The Young Arrows Awards 22

THE YOUNG ARROWS AWARDS 22 BOOK OF THE NIGHT THURSDAY 26TH OCTOBER 2022

CONTENTS

Forewords Young Arrows Jury Our Generous Sponsors

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WINNERS BY CATEGORY AGENCY PRODUCER ANIMATION: 2D, STOP MOTION & CGI CINEMATOGRAPHY COLOURIST CREATIVE TEAM DIRECTOR EDITING MUSIC SUPERVISION ORIGINAL COMPOSITION POST PRODUCTION PRODUCER PRODUCTION COMPANY PRODUCER PRODUCTION DESIGN SOUND DESIGN STUDENT COMMERCIAL VFX

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Finalists by Brand

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And the last word...

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FOREWORD JANI GUEST & CLARE DONALD CHAIRS OF THE BOARD

Dear Industry Friends This is an incredibly exciting foreword to be writing. Tonight, is the very first Young Arrows Awards, launched this year as part of The British Arrows, and we could not be more proud and delighted to have inaugurated it in the final year of our tenure as Chairs.

The entire journey to this evening has been redeeming. We started by convincing the amazing Melody Sylvester, Head of Film at House337 to be one of our Jury chairs, soon to be joined by Juliette Larthe, Founding Partner of Prettybird. We felt very smug to have chosen these two extraordinary women because together they created the most genuinely diverse jury we have ever encountered.

As a result, the judging was fun, respectful, insightful and refreshing. We had a fabulous day at The Mill watching great work from young people across our industry. I think we were all blown away by the levels of talent that this next generation is already demonstrating.

Thank you again to our jurors for their passion and commitment.

We need to mention that we could not have got to this important event without our sponsors. And what a stellar line-up of industry heavyweights agreed to stand behind this important recognition of new and undiscovered talent. A massive thank you to you all.

Your generosity has made this all possible.

This show has been curated by emerging talent to celebrate emerging talent, so a big shout out to Jack Field for the amazing graphics, Ethan Day our audio producer and Michael Haines our sound designer at Factory, composer Chris Christoforou and composer/music supervisor Joshua Gibbard at Siren, Dave Robinson at tenthree for editing the shortlist sizzle and our event producer Lily Alexander at TBI Media for keeping the whole thing under control.

And of course, to Lisa Lavender, Sergio Colina Restrepo, Sophie Cantopher and Blue Edwards for all their ongoing hard work and dedication that enables The British Arrows to champion new and diverse talent, enabling pathways for entry into our industry for the clear benefit of us all.

We hope you have a wonderful evening Clare & Jani

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FOREWORDS

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FOREWORD MELODY SYLVESTER CO-CHAIR OF THE YOUNG ARROWS JURY HEAD OF FILM, HOUSE337 Lisa Lavender and Devon Pearce came to see me back in 2019 and told me about the plan to start The Young Arrows. After 10 years at Ridley Scott Associates, I had recently become Head of Film at Engine and was determined to advocate for up and coming talent as I rebuilt the production team. I was also keen to reflect this ambition in the work we made at the agency too and give young directors a chance to work on some of the clients we had.

So a new awards show to recognise and reward emerging talent, completely resonated with me. That it was derived from the most respected and coveted awards shows in British Advertising, I literally bit their hand off to get involved.

I was in.

Then of course 2020 brought the global pandemic and The Young Arrows like many things had to be shelved as we rode out this worldwide calamity. As we all try to rebuild our personal and working lives, we must remember to keep our attention on helping each other. We must think about the future of our teams and how we do what we do.

To focus on the industry’s emerging talent is a great way to do that in a proactive way.

The Young Arrows offers a range of categories with a lower entry fee and a more flexible eligibility criteria allowing more people the chance to win an Arrow award. Being an award winner can only have a positive impact on those in the early part of their career.

It shines a light on their talent, which cannot hurt.

I have no shortage of jury experience and have sat on all of the major industry awards covering design, animation, advertising, craft, film, print. I love the work. I find it truly satisfying and incredibly rewarding to see the best of the best in all areas of the craft.

It keeps me plugged in and connected to my peers. The level of debate is always fresh and challenging and it’s great to have quality time with everyone. Many may deride the principle of awards themselves, but the positive effect of winning or being shortlisted on someone’s career is unquestionable. I, myself have been fortunate enough to be part of many teams that have won multiple Arrows over the years. It’s a wonderful boost for all involved.

Sadly I have routinely been one of the few black faces on these juries. By 2019 I had resolved not to accept any more invitations to sit on any more juries unless I could Chair one. Not due to ego, but due to a desire to help shape a more diverse and inclusive selection of fantastic industry talent. Lisa and the team fully supported that and as soon as the pandemic had subsided, made good on the promise for me to do just that.

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FOREWORDS

And with my wonderful co-chair Juliette Larthe from Prettybird, we were able to put our heads together to invite a truly diverse panel of underrepresented inspirational talent to take part. These are all people that have extensive experience in their respective fields but many have never been invited to judge before.

We remain determined to make real long lasting industry change and for us, this jury is just the start of that. Change is in our hands, we need to show up and keep pushing. We must champion underrepresented voices.

To all those that entered, keep on keeping on. We look forward to seeing what comes next from all of you. There was such a wide selection of truly fresh ideas, innovative design, animation and production on show from all quarters. None of the decisions were easy and we took every one of them very seriously. There was much debate.

Thank you to all of those who took part as jurors, we salute your time commitment, energy and good humour on the live judging day. It was lively and fun and so wonderful to see all of your beautiful faces looking back at us as we tried to guide you through all of the work. Clear thinking, fresh opinions and lots of love in the room. Bravo!

Thank you to Juliette, you are tireless in your commitment and are fearless in speaking out. I love how punchy you are. Respect. Thank you to Jani, Claire, Lisa and Sergio for your unwavering patience and belief. We were both so busy and you made it so easy for us. Really appreciate it.

Peace & Love

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FOREWORD JULIETTE LARTHE CO-CHAIR OF THE YOUNG ARROWS JURY FOUNDING PARTNER, PRETTYBIRD The Young Arrows continues the legacy of our most respected British Arrows, this time with the opportunity to spearhead the newest contributors to the world of moving image advertising.

It was such a joy to have co-chaired this initiative alongside the incomparable Melody Sylvester and our fantastic jury, the discussions in the room were exciting and we unanimously felt the vital force and an arrow straight to the heart at the immense level of work as reflected in our conversations in the room.

It’s crucially important we support, promote and encourage our new talent. It’s great to see the progress that the industry is making in championing inclusivity, and through the Young Arrows, we are able to recognise and celebrate this change. The Young Arrows opens doors for up and coming talent, creating opportunities for those that enter who may otherwise take a long time to get on the industry radar.

It’s an honour to be a part of a platform that demonstrates their excellence across a range of crafts and skill-sets, and recognition from the Young Arrows will add fuel to their already burning ambition, inspiring others coming up through the ranks. It’s not often recognised but Awards are about submitting the work, being proud of the achievement and feeling like the work deserves recognition. As such Young Arrows is a huge opportunity for young creatives to be able to allow their work to be seen by the wider industry and to be able to champion new talent - meaning it’s complex and not just about the work that gets a gong…everyone who submitted their work which didn’t make it to the shortlist, know you are also seen, the competition was very tough. My take out would be… keep on keeping on.. sometimes the journey is longer sometimes shorter but it’s all about the action, the process and not the destination..

A huge congratulations to all who submitted and to everyone who will have their work showcased at the Young Arrows.

Juliette

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FOREWORDS

YOUNG ARROWS 22 JURY MEMBERS

FRONT ROW (L-R) Clare Donald, Chief Production Officer, Publicis Groupe UK British Arrows Co-Chair Jani Guest, CEO, Creators Inc. British Arrows Co-Chair SECOND ROW (L-R) Pardeep Sahota, Creative, Warner Bros Discovery Bona Orakwue, Senior Creative Producer Paulette Caletti, Executive Producer, Prettybird MELODY SYLVESTER, Head of Film, House337 CO-CHAIR OF THE ARROWS JURY JULIETTE LARTHE, Founding Partner, Prettybird CO-CHAIR OF THE ARROWS JURY Ashleigh Jadee, Director Anita Osborne, Head of Content, Amplify Charlie Roberson, Head of Talent/New Business, Rogue THIRD ROW (L-R) Sweta Pathak, Creative Director/Founding Partner, Women Unltd.

Cat Arundel, Copywriter Bebe Kiffin, Senior Producer & Founder, Black Love Love Black Natalie Hughes, Senior Digital Project Manager, Wunderman Thompson UK Misha Stanford-Harris, VP Global Production, The Mill Tareq Kubaisi, Executive Producer, Owner and Creative Director, Raised by Wolves Katie Dymmock, Colourist, Coffee & TV Isabel Garrett, Animation Director, Prettybird

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FOURTH ROW (L-R) Nadia Kokni, Global Group Marketing Director, JD Sports Fashion Sarah Jenneson, Production Designer Hasani Franke, Editor, WORK Ellie Johnson, Editor, tenthree Gemma Priggen, Production Manager, Academy Karl Woolley, Global Real-Time Director, Framestore Joshua Gibbard, Music Supervisor/ Producer, SIREN Olan Collardy, Cinematographer FIFTH ROW (L-R) Von Adams, Video & Audio Playback Jake Ashwell, Senior Sound Designer, 750mph Nikki Porter, Producer, Final Cut Deborah Whitfield, Head of Production/Executive Producer, Factory Louis Persent, Founder, Weirdo Stacia Akaba, Executive Producer, Rascal Post NOT IN PICTURE Jenn Nkiru, Director, Iconoclast

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Without the generosity of our sponsors the show wouldn’t be possible.

750mph | www.750mph.com 750mph is a state-of-the-art sound design and mix facility in the heart of Soho, London.

With over 23 years of experience and 9 studios, they offer high-end audio production, sound design and mixing in all formats including Dolby 5.1, 7.1, Atmos & 3D sound for VR. The team of sound designers have amassed an array of awards both internationally and domestically, including multiple golds and silvers at the British Arrows, as well as winning the British Arrows inaugural Craft Company of the Year 21|22.

750mph also offers bespoke composition and music supervision through our in-house music company Twenty Below Music.

Academy | www.academyfilms.com Academy is a production home for creative talent. Art, film, music, photography and advertising runs in our blood, and creativity is at the heart of everything we do.

We have spent more than 35 years developing film making talent, picking up awards across all platforms and working with some of the biggest brands, most exciting artists and brightest creative minds in the world.

Academy’s guiding philosophy has always been to nurture and develop emerging young talent and this approach has led to our unrivalled reputation for launching stars of the future.

Directors Jonathan Glazer, Martin De Thurah, Seb Edwards, Frédéric Planchon, Si & Ad, Marcus Soderlund and Us all signed to Academy at the beginning of their careers and continue to shoot ground-breaking and award-winning work.

BBH | www.bartleboglehegarty.com Bartle Bogle Hegarty (BBH) is one of the world’s most famous creative agencies. We did the ad agency differently back in 1982. And today, we are no longer just an ad agency. We apply the same level of BBH thinking, care, craft and magic to the entire customer experience.

We believe in the power of difference to make a difference. We are ranked as the most effective creative agency in the UK (IPA), and the fourth in the world (Warc Effective 100). BBH is part of Publicis Groupe and has offices in London, New York, Singapore, Shanghai, Mumbai, LA and Stockholm and employs 1000 staff worldwide. We are proud to have consistently been named as one of the Sunday Times’ 100 Best Companies to Work For for the past decade.

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Coffee & TV | coffeeand.tv Coffee & TV is a creative studio specialising in visual effects, design, colour and direction.

The studio collaborates on all forms of moving image, from advertising and music promos through to film & episodic. Founded in 2012, Coffee & TV has grown from humble beginnings to a team of over 60 full-time artists, producers and staff. It’s a nimble practice that strives to produce the best for every project and is also verified to have the highest standards of social and environmental performance, transparency and accountability through its B Corporation® certification. The studio continues to do better by its team, clients, communities and the planet by continually evolving its B Corp commitments and by reaching Net Zero by 2028.

The award-winning studio has recently been nominated for British Arrows and a BAFTA, as well as being recognised for its outstanding culture and the welfare of its staff, winning Broadcast Best Places to Work in 2022.

Factory | factory.uk.com Established in 1997, Factory is a multi-award-winning sound design and audio facility based in London.

Our highly skilled team specialises in the art of sound design and has created some of the most revered and awarded commercial work of recent years for brands including Honda, Apple, John Lewis, Nike, and Virgin to name a few. We offer a comprehensive audio production and sound design service in a creative and friendly environment.

Film Light | www.filmlight.ltd.uk FilmLight develops unique colour grading systems, image processing applications and workflow tools that are transforming film and video post-production. The company’s streamlined metadata-based workflows employ robust products—including Baselight, Daylight and Baselight Editions—with cutting edge creative tools, allowing professionals in the world’s leading facilities to work at the very forefront of the digital media revolution.

Machine | www.machinesound.co Machine is a sound and music production company, founded in 2014. Our studios in London and New York are home to an award-winning team of sound designers, composers and producers, working across a diverse range of projects, including commercials, sonic branding, TV series and feature films.

Driven by new challenges, our dedicated team approaches every brief with a passion for imaginative sound design and audio composition. That creative drive has carried through to awards success at some of the world’s most prestigious advertising and film festivals.

We strongly believe in creating pathways into sound and music for the next generation of innovators and have hosted creative workshops at our Fitzrovia studios, sharing our passion with sound enthusiasts and hopeful filmmakers of all backgrounds.

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SPONSORS

NO.8 | no8london.com No.8 is an award-winning creative sound and vision studio, located in the heart of London’s Soho. Established in 2019 by Creative Director Jim Allen and Managing Director Barny Wright, No.8 offers best-in-class multi-disciplinary services through a single point of contact.

In late 2020 multi award winning sound designer Sam Robson joined as a partner and Creative Director & in 2021, award winning colourist Alex Gregory joined as Head of Colour.

Clients are serviced by a dedicated team across all post disciplines - editing, audio, music, colour grading, VFX, CGI and animation. We offer a personal, bespoke service to a wide range of clients across advertising, film and television.

Object & Animal | objectanimal.com Object & Animal was founded in 2018 by a group of friends who believe in the power of entertainment to inform, inspire and improve the world we leave the next generation.

We’re humbled to represent a unique and extraordinary roster of diverse and forward-thinking global creatives alongside a focus on sustainable and progressive production in association with Ad Green, Free The Work and Change The Lens.

Despite our exponential growth; with presence in New York and Atlanta alongside flagships in London and LA, we have been mindful to retain a boutique feel by combining the best creative production resources and playing to the strengths of our unique talent. Growing a brand synonymous with the artistry and creativity we produce and representative of the diverse voices we nurture.

Publicis•Poke | www.publicispoke.com Publicis•Poke is part of the Publicis Groupe network, the worlds 3rd largest communication company. Based in Television Centre White City, it is a fully integrated Agency offering, with a group of 160-plus talented individuals of all levels of experience and backgrounds. Who believe passionately about commercial creativity. And more specifically, the power of creativity to solve today’s commercial challenges.

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Rogue | www.roguefilms.co.uk One of the most distinctive and successful commercial production companies of the last 20 years, ROGUE has continually developed and pushed the boundaries of creativity, creating some of the most iconic and successful global advertising campaigns.

Founded in 1998 by Charlie Crompton and David van der Gaag, ROGUE is now run by Charlie, alongside Kate Taylor and James Howland, who became partners in 2021. With the support of Charlie Roberson as Head of Talent, they continue to champion the transcendent magic of great film-making with a shared vision and ambition for the future. ROGUE has upgraded to a converted warehouse space in Clerkenwell - and with five new director signings in 2021 - has an enviable roster of talent from established ‘destination directors’ to newly discovered gems.

As the company grows and evolves, ROGUE continues to be a place that’s synonymous for making powerful work for their clients with the highest standards of creativity – and for being great people to work with.

So far in 2022 Rogue have been busy working with brands including adidas, BBC, Ebay, White Claw, o2, Lexus and Sky - plus SquareSpace, Instacart & Apple in the US; co-produced the hit doco ‘11M’ for Netflix, and produced high profile music videos including Joe Connor for Harry Styles - and Sam Brown re-joining Adele after a decade and directing her worldwide hit OMG with 70m YouTube views to date.

SIREN | siren.uk.com SIREN is a music supervision company made up of award-winning music supervisors and producers who love music and the craft of storytelling through sound. We collaborate with a global network of composers, artists, musicians, labels and publishers to provide the strongest musical solutions.

SIREN are committed to nurturing talent and working to help make our industry representative through education and training, and are proud supporters of The Avenues and sponsors of The British Arrows Young Arrows.

Sue Terry Voices | www.sueterryvoices.com We are a voice-over agency established in 1999, devoted to talented, highly credited actors, comedians and presenters for their voice-over work.

We record and direct the voice reels of every new artist we recruit so we know exactly what they can do. We know each artist personally and have a deep understanding of their range.

Therefore, if you would like our advice on something specific or unusual please don’t hesitate to contact us. We can advise on anything voice-over related.

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SPONSORS

tenthree | www.tenthree.co.uk tenthree was founded in 2008 by Billy Mead, with an aim to be a nurturing home to the industries top talent. With the arrival of Editor Quin Williams as partner in 2011, followed by Ellie Johnson in 2021, the company has grown exponentially, enjoying numerous successes and awards. Demonstrated by three partners regularly featured in the Televisual Top 10 Editors list. tenthree continues to add to their roster with the arrival of award winning editors, including Stephen Dunne who won 2 golds for editing at this years Creative Circle.

In recent years tenthree has cemented themselves as one of London’s elite edit houses with big wins at all the major Awards shows and at the 2021 British Arrows Awards, where they won Gold, Silver and Bronze for Best Editing with three different Editors. In the previous two Shots Awards tenthree have been voted in the top three Best Edit House list.

The Mill | www.themill.com The Mill is a global creative partner for agencies, production companies and brands, working across multiple media channels and platforms.

We are trusted specialists in Visual Effects, Creative Production and Experience design. Our projects include the creation of digital products and virtual experiences, as well as world class VFX and video production for the Advertising and Brand Experience industries. We are a vibrant network of talented Artists, Producers, Directors and Creative Technologists from multinational backgrounds. We nurture innovation, flexibility and diverse ideas across our studios in London, Paris, Amsterdam, Berlin, New York, Los Angeles, Chicago, Seoul, Shanghai, and Bangalore.

We are all united by one single ambition: To create extraordinary and memorable work that captivates and excites audiences.

WORK | www.workeditorial.tv Work opened its doors in London in 2006 and for 16 wonderful years we have celebrated craft and creativity, created lasting relationships based on collaboration and trust whilst we also continually search out and nurture new emerging talent in both the UK and US. We are proud to say we have been joined by amazing partners in London, New York and Los Angeles.

Shiny | www.shinyawards.com Shiny is proud to find and support new & minority directors working in commercial production. The Shiny Awards are hosted by leading ad agencies throughout the year, and promote the best, 70% minority, new director talent. Shiny’s Director memberships provide mentoring, career resources and access to industry influencers. Industry memberships give reps, producers and agency producers inside access to new talent, exclusive mentoring, profile amongst new directors and access to judging & live jury panels.

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Creativity is contagious. Pass it on.

Albert Einstein

The Accumulate Art School for The Homeless provides creative workshops and activities to young, homeless people so that they can develop their skills, self-esteem and confidence and start to put plans in place for a more positive future.

Accumulate also provides scholarships for Accumulate students to study on a one year creative course at university.

So far, 27 Accumulate students have received Accumulate scholarships and 13 have gone on to study on an undergraduate degree. This is life-changing.

The Accumulate team is delighted to be taking the photographs at this evening’s Young Arrows event and wish it every success.

Please do contact us if you are interested in Accumulate and want to change people’s lives through creativity.

www.accumulate.org.uk | info@accumulate.org.uk | IG & T: @Accumulate_Ldn Charity number 1170009

WINNERS

BY CATEGORY

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AGENCY PRODUCER WINNER

HECTOR MURRAY for Ebookers, Turn Your Passion Into A Holiday made for Leo Burnett by Darling Films, Freefolk and Jungle, directed by Adam Gunser.

Advertising Agency Chief Creative Officer Executive Creative Director Creative Director Creatives

Agency Producer

Leo Burnett Chaka Sobhani Mark Elwood Graham Lakeland Gina Ramsden & Freya Purnell Hector Murray

Production Company Director Producer Cinematographer Casting Director Lead Performers

Costume & Wardrobe Hair, Make Up & Prosthetics

Darling Films Adam Gunser Kelly Doyle Carl Burke C/O Focus Productions Sandor Kiss Aleksandra Russo Mario Španić Nevena White Zoa Barić Ognjen Naskovic Oliver Jularić Tamara Radinger

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Editing Company Editor

Final Cut Ben Stephens

Post Production Company Colourist Head of 3D Lead 3D Artist Head of 2D Lead 2D Artist Head of VFX VFX Supervisor

Freefolk Paul Harrison Cheryl Payne Jason Watts Harin Hirani Judy Roberts Henry Fenwick Jim Radford

Audio Company Sound Designer

Jungle Studios Ben Leeves

AGENCY PRODUCER

SPONSORED BY

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ANIMATION: 2D, STOP MOTION & CGI WINNER

BALAZS SIMON for BBC Sport, BBC Winter Olympics, Extreme By Nature made for BBC Creative by Blinkink, GYÁR and GAS, directed by Balazs Simon.

Advertising Agency Creative Directors

Creative Agency Producer

BBC Creative James Cross, Tim Jones & Reuben Dangoor Stuart Gittings Liz Dolan

Production Company Executive Producer Director Producer

Blinkink Bart Yates Balazs Simon Rebecca Little

Animation Company Animation Company Director Animation Company Producer

Blinkink Balazs Simon Rebecca Little

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Lead 3D Artists

Head of VFX VFX Supervisor

Bernadett Dian, Robert Toth, Bea Ujj, Zoltán Záhorszki, György Fábos & Zsolt Mérey Kádár András Piroska Áron Hargitay

Post Production Company Head of VFX

GYÁR Gábor Abbas

ANIMATION : 2D, STOP MOTION & CGI

SPONSORED BY

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CINEMATOGRAPHY WINNER

LUKE C HARPER for Casablanca, Apartmento made for Casablanca Paris by Racket Studio Limited, Thomas Goldser and Rashid Babiker, directed by Rashid Babiker.

Advertising Agency Creative Director

Casablanca Paris Charaf Tajer

Production Company Director Producer Cinematographer Production Designer Costume & Wardrobe Hair, Make Up & Prosthetics

Racket Studio Limited Rashid Babiker Poppy Ashton Luke C Harper Luis Gaensslen Franco Appiah Grace Sinnott (Mua) & Shunsuke Meguro (Hair)

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Editing Company Editors

Avenue Studios Thomas Goldser & Rashid Babiker

Post Production Company

Thomas Goldser & Rashid Babiker

Audio Company

Rashid Babiker

CINEMATOGRAPHY

SPONSORED BY

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COLOURIST WINNER

DOMINIC PHIPPS at Company 3 for Wrangler, Jeans, Long Live Cowgirls made for Wrangler by Untitled Films, Arcade Edit and Fiddle Leaf Sound, directed by Scott Pommier.

Advertising Agency

Wrangler

Production Company Director Producer Cinematographer Lead Performer

Untitled Films Scott Pommier Tom Evelyn Alex Bros Ava Davis

Editor

Matt Laroche

Post Production Company Colourist

Arcade Edit Dominic Phipps

Audio Company Sound Designer

Fiddle Leaf Sound Ben Freer

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COLOURIST

SPONSORED BY

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CREATIVE TEAM WINNER

CHLOE NEAL & CIARA BOYLE for Tesco, Together This Ramadan made for BBH London by They Gather.

Advertising Agency Chief Creative Officer Creative Director Creative Directors

Creatives Agency Producer

BBH London Alex Grieve Helen Rhodes Christine Turner & Kevin Masters Chloe Neal & Ciara Boyle Lauren Daniels

Production Company Producers

Photographer

They Gather Victoria Hutchings & Virgilia Facey Khalil Musa

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CREATIVE TEAM

SPONSORED BY

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DIRECTOR WINNER

ROBERT SANDERSON for Certified Sports, Dropped made for House337 by Tag Collective Arts, Kabbage, Stone Dogs and Octa.

Advertising Agency Chief Creative Officer

House337 Melody Sylvester

Director Producer Cinematographers

Production Designer

Rob Sanderson Rob Sanderson Rob Sanderson, Max Noble & Kabir Malick Richard William Preisner

Editing Company

House337

Post Production Company Rob Sanderson &

Sam Hopkins Colourists Stone Dogs, Big Buoy, Kabbage Head of 3D Alexandre Nerzic Music Producer Music Supervisor

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Octa Jack Rowley

DIRECTOR

SPONSORED BY

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EDITING WINNER

BETH ROBERTS at Nomad Edit for NHS, Neonatal Unit, Could You? made for 2050 London by My Accomplice, Nomad Edit and Hannah Webster at UNIT, directed by Imogen Harrison.

Advertising Agency Chief Creative Officer Creative Director Art Director Copy Writer Creatives

2050 London Adam Morrison Matt Saunby Adam Chiappe Jack Stephens Adam Chiappe & Jack Stephens

Editing Company Editor

Nomad Edit Beth Roberts

Post Production Company Colourist Head of VFX VFX Supervisor

Nomad Edit Felipe Sculz Martin Goodwin Martin Goodwin

Production Company Director Producer Production Designer Stunts

My Accomplice Imogen Harrison Alicia Stratford Tanya Noushka Jamie Clark

Audio Company Sound Designer Composer

Unit Studio Hannah Webster Tom Tripp

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EDITING

SPONSORED BY

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MUSIC SUPERVISION WINNER

CHRIS CHRISTOFOROU at SIREN for Wimbledon 2022, The Stage Awaits made for McCann London by Nexus Studios and Factory, directed by Smith and Foulkes.

Advertising Agency Chief Creative Officers

Creative Directors

Creatives

Agency Producer

Mccann London Rob Doubal & Laurence Thomson Rob Webster & Alexei Berwitz Rory Peyton Jones & Elliot Lee Jacob Gardner

Production Company Director Producer

Nexus Studios Smith And Foulkes Rebecca Archer

Animation Company Animation Company Director Lead 3D Artists

Head of 2D Lead 2D Artists

Head of VFX

Nexus Studios Melanie Climent James Drummond & Matilde Vinther Marylou Mao Fanny Hagdahl Sörebo, Duncan Gist, Sean Weston, Hozen Britto & Bianca Beneduci Assad Richard Perrigo

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Editing Company Editors

Nexus Studios Dave Slade & Zaki Fulford

Post Production Company

Nexus Studios

Audio Company Sound Designers

Composer Music Supervisors

Factory Anthony Moore, Mark Hills & James Utting Summer Kennedy ‘Come Alive’ Siân Rogers At Siren, Chris Christoforou At Siren

MUSIC SUPERVISION

SPONSORED BY

THE YOUNG ARROWS AWARDS 22

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ORIGINAL COMPOSITION WINNER

GIOVANNI ZOF for Samsung Galaxy S22 Ultra, Short Film made for We Are Social Sydney

by We Are Social Studios London, directed by Millie Bobby Brown.

Advertising Agency Creative Editor Senior Creative Editor Senior Account Director Senior Account Director Client Service Director

We Are Social Sydney Bella Raschke Nick Carolan Nathan Higgins Hilary Jacobs Kelly Spence

Production Company We Are Social Studios London Director Producer Executive Producer

Millie Bobby Brown Brooke Lagana Jo Lumb

Cinematographer

Charlie Brown

Editor

Stu Mccardle

Supervisor Audio Company Composer Music Supervisor

Youth Mode Music Giovanni Zof Jack Derbyshire

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ORIGINAL COMPOSITION

SPONSORED BY

THE YOUNG ARROWS AWARDS 22

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POST PRODUCTION PRODUCER WINNER

OLIVIA RAY at 750mph for British Heart Foundation, This Is Science Fiction made for Saatchi & Saatchi by Biscuit Filmworks, MPC and 750mph, directed by Ben Strebel.

Advertising Agency Chief Creative Officer Creative Director Creatives

Agency Producer

Saatchi & Saatchi Guillermo Vega Lauran Dyer Tobias Tercic & Hernan Dietrich Sam Robinson

Production Co. Director Producer

Biscuit Filmworks Ben Strebel Samantha Chitty

Editing Company Editor

Trim James Forbs -Robertson

Audio Company Music Producer Sound Designer

750mph Olivia Ray Sam Ashwell

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POST PRODUCTION PRODUCER

SPONSORED BY

THE YOUNG ARROWS AWARDS 22

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PRODUCTION COMPANY PRODUCER WINNER

GEORGE TELFER for Sports Direct, Womens Euros, Girls Don’t Like Football made for COPA90 by Agile Films, ETC and Slackin Beats, directed by Yoni Lappin.

Advertising Agency Chief Creative Officer Creative Directors

Agency Producer

Copa90 Gavin Rowe Lawrence Tallis, Aaron Lobb & Andy Demianyk Kate Grenfell

Production Company Agile Films Director Yoni Lappin Producer George Telfer Cinematographer Olan Collardy Production Designer Elena Isolini Stunts Choreographer Nat Zhangi Casting Director Tytiah Blake Costume & Wardrobe Neesha Tulsi Champaneria Hair, Make Up & Prosthetics Maya Man

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Editing Company Editor

Trim Fouad Haber

Post Production Company Colourist Head of 3D Lead 3D Artists Head of 2D Lead 2D Artists VFX Supervisor

ETC Jason Wallis Tobin Brett Stirling Archibald Ian Murray

Audio Company Music Producer Sound Designer Music Supervisor

Ob Supervision Slackin Beats Christian Blad

PRODUCTION COMPANY PRODUCER

SPONSORED BY

THE YOUNG ARROWS AWARDS 22

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PRODUCTION DESIGN WINNER

MILLIE WILKIE & LIBERTY SCARLETT, SET SISTERS for Onet, News Company, Herd Immunity made by Havas Studios & Papaya Films, Absolute Post and Jungle, directed by Rosie May Bird Smith.

Production Companies Havas Studios

& Papaya Films Global Head of Content Katie Keith Executive Producer Flo Clive Executive Producer Adam Javes Producer & 1st Ad Femi Anderson Production Manager Ella Higgins Production Assistant Kaci Njemanze Post Producer Debbie Ragasa Runner Isiuwa Zero Runner Georgina Bell Casting Directors Emma Garrett

& Anna Lydon Cinematographer Mike Staniforth Camera Assistant Joseph Mcdonald Camera Assistant Rick Case Steadicam @Meet__dave Gaffer Eddie Cook Spark Connor Baskerville

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Production Design Costume & Wardrobe Hair, Make Up & Prosthetics

Vet 1 Vet 2 Animal Handler Sheep Expertise Director Producer

Set Sisters Amanda Bird Nathalie Abensur & Ella Tanner Hayley Johnston Jessica Tattersall @Animalsukltd @Mountlodge_carefarm Rosie May Bird Smith Femi Anderson

Editor

Russell Oxenden

Post Production Company Post Producers

Flame Artist Nuke Artist Title Design

Absolute Post Jenna Noury, Roseanne Crisp & Yasmin Tilly Antonio Jimenez Tommy Coulter-Liston Lorenzo Fruzza

Colourist

Juliette Wileman

Audio Company Sound Designer

Jungle Studios Ben Leeves

PRODUCTION DESIGN

SPONSORED BY

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SOUND DESIGN WINNER

KASPAR BROYD at String and Tins for FLY, Otherlands Festival made by Eyebolls, Archie Short and String and Tins, directed by Archie Short.

Production Company Director Producer Cinematographer Lead Performer

Eyebolls Archie Short Bethan Leckie Archie Short Felix Cheong Macleod

Editor

Archie Short

Post Production Company Colourist

Archie Short John Rogers

Supervisor Audio Company Music Producer Sound Designer Composer

String And Tins Kaspar Broyd Kaspar Broyd Kaspar Broyd

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SOUND DESIGN

SPONSORED BY

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STUDENT COMMERCIAL WINNER

MAX BACH for Adventure 001, Falconry Experience made for NFTS, directed by Max Bach.

Student Body Director Producer Cinematographer

National Film And Television School Max Bach Leah Bethany Jones Barbara Van Schaik

Editor

Donya Maguire

Sound Designer Composer

Itzel Gonzalez Estrada Aaron King

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STUDENT COMMERCIAL

SPONSORED BY

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VFX WINNER

NATHAN CLARK at Framestore for Three Ireland, Jeff’s World made for Boys + Girls by Framestore, directed by Tomas Jonsgården.

Advertising Agency Chief Creative Officer Creative Director Senior Art Director Senior Copy Writer Agency Producer

Boys + Girls Rory Hamilton Kris Clarkin Dean Ryan Michael Whelan Magnus Åkerstedt

Production Company Director Executive Production Director Executive Producer

Boys + Girls Tomas Jonsgården Derek Doyle Paul Holmes

Animation Company Head of Animation Executive Producer Lead Animator Senior Animator Animators

Framestore Brad Silby Anna Macdonald Daniel Bielawski Adam Bailey Benjamin Lane & Sofia Llobregat

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Editing Company Editor

Framestore Matthew Collins

Post Production Company Colourist

Head of VFX Head of Rigging Head of Editorial Asset Supervisor Modellers

Head of Layout and Tracking Head of CFX CFX Td Compositing Supervisor Compositors

Dmp Artist Lighting Td

Flame Artist VFX Coordinator Production Assistant

Framestore Jean-Clément Soret at Company3 Jake Saunders Brad Noble Humberto Reynaga Billy Butler Bruno Reis Coimbra & Justine Lecat Paul Amiras Gabriela Ruch Salmeron Aurelie Duret & Jack Hubbard, Suzanne Jandu Lionel Heath, Cristina Recuero Esquina, Daniel Ravanelli, Ewelina Freuer, Jack Neale, Jack Pond, Joan Marques, Luigi Russo & Navid Bagherzadeh Chelsea Ward Erik Weaver-Pronk & Federico Ghirlanda, Darran Nicholson Poppy Chadwick Charlene Faure-Berichi

VFX

SPONSORED BY

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Finalists by Brand Charlie Watts for adidas, Terrex, United By Summits made for Iris Worldwide by Rogue Envy, directed by Charlie Watts.

Adam Oyejobi at Biscuit Filmworks for Brewdog, The Planet’s Favourite Beer made for Droga5 by Biscuit Filmworks and ETC, directed by Jeff Low.

DIRECTOR

PRODUCTION COMPANY PRODUCER

Beth Roberts for adidas, Sportswear and Mental Health, Beyond The Track made for We Are Social by Production Hub & Film Florida, The Mill and 19 Sound, directed by Amy Becker-Burnett.

Olivia Ray at 750mph for British Heart Foundation, This Is Science Fiction made for Saatchi & Saatchi by Biscuit Filmworks, MPC and 750mph, directed by Ben Strebel.

EDITING Max Bach for Adventure 001, Falconry Experience made for NFTS, directed by Max Bach.

STUDENT COMMERCIAL OF THE YEAR Juliette Wileman at Absolute Post for Allianz x Women’s Aid, The World’s Strongest Women made for In the Company of Huskies by Rattling Stick, Absolute Post and Wave Studios, directed by Fern Berresford.

COLOURIST Blaine Pearson for BASF, Hernan made for Rothco by Nice Shirt, Raised By Wolves and Screen Scene, directed by Matt Houghton.

EDITING Christine Ubochi for BBC, Empowerment, The Skin I Move In made for The Arts Council by Screen South and CODA, directed by Christine Ubochi.

DIRECTOR Sam Rice-Edwards for BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards.

DIRECTOR Balazs Simon for BBC Sport, BBC Winter Olympics, Extreme By Nature made for BBC Creative by Blinkink, GYÁR and GAS, directed by Balazs Simon.

ANIMATION: 2D, STOP MOTION & CGI Cam Sander at Dan Moran Colour for Belmond, Orient Express Travel, Venice Simplon made by Brother Film Co, Dan Moran Colour and Brother Music, directed by Josh Lawson.

COLOURIST

POST PRODUCTION PRODUCER Beresford Cookman at Wave Studios for Brooks x Workshop Coffee, North London Dirt made by Wave Studios, directed by Harry Reavley.

SOUND DESIGN Luke C Harper for Casablanca, Apartmento made for Casablanca Paris by Racket Studio Limited, Thomas Goldser & Rashid Babiker, directed by Rashid Babiker.

CINEMATOGRAPHY Robert Sanderson for Certified Sports, Dropped made for House337 by Tag Collective Arts, Kabbage, Stone Dogs and Octa.

DIRECTOR Jamie Hodgson at WORK for Certitude, Charity, That’s London made for Network London by Spindle No.8 and Focal Rhythm, directed by Scott Carthy.

EDITING Lola Cookman at WORK for Certitude, Charity, That’s London made for Network London by Spindle No.8 and Focal Rhythm, directed by Scott Carthy.

POST PRODUCTION PRODUCER Rain Keene at WORK for Channel 4, How To Be A Person, How To Lose Your Virginity made by The Corner Shop, Absolute Post and Coda Audio, directed by Sindha Agha.

EDITING Charles Gamble for Channel 4, Pride, Proud All Over made for 4Creative by Blinkink, OKAY Studio and Major Tom, directed by Robert Strange.

EDITING

Adam Singodia for Boss, Man Of Today, #ManOfToday x Eric Underwood made for Hopscotch Luxe Paris by CHEAT, directed by Patrick Taylor.

Job Reineke for Copenhagen Youth Project,

By Youth, For Youth, Smash & Grab made for Big Trouble by Big Trouble Films & Partizan, The Mill & Daydreamer VFX and Factory, directed by Neil Linpow.

CINEMATOGRAPHY

CINEMATOGRAPHY

Johnny Lillis for Boss, Man Of Today, #ManOfToday x Eric Underwood made for Hopscotch Luxe Paris by CHEAT, directed by Patrick Taylor.

Neil Linpow for Copenhagen Youth Project,

By Youth, For Youth, Smash & Grab made for Big Trouble by Big Trouble Films & Partizan, The Mill & Daydreamer VFX and Factory, directed by Neil Linpow.

ORIGINAL COMPOSITION

DIRECTOR EDITING

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FINALISTS BY BRAND

Josh Campbell for Copenhagen Youth Project,

By Youth, For Youth, Smash & Grab made for Big Trouble by Big Trouble Films & Partizan, The Mill & Daydreamer VFX and Factory, directed by Neil Linpow.

ORIGINAL COMPOSITION SOUND DESIGN Ella Oliver for Crisis, Twelve Nights Of Christmas made for Don’t Panic London by Rogue, ETC and Wave Studios, directed by Charlie Watts.

EDITING Chris Walker & Georgie Curran for Detective Comics, Arkham Asylum, Lose Yourself made for Dept Studios by Radical Media, Vilanova/Curran and Rascal Post, directed by Vilanova/Curran.

EDITING Henry Dean for Dr. Martens, How To Break In made for Breaks by Familia, Final Cut and Chase Audio, directed by Henry Dean.

DIRECTOR Leah Burton at Final Cut for Dr. Martens, How To Break In made for Breaks by Familia Final Cut and Chase Audio, directed by Henry Dean.

EDITING Benji Landman for Dr. Martens, Pride Generations Content, Protest made by Prettybird, Clear Cut Sound and Spent, directed by Jess Kohl.

PRODUCTION COMPANY PRODUCER Harry Butcher at Wave Studios for Durazzi, Milano made by Voodoo Pictures, Black Kite Studios and Wave Studios, directed by Francois Larpin.

SOUND DESIGN Hector Murray for Ebookers, Turn Your Passion Into A Holiday made for Leo Burnett by Darling Films, Freefolk and Jungle, directed by Adam Gunser.

AGENCY PRODUCER Gemma Fairlie for ECA, Live & Recorded Screenings Of Arts Events In Cinemas, Lights Up made for NFTS, directed by Gemma Fairlie.

STUDENT COMMERCIAL OF THE YEAR Alexandre Do for ECA, Decisive Moment made for NFTS, directed by Alexandre Do. STUDENT COMMERCIAL OF THE YEAR Karol Cybulski at CHEAT for Education Above All, International Day To Protect Education From Attack, Calling Attendance made by Across The Pond, CHEAT and Luis Issermann, directed by Nathan Sam Long.

COLOURIST Kaspar Broyd at String and Tins for FLY, Otherlands, Festival made by Eyebolls Archie Short and String and Tins, directed by Archie Short.

Mohammad Homouda for Foxology, A Lived Experience made for NFTS, directed by Mohammad Homouda.

STUDENT COMMERCIAL OF THE YEAR Will Liney for Foxology, From Seed To Shop made for NFTS, directed by Will Liney.

STUDENT COMMERCIAL OF THE YEAR Jesse Lewis-Reece for Frontline Charity, Social Worker Recruitment, This Is Social Work made for Kindred by Armoury, The Quarry, CHEAT and Oliver Mapp, directed by Jesse Lewis-Reece.

DIRECTOR Hannah Jarrold at The Mill for Genesis, Brand Film 21 made for Jung von Matt NECKAR by BWGTBLD and The Mill, directed by Anton Tammi.

POST PRODUCTION PRODUCER Shannen Ward at Coffee & TV for Google Pixel, Pixel 6 Smartphone, World Of Magic made for Anyways by Partizan, Coffee & TV and Wave Studios, directed by Sophia Ray. POST PRODUCTION PRODUCER Ethan+Tom for Gorillas, Whatever London Wants made for The Or by Academy, OKAY Studio and Grand Central Recording Studio, directed by Ethan+Tom. DIRECTOR Fiona Jane Burgess for Gucci, Bloom, The Awakening made for Conde Nast by SMUGGLER and King Lear Music & Sound, directed by Fiona Jane Burgess.

DIRECTOR Jack Patterson at Wave Studios for Gymshark, Online And Social Commercial, The Return Of Ryan Garcia made by Prettybird, The Assembly Rooms and Wave Studios, directed by Jess Khol.

SOUND DESIGN Alexandre Nerzic at Tag Collective Arts for Havana, Havana Club Rum, The Fabric Of Culture made by JM Films and Tiger Fight, directed by Meju Alabi.

COLOURIST Megan Lee at ETC for Highsnobiety, Fashion, Gucci X North Face made for Highsnobiety by Black Dog Films, ETC and String and Tins, directed by Tom Dream.

COLOURIST Josh Campbell for International Olympic Committee, Stronger Together made by Uncommon, 1920 and Factory, directed by Benny Everitt.

SOUND DESIGN Toby Leary for Jaded London, Neutrals made by Jaded London and Commercial Music, directed by Ryan O’Callaghan.

CINEMATOGRAPHY

SOUND DESIGN

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Eva Münnich for Kelloggs, Pop Tarts, Toast vs Tarts made for Leo Burnett by Strange Beast, directed by Eva Münnich.

ANIMATION: 2D, STOP MOTION & CGI

Charles Gamble at OKAY Studio for Old Spice, Wavy Curly Shampoo And Conditioner, Curls Are Cool made for Wieden+Kennedy by Prettybird and Robert Chen, directed by Yousef.

EDITING

Georgia Paes & Arabella Andrewartha for Kojima Productions, Death Stranding made by The Mill, directed by Tom Dibb.

Rosie May Bird Smith for Onet, News Company, Herd Immunity made by Havas Studios & Papaya Films, Absolute Post and Jungle, directed by Rosie May Bird Smith.

CREATIVE TEAM

DIRECTOR

Beth Massey at Factory for Ladbrokes, Drummers made for Neverland by Rogue, ETC and Factory, directed by Sam Brown.

Millie Wilkie & Liberty Scarlett for Onet, News Company, Herd Immunity made by Havas Studios & Papaya Films, Absolute Post and Jungle, directed by Rosie May Bird Smith.

POST PRODUCTION PRODUCER Matt Gabzdyl for M.C.Overalls, We Work Hard made by Friends Electric, ETC and Machine, directed by Giles Nathan.

EDITING Sam Collins & Ivan Stanojevic for Mars, Skittles Squishy Cloudz, Squishy Fish made for The & Partnership Worldwide by Burning Reel and Creep, directed by Henry Littlechild.

CREATIVE TEAM Jocelyn Anquetil for McDonald’s, Car Posing made for Leo Burnett by Pulse Films, directed by Jocelyn Anquetil.

DIRECTOR Charlie Von Rotberg for McDonald’s, Change A Little, Change A Lot made for Leo Burnett London by Caviar and Wave Studios, directed by Thomas Ralph.

EDITING

PRODUCTION DESIGN Clare Everson at Twenty Below Music for P&O Ferries, Ferry Tales made for Publicis•Poke by Prodigious, Assembly Rooms & Prodigious and Michael Powell, directed by Charlie Crane.

MUSIC SUPERVISION Kai Blamey Nguyen for Prada, Cass x Prada made for Frosty by Farago Projects and Everest Studio, directed by Axel Morin.

CINEMATOGRAPHY Charlie Von Rotberg for Prada, The Art Of Disappearing made for CNX by Object & Animal, directed by Diana Kunst.

EDITING Chris Fowles for Pride in London, Hesitation made by Jealous Films, CHEAT and LW Sound, directed by Chris Fowles.

DIRECTOR

Imogen Harrison for NHS, Neonatal Unit, Could You? made for 2050 London by My Accomplice, Nomad Edit and Hannah Webster at UNIT, directed by Imogen Harrison.

Daniel Olaifa for Ribena, Chin Up made for BBH London by MindsEye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.

DIRECTOR

MUSIC SUPERVISION

Beth Roberts at Nomad Edit for NHS, Neonatal Unit, Could You? made for 2050 London by My Accomplice, Nomad Edit and Hannah Webster at UNIT, directed by Imogen Harrison.

Rain Keene at WORK for Rise365, Charity, Superheroes Wear Hoodies made by Together TV, Daniel Levy at Rascal Post and Ned Sisson, directed by Jason Osborne.

EDITING Dave Robinson for Nike, Ask Our Athletes made for BMB by Outsider and Bubble TV, directed by Tom Day. EDITING Olivia Ray at 750mph for Nike, Sportswear, Never Settle made for Wieden+Kennedy by Division, Monumental FX and 750mph, directed by Valentin Petit.

POST PRODUCTION PRODUCER Jamie Hughes for O2, Mobile Data, Switch-Up-To-New made for VCCP by Rogue and The Mill, directed by Alex Boutell.

POST PRODUCTION PRODUCER

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EDITING Andi Chu for Samsung, Galaxy A53 5G, Awesome made for Wieden+Kennedy by Caviar and Black Kite Studios, directed by Keith Schofield.

COLOURIST Sau Ali for Samsung, Galaxy S22, Grassroots Football Academy made for The Elephant Room by Greatcoat Films, Lee Delver and Bubble TV, directed by Sau Ali. DIRECTOR Giovanni Zof for Samsung Galaxy S22 Ultra, Short Film made for We Are Social Sydney by We Are Social Studios London and Youth Mode, directed by Millie Bobby Brown.

ORIGINAL COMPOSITION

FINALISTS BY BRAND

Laura-Leigh Smith at String and Tins for Samsung Galaxy, I’m Open To That made for Wieden+Kennedy by Iconoclast, Nash and String and Tins, directed by Alaska.

POST PRODUCTION PRODUCER Alexandre Do for Shea Creams, Feel As Soft As A Baby made for NFTS by Coffee & TV, directed by Alexandre Do. STUDENT COMMERCIAL OF THE YEAR Gemma Fairlie, Jack Edwards, Jong-Heon Lee, Itzel Gonzalez & Pete Davies for Shea Creams, So Soft made for NFTS, directed by Gemma Fairlie.

STUDENT COMMERCIAL OF THE YEAR Max Bach for Shea Creams, Feel Shea Smooth made for NFTS, directed by Max Bach.

Chloe Neal & Ciara Boyle for Tesco, Together This Ramadan made for BBH London by They Gather.

CREATIVE TEAM Rodrigo Inada for The Karman Project, Awareness Campaign, Terra Cene made by Impolite, EIGHTY4 and Roostersound Berlin, directed by Rodrigo Inada.

DIRECTOR Nathan Clark at Framestore for Three Ireland, Jeff’s World made by Boys + Girls by Framestore, directed by Tomas Jonsgården.

VFX Renee Zhan for Trolli, Sour Burstin’ Crawlers, The Gooniverse Factory made for Wieden+Kennedy by Blinkink and Major Tom, directed by Renee Zhan.

ANIMATION: 2D, STOP MOTION & CGI

STUDENT COMMERCIAL OF THE YEAR

Leah Winson & Rhianna Travers for Tyrrell’s, Core Range, Lucky Spuds made for St Luke’s by Jon Hubbard and Jungle.

Sav Akyuz for Shea Creams, Made With Love made for NFTS, directed by Sav Akyuz.

CREATIVE TEAM

STUDENT COMMERCIAL OF THE YEAR Will Liney for Shea Creams, The Ritual made for NFTS, directed by Will Liney.

STUDENT COMMERCIAL OF THE YEAR Will Moss, Aidan Callaghan, Toby Haslam, Lily Barber & Oliver Gallagher for Shimmer made for Escape Studios, directed by Will Moss.

STUDENT COMMERCIAL OF THE YEAR Xavier Carbo for Skin Taker, Transported made for NFTS, directed by Xavier Carbo.

STUDENT COMMERCIAL OF THE YEAR George Telfer for Sports Direct, Womens Euros, Girls Don’t Like Football made for COPA90 by Agile Films, ETC and Slackin Beats, directed by Yoni Lappin.

PRODUCTION COMPANY PRODUCER Sofie Saietz & Simone Weilborg for Starling Bank, Financial Services, Set Yourself Free made for Wonderhood Studios by Pulse Films, The Mill and 750mph, directed by Sam Pilling.

CREATIVE TEAM

Leah Winson & Rhianna Travers for Tyrrell’s, Lentil Crisps, Splendid News made for St Luke’s by Jon Hubbard and Jungle.

CREATIVE TEAM Hugh Rochfort for Variety, Childrens Charity, Do You Remember made by Knucklehead and Tag Collective Arts, directed by Hugh Rochfort.

DIRECTOR Amy Heyes at Coffee & TV for Vodafone, Bring Back Friday made for New Commercial Arts by Coffee & TV, directed by Nici Hofer.

ANIMATION: 2D, STOP MOTION & CGI Fenn O’Meally for Whatsapp, Just Send It made for BBDO by SMUGGLER, Black Kite Studios and Crispin Larratt, directed by Fenn O’Meally.

DIRECTOR Chris Christoforou at SIREN for Wimbledon, The Stage Awaits made for McCann London by Nexus and Factory, directed by Smith and Foulkes.

MUSIC SUPERVISION Dominic Phipps at Company3 for Wrangler, Jeans, Long Live Cowgirls made for Wrangler by Untitled Films, Arcade Edit and Fiddle Leaf Sound, directed by Scott Pommier.

COLOURIST

Rain Keene at WORK for Swimathon Foundation, Charity, Fear Of The Water made for Shift Productions and Rkeene, directed by Tayler Prince-Fraser.

EDITING Bine Bach for Starburst, Slacker Alien made for DDB Chicago by Biscuit Filmworks, Parliament and The Works, directed by Bine Bach.

DIRECTOR

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Creativity is contagious. Pass it on.

Albert Einstein

And the last word…

We are really proud to have had an incredible team of young talent curating these awards.

We wanted to support and engage with emerging talent in the “making of” these awards not just in terms of entries so a big thank you goes out to the following superstars who helped to make these inaugural Young Arrows awards happen:

Event Producer Lily Alexander

Composers Chris Christoforou Joshua Gibbard

Motion Graphics Jack Field Field Worldwide

Music Supervisor Joshua Gibbard

The Accumulate Art School for The Homeless provides creative workshops and activities to young, homeless people so that they can develop their skills, self-esteem and confidence and start to put plans in place for a more positive future.

Accumulate also provides scholarships for Accumulate students to study on a one year creative course at university.

So far, 27 Accumulate students have received Accumulate scholarships and 13 have gone on to study on an undergraduate degree. This is life-changing.

Editor (Shortlist sizzle) Dave Robinson

The Accumulate team is delighted to be taking the photographs at this evening’s Young Arrows event and wish it every success.

Audio Producer Ethan Day

Please do contact us if you are interested in Accumulate and want to change people’s lives through creativity.

Photography Benjamin Peters Nikol Dehaan

Sound Design Michael Haines

www.accumulate.org.uk | info@accumulate.org.uk | IG & T: @Accumulate_Ldn Charity number 1170009

Lisa Lavender Managing Director

Event Company TBI Media Ltd

Sergio Colina Restrepo Operations Manager Sophie Cantopher Head of Partnerships Blue Edwards Awards Assistant Michael Lenz Creative Director

A special big thank you The Mill for hosting our jury reception and the exceptional judging day in their gorgeous cinema.

ENTRY OPEN

AWARDS NIGHT THURSDAY 30 TH MARCH 2023 JW MARRIOTT GROSVENOR HOUSE

#BA 23

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CRAFT ARROW