The Young Arrows Awards 22

THE YOUNG ARROWS AWARDS

BOOK OF THE NIGHT

THURSDAY

CONTENTS

Forewords 4 Young Arrows Jury 9

Generous Sponsors 11

WINNERS BY CATEGORY 23 AGENCY PRODUCER 24 ANIMATION: 2D, STOP MOTION & CGI 26 CINEMATOGRAPHY 28 COLOURIST 30 CREATIVE TEAM 32 DIRECTOR 34 EDITING 36 MUSIC SUPERVISION 38 ORIGINAL COMPOSITION 40 POST PRODUCTION PRODUCER 42 PRODUCTION COMPANY PRODUCER 44 PRODUCTION DESIGN 46 SOUND DESIGN

STUDENT COMMERCIAL

Finalists

FOREWORD JANI GUEST & CLARE DONALD CHAIRS OF THE BOARD

Dear Industry Friends

This is an incredibly exciting foreword to be writing. Tonight, is the very first Young Arrows Awards, launched this year as part of The British Arrows, and we could not be more proud and delighted to have inaugurated it in the final year of our tenure as Chairs.

The entire journey to this evening has been redeeming. We started by convincing the amazing Melody Sylvester, Head of Film at House337 to be one of our Jury chairs, soon to be joined by Juliette Larthe, Founding Partner of Prettybird. We felt very smug to have chosen these two extraordinary women because together they created the most genuinely diverse jury we have ever encountered.

As a result, the judging was fun, respectful, insightful and refreshing. We had a fabulous day at The Mill watching great work from young people across our industry. I think we were all blown away by the levels of talent that this next generation is already demonstrating. Thank you again to our jurors for their passion and commitment.

We need to mention that we could not have got to this important event without our sponsors. And what a stellar line-up of industry heavyweights agreed to stand behind this important recognition of new and undiscovered talent. A massive thank you to you all. Your generosity has made this all possible.

This show has been curated by emerging talent to celebrate emerging talent, so a big shout out to Jack Field for the amazing graphics, Ethan Day our audio producer and Michael Haines our sound designer at Factory, composer Chris Christoforou and composer/music supervisor Joshua Gibbard at Siren, Dave Robinson at tenthree for editing the shortlist sizzle and our event producer Lily Alexander at TBI Media for keeping the whole thing under control.

And of course, to Lisa Lavender, Sergio Colina Restrepo, Sophie Cantopher and Blue Edwards for all their ongoing hard work and dedication that enables The British Arrows to champion new and diverse talent, enabling pathways for entry into our industry for the clear benefit of us all.

We hope you have a wonderful evening

Clare & Jani

MELODY SYLVESTER CO-CHAIR OF THE YOUNG ARROWS JURY

HEAD OF FILM, HOUSE337

Lisa Lavender and Devon Pearce came to see me back in 2019 and told me about the plan to start The Young Arrows. After 10 years at Ridley Scott Associates, I had recently become Head of Film at Engine and was determined to advocate for up and coming talent as I rebuilt the production team. I was also keen to reflect this ambition in the work we made at the agency too and give young directors a chance to work on some of the clients we had.

So a new awards show to recognise and reward emerging talent, completely resonated with me. That it was derived from the most respected and coveted awards shows in British Advertising, I literally bit their hand off to get involved.

I was in.

Then of course 2020 brought the global pandemic and The Young Arrows like many things had to be shelved as we rode out this worldwide calamity. As we all try to rebuild our personal and working lives, we must remember to keep our attention on helping each other. We must think about the future of our teams and how we do what we do. To focus on the industry’s emerging talent is a great way to do that in a proactive way. The Young Arrows offers a range of categories with a lower entry fee and a more flexible eligibility criteria allowing more people the chance to win an Arrow award. Being an award winner can only have a positive impact on those in the early part of their career. It shines a light on their talent, which cannot hurt.

I have no shortage of jury experience and have sat on all of the major industry awards covering design, animation, advertising, craft, film, print. I love the work. I find it truly satisfying and incredibly rewarding to see the best of the best in all areas of the craft. It keeps me plugged in and connected to my peers. The level of debate is always fresh and challenging and it’s great to have quality time with everyone. Many may deride the principle of awards themselves, but the positive effect of winning or being shortlisted on someone’s career is unquestionable. I, myself have been fortunate enough to be part of many teams that have won multiple Arrows over the years. It’s a wonderful boost for all involved.

Sadly I have routinely been one of the few black faces on these juries. By 2019 I had resolved not to accept any more invitations to sit on any more juries unless I could Chair one. Not due to ego, but due to a desire to help shape a more diverse and inclusive selection of fantastic industry talent. Lisa and the team fully supported that and as soon as the pandemic had subsided, made good on the promise for me to do just that.

And with my wonderful co-chair Juliette Larthe from Prettybird, we were able to put our heads together to invite a truly diverse panel of underrepresented inspirational talent to take part. These are all people that have extensive experience in their respective fields but many have never been invited to judge before.

We remain determined to make real long lasting industry change and for us, this jury is just the start of that. Change is in our hands, we need to show up and keep pushing. We must champion underrepresented voices.

To all those that entered, keep on keeping on. We look forward to seeing what comes next from all of you. There was such a wide selection of truly fresh ideas, innovative design, animation and production on show from all quarters. None of the decisions were easy and we took every one of them very seriously. There was much debate.

Thank you to all of those who took part as jurors, we salute your time commitment, energy and good humour on the live judging day. It was lively and fun and so wonderful to see all of your beautiful faces looking back at us as we tried to guide you through all of the work. Clear thinking, fresh opinions and lots of love in the room. Bravo!

Thank you to Juliette, you are tireless in your commitment and are fearless in speaking out. I love how punchy you are. Respect. Thank you to Jani, Claire, Lisa and Sergio for your unwavering patience and belief. We were both so busy and you made it so easy for us. Really appreciate it.

Peace & Love

FOREWORD

JULIETTE LARTHE CO-CHAIR OF THE YOUNG ARROWS JURY FOUNDING PARTNER, PRETTYBIRD

The Young Arrows continues the legacy of our most respected British Arrows, this time with the opportunity to spearhead the newest contributors to the world of moving image advertising.

It was such a joy to have co-chaired this initiative alongside the incomparable Melody Sylvester and our fantastic jury, the discussions in the room were exciting and we unanimously felt the vital force and an arrow straight to the heart at the immense level of work as reflected in our conversations in the room.

It’s crucially important we support, promote and encourage our new talent. It’s great to see the progress that the industry is making in championing inclusivity, and through the Young Arrows, we are able to recognise and celebrate this change. The Young Arrows opens doors for up and coming talent, creating opportunities for those that enter who may otherwise take a long time to get on the industry radar.

It’s an honour to be a part of a platform that demonstrates their excellence across a range of crafts and skill-sets, and recognition from the Young Arrows will add fuel to their already burning ambition, inspiring others coming up through the ranks. It’s not often recognised but Awards are about submitting the work, being proud of the achievement and feeling like the work deserves recognition. As such Young Arrows is a huge opportunity for young creatives to be able to allow their work to be seen by the wider industry and to be able to champion new talent - meaning it’s complex and not just about the work that gets a gong…everyone who submitted their work which didn’t make it to the shortlist, know you are also seen, the competition was very tough. My take out would be… keep on keeping on.. sometimes the journey is longer sometimes shorter but it’s all about the action, the process and not the destination..

A huge congratulations to all who submitted and to everyone who will have their work showcased at the Young Arrows.

Juliette

FRONT ROW (L R)

Clare Donald, Chief Production Officer, Publicis Groupe UK

British Arrows Co-Chair Jani Guest, CEO, Creators Inc. British Arrows Co-Chair

SECOND ROW (L-R)

Pardeep Sahota, Creative, Warner Bros Discovery Bona Orakwue, Senior Creative Producer Paulette Caletti, Executive Producer, Prettybird MELODY SYLVESTER, Head of Film, House337

CO-CHAIR OF THE ARROWS JURY

JULIETTE LARTHE, Founding Partner, Prettybird CO-CHAIR OF THE ARROWS JURY Ashleigh Jadee, Director

Anita Osborne, Head of Content, Amplify Charlie Roberson, Head of Talent/New Business, Rogue

THIRD ROW (L-R)

Sweta Pathak, Creative Director/Founding Partner, Women Unltd. Cat Arundel, Copywriter

Bebe Kiffin, Senior Producer & Founder, Black Love Love Black

Natalie Hughes, Senior Digital Project Manager, Wunderman Thompson UK Misha Stanford-Harris, VP Global Production, The Mill

Tareq Kubaisi, Executive Producer, Owner and Creative Director, Raised by Wolves Katie Dymmock, Colourist, Coffee & TV Isabel Garrett, Animation Director, Prettybird

FOURTH ROW (L-R)

Nadia Kokni, Global Group Marketing Director, JD Sports Fashion Sarah Jenneson, Production Designer Hasani Franke, Editor, WORK Ellie Johnson, Editor, tenthree Gemma Priggen, Production Manager, Academy Karl Woolley, Global Real-Time Director, Framestore

Joshua Gibbard, Music Supervisor/ Producer, SIREN Olan Collardy, Cinematographer

FIFTH ROW (L-R)

Von Adams, Video & Audio Playback Jake Ashwell, Senior Sound Designer, 750mph Nikki Porter, Producer, Final Cut Deborah Whitfield, Head of Production/Executive Producer, Factory Louis Persent, Founder, Weirdo Stacia Akaba, Executive Producer, Rascal Post

NOT IN PICTURE

Jenn Nkiru, Director, Iconoclast

750mph | www.750mph.com

750mph is a state-of-the-art sound design and mix facility in the heart of Soho, London. With over 23 years of experience and 9 studios, they offer high-end audio production, sound design and mixing in all formats including Dolby 5.1, 7.1, Atmos & 3D sound for VR. The team of sound designers have amassed an array of awards both internationally and domestically, including multiple golds and silvers at the British Arrows, as well as winning the British Arrows inaugural Craft Company of the Year 21|22.

750mph also offers bespoke composition and music supervision through our in-house music company Twenty Below Music.

Academy | www.academyfilms.com

Academy is a production home for creative talent. Art, film, music, photography and advertising runs in our blood, and creativity is at the heart of everything we do.

We have spent more than 35 years developing film making talent, picking up awards across all platforms and working with some of the biggest brands, most exciting artists and brightest creative minds in the world.

Academy’s guiding philosophy has always been to nurture and develop emerging young talent and this approach has led to our unrivalled reputation for launching stars of the future. Directors Jonathan Glazer, Martin De Thurah, Seb Edwards, Frédéric Planchon, Si & Ad, Marcus Soderlund and Us all signed to Academy at the beginning of their careers and continue to shoot ground-breaking and award-winning work.

BBH | www.bartleboglehegarty.com

Bartle Bogle Hegarty (BBH) is one of the world’s most famous creative agencies. We did the ad agency differently back in 1982. And today, we are no longer just an ad agency. We apply the same level of BBH thinking, care, craft and magic to the entire customer experience.

We believe in the power of difference to make a difference. We are ranked as the most effective creative agency in the UK (IPA), and the fourth in the world (Warc Effective 100). BBH is part of Publicis Groupe and has offices in London, New York, Singapore, Shanghai, Mumbai, LA and Stockholm and employs 1000 staff worldwide. We are proud to have consistently been named as one of the Sunday Times’ 100 Best Companies to Work For for the past decade.

Without the generosity of our sponsors the show wouldn’t be possible.

Coffee & TV | coffeeand.tv

Coffee & TV is a creative studio specialising in visual effects, design, colour and direction. The studio collaborates on all forms of moving image, from advertising and music promos through to film & episodic. Founded in 2012, Coffee & TV has grown from humble beginnings to a team of over 60 full-time artists, producers and staff. It’s a nimble practice that strives to produce the best for every project and is also verified to have the highest standards of social and environmental performance, transparency and accountability through its B Corporation® certification. The studio continues to do better by its team, clients, communities and the planet by continually evolving its B Corp commitments and by reaching Net Zero by 2028. The award-winning studio has recently been nominated for British Arrows and a BAFTA, as well as being recognised for its outstanding culture and the welfare of its staff, winning Broadcast Best Places to Work in 2022.

Factory | factory.uk.com

Established in 1997, Factory is a multi-award-winning sound design and audio facility based in London.

Our highly skilled team specialises in the art of sound design and has created some of the most revered and awarded commercial work of recent years for brands including Honda, Apple, John Lewis, Nike, and Virgin to name a few. We offer a comprehensive audio production and sound design service in a creative and friendly environment.

Film Light | www.filmlight.ltd.uk

FilmLight develops unique colour grading systems, image processing applications and workflow tools that are transforming film and video post-production. The company’s streamlined metadata-based workflows employ robust products—including Baselight, Daylight and Baselight Editions—with cutting edge creative tools, allowing professionals in the world’s leading facilities to work at the very forefront of the digital media revolution.

Machine | www.machinesound.co

Machine is a sound and music production company, founded in 2014. Our studios in London and New York are home to an award-winning team of sound designers, composers and producers, working across a diverse range of projects, including commercials, sonic branding, TV series and feature films.

Driven by new challenges, our dedicated team approaches every brief with a passion for imaginative sound design and audio composition. That creative drive has carried through to awards success at some of the world’s most prestigious advertising and film festivals.

We strongly believe in creating pathways into sound and music for the next generation of innovators and have hosted creative workshops at our Fitzrovia studios, sharing our passion with sound enthusiasts and hopeful filmmakers of all backgrounds.

NO.8 | no8london.com

No.8 is an award-winning creative sound and vision studio, located in the heart of London’s Soho. Established in 2019 by Creative Director Jim Allen and Managing Director Barny Wright, No.8 offers best-in-class multi-disciplinary services through a single point of contact.

In late 2020 multi award winning sound designer Sam Robson joined as a partner and Creative Director & in 2021, award winning colourist Alex Gregory joined as Head of Colour. Clients are serviced by a dedicated team across all post disciplines - editing, audio, music, colour grading, VFX, CGI and animation. We offer a personal, bespoke service to a wide range of clients across advertising, film and television.

Object & Animal | objectanimal.com

Object & Animal was founded in 2018 by a group of friends who believe in the power of entertainment to inform, inspire and improve the world we leave the next generation.

We’re humbled to represent a unique and extraordinary roster of diverse and forward-thinking global creatives alongside a focus on sustainable and progressive production in association with Ad Green, Free The Work and Change The Lens.

Despite our exponential growth; with presence in New York and Atlanta alongside flagships in London and LA, we have been mindful to retain a boutique feel by combining the best creative production resources and playing to the strengths of our unique talent. Growing a brand synonymous with the artistry and creativity we produce and representative of the diverse voices we nurture.

Publicis•Poke | www.publicispoke.com

Publicis•Poke is part of the Publicis Groupe network, the worlds 3rd largest communication company. Based in Television Centre White City, it is a fully integrated Agency offering, with a group of 160-plus talented individuals of all levels of experience and backgrounds. Who believe passionately about commercial creativity. And more specifically, the power of creativity to solve today’s commercial challenges.

Rogue | www.roguefilms.co.uk

One of the most distinctive and successful commercial production companies of the last 20 years, ROGUE has continually developed and pushed the boundaries of creativity, creating some of the most iconic and successful global advertising campaigns.

Founded in 1998 by Charlie Crompton and David van der Gaag, ROGUE is now run by Charlie, alongside Kate Taylor and James Howland, who became partners in 2021. With the support of Charlie Roberson as Head of Talent, they continue to champion the transcendent magic of great film-making with a shared vision and ambition for the future. ROGUE has upgraded to a converted warehouse space in Clerkenwell - and with five new director signings in 2021 - has an enviable roster of talent from established ‘destination directors’ to newly discovered gems.

As the company grows and evolves, ROGUE continues to be a place that’s synonymous for making powerful work for their clients with the highest standards of creativity – and for being great people to work with.

So far in 2022 Rogue have been busy working with brands including adidas, BBC, Ebay, White Claw, o2, Lexus and Sky - plus SquareSpace, Instacart & Apple in the US; co-produced the hit doco ‘11M’ for Netflix, and produced high profile music videos including Joe Connor for Harry Styles - and Sam Brown re-joining Adele after a decade and directing her worldwide hit OMGwith 70m YouTube views to date.

SIREN | siren.uk.com

SIREN is a music supervision company made up of award-winning music supervisors and producers who love music and the craft of storytelling through sound. We collaborate with a global network of composers, artists, musicians, labels and publishers to provide the strongest musical solutions.

SIREN are committed to nurturing talent and working to help make our industry representative through education and training, and are proud supporters of The Avenues and sponsors of The British Arrows Young Arrows.

Sue Terry Voices | www.sueterryvoices.com

We are a voice-over agency established in 1999, devoted to talented, highly credited actors, comedians and presenters for their voice-over work.

We record and direct the voice reels of every new artist we recruit so we know exactly what they can do. We know each artist personally and have a deep understanding of their range. Therefore, if you would like our advice on something specific or unusual please don’t hesitate to contact us. We can advise on anything voice-over related.

tenthree | www.tenthree.co.uk

tenthree was founded in 2008 by Billy Mead, with an aim to be a nurturing home to the industries top talent. With the arrival of Editor Quin Williams as partner in 2011, followed by Ellie Johnson in 2021, the company has grown exponentially, enjoying numerous successes and awards. Demonstrated by three partners regularly featured in the Televisual Top 10 Editors list. tenthree continues to add to their roster with the arrival of award winning editors, including Stephen Dunne who won 2 golds for editing at this years Creative Circle.

In recent years tenthree has cemented themselves as one of London’s elite edit houses with big wins at all the major Awards shows and at the 2021 British Arrows Awards, where they won Gold, Silver and Bronze for Best Editing with three different Editors. In the previous two Shots Awards tenthree have been voted in the top three Best Edit House list.

The Mill | www.themill.com

The Mill is a global creative partner for agencies, production companies and brands, working across multiple media channels and platforms.

We are trusted specialists in Visual Effects, Creative Production and Experience design. Our projects include the creation of digital products and virtual experiences, as well as world class VFX and video production for the Advertising and Brand Experience industries. We are a vibrant network of talented Artists, Producers, Directors and Creative Technologists from multinational backgrounds. We nurture innovation, flexibility and diverse ideas across our studios in London, Paris, Amsterdam, Berlin, New York, Los Angeles, Chicago, Seoul, Shanghai, and Bangalore. We are all united by one single ambition: To create extraordinary and memorable work that captivates and excites audiences.

WORK | www.workeditorial.tv

Work opened its doors in London in 2006 and for 16 wonderful years we have celebrated craft and creativity, created lasting relationships based on collaboration and trust whilst we also continually search out and nurture new emerging talent in both the UK and US. We are proud to say we have been joined by amazing partners in London, New York and Los Angeles. Shiny | www.shinyawards.com

Shiny is proud to find and support new & minority directors working in commercial production. The Shiny Awards are hosted by leading ad agencies throughout the year, and promote the best, 70% minority, new director talent. Shiny’s Director memberships provide mentoring, career resources and access to industry influencers. Industry memberships give reps, producers and agency producers inside access to new talent, exclusive mentoring, profile amongst new directors and access to judging & live jury panels.

Creativity is contagious. Pass it on.

Albert Einstein

The Accumulate Art School for The Homeless provides creative workshops and activities to young, homeless people so that they can develop their skills, self-esteem and confidence and start to put plans in place for a more positive future.

Accumulate also provides scholarships for Accumulate students to study on a one year creative course at university.

far, 27 Accumulate students have received Accumulate scholarships and 13 have gone on to study on an undergraduate degree. This is life-changing.

The Accumulate team is delighted to be taking the photographs at this evening’s Young Arrows event and wish it every success.

Please do contact us if you are interested in Accumulate and want to change people’s lives through creativity.

WINNERS BY CATEGORY

HECTOR MURRAY

for Ebookers, Turn Your Passion Into A Holiday made for Leo Burnett by Darling Films, Freefolk and Jungle, directed by Adam Gunser.

Advertising Agency Leo Burnett Chief Creative Officer Chaka Sobhani Executive Creative Director Mark Elwood Creative Director Graham Lakeland Creatives Gina Ramsden & Freya Purnell Agency Producer Hector Murray

Production Company Darling Films Director Adam Gunser Producer Kelly Doyle Cinematographer Carl Burke

Casting Director C/O Focus Productions Lead Performers Sandor Kiss

Aleksandra Russo Mario Španić

Nevena White Zoa Barić Ognjen Naskovic Costume & Wardrobe Oliver Jularić Hair, Make Up & Prosthetics Tamara Radinger

Editing Company Final Cut Editor Ben Stephens

Post Production Company Freefolk Colourist Paul Harrison Head of 3D Cheryl Payne Lead 3D Artist Jason Watts Head of 2D Harin Hirani Lead 2D Artist Judy Roberts Head of VFX Henry Fenwick VFX Supervisor Jim Radford

Audio Company

Jungle Studios Sound Designer Ben Leeves

Advertising Agency BBC Creative Creative Directors James Cross, Tim Jones & Reuben Dangoor

Creative Stuart Gittings Agency Producer Liz Dolan

Production Company Blinkink Executive Producer Bart Yates Director Balazs Simon Producer Rebecca Little

Animation Company Blinkink Animation Company Director Balazs Simon Animation Company Producer Rebecca Little

Lead 3D Artists

Bernadett Dian, Robert Toth, Bea Ujj, Zoltán Záhorszki, György Fábos & Zsolt Mérey Kádár

Head of VFX András Piroska VFX Supervisor Áron Hargitay

Post Production Company GYÁR Head of VFX Gábor Abbas

BALAZS SIMON for BBC Sport, BBC Winter Olympics, Extreme By Nature made for BBC Creative by Blinkink, GYÁR and GAS, directed by Balazs Simon.

LUKE C HARPER for Casablanca, Apartmento made for Casablanca Paris by Racket Studio Limited, Thomas Goldser and Rashid Babiker, directed by Rashid Babiker.

Advertising Agency Casablanca Paris Creative Director Charaf Tajer

Production Company Racket Studio Limited Director Rashid Babiker Producer Poppy Ashton Cinematographer Luke C Harper Production Designer Luis Gaensslen Costume & Wardrobe Franco Appiah Hair, Make Up & Prosthetics Grace Sinnott (Mua) & Shunsuke Meguro (Hair)

Editing Company Avenue Studios Editors Thomas Goldser & Rashid Babiker

Post Production Company Thomas Goldser & Rashid Babiker

Audio Company Rashid Babiker

DOMINIC PHIPPS

at Company 3 for Wrangler, Jeans, Long Live Cowgirls made for Wrangler by Untitled Films, Arcade Edit and Fiddle Leaf Sound, directed by Scott Pommier.

Advertising Agency Wrangler

Production Company Untitled Films Director Scott Pommier Producer Tom Evelyn Cinematographer Alex Bros Lead Performer Ava Davis

Editor Matt Laroche

Post Production Company Arcade Edit Colourist Dominic Phipps

Audio Company Fiddle Leaf Sound Sound Designer Ben Freer

Advertising Agency BBH London

Chief Creative Officer Alex Grieve

Creative Director Helen Rhodes

Creative Directors Christine Turner & Kevin Masters

Creatives Chloe Neal & Ciara Boyle Agency Producer Lauren Daniels

Production Company They Gather Producers Victoria Hutchings & Virgilia Facey

Photographer Khalil Musa

CHLOE NEAL & CIARA BOYLE for Tesco, Together This Ramadan made for BBH London by They Gather.

Advertising Agency House337 Chief Creative Officer Melody Sylvester

Director Rob Sanderson Producer Rob Sanderson Cinematographers Rob Sanderson, Max Noble & Kabir Malick Production Designer Richard William Preisner

Editing Company House337

Post Production Company Rob Sanderson & Sam Hopkins Colourists Stone Dogs, Big Buoy, Kabbage Head of 3D Alexandre Nerzic

Music Producer Octa Music Supervisor Jack Rowley

ROBERT SANDERSON for Certified Sports, Dropped made for House337 by Tag Collective Arts, Kabbage, Stone Dogs and Octa.

BETH ROBERTS

at Nomad Edit for NHS, Neonatal Unit, Could You? made for 2050 London by My Accomplice, Nomad Edit and Hannah Webster at UNIT, directed by Imogen Harrison.

Advertising Agency 2050 London

Chief Creative Officer Adam Morrison Creative Director Matt Saunby Art Director Adam Chiappe Copy Writer Jack Stephens Creatives Adam Chiappe & Jack Stephens

Production Company My Accomplice Director Imogen Harrison Producer Alicia Stratford Production Designer Tanya Noushka Stunts Jamie Clark

Editing Company Nomad Edit Editor Beth Roberts

Post Production Company Nomad Edit Colourist Felipe Sculz Head of VFX Martin Goodwin VFX Supervisor Martin Goodwin

Audio Company Unit Studio Sound Designer Hannah Webster Composer Tom Tripp

CHRIS CHRISTOFOROU

at SIREN for Wimbledon 2022, The Stage Awaits made for McCann London by Nexus Studios and Factory, directed by Smith and Foulkes.

Advertising Agency Mccann London

Chief Creative Officers Rob Doubal & Laurence Thomson

Creative Directors Rob Webster & Alexei Berwitz

Creatives Rory Peyton Jones & Elliot Lee

Agency Producer Jacob Gardner

Production Company Nexus Studios Director Smith And Foulkes Producer Rebecca Archer

Animation Company Nexus Studios Animation Company Director Melanie Climent

Lead 3D Artists James Drummond & Matilde Vinther

Head of 2D Marylou Mao

Lead 2D Artists Fanny Hagdahl Sörebo, Duncan Gist, Sean Weston, Hozen Britto & Bianca Beneduci Assad Head of VFX Richard Perrigo

Editing Company Nexus Studios Editors Dave Slade & Zaki Fulford

Post Production Company Nexus Studios Audio Company Factory Sound Designers Anthony Moore, Mark Hills & James Utting Composer Summer Kennedy ‘Come Alive’ Music Supervisors Siân Rogers At Siren, Chris Christoforou At Siren

GIOVANNI ZOF

for Samsung Galaxy S22 Ultra, Short Film made for We Are Social Sydney by We Are Social Studios London, directed by Millie Bobby Brown.

Advertising Agency We Are Social Sydney Creative Editor Bella Raschke

Senior Creative Editor Nick Carolan

Senior Account Director Nathan Higgins

Senior Account Director Hilary Jacobs Client Service Director Kelly Spence

Production Company We Are Social Studios London

Director Millie Bobby Brown Producer Brooke Lagana Executive Producer Jo Lumb

Cinematographer Charlie Brown

Editor Stu Mccardle

Supervisor Audio Company Youth Mode Music Composer Giovanni Zof Music Supervisor Jack Derbyshire

OLIVIA RAY

at 750mph for British Heart Foundation, This Is Science Fiction made for Saatchi & Saatchi by Biscuit Filmworks, MPC and 750mph, directed by Ben Strebel.

Advertising Agency Saatchi & Saatchi Chief Creative Officer Guillermo Vega Creative Director Lauran Dyer Creatives Tobias Tercic & Hernan Dietrich Agency Producer Sam Robinson

Production Co. Biscuit Filmworks Director Ben Strebel Producer Samantha Chitty

Editing Company Trim Editor James Forbs -Robertson

Audio Company 750mph Music Producer Olivia Ray Sound Designer Sam Ashwell

Advertising Agency Copa90 Chief Creative Officer Gavin Rowe Creative Directors Lawrence Tallis, Aaron Lobb & Andy Demianyk Agency Producer Kate Grenfell

Production Company Agile Films Director Yoni Lappin Producer George Telfer Cinematographer Olan Collardy Production Designer Elena Isolini Stunts Choreographer Nat Zhangi

Casting Director Tytiah Blake Costume & Wardrobe Neesha Tulsi Champaneria Hair, Make Up & Prosthetics Maya Man

Editing Company Trim Editor Fouad Haber

Post Production Company ETC Colourist Jason Wallis Head of 3D Lead 3D Artists Tobin Brett Head of 2D Lead 2D Artists Stirling Archibald VFX Supervisor Ian Murray

Audio Company Ob Supervision Music Producer Sound Designer Slackin Beats Music Supervisor Christian Blad

GEORGE TELFER for Sports Direct, Womens Euros, Girls Don’t Like Football made for COPA90 by Agile Films, ETC and Slackin Beats, directed by Yoni Lappin.

MILLIE WILKIE & LIBERTY SCARLETT, SET SISTERS for Onet, News Company, Herd Immunity made by Havas Studios & Papaya Films, Absolute Post and Jungle, directed by Rosie May Bird Smith.

Production Companies Havas Studios & Papaya Films

Global Head of Content Katie Keith Executive Producer Flo Clive Executive Producer Adam Javes Producer & 1st Ad Femi Anderson Production Manager Ella Higgins Production Assistant Kaci Njemanze Post Producer Debbie Ragasa Runner Isiuwa Zero Runner Georgina Bell Casting Directors Emma Garrett & Anna Lydon

Cinematographer Mike Staniforth Camera Assistant Joseph Mcdonald Camera Assistant Rick Case Steadicam @Meet__dave Gaffer Eddie Cook Spark Connor Baskerville

Production Design Set Sisters Costume & Wardrobe Amanda Bird Hair, Make Up & Prosthetics Nathalie Abensur & Ella Tanner Vet 1 Hayley Johnston Vet 2 Jessica Tattersall Animal Handler @Animalsukltd Sheep Expertise @Mountlodge_carefarm Director Rosie May Bird Smith Producer Femi Anderson

Editor Russell Oxenden

Post Production Company Absolute Post Post Producers Jenna Noury, Roseanne Crisp & Yasmin Tilly

Flame Artist Antonio Jimenez Nuke Artist Tommy Coulter-Liston Title Design Lorenzo Fruzza

Colourist Juliette Wileman

Audio Company Jungle Studios Sound Designer Ben Leeves

KASPAR BROYD

at String and Tins for FLY, Otherlands Festival made by Eyebolls, Archie Short and String and Tins, directed by Archie Short.

Production Company Eyebolls

Director Archie Short Producer Bethan Leckie Cinematographer Archie Short Lead Performer Felix Cheong Macleod

Editor Archie Short

Post Production Company Archie Short Colourist John Rogers

Supervisor Audio Company String And Tins Music Producer Kaspar Broyd Sound Designer Kaspar Broyd Composer Kaspar Broyd

MAX BACH for Adventure 001, Falconry Experience made for NFTS, directed by Max Bach.

Student Body National Film And Television School

Director Max Bach

Producer Leah Bethany Jones Cinematographer Barbara Van Schaik

Editor Donya Maguire

Sound Designer Itzel Gonzalez Estrada Composer Aaron King

NATHAN CLARK at Framestore for Three Ireland, Jeff’s World made for Boys + Girls by Framestore, directed by Tomas Jonsgården.

Advertising Agency Boys + Girls

Chief Creative Officer Rory Hamilton

Creative Director Kris Clarkin Senior Art Director Dean Ryan

Senior Copy Writer Michael Whelan Agency Producer Magnus Åkerstedt

Production Company Boys + Girls

Director Tomas Jonsgården Executive Production Director Derek Doyle Executive Producer Paul Holmes

Animation Company Framestore

Head of Animation Brad Silby Executive Producer Anna Macdonald

Lead Animator Daniel Bielawski Senior Animator Adam Bailey

Animators Benjamin Lane & Sofia Llobregat

Editing Company Framestore Editor Matthew Collins

Post Production Company Framestore Colourist Jean-Clément Soret at Company3

Head of VFX Jake Saunders

Head of Rigging Brad Noble Head of Editorial Humberto Reynaga Asset Supervisor Billy Butler Modellers Bruno Reis Coimbra & Justine Lecat

Head of Layout and Tracking Paul Amiras Head of CFX Gabriela Ruch Salmeron CFX Td Aurelie Duret & Jack Hubbard, Compositing Supervisor Suzanne Jandu Compositors

Lionel Heath, Cristina Recuero Esquina, Daniel Ravanelli, Ewelina Freuer, Jack Neale, Jack Pond, Joan Marques, Luigi Russo & Navid Bagherzadeh Dmp Artist Chelsea Ward Lighting Td Erik Weaver-Pronk & Federico Ghirlanda, Flame Artist Darran Nicholson VFX Coordinator Poppy Chadwick Production Assistant Charlene Faure-Berichi

Finalists by Brand

Charlie Watts for adidas, Terrex, United By Summits made for Iris Worldwide by Rogue Envy, directed by Charlie Watts.

DIRECTOR

Beth Roberts for adidas, Sportswear and Mental Health, Beyond The Track made for We Are Social by Production Hub & Film Florida, The Mill and 19 Sound, directed by Amy Becker-Burnett.

EDITING

Max Bach for Adventure 001, Falconry Experience made for NFTS, directed by Max Bach.

STUDENT COMMERCIAL OF THE YEAR

Juliette Wileman at Absolute Post for Allianz x Women’s Aid, The World’s Strongest Women made for In the Company of Huskies by Rattling Stick, Absolute Post and Wave Studios, directed by Fern Berresford.

COLOURIST

Blaine Pearson for BASF, Hernan made for Rothco by Nice Shirt, Raised By Wolves and Screen Scene, directed by Matt Houghton.

EDITING

Christine Ubochi for BBC, Empowerment, The Skin I Move In made for The Arts Council by Screen South and CODA, directed by Christine Ubochi.

DIRECTOR

Sam Rice-Edwards for BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards.

DIRECTOR

Balazs Simon for BBC Sport, BBC Winter Olympics, Extreme By Nature made for BBC Creative by Blinkink, GYÁR and GAS, directed by Balazs Simon.

ANIMATION: 2D, STOP MOTION & CGI

Cam Sander at Dan Moran Colour for Belmond, Orient Express Travel, Venice Simplon made by Brother Film Co, Dan Moran Colour and Brother Music, directed by Josh Lawson.

COLOURIST

Adam Singodia for Boss, Man Of Today, #ManOfToday x Eric Underwood made for Hopscotch Luxe Paris by CHEAT, directed by Patrick Taylor.

CINEMATOGRAPHY

Johnny Lillis for Boss, Man Of Today, #ManOfToday x Eric Underwood made for Hopscotch Luxe Paris by CHEAT, directed by Patrick Taylor.

ORIGINAL COMPOSITION

Adam Oyejobi at Biscuit Filmworks for Brewdog, The Planet’s Favourite Beer made for Droga5 by Biscuit Filmworks and ETC, directed by Jeff Low.

PRODUCTION COMPANY PRODUCER

Olivia Ray at 750mph for British Heart Foundation, This Is Science Fiction made for Saatchi & Saatchi by Biscuit Filmworks, MPC and 750mph, directed by Ben Strebel.

POST PRODUCTION PRODUCER

Beresford Cookman at Wave Studios for Brooks x Workshop Coffee, North London Dirt made by Wave Studios, directed by Harry Reavley.

SOUND DESIGN

Luke C Harper for Casablanca, Apartmento made for Casablanca Paris by Racket Studio Limited, Thomas Goldser & Rashid Babiker, directed by Rashid Babiker.

CINEMATOGRAPHY

Robert Sanderson for Certified Sports, Dropped made for House337 by Tag Collective Arts, Kabbage, Stone Dogs and Octa.

DIRECTOR

Jamie Hodgson at WORK for Certitude, Charity, That’s London made for Network London by Spindle No.8 and Focal Rhythm, directed by Scott Carthy.

EDITING

Lola Cookman at WORK for Certitude, Charity, That’s London made for Network London by Spindle No.8 and Focal Rhythm, directed by Scott Carthy.

POST PRODUCTION PRODUCER

Rain Keene at WORK for Channel 4, How To Be A Person, How To Lose Your Virginity made by The Corner Shop, Absolute Post and Coda Audio, directed by Sindha Agha.

EDITING

Charles Gamble for Channel 4, Pride, Proud All Over made for 4Creative by Blinkink, OKAY Studio and Major Tom, directed by Robert Strange.

EDITING

Job Reineke for Copenhagen Youth Project, By Youth, For Youth, Smash & Grab made for Big Trouble by Big Trouble Films & Partizan, The Mill & Daydreamer VFX and Factory, directed by Neil Linpow.

CINEMATOGRAPHY

Neil Linpow for Copenhagen Youth Project, By Youth, For Youth, Smash & Grab made for Big Trouble by Big Trouble Films & Partizan, The Mill & Daydreamer VFX and Factory, directed by Neil Linpow.

DIRECTOR EDITING

Josh Campbell for Copenhagen Youth Project, By Youth, For Youth, Smash & Grab made for Big Trouble by Big Trouble Films & Partizan, The Mill & Daydreamer VFX and Factory, directed by Neil Linpow.

ORIGINAL COMPOSITION SOUND DESIGN

Ella Oliver for Crisis, Twelve Nights Of Christmas made for Don’t Panic London by Rogue, ETC and Wave Studios, directed by Charlie Watts.

EDITING

Chris Walker & Georgie Curran for Detective Comics, Arkham Asylum, Lose Yourself made for Dept Studios by Radical Media, Vilanova/Curran and Rascal Post, directed by Vilanova/Curran.

EDITING

Henry Dean for Dr. Martens, How To Break In made for Breaks by Familia, Final Cut and Chase Audio, directed by Henry Dean.

DIRECTOR

Leah Burton at Final Cut for Dr. Martens, How To Break In made for Breaks by Familia Final Cut and Chase Audio, directed by Henry Dean.

EDITING

Benji Landman for Dr. Martens, Pride Generations Content, Protest made by Prettybird, Clear Cut Sound and Spent, directed by Jess Kohl.

PRODUCTION COMPANY PRODUCER

Harry Butcher at Wave Studios for Durazzi, Milano made by Voodoo Pictures, Black Kite Studios and Wave Studios, directed by Francois Larpin.

SOUND DESIGN

Hector Murray for Ebookers, Turn Your Passion Into A Holiday made for Leo Burnett by Darling Films, Freefolk and Jungle, directed by Adam Gunser.

AGENCY PRODUCER

Gemma Fairlie for ECA, Live & Recorded Screenings Of Arts Events In Cinemas, Lights Up made for NFTS, directed by Gemma Fairlie.

STUDENT COMMERCIAL OF THE YEAR

Alexandre Do for ECA, Decisive Moment made for NFTS, directed by Alexandre Do.

STUDENT COMMERCIAL OF THE YEAR

Karol Cybulski at CHEAT for Education Above All, International Day To Protect Education From Attack, Calling Attendance made by Across The Pond, CHEAT and Luis Issermann, directed by Nathan Sam Long.

COLOURIST

Kaspar Broyd at String and Tins for FLY, Otherlands, Festival made by Eyebolls Archie Short and String and Tins, directed by Archie Short.

SOUND DESIGN

Mohammad Homouda for Foxology, A Lived Experience made for NFTS, directed by Mohammad Homouda.

STUDENT COMMERCIAL OF THE YEAR

Will Liney for Foxology, From Seed To Shop made for NFTS, directed by Will Liney.

STUDENT COMMERCIAL OF THE YEAR

Jesse Lewis-Reece for Frontline Charity, Social Worker Recruitment, This Is Social Work made for Kindred by Armoury, The Quarry, CHEAT and Oliver Mapp, directed by Jesse Lewis-Reece.

DIRECTOR

Hannah Jarrold at The Mill for Genesis, Brand Film 21 made for Jung von Matt NECKAR by BWGTBLD and The Mill, directed by Anton Tammi.

POST PRODUCTION PRODUCER

Shannen Ward at Coffee & TV for Google Pixel, Pixel 6 Smartphone, World Of Magic made for Anyways by Partizan, Coffee & TV and Wave Studios, directed by Sophia Ray.

POST PRODUCTION PRODUCER

Ethan+Tom for Gorillas, Whatever London Wants made for The Or by Academy, OKAY Studio and Grand Central Recording Studio, directed by Ethan+Tom.

DIRECTOR

Fiona Jane Burgess for Gucci, Bloom, The Awakening made for Conde Nast by SMUGGLER and King Lear Music & Sound, directed by Fiona Jane Burgess.

DIRECTOR

Jack Patterson at Wave Studios for Gymshark, Online And Social Commercial, The Return Of Ryan Garcia made by Prettybird, The Assembly Rooms and Wave Studios, directed by Jess Khol.

SOUND DESIGN

Alexandre Nerzic at Tag Collective Arts for Havana, Havana Club Rum, The Fabric Of Culture made by JM Films and Tiger Fight, directed by Meju Alabi.

COLOURIST

Megan Lee at ETC for Highsnobiety, Fashion, Gucci X North Face made for Highsnobiety by Black Dog Films, ETC and String and Tins, directed by Tom Dream.

COLOURIST

Josh Campbell for International Olympic Committee, Stronger Together made by Uncommon, 1920 and Factory, directed by Benny Everitt.

SOUND DESIGN

Toby Leary for Jaded London, Neutrals made by Jaded London and Commercial Music, directed by Ryan O’Callaghan.

CINEMATOGRAPHY

Eva Münnich for Kelloggs, Pop Tarts, Toast vs Tarts made for Leo Burnett by Strange Beast, directed by Eva Münnich.

ANIMATION: 2D, STOP MOTION & CGI

Georgia Paes & Arabella Andrewartha for Kojima Productions, Death Stranding made by The Mill, directed by Tom Dibb.

CREATIVE TEAM

Beth Massey at Factory for Ladbrokes, Drummers made for Neverland by Rogue, ETC and Factory, directed by Sam Brown.

POST PRODUCTION PRODUCER

Matt Gabzdyl for M.C.Overalls, We Work Hard made by Friends Electric, ETC and Machine, directed by Giles Nathan.

EDITING

Sam Collins & Ivan Stanojevic for Mars, Skittles Squishy Cloudz, Squishy Fish made for The & Partnership Worldwide by Burning Reel and Creep, directed by Henry Littlechild.

CREATIVE TEAM

Jocelyn Anquetil for McDonald’s, Car Posing made for Leo Burnett by Pulse Films, directed by Jocelyn Anquetil.

DIRECTOR

Charlie Von Rotberg for McDonald’s, Change A Little, Change A Lot made for Leo Burnett London by Caviar and Wave Studios, directed by Thomas Ralph.

EDITING

Imogen Harrison for NHS, Neonatal Unit, Could You? made for 2050 London by My Accomplice, Nomad Edit and Hannah Webster at UNIT, directed by Imogen Harrison.

DIRECTOR

Beth Roberts at Nomad Edit for NHS, Neonatal Unit, Could You? made for 2050 London by My Accomplice, Nomad Edit and Hannah Webster at UNIT, directed by Imogen Harrison.

EDITING

Dave Robinson for Nike, Ask Our Athletes made for BMB by Outsider and Bubble TV, directed by Tom Day.

EDITING

Olivia Ray at 750mph for Nike, Sportswear, Never Settle made for Wieden+Kennedy by Division, Monumental FX and 750mph, directed by Valentin Petit.

POST PRODUCTION PRODUCER

Jamie Hughes for O2, Mobile Data, Switch-Up-To-New made for VCCP by Rogue and The Mill, directed by Alex Boutell.

POST PRODUCTION PRODUCER

Charles Gamble at OKAY Studio for Old Spice, Wavy Curly Shampoo And Conditioner, Curls Are Cool made for Wieden+Kennedy by Prettybird and Robert Chen, directed by Yousef.

EDITING

Rosie May Bird Smith for Onet, News Company, Herd Immunity made by Havas Studios & Papaya Films, Absolute Post and Jungle, directed by Rosie May Bird Smith.

DIRECTOR

Millie Wilkie & Liberty Scarlett for Onet, News Company, Herd Immunity made by Havas Studios & Papaya Films, Absolute Post and Jungle, directed by Rosie May Bird Smith.

PRODUCTION DESIGN

Clare Everson at Twenty Below Music for P&O Ferries, Ferry Tales made for Publicis•Poke by Prodigious, Assembly Rooms & Prodigious and Michael Powell, directed by Charlie Crane.

MUSIC SUPERVISION

Kai Blamey Nguyen for Prada, Cass x Prada made for Frosty by Farago Projects and Everest Studio, directed by Axel Morin.

CINEMATOGRAPHY

Charlie Von Rotberg for Prada, The Art Of Disappearing made for CNX by Object & Animal, directed by Diana Kunst.

EDITING

Chris Fowles for Pride in London, Hesitation made by Jealous Films, CHEAT and LW Sound, directed by Chris Fowles.

DIRECTOR

Daniel Olaifa for Ribena, Chin Up made for BBH London by MindsEye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.

MUSIC SUPERVISION

Rain Keene at WORK for Rise365, Charity, Superheroes Wear Hoodies made by Together TV, Daniel Levy at Rascal Post and Ned Sisson, directed by Jason Osborne.

EDITING

Andi Chu for Samsung, Galaxy A53 5G, Awesome made for Wieden+Kennedy by Caviar and Black Kite Studios, directed by Keith Schofield.

COLOURIST

Sau Ali for Samsung, Galaxy S22, Grassroots Football Academy made for The Elephant Room by Greatcoat Films, Lee Delver and Bubble TV, directed by Sau Ali.

DIRECTOR

Giovanni Zof for Samsung Galaxy S22 Ultra, Short Film made for We Are Social Sydney by We Are Social Studios London and Youth Mode, directed by Millie Bobby Brown.

ORIGINAL COMPOSITION

Laura-Leigh Smith at String and Tins for Samsung Galaxy, I’m Open To That made for Wieden+Kennedy by Iconoclast, Nash and String and Tins, directed by Alaska.

POST PRODUCTION PRODUCER

Alexandre Do for Shea Creams, Feel As Soft As A Baby made for NFTS by Coffee & TV, directed by Alexandre Do.

STUDENT COMMERCIAL OF THE YEAR

Gemma Fairlie, Jack Edwards, Jong-Heon Lee, Itzel Gonzalez & Pete Davies for Shea Creams, So Soft made for NFTS, directed by Gemma Fairlie.

STUDENT COMMERCIAL OF THE YEAR

Max Bach for Shea Creams, Feel Shea Smooth made for NFTS, directed by Max Bach.

STUDENT COMMERCIAL OF THE YEAR

Sav Akyuz for Shea Creams, Made With Love made for NFTS, directed by Sav Akyuz.

STUDENT COMMERCIAL OF THE YEAR

Will Liney for Shea Creams, The Ritual made for NFTS, directed by Will Liney.

STUDENT COMMERCIAL OF THE YEAR

Will Moss, Aidan Callaghan, Toby Haslam, Lily Barber & Oliver Gallagher for Shimmer made for Escape Studios, directed by Will Moss.

STUDENT COMMERCIAL OF THE YEAR

Xavier Carbo for Skin Taker, Transported made for NFTS, directed by Xavier Carbo.

STUDENT COMMERCIAL OF THE YEAR

George Telfer for Sports Direct, Womens Euros, Girls Don’t Like Football made for COPA90 by Agile Films, ETC and Slackin Beats, directed by Yoni Lappin.

PRODUCTION COMPANY PRODUCER

Sofie Saietz & Simone Weilborg for Starling Bank, Financial Services, Set Yourself Free made for Wonderhood Studios by Pulse Films, The Mill and 750mph, directed by Sam Pilling.

CREATIVE TEAM

Rain Keene at WORK for Swimathon Foundation, Charity, Fear Of The Water made for Shift Productions and Rkeene, directed by Tayler Prince-Fraser.

EDITING

Bine Bach for Starburst, Slacker Alien made for DDB Chicago by Biscuit Filmworks, Parliament and The Works, directed by Bine Bach.

DIRECTOR

Chloe Neal & Ciara Boyle for Tesco, Together This Ramadan made for BBH London by They Gather.

CREATIVE TEAM

Rodrigo Inada for The Karman Project, Awareness Campaign, Terra Cene made by Impolite, EIGHTY4 and Roostersound Berlin, directed by Rodrigo Inada.

DIRECTOR

Nathan Clark at Framestore for Three Ireland, Jeff’s World made by Boys + Girls by Framestore, directed by Tomas Jonsgården.

VFX

Renee Zhan for Trolli, Sour Burstin’ Crawlers, The Gooniverse Factory made for Wieden+Kennedy by Blinkink and Major Tom, directed by Renee Zhan.

ANIMATION: 2D, STOP MOTION & CGI

Leah Winson & Rhianna Travers for Tyrrell’s, Core Range, Lucky Spuds made for St Luke’s by Jon Hubbard and Jungle.

CREATIVE TEAM

Leah Winson & Rhianna Travers for Tyrrell’s, Lentil Crisps, Splendid News made for St Luke’s by Jon Hubbard and Jungle.

CREATIVE TEAM

Hugh Rochfort for Variety, Childrens Charity, Do You Remember made by Knucklehead and Tag Collective Arts, directed by Hugh Rochfort.

DIRECTOR

Amy Heyes at Coffee & TV for Vodafone, Bring Back Friday made for New Commercial Arts by Coffee & TV, directed by Nici Hofer.

ANIMATION: 2D, STOP MOTION & CGI

Fenn O’Meally for Whatsapp, Just Send It made for BBDO by SMUGGLER, Black Kite Studios and Crispin Larratt, directed by Fenn O’Meally.

DIRECTOR

Chris Christoforou at SIREN for Wimbledon, The Stage Awaits made for McCann London by Nexus and Factory, directed by Smith and Foulkes.

MUSIC SUPERVISION

Dominic Phipps at Company3 for Wrangler, Jeans, Long Live Cowgirls made for Wrangler by Untitled Films, Arcade Edit and Fiddle Leaf Sound, directed by Scott Pommier.

COLOURIST

And the last word…

We are really proud to have had an incredible team of young talent curating these awards.

to support and engage with emerging talent in the “making of” these awards not

terms of entries so a big thank you goes out to the

Event Producer

Lily Alexander

Motion Graphics

The Accumulate Art

Accumulate

The Accumulate team

Jack Field Field Worldwide Audio Producer Ethan Day

Please do contact

Sound Design

Michael Haines

www.accumulate.org.uk

superstars who helped to

Composers

Chris Christoforou

Joshua Gibbard

Music Supervisor Joshua Gibbard

young,

Lisa Lavender Managing Director

Sergio Colina Restrepo

Manager

Sophie Cantopher Head of Partnerships

Blue Edwards Awards Assistant Michael Lenz

Director

Event Company

TBI Media Ltd

T:

Arrows event

wish it

Editor (Shortlist sizzle) Dave Robinson Photography Benjamin Peters Nikol Dehaan

Accumulate_Ldn

A special big thank you The Mill

hosting our jury reception and

exceptional judging day in