natural resources and promote environmentally friendly practices in the fashion industry makes

CHOOSING PUREST MEANS OPTING FOR LUXURY, COMFORT AND ENVIRONMENTAL RESPONSIBILITY

PUREST embodies the very essence of cashmere: an exceptional natural fibre combined with timeless elegance. A renowned commitment to quality, sustainability and innovation has made it a benchmark in the world of cashmere fashion. You can discover the world of PUREST and its values through the new Winter 2023/24 collection on the official website and at the Bongénie Grieder stores in Geneva and Zurich.

In a world in search of quality products and committed brands, PUREST is the preferred choice to invite everyone to embrace the softness of cashmere while preserving our planet.

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respectful production and the technical expertise required to produce quality yarns that meet PUREST’s ethical standards.

But that’s not all... For finishing processes such as dyeing and final washing, which are essential steps in achieving a soft fabric, PUREST relies on pure, soft river water from the Himalayas, where no chemicals are used. In doing so, PUREST’s production passes quality controls carried out by independent laboratories.

MORE INFOS: Purest Ltd, via Pietro Capelli 2, CH-6962 Lugano - info@purest.com - www.purest.com - Phone: +41 91 970 16 30

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FASHION

When the utopian becomes a realistic ideal

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Arno Bund

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ARNO BUND, a passion for feminine elegance. A French brand resolutely focused on a responsible future... Its founder, Arnaud Bund, has given women, and more recently men, a taste for elegance that is both timeless and innovative. When creativity meets responsibility, the result is a brand deeply rooted in its culture and its time. An intellectual with a need for manual work, passionate by nature and invested on principle, Arnaud Bund trained in the remarkable craft of shoemaking and turned his imagination into reality. A designer in love with the high heel. Luxury at the service of a passion for beauty, the freedom to be and the fulfilment of a dream… This original inspiration can be seen in his twin heel, imagined in front of a butterfly on a riverbank.

By Helena Perdoux-Frances

FASHION

WOMEN AT THE ORIGIN OF EVERYTHING Created in 2022, ARNO BUND is an avant-garde brand with heels that are firmly rooted in the spirit of the times. A lover of femininity, Arnaud designs for and around women. He has put his talent at the service of a daring delicacy and a clear aesthetic. The heel as a pedestal of sublimated femininity...

A CONCEPT AS SIMPLE AS NATURE ITSELF Is it possible today to make leather shoes and remain insensitive to nature’s misfortunes ? Arnaud Bund has made up his mind and is not resigned to doing things “as usual”, whatever the cost. As a responsible family man, he keeps a close eye on ecological developments. And true to his convictions, he uses upcycled leather.

Designing sneakers allows him to explore the advances in recycling. They are made from 70% recycled materials: alloys of plant fibres, bamboo, corn and sugar cane for the soles. The result is an eco-friendly product whose components have the same properties as leather, a material that is waterproof, antibacterial and breathable. ARNO BUND is also very interested in a process that transforms plastic recovered from the sea into textiles.

With these new materials, the designer puts elegance at the service of our oceans.

I AM PROUD TO STAND UP AND FOLLOW MY CONVICTIONS

WOMEN AND HEELS, THE UNIVERSAL FORMULA FOR BEAUTY Under Arnaud Bund’s impulse, femininity becomes the golden number, the universal formula for beauty... a divine harmony that owes everything to his imagination!

His shoes are created once the heel has been imagined, around which the model inspired by and for him is assembled.

A complete and complex process that belongs only to its creator.

Beauty has a responsibility. It must make sense

MADE IN EUROPE... FOR NOW

ARNO BUND has teamed up with the talents needed for European production.

Their know-how and the quality of their materials are indispensable and in tune with the times. In addition to ecological responsibility, the founder can no longer find the know-how for high heels over 10 cm, the essence of his creativity, in France.

But Arnaud, who is keen to create a link between his principles and his manufacturing process, has no reason to despair of being able to call upon the Made in France mastery of the dizzying heel once again. ARNO BUND is growing under the impetus of a creator who is both responsible and idealistic. A man who shows his convictions as an artist and invites you into his world.

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rnaud’s sources of inspiration are full of humanity. He will certainly remember the greats such as François Pinet, the shoemaker of elegant women, Roger Vivier and his iconic expertise or Robert Clergerie, the inventor of innovative design in simplicity, but for the people they are or have been. Once again, humanity is at the heart of ARNO BUND’s creations. It is his love for his wife, the attention he pays to all women, that guides his mind and his hands.

Discovering the world of ARNO BUND is already a concrete expression of modern beauty, faithful to its principles. It is already a way of acting. Wanting to wear his heels is a way of spreading his message, of holding on to his ideal, not only of femininity, but above all of his commitment as an “eco-respectful” artisan.

And all it takes is one click...

MORE INFOS: www.arnobund.com - Tel : +33 6 63 65 92 00

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FASHION

Fusalp A savoir-faire reaching new heights Driven by the vision of Mathilde Lacoste, the company’s artistic director, Fusalp highlights seventy years of unique expertise, blending elegance, technicality and performance.

By Eduardo Costerg

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A LEGACY OF PERFORMANCE Fusalp was born on the shores of Annecy’s lake in 1952. Its creators, Georges Ribola and René Veyrat, skilled tailors and skiers, set themselves the challenge of making a ski spindle for competition. To create a fluid garment in which athletes could move freely, they experimented with new fabrics and materials. The many technical advances resulting from their research soon caught the attention of the French Ski Federation. They wanted the two tailors to dress the French ski team from now on.

Their work took on a whole new dimension at the 1966 Portillo Olympic Games, when the first ski racing suit, by Fusalp, made a highly acclaimed debut. Marielle Goitschel, the medal-winning alpine ski champion, said: “Not only did we cause a sensation at the opening ceremony, but the ski suit is all the rage as revealed by Paris Match at the time with a double page.”

Even today, Fusalp joins forces with ski champions to promote shared values: high standards, performance and elegance.

Involved at the highest level of international competition, partner of Great Britain’s Alpine and Para Alpine Ski Team, Fusalp cultivates the desire to push back technical limits while celebrating the art of movement.

MORE INFOS: www.fusalp.com

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FROM STYLE TO LIFESTYLE If Fusalp has stood the test of time, it’s partly thanks to the vision of women like Ingrid Buchner and Mathilde Lacoste.

Generation after generation, they shape the spirit and stylistic signature of the brand, making the most of its savoir-faire to anchor it in the zeitgeist. Driven by audacity and a taste for innovation, Artistic Director Mathilde Lacoste plays with the Fusalp’s historic codes, testing them, modernizing and sublimating them.

From one collection to the next, summer and winter alike, Fusalp reinvents itself, without ever losing sight of its ideals of elegance, technicality and functionality. “Styling is like sport: even at the highest level, it’s still a game”.

Fusalp’s reputation extends beyond the slopes. More than just intelligent clothing, it’s a lifestyle driven by Fusalp’s values: to look good while emphasizing the beauty of the body in motion, to combine style and performance with the same high standards, and to face challenges with creativity and ingenuity PIONEERING EXPERTISE Fulsap’s rich history and innovative research have forged invaluable expertise.

To create its iconic, refined cuts, it uses new materials, invents its own processes - such as bi-stretch - and perfects proprietary techniques such as softshell - two to three layers combined to insulate against cold and humidity, always with greater lines and performance.

In Paris, in the tailor’s workshop, Mathilde Lacoste and her teams limit themselves to working only with the noblest technical materials. Nothing is left to chance. From the design and meticulous cutting of the fabrics, to the fine-tuning of the most discreet details, each piece reflects the company’s obsession with movement and structure. With its sights firmly set on the future, Fusalp continues to live up to the spirit of innovation that has driven it for over seventy years. Fusalp’s elegance and expertise have made a name for themselves on the slopes of Aspen as well as on the streets of New York and Paris. Since October 2023, the french capital has been home to a brand-new boutique on the prestigious Avenue George V, a stone’s throw from the Champs-Élysées

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Armed and Dangerous

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Ana De Armas

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Ana de Armas, the captivating Cuban-Spanish actress, has taken both the film and fashion worlds by storm, emerging as one of Hollywood’s brightest stars in what is a remarkably short time.

Her performances, marked by depth and authenticity, have endeared her to audiences globally. From her memorable role in Blade Runner 2049 to a transformative portrayal of Marilyn Monroe in Blonde, with Knives Out, Bond (No Time To Die), War Dogs and The Night Clerk thrown in for good measure – they each show de Armas’s ability to showcase a brand of accomplished versatility that distinguishes her from her contemporaries.

Beyond her on-screen presence, she also has a journey from Cuba to Hollywood that appears as if it could be every bit lifted from a film script, overcoming language barriers and cultural shifts, progressing as testament to the star’s resilience and passion. Indeed, what makes her rise even more impressive is that, up until her teenaged years, de Armas had precious little appreciation or understanding of the wider world of entertainment, beyond a token offering of 20 minutes per week permitted to watch cartoons, and a solitary movie matinee that she was allowed to watch at the weekend.

These days, following Keanu Reeves, Robert De Niro, Harrison Ford, Ryan Gosling, Rosamund Pike and Jamie Lee Curtis are all quick to note the potential of the acting luminary, previously married to Spanish actor and model Marc Clotet, and more recently in a high-profile relationship with Ben Affleck. These days, she can be seen with entrepreneur and slash director Paul Boukadakis, though remains very much her own person, as we discover…

By Matt Lee

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PEOPLE

BLUSH. We have to ask you about Bond, given there remains lots of talk about who will succeed Daniel Craig. You have come out recently to say there is no need for a female Bond…

ANA DE ARMAS. We definitely don’t. There is a trend at the moment to repackage and re-present everything in a way that spells equality and diversity and everything else, and that’s a nice idea, in theory. Ultimately though, when you mess about with something a little too much you take away the magic of it. If we had no dynamic female role models in film these days then I would perhaps support something radical, but the fact is we do, so let’s keep some things pure. James Bond is a man and should always be.

Do you look back on No Time To Tie as a defining career moment?

I am not the sort of person to rest on my laurels. To have been in a Bond film is something I’d always dreamed of – it wasn’t an aim, but you always think that if you can have your name on a Bond movie credits, you’ve done well. The films have always been a huge part of the industry and yes, we may be moving in a slightly different direction with them, but people going to watch them in the cinema have a good idea of what they are going to get. So, yes, I was very happy to get the chance to be in one, to work with a great director, some brilliant actors and be a part of the history that the James Bond franchise – and the excellent and legendary writer, Ian Fleming, has brought to the world. But no, this isn’t the end or the point at which I sit back and start to relax – that is not me!

happy to go back to a thriller where although that was intense, there weren’t anywhere near as many stunts!

You’ve also got a stellar cast for Origin Of Species, a Ron Howard film.

Tell us a little bit about that.

I can tell nothing but what the press release said which is along the lines of… A humorously grim narrative of murder and endurance, centred on a motley crew of characters who forsake society for the Galapagos. Each is driven by their quest for an age-old conundrum that haunts humanity: what is life’s purpose? We have Jude Law, Alicia Vikander, Daisy Edgar-Jones, Daniel Brühl – it’s very good fun at the moment. So, you’ll have to wait and see for yourself when it comes out!

IF HE CAN DO IT, SO CAN I.

All that aside, which has been your most demanding role?

Blonde was the toughest. Taking on a role like that demands profound preparation, pushing me to start from scratch. With Marilyn, I realised that emulating the physical traits of someone so iconic only covers half the journey. While many might first notice the appearance and voice, my engagement was far more overwhelming. It involved a complete re-evaluation and purging of my preconceived notions of her. That reflection was far more daunting and challenging for me.

How do you plan for the future?

My main focus is always on the movies that are right in front of me, at the same time living out the projects you have wrapped up and are doing promo for. It can often feel you have lived with films for so long, and they are a kind of secret, with you being unable to say much or even contemplate their release.

It’s something you get used to after a while.

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So, future projects… You’ve got the John Wick franchise spin-off Ballerina and you’re back working again with Keanu Reeves. What was that like?

For five long months in Prague, we were deeply engrossed in filming and every day brought its share of physical challenges. Every muscle, every joint – especially my back – screamed in pain. My body was a canvas of aches, and I was often littered with bruises, but of course when you look back in the weeks and months that follow they are not the defining memory, so really it doesn’t matter. The fact is, despite the intensity and the injuries, there was this man, relentlessly pushing the boundaries, involving me in mind-bending stunts, tossing and turning me with incredible vigour. Witnessing his commitment, I found it hard to voice any further complaints. I thought, “If he can do it, so can I.” It’s not an exaggeration to say that Keanu truly is at the pinnacle of his craft, and it was truly a pleasure to work with him again. However, for the third time, maybe I’ll be

How proud are you of your career in film up to now?

I often reflect on my accomplishments and consider my future path, and I’m acutely aware of those significant moments and achieved I’ve experienced, and I am proud of that, of course. Yet at the same time it’s crucial not to linger on them for too long, because they don’t actually produce anything important going forward. It’s a cliché to say you’re only as good as your last movie, but in many ways it’s true. Where I am in my career, I don’t want to be relying on past glories – that’s just not me.

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Who are your favourite female actresses … perhaps those who have inspired you over the years?

I would say those I have studied and admired include Meryl Streep, Kate Winslet, Jennifer Lawrence and Cate Blanchett – but not just those four.

There are so many great actresses that when you start to become obsessed with improving your own performance and trying to get new types of roles that you’ve never considered before, you start watching the best and trying to take some tips from their acting.

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You were brought up on food rationing, fuel shortages and electricity blackouts during Cuba’s so-called Special Period – a time of intense economic struggle brought about by the dissolution of the Soviet Union.

How did that prepare you for life as an adult?

Those days were challenging for our family. Every day brought with it the unsettling feeling of unpredictability, wondering if life could ever become simpler, healthier, or better. I often think about my parents during those times. They bore the brunt of the hardships. As kids, we were largely

oblivious to the severity of our situation. We lacked even basic amenities like internet access. It wasn’t until I attended the National Theatre School in Havana that I was introduced to this vast digital world, and I yearned to be part of it.

You later moved to Madrid at 18, and claimed Spanish citizenship as a way of navigating around Cuba’s then-regimented rules over needing to complete three years of mandatory service to the community…

Naturally, I felt the urge to contribute to my country. However, I also recognised that if I could forge a path and establish a career elsewhere, it would provide a genuine opportunity to support my family. I prioritised my family and I have absolutely no regrets at all about making that decision.

I would like to think it has already paid off, and in future it will continue to, because the effort you put in should always pay back.

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Murphy’s Law

Amidst the cinematic expanse, there exists a talent so versatile and authentic that he seamlessly vanishes into each role.

Cillian Murphy, the man behind the character, is as intriguing as the parts he plays. Hailing from the sprawling suburban streets of Cork, Ireland, Cillian Murphy began his foray into the arts, not with the grandeur of Hollywood lights, but with the authentic resonance of his hometown’s rich cultural tapestry.

Today, he stands not merely as an actor but as a cinematic force, influencing audiences globally; additionally, his meteoric ascent in the world of international cinema is a testament to unyielding dedication and raw talent. The depth and intricacy of his roles speak volumes of his capability. As Thomas Shelby, the cunning and ambitious leader in Peaky Blinders, Murphy delivers an aura of brooding intensity, effortlessly capturing the zeitgeist of post-war Birmingham.

Contrastingly, in Danny Boyle’s post-apocalyptic horror 28 Days Later, he showcases vulnerability and raw emotion, encapsulating the sheer desperation of a world fallen into chaos. Through such varied roles, Murphy has demonstrated an artistry that’s not just diverse but unparalleled in its depth.

Now, will he finally receive the Oscar nomination that seems to have been awaiting him? His continued collaboration with filmmaker Christopher Nolan has reached a deafening crescendo which the Awards bodies cannot ignore. With previous roles in The Dark Knight Trilogy as Dr Jonathan Crane – who becomes the Batman villain, Scarecrow – Fischer in the 2010 mind-bending sci-fi trip Inception, and a credit simply known as ‘the Shivering Soldier’ whose whole existence in the film is to provide a precursor to the true horrors of Dunkirk, Murphy’s portrayal of J. Robert Oppenheimer in the eponymous biographical epic is one he plays perfectly, and will surely yield reward. Away from the lenses and scripts, Murphy paints a picture of a private life that’s as fascinating as his on-screen personas. He carries an air of thoughtful contemplation, an innate charisma that draws people in, yet remains deeply rooted, cherishing the values and memories of his Irish upbringing.

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Cillian Mu r phy

By Violet Wilder

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PEOPLE BLUSH DREAM

BLUSH. Your career is adorned with a diverse range of characters.

What helps you gravitate towards a particular role?

CILLIAN MURPHY. From my earliest days in acting, I found myself irresistibly pulled towards characters that seemed to unravel, each thread revealing a nuance, a story, a dilemma. It isn’t just the mere portrayal of a role that intrigues me, but the deep dive into a psyche that’s layered, often conflicted and always seeking. Complexity and depth are more than just descriptors; they are gateways into understanding the human condition.

When I encounter a character that not only challenges my boundaries as an actor but also compels me to introspect and question, I know I’m onto something special. These roles, which pose more questions than they provide resolutions, are the ones that leave a lasting impression on both the actor and the audience. They beckon me to explore, to debate and immerse myself completely, and it means that the journey of understanding the character becomes as transformative for me as it is for those watching.

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Can you share a glimpse into your acting process?

To me, acting is not just a profession but a journey into the depths of the human soul. When I take on a role, it’s not a superficial commitment; it’s an expedition into the very core of the character. This means that I like to take time to immerse myself, peeling back layer after layer to truly grasp the intricacies of their psyche. It’s a profound exploration, attempting to understand not just what drives a character, but also their deepest insecurities, their unspoken dreams, and the intricate web of experiences that have

shaped them. I dissect scripts, often finding myself lost in thought, walking in their shoes, living their dilemmas, celebrating their joys and feeling their sorrows. With the role of Oppenheimer, I at least had to stick to the truth so, of course, I had far less leeway on where I could take that. However, you still have to portray the man in your own way, while still staying faithful to the events during the course of history and how that affected him. Obviously, things can get a little intensive and sometimes fairly solitary, and it’s this solitude that fosters an intimacy between me and the character. It’s like forging a bond, a shared understanding. By the time I step onto the set, the distinction between who I am in real-life and the role I’m undertaking at that point, starts to blur. So, I feel that when people ask me how I get a character to be so authentic, I’d say I do all of that to make it happen and I’m of course very thankful that people appreciate my work.

So, are you going to win the Oscar for Oppenheimer?

[Laughs]. Well, I’ve done my part… but I do make those decisions. I mean, it would obviously be incredible to receive that recognition, but that’s not why I do it – I don’t know many actors who do it for back-slapping or awards, if I’m honest. If people like what you’re doing, that means you’re doing something that people like – nothing more. If an audience wants to watch every film or television show I’m in, that’s enough for me. So, if I win, I win and I’ll celebrate and if I don’t, then I’ll be disappointed, but there’s always the next movie. Until there isn’t, of course!

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Apart from acting, how do you usually unwind?

I’ve always been passionate about music, listening to and playing myself. I love my guitar and I was in a band with my brother before all this Hollywood stuff began to start taking up my time and I had to quit the band, you know! [Laughs].

I like a good book, a long walk, or just spending quality time with my family.

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BY THE TIME I STEP ONTO THE SET, THE DISTINCTION BETWEEN WHO I AM IN REAL-LIFE AND THE ROLE I’M UNDERTAKING AT THAT POINT, STARTS TO BLUR.

Speaking of family, how do you strike a balance between your hectic film schedules, British radio commitments, and personal life?

Balancing the demands of an ever-evolving career with personal life is not always easy, but Yvonne [his wife] and I have an appreciation of each other’s work, time and needs. The unpredictable schedules, the long hours on set and the constant travel might seem overwhelming, but there’s a bedrock of support that keeps me grounded – my family.

I’m truly fortunate to have a family who understands the intricacies of my profession, who see beyond the glamour to recognise the commitment and passion it demands. They’ve been my silent cheerleaders, making sacrifices, showing patience and offering unwavering support and my support and love is very much requited.

I’ve read that you don’t have Wi-Fi at home, are not on social media or even own a mobile phone… Is that really true?

You bet your life it is! As the parent of two teens, I vividly recall my own

younger days and I also understand the myriad challenges that today’s youth face in our evolving society. Growing up in this era is hard, with rapid changes constantly reshaping their world.

The pervasive influence of the internet and the digital realm is undeniable, but it’s not the be-all and end-all – in fact, quite the opposite.

To me, it sometimes seems like many youngsters live their lives tethered to their screens.

However, I also read something… and that was a respected study which told of integrating empathy into education and to me, that sounds like a forward-thinking move. I firmly believe that today’s youth have an innate capacity for care, compassion and genuine connection – you just have to coax it out of them. Of course I do have a phone for times when I need to be in contact, but generally it stays off because I find the intrusion constant and it’s not healthy.

What’s next for Cillian Murphy? I saw that you have a production with Emily Watson and Ciarán Hinds which is the bringing to life of Claire Keegan’s brilliant book Small Things Like These.

I’m very excited about that. I have a dep love of the book and anyone who has read it will know it’s an evolving and intriguing plot. With these books, we try to move things around without spoiling the original meaning.

It’s a tricky act and it’s something that has to be approached with sensitivity, but I feel we have the right balance.

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BEAUTY

Spa Nolinksi

By La Colline

Spa Nolinski by La Colline invites you to experience a moment of serenity in the heart of Paris, in an intimate setting combining French elegance and high-tech treatments and products from the Swiss Riviera.

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few cobblestones from the Comédie Française, Rue Saint-Honoré and the gardens of the Palais-Royal lies a haven of comfort in the elegant setting of a typical Haussmann-style apartment building: Nolinski Paris. The first of the Evok collection to open, it embodies the French lifestyle, the elegance of discreet luxury, and the charm of an address at the center of Paris fashion and culture. The Nolinski is a combination of refinement and boldness, modernity and contemporary flair that you’ll want to tell all your friends about.

The soft whisper of the water, granite flooring, warm wood paneling, flickering candles: at the spa, the four elements collide in a natural source of cozy well-being. Guests are invited to sit back and relax in the Louis XIV armchairs and sofas that line the pool. On the ceiling, a mirror reflects an endless swimming stroke gliding across an abstract landscape. On the dark rock that slinks from the walls to the pool, shimmying waves of light cast by the torches play hide-and-seek.

After a session with a personal trainer on-site or in the neighboring Tuileries gardens, a sense of deep serenity takes

over. The sauna and hammam give way to the clear night sky, where three massage huts await to treat skin to the sheer excellence and revitalizing powers of the La Colline beauty treatments. This intimate place combines elegance à la Française and the high-tech treatments and products of the Swiss Riviera .

Care invite evasion , welfare.

Cutting-edge products, the fruit of extensive research on cellular metabolism, are combined with a sophisticated and authentic atmosphere where an eye for detail is translated into precision of treatment and appreciation for care - fully codified rituals. The treatments include breathing and stretching in alternating phases, as well as relaxing and firming massages allowing the body and mind to revitalize in complete harmony. The Swiss origins of this unique space are reflected in its atmosphere of discretion and refinement to ensure an unforgettable experience for all visitors.

A private aside, a promise of harmony.

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By Quitterie Pasquesoone

MORE INFOS: NOLINSKI PARIS - 16 Avenue de l’Opéra, 75001 Paris – www.nolinskiparis.com

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SHOPPING BEAUTY

The It list

Winter is here, and with it comes the perfect opportunity to look after yourself and treat yourself. The editors of Blush have put together a shopping list of beauty ideas.

Treat yourself or someone else to a winter of beauty! By Quitterie Pasquesoone

HIGH-TECH

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Centred on LED light and its benefits for the skin, this anti-ageing mask is one of the most powerful in the world. Thanks to its 132 LED bulbs, it delivers a powerful treatment to the skin, restoring radiance and firmness in just 4 weeks. The ultimate in technology. CurrentBody Skin LED Light Therapy Face Mask : 349€

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STRAIGHT FROM THE ALPS

Immerse yourself in the forests of the Bregenzerwald, in the heart of the Austrian Alps, with this body oil that promises to leave your skin feeling wonderfully soft. Developed from antioxidant-rich apricot kernel and limnanthe seed oils, it provides long-lasting hydration for dry skin. A fragrant oil inspired by the fresh, invigorating air of the forest, enveloping you in the scent of greenery in the heart of the Alps. Use after your shower or bath for a real moment of well-being. Bregenzerwald body oil - Byredo x Susanne Kaufmann, 100 ml : 90€.

A YOUTHFUL TOUCH

A divine face oil enriched with fine black diamond powder, which helps to effectively diffuse the active ingredients for better absorption deep into the epidermis. It is formulated with a powerful, uniquely balanced blend of retinol and Granactive Retinoid®. The result: it visibly smoothes wrinkles, brightens and evens skin tone for younger-looking, irritation-free skin.

An absolute must. 111Skin - Black Diamond Retinol Oil, 30ml : 200€

EXPERT CREAM

A unique treatment with a PGF-5TM complex combined with a cutting-edge selection of recognised anti-ageing active ingredients to combat the 5 signs of skin ageing: wrinkles and fine lines, sagging skin, changes in texture, pigmentation spots and loss of radiance. The features are smoothed, the skin is more resistant and the complexion’s radiance is evened out and revitalised. Just like after a good night’s sleep… Codage - La Crème Magistrale Codage :295 €

EMOTIOONAL MOMENTS OF PLEISURE

PURE SWISS A L P I N E C AV I A R Pure. Naturel. Sustainable

Tropenhaus Frutigen CH-3714 Frutigen Tel: +41 33 672 11 47 sales@oona-caviar.ch oona-caviar.ch

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LET THERE BE LIGHT

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A palette that’s as luminous as you want it to be, giving you radiant eyes in just two brushstrokes. With shades of gold and orange for a modern style, it promises a seasonal look that’s perfectly in tune with the times. Suqqu- Eye & Blush Compact Toukougasane: 84€

MAGIC ROLLERBALL

Designed by experts, this rollerball quickly removes impurities, helps stimulate microcirculation, refreshes and soothes. How does it work?

Thanks to cutting-edge technology that visibly reduces fine lines, enhances firmness and deeply moisturises in just four weeks. The key is 12 ultra-powerful active ingredients such as hyaluronic acid, peptides and niacinamide for divine skin. Westman Atelier -Skin Activator Rollerball, 20 ml + refill : 315€

RACY JUICE

Private Blend, Tom Ford Beauty’s latest creation, is a devilishly chic fragrance with character.

The key ingredients are a duo of powerful myrrh essences and an exquisite ultra-vanilla accord, which is both provocative and radiant, while leaving a rich, luminous aura in its wake... Sublime!

Tom Ford Beauty - Myrrhe Mystère : from 155€

faceaface-paris.com / mod. KIMONO1 COL 1124

WELLNESS

A winter in style

Nescens Resulting from cutting-edge research, Nescens cosmeceuticals represents the pinnacle of anti-aging science.

Developed under the guidance of Jacques Proust, a specialist in the biology of aging, the Nescens ran g e e mb o dies a profoun dly innovative anti-aging approach, based on the understanding of the molecular mechanisms involved in the maintenance and repair of the skin structures. Find out more...

By Quitterie Pasquesoone

NESCENS, THE ANTI-AGEING EXPERT Nescens stands at the forefront of anti-aging expertise, revolutionizing youth care through its unique know-how. This has led to the creation of an expert specialized range capable of addressing various skin issues with high-performance anti-aging cosmeceuticals. These products are developed using a modern, cutting-edge approach that leverages an understanding of the molecular mechanisms responsible for maintaining and repairing skin structures.

THE LATEST INNOVATION: THE 360° SPF30 PROTECTIVE COMPLEX The latest innovation: a multi-protection day cream. The 360° SPF30 Complex has been designed to offer the most complete protection for the skin. Thanks to a 360-degree strategy developed by Nescens Research, it acts as an active defense sphere to protect the skin against all factors linked to skin aging. These factors, also known as external aggressors, include ultraviolet, infrared rays, blue light, environmental pollution, climate change, chronic stress, tobacco, alcohol and other nutritional imbalances.

The Protection complex consequently promotes the regeneration of the skin to safeguard its youthfulness.

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CARE FOR EVERYONE, ALL YEAR ROUND Ideal for all-year-round use, The 360° Complex is particularly beneficial during the winter season and for winter sports enthusiasts that suffer from the dry winter conditions. Incorporate the cream into your morning skincare routine as the final step, not only to provide the skin with optimal protection but also to serve as an ideal make-up base. The product is suitable for all skin types and essential for prolonging that fresh skin feeling.

Once you try it, you will find it indispensable.

MORE INFOS: Recommended retail price: €195 - www.nescens-beauty.com

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charleszuber.com

Enter the realm

We are a Genevan-born atelier inspired by the life of master Swiss jeweler Charles Zuber.

Fueled by obsessive creativity, an affinity for crafting mesmerizing moments, and a daring vision, we captivate the discerning elite who seek the provocative beauty of simplicity.

La Vie, Exubérante.

BEAUTY

The Swiss art of beauty

l’Elixir des Glaciers An extraordinary blend of science and nature that conveys a boundless love for the planet and for us. One word, just one, could sum up this remarkable range: Respect... for oneself, for others and for the environment.By Helena Perdoux-Frances

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irst of all, an inexhaustible source of inspiration rooted in the majestic glaciers of the Swiss Alps, whose purity and natural treasures are priceless. That’s the precious natural source that Sophie Vann Guillon, CEO of Valmont, needed to fuel her cosmetic passion and to imagine, and create. l’Elixir des Glaciers embodies the essence of Switzerland’s beauty and its capacity for innovation.

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WHEN ETERNAL BEAUTY ACQUIRES A TEMPORALITY

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In the fascinating world of beauty and skincare, few companies have managed to combine tradition, innovation and excellence… Yet for nearly 40 years, Valmont has been the epitome of timeless elegance, cutting-edge science and the unique art of enhancing natural beauty. L’Elixir des Glaciers is the prestigious, remarkable -and noticed- result.

This range of products brings together all the ingredients of a unique formula, made up of rare and precious ingredients.

Alpine plants, rare minerals and trace elements from the eternal ice, combined by science to create products whose gentle power regenerates, revitalises and rejuvenates the skin; each product in this range meets its specific needs… deep moisturising, anti-ageing… Our skin wants more!

WHEN NATURE BECOMES AN ART OF LIVING, BEAUTY BLOSSOMS A trio of amazing skincare products that answer our eternal quest for timeless beauty. La Sève des Glaciers is a day cream designed to hydrate, smooth and illuminate your skin. A new ingredient, sturgeon DNA, is its main asset. Its richness in precious plants makes it an unrivalled radiance enhancer. This day treatment is accompanied by La Source des Glaciers, a radiance lotion, and Le Nectar des Glaciers, a night repair complex. Like nature itself, La Quintessence des Glaciers is based on the principle of chronobiology. Day after day, night after night, your skin regains its luminous, rejuvenated beauty.

Art and beauty come together in this new annual edition of La Quintessence des Glaciers. This exceptional skincare product is presented in an artistic and daring limited edition collector’s box, designed by Didier Guillon and inspired by the Bauhaus movement.

“La Quintessence des Glaciers is a work of cosmetic art that I dedicate to all women in search of excellence” (Sophie Vann Guillon)

BEAUTY

In 2023, l’Elixir des Glaciers will take luxury skincare to a new level and will be inspired by bees in its new Essence of Bees collection. A unique combination of honey for its moisturising and repairing properties, propolis for its purifying properties and royal jelly for its skin regenerating properties.

Valmont’s alliance with Swiss beekeepers, who are passionate about protecting their know-how, offers us an exceptional daily routine for dry skin.

More generosity all in lightness for Huile Majestueuse, Crème de Masque Majestueuse and Serum Majestueux.

A generosity that extends to the bees. This commitment has its roots in Switzerland at the foundation Arche des Abeilles, where the beekeeper, Stéphanie Vuadens is the Fondator and the true ambassador. Twenty hives are sponsored by l’Elixir des Glaciers on an ongoing basis. In this way, L’Elixir des Glaciers has committed itself to donating part of the profits from the sale

“With Essence of Bees, I’m offering treasures from our Swiss beehives to nourish even the driest skins. Fully aware of the need to preserve honeybees’ fragile ecosystem, today our historic commitment to protecting our foraging friends extend across borders” declares Sophie Vann Guillon, CEO of Valmont “L’Elixir des Glaciers embodies the perfect alliance between high performance Swiss science and the timeless beauty of the Alps. These luxury products offer an exceptional skincare experience and demonstrate Valmont’s engagement in sustainability”.

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of the Essence of Bees collection to the conservation of bees. The amounts donated per sale will be of €20 per Essence of Bees product and of €1,000 per limited-edition art box and the entire sale price of a magnificent bracelet, also in limited edition. The donations will finance major charitable bees’ projects in Switzerland and abroad.

In this way, Valmont is helping to protect bees internationally at all levels of their ecosystem.

WHEN MAN AND BEE DO EACH OTHER A FAVOUR

MORE INFOS: Find your shop : www.lamaisonvalmont.com/ch/fr/stores - www.lamaisonvalmont.com

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ROUGE DE PLAISIR

PHOTOGRAPHERS: CONTARSY-KARECHA FOR HIGHMARK STUDIOS FASHION EDITOR: URSULA M AGURTO MODEL: SAMANTHA GRADOVILLE/FORD MODELS MAKE UP: VIKTORIJA BOWERS/BLONDE+CO USING ESME COSMETICS HAIR: MAKO IJIMA USING KERASTASE PARIS MANICURIST: JAZZ STYLE/SEE MANAGEMENT USING CHANEL LE VERNIS NAIL COLOUR VIDEO: SEAN RILLER LOCATION: COURTESY OF EXPRESS NEWARK & SHINE PORTRAIT STUDIO

AYAAN DUSTER & GALU PANTS: KAHINDO - CARNELIAN GEMSTONE NECKLACE WITH SHUNGITE PENDANT & 14K GOLD RINGS: JEWELRY ALLIE SUEDE SANDAL: RALPH LAUREN

RED SUIT: HALEIA - 14K GOLD RINGS: SAMVARA JEWELRY

FRINGED GOWN: TYRONE CHABLIS - GEM DROP EARRINGS: ANNE KLEIN SUEDE LOCK SANDAL: TOM FORD

ROSE MINI DRESS: HALEIA - STILETTO OVER THE KNEE POINTED SUEDE BOOTS: SERGIO ROSSI GEM DROP EARRINGS: ANNE KLEIN

THE SHARON SHEER TOP: SUBIN HAHN FLUIDWEAR - RUFFLED PANT: JEVON TERANCE - POINTED SUEDE PUMPS: MANOLO BLAHNIK BLEEDING HEARTS EARRINGS: DEBORA MALOUF JEWELRY

THE RUBY RINGLEADER JACKET & SEQUIN PANT: THE HOUSE OF JASON TRIOSI - ALLIE SUEDE SANDAL: RALPH LAUREN RED GARNET & BLACK SPINEL GEMSTONE NECKLACE: SAMVARA JEWELRY - LOGO & MIXED STONE BRACELET: KARL LAGERFELD

THE SHARON COAT: SUBIN HAHN FLUIDWEAR - ELLIOT LEATHER STRAP WATCH: COACH STILETTO OVER THE KNEE POINTED SUEDE BOOTS: SERGIO ROSSI

AMPHORA

www.giberg.com

Jef f

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Koon s

With a dazzling entrance into the artistic milieu, Jeff Koons erupted onto the scene as the Eighties ticked round, exuding a zeal and daring spirit that left an indelible mark. Little did he know it then, but as the decades evolved, few artists in modern history would demonstrate the sheer audacity and innovative prowess that Koons brought to the table, consistently pushing the very limits of what contemporary art could be. Hailing from the serene and picturesque terrains of Pennsylvania, the now-68-year-old’s journey paints the portrait of a young visionary, slowly metamorphosing into a colossus of the art world. This journey, punctuated with trials, triumphs and unyielding determination, speaks volumes of his unwavering spirit.

Over the successive years since his early success, the cacophony of adulation, mixed with voices of scepticism, became a testament to his provocative and evocative works.

Koons manoeuvred through this maze, masterfully intertwining acclaim and critique, crafting a legacy that stands both celebrated and debated.

His creations, ranging from the shimmering, almost ethereal balloon animals evoking nostalgia for bygone innocent days, to the grandeur of sculptures fetching staggering prices at auctions, serve as a testament to his diverse and unparalleled craftsmanship. Each piece, regardless of its form, underscores Koons’ unmatched ability to tap into cultural veins, resonating with diverse audiences. As the global community sits up, dissecting, praising and sometimes challenging his oeuvre, a singular truth emerges from the chatter: Jeff Koons, with his compelling charisma and visionary approach, has not only solidified his presence in the annals of contemporary art but continues to inject it with fresh vitality and dynamism.

By Violet Wilder

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Art Attack

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BLUSH. Your career spans decades with art that has both stunned and confounded. How would you describe your artistic process?

JEFF KOONS. Every creation that emerges from my studio is birthed from a deeply personal feeling or emotion, a fleeting moment of inspiration or a lingering sentiment that demands expression.

Before even the first brush stroke is made or the initial chisel hits the marble, there’s an internal dialogue, a dance between my heart and mind. My art-making is not just a process, but a journey of translating these intangible emotions into a tactile, visual form that others can connect with.

It’s a symphony of intuitive impulses guided by experience, where raw, unchecked passion meets the precision of meticulous craftsmanship. Each artwork, thus, becomes a bridge, connecting the depths of my soul to the observer.

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Many have tried to label your work — from Neo-pop to Postmodern. But who were your biggest influences when you began?

Marcel Duchamp stands as a towering figure in my constellation of inspirations. His ground-breaking approach, characterised by an almost mischievous treatment of mundane objects, shifted the paradigms of art and perception. He dared to challenge the sanctity of art by presenting the ordinary as extraordinary, urging viewers to find beauty and meaning in the commonplace.

Alongside him, the surrealist movement cast its profound influence on me. It’s fascinating how surrealists blurred the lines between dream and reality, pushing boundaries and questioning norms.

After all, life, with its unexpected twists and turns, often feels like a dreamscape. Given this inherent strangeness of our existence, it seems only fitting that art should serve as a mirror to this surreal thing that we call life.

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Without sounding disrespectful, can you believe that someone would pay tens of millions for a piece of art?

The short answer is, yes. Art, for centuries, has transcended its visual confines, emerging as a potent conduit for human emotion, prevailing ideologies and the spirit of its time. It serves as a mirror to society, capturing ephemeral moments and immortalising them.

When an individual chooses to invest a substantial sum in an artwork, it’s more profound than a mere transaction. They are procuring a fragment of human history, an embodiment of a particular cultural zeitgeist and an intimate glimpse into the artist’s soul. Within the intricate tapestry of the art world, the value of a creation extends far beyond its price tag. It dives into the realms of emotional connection, historical significance and societal resonance. The hefty financial figures associated with iconic artworks are not just arbitrary numbers; they reflect the artwork’s profound impact, its timeless relevance and its potential to captivate generations. This isn’t just for my work.

Every second through every medium that an artist spends on their work is a chronicle of human experience, aspiration and innovation. So, when contemplating the immense monetary values in the art world, it’s imperative to see beyond the fiscal aspect.

I truly believe that art’s true value is immeasurable, as it encapsulates a blend of emotional depth, cultural importance and that historical weight. This synchronicity of sentiments, history and culture, means that the immense monetary figures become a testament to art’s unyielding power to move, inspire and immortalise. For that, I can say that I am hugely thankful.

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How about beyond family?

Of course, there’s an infinite reservoir of inspiration of everyday life. The rhythmic cadence of footsteps on a cobblestone street, the fleeting shadow of a bird in flight or even the intricate dance of light and shade during a sunset – there’s an inherent beauty in each one of these ordinary moments and thousands more. While mostly being overlooked in the hustle and bustle of everyone in their daily lives as they endure the rat-race, rush around trying to get things done and everything else that

life’s challenges present us – for an artist, these moments hold profound truths and stories. It’s in these nuances, these subtle whispers of life, that I often find the most compelling narratives waiting to be captured in art. So, that’s another place I like to gain some inspiration.

Speaking of everyday life, what do you do to unwind?

When I do get those chances to relax, I’ve always been a big fan of classical music. It takes me to another place. I also enjoy taking long walks in nature. It’s a meditative experience. Yet, mostly, my studio at home doubles up as an office and I do find it therapeutic to deal with the admin side of things or merely just getting away from everything, to be brutally honest. Although, as I say, it’s a studio, I don’t always get something started or continue a work in progress there. I use it as a form of refuge and reflection.

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Besides artists, are there other figures or experiences that shape your art?

My children have guided much of my creative journey.

Observing them, I’m often reminded of the unfiltered wonder with which they perceive the world – a perspective untouched by the cynicism or weariness that often creeps into adulthood.

Their laughter, curiosity, their raw and untamed reactions to the world around them serve as daily lessons in authenticity and purity of emotion. They keep me grounded, reminding me of the simplicity and profoundness of genuine human experience.

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How do you feel the art industry has changed over the years?

Art and society are intertwined, each feeding off the rhythms of the other, constantly evolving and reshaping perspectives.

Over the decades, there has been a significant shift in the world of art – it has transitioned from the guarded galleries of the elite to public spaces and screens, becoming far more democratised and universally accessible. This break from exclusivity was further propelled by the digital era.

Now, artists are not just limited to traditional canvases; they have an expansive digital palette and instantaneous global reach. However, the essence of art remains unchanged.

It captures human emotions, ambitions and mirrors the prevailing cultural and social currents. Though the tools, materials and interpretations undergo transformations, the intrinsic human need to communicate, to express and to forge connections through art remains unwavering.

We stand on the precipice of unprecedented artistic exploration, where traditional boundaries blur and the potential for art to touch lives, to initiate dialogues and to transform perspectives is immensely amplified.

And what are your thoughts on the future of art?

The future of art is boundless, a horizon continuously expanding. As we navigate this era, marked by those rapid technological advancements and global connectivity I mentioned, art will undoubtedly embrace these new tools, creating experiences that transcend traditional boundaries.

Yet, the essence will remain – art’s role as a vessel for human emotion, introspection and societal reflection will continue to be there, always present and seeking to find a way through to a new set of eyes, a new thought provoked and spark a reaction.

Could that result in creating a new artist? Hopefully.

Regardless, I see a future where art is even more inclusive, bridging cultures and beliefs, igniting dialogues. While mediums may change, the profound human need to express, connect and seek beauty persists.

Art, in its essence, will remain a beacon of hope, reflection and innovation, continually reinventing while holding true to its core.

Bollwerk Joailliers MULHOUSE 8 rue de Metz, 68100 Mulhouse France

Bollwerk Joailliers BASEL Streitgasse 1, 4051 Basel Suisse www.bollwerk-joailliers.com

Bollwerk Joailliers BELFORT 8 faubourg des ancêtres, 90000 Belfort France

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Photo © Valentin Clavairolles

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BLUSH Editions is delighted to meet Serge Hié, an Franco-Ivorian businessman and former soldier in the French army, who has fallen madly in love with ethnographic art. As a true expert in the field, and the head of one of the world’s most impressive collections, Serge Hié unravels the thread of a passion, a collection, a heritage – both singular and collective – of which he is now the protector. Passing on this heritage is also – and perhaps above all – passing on a history. By Eduardo Costerg Mr Hié, can you tell us how your passion for ethnographic art came about?

I was born into a family of collectors. My uncle was one of the greatest collectors here in Côte d’Ivoire; he introduced me to the art. I decided to build up my own collection twenty years ago.

As for the family collection, it has been built up over more than sixty-five years. When I inherited it, I had to structure it, even if it meant discarding certain pieces at times, with the aim of making it a major collection.

How would you define this art? What are its characteristics?

First of all, you have to understand that ethnographic art is closely linked to functional, religious and spiritual practices. In my opinion, it is also at the root of art in general - many of its influences can be found in contemporary art, in Picasso’s or Renoir’s work, for example. This is a very fine art, which laid the foundations for stylisation and introduced abstract motifs. Ethnographic art speaks of our customs, of the gods: women who could not give birth, for instance, had to touch a maternity mask. It was through masks that we expressed ourselves. When people wanted to confide in someone, they did so through masks. So this art form has a symbolic significance, but also a functional and ritual dimension that is not found elsewhere. There was so little transmission of ethnographic art in Africa because its spiritual nature crystallised many taboos.

When Westerners arrived in Africa, in the context of colonisation, they didn’t take this sacred dimension into account and saw in the pieces only an aesthetic side.

This is an art form that has survived the passage of time, with some pieces dating back to before our era. Everything in the Bura system dates back to the 4th century. In the Democratic Republic of Congo, Léga art appeared in the 14th century. Works frequently found on the market are more recent, dating from the 18th or 19th centuries. Another distinctive feature of ethnographic art is that the pieces are not signed, and their production has been very sustained over the centuries. It is also a very diverse art: there is a type of ethnographic art specific to West Africa and another specific to Central Africa. It’s not the same thing.

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Passing on a heritage: a passion, a duty

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What is the mission of your collection? What are the challenges that go with it?

Through these pieces, I hope above all to pass on a heritage, a knowledge and a passion. It has to be said that Africans people are not interested in ethnographic art. Only 2% of experts are African, the rest being European and American. Yet this art is a history - our history. If we don’t take care of it, if we don’t preserve it, we run the risk of losing it. I feel it is my duty, as an African expert, to take all this into account, to be part of a process of transmission and to talk about what I know. Some experts in ethnographic art have never set foot in Africa, and yet they are the authorities on the ethnographic art market. That’s why I insist on this duty of transmission.

In Africa, our museums are perfectly capable of certifying pieces, but the market is elsewhere: you have to go all the way to Paris or Brussels to establish the value of our works. On the one hand, the West has contributed to the development and recognition of ethnographic art, but what place does Africa have in the processes that are shaping its future?

MORE INFOS: www.collectionhie.art - claudia@collectionhie.art

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What ambitions do you have for your collection? What projects are on the horizon?

My ambition extends above all to my African brothers and sisters: I’m trying to encourage them to take an interest in this art, while continuity will take shape harmoniously in the West.

We are in the process of setting up meetings and events in Geneva, Monaco and Luxembourg. The aim is to get closer to enthusiasts – of ethnographic art or of art in the broadest sense – to meet them and present part of our collection. I want these meetings to be about conversation and sharing. We’d like to lend our pieces, organise exhibitions in private galleries and reach out to people who, like me, have made ethnographic art a real passion. What’s more, I want to inspire people who may know little about it to discover this art form, people who may not think they have the sensitivity to appreciate it, and who, in the end, let themselves be touched by it.

We’ll be keeping a close eye on these encounters as we move through the issues of BLUSH…

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A journey on the Orient Express As each High Artistry edition is an opportunity to transcend the boundaries of savoir-faire and creativity, Montblanc craftsmen invite you to take part in a timeless adventure. The Maison with the white star draws the outlines of a journey to the gates of Constantinople, aboard the mythical Orient Express..

By Eduardo Costerg

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A JOURNEY BY THE BOOK

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October 4th, 1883. The Orient Express leaves Paris in a trail of smoke. The wealthy passengers and crew don’t know it yet, but they’ve just embarked on a journey that will go down in legend. Today, the power of fascination exerted by the Orient Express remains intact: the mere mention of its name conjures up immense horizons in the minds of all.

It all began with a crazy gamble made by the young Belgian engineer Georges Nagelmackers. Having just discovered the first sleeping cars in the United States, he dreamed of importing the concept to Europe and bringing it to its apogee. He imagined luxury trains – veritable palaces on wheels – that would take their passengers across the old continent to the gates of the Orient. A veritable epic began: to make this dream a reality, all the technical prowess, ingenuity, expertise and artistic savoir-faire of the time were brought to bear. The art and style of travel was about to undergo a revolution. If the legend of the Orient Express has stood the test of time, it is undoubtedly thanks to the remarkable writings of Agatha Christie, Graham Greene and Ian Fleming, who celebrated and perpetuated it. At once a theater of the human condition, an exquisite setting for a “huis clos” or an allegory of elegance, the “king of trains” shapes fertile imaginations in its wake, inviting us to set off on an adventure. It is no surprise, then, that its esteemed passengers have included artists, heads of state, celebrities and designers - audacious people of all kinds who have left their mark on the 20th century: Marlene Dietrich and Jean Gabin, Josephine Baker, Serge de Diaghilev, Coco Chanel, Jean Cocteau, Ernest Hemingway, Leo Tolstoy and many others.

Montblanc High Artistry A Journey On The Orient Express pays tribute to the vision that redefined the idea of the long-distance journey, to an exceptional “Art de

vivre” – or rather, art of traveling. Crafted from precious materials, each piece explores the extraordinary history and creative heritage of a train that has become iconic..

A LEGEND IMMORTALIZED

BY THE MONTBLANC SAVOIR-FAIRE To honor the legendary splendor of the train – veritable window on the Orient – the Montblanc High Artistry A Journey on the Orient Express Limited Edition 1, with case in signature 18-carat solid gold (750/1000), is inspired

by René Prou’s famous marquetry interior decorations.

Evoking this Art Deco spirit, a diamond-set floral motif adorns the cap and body. As if to give the measure of the 3,000 kilometers separating Paris from Constantinople, the historic routes of 1930 are traced in diamonds, rubies and blue sapphires on the hand-engraved 18-carat (750/1000) solid gold signature section. The diamond-set grid decorating the dome of the cap recalls the metal framework of the Gare de Lyon in Paris, departure point of the Simplon Orient Express. A blue sapphire crowns the cap’s ethereal motif, while the hand-crafted 18-carat (750/1000) gold nib features a nostalgic engraving of a steam locomotive set with a brilliant-cut diamond. A complex mechanism opens the cork by pressing a button, paying homage to the elegant machinery at work inside the locomotive.

As discovery and pleasure go hand in hand aboard the Orient Express, the travel case is inlaid with ornamental wood marquetry, hand-crafted in the style of the train’s woodwork and cabinetry. Its functional mechanical watch with Minerva 62.00 movement is an ode to luxury, underlining the importance of the time that punctuates each journey – the departure times, the time that has elapsed since, but above all the time that remains to enjoy the journey.

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OF SPIES AND BUTTERFLIES: A TRIBUTE TO ROBERT BADEN POWELL On board the Orient Express, reality sometimes catches up with fiction. As a sumptuous backdrop for police intrigues and espionage, the train is proud to have counted Robert Baden-Powell among its passengers: under cover of a false identity as a naturalist, the British spy coded secret information into his butterfly drawings, aboard the train.

Inspired by the oval silhouette of the carriages, the Montblanc High Artistry Orient Express Limited Edition 1 Papillon pays tribute to this story by highlighting a butterfly in plique-à-jour enamel. As if naturalized under a glass frame, the insect spreads its wings when released from its glass case. Each wing bears witness to the prodigious workmanship of plique-à-jour enamel – iridescent droplets of light. More than just an ornament, the lepidoptera is a nod to the craftsmanship of visionary master glassmaker René Lalique, and the works he created for the Orient Express. Hidden beneath the butterfly’s wings, an engraving evokes the enemy fortifications that Lord Baden-Powell concealed in his entomological drawings.

The entire writing instrument, in solid 18-carat signature gold (750/1000), is covered with diamonds and rubies cut one by one. Further diamonds decorate the 18-carat (750/1000) solid gold signature clip, enhancing the pressure-operated mechanism that opens the cap. Carrying the same story as before, the edition pays homage to the elegant machinery of the steam locomotive and the golden age of train travel. The entire dome of the cap functions like a hinged door, concealing a miniature automaton watch with mechanical movement and butterfly motif.

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WHEN AN ICON MEETS ANOTHER: THE JOURNEY OF MATA HARI

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The Montblanc High Artistry A Journey on the Orient Express Limited Edition 5 draws its inspiration from the elegant style of the early 20th century: the abstract motif in signature 18-carat solid gold (750/1000) and the hand-carved red chalcedony evoke the upholstery of the furniture on board the train. As a mirror held up to the fashion and design of an era, this edition stands out for its modernist aesthetic. In homage to Mata Hari, one of the Orient Express’s most mysterious passengers, the body of the writing instrument features a window which reveals when opened a delicate miniature painting of the dancer.

The tiny dimensions of the hand-crafted portrait make it an artistic work of extreme precision. On the 18-carat (750/1000) solid gold nib, the engraving of a magnifying glass and a fingerprint resonates with Mata Hari’s double life of dancing and espionage.

The gold, diamond and red chalcedony cap conceals a push-open mechanism and a signature 18-carat (750/1000) solid gold clip, also set with red chalcedony. The train’s itineraries are engraved on the signature 18-carat (750/1000) solid gold cone, itself surrounded by diamonds and crowned with white chalcedony. The dome of the white chalcedony cap has a rounded shape, reminiscent of the domed, ivory-colored roofs of the Orient Express carriages. In homage to the luxury train, this edition is crowned with a Montblanc diamond.

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Agatha Christie undeniably contributed to the legend of the Orient Express: her novel Murder on the Orient Express, published in 1934, would become one of her greatest successes.

Under the author’s pen, the train becomes the scene of an almost inexplicable murder, and its inscrutable passengers are all perfect suspects. One needs to be perceptive to detect the clues that the “Queen of Crime” sows throughout the pages.

The design of the Montblanc High Artistry A Journey on the Orient Express Limited Edition 10 is an ode to this fictional investigation that has enthralled the masses. Made from stained sycamore wood, the cap and body are decorated with gold leaf inlays and crystal flowers. Hand-crafted, the motifs evoke the luxurious interiors of the train, the marquetry of René Prou or the cast glass and silver inlays of René Lalique. The push-button opening mechanism is richly adorned with brilliant-cut diamonds. The cap, in white chalcedony, is inlaid with a Montblanc emblem in solid 18-carat (750/1000) gold, underlined by a profusion of brilliant-cut diamonds. The stone can be opened to reveal a miniature “broken” clock with a white enamel dial. Time stands still at 1:15 a.m. – the exact time of the crime. The cap’s dome ring is set with twelve stones, a reference to the number of stab wounds received by the victim. The solid 18-carat (750/1000) two-tone gold nib is embossed with the murder weapon. The section features an engraving of the layout of cabin no. 2 – where all happened. The oval window emblematic of the dining car is the origin of a “concealed” clasp, embedded in the solid 18-carat (750/1000) gold cap. It features a hand-engraved snake’s head and

body, partially set with brilliant-cut diamonds and two rubies as eyes. The animal refers to the Montblanc Édition Écrivains 1993 writing instrument, a previous tribute to Agatha Christie that already featured a snake clip.

A DATE THAT MADE HISTORY : A MONTBLANC TRIBUTE Limited to just eighty-three units, the Montblanc High Artistry A Journey on the Orient Express Limited Edition 83 evokes the train’s very first departure on October 4th, 1883. The writing instrument is inspired by the iconic Orient Express locomotive, at the cutting edge of innovation and craftsmanship. Crafted in structured black lacquer, the design of the cap and body are reminiscent of the steam engine’s metal machinery. The skeletonized layer in solid 18-carat signature gold (750/1000), partially rhodium-plated and set with sapphires, represents the wheel and side rails of the Orient Express. The cap is a real highlight, opening thanks to a special pressure mechanism adorned with the Montblanc emblem in mother-of-pearl. The dome of the cap and the cone revive the shapes and color palette that mark the identity of the palace on rails. The oval window, emblematic of the dining car, is the inspiration for the “concealed” clasp in signature 18-carat (750/1000) solid gold, adorned with pearly white lacquer inlays and a rounded blue sapphire. It is recessed in the cap and operates with a tilting mechanism. This window also adorns the instrument’s nib. The laser engraving of the 18-carat (750/1000) signature gold section recalls, once again, the metal framework of the Gare de Lyon

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“THE IMPOSSIBLE MUST BE POSSIBLE IN SPITE OF APPEARANCES”

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AN ODE TO INGENUITY AND TECHNICAL VIRTUOSITY As it crossed the valleys and plains of Europe, the Orient Express was distinguished by the striking chromatic combination of its exterior bodywork: midnight blue, ivory and gold. This same palette is featured on the cap and body of Montblanc High Artistry A Journey on the Orient Express Limited Edition 333. The translucent blue lacquer hugs an intricate skeletonized layer of rhodium-plated 18-carat (750/1000) signature solid gold, evoking the train’s ornamental luggage racks. The cap’s dome is crowned with a mother-of-pearl Montblanc emblem set in black onyx.

The ivory lacquer inlays on the dome of the hood, meanwhile, depict the ivory stripes visible on the sides of the cars. The cone is decorated with the route taken by the Orient Express in 1930, then at the height of its glory. The signature 18-carat (750/1000) solid gold is adorned with a small bouquet of flowers.

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REVIVING THE SPIRIT OF ART DECO As a reference to the year of the Orient Express’s first departure, the Montblanc High Artistry A Journey on the Orient Express Limited Edition 1883 features a body and cap crafted in midnight-blue precious resin and crowned with a Montblanc emblem in ivory precious resin. The golden yellow cap ring features the classic Meisterstück 149 embossing, while the side of the cap is elegantly engraved with a motif inspired by the works of the French decorator and designer René Prou. One of the artist’s Art Deco bouquets, displayed on board the Orient Express, now adorns the solid 18-carat yellow gold (750/1000) nib in the form of an engraving.

MORE INFOS: www.montblanc.com

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GO LD M U N D And sound realism Since 1978, GOLDMUND has been present throughout Switzerland and especially in Geneva, where the production of this brand of top-of-the-range home audio equipment is based. It’s an explosive way of combining beauty and ingenuity, with creations that have made its reputation, notably the APOLOGUE loudspeakers selected by the Museum of Modern Art (MoMA) in 1987.

By Helena Perdoux-Frances

Li ke cho colate , watch ma k i n g a nd ba n k i n g , GOLDMUND and its top-of-the-range hi-fi equipment are part of Switzerland’s renowned expertise, albeit discreetly.

SWISS AUDIO TECHNOLOGY HAS LONG BEEN A GLOBAL BENCHMARK Apart from music-loving insiders, this reputation has hardly reached the general public. But Switzerland is full of small and medium-sized companies that are highly qualified in the field of high-fidelity sound reproduction.

GOLDMUND is one of them, nurtured by an ambition rooted in the art of reproducing sound accurately and absolutely faithfully to the original recording... A liberating way to turn every listener into a purist. GOLDMUND is the perfect partner for perfect listening, in search of the slightest sound, the smallest echo.

Unveiled at High-End 2022 in Munich, the latest GAÏA loudspeakers represent a spectacular and innovative breakthrough in sound. Descended from the legendary Apologue and Epilogue loudspeakers, GAÏA marks the beginning of a new generation of iconic loudspeakers.

What sets it apart from its predecessors is its frameless construction. GOLDMUND offers a new kind of functionality, rooted in timelessness, aimed at home users in search of the perfect sound.

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GAÏA, UNSETTLING AESTHETICS AND REMARKABLE TECHNOLOGY The name alone evokes a divinity, that of Mother Earth in Greek mythology. This loudspeaker was designed

by Cécile Barani. Its massive yet airy structure is made up of five blocks - independent speakers cabinets mounted

on top of each other - giving it a sculptural, monolithic appearance. A true reference to the contemporary aesthetics of the 21st century, GAÏA embodies nature in an elegant and powerful light.

NO INTERFERENCE. NO DISTORTION. Each speaker is equipped with eight drivers and the same number of Telos amplification channels (Goldmund’s proprietary technology). The GAÏA stereo speakers have an extended frequency response from 18.5 Hz to 30 kHz. They can be easily connected to a computer using the supplied wireless dongle. Other sources can be added by connecting the speakers to a Goldmund processor or hub.

Like a sublime sculpture with straight lines and curved sides that evoke the texture of rock, GAÏA has been ingeniously crafted without any visible joints, demonstrating the Swiss audio brand’s signature luxury craftsmanship.

TRANSPARENT SOUND AS A DISTINGUISHING FEATURE Pure sound reproduction from a pair of stereo speakers whose greatest strength is transparency. The listener hears every detail and nuance of the music or sound, without the addition of colouration, distortion or unwanted noise... That’s what GAÏA offers to music lovers, sound enthusiasts and beauty passionate. A performance by GOLDMUND, a minimalist and contemporary design, a total immersion in music, every decibel of which is amplified by GAÏA. Don’t just listen to the music, feel the music.

MORE INFOS: www.goldmund.com - Rue du Pré-de-la-Fontaine 2A, 1242 Satigny - Tel : +41 22 823 05 66

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TAG H E U E R TE AM I KUZ AWA AN D BAM FO R D P a r t n e r To S h a r e T h e i r Re ve r e n c e Fo r M o t o r s p o r t In an iconic blend of japanese racing heritage and avant-garde culture, tag heuer, team ikuzawa, and bamford watch department collaborate to create a timepiece that captures the essence of this exhilarating fusion.

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AG Heuer, the prestigious Swiss luxury watch brand, partners for the first time with Team Ikuzawa. “The Choice of Racing Enthusiasts” a name that is synonymous with motorsport and represents today a cultural force. The collaboration is embodied within a watch that brings together the unmatched expertise of TAG Heuer and the extraordinaire customizer George Bamford, as well as the bold and artistic vision of Mai Ikuzawa, who carries on the proud Ikuzawa legacy.

The legacy of Tetsu Ikuzawa, a racing driver with an illustrious career defined by pivotal victories through his life and later a famed team owner, forms the cornerstone of this collaboration. Born the son of an artist, Tetsu entered his first motorcycle race at 15 and while he finished last, he was given the “Fighting Spirit Award” for his perseverance, a fitting way for him to commence his career.

In 1963 he would switch from two wheels to four wheels, entering the first Japanese Grand Prix for sports cars at Suzuka having signed with Prince Motor Company to race the Skyline Sport Coupe, and in 1964 he was competing again with the team in a race that would launch the Skyline GT racing legend into the dynasty it is today.

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industry with the sensibilities of fashion and culture acquired during studies at the renown Central Saint Martin’s School of Art and Design and two decades as a Creative Director across a plethora of disciplines.

At the same time, she is one of the world’s most influential automotive ambassadors and her mission is to inject a creative edge and a fresh perspective into special projects she has executed in the car space. Mai embodies the perfect harmony of her father’s racing provenance, her distinctive sense of style, and her Japanese cultural background. It is this symphony that blends together and brings Mai as the ideal partner for TAG Heuer in the creation of a new timepiece.

Together, these visionary forces unite, fusing TAG Heuer’s unparalleled expertise, George Bamford’s boundless creativity, and Mai Ikuzawa’s artistic vision. The outcome is an unparalleled combination of horology, elegance, and racing resonance that will be recognized by those who know.

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In 1967, Tetsu having no longer a car to race in, he stopped his contract with Nissan and leased a Porsche 906 from the Japanese importer. Tetsu defied the odds and beat the domestic entries to win the race, instantly making Porsche a household name in Japan and beginning a lifelong relationship between Ikuzawa and the marque.

In the late 1960s, Tetsu competed in Europe, drawn by its motor racing prominence. Despite a limited knowledge of English, he raced in the British Formula Three Championship in 1966. In 1967 Stirling Moss introduced Tetsu to Brands Hatch based Motor Racing Stables, and by 1968, he competed for Frank Williams. He then joined Porsche as a works driver, becoming a pioneering Japanese racer at Le Mans and in Formula 2. Tetsu later founded i&i Racing Development, now known as Team Ikuzawa. The team’s iconic red and white livery, featuring a red-crowned crane reflects the family’s artist inclination. Now, stepping gracefully into the spotlight, Mai seamlessly weaves her heritage and passion for the automotive

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The centerpiece of this collaboration is an outstandingly crafted watch in red and white – honouring Team Ikuzawa and its culture. The dial features a white opaline finish with a striking red 60-second/minute scale, complemented by two white and red contrasting chronograph counters at 3 o’clock and 9 o’clock.

The “Team Ikuzawa Choice of Racing Enthusiasts” and “SWISS MADE” insignia proudly grace the dial, showcasing the exclusivity and Swiss craftsmanship of this limited-edition Japanese racing masterpiece. Encased within a finely brushed and polished 42mm steel case, the watch exudes elegance and durability, powered by the in-house Heuer 02 movement.

The beveled, domed sapphire crystal with double anti-reflective treatment ensures optimal legibility and protection.

With a water resistance of up to 100 meters, this timepiece is ready to accompany racing enthusiasts on any adventure.

Completing the ensemble is a steel three-row bracelet with a folding clasp, adorned with the iconic TAG Heuer shield.

For added versatility, the watch comes with an additional white fabric strap, featuring the distinctive “Team Ikuzawa” MORE INFOS: www.tagheuer.com

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marking and a Velcro closure. Each timepiece bears a special steel screw-down sapphire case back, proudly displaying the “XXX/100”, “Team Ikuzawa” logo, and “BAMFORD WATCH DEPT.” imprint. Limited to just 100 pieces, this exclusive collaboration holds immense significance. This unique timepiece is presented in specially designed, co-branded TAG Heuer x Team Ikuzawa packaging adorned with vivid white and red colours. As an homage to Tetsu’s racing prowess in Japan, the box also includes a Porsche miniature, encapsulating the spirit of his remarkable achievements with the Porsche 906 at the 1967 Japanese Grand Prix.

Embodying the perfect blend of heritage, style, and craftsmanship, this exceptional collaboration stands as a testament to the unifying power of passion, innovation, and relationships. With the release of this remarkable timepiece, TAG Heuer celebrates the fusion of racing, culture, and Swiss watchmaking excellence, creating a truly distinctive and timeless masterpiece.

13 Quai du Mont-Blanc, 1201 Genève - Suisse

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SPYDER RS A roadster without compromise

Like its 718 Cayman GT4 RS sister model, the new Porsche 718 Spyder RS (718 Spyder RS: Fuel consumption* combined (WLTP) 13.0 l/100 km, CO emissions* combined (WLTP) 294 g/km) makes no secret of its high performance. A distinctive rear spoiler in the classic ducktail style, NACA ducts in the front bonnet, air intakes behind the soft top – the Spyder RS is unmistakably the range-topping performer among open-top 718 models.

The striking rear spoiler on the 718 Spyder RS makes an immediate impression. Porsche first used this feature in the 911 Carrera RS 2.7 in 1972.

Today, the legendary sports and racing car is a cult icon. The engineers of the Spyder RS deliberately dispensed with the adjustable wings of the Cayman GT4 RS. In a car without a fixed roof, aerodynamic development is less about the maximum downforce and more about achieving optimal driving stability and balance in all driving conditions – with or without the top. With the optional Weissach Package, there is also an additional Gurney flap on the rear spoiler.

Photos © Porsche

The front lip of the 718 Spyder RS is the perfect complement to the aerodynamically revised rear: it’s shorter than on the Cayman GT4 RS for the purpose of balance. That aside, the front end is identical on both RS models. On top of the wings are wheel arch vents with slats. These slats, a motorsportderived design, were first used in series production in the 991-generation Porsche 911 GT3 RS. Particularly at high speeds, they reduce the excess pressure in the wheel arch caused by the rotation of the wheels.

This is effective in preventing lift on the front axle.

Two NACA air intakes give the lightweight bonnet its characteristic appearance. The air intakes were originally developed by the National Advisory Committee for Aeronautics (NACA) — the predecessor of the NASA space agency — and combine two properties in the 718 Spyder RS that are normally mutually exclusive: they improve brake cooling but without impairing the drag coefficient of the vehicle, which is why NACA air intakes are also frequently used on racing cars. In the front bumper and ahead of the CFRP

front bonnet, there is a central air opening through which air is channelled out of the car. The front apron features sideblades that guide air effectively around the front wheels.

AERODYNAMICALLY OPTIMISED UNDERBODY The air flowing under the Spyder RS is greatly accelerated via new deflectors on the fully clad underbody, creating a vacuum at the rear. This reduces lift on the rear axle.

There are also two further NACA air intakes in the underbody of the Spyder RS. They are also used for cooling — the main beneficiary being the gasoline particulate filter — without a negative impact on the car’s overall drag coefficient.

Finally, the air flowing under the car exits through a rear diffuser. This component has been taken from the 718 Spyder (718 Spyder: Fuel consumption* combined (WLTP) 11.1 – 10.7 l/100 km, CO emissions* combined (WLTP) 251 – 242 g/ km) and improved using aerodynamic fins on the sides. They provide additional stabilisation of the airflow at the rear and improve grip.

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OPTIMAL AERODYNAMIC BALANCE

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LIGHTWEIGHT DESIGN FOR ENHANCED AGILITY One classic roadster virtue was particularly important to the engineers as they developed the 718 Spyder RS: lightweight design throughout. Measured according to DIN standards — a 90 per cent full tank but without a driver — the 718 Spyder RS weighs in at 1,410 kg. Thus, each one of the engine’s 500 PS is responsible for accelerating just 2.82 kg (3.83 kg/kW).

To achieve this goal, both the front wings and the bonnet are made of carbon fibre-reinforced plastic (CFRP), and bi-xenon lightweight headlights — without a headlight cleaning system — save further weight. Insulation material was dispensed with in some places and the interior is fitted with lightweight carpets. And naturally, no RS model is complete without lightweight door panel trim with textile opener loops and nets for storage compartments.

The uniquely designed lightweight top in the new 718 Spyder RS also offers weight advantages. Covered in a single-layer fabric, the manually operated hood is amazingly compact and consists of two parts: a ‘sunshield’ and a weather guard.

Both are entirely removable and can be stowed either together or singly in the vehicle. The sun sail alone can also be used as a ‘Bimini top’ thereby protecting the driver and front passenger from intense sunlight. In this case, the passenger compartment remains largely open to the side and behind the passengers.

MORE INFOS: www.porsche.com

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Me rc ed e s - B e n z VI S I O N

O N E E LEVE N Progressive interpretation of a 70s brand icon

Mercedes-Benz presents a new sports car study. The Vision OneEleven combines a highly dynamic design language with innovative all-electric powertrain technology.

The development of this design underscores the positioning of the Mercedes-Benz brand, which stands for ICONIC LUXURY. Its technical highlights include the extremely powerful and highly efficient axial-flux motor developed by electric motor specialist YASA.

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Photos © Mercedes-Benz Group

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he Mercedes-Benz Vision One-Eleven is inspired by the tradition of the legendary C 111 experimental vehicles from the 1960s and 70s.

The extremely (aero)dynamic mid-engine sports cars are considered design icons of their era, not least due to their distinctive gullwing doors and eye-catching orange-and-black paintwork.

THE EXTERIOR - ONE BOW DESIGN IN ITS MOST ATHLETIC FORM The body of the Mercedes-Benz Vision One-Eleven centres on skillful execution of the One-Bow design.

From the low-slung front end to the muscular hind quarters, it runs in a smooth bow that endows the just 1,170 mm-high vehicle silhouette with an extremely sculptural feel. This harmonises perfectly with the copper-orange alubeam paintwork. Further notable features of the side view include the flush-fit gullwing doors and the side windows, which are opaque from the outside and camouflaged by a pixelated pattern. The wheel design incorporates powerfully structured elements evocative of electric motor windings – a clear indicator of the state-of-the-art, all-electric powertrain underpinning the Mercedes-Benz Vision One-Eleven.

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THE FRONT-END DESIGN ICONIC HIGH-TECH LOOK WITH HISTORICAL REFERENCE From the frontal aspect, too, the Mercedes-Benz Vision One-Eleven is powerfully evocative of the C 111.

In contrast to the C 111, the Mercedes-Benz Vision OneEleven bears a U-shaped and strongly profiled front apron.

Above the slender light band, both forefather and descendant show further similarities, most notably the black air intakes on the bonnet.

THE REAR-END DESIGN - AERODYNAMIC FEATURES AND DIGITAL ELEMENTS The rear-end of the Mercedes-Benz Vision OneEleven is likewise dominated by a powerfully profiled diffuser. Spanning the breadth above it is a display that echoes the shape of its counterpart at the front end and features the same pixelated structure in the red taillights.

THE INTERIOR DESIGN - FIRST SPORTS CAR INTERIOR WITH A LOUNGE CONCEPT Inside, the Mercedes-Benz Vision One-Eleven presents the first sports car interior with a lounge concept.

It reflects the paradigm shift from self-driven sports car to autonomous electric vehicle within the super sportscar segment and unites two completely different states of being. In race mode with the backrest upright and the compact driver-oriented touchscreen, the interior becomes that of a minimalist driving machine. Conversely, in lounge mode, the seats are fully integrated into the interior sculpture, which merges sills, centre tunnel and luggage compartment into a single unit.

The interior design of the Vision One-Eleven reflects future luxury based on a progressive colour concept and extraordinary material combinations. The material is made from 100-percent recycled polyester. Other elements such as the armrests on the sills and centre console, as well as the rear parcel shelf beneath the expansive rear windscreen, are clad in bright orange leather.

This creates a smooth transition from interior to luggage compartment. Otherwise, the interior equipment in the Mercedes-Benz Vision One-Eleven has been reduced to a minimum. Like the exterior, the task here too was to keep the number of add-on features to a bare minimum.

The seats are good examples as they don’t follow the classic format. Instead, the seat cushions are integrated flush-fit into the floor. The only highly complex feature in the interior is the leather-clad steering wheel, which is fitted with various functional controls and state-of-theart touch elements.

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FUTURISTIC AND LUXURIOUS AMBIENCE WITH CONTRASTING COLOURS

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FUSION OF ANALOGUE AND DIGITAL - UI/ UX WITH RETRO-FUTURISTIC PIXEL-LOOK

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This combination of vastly differing representations of the same image embodies a further interpretation of the MBUX Hyperscreen with a focus on flexible interfaces.

The development in the Mercedes-Benz Vision OneEleven reinforces the increasing fusion of physical and digital. Creating an experimental spatial user interface augmented reality takes the user experience to a new level For the premiere of the Vision One-Eleven, MercedesBenz designers have created a visionary user experience with the aid of augmented reality (AR), setting it inside a virtual prototype of the VISION ONE-ELEVEN INTERIOR. It creates a seamless spatial blend of physical interior and digital user interface beyond the screen. In effect, the entire car becomes the user interface. Innovative electric powertrain - high-performance axial-flux motor MORE INFOS: www.mercedes-benz.com

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and all-new battery technology Once more, the extensive knowledge of the motorsport experts from MercedesAMG High Performance Powertrain in Brixworth found its way into this promising concept for future performance-oriented batteries. Aside from that, the Vision One-Eleven features two exceptionally powerful and advanced axial-flux motors from YASA. YASA is a British electric-motor specialist based in Oxford and has been a 100-percent subsidiary of Mercedes-Benz AG since July 2021. The company has thus secured access to a unique future technology that has the potential to take electric mobility to a new level of performance. Alongside its power and torque density, another major benefit is the narrow package, which reduces both its weight and dimensions. This opens up completely new options for engineers as well as new freedoms in the design of an electric vehicle as demonstrated by the Vision One-Eleven.

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Redefines automotive lu xury with the G90

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In the ever-evolving landscape of the automotive industry, few brands have managed to carve a niche for themselves as effectively as Genesis. The journey of Genesis from its inception in 2015 to becoming a global force in luxury vehicles is nothing short of remarkable. With its recent achievement of surpassing one million vehicles sold worldwide, Genesis has firmly established itself as a symbol of innovation, luxury, and aspiration. Genesis now operates in 17 different markets across the globe, showcasing its commitment to offering its unique brand of luxury and innovation to a diverse range of customers.

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ATHLETIC ELEGANCE DESIGN LANGUAGE REDEFINED Genesis is redefining luxury in the world of automotive excellence, combining cutting-edge technology, traditional craftsmanship, and class-leading comfort to provide a true first-class experience for discerning customer. The G90, the most elegant interpretation of the brand’s luxury design identity, made its debut at the Goodwood Festival of Speed. With a new Crest Grille, sleek Two-Line headlamps, and a unique Layered Architecture design, the G90 makes a bold statement on the road. The Clamshell Hood design seamlessly integrates the hood and front wings, giving the G90 a distinctive, sleek yet imposing look.

G90 THE EPITOME OF LUXURY The luxury automaker has unveiled its European G90 flagship saloon at the prestigious Goodwood Festival of Speed. This milestone event showcases Genesis’s commitment to pushing the boundaries of luxury, design, and cutting-edge technology, setting new standards in the automotive industry. Lawrence Hamilton, Managing Director for Genesis Europe, described the G90 as “the pinnacle of Genesis as a brand.” The vehicle embodies Genesis’s commitment to pushing the boundaries of engineering and design. The G90 features a range of unique and luxurious amenities, including Virtual Venues for immersive

audio experiences, a UV-C light disinfection compartment, Ergo Motion seats and footrests with heating, cooling, and massage functions, an advanced Bang & Olufsen 23-speaker sound system, fingerprint authentication for personalized settings, and a suite of advanced safety features.

EXCEPTIONAL COMFORT AND TECHNOLOGY Designed to offer the “have it all” experience, the G90 is available in two variants: the G90 and the G90 Long Wheelbase.

The latter offers an extra 190mm of legroom for rear passengers, ensuring unrivaled comfort. The interior sets new standards in the luxury saloon sector, blending cutting-edge technology with traditional craftsmanship and exemplifying Genesis’s design ethos of the Beauty of White Space.

LUXURY TAILORED TO YOUR PREFERENCES Customers can personalize their G90 with variant options of four-seater G90 or four-seater G90 Long Wheelbase, ten exterior color options, five interior colorways, and six interior garnishes.

EXCEPTIONAL PERFORMANCE AND POWER Both G90 variants are equipped with an advanced 3.5-liter turbo V6 petrol engine and a 48V electric supercharger, delivering a total of 305kW and 549Nm of torque. This powerful engine is paired with an eight-speed automatic gearbox and a sophisticated four-wheel-drive system, ensuring a smooth and responsive ride.

EUROPEAN ENGINEERING FOR A SMOOTH RIDE Fine-tuned by the Genesis engineering team in Germany to meet European demands, the G90 offers an exceptionally smooth ride. Features like the three-mode Multi Chamber air suspension and Road Preview-Electronic Control Suspension enhance the driving experience.

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enesis brings premium cars with a luxury experience to Europe. The Korean brand has established itself as a true alternative within the premium segment, receiving multiple award wins in 2022.

With a commitment to hospitality and great service, Genesis strives to build sincere relationships with customers and, above all, to respect the greatest luxury – their time. Embodying its unique design language ‘Athletic Elegance’, the brand continues to strengthen its range of vehicles and services across Europe having launched five premium luxury vehicles in 2021. Genesis introduced three electric vehicles in 2022 and, from 2025, allnew Genesis vehicles will be pure electric as part of the brand’s vision for a sustainable future. Genesis is also pursuing a goal to become carbon net zero by 2035.

MORE INFOS: www.genesis.com

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Back to the origins

Bvlgari Hotel Roma

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Last June, the new Bulgari Hotels & Resorts jewel opened its doors in the heart of the “Eternal city”, in the very place where the prestigious Maison draws its heritage. In this timeless establishment, history and modernity merge without ever contradicting each other. By Eduardo Costerg

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Located at 10 Piazza Augusto Imperatore, a stone’s throw from the historic Via Condotti boutique, the Bulgari Hotel Roma is an ode to the city that saw the birth of the Bulgari 140 years ago. More than a privileged destination, the hotel is a manifestation of the unbreakable link between the Maison and its history, an opportunity to embody the essence of the city without artifice, and to bring it to life in the spirit of the times. To this end, the Bulgari Hotel Roma highlights the refinement of Italian design and craftsmanship. At the heart of the establishment, the city’s thousand-year-old history embraces a modernity that is unconditionally elegant. The balance between the aesthetic rigour of the stonework, a legacy of imperial Rome, and the building’s streamlined structure - a perfect example of the rationalist architecture of the 1930s - is ensured by the addition of incredibly rich textures.

To realise this vision, the Maison Bulgari has once again placed its trust in the Italian architecture and interior design firm ACPV Architects Antonio Citterio Patricia Viel. Facing the Mausoleum of the Emperor Augustus,

a vestige of the 1st century, and the Ara Pacis, a monument celebrating the Pax Romana - a period of peace and prosperity established by the emperor - the Bulgari Hotel Roma is as close as possible to the city’s exceptional heritage. A tribute to its glorious past, and to a future that promises to be dazzling.

A TEMPLE TO THE BULGARI SPIRIT More than a hotel, the Bulgari Hotel Roma must embody the ideals that shape the essence of Bulgari. For JeanChristophe Babin, head of the Maison, the stakes are high: “The opening of the Bulgari Hotel Roma is a real milestone for the Bulgari since it finally allows us to host our guests in the Maison’s hometown, a city that has always been an inexhaustible source of inspiration for all of our magnificent jewellery creations. The Bulgari Hotel Roma is a real ‘temple’ of luxury hospitality which embodies all the brand values: extraordinary craftsmanship, the use of much-prized materials, contemporary yet timeless Italian design, the search of excellence and a glamour that is quite simply unique.”

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CELEBRATING ROME BEYOND CLICHÉS

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A MONUMENT OF LUXURY Invariably anchored in the spirit of the Maison, the hotel boasts 114 rooms, including numerous suites.

Each room features a palette of white, yellow, red and green, and offers a breathtaking view of Piazza Augusto Imperatore or of the Via della Frezza’s authentic charm.

On the third floor, the 300-square-metre Bulgari Suite overlooks the Mausoleum of Augustus. Guests are invited to dine at the table of world-renowned chef Niko Romito.

In his establishment – Il Ristorante – the chef revisits contemporary Italian cuisine, offering an inimitable culinary experience, tailor-made for Bulgari Hotels & Resorts, in a warm and elegant atmosphere. Finally, inspired by the great tradition of Roman thermal baths, the Bulgari Spa is a veritable sanctuary dedicated to well-being. This oasis of serenity, evocative of an ancient time, adorned with marble columns and sparkling mosaics, contains a 20-metre indoor swimming pool and infuses balance and tranquillity into body and mind.

MORE INFOS: www.bulgarihotels.com

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A pearl of serenity in the heart of the desert

Amangiri

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In the ochre lands of Canyon Point, in the Utah desert, Aman has chosen to establish Amangiri, a luxury hotel that calls for contemplation, introspection and tranquility of body and mind.

Facing the stunning beauty of this arid backdrop, Amangiri appears as an oasis dedicated to the well-living philosophy. By Eduardo Costerg - Photos © Aman

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Harmoniously embracing the desert rock and surrounding relief, the hotel’s raw yet elegant structure seems to melt into the immensity. It leaves guests free to enjoy the calm and majesty of the landscape. Thirty-four luxurious suites, arranged around a central pool, and the Aman Spa make up the establishment, offering breathtaking views of the Grand Staircase-Escalante National Monument at every turn. To experience nature even more intimately, the ten pavilions of Camp Sarika, a five-minute drive away from the hotel, await guests in their wild setting. Each with its own private pool, they offer an exceptional setting where luxury embraces the purity of wide open spaces.

WELL-BEING AT THE HEART OF THE AMANGIRI EXPERIENCE As a pillar of Aman’s philosophy, well-being is defined as a dynamic process of change and growth, a state of

physical, mental and social balance. True to these principles, Amangiri opens wide the doors of its Aman Spa: 2,322 m2 entirely dedicated to relaxation and rejuvenation. This holistic spa takes guests on a journey through the world’s healing traditions, an experience that places balance, harmony, health and beauty at the heart of its primary objectives. Conceived as a temple of serenity, it offers a myriad of intense and intimate relaxation experiences featuring the invigorating powers of water and sun, ancient wellness rituals, and innovative products by Aman.

The establishment extends its fundamental principles of well-being and well-living far beyond its Spa. Amangari embodies first and foremost a lifestyle, an invitation to cultivate and care for one’s body, mind and spirit.

Guests are free to take the time to escape in the hotel’s magnificent library, to reconnect with their bodies and inner selves in the Fitness Center or Yoga Studio, or to share a convivial moment in the warmth of the Living Room. The desert awaits them wherever they are, offering inspiration and serenity.

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A WINDOW ON THE WILD WEST

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THE CALL OF THE OUTDOORS With its exceptional setting, in the heart of nature as magnificent as it is wild, the Amangiri is a choice destination for marvelling at the beauty of the desert and reconnecting with oneself. Guests can discover the crystal-clear waters of Lake Powell - a magnificent backdrop to the Colorado Plateau -, take a hot-air balloon ride over unreal landscapes carved by water and wind, or embody the authentic spirit of the American Southwest on a horseback trail ride. Amangiri pushes open the gates to some of the world’s most beautiful National Parks, and imagines hikes and outdoor tours that reveal all the beauty and richness of the red lands of the Wild West.

MORE INFOS: www.aman.com

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Achetez vos coups de coeur à prix remisés sur www.thevillageoutlet.com

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À 1H30 DE GENÈVE - AUTOROUTE A43 SORTIE 6 VILLEFONTAINE - FRANCE

Le village de marques français. **Remise sur prix de vente conseillée. ***Conditions spécifi ques de détaxe à l’accueil de The Village.

- 1 4% S U PP LÉ M E NTAIRE AV EC LA DÉ TAX E ***

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When discretion and conviviality embody true luxury

Vermelho Melides Hotel Christian Louboutin embarks on his first hotel project, creating Vermelho Melides: an intimate establishment nestled in the heart of the village of Melides, Portugal. Since opening its doors last spring, this atypical address, so dear to the famous designer, welcomes guests in a picturesque and intimate setting.

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By Eduardo Costerg

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A VISION CARRIED

BY A PERSONAL HISTORY

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Twelve years ago, Christian Louboutin suffered a serious injury while designing his new collection in Comporta. On his way back from the Santiago do Cacem hospital, he discovered the village of Melides by chance.

The designer fell in love with the softness inspired by the pine forest and the stunning beauty of the light over the lagoon’s rice paddies. Enamored of the Alentejo region, he set about restoring and enlarging a small fisherman’s hut in the heart of Melides. Since then, Christian Louboutin has spent every June here, designing his winter collection.

The discreet charm of the village of Melides - considered one of the most beautiful in the country - and the extra-special soul of Maison Vermelho make it an intimate resort, resolutely conducive to conviviality.

SHOWCASING AN EXCEPTIONAL HERITAGE Named in homage to Christian Louboutin’s signature color, Vermelho - “red” in Portuguese - is a window onto the savoir-faire and traditions of the Iberian Peninsula.

As a great aesthete, the designer was able to infuse the

establishment with his singular sensibility and reflect the curiosity that drives him. Eclectic and maximalist, just like its builder, the hotel embodies the audacious spirit and love of art, craftsmanship and world cultures that Christian Louboutin has established as a true art of living. The hotel is brimming with exceptional pieces, highlighting unique talents: the meticulousness of Seville’s liturgical goldsmiths, the emblematic work of Fabrica de Azulejos de Azeitão, the creations of Guiseppe Ducrot, a genius sculptor entrusted with decorating the hotel’s façade, or the vision of Konstantin Kakanias, a total Greek artist, friend of Mr. Louboutin and author of the superb frescoes adorning the rooms. “For my part, I like to see my dreams come true, and that’s why Vermelho was born.

What’s more, this project allows me to clear out all my storage space filled with antiques and objects I’ve been buying for so many years! It’s also an opportunity to showcase the talent of the many artists and craftspeople I admire”, confides the founder of Maison Louboutin.

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AN EPICUREAN IDEA OF GASTRONOMY After making a name for himself at the heart of world-renowned restaurants, from the Four Seasons Hotel Ritz Lisbon to the Four Seasons Hotel Hampshire, via the António restaurant in Macao, chef David Abreu returned to his native Portugal to take charge of the Vermelho’s kitchen. His creativity and relentless pursuit of excellence lead him to a Portuguese cuisine as authentic MORE INFOS: www.vermelhohotel.com

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as it is refined. The spirit of Xtian - the hotel’s restaurant is conviviality combined with audacity, a table open to all where eating is a true, simple pleasure. Unconditionally attached to his country’s culinary savoir-faire, the chef offers a menu full of colors and energy: Ramalhete with vegetables, Duck & Rice, wild boar stew from Tia Fatima or Poached Pear in wine, all evoke a hospitable land where epicurean pleasures rule.

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Toile Blanche

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Or passion rethought and sublimated

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When the joy of living takes on its full meaning and reconnects you with yourself in an idyllic inner journey.

Nestled in a 2-hectare park on the outskirts of Saint-Paul de Vence, TOILE BLANCHE is an exceptional hotel, a new jewel box of accessible luxury, a new adventure in well-being that borders on the best; a chosen solitude, a present moment that becomes an eternal memory. To the delight of its creators, the artists Leroy Brothers. By Helena Perdoux-Frances

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n oasis of peace and serenity. Clean lines and natural colours create a harmonious, soothing density.

A hotel designed as a blank canvas, ready to welcome inspiration and emotion, making you the artist of a timeless moment. Thanks to its location, TOILE BLANCHE is the ideal place for lovers of design, art and culture. The hundreds of art galleries and museums in Saint-Paul de Vence and the surrounding area complete the hotel experience.

WHO ARE THE LEROY BROTHERS? Three brothers, Nicolas, Gilles and Gregory, born in Belgium in the 1970s, united by their passion for art. Together since 1997, they have become the Leroy Brothers and divide their time between France and Belgium. In 2010, this talented trio took part in the Shanghai World Expo, at the Jing’an Sculpture Park to be precise. Specialising in art based on the latest digital technologies, they also held an exhibition at the MMOMA (Moscow Museum of Modern Art). This artistic life took them to the French Riviera in 2004, where their hotel inspiration was born. TOILE BLANCHE began as a three-bedroom guesthouse and welcoming restaurant. The years have transformed it into an exceptional place, nourished by their art and their humanity.

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A hotel with vast private spaces, with a strong ethic of sustainability, where every object, fabric or cushion has been chosen with taste. In perfect harmony with the beauty of the region, a beautiful house with contemporary decor. The discovery of luxury without fuss, of a warm interval that leaves room for both sharing and chosen solitude. A human adventure in a world where art is welcome and where bonds are forged through the dance of life. TOILE BLANCHE is a family business. It’s a place just like these brothers, artists at heart and in life, whose change of scenery lies in the bond they create with you. Hospitality raised to the level of an art of living, an alchemy between people and an exceptional place to live… Vibrate again, together, in an embrace of body and soul, a new dimension of well-being. The pleasure is also gustatory and the hospitality culinary. La Guinguette, TOILE BLANCHE’s summer bar,

offers tasting and relaxation with your feet (re)planted in the sands of Provence.

TOILE BLANCHE, A HAVEN OF PEACE AND TRANQUILLITY...

AND DELICIOUS FOOD! An isolation that feeds on the hustle and bustle of the world around it. This journey to yourself doesn’t take you away from others... on the contrary, it illuminates the path, your own path, the one that leads you back to life with others.

An oasis, a much-needed breather in a fast-moving world. It’s about satisfying the part of you that longs for beauty in the solitude that surrounds you. TOILE BLANCHE offers a well-deserved retreat, an immersion in beauty.

«Customers will forget what you said, what you did, but they will never forget how you made them feel»

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THE ART OF LIVING. THE ART OF MEETING. THE ART OF REWRITING HISTORY.

MORE INFOS: 826, chemin de la Pounchounière, F-06570 Saint-Paul de Vence - +33 (0)4 93 32 74 21 - www.toileblanche.com - info@toileblanche.com

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GoldenPass Express

Photos © Johann Sauty

A panoramic train journey through Switzerland

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Linking Montreux, Gstaad and Interlaken in a single journey - that’s the challenge that the MOB has just taken up. Last December, the famous GoldenPass Express set off on its very first journey through some of Switzerland’s most beautiful landscapes. A world first that redefines the travel experience.

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limb aboard the brand new GoldenPass Express and set off on an extraordinary journey. From Lake Geneva and its incredible Lavaux vineyards, to the mountains of the Bernese Oberland, via Lakes Thun and Brienz and on to Interlaken. This panoramic train promises a ride dotted with breathtaking scenery. All in just 3 hours 15 minutes. When you combine Italian elegance with Swiss reliability, you get the GoldenPass Express. Designed by Pininfarina, one of the most prestigious design companies, this new train winds its way through the Swiss mountains like no other. The huge picture windows offer an imposing front view and have been designed to avoid any reflection or reverberation when taking a photo. So you’ll have plenty to see.

MORE INFOS: Book your tickets now at gpx.swiss

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MAKE THE MOST OF YOUR JOURNEY The GoldenPass Express offers a new way to travel.

Bookable in second and first class, it also offers a prestige class.

On the menu: no fewer than 18 swivel seats raised by 40cm, customisable and heated, so you can enjoy the journey in optimum comfort while immersed in the scenery. But that’s not all: Swiss gastronomy is also honoured with a catering service. Simply order in advance. You’ll have the chance to sample several regional platters from the Bernese Oberland, caviar from Frutigen, wine from Lavaux, beer from Interlaken, and a host of other local products. A guaranteed delight!

A DREAM COME TRUE Swiss engineering feat, believe it or not, the idea of linking Montreux and Interlaken was not born yesterday. It dates back to 1873, when the aim was to unite three major tourist regions.

Mission accomplished! In 2008, the MOB decided to adopt a new concept: rather than changing all the rails, it modified the bogies so that they could be adapted to the standard gauge (Montreux - Zweisimmen) and the metric gauge (Zweisimmen Interlaken). There’s no doubt about it, the GoldenPass Express is already one of Switzerland’s legendary trains. The new train offers four journeys a day. The perfect opportunity to discover and rediscover the treasures of Switzerland.

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LIVRAISON EN FRANCE ET MONACO EN 24H SUR LATARTETROPEZIENNE.FR

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Sureh’Valor The rewarded innovation

By Helena Perdoux-Frances

HIGHLIGHTING DEXTERITY Since its creation in 2016, SUREH’VALOR has focused on developing an innovative approach, one of the main objectives of which is to reduce the cost of energy renovation work for co-owners. The idea, which is as simple as it is effective, is based on financing all or part of the renovation work by raising the height of buildings constructed on residual land, thus creating square metres that can be put to good use.

SUREH’VALOR works mainly in the Grand Sud-Est region.

The towns, seaside resorts and mountain resorts are full of buildings built in the 60s and 70s. In fact, the 60s marked the boom in

holidays, holiday homes and housing in general. As a result, many of these buildings do not meet today’s energy standards, having been built at a time when there was no talk of environmental responsibility. There is an urgent need for action that requires the agreement of all co-owners.

REWARDS IN LINE WITH EXCEPTIONAL EXPERTISE Built in 1965, the Domaine de l’Ariondaz covers an area of 7,000 m 2 and has around 240 apartments. The success of this project, which included energy efficiency and improvement works, the construction of two new buildings and the raising of one floor in five buildings, also depended on its funding. SUREH’VALOR was able to provide a satisfactory response to the legitimate questions raised by the co-owners concerned. Significant cost savings are expected from the insulation of roofs, facades and basements, as well as the renovation of communal areas, all of which will help to restore the image of Alpine architecture.

A RECOGNISED AND FOLLOWED EXAMPLE With the RénoVert 2022 award, SUREH’VALOR has been recognised for its major role in raising awareness and implementing green renovation practices. The company’s efforts have demonstrated that sustainability and aesthetics can go hand in hand, making it a model for the renovation industry. This award underlines the growing importance of green renovation practices.

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SUREH’VALOR is a leading player in the Grand Sud-Est region, specialising in energy-efficient renovation and raising of residential buildings.

It recently made its mark by winning the first RénoVert prize awarded by UNIS and the Banque Populaire Group.

The prize was awarded for the renovation and elevation of the Domaine de l’Ariondaz in Courchevel.

MORE INFOS: +33 (0)4 78 64 73 73 - contact@surehvalor.fr - contact@surehvalor.mc - www.surehvalor.fr - www.surehvalor.mc

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Ir is

Su st a i na ble seafo o d i n a sp ec t ac u la r set t i n g

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Restaurant Iris, with Danish chef Anika Madsen at the helm, is a venue like no other. Opening late spring 2023, and located inside the glittering, floating orb Salmon Eye in the Hardanger fiord, it will take guests on an exclusive Expedition Dining-journey, impossible to replicate anywhere else.

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he experience center Salmon Eye, themed on sustainable marine life, was inaugurated in 2022. The stunning double-curved ellipsoid design is inspired by the shape of a fisheye, and the silvery orb-structure seems to be floating in the Hardanger fiord, exposed to the wild elements of nature, surrounded by the spectacular Norwegian nature with fjords, mountains and glaciers. Anika Madsen is well known for her passion for discovering new ingredients from the ocean, and her commitment to sustainability. Until recently she held the position of Head Chef at the lauded restaurant Fasangården in Copenhagen.

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« IT HAS ALWAYS BEEN CLOSE TO MY HEART TO LIFT THE LESS KNOWN SUSTAINABLE INGREDIENTS INTO THE SPOTLIGHT. IF I DISCOVER AN INGREDIENT THAT WILL LEAD TO A GREENER FUTURE, I AM NOT AFRAID TO PUSH BOUNDARIES. BUT TO CONVINCE PEOPLE TO LOVE IT, IT NEEDS TO BE TRULY DELICIOUS », SAYS ANIKA MADSEN.

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The menu at Iris reads like a story. A story about the challenges and threats to the global food system, but also with ideas and suggestions for future innovations, that can help bring us closer to solving them. Madsen has worked in several top Copenhagen kitchens, such as the 1 star restaurant Formel B and in several Kadeau group restaurants. Before her stint as Head Chef at Fasangården, she headed the acclaimed restaurant Roxie, where her cooking earned her the nickname “the umami queen”.

For Anika, leaving Copenhagen and settling on the tiny island of Sniltsveitøy, this venture is a once-in-a-lifetime opportunity to get as close as humanly possible to the bounty of the sea.

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« Here on the Norwegian coast, I can explore a whole universe below the surface that I could only dream of in Copenhagen. This region offers some of the cleanest and most exciting seafood produce in the world. I am especially looking forward to working with ingredients like the invasive red sea urchin and all kinds of local seaweed and presenting them as a part of a fine dining experience. There is also a plethora of regional products like game meat, sheep’s milk, and ciders that will have natural spots on the menu », Anika Madsen continues.

Salmon Eye is initiated and owned by the Eide Fjordbruk, the world’s first and only CarbonNeutral® certified salmon producer. The name Iris alludes to the restaurant’s placement in the middle of the “fisheye” structure but also carries the symbolic weight of the Greek goddess Iris, a messenger goddess transcending the realms of the seas and the heavens.

MORE INFOS: www.restaurantiris.no

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THIS VENTURE IS A ONCE-INA-LIFETIME OPPORTUNITY TO GET AS CLOSE AS HUMANLY POSSIBLE TO THE BOUNTY OF THE SEA

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Pier re Her mé

A French pa st r y chef at the top of his game

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With “pleasure as his only guide”, Pierre Hermé fashions a universe of singular flavors and sensations.

The man nicknamed the “Picasso of Pastry” by Vogue USA is constantly reinventing a modern Haute Pâtisserie, in his own image, which has seduced the world. By Eduardo Costerg

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A TASTE FOR LEARNING Heir to four generations of Alsatian bakers, Pierre Hermé arrived in Paris at the age of 14: his desire to learn opened the doors to the Gaston Lenôtre house, where he was accepted as an apprentice. The young pastry chef enjoyed exploring behind the scenes, discovering the tricks of the trade, and even taking advantage of his days off to work alongside his elders. He contributed to the company newspaper and climbed the ladder one by one in the great Parisian house. He continued his career in the same vein, rubbing shoulders with great names such as Fauchon, for whom he was head pastry chef for ten years. Then, in 1998, came his crowning achievement: with Charles Znaty, he founded Maison Pierre Hermé in Paris.

BOLDNESS ABOVE ALL

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As an inspired creator, Pierre Hermé shakes up codes and favors audacity over tradition: he strips pastries of their excessive decoration, uses salt as well as sugar to enhance flavors full of nuance, cultivates a pronounced taste for exploration, gives free rein to his curiosity by taming astonishing ingredients and constantly revisits his own recipes. For the pastry chef, challenging himself is an imperative. At the heart of his creative workshop, Pierre Hermé, like an artist, imagines the tastes and flavor combinations that will leave their mark on the minds of tomorrow.

He approaches his creations by design, like a couturier. Trial after trial, recipes are rewritten, proportions are re-evaluated, until finally the desired result is achieved.

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TO THE STARS AND BEYOND From pleasures to encounters, from readings to travels, from fragrances to textures, Pierre Hermé draws his inspiration wherever he can, guided by his remarkable curiosity. His work and daring have made him a household name in French gastronomy.

Voted “World’s Best Pastry Chef” by the Academy of World’s 50 Best Restaurants in 2016 and Ranked fourth in Vanity Fair’s list of the 50 most influential French people in the world that same year, the pastry chef-chocolatier rivals his talent, creativity and expertise to delight gourmands everywhere, on earth and beyond! At the beginning of 2017, the first macaroons signed Pierre Hermé took to the skies, destined for astronauts on the International Space Station.

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A CHRISTMAS COLLECTION UNDER THE SIGN OF TRAVEL For the end of the year, Pierre Hermé and visual artist Gianpaolo Pagni have imagined Destination, a world tour of striking flavors. This work of evocation gives rise to spontaneous, almost tactile forms, suggesting a treasure map. Sumptuous and dapper logs, contemporary world maps, “Adorables” macaroons with flavors from the ends of the earth and Advent calendars, so many tasty objects to see - to taste - new imaginary horizons.

Combining contemporary creation and exceptional craftsmanship, Destination is an invitation to travel: it’s almost instinctive to discover Pierre Hermé’s Christmas creations. Shapes, colors, lines and tastes intermingle and respond to each other - a fantastic cartography. A veritable sensory labyrinth unfolds, creation after creation.

MORE INFOS: www.pierreherme.com

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360° NEW EXPOSOME: THE FIRST MULTI-PROTECTION CREAM

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