

The British Arrows 2024 Book of the Night
It was obviously an enormous honour to be asked to take over as chairman of the Arrows Board last year…
At 48 years old, The Arrows remains the most important, the most respected and the most influential awards event in the UK calendar.
But at a time when making good work is becoming exponentially more difficult each year, there was also the potential, in stepping clumsily into the immaculate shoes of outgoing chairs Jani and Clare, to find myself presiding over an event and an organisation that was seen as something of an indulgence or worse, an irrelevance. Nothing, I am pleased to say, could be further from the truth.
The second Young Arrows in November was an enormous success, massively oversubscribed and a conclusive demonstration of the burgeoning and resourceful talent flooding into the industry, bursting with new ideas, new voices and fresh enthusiasm. The third Young Arrows will be at The Outernet, utilising the larger capacity and the cutting-edge audio and visual opportunities there, and will be free to enter, removing all barriers to entry and further encouraging the next generation of talent on which we all depend. Continuing to grow and extend the Young Arrows’ reach and our connections and support for other gateway organisations is central to the Arrows remit for the coming years.
In November, Lisa and I attended the opening �Brit Night’ at the incredible Walker Arts Centre in Minneapolis where over the course of a month over 30,000 members of the public came to watch 75 minutes of last year’s Arrow winning ads curated by the Museum, something Mid-West audiences have been doing for over 35 years. British advertising still carries that kind of interest and enjoyment abroad, and we are working to extend that influence into other territories.
And the main show this year has seen record entry numbers for a single year and, as always, a full sell out of tickets for the evening.
With the incomparable industry legends Ana Balarin and Rick Russell as jury chairs and a stellar jury line up, including Savanah Leaf, fresh from Bafta film success, we spent 6 days watching work that I believe was some of the most creative, refreshing and entertaining work that we have seen for years.
Any one of four or five films could have won Commercial of the Year in other years. We must have watched the EE films, The Channel 4 idents, Vanish ‘Me, My Autism and I’, 30 times or more, and I would have happily carried on watching them again and again. Despite all its fragmentation, moving image advertising is still the most effective form of advertising when it is engaging. These were all exceptionally

engaging pieces of work and there were many, many more. We should all be collectively proud that we are able as an industry to continue to produce work of this calibre with an everdecreasing portion of the marketing pie and in a landscape of creeping in-house expediency.
The Arrows stands as a testament to, and celebration of, the very best in moving image advertising, and has a vital role to play in continuing to promote British excellence around the world and in providing support and validation to the next generation of talent coming into the industry.
None of which would be possible without the incredible Arrows team of Lisa, Sergio, Sophie, Millie and creative director Michael Lenz; the generosity and commitment of all our sponsors each year and to you all buying tickets for, and attending, this spectacular night of celebration. Enormous thanks and appreciation to all.

Foreword –
Ana BalarinChair of the ARROWS Jury
Chief Creative Officer, Wieden+Kennedy

The British Arrows were the first awards Hermeti and I ever won, for the first work we ever made, so they have always held a special place in our memories - and our home-office shelf. Being invited to chair its jury felt like a homecoming of sorts. Thank you Simon and Lisa for having us. Well, mostly me, as Hermi disappeared down a pitch-shaped hole right in the middle of judging.
It was only my second time being in a dark room talking about other people’s work since we unconsciously and collectively decided to get on with it. And moved on we have.
Not having to make allowances for post-pandemic jitters was a relief. Getting to be honest and not just polite, “because, you know, all things considered”, was also a plus. The shadows of tight budgets and ridiculously short timelines still loom large, but glimpses of ambitious briefs and of clients willing to trust the power of creativity could be found if you squinted hard enough.
The work that rose to the top was light, knowing, of the twinkle-in-the-eye quality. There was striking looking and sounding stuff, and I’m sure Rick will elaborate on that, but at the heart of it was a simplicity and honesty that felt exciting and refreshing. Almost nothing felt overplayed, either for laughs or tears. Not a lot of gimmicks. Not many WTFs of the bad kind. A healthy amount of ‘I wish I had done that’.
Mostly though, the work that stood out was genuinely entertaining. Sitting through hours of it didn’t feel like watching the ads, but more like watching the main thing. And if it managed to entertain a generous but jaded bunch, who have seen and done it all, it’s a sign that we are back on the right track. Let’s keep on going, and winning.

ARROWS Jury

FRONT ROW (L–R)
Ana Balarin, Chief Creative Officer, Wieden+Kennedy – Chair of the Arrows Jury
SIMON COOPER, Managing Director and Executive Producer, Academy –British Arrows Board of Directors Chair
Hannah Smit, Creative Director, Apple
Dean Wei, Chief Creative Officer, CPB
SECOND ROW (L–R)
Caroline Pay, Chief Creative Officer, Dentsu Creative
Felipe Serradourada Guimarāes, Deputy Executive Creative Director, BBH
Imogen Tazzyman, Executive Creative Director, McCann
Joe Corcoran, Executive Creative Director, Anomaly
Ant Nelson, Executive Creative Director, adam&eveDDB
Caroline Rawlings, Creative Director, VCCP
Sophie Lloyd, Branded Entertainment and Creative Leader, Channel 4
Victoria Daltrey, Creative Group Head, Pablo
BACK ROW (L–R)
Monica Pool, Chief Marketing Director, KFC
Sam Robson, Creative Director and Partner, No.8
David Day, Chief Creative Officer, Special
Danielle Outhwaite-Noel, Director, Riff Raff Films
Chris Barrett, Managing Director, Creators Inc
Natasha Johnson, Head of Production, Wonderhood Studios
Dannie Stewart, Executive Producer
Nisha Mullea, Executive Producer, Caviar
NOT PICTURED
Jenny Fan, Producer, Mother
Josh Tenser, Executive Creative Director, Anomaly
Paula Bloodworth, Global Chief Strategy Officer, Sillyface
Founding Editor, Final Cut

The time has come ‘folks’ to revel in another quiver of arrows!
It’s been an absolute pleasure and a privilege to chair the craft jury this year to assess the work in the company of some of my favourite industry legends.
Last year was extremely challenging for most of our industry with a UK economy weathering multiple headwinds, some global and some self-inflicted. In an atmosphere of anxiety and lack of confidence of many clients, it is a testament to the tenacity and passion within our industry that creative teams, production companies and post companies continued to produce some truly outstanding work.
The process of whittling down the field to the best of the best has been both enthralling and inspiring. As always, the cream rises to the top.
Viewing the work with each esteemed jury really highlights the expert insight and experience they all have in the varied crafts of our industry. At a time of imminent disruption to our universe with AI, it is a timely recognition of the immense skill and craft required to achieve the highest level of creative work which is ultimately a human endeavour.
Training as a film editor in a time of cutting celluloid with a razor blade and sellotaping together, the transition to digital non-linear systems was feared initially to be an existential threat. What became clear was that the craft of film editing is as much about creative ideas, story-telling, sensibilities for music, judgement of performance, pace and style than the aptitude for the tools.
I was struck by the very diverse work entered this year. It was interesting to see that the juries were often comparing extreme opposites in scale and genre, which focused everyone on looking for and feeling that elusive quality - excellence. Even after thoughtful and passionate debate, the best crafted work stood out with panache and authenticity.
The care and diligence of the jury in assessing the entries is only made possible by the amazing team at British Arrows. I would like to thank Simon and The Board for inviting me to chair and Lisa, Sergio, Sophie and Millie for making the whole process extremely smooth and enjoyable.
So, fasten your seat belts, take a last desperate swig of warm, sparkling fizz before the flight attendant tries to snatch it from you, let the show begin and enjoy the ride.

CRAFT Jury

AGENCY FRONT ROW (L–R)
Colin Hickson, Executive Producer
Anna Arnell, Creative Director, Wieden+Kennedy
SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair
Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury
Jo Moore, Executive Creative Director, House337
Noel Bunting, Chief Creative Officer, Publicis•Poke
AGENCY BACK ROW (L–R)
Jess Ringshall, Chief Production Officer, Saatchi & Saatchi
Nadja Lossgott, Chief Creative Officer, AMV BBDO
Andy Clough, Joint Executive Creative Director, Neverland
Neil Simpson, Founding Partner, The Corner

PRODUCTION FRONT ROW (L–R)
Savanah Leaf, Director, Academy
Robin Brown, Production Designer
Dickie Jeffares, Executive Producer, MJZ
SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair
Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury
Nell Jordan, Executive Producer, O Positive
Andrew Levene, Managing Director, Stink Films
PRODUCTION BACK ROW (L–R)
Sue Odell, Casting Director, Sue Odell Casting
Richard Packer, Managing Partner, Outsider
Spencer Dodd, Managing Director, Merman
Simon Chaudoir, Cinematographer
Corin Taylor, Executive Director, Blink
Tim Katz, Managing Director, Knucklehead
Nick Gordon, Director, Somesuch
Katie McGoldrick, Stylist & Costume Designer
NOT PICTURED
Precious Mahaga, Global Head of Music Video, Riff Raff Films
Bukonla (Buki) Ebiesuwa, Stylist
Louise Hinton, Hair & Make-Up Artist

AUDIO FRONT ROW (L–R)
Emily Pritchard, Managing Director, Twenty Below Music
SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair
Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury
Mary-Ann D’Cruz, New Business and Marketing Director, No.8
AUDIO BACK ROW (L–R)
Raja Sehgal, Partner and Sound Designer, Grand Central Recording Studios
Dan Beckwith, Creative Director, Factory Studios
Parv Thind, Managing Director and Sound Designer, Wave Studios
Jake Ashwell, Senior Sound Engineer, 750mph
Adam Smyth, Creative Director and Sound Designer, String and Tins
NOT PICTURED
Jay James, Managing Director and Music Composer, Soundtree Music

POST FRONT ROW (L–R)
Hannibal Lang, Senior Colourist, Bacon X
Amber Frisenda, Art Director, Selected Works
SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair
Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury
Katie Reid, Production Director, Big Farmer and Trailer Farm
Kamen Markov, Creative Director and VFX Supervisor, Framestore
POST BACK ROW (L–R)
Jean-Clément Soret, Colourist, Company 3
Diarmid Harrison-Murray, Creative Director, Untold Studios
Toby Tomkins, Founder and Director, CHEAT
Ellie Johnson, Editor and Partner, tenthree
Jason Watts, Founder and Creative Director, Freefolk
Alistair Thompson, Head of Innovation Lab, Epic Games
Ludo Fealy, VFX Supervisor, 1920
Jordi Bares, 3D VFX Creative Director, Rohtau
NOT PICTURED
Hasani Franke, Editor, Work Editorial
Rebekah King-Britton, Head of CG, Absolute Post
Eve Ashwell, Editor and Partner, The Assembly Rooms
Dorianne Fibleuil, CG Lead, Electric Theatre Collective
Without the generosity of our sponsors the show wouldn’t be possible.
24/7 x Radioaktive Film | www.radioaktivefilm.com
247 x Radioaktive is an exciting new venture bringing together two leading players from the world of international service production to offer a brand-new partner in Eastern Europe’s most cosmopolitan production hub, POLAND.
Years of friendly competition are now consolidated in a joint embarkment which aims to provide excellence in production facilities in a vibrant and cosmopolitan territory which offers high end production value at a cost-effective price. The team is headed by seasoned producers from Ukraine and Spain with the in-house support of some of Poland´s best local knowledge to deliver rock-solid production with the flare for which both companies are known which, combined with the strength and diversity of Warsaw and Poland as a whole, makes a winning combination.
750mph | www.750mph.com
750mph is a state of the art sound design and mix facility in the heart of Soho, London. With over 23yrs of experience and 9 studios, they offer high-end audio production, sound design and mixing in all formats including Dolby 5.1, 7.1, Atmos & 3D sound for VR. The team of sound designers have amassed an array of awards both internationally and domestically, including multiple golds and silvers at the British Arrows, as well as winning the British arrows inaugural Craft Company of the Year 2021.
750mph also offers bespoke composition & music supervision through our in-house music company Twenty Below Music.
ARRI | www.arri.com/en/solutions/virtual-production/arri-stage-london
As one of Europe’s largest fixed virtual production facilities, ARRI Stage London provides a premium choice for high-quality feature, episodic television, and commercial projects.
Delivered as a collaboration between ARRI and Creative Technology, the facility showcases a state-of-the-art LED volume with creative software platforms, powerful media servers, the latest ICVFX technologies, all within a dedicated 708 m² studio space located at ARRI’s UK premises in Uxbridge, West London.
BBH | www.bartleboglehegarty.com
Bartle Bogle Hegarty (BBH) is one of the world’s most famous creative agencies. We did the ad agency differently back in 1982. And today, we are no longer just an ad agency. We apply the same level of BBH thinking, care, craft and magic to the entire customer experience.
We believe in the power of difference to make a difference. We are ranked as the most effective creative agency in the UK (IPA), and the fourth in the world (Warc Effective 100). BBH is part of Publicis Groupe and has offices in London, New York, Singapore, Shanghai, Mumbai, LA and Stockholm and employs 1000 staff worldwide. We are proud to have consistently been named as one of the Sunday Times’ 100 Best Companies to Work For for the past decade.

HARBOR X CHEAT | www.cheatit.co
Cheat is a new kind of post production studio, run by creators for creators. We use the magic of craft to move storytelling forever forwards. Founded in 2015, Cheat is known for its colour and finishing work across all forms of motion picture. From our East London studio and beyond, we bring you bold vision, considered innovation, and exceptional craft.
Behind the scenes, we’re invested in innovation. Years of R&D, proprietary creative tools and film emulation mean we’re constantly finding new ways to deepen the emotive impact of your work and make the process streamlined, transparent and fun.
Everything we do is in service of the work. Our accomplished roster of colourists have backgrounds in production design, photography, VFX and beyond. This knowledge informs our craft, helping you harmonise the look of your story with artistic sensitivity.
CLEARCAST | www.clearcast.co.uk
Clearcast are your advertising partners, from script to screen. They’re best known for clearing ads. In the UK, broadcasters mustn’t show ads that are misleading, harmful or offensive, so before they can be aired, Clearcast check that they comply with UK code rules.
As well as this, they offer a range of optional Clearance and Delivery services, designed to make it easier for agencies, advertisers and broadcasters to get their ads to air. Choose fromfaster feedback, copy clearance guidance (out of office hours, on set, at pitch stage) or help with tricky claims. Or, choose for them to subtitle your ad, deliver it to the broadcasters or to take care of all of the admin needed, start to finish. Additionally, book a place on one of their awardwinning Training courses, for tips and need-to-know information. As a key part of the TV advertising landscape, Clearcast are keen to be a positive influence in the industry. A particular goal of theirs is to encourage people to make #AdsForAll, by adding Subtitles or Audio Description to ads. This improves accessibility, allowing many more people the opportunity to engage with TV ads.
To raise awareness, Clearcast have partnered with British Arrows for the second year in a row, working with them behind the scenes to make the Awards show as accessible as possible. As well as sponsoring the Charity & Public Service award, they’ve provided live captions for the evening and worked with the team to include BSL interpreters.
Eleanor | eleanor.co
In the realm of commercial advertising, Eleanor emerges as both muse and advocate, uplifting a diverse ensemble of directors whose artistic brilliance transcends conventional boundaries. With offices in Santa Monica and Soho’s Golden Square, Eleanor’s creative leadership reverberates worldwide, boldly breaking new ground–a champion of powerful voices, excellence in artistry, and authentic storytelling.
At Eleanor, our hand-picked talent share a common purpose - a relentless pursuit of artistic expression that delves deep into the tapestry of their vibrant inner worlds. Named after the Spirit of Ecstasy, Eleanor serves as a guiding star, empowering directors to breathe life into their most audacious visions. Eleanor’s storytellers infuse each frame with a meticulous love for detail and a mastery of craft. Every project becomes a heartfelt ode to the power of storytelling.

Electric Theatre Collective | www.electrictheatre.tv
As Edison was to the lightbulb, and Victor Frankenstein was to dead body parts, and Bob Dylan was to acoustic Bob Dylan, so Electric Theatre Collective is to, er… not electric theatre collectives... of which there are none in the field of visual effects, so that is a pretty poor analogy. But what can we say? Everyone at Electric is tired, so very tired, just flat out producing ground-breaking work and winning awards since we burst onto the scene in 2011, like a reanimated rampaging monster with bolts in its head. Our brains are fried and no good for analogies, only for VFX.
Put simply, and slightly more seriously, we are a collective of artists who pride ourselves on being a hub of talent across all disciplines of visual creativity - CGI, 2D, animation and colour grading. And that, for now, is about all there is to say about ETC, except that ETC stands for et cetera, and there is indeed much more to come!
FilmLight | www.filmlight.ltd.uk
FilmLight develops unique colour grading systems, image processing applications and workflow tools that are transforming film and video post-production. The company’s streamlined metadata-based workflows employ robust products - including Baselight, Daylight and Baselight Editions - with cutting edge creative tools, allowing professionals in the world’s leading facilities to work at the very forefront of the digital media revolution.
Final Cut and Machine | www.finalcut-edit.com www.machinesound.co
Final Cut is a creative editorial company working across advertising, film, TV and music videos. Our offices in New York, London and LA are home to many of the industry’s most celebrated editors, working alongside the next generation of editorial talent. Dedicated to craft and collaboration, we are a trusted creative partner to top directors, agencies and brands.
Machine is a sound and music production company with studios in London and New York. Our award-winning team of sound designers, composers and producers work across a diverse range of projects, including commercials, sonic branding, TV series, feature films and immersive audio experiences. Driven by new challenges, our dedicated team approaches every brief with a passion for imaginative sound design and audio composition.
Framestore | www.framestore.com
Framestore brings extraordinary ideas to life in any space or screen through craft, imagination and technology.
Founded in 1986 in London by a team of just five, Framestore has grown to a global company of more than 2,500. The Oscar-winning creative studio has created pixel-perfect images for iconic advertising campaigns for major worldwide brands, building a celebrated portfolio of work underpinned by an intrinsic understanding of VFX. Framestore has collected a multitude of industry awards, including a record number of Cannes Lions in 2016 and many Gold British Arrows over the years, reflective of the creative studio’s position at the forefront of innovation.

Indochina Production | www.indochinaproductions.com
We shoot films all over Asia - long form and short - in 14 territories / our offices are in Bangkok and Tokyo.
Thailand | Malaysia | Japan | Vietnam | Cambodia | Myanmar | The Maldives | The Philippines | Singapore | Sri Lanka | Laos | Bangladesh.
Moore Kingston Smith | www.mooreks.co.uk
Moore Kingston Smith is a leading audit and accounting firm for all creative businesses, supporting them throughout their growth journey, providing a full range of audit, tax and outsourcing, as well as legal and strategic advisory services. To reflect the sector’s growth, we have a media specialist corporate finance arm. Our experts offer a comprehensive service advising on M&A, fundraising, due diligence and MBOs.
International expansion is of increasing significance for a number of businesses. At Moore Kingston Smith, we support businesses as they move into new markets, providing commercial and timely advice throughout the transition and using our global accountancy and consulting network, Moore Global.

No.8 | no8london.com
No.8 is an award-winning creative sound and vision studio, located in the heart of London’s Soho. Established in 2019 by Creative Director Jim Allen and Managing Director Barny Wright, No.8 offers best-in-class multi-disciplinary services through a single point of contact.
In late 2020, multi award winning sound designer Sam Robson joined as a partner and Creative Director and, in 2021, award winning colourist Alex Gregory joined as Head of Colour.
Clients are serviced by a dedicated team across all post disciplines - editing, audio, music, colour grading, VFX, CGI and animation. We offer a personal, bespoke service to a wide range of clients across advertising, film and television.
Rohtau | www.rohtau.com
Rohtau is a young and proactive visual effects creative studio founded by a team of seasoned professionals who bring a wealth of knowledge and creativity to the table. With a proven track record of delivering top-quality work, we are dedicated to pushing the boundaries of what’s possible.
Our unique, custom cloud-distributed model allows us to bring together the best talent, regardless of where they are based worldwide. This allows us to assemble a hand-picked, global team, bespoke for each project and ensures that our clients always receive the best possible result and experience. We are committed to reducing our carbon footprint and promoting sustainability. Our reported ant-like carbon footprint is a testament to our commitment to the environment and our desire to have a net-positive impact on the world.
Join us on our adventure to reinvent visual effects. Let us help you achieve your goals and realise your vision.

Sue Terry Voices | www.sueterryvoices.com
We are a VO agency since 1999, representing the cream of performing talent of all kinds, particularly stars of comedy and TV. We also represent a range of international artists who are all performers and authentic, native voices. We are constantly refreshing our list and adding new exciting talent.
We record demos with each artist so we know what they can do. Please get in touch with any briefs, questions or quote advice as we have a very experienced team of eleven agents who specialise in particular areas of voice and respond very quickly to all enquiries.

Sunbelt Rentals | www.sunbeltrentals.co.uk
Sunbelt Rentals are specialist suppliers of professional end-to-end solutions for content creators in the Film and TV production industry. With a comprehensive and technologically advanced rental inventory of lighting, camera, access, grip, power and temporary infrastructure, we offer a full production solution from prep to wrap.
Together we have honed our expertise over many years. Working with international studios, renowned producers and directors, on everything from blockbuster motion pictures to classic episodic series and award-winning commercials.
Today, we are proud to provide all the expertise, equipment and solutions you need to deliver your production smoothly and cost-effectively. Think of us as the crew behind your crew. Skilled technicians, in-house production experts and best-in-class maintenance teams who will do whatever it takes.

The Assembly Rooms | theassemblyrooms.tv
The Assembly Rooms was established in 2004. With partners Nik Hindson, Sam Rice-Edwards and Eve Ashwell at the helm, it has grown into one of London’s leading film editing companies, with a roster of 11 award winning editors, alongside a hotbed of emerging talent. We cut commercials, promos, short films, features and documentaries.
Our townhouse in the heart of London’s Soho is a creative haven for editors, directors, producers and agencies alike. We have a principle of sustainability running through the company, starting from training and promoting from within, to how we source our water and electricity.
The Mill | www.themill.com
The Mill is a global creative partner for agencies, production companies and brands, working across multiple media channels and platforms.
We are trusted specialists in Visual Effects, Creative Production and Experience design. Our projects include the creation of digital products and virtual experiences, as well as world class VFX and video production for the Advertising and Brand Experience industries.
We are a vibrant network of talented Artists, Producers, Directors and Creative Technologists from multinational backgrounds. We nurture innovation, flexibility and diverse ideas across our studios in London, Paris, Amsterdam, Berlin, New York, Los Angeles, Chicago, Seoul, Shanghai and Bangalore. We are all united by one single ambition: To create extraordinary and memorable work that captivates and excites audiences.

Thinkbox | www.thinkbox.tv

Thinkbox is the marketing body for commercial TV in the UK, in all its forms. It works with the marketing community with a single ambition: to help advertisers get the best out of today’s TV.
From understanding how audiences engage with TV advertising, uncovering what the latest technological developments mean, explaining innovative and affordable solutions, and encouraging creativity to providing the rigorous proof of effectiveness that advertisers need, Thinkbox is here to help businesses meet their marketing objectives.
Thinkbox celebrates creative excellence in a variety of ways, from our film series ‘3 great ads I had nothing to do with’, our bi-monthly awards for TV ad creativity with Campaign (The Thinkboxes), right through to our continued proud support of the British Arrows.
Walker Art | www.walkerart.org
The Walker Art Center, located in Minneapolis, is a catalyst for the creative expression of artists and the active engagement of audiences. One of the most celebrated art museums in the United States, the Walker Art Center is known for its innovative presentations and acclaimed collections of contemporary art across the spectrum of the visual, performing, and media arts. Walker programs examine the questions that shape and inspire us as individuals, cultures and communities.
The Walker’s Moving Image program presents a wide range of moving image artists and contemporary filmmakers, explores the history and creative use of the cinematic medium, represents our global community, and engages our audience with artistic approaches to the ideas that define our times. We offer a range of cinematic experiences through screenings presented in our state-of-the-art cinema, self-select Bentson Mediatheque, and within gallery installations. The Walker maintains a collection of avant-garde films, documentaries, world cinema, and video works within the Ruben/Bentson Moving Image Collection.
Fellowship Award
Awarded to Steve Davies
Written by: Lewis More O’Ferrall, Co-Chairman APA John Hackney, Co-Chairman APA Dom Thomas, Managing Partner, Object & AnimalIn 1999 the Chairs of The Advertising Producers Association, Lewis More O’Ferrall and John Hackney set about looking for a more legally oriented CEO to help steer the organisation and guide its members through a rapidly evolving commercial landscape.
At interview it was immediately apparent that, in spite of the candidate’s mild mannered demeanour, his bristling intelligence, wry wit, and appetite to achieve great things shone through. So impressed were they both, they even had to put to one side his support for Tottenham Hotspur.
And so it was that Steve Davies found himself in Beak Street, in an industry which, at the time, he knew almost nothing about.
From day one, Steve wasted no time however. On went the trainers and he visited every single member company in order to better understand their issues and to set about dynamically changing them for the better.
Perceptively, he took away two essential principles facing every member company; that at the core of every production was the need to manage risk and, that at every stage of the process they required certainty on every level - so his primary mission became his effort to grant them both these things.
Those that know Steve know he not only has an agreeable temperament, but is also utterly fearless. He is pragmatic, dogged and fair. So it’s no surprise that not only were APA members winning 100% of industry disputes, but Steve would go further still, by negotiating and introducing new union agreements including fairer working practices and a ten hour day.
He brokered fresh contracts and Tripartite Agreement with Clients and Agencies, re-evaluated the nature of Insurance and generally created a safer, more secure industrial platform fit for the twenty first century.
Consequently, disputes have almost been consigned to history. In so doing, he won the admiration and respect of peers and those on the other side of the negotiating table, recognising a man who goes about his work with much benign kindness at the centre of his being.
Then, without pausing for breath over the coming years, he partnered with the UK government to open up unexplored foreign markets sending promotional task forces to Tokyo (twice), Mumbai, Beijing, Mexico City, Silicon Valley, Seoul and Shanghai, bringing hundreds of millions of pounds of business to the UK.
In the last quarter of a century Steve has transformed The APA from a London-centric organisation of 75 production company members into a globally recognised tour-de-force of over 400 companies across Production, Post, Editors, Musicians, Animators, VFX, Immersive/Experiential and Sound Design.

In 2020 he led us through Covid and it is almost impossible to overestimate the impact he had in keeping our industry from disaster during this time. When our industry was scattered Steve was the glue that kept the community together.
He developed and negotiated an industry-wide modus operandi for a return to shooting, the template for which was adopted by Film and TV around the world, that allowed us, against all the odds, to keep our doors open and remain in business.
Since then, he has introduced a Code of Conduct, set up an Unconscious Bias programme, a Diversity and Inclusion policy, and a Wellbeing directory. He has developed member Marketing Strategies, provided Advice services for Contracts, promoted a Green agenda, partnered with Just Runners and Creative Mentor Network, established The APA Show, masterminded and curated industry events and seminars on a host of subjects, most latterly AI, and, in the process, still managed to make us laugh.
But what stands out to me as his most significant accomplishment is the introduction and growth of The APA Masterclass. I was among the early participants of the programme and the skills it equipped me with nearly 20 years ago were as invaluable to me as I’m sure they’ll prove to the 121 graduates in 2024. This is a man who deeply cares about the future of our industry and has invested in it - to the benefit of everyone in this room.
Whoever you may be, he has time for you, seemingly without limit and, pivotally, has ideas and answers. And he religiously follows up. Always.
How this same individual has the time to be the great family man, play football and be secretary of the Tottenham Hotspur Supporters Club, travel the globe and still be up to speed with the latest industry issues is beyond even those who work alongside him and know him well.
So I’m delighted that he’s made time this evening for us to say, Thank You Steve.
Advertiser of Excellence
Awarded to EE



+ ARROWS
a UK CAMPAIGN
a DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS
a BEST OVER 90 SECOND COMMERCIAL
SHORTLIST - THE IMPACT AWARD
CRAFT
a CASTING
a DIRECTOR – THE FRANK BUDGEN AWARD
+ ARROWS
a UK CAMPAIGN
a DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS
SHORTLIST - BEST OVER 90 SECOND COMMERCIAL
CRAFT
a CREATIVE USE OF MUSIC
+ ARROWS
a UK CAMPAIGN
a DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS

EE was born with strong DNA. The lovechild of Orange and T-Mobile. All that creative heritage; from the Orange Film Board that ruined movies with mobile phones to the T-Mobile viral flashmob at Liverpool Street before viral, or flashmobs, were a thing. And of course, the Six Degrees of Kevin Bacon, when EE was born.
Since then, with strong, nurturing co-parenting from Saatchi&Saatchi, EE had grown into a happy, healthy twelve year old.
But we all need to evolve as we grow, and in 2023 EE was re-launching, as a New EE, in a turbulent/disastrous economic climate with a beyond-fractured media landscape.
Many clients would have taken this as the cue to play it safe.
But the EE/Saatchi instinct has always been to look for the right road, not the comfortable one.
That’s why they’re turning their business from a phone company into an everything-for-your-life platform company.
That’s why they’re not afraid to acknowledge the risks that come with arming a generation of teenagers with social media, and know they have a responsibility to do something about it.
And that’s why they make work like this. Cultural, crafted, modern British work.
To not bat an eyelid when they sign off the idea of ‘wi-fi frenzied kids literally raving before bedtime…set to a monster house tune…shot by Daniel Wolfe.’
And then make no changes to the first edit.
To go through a casting process of almost 4000 real kids to get the truth of what you see in Elliot Power’s ‘Freedom’ film. And then seeing the CEO moved to tears as he watches it.
This just doesn’t happen. But maybe it should more.
In my career, which suddenly appears to be 27 years long despite essentially remaining a teenager myself, I’ve never seen such trust in a creative partnership as this.
This work is a huge testament to the taste and the instinct of Pete Jeavons and Kelly Engstrom, Christian Thrane and Marc Allera, and everyone with them at EE.
They say do your best work on your biggest clients.
They don’t come much bigger than EE.
Commercial of the Year
Channel 4, Idents 2023 made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe.
+ ARROWS
a BEST OVER 90 SECOND COMMERCIAL a ENTERTAINMENT & SPORTS PROMOTION a UK CAMPAIGN
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company
Directors
Art Practice
Art Practice x Love Song:
Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin
Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie Anthony and James Guy
Cinematographer Daniel Landin at Eponine
Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire
Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
+ CRAFT
a ACHIEVEMENT IN PRODUCTION
a SOUND DESIGN
a VFX
a WRITING
a ANIMATION: CGI
Animation Company
Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company
Trim Editing
Editor Foud Gaber
Post Company
Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors
Colourists
Lead Artists 2D Supervisors
CG Supervisors
Sound Company
Sound Designers
Audio Producers
Music Supervisors
Composers
Mike Battcock, Sam Osborne and Nick Smalley
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
String and Tins
Lawrence Kendrick, Culum
Simpson, Jim Stewart, Kaspar
Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Laura-Leigh Smith and Rachel Hough
Laura-Leigh Smith and Mike Bamford
Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar
Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore






to Uncommon Creative Studio





Production Company of the Year Awarded to Love Song








Craft Company of the Year
Awarded to Time Based Arts






















Craft Company of the Year
Awarded to Factory Studios

1 Palace x Kappa, Alpine F1
2 Unilever, Marmite, Baby Scan
3 Temptations Creamy Purrrr-ée, Cats Lose Their Cool: Holiday Special
4 Diageo, Guinness, Don’t Jinx It
5 JD Sports, Forever Forward
6 EE, Freedom
7 Uber, Uber Trains, Gina
8 Virgin Media, Goat Glider
9 Child Poverty Action Group, Imagine
10 Royal Mail, Awareness, In Good Hands
11 Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse
12 HSBC, Banking, No Beeping Fees
13 Unilever, Pot Noodle, Nothing Fills A Hole Like Pot Noodle
14 McDonald’s, Raise Your Arches
15 EE, School Night
16 Flora, Skip the Cow
17 BBC, Square Eyed Boy
18 EE, Sunday Funday
19 Boots, Thank you, Santa
20 Apple, Personal Voice, The Lost Voice
21 Toyota, Toyota Billy























Congratulations to all of tonight’s nominees and winners

We’re thrilled to have worked with the British Arrows on another ‘Accessible Arrows’, as part of our #AdsForAll campaign, encouraging the ad industry to consider people with various access needs. We hope that the additions to this evening, such as live captioning and BSL interpreters, will allow more people to engage with the show.
We’d like to encourage you to consider adding Subtitles and Audio Description to your TV ads. Find out about Clearcast Subtitles:
Clearcast is a proud sponsor of the British ArrowsBREAK
THE CLASS CEILING
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JUST 16% OF PEOPLE WORKING IN THE CREATIVE INDUSTRIES COME FROM A WORKING CLASS BACKGROUND.

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Join us along with mentors from all across the creative industry, including Droga5, AnalogFolk, Bulletproof, MJZ, Unit9, Digitas, Biscuit Filmworks, Somesuch & MullenLowe UK

Learn more about how you and your business can get involved and mentor with us.
hello@creativementornetwork.org
www.creativementornetwork.org








Congratulations to all British Arrows nominees and winners 2024

CONGRATULATIONS
To all the nominees and winners of the British Arrows 2024!
As specialist accountants and advisers in the advertising and production world, we are proud to work with so many of you. We would like to take this opportunity to celebrate your triumphs and we look forward to your continued success.
www.mooreks.co.uk/media







TO ALL THE WINNERS AND NOMINEES

ARRI Stage London is proud to sponsor the British Arrows Impact Award.
Good luck to all the shortlisted campaigns!
As one of Europe‘s largest fi xed virtual production facilities, ARRI Stage London provides a premium choice for high-quality features and commercials. Our team of virtual production specialists from ARRI Solutions and Creative Technology provides expert support, all within a dedicated 708 m 2 studio space in Uxbridge, West London.
Book your next production at ARRI Stage London: www.arri.com/arri-stage-london




WINNERS BY CATEGORY
ACHIEVEMENT IN PRODUCTION

James Guy, Bonnie Anthony and Chris Aliano for Channel 4, Idents 2023 made for 4creative by Art Practice, Optical
Arts, The Line, Time Based Arts and String and Tins.
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company
Art Practice
Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie Anthony and James Guy
Cinematographer Daniel Landin at Eponine
Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire
Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
Animation Company
Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company
Trim Editing
Editor Foud Gaber
Post Company
Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors
CG Supervisors
Colourists
Lead Artists 2D Supervisors
CG Supervisors
Sound Company
Sound Designers
Audio Producers
Music Supervisors
Composers
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
String and Tins
Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Laura-Leigh Smith and Rachel Hough
Laura-Leigh Smith and Mike Bamford
Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore


Joseph Ogunmokun and Becky Bishop for Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.
Production Companies Black Dog Films and Virtual Films
Editing Company Absolute Post Company Absolute Sound Company Absolute
Katie Wood and Molly Pope for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency Havas London
Production Company SMUGGLER
Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm Sound Company 750mph Audio Company Soundtree Music
ALCOHOLIC DRINKS


Diageo, Guinness, Zero Regrets made for AMVBBDO by Red Studios, DayDreamer and Sounds Good Studio, directed by Scott Kelly.
Agency AMVBBDO
Production Company Red Studios
Editing Company Red Studios
Post Company DayDreamer
Sound Company Sounds Good Studio
Leffe, Beer, Silence is Golden made for Wieden+Kennedy by MJZ, Framestore and Antfood, directed by Gary Freedman.
Agency Wieden+Kennedy
Production Company MJZ
Editing Company The Assembly Rooms
Post Company Framestore
Sound Company Antfood

Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis for WWF, Up In Smoke made by NOMINT and Twelve Decibels, directed by Yannis Konstantinidis.
Production Company NOMINT Director Yannis Konstantinidis
Producers Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis
Production Designer Yannis Konstantinidis
Animation Company NOMINT
Animation Director Yannis Konstantinidis
Post Company NOMINT
Colourist George Kyriacou at Black Kite Studios
Sound Company Twelve Decibels
Sound Designer Rabbeats
Music Supervisor Matt Lee
Composer Finneas O’Connell
Music Arrangement Hughie Gavin
Performance The Social Singing Choir



Isabel Gómez, Andy Biddle and Tobias Fouracre for BBC, Square Eyed Boy made for BBC Creative by Blinkink, CHEAT, Stephen McNally, Major Tom and Factory Studios, directed by Sam Gainsborough.
Agency BBC Creative Production Company Blinkink
Post Companies CHEAT and Stephen McNally Sound Companies Major Tom and Factory Studios
Ben Edwards, Guy Hobbs, Nikki Holbrow, Sam Gainsborough, David McShane and Isabel Garrett for The Royal Foundation, Centre for Early Childhood, Shaping Us made for Wonderhood Studios by Blinkink, Time Based Arts and Major Tom, directed by Sam Gainsborough.
Agency Wonderhood Studios Production Company Blinkink
Post Company Time Based Arts Sound Company Major Tom

Simon French, David Filipe, Matteo La Motta and Vic Lovejoy for Accenture, Changing Tree made for Droga5 by Imperial Woodpecker and Electric Theatre Collective, directed by Sam Brown.
Agency Droga5
Creative Director Simon French
Production Company
Imperial Woodpecker
Director Sam Brown
Producer Polly Ruskin
Cinematographer
Post Company
Sebastian Blenkov
Electric Theatre Collective VFX Supervisors
Giles Cheetham and Simon French
Colourist
Lead Artists
Luke Morrison
David Filipe and Matteo La Motta


Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry for Virgin Media, Broadband, Goat Glider made for VCCP by Rogue, Untold Studios and Factory Studios, directed by Sam Brown.
Agency VCCP
Production Company Rogue Editing Company Marshall Street Editors Post Company Untold Studios Sound Company Factory Studios
Nick Smalley, Sam Osborne and Mike Battcock for Channel 4, Idents 2023 made for 4Creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith, Daniel Wolfe.
Agency 4creative
Production Company Art Practice
Animation Company Time Based Arts
Editing Company Trim Editing
Post Company Time Based Arts Sound Company String and Tins

Ryan Knowles, Gregory McKneally, Dan Yargici and Antonia Vlasto for Coca-Cola, Masterpiece made for Heads Up Production and Blitzworks by Academy, Electric Theatre Collective, tenthree and Yessian, directed by Henry Scholfield.
Agencies Heads Up Production and Blitzworks
Production Company Academy
Animation Company Electric Theatre Collective
Editing Company tenthree
Post Company Electric Theatre Collective Sound Company Yessian
AUTOMOTIVE



The AA, It’s OK, I’m with The AA made for The Gate by Academy, The Assembly Rooms, Absolute and Grand Central Recording Studios, directed by Si&Ad.
Agency The Gate
Production Company Academy
Post Companies The Assembly Rooms and Absolute Sound Company Grand Central Recording Studios
Formula E, ABB FIA Formula E World Championship, Progress is Unstoppable made for Uncommon Creative Studio by RASCAL and King Lear, directed by Sam Walker.
Agency Uncommon Creative Studio
Post Company RASCAL Sound Company King Lear
Ford, Ranger made for AMVBBDO by Academy, 1920, Wave Studios and Parv Thind, directed by Marcus Soderlund.
Agency AMVBBDO
Production Company Academy
Post Company 1920
Sound Company Wave Studios and Parv Thind

Pernod Ricard, KahlÚa, Stir Up - Gasp made for Wieden+Kennedy by Birth, Time Based Arts and 750mph, directed by Rodrigo Valdes.
Agency Wieden+Kennedy
Chief Creative Officers Hermeti Balarin and Ana Balarin
Creative Directors Philippa Beaumont and Freddy Taylor
Creatives Hannah Fortune and Chelsea Thorley
Producers Richard Adkins, Amy Leach, Aurelie Livera and Priya Shial
Studio Phil Rosieur, Zhangzhe Peng, Zee Kerry and Joel Somerfield
Strategy Dan Hill, Brian Ritter and Melanie Eckersley
Account Laura Jacobs, Siham Zerkak and Oliver Mitchell
Business Affairs Helena Tomas and Alex Coomer
Production Company Birth Director Rodrigo Valdes Post Company Time Based Arts
Sound Company 750mph



Flora, Skip the Cow made for Pablo London by Biscuit Filmworks, Untold Studios and Factory Studios, directed by James Rouse.
Agency
Pablo London
Production Company Biscuit Filmworks Post Company Untold Studios
Domino’s, Channel 4 Idents, Exorcism made for VCCP by MJZ, RASCAL and King Lear, directed by Steve Ayson.
Advertising Agency VCCP
Media Agencies Havas Media UK and Havas Play
Production Company MJZ
Post Production Company RASCAL Sound Company King Lear

Comedy on Audible, Laugh Through It
made for Fold7 by Mindseye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.
Agency Fold7
Executive Creative Director
Dave Billing
Creative Directors James Hudson and Rob Griffiths
Creatives
Philippa Baines and Dan Burkitt
Producer Emily Hendrey
Client Services
Toby Moore and Issy Webster
Production Company Mindseye
Director
Producer
Casting Director
Editor
Post Company
Colourist
Sound Company
Thomas Ormonde
Johnny Kight
Lesley Beastall Casting
Saam Hodivala
Black Kite Studios
Tom Mangham
String and Tins




BBC, Not Just Telly - Happy Valley made by BBC Creative and Picture Shop.
Agency
Production Company
BBC Creative
BBC Creative
Editing Company Picture Shop
Post Company Picture Shop
Sound Company Picture Shop
BBC, Not Just Telly - Line of Duty made by BBC Creative and Picture Shop.
Agency BBC Creative
Production Company
BBC Creative
Editing Company Picture Shop
Post Company Picture Shop
Sound Company Picture Shop
The AA, It’s OK, I’m with The AA made for The Gate by Academy, The Assembly Rooms, Absolute and Grand Central Recording Studios, directed by Si&Ad.
Agency
The Gate
Production Company Academy
Post Companies
The Assembly Rooms and Absolute
Sound Company Grand Central Recording Studios

Cadbury, Dairy Milk, Speakerphone made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.
Agency VCCP
Executive Creative Directors Chris Birch and Jonathan Parker
Creative Directors Simon Connor and Steve Cross
Agency Producers Rosie Good and Charlie Hodges
Copy Writers
Simon Connor and Steve Cross
Head of Account Handling Gemma Findlay
Senior Account Director
Account Director
Chief Strategy Officer
Anna Fotheringham
Katie Westwater
Clare Hutchinson
Planning Director Alana King
Head of TV Olly Calverly
Production Company Somesuch
Director Steve Rogers
Producer Tom Gardner
Managing Director Chris Watling
Editing Company The Quarry
Editor Jonnie Scarlett
Post Company Freefolk
Colourist Jean Clement
Post Producer Charles Gillett
Flame OP Andy Copping
Grade Company 3
Sound Company King Lear
Sound Designer Jack Sedgwick




McDonald’s, Raise Your Arches made for Leo Burnett by Moxie Pictures, Framestore, Company 3, 750mph and Factory Studios, directed by Edgar Wright.
Agency
Leo Burnett
Production Company Moxie Pictures
Editing Company Final Cut
Sound Companies 750mph and Factory Studios
Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.
Agency 4creative
Production Company Academy
Editing Company tenthree
Post Companies Selected Works and Platform Post
Sound Company String and Tins
Harry’s, Razors, Feel Good, Fellas made for The Or London by Somesuch, Radioaktive, Shelter, CHEAT, Creative Outpost and The Hogan, directed by Max Sherman.
Agency
The Or London
Production Companies Somesuch, Radioaktive and Shelter
Editing Company Shift Post
Post Companies CHEAT and Creative Outpost Sound Company Creative Outpost

Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.
Agency
Production Company
Nike GLOBAL
Object & Animal
Director Aidan Zamiri
Producer
Jake Agger
Cinematographer Ben Carey
Production Designer Grace Surnow
Costume Designer Lana Jay Lackey
Hair, Make-Up & Prosthetics
Hair Stylist
Editor
Post Companies
Colourist
Sound Company
Zaheer Sukhnandan
Dylan Chavles
Jack Foster
Native Foreign and Punderson Gardens
Dante Pasquinelli
750mph




JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.
Agency
Production Company
Uncommon Creative Studio
ICONOCLAST Editing Company Trim Editing
Post Company Electric Theatre Collective Sound Company Factory Studios
Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.
Agency Lucky Generals
Production Company Somesuch
Editing Company Work Editorial
Post Company Electric Theatre Collective Sound Companies No.8 and Jack Whitelee
Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.
Agency Johannes Leonardo
Production Company
Editing Companies
Love Song
The Quarry and Cut+Run
Post Company Mathematic Sound Company Barking Owl Sound
BEST OVER 90 SECOND COMMERCIAL

Channel 4, Idents 2023
made for
4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company Art Practice
Directors
Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie Anthony and James Guy
Cinematographer Daniel Landin at Eponine Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
Animation Company Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company
Trim Editing
Editor Foud Gaber
Post Company
Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors Mike Battcock, Sam Osborne and Nick Smalley
Colourists
Lead Artists 2D Supervisors
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors Mike Battcock, Sam Osborne and Nick Smalley
Sound Company
Sound Designers
String and Tins
Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Audio Producers Laura-Leigh Smith and Rachel Hough
Music Supervisors Laura-Leigh Smith and Mike Bamford
Composers Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore


Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Fathom VFX and Factory Studios, directed by Taika Waititi.
Agency Apple Marcom
Production Company Hungry Man
Editing Company Work Editorial Sound Company Factory Studios SPONSORED
BEST OVER 90 SECOND COMMERCIAL



Uber, Uber One and Uber Eats, Best Friends made for Mother by O Positive, 1920 and No.8, directed by David Shane.
Agency Mother
Production Company O Positive
Editing Company The Quarry Post Company 1920 Sound Company No.8
EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.
Agency Saatchi & Saatchi
Production Companies Art Practice and Love Song
Editing Company Marsheen
Post-Production Company The Mill
Sound Company Factory Studios
Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.
Agency TBWA\MAL
Production Company Hungry Man
Animation Company Passion Pictures
Editing Company Rock Paper Scissors
Post Company Passion Pictures


Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency Havas London
Production Company SMUGGLER
Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm Sound Company 750mph
Audio Company Soundtree Music
BRANDED ENTERTAINMENT

On Running, The Right To Race
made by Hungry Man, The Editors and Heckler, directed by Richard Bullock.
Production Company
Director
Producers
Hungry Man
Richard Bullock
Hannah Stone and Gessica Giulini
Cinematographer Robert Farley
Animation Company Machines of Loving Grace
Animation Director Brett McManus
Editing Company
The Editors
Editors Peter Barton and Philip Horn
Post Company
Colourist
Sound Company
Sound Designer
Composer
Sound Supervisor
Music Editor
The Editors
Matt Fezz
Heckler
Nick Keate
Dustin Lau
Bonnie Law
Johnny Green


Beavertown, Beer, Flightmare made for Like Minded Individuals by Black Dog Films, 1920 and King Lear, directed by Alice Bloomfield.
Agency Like Minded Individuals Production Company Black Dog Films
Coca-Cola, The Santa Stories - The Note made for VML UK and VML New York by Imagine Entertainment, PRETTYBIRD, Significant Others, Final Cut and Machine NY, directed by Bryce Dallas Howard.
Agencies VML UK and VML New York Production Companies Imagine Entertainment and PRETTYBIRD Editing Company Final Cut Post Companies Significant Others and Final Cut Sound Company Machine NY
CASTING

Kharmel Cochrane for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency
Chief Creative Officer
Executive Creative Director
Creative Directors
Creatives
Producers
Copy Writer
Havas London
Vicki Maguire
Elliot Harris
Nick Rowland and Hollie Illes
Sasha Midgley and Aly Marx-Blackwell
Katie Wood, Katie Keith, Lou Bonnar, Steff Price and Sian O’Halloran
Hollie Iles
Assistant Film Producer Sian O’Halloran
Creative Producer
Head of Creative Services
Senior Designer
Senior Brand Designer
Lucy Farrell
Shaun Musgrove
Darta Losane
Sarah Butler
Conceptual Designer Morgan Shipley
Agency Snr Film Producer
Katie Wood
Production Company SMUGGLER
Director Tom Hooper
Managing Director Fergus Brown and Executive Producer
Deputy Managing Director Lucy Kelly and Executive Producer
Producer
Molly Pope
Cinematographer Steve Annis
Production Designer Robin Brown
Casting Director
Costume Designer
Hair, Make-Up & Prosthetics
Editing Company
Editors
Post Companies
Colourist
Sound Company
Sound Designer
Composer
Audio Company
Kharmel Cochrane
Cynthia Lawrence-Johns
Sara Bowden
Whitehouse Post
Paul Reson and Russell Icke
Whitehouse Post and The Post Arm
Simon Elbourne
750mph
Sam Ashwell at 750mph
Peter Raeburn
Soundtree Music
Producer Jay James




Kharmel Cochrane, Claire Catterson and Holly Ritchie for EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.
Agency Saatchi & Saatchi
Production Companies Art Practice and Love Song Editing Company Marsheen
Post-Production Company The Mill Sound Company Factory Studios
Casting Double for Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.
Agency Uncommon Creative Studio
Production Company Object & Animal Editing Company Cabin Editing Sound Company 750mph
Mollie Maguire for Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.
Agency Nike GLOBAL
Production Company Object & Animal Post Companies Native Foreign and Punderson Gardens Sound Company 750mph
Gina Liotti for Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.
Agencies Ogilvy UK and Ogilvy Toronto
Production Company SMUGGLER
Editing Company Final Cut NY Post Company Final Cut NY

Evoca Foundation, #WomanLifeFreedom, RISE
made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.
Agency Producer
Joseph Ogunmokun
Executive Producer Nazanin Alakijia
Production Companies Black Dog Films and Virtual Films
Director SHIRZAN.
Producer Becky Bishop
Cinematographer Luke Jacobs
Casting Directors
Thom Hammond and Michael Cox
Casting Assistants Rachael Menzies and Charlotte Lancaster
Editing Company Absolute
Editor
Oliver Burn
Post Company Absolute
VFX Supervisor Keith Rogers
Colourist
Lead Artists
Juliette Wileman
Megan McLean, Jasmine Cooper, Antonio Jimenez, Cameron Shanks and Toby O’Connell
Senior Post Producers Kirsty Ratcliffe and Rosanne Crisp
Executive Producer
Post Production Director
Junior Producer
Production Assistant
Jenna Le Noury
Belinda Grew
Yasmin Tilly
Dannica Green
Sound Company Absolute
Sound Designer
Music Supervisor
Composer
Sound Assistant
Joe Marsden
Rebecca Leon
Ben Hauke
Daniel Panayi



Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse made for The&Partnership by Academy, Glassworks, Factory Studios and SIREN, directed by Zhang + Knight.
Agency The&Partnership
Production Company Academy Editing Company tenthree
Post Company Glassworks Sound Companies Factory Studios and SIREN
Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.
Agency Lucky Generals
Production Company Somesuch Editing Company Work Editorial
Post Company Electric Theatre Collective Sound Companies No.8 and Jack Whitelee
PETA, Shop To Save Their Lives made for House337 by BlinkInk, Absolute and String and Tins, directed by Will Wightman.
Agency House337
Production Company Blinkink Post Company Absolute Sound Company String and Tins


Alzheimer’s Research UK, Change
The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.
Agency Above+Beyond
Production Company Tubby Brother Films
Animation Company Passion Pictures
Post Company No.8
Sound Company No.8
Marie Curie, Good Death made for CPB London by SMUGGLER, Black Kite Studios and King Lear, directed by Shannon Murphy.
Agency CPB London
Production Company SMUGGLER
Editing Company tenthree
Post Company Black Kite Studios
Sound Company King Lear

Daniel Landin for Hornbach AG, DIY, Hornbach 1sq. m made for HeimatTBWA\ by Tony Peterson Film, Katalyst Berlin and Loft Studios Berlin, directed by Steve Rogers.
Agency HeimatTBWA\
Production Company Tony Peterson Film
Director Steve Rogers
Cinematographer Daniel Landin, BSC
Post Company Katalyst Berlin
SPONSORED BY




Patrick Golan for Zara, Spring ‘23 made by SMUGGLER and Colin Davis, directed by rubberband.
Production Company SMUGGLER
Rina Yang for Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.
Agency Uncommon Creative Studio
Production Company Object & Animal Editing Company Cabin Editing Sound Company 750mph
Harry Wheeler for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.
Agency Johannes Leonardo
Production Company Love Song
Editing Companies The Quarry and Cut+Run Post Company Mathematic Sound Company Barking Owl Sound

Simon Bourne for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.
Agency
Johannes Leonardo
Chief Creative Officers Jan Jacobs and Leo Premutico
Executive Creative Directors Jeph Burton and Hunter Hampton
Creative Directors
Agency Producers
Copy Writers
Production Company
Zack Browne, Alfonso Ruiz and Celia Mortlock
Danica Rosen, Oliver McAvoy, Sydney Davis and Sharizma Budden
Jeph Burton, Zack Browne and Celia Mortlock
Love Song
Director Daniel Wolfe
Producers
Cinematographer
Production Designer
Casting Directors
Costume Designer
Hair, Make-Up & Prosthetics
Kelly Bayett, Deannie O’Neil and Julie Sawyer
Harry Wheeler
Andrew Clark
Bonnie-Lee Boumann and Monique Murray
Verity May Lane
Thato Nzimande, Tamara Moeng, Lucy Thomson and Francois Burger
Editing Companies The Quarry and Cut+Run
Editor Paul Watts
Post Company Mathematic
VFX Company Company 3
VFX Supervisor Vincent Blin
Colourist
Lead Artist
Sound Company
Simon Bourne
Vincent Blin
Barking Owl Sound
Sound Designer Gus Koven
Music Supervisors Jacobo Álvarez and Roxy Shah Composer
SPONSORED BY




Philip Hambi for Burger King, Chicken Royale, We Give Up made for BBH by Riff Raff Films, The Mill and String and Tins, directed by The Sacred Egg.
Agency BBH
Production Company Riff Raff Films
Editing Company Final Cut
Post Company
The Mill Sound Company String and Tins
Richard Fearon for United Nations, A New Day made by Unit 9 Films and Black Kite Studios, directed by Jonathan Pearson.
Production Company Unit 9 Films
Editing Company Whitehouse Post Post Company Black Kite Studios
Simon Bourne for Adidas, Gazelle made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Will Dohrn.
Agency Johannes Leonardo
Production Company
Love Song
Editing Company Cut+Run
Post Companies Mathematic and Company 3 Sound Company Barking Owl Sound
Mark Gethin for Expedia, Wisdom & Obi made for Expedia by Love Song, Trafik and Barking Owl Sound, directed by Justyna Obasi.
Production Company Love Song
Post Company Trafik
Sound Company Barking Owl Sound

Emeralds Music for EE, School Night
made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.
Agency Saatchi & Saatchi
UK Chief Creative Officer
London Chief Creative Officer
Executive Creative Director
Senior Copywriter
Senior Art Director
Chief Strategy Officer
Planning Partner
Planning Director
Managing Partner
Business Leads
Account Director
Account Manager
Executive Production Director
Agency Producers
Media Buying Agency
Ben Mooge
Franki Goodwin
William John
Samuel Simmonds
George Coyle
Richard Huntington
Olivia Stubbings
Ophelia Stimpson
Jonathan Tapper
Charlotte Elwig and Rania Kouros
James Graham
Louisa Pudney
Rachel Solomon
Dan Heighes, Richard Firminger and Harriette MacNaughton
Essence Mediacom
Production Companies
Director
Cinematographer
Producers
Art Practice and Love Song
Daniel Wolfe
Diego Garcia
James Guy, Shirley O’Connor and Jon Adams
Production Designer Arthur de Borman
Casting Directors
Editing Company
Editors
Edit Producer
Post-Production Company
VFX Post Supervisor
Colour House
Colourist
Colour Producer
Sound Company
Sound Engineers
Sound Producer
Kharmel Cochrane and Claire Catterson
Marsheen
Dave Davis and Dom Leung
Harriet Cawley
The Mill
Dan Williams
Company 3
Simon Bourne
Chris Anthony
Factory Studios
Anthony Moore and Mark Hills
Beth Massey
Music Supervision Emeralds Music



Ogilvy and Big Sync Music for Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.
Agencies Ogilvy UK and Ogilvy Toronto
Production Company SMUGGLER
Editing Company Final Cut NY
Post Company
Final Cut NY
Ed Bailie and Seb Whyte at Leland Music for Greenpeace, Don’t Stop made for Mother by Lammas Park, Black Kite Studios, Leland Music and King Lear, directed by Samona Olanipekun.
Agency Mother
Production Company Lammas Park
Editing Company The Assembly Rooms
Post Company Black Kite Studios
Sound Companies Leland Music and King Lear
Wake the Town for Child Poverty Action Group, Imagine made for Creature London by SMUGGLER, Blacksmith NYC and Factory Studios, directed by Adam Berg.
Agency Creature London
Production Company SMUGGLER
Editing Company Trim Editing
Post Company Blacksmith NYC
Sound Company Factory Studios
DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS

EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.
Agency Saatchi & Saatchi
UK Chief Creative Officer
London Chief Creative Officer
Executive Creative Director
Senior Copywriter
Senior Art Director
Chief Sales Officer
Planning Partner
Planning Director
Managing Partner
Business Leads
Account Director
Account Manager
Executive Production Director
Agency Producers
Media Buying Agency
Ben Mooge
Franki Goodwin
William John
Samuel Simmonds
George Coyle
Richard Huntington
Olivia Stubbings
Ophelia Stimpson
Jonathan Tapper
Charlotte Elwig and Rania Kouros
James Graham
Louisa Pudney
Rachel Solomon
Dan Heighes, Richard
Firminger and Harriette
MacNaughton
Essence Mediacom
Production Companies
Director
Cinematographers
Art Practice and Love Song
Elliott Power
Diego Garcia and Harry Wheeler
Production Company Producers James Guy, Shirley
Production Designer
Casting Directors
Editing Company
Editors
Edit Producer
Post-Production Company
VFX Post Supervisor
O’Connor and Jon Adams
Arthur de Borman
Kharmel Cochrane, Claire Catterson and Holly Ritchie
Marsheen
Dave Davis and Dom Leung
Harriet Cawley
The Mill
Dan Williams
Colour House Company 3
Colourist
Colour Producer
Sound Company
Sound Engineers
Sound Producer
Simon Bourne
Chris Anthony
Factory Studios
Anthony Moore and Mark Hills
Beth Massey
Music Supervision Curation




EE, School Night made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.
Agency Saatchi & Saatchi
Production Companies Art Practice and Love Song
Editing Company Marsheen
Post-Production Company The Mill
Sound Company Factory Studios
Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Company 3, Fathom VFX and Factory Studios, directed by Taika Waititi.
Agency Apple Marcom
Production Company Hungry Man
Editing Company Work Editorial
Sound Company Factory Studios
Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.
Agency TBWA\MAL
Production Company Hungry Man
Animation Company Passion Pictures
Editing Company Rock Paper Scissors
Post Company Passion Pictures
EE, Sunday Funday made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.
Agency Saatchi & Saatchi
Production Companies Art Practice and Love Song
Editing Company Marsheen
Post-Production Company
The Mill
Sound Company Factory Studios
DIRECTOR - THE FRANK BUDGEN AWARD

Tom Hooper for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music.
Agency
Chief Creative Officer
Havas London
Vicki Maguire
Executive Creative Director Elliot Harris
Creative Directors
Creatives
Producers
Copy Writer
Assistant Film Producer
Creative Producer
Head of Creative Services
Senior Designer
Senior Brand Designer
Nick Rowland and Hollie Illes
Sasha Midgley and Aly Marx-Blackwell
Katie Wood, Katie Keith, Lou Bonnar, Steff Price and Sian O’Halloran
Hollie Iles
Sian O’Halloran
Lucy Farrell
Shaun Musgrove
Darta Losane
Sarah Butler
Conceptual Designer Morgan Shipley
Agency Snr Film Producer
Production Company
Katie Wood
SMUGGLER
Director Tom Hooper
Managing Director Fergus Brown and Executive Producer
Deputy Managing Director Lucy Kelly and Executive Producer
Producer Molly Pope
Cinematographer Steve Annis
Production Designer Robin Brown
Casting Director Kharmel Cochrane
Costume Designer Cynthia Lawrence-Johns
Hair, Make-Up & Prosthetics Sara Bowden
Editing Company
Whitehouse Post
Editors Paul Reson and Russell Icke
Post Companies
Colourist
Whitehouse Post and The Post Arm
Simon Elbourne
Sound Company 750mph
Sound Designer
Composer
Audio Company
Sam Ashwell at 750mph
Peter Raeburn
Soundtree Music
Producer Jay James
SPONSORED BY

Daniel Wolfe for The Harris Project, COD, You Don’t Know The Half Of It made for Havas NY by Love Song, Company 3, Mathematic and Barking Owl Sound.
Agency Havas NY Production Company Love Song Editing Company Trim Editing Post Companies Company 3 and Mathematic Sound Company Barking Owl Sound
DIRECTOR - THE FRANK BUDGEN AWARD




Elliott Power for EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios.
Agency Saatchi & Saatchi
Production Companies Art Practice and Love Song
Editing Company Marsheen
Post-Production Company The Mill
Sound Company Factory Studios
Lucia Aniello and Anna Mantzaris for Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures.
Agency TBWA\MAL
Production Company Hungry Man
Animation Company Passion Pictures
Editing Company Rock Paper Scissors
Post Company Passion Pictures
SHIRZAN. for Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute.
Production Companies Black Dog Films and Virtual Films
Editing Company Absolute
Post Company Absolute
Sound Company Absolute
Taika Waititi for Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Fathom VFX and Factory Studios.
Agency Apple Marcom
Production Company Hungry Man
Editing Company Work Editorial
Sound Company Factory Studios
EDITING

Paul Watts for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.
Agency Johannes Leonardo
Chief Creative Officers
Jan Jacobs and Leo Premutico
Executive Creative Directors Jeph Burton and Hunter Hampton
Creative Directors
Agency Producers
Copy Writers
Production Company
Director
Producers
Cinematographer
Production Designer
Casting Directors
Costume Designer
Hair, Make-Up & Prosthetics
Zack Browne, Alfonso Ruiz and Celia Mortlock
Danica Rosen, Oliver McAvoy, Sydney Davis and Sharizma Budden
Jeph Burton, Zack Browne and Celia Mortlock
Love Song
Daniel Wolfe
Kelly Bayett, Deannie O’Neil and Julie Sawyer
Harry Wheeler
Andrew Clark
Bonnie-Lee Boumann and Monique Murray
Verity May Lane
Thato Nzimande, Tamara Moeng, Lucy Thomson and Francois Burger
Editing Companies The Quarry and Cut+Run
Editor Paul Watts
Post Company Mathematic
VFX Company Company 3
VFX Supervisor Vincent Blin
Colourist
Lead Artist
Sound Company
Simon Bourne
Vincent Blin
Barking Owl Sound
Sound Designer Gus Koven
Music Supervisors
Jacobo Álvarez and Roxy Shah Composer



Fouad Gaber for The Harris Project, COD, You Don’t Know the Half of It made for Havas NY by Love Song, Company 3, Mathematic and Barking Owl Sound, directed by Daniel Wolfe.
Agency Havas NY
Production Company Love Song
Editing Company Trim Editing
Post Companies Company 3 and Mathematic Sound Company Barking Owl Sound
Russell Icke for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency Havas London
Production Company SMUGGLER
Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm
Sound Company 750mph Audio Company Soundtree Music
Nik Kohler for Volvo, The Little Things made by new‒land, Electric Theatre Collective and Mattias Eklund, directed by Marcus Ibanez.
Production Company new—land
Editing Company Cabin Editing
Post Company Electric Theatre Collective Sound Company Mattias Eklund
ENTERTAINMENT & SPORTS PROMOTIONS

Channel 4, Idents 2023
made for
4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company Art Practice
Directors
Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie Anthony and James Guy
Cinematographer Daniel Landin at Eponine Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
Animation Company Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company
Trim Editing
Editor Foud Gaber
Post Company
Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors Mike Battcock, Sam Osborne and Nick Smalley
Colourists
Lead Artists 2D Supervisors
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors Mike Battcock, Sam Osborne and Nick Smalley
Sound Company
Sound Designers
String and Tins
Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Audio Producers Laura-Leigh Smith and Rachel Hough
Music Supervisors Laura-Leigh Smith and Mike Bamford
Composers Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore



Comedy on Audible, Laugh Through It made for Fold7 by Mindseye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.
Agency Fold7
Production Company Mindseye
Post Company Black Kite Studios
Sound Company String and Tins
Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.
Agency 4creative
Production Company Academy
Editing Company tenthree
Post Companies Selected Works and Platform Post
Sound Company String and Tins
Formula E, ABB FIA Formula E World Championship, Progress is Unstoppable made for Uncommon Creative Studio by RASCAL and King Lear, directed by Sam Walker.
Agency Uncommon Creative Studio Post Company RASCAL Sound Company King Lear

JD Sports, Forever Forward
made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.
Agency Uncommon Creative Studio
Chief Creative Officers Nils Leonard and Shaun Savage
Executive Creative Director Benny Everitt
Creative Directors
Shaun Savage and Quba Tuakli
Producer Kaiya Taffel
Copy Writer Quba Tuakli
Production Company ICONOCLAST
Director
Producer
Cinematographer
Production Designer
Amara Abbas
Luke Plaister
Nicholas Loir
Bon Walsh
Editing Company Trim Editing Editor
Post Company
Colourist
Lead Artist
Sound Company
Tom Lindsay
Electric Theatre Collective
Jason Wallis
Hani Al Yousif
Factory Studios
Sound Designer Michael Haines
Music Supervisor
Paul Brown at Mr Pape




Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.
Agency Nike GLOBAL
Production Company Object & Animal Post Companies Native Foreign and Punderson Gardens Sound Company 750mph
Arsenal, Football Jersey, Third Kit 23/24 Launch made by Knucklehead, Creative Outpost and tenthree, directed by Marc Sidelsky.
Production Company Knucklehead Editing Company tenthree Post Company Creative Outpost
Balenciaga, Spring 24 Digital Fashion Show made by ProdCo, Analog and Arnaud Lavaleix, directed by Mau Morgo.
Production Company ProdCo Post Company Analog Sound Designer Arnaud Lavaleix
Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.
Agency Uncommon Creative Studio
Production Company Object & Animal Editing Company Cabin Editing Sound Company 750mph


Intuit, Quickbooks, Eggs made for Wieden+Kennedy by ProdCo, Time Based Arts and Aumeta, directed by Ian Pons Jewell.
Agency Wieden+Kennedy
Production Company ProdCo
Post Company Time Based Arts
Sound Company Aumeta
Communion, Saving Application, F.U.nd made by Uncommon Creative Studio, directed by Tally Francis.
Agency Uncommon Creative Studio
FOOD & NON-ALCOHOLIC DRINKS

Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.
Agency Lucky Generals
Creative Directors Nick Bird, Lee Smith and Will Hislop
Agency Producer Alex Taylor
Copy Writer Will Hislop
Production Company Blink Productions
Director Fred Rowson
Producer Andrew Rawson
Cinematographer Stefan Yap
Production Designer Ranya El-Rafaey
Casting Director Kharmel Cochrane
Costume Designer Neesha Champaneria
Hair, Make-Up & Prosthetics Jess Summer
Sound Companies Ninja Tunes and No.8
Sound Designers Sam Robson and James Benn
Composer
Ninja Tunes


Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.
Agency BBH
Production Company ICONOCLAST Post Company Black Kite Studios
Cadbury, Dairy Milk, Speakerphone made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.
Agency VCCP
Production Company Somesuch
Editing Company The Quarry Post Company Freefolk Sound Company King Lear

Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency
Havas London
Chief Creative Officer Vicki Maguire
Executive Creative Director
Creative Directors
Creatives
Producers
Copy Writer
Elliot Harris
Nick Rowland and Hollie Illes
Sasha Midgley and Aly Marx-Blackwell
Katie Wood, Katie Keith, Lou Bonnar, Steff Price and Sian O’Halloran
Hollie Iles
Assistant Film Producer Sian O’Halloran
Creative Producer
Head of Creative Services
Senior Designer
Senior Brand Designer
Lucy Farrell
Shaun Musgrove
Darta Losane
Sarah Butler
Conceptual Designer Morgan Shipley
Agency Snr Film Producer
Katie Wood
Production Company SMUGGLER
Director Tom Hooper
Managing Director Fergus Brown and Executive Producer
Deputy Managing Director Lucy Kelly and Executive Producer
Producer Molly Pope
Cinematographer Steve Annis
Production Designer Robin Brown
Casting Director Kharmel Cochrane
Costume Designer Cynthia Lawrence-Johns
Hair, Make-Up & Prosthetics Sara Bowden
Editing Company
Editors
Post Companies
Colourist
Sound Company
Whitehouse Post
Paul Reson and Russell Icke
Whitehouse Post and The Post Arm
Simon Elbourne
750mph
Sound Designer Sam Ashwell at 750mph
Composer
Audio Company
Peter Raeburn
Soundtree Music
Producer Jay James


Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.
Agencies Ogilvy UK and Ogilvy Toronto
Production Company SMUGGLER
Editing Company Final Cut NY
Post Company Final Cut NY
Harry’s, Razors, Feel Good, Fellas made for The Or London by Somesuch, Radioaktive, Shelter, CHEAT, Creative Outpost and The Hogan, directed by Max Sherman.
Agency
The Or London
Production Companies Somesuch, Radioaktive and Shelter
Editing Company Shift Post
Post Companies CHEAT and Creative Outpost Sound Company Creative Outpost
INNOVATIVE USE OF REALTIME 3D

Outsider, Untold Studios, ARRI Stage London, Creative Technology and Lux Machina for The Chemical Brothers, Live Again made for EMI Records by Outsider, Untold Studios and String and Tins, directed by DOM&NIC.
Label
EMI Records
Video Commissioner Ailsa Robertson
Production Company Outsider
Director DOM&NIC
Producer John Madsen
Cinematographer Stephen Keith-Roach
Production Designer Chris Oddy
Casting Director Thom Hammond at Hammond Cox
Costume Designer Tara Stift
Hair, Make-Up & Prosthetics Fiona Fellows
Choreographer Supple Nam
Editing Company Final Cut Editor Ed Cheeseman
Post Company
Untold Studios
VFX Supervisor Matt Kavanagh
Colourist Jean-Clément Soret at Company 3
Sound Company String and Tins
Sound Designer Adam Smyth


Georgia Paes for RNIB, Design for Every Gamer made for The&Partnership by Mill+ and The Mill, directed by Kevin Young.
Agency The&Partnership
Production Companies You Are Here and Mill Experience
Editing Company Electric Theatre Collective Post Company Time Based Arts Sound Company Munzie Thind at Grand Central Recording Studios
Will MacNeil and Seph Li for Art Fund, National Art Pass made for Pablo London by Somesuch, Mill+, The Mill and Sine Audio, directed by Dan Emmerson.
Agency Pablo London Production Companies Somesuch and Mill+ Post Company The Mill Sound Company Sine Audio
INTEGRATED CAMPAIGN

Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency
Chief Creative Officer
Executive Creative Director
Creative Directors
Creatives
Producers
Copy Writer
Havas London
Vicki Maguire
Elliot Harris
Nick Rowland and Hollie Illes
Sasha Midgley and Aly Marx-Blackwell
Katie Wood, Katie Keith, Lou Bonnar, Steff Price and Sian O’Halloran
Hollie Iles
Assistant Film Producer Sian O’Halloran
Creative Producer
Head of Creative Services
Senior Designer
Senior Brand Designer
Lucy Farrell
Shaun Musgrove
Darta Losane
Sarah Butler
Conceptual Designer Morgan Shipley
Agency Snr Film Producer
Katie Wood
Production Company SMUGGLER
Director Tom Hooper
Managing Director Fergus Brown and Executive Producer
Deputy Managing Director Lucy Kelly and Executive Producer
Producer Molly Pope
Cinematographer Steve Annis
Production Designer Robin Brown
Casting Director
Costume Designer
Hair, Make-Up & Prosthetics
Editing Company
Editors
Post Companies
Colourist
Sound Company
Sound Designer
Composer
Audio Company
Kharmel Cochrane
Cynthia Lawrence-Johns
Sara Bowden
Whitehouse Post
Paul Reson and Russell Icke
Whitehouse Post and The Post Arm
Simon Elbourne
750mph
Sam Ashwell at 750mph
Peter Raeburn
Soundtree Music
Producer Jay James




Unilever, Marmite, Baby Scan made for adam&eveDDB by Biscuit Filmworks, Absolute and Factory Studios, directed by James Rouse.
Agency adam&eveDDB
Production Company Biscuit Filmworks
Post Company Absolute Sound Company Factory Studios
McDonald’s, Keep Up With The Times made for Leo Burnett by Anonymous Content, Black Kite Studios, Final Cut and 750mph, directed by Tim Godsall
Agency
Leo Burnett
Production Company Anonymous Content
Editing Company Final Cut
Post Production Company Black Kite Studios
Sound Company 750mph
Unilever, Pot Noodle, Nothing Fills
A Hole Like Pot Noodle made for adam&eveDDB by cain&abelDDB, King Henry, Academy Photo and Factory Studios, directed by Honor Northridge.
Agency adam&eveDDB
Production Companies cain&abelDDB, King Henry and Academy Photo Post Company cain&abelDDB
Sound Companies cain&adeblDDB and Factory Studios
Girl vs. Cancer, Sex and Cancer made for BBH by Academy, Coffee & TV and String and Tins, directed by Sophia Ray.
Agency BBH
Production Company Academy
Post Company Coffee & TV
Sound Company String and Tins
INTERNATIONAL - THE NON-BRITISH ARROW

Apple, iPhone, Action Mode
made by Biscuit Filmworks and Bacon, directed by Andreas Nilsson.
Agency Producer
Production Company
Alison McMahon
Biscuit Filmworks
Director Andreas Nilsson
Managing Director Shawn Lacy
Executive Producer Holly Vega
Head of Production Sean Moody
Producer Mala Vasan
Cinematographer Linus Sandgren
Production Designers Bill LeBlanc and Alexis Ross
Costume Designer
Hair, Make-Up & Prosthetics
Service Company
Service Producer
Post Company
VFX Supervisor
Tara Valente
Andrea Blunt
Means of Production
Jill Sartore
Bacon
John Shirley




Apple, iPhone, R.I.P Leon made by Biscuit Filmworks and Bacon, directed by Andreas Nilsson.
Production Company Biscuit Filmworks Post Company Bacon VFX
Apple, The Underdogs: Swiped Mac made for Apple by SMUGGLER, Glassworks and 750mph, directed by Mark Molloy.
Agency Apple
Production Company SMUGGLER
Editing Company Work Editorial
Post Company Glassworks
Sound Company 750mph
Squarespace, The Singularity made for Squarespace by SMUGGLER, Black Kite Studios and Heard City, directed by Aoife McArdle.
Agency Squarespace
Production Company SMUGGLER
Editing Company Final Cut
Post Company Black Kite Studios
Sound Company Heard City
PUMA x Noah, Winning Streak made for Chandelier Creative by O Positive and Mack Cut, directed by Brian Billow.
Agency Chandelier Creative
Production Company O Positive
Editing Company MackCut
Post Company MackCut
Sound Company MackCut
MUSIC VIDEO

Hugh Mulhern for Hak Baker, Doolally made for AWAL Records by Riff Raff Films and Gabha Studios.
Agency
AWAL Records
Creative Director Nadine Persaud
Production Company Riff Raff Films
Director Hugh Mulhern
Producer Alexander Handschuh
Cinematographer Eoin McLoughlin
Production Designer Rory Mullen
Costume Designer Naomi Barling
Animation Directors @CMKRealm @andrzej9k
Editing Company
The Assembly Rooms
Editor Joseph Taylor
Post Company
VFX Supervisors
Colourist
Gabha Studios
Daniel Morris, Dafydd
Upsdell and Dom Harwood
Andrew Francis
SPONSORED BY




The Blaze for Madly made by ICONOCLAST, Poster Co, Savoir Faire and ANIMAL63.
Production Company ICONOCLAST Sound Companies Savoir Faire and ANIMAL63
Albert Albert for Thom Draft, Tense made by ICONOCLAST and Poster Co.
Production Company ICONOCLAST Post Company Poster Co
Aube Perrie for The Hives, Bogus Operandi made by Pulse Films, Pineapple VFX and 750mph.
Production Company Pulse Films Post Company Pineapple VFX Sound Company 750mph

Will Wightman and Joe Wilkinson for PETA, Shop To Save Their Lives made for House337 by Blinkink, Absolute and String and Tins, directed by Will Wightman.
Agency
Executive Creative Directors
Creative Directors
Agency Producers
Creatives
Copy Writers
Production Company
Director
Producer
House337
Jo Moore and Leon Jaume
Steve Hawthorne and Katy Hopkins
Victoria Fischer and Lawrie McLintock
Holly Fallows and Charlotte Watmough
Holly Fallows and Charlotte Watmough
Blinkink
Will Wightman
William Kay
Editors
Post Company
Colourist
Nick Armstrong and tenthree
Absolute
Alex Gregory
Sound Company String and Tins
Sound Designer Jim Stewart
Composers
Will Wightman and Joe Wilkinson
Audio Producer Olivia Endersby
Music Composition and Lyrics Will Wightman
Arrangement, Production and Joe Wilkinson
Additional Composition

Ninja Tunes for Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.
Agency Lucky Generals
Production Company Blink Productions
Sound Companies Ninja Tunes and No.8
ORIGINAL COMPOSITION



Ben Smith, Jordan Crisp, Toni Robinson and Adam Smyth for Just Eat, Did Somebody Say HipOpera made for Craft WW and McCann London by Craft London, RadicalMedia Europe, Final Cut and String and Tins, directed by Dave Meyers and Dave Dean.
Agencies Craft WW and McCann London
Production Companies Craft London and RadicalMedia Europe
Post Company Final Cut Sound Company String and Tins
Peter Raeburn for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency Havas London
Production Company SMUGGLER
Editing Company Whitehouse Post
Post Companies Whitehouse Post and The Post Arm
Sound Company 750mph
Audio Company Soundtree Music
Le Feste Antonucci for John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.
Agency Saatchi & Saatchi
Production Company Riff Raff Films
Post Company Electric Theatre Collective
Editing Final Cut
Sound Company 750mph

Yannis Konstantinidis for WWF, Up In Smoke
made by NOMINT and Twelve Decibels, directed by Yannis Konstantinidis.
Production Company
Director
NOMINT
Yannis Konstantinidis
Producers Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis
Production Designer Yannis Konstantinidis
Animation Company
NOMINT
Animation Director Yannis Konstantinidis
Animation 2D Nominees Yannis Konstantinidis, Christos Lefakis and Marilena Vatseri
Post Company
Colourist
Sound Company
NOMINT
George Kyriacou at Black Kite Studios
Twelve Decibels
Sound Designer Rabbeats
Music Supervisor
Composer
Music Arrangement
Performance
Matt Lee
Finneas O’Connell
Hughie Gavin
The Social Singing Choir
SPONSORED BY


Jonathan Houlding for Canal+, The Secret Of Wakany made by Partizan, BETC Paris and GUM, directed by Antoine Bardou Jacquet.
Production Company Partizan
Post Company BETC Paris Sound Company GUM
KOJA for Amazon, Insurance, The Women Who Lived In A Shoe made for Joint London by Somesuch, Untold Studios and 750mph, directed by Nick Gordon.
Agency Joint London
Production Company Somesuch
Editing Company Final Cut
Post Company
Untold Studios Sound Company 750mph
RETAILERS

JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.
Agency Uncommon Creative Studio
Chief Creative Officers Nils Leonard and Shaun Savage
Executive Creative Director Benny Everitt
Creative Directors
Shaun Savage and Quba Tuakli
Producer Kaiya Taffel
Copy Writer Quba Tuakli
Production Company ICONOCLAST
Director Amara Abbas
Producer
Cinematographer
Production Designer
Luke Plaister
Nicholas Loir
Bon Walsh
Editing Company Trim Editing Editor Tom Lindsay
Post Company
Colourist
Lead Artist
Sound Company
Electric Theatre Collective
Jason Wallis
Hani Al Yousif
Factory Studios
Sound Designer Michael Haines
Music Supervisor
Paul Brown at Mr Pape



Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.
Agency BBH
Production Company ICONOCLAST
Post Company Black Kite Studios
McDonald’s, Raise Your Arches made for Leo Burnett by Moxie Pictures, Framestore, Company 3, 750mph and Factory Studios, directed by Edgar Wright.
Agency Leo Burnett
Production Companies Moxie Pictures
Editing Company Final Cut
Sound Companies 750mph and Factory Studios
John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.
Agency Saatchi & Saatchi
Production Company Riff Raff Films
Post Company Electric Theatre Collective
Editing Final Cut Sound Company 750mph
SEASONAL CELEBRATIONS

Apple, Fuzzy Feelings
made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.
Agency TBWA\MAL
Creative Directors JD Jurentkuff and Nick Cliffone
Producer Max Voreacos
Copy Writer Jacob Abernathy
Production Company Hungry Man
Directors Lucia Aniello and Anna Mantzaris
Producer Jude Vermeullen
Cinematographer James Laxton
Production Designer Fernanda Guerrero
Casting Director Hannah Simons
Costume Designer Julie Vojtovic
Hair, Make-Up & Prosthetics
Sarah Kelly
Animation Company
Passion Pictures
Animation Director Anna Mantzaris
Editing Company Rock Paper Scissors
Editor Tom Eagles
Post Company
Passion Pictures
VFX Supervisor Jim Radford
Colourist Ricky Gousis




Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.
Agency BBH
Production Company ICONOCLAST
Post Company Black Kite Studios
JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.
Agency Uncommon Creative Studio
Production Company ICONOCLAST
Editing Company Trim Editing
Post Company Electric Theatre Collective
Sound Company Factory Studios
John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.
Agency Saatchi & Saatchi
Production Company Riff Raff Films
Post Company Electric Theatre Collective Editing Final Cut Sound Company 750mph
Etsy, Your Mission - Twins made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.
Agency Orchard Creative
Production Companies Biscuit Filmworks and Revolver
Editing Companies The Quarry and Cut+Run Post Company Yours Truly, Kevin Sound Company Heavy Duty NYC
SOCIAL MEDIA


RNIB, Design For Every Gamer made for The&Partnership by You Are Here, Time Based Arts and Munzie
Thind at Grand Central Recording Studios, directed by Jesse Lewis-Reece.
Agency The&Partnership
Production Companies You Are Here and Mill Experience
Editing Company Electric Theatre Collective
Post Company Time Based Arts
Sound Company Munzie Thind at Grand Central Recording Studios
Breast Cancer Now, The Chat made by BMB, Iowa Productions and Wave Studios, directed by Mary-Sue Masson.
Agency BMB
Production Company BMB
Editing Company Iowa Productions
Post Company Iowa Productions
Sound Company Wave Studios

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford for Channel 4, Idents 2023 made for 4Creative by Art Practice, Love Song, Optical Art, The Line, Time Based Arts and String and Tins.
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company Art Practice
Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie Anthony and James Guy
Cinematographer Daniel Landin at Eponine
Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
Animation Company Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company Trim Editing
Editor Foud Gaber
Post Company Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors
CG Supervisors
Colourists
Lead Artists 2D Supervisors
CG Supervisors
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
Sound Company String and Tins
Sound Designers
Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar
Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Audio Producers Laura-Leigh Smith and Rachel Hough
Music Supervisors Laura-Leigh Smith and Mike Bamford
Composers Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Adam Smyth for Cannondale, SuperSix EVO, Michelangelo made for The Corner London by Trizz and String and Tins, directed by Trizz.
Agency The Corner London
Production Company Trizz
Post Company Trizz
Sound Company String and Tins




Jack Hallett for Palace x Kappa, Alpine F1 made for Palace by Somesuch, Work Editorial, No.8 and Factory Studios, directed by Femi Ladi.
Agency Palace
Production Company Somesuch
Editing Company Work Editorial
Post Companies Work Editorial and No.8
Sound Company Factory Studios
Sam Ashwell for Riyadh Season, Battle of the Baddest, Rumble made for Droga5 NY and Accenture Song by Park Pictures, Time Based Arts and 750mph, directed by Seb Edwards.
Agencies Droga5 NY and Accenture Song
Production Company Park Pictures
Post Company Time Based Arts
Sound Company 750mph
Sam Ashwell and Jake Ashwell for Formula E, Racing, It’s On made for Uncommon Creative Studio by Somesuch, Untold Studios and 750mph, directed by Max Sherman.
Agency Uncommon Creative Studio
Production Company Somesuch
Post Company Untold Studios
Sound Company 750mph
Sam Ashwell for giffgaff, Ode To Bad made for neverland by Blink Productions, Untold Studios and 750mph, directed by Nick Ball
Agency neverland
Production Company Blink Productions
Post Company Untold Studios
Sound Company 750mph

Verity May Lane for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.
Agency Johannes Leonardo
Chief Creative Officers
Jan Jacobs and Leo Premutico
Executive Creative Directors Jeph Burton and Hunter Hampton
Creative Directors
Agency Producers
Copy Writers
Production Company
Zack Browne, Alfonso Ruiz and Celia Mortlock
Danica Rosen, Oliver McAvoy, Sydney Davis and Sharizma Budden
Jeph Burton, Zack Browne and Celia Mortlock
Love Song
Director Daniel Wolfe
Producers
Cinematographer
Production Designer
Casting Directors
Costume Designer
Hair, Make-Up & Prosthetics
Kelly Bayett, Deannie O’Neil and Julie Sawyer
Harry Wheeler
Andrew Clark
Bonnie-Lee Boumann and Monique Murray
Verity May Lane
Thato Nzimande, Tamara Moeng, Lucy Thomson and Francois Burger
Editing Companies The Quarry and Cut+Run
Editor Paul Watts
Post Company Mathematic
VFX Company Company 3
VFX Supervisor Vincent Blin
Colourist
Lead Artist
Sound Company
Simon Bourne
Vincent Blin
Barking Owl Sound
Sound Designer Gus Koven
Music Supervisors Jacobo Álvarez and Roxy Shah Composer


Lana Jay Lackey for Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.
Agency
Nike GLOBAL
Production Company Object & Animal Post Companies Native Foreign and Punderson Gardens Sound Company 750mph
Kate Forbes for Levi’s, Fair Exchange made for Droga5 by Epoch, Thomas Panayiotou and Ballad Sound, directed by Martin De Thurah.
Agency Droga5
Production Company Epoch Films UK Post Company Thomas Panayiotou Sound Company Ballad Sound
THE GREEN ARROW

Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.
Agency Lucky Generals
Creative Founder
Danny Brooke-Taylor
Production Company Somesuch
Director Raine Allen-Miller
Producer Elly Camisa
Cinematographer
Courtney Bennett
Production Designer Bobbie Cousins
Casting Director Kharmel Casting
Costume Designer Mekel Bailey
Hair, Make-Up & Prosthetics
Bianca Simone Scott
Editing Company
Editor
Post Company
VFX Supervisor
Colourist
Lead Artist
Work Editorial
Rachael Spann
Electric Theatre Collective
Alex Gabucci
Jason Wallis
Bradley Cocksedge
Sound Companies No.8 and Jack Whitelee
Composers
Audio
Dom Bastyra and Stephen Ettery
Wake The Town
SPONSORED BY



Greenpeace, Don’t Stop made for Mother by Lammas Park, Black Kite Studios, Leland Music and King Lear, directed by Samona Olanipekun.
Agency Mother
Production Company Lammas Park
Editing Company The Assembly Rooms
Post Company Black Kite Studios
Sound Companies Leland Music and King Lear
Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.
Agency 4creative
Production Company Academy
Editing Company tenthree
Post Companies Selected Works and Platform Post Sound Company String and Tins
Flora, Skip the Cow made for Pablo London by Biscuit Filmworks, Untold Studios and Factory Studios, directed by James Rouse.
Agency Pablo London
Production Company Biscuit Filmworks
Post Company Untold Studios
THE IMPACT AWARD

Evoca
Foundation,
#WomanLifeFreedom, RISE
made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.
Agency Producer Joseph Ogunmokun
Executive Producer Nazanin Alakijia
Production Companies Black Dog Films and Virtual Films
Director SHIRZAN.
Producer Becky Bishop
Cinematographer Luke Jacobs
Casting Directors Thom Hammond and Michael Cox
Casting Assistants Rachael Menzies and Charlotte Lancaster
Editing Company
Absolute
Editor Oliver Burn
Post Company
VFX Supervisor
Colourist
Lead Artists
Absolute
Keith Rogers
Juliette Wileman
Megan McLean, Jasmine Cooper, Antonio Jimenez, Cameron Shanks and Toby O’Connell
Senior Post Producers Kirsty Ratcliffe and Rosanne Crisp
Executive Producer Jenna Le Noury
Post Production Director Belinda Grew
Junior Producer Yasmin Tilly
Production Assistant Dannica Green
Sound Company
Sound Designer
Music Supervisor
Composer
Sound Assistant
Absolute
Joe Marsden
Rebecca Leon
Ben Hauke
Daniel Panayi



Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.
Agencies Ogilvy UK and Ogilvy Toronto Production Company SMUGGLER Editing Company Final Cut NY Post Company Final Cut NY
Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse made for The&Partnership by Academy, Glassworks, Factory Studios and SIREN, directed by Zhang + Knight.
Agency The&Partnership
Production Company Academy Editing Company tenthree
Post Company Glassworks Sound Companies Factory Studios and SIREN
Alzheimer’s Research UK, Change The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.
Agency Above+Beyond
Production Company Tubby Brother Films Animation Company Passion Pictures Post Company No.8 Sound Company No.8

Uber,
Uber One and Uber Eats, Best Friends made for Mother by O Positive, 1920 and No.8, directed by David Shane.
Agency Mother
Chief Creative Officer
Felix Richter
Executive Creative Director Martin Rose
Creative Directors Hannah Tarpey and Julie Matheny
Creatives Conrad Haddaway and Sherwin Teo
Strategy Director Omar El-Gamal
Strategist Jack McCormack
Business Lead Nick Owen
Agency Producer Jenny Fan
Copy Writer
Production Company
Dickie Connell
O Positive
Director David Shame
Executive Producers Nell Jordan, Ralph Laucella, and Marc Grill
Producer Nell Jordan
Production Manager Polly Leach
Cinematographer Justin Brown
Production Designer Dan Betteridge
Casting Director Lesley Beastall
Costume Designer Jonni Fitzgerald
Hair, Make-Up & Prosthetics Bernie Long
Editing Company The Quarry
Editors Paul Watts and Scott Crane
Post Company
1920
VFX Supervisor Ludo Fealy
Colourist Kai Van Beers
Lead Artist Jamie Stitson
Sound Company No.8
Sound Engineer Sam Robson
Music Supervisor Arnold Hattingh at Theodore Music Licensing

Uber, Uber Trains, Gina made for Mother by Biscuit Filmworks, Electric Theatre Collective and Factory Studios, directed by James Rouse.
Agency Mother
Production Company Biscuit Filmworks
Editing Company Work Editorial Post Company Electric Theatre Collective Sound Company Factory Studios
UK CAMPAIGN - THE JOHN WEBSTER AWARD

EE, New EE
made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe and Elliot Power.
Agency
UK Chief Creative Officer
London Chief Creative Officer
Saatchi & Saatchi
Ben Mooge
Franki Goodwin
Executive Creative Director William John
Senior Copywriter
Senior Art Director
Chief Sales Officer
Planning Partner
Planning Director
Managing Partner
Business Leads
Account Director
Account Manager
Executive Production Director
Agency Producers
Media Buying Agency
Samuel Simmonds
George Coyle
Richard Huntington
Olivia Stubbings
Ophelia Stimpson
Jonathan Tapper
Charlotte Elwig and Rania Kouros
James Graham
Louisa Pudney
Rachel Solomon
Dan Heighes, Richard
Firminger and Harriette
MacNaughton
Essence Mediacom
Production Companies
Directors
Cinematographers
Art Practice and Love Song
Daniel Wolfe and Elliot Power
Diego Garcia and Harry Wheeler
Production Company Producers James Guy, Shirley
Production Designer
Casting Directors
Editing Company
Editors
Edit Producer
Post-Production Company
VFX Post Supervisor
Colour House
Colourist
Colour Producer
Sound Company
Sound Engineers
Sound Producer
O’Connor and Jon Adams
Arthur de Borman
Kharmel Cochrane, Claire Catterson and Holly Ritchie
Marsheen
Dave Davis and Dom Leung
Harriet Cawley
The Mill
Dan Williams
Company 3
Simon Bourne
Chris Anthony
Factory Studios
Anthony Moore and Mark Hills
Beth Massey
Music Supervision Curation

Channel 4, Idents 2023 made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe.
Agency 4creative Production Company Art Practice Animation Company Time Based Arts Editing Company Trim Editing Post Company Time Based Arts Sound Company String and Tins


BBC, Not Just Telly made by BBC Creative and Picture Shop.
Agency BBC Creative Production Company BBC Creative Editing Company Picture Shop Post Company Picture Shop Sound Company Picture Shop
Etsy, Your Mission made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.
Agency Orchard Creative Production Companies Biscuit Filmworks and Revolver
Editing Companies
The Quarry and Cut+Run Post Company Yours Truly, Kevin Sound Company Heavy Duty NYC

Stephen Grasso, Nick Smalley, Sam Osborne, Leo Weston, Mike Battcock and Miguel Wratten for Channel 4, Idents 2023 made for 4Creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company Art Practice
Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin
Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie
Anthony and James Guy
Cinematographer Daniel Landin at Eponine
Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
Animation Company Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company Trim Editing
Editor Foud Gaber
Post Company
Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors
CG Supervisors
Colourists
Lead Artists 2D Supervisors
CG Supervisors
Sound Company
Sound Designers
Audio Producers
Music Supervisors
Composers
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
Mike Battcock, Sam Osborne and Nick Smalley
String and Tins
Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Laura-Leigh Smith and Rachel Hough
Laura-Leigh Smith and Mike Bamford
Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore



Iain Murray and Dean Robinson for Apple, Quiet the Noise made for TBWA\MAL by ICONOCLAST and Electric Theatre Collective, directed by MEGAFORCE.
Agency TBWA\MAL Production Company ICONOCLAST Editing Company Final Cut Post Company Electric Theatre Collective
Pete Hodsman, Vittorio Barabani, Fabian Frank, Keith Kamholz and Selcuk Ergen for Smirnoff Vodka, We Do Atomic made for McCann NY by Riff Raff Films and The Mill, directed by The Sacred Egg.
Agency McCann NY Production Company Riff Raff Films Animation Company The Mill Post Company The Mill



Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry for Virgin Media, Goat Glider made for VCCP by Rogue, Untold Studios and Factory Studios, directed by Sam Brown.
Agency VCCP
Production Company Rogue
Editing Company Marshall Street Editors
Post Company Untold Studios
Sound Company Factory Studios
Ryan Knowles, Gregory McKneally, Dan Yargici and Antonia Vlasto for Coca-Cola, Masterpiece made for Heads Up Production and Blitzworks by Academy, Electric Theatre Collective, tenthree and Yessian, directed by Henry Scholfield.
Agencies Heads Up Production and Blitzworks
Production Company Academy
Animation Company Electric Theatre Collective
Editing Company tenthree
Post Company Electric Theatre Collective
Sound Company Yessian
Jules Janaud, Matthew Thomas, Joel Savage, Suzanne Jandu and Michael Brown for Sky Sports, The Greatest Show On Earth made for Sky Creative by Rattling Stick, Framestore and Grand Central Recording Studios, directed by Daniel Kleinman.
Agency Sky Creative
Production Company Rattling Stick
Editing Company The Assembly Rooms
Post Company Framestore
Sound Company Grand Central Recording Studios


John Joseph Holt for Channel 4, Idents 2023
made for
4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.
Agency 4creative
Executive Creative Director Lynsey Atkin
Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic
Agency Producers Lou Oliver and Lauren Holden
Copy Writer John Joseph Holt
Production Company Art Practice
Directors
Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe
Producers Tim McCourt, Max Taylor, Bonnie Anthony and James Guy
Cinematographer Daniel Landin at Eponine Momenceau
Production Designer Arthur De Borman
Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe
Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia
Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics
Animation Company
Time Based Arts
Animation Directors Nick Smalley and Chris Aliano
Editing Company Trim Editing
Editor Foud Gaber
Post Company
Time Based Arts
VFX Company Producer Chris Aliano
VFX Supervisor 2D Supervisors Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors Mike Battcock, Sam Osborne and Nick Smalley
Colourists
Lead Artists 2D Supervisors
Max Ferguson Hook and Simone Grattarola
Stephen Grasso, Leo Weston and Miguel Wratten
CG Supervisors Mike Battcock, Sam Osborne and Nick Smalley
Sound Company
Sound Designers
Audio Producers
Music Supervisors
String and Tins
Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
Laura-Leigh Smith and Rachel Hough
Laura-Leigh Smith and Mike Bamford
Composers Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore



Ash Prentice, Artem Bjork and Tim van der Mee for Alzheimer’s Research UK, Change The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.
Agency Above+Beyond
Production Company Tubby Brother Films
Animation Company Passion Pictures
Post Company No.8
Sound Company No.8
Hollie Iles for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
Agency Havas London
Production Company SMUGGLER
Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm
Sound Company 750mph Audio Company Soundtree Music
Will Hislop for Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.
Agency Lucky Generals
Production Company
Blink Productions
Sound Companies Ninja Tunes and No.8
FINALISTS & WINNERS BY BRAND
Accenture, Changing Tree made for Droga5 by Imperial Woodpecker and Electric Theatre Collective, directed by Sam Brown.
CRAFT
a Animation: CGI - Simon French, David Filipe, Matteo La Motta and Vic Lovejoy
Adidas, Gazelle made for Johannes Leonardo by Love Song, Company 3, Mathematic and Barking Owl Sound, directed by Will Dohrn.
CRAFT
a Colourist - Simon Bourne
Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.
ARROWS
a Best Over 60 & Up To & Including 90 Second Commercial Best Over 30 & Up To & Including 60 Second Commercial
CRAFT
a Colourist - Simon Bourne
a Editing - Paul Watts
a Styling - Verity May Lane
a Cinematography - Harry Wheeler
Alzheimer’s Research UK, Change The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.
ARROWS a Charity & Public Service a The Impact Award
CRAFT
a Writing - Ash Prentice, Artem Bjork and Tim Van Der Mee
Animation: 2D & Stop Motion - againstallodds
Amazon, Prime, Separation made for Wieden+Kennedy by MJZ, Time Based Arts, King Lear and Twenty Below Music, directed by Michael Spiccia.
ARROWS Digital Services, Electronics, Computer Games & Toys
Amazon, Insurance, The Women Who Lived In A Shoe made for Joint London by Somesuch, Untold Studios and 750mph, directed by Nick Gordon.
CRAFT a Production Design - Koja
Amazon, Music, Generational Queens made for Droga5 by SMUGGLER and Heard City, directed by Fenn O’Meally.
ARROWS International - The Non-British Arrow
Apple, iPhone, Action Mode made by Biscuit Filmworks and Bacon, directed by Andreas Nilsson.
ARROWS a International – The Non-British Arrow
Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.
ARROWS
a Seasonal Celebrations
a Best Over 90 Second Commercial
a Digital Services, Electronics, Computer Games & Toys
CRAFT
a Director - The Frank Budgen Award - Lucia Aniello and Anna Mantzaris
Apple, Quiet the Noise made for TBWA\MAL by ICONOCLAST and Electric Theatre Collective, directed by MEGAFORCE.
CRAFT
a VFX - Iain Murray and Dean Robinson
Apple, iPhone, R.I.P Leon made by Biscuit Filmworks and Bacon, directed by Andreas Nilsson.
ARROWS
a International - The Non-British Arrow
Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Fathom VFX and Factory Studios, directed by Taika Waititi.
ARROWS a Best Over 90 Second Commercial
a Digital Services, Electronics, Computer Games & Toys
CRAFT
a Director - The Frank Budgen Award - Taika Waititi
Apple, The Underdogs: Swiped Mac made for Apple by SMUGGLER, Glassworks and 750mph, directed by Mark Molloy.
ARROWS a International – The Non-British Arrow
Arsenal, Football Jersey, Third Kit 23/24 Launch made by Knucklehead, Creative Outpost and tenthree, directed by Marc Sidelsky.
ARROWS
a Fashion & Apparel
Art Fund, National Art Pass made for Pablo London by Somesuch, Mill+, The Mill and Sine Audio, directed by Dan Emmerson.
ARROWS
a Innovative Use Of Realtime 3D - Will MacNeil and Seph Li
Asahi, Cornish Orchards Cider, Locally Pressed made by The Corner London and Elmntl, directed by Sam Huckle, Lauri Vuohensilta and Hydraulic Press Channel.
ARROWS
Alcoholic Drinks
Bakar, Alive! made for Sony by SMUGGLER and No.8 , directed by rubberband.
CRAFT Music Video - rubberband.
Balenciaga, Spring 24 Digital Fashion Show made by ProdCo, Analog and Arnaud Lavaleix, directed by Mau Morgo.
ARROWS a Fashion & Apparel
BBC, Bitesize made for BBC Creative by Biscuit Filmworks, Selected Works and Picture Shop, directed by Bine Bach.
ARROWS
UK Campaign - The John Webster Award
BBC, Not Just Telly made by BBC Creative and Picture Shop.
ARROWS UK Campaign - The John Webster Award
BBC, Not Just Telly - Baptiste made by BBC Creative and Picture Shop.
ARROWS
Best Up To 30 Second Commercial
BBC, Not Just Telly - Happy Valley made by BBC Creative and Picture Shop.
ARROWS a Best Up To 30 Second Commercial
BBC, Not Just Telly - Line of Duty made by BBC Creative and Picture Shop.
ARROWS a Best Up To 30 Second Commercial
BBC, Not Just Telly - Vigil made by BBC Creative and Picture Shop.
ARROWS
Best Up To 30 Second Commercial
BBC, Square Eyed Boy made for BBC Creative by Blinkink, CHEAT, Stephen McNally, Major Tom and Factory Studios, directed by Sam Gainsborough.
ARROWS
Entertainment & Sport Promotions Production Design
CRAFT
a Animation: 2D & Stop Motion - Isabel Gómez, Andy Biddle and Tobias Fouracre
Beavertown, Beer, Flightmare made for Like Minded Individuals by Black Dog Films, 1920 and King Lear, directed by Alice Bloomfield.
ARROWS a Branded Entertainment
Beavertown, Beer, Paper Machete made for Like Minded Individuals by Black Dog Films, Sound Studio and King Lear, directed by Alice Bloomfield.
ARROWS Branded Entertainment
bet365, Sportsbetting, Never Ordinary made for Drummond Central by Academy, Selected Works and String and Tins, directed by Jack Driscoll.
ARROWS Financial & Corporate Services
Boots, Thank you, Santa made for VML UK by Rogue, Selected Works and Factory Studios, directed by Sam Brown.
ARROWS Retailers
Breast Cancer Now, The Chat made by BMB, Iowa Productions and Wave Studios, directed by Mary-Sue Masson.
ARROWS a Social Media Branded Entertainment
Burger King, Chicken Royale, We Give Up made for BBH by Riff Raff Films, The Mill and String and Tins, directed by The Sacred Egg.
CRAFT
a Colourist - Philip Hambi Original Composition - The Infinity Orchestra Production Design - Mike Berg Styling - Dihantus Engelbrecht
Cadbury, Dairy Milk, Speakerphone made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.
ARROWS
a Best Over 30 & Up To & Including 60 Second Commercial
a Food & Non-Alcoholic Drinks
CRAFT
Writing - Simon Connor And Steve Cross
Canal+, The Secret Of Wakany made by Partizan, BETC Paris and GUM, directed by Antoine Bardou Jacquet.
CRAFT
a Production Design - Jonathan Houlding
Cannondale, SuperSix EVO, Michelangelo made for The Corner London by Trizz and String and Tins, directed by Trizz.
CRAFT
a Sound Design – Adam Smyth
Centrepoint, Violent Night made for Wonderhood Studios by The Sweetshop and No.8, directed by Nicolas Jack Davies.
CRAFT
Creative Use Of Music - Wake The Town
Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.
ARROWS
a Best Over 30 & Up To & Including 60 Second Commercial
a Entertainment & Sport Promotions
a The Green Arrow
Channel 4, Idents 2023
made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts,Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe.
ARROWS
a Best Over 90 Second Commercial a Entertainment & Sport Promotions
a UK Campaign - The John Webster Award
CRAFT
a Achievement In Production - Bonnie Anthony and Chris Aliano
a Sound Design - Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford
a Writing - John Joseph Holt
a VFX - Stephen Grasso, Nick Smalley, Sam Osborne, Leo Weston, Mike Battcock and Miguel Wratten
a Animation: CGI - Nick Smalley, Sam Osborne and Mike Battcock
Child Poverty Action Group, Imagine made for Creature London by SMUGGLER, Blacksmith NYC and Factory Studios, directed by Adam Berg.
ARROWS
The Impact Award
CRAFT
a Creative Use Of Music - Wake The Town
Co-Op, Funeralcare, Wishes made for Lucky Generals by Knucklehead, Selected Works and No.8, directed by Charlotte Regan.
ARROWS
Financial & Corporate Services
Coca-Cola, Masterpiece made for Heads Up Production and Blitzworks by Academy, Electric Theatre Collective, tenthree and Yessian, directed by Henry Scholfield.
CRAFT
a Animation: CGI - Ryan Knowles, Gregory Mckneally, Dan Yargici and Antonia Vlasto
a VFX - Ryan Knowles, Gregory Mckneally, Dan Yargici and Antonia Vlasto
Achievement In Production Production Design
Coca-Cola, The Santa Stories - Ho Ho Heist made for VML UK and VML New York by Imagine Entertainment, PRETTYBIRD, Significant Others, Final Cut and Machine NY, directed by Steven Caple Jr.
ARROWS
Branded Entertainment
Coca-Cola, The Santa Stories - The Note made for VML UK and VML New York by Imagine Entertainment, PRETTYBIRD, Significant Others, Final Cut and Machine NY, directed by Bryce Dallas Howard.
ARROWS a Branded Entertainment
Comedy on Audible, Laugh Through It made for Fold7 by Mindseye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.
ARROWS a Best Up To 30 Second Commercial a Entertainment & Sport Promotions
Communion, Saving Application, F.U.nd made by Uncommon Creative Studio, directed by Tally Francis.
ARROWS a Financial & Corporate Services
DEFENDER 110, Embrace the Impossible made for Accenture Song by Annex, Absolute and Father, directed by Scott Carthy.
ARROWS Automotive
Devolver Digital, The Talos Principle 2, Reveal Trailer made by Big Farmer and Will McKetchnie, directed by Ryan Seville.
CRAFT
Innovative Use Of Realtime 3D - Jack Roach, Dan Greenway, Ansh Kanchan, Ryan Seville and Nicole Houseman
Diageo, Guinness, Don’t Jinx It made for AMVBBDO by Biscuit Filmworks, We Are Covert and Factory Studios, directed by James Rouse.
ARROWS
Alcoholic Drinks
Diageo, Guinness, Foot Pints made for AMVBBDO, directed by Ste Hinde.
ARROWS
Social Media
Diageo, Guinness, Zero Regrets made for AMVBBDO by Red Studios, DayDreamer and Sounds Good Studio, directed by Scott Kelly.
ARROWS a Alcoholic Drinks
Domino’s, Channel 4 Idents made for VCCP by MJZ, RASCAL and King Lear, directed by Steve Ayson.
ARROWS
a Best Up To & Including 15 Second Commercial – Exorcism
Best Up To & Including 15 Second Commercial – Train Food & Non-Alcoholic Drinks – Exorcism UK Campaign - The John Webster Award
Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER, Final Cut NY, directed by Henry-Alex Rubin.
ARROWS
a Household Goods
a The Impact Award
CRAFT
a CREATIVE USE OF MUSIC - Ogilvy and Big Sync Music
a CASTING - Gina Liotti Writing - Morgan Starr and Luke Woodard
EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.
ARROWS
a Digital Services, Electronics, Computer Games & Toys
a Best Over 90 Second Commercial
CRAFT
a Director - The Frank Budgen Award - Elliott Power
a Casting - Kharmel Cochrane, Claire Catterson And Holly Ritchie
EE, New EE made for Saatchi & Saatchi by Art Practice, Love Song, The Mill and Factory Studios, directed by Daniel Wolfe and Elliot Power.
ARROWS a UK Campaign - The John Webster Award
EE, School Night made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.
ARROWS a Digital Services, Electronics, Computer Games & Toys
CRAFT a Creative Use Of Music - Emeralds Music
EE, Sunday Funday made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.
ARROWS a Digital Services, Electronics, Computer Games & Toys
Etsy, Your Mission made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.
ARROWS a UK Campaign - The John Webster Award
Etsy, Your Mission - Twins made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.
ARROWS a Seasonal Celebrations
Eurostar, Together We Go Further made for adam&eveDDB by Riff Raff Films, The Mill, 2Veinte and 750mph, directed by François Rousselet.
CRAFT Animation: 2D & Stop Motion - The Mill and 2Veinte
Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.
ARROWS a Charity & Public Service a The Impact Award
CRAFT a Achievement In Production - Joseph Ogunmokun And Becky Bishop a Director - The Frank Budgen Award – Shirzan.
Expedia, Nothing made for Anomaly London by CANADA, Untold Studios and Wave Studios, directed by Lope Serrano.
CRAFT Cinematography - Tim Lorentzén
Expedia, Wisdom & Obi made for Expedia by Love Song, Trafik and Barking Owl Sound, directed by Justyna Obasi.
CRAFT a Colourist - Mark Gethin
Flora, Skip the Cow made for Pablo London by Biscuit Filmworks, Untold Studios and Factory Studios, directed by James Rouse.
ARROWS a Best Up To & Including 15 Second Commercial a The Green Arrow
Ford, Ranger made for AMVBBDO by Academy, 1920, Wave Studios and Parv Thind, directed by Marcus Soderlund.
ARROWS a Automotive
Ford of Europe, New Line-Up Evs. New Technologies, And Cutting-Edge Engineering, Our Time made by Chrome Productions and 750mph, directed by Chrome Productions.
ARROWS Automotive
Formula E, Racing, It’s On made for Uncommon Creative Studio by Somesuch, Untold studios and 750mph, directed by Max Sherman.
CRAFT
a Sound Design - Sam Ashwell and Jake Ashwell
Formula E, ABB FIA Formula E World Championship, Progress is Unstoppable made for Uncommon Creative Studio by RASCAL and King Lear, directed by Sam Walker.
ARROWS a Automotive a Entertainment & Sport Promotions
Free Now, Feel FREENOW made for BMB by Electric Theatre Collective, directed by Dean Robinson.
CRAFT
Animation: CGI - Dean Robinson, David Filipe, Fabrice Fireni, Tobin Brett and Alasdair Patrick
giffgaff, Ode To Bad made for neverland by Blink Productions, Untold Studios and 750mph, directed by Nick Ball.
CRAFT
a Sound Design - Sam Ashwell
Cinematography - Steve Annis
Girl vs. Cancer, Sex and Cancer made for BBH by Academy, Coffee & TV and String and Tins, directed by Sophia Ray.
ARROWS a Integrated Campaign
Greenpeace, Don’t Stop made for Mother by Lammas Park, Black Kite Studios, Leland Music and King Lear, directed by Samona Olanipekun.
ARROWS
a The Green Arrow
CRAFT
a Creative Use Of Music - Ed Bailie And Seb Whyte at Leland Music
Gucci x GQ, A Hero’s Journey: Jalen Ramsey made for Condé Nast by SMUGGLER, Electric Theatre Collective and Brother Music, directed by Ebeneza Blanche.
ARROWS
Fashion & Apparel
Hak Baker, Doolally made for AWAL Records by Riff Raff Films and Gabha Studios, directed by Hugh Mulhern.
CRAFT a Music Video - Hugh Mulhern
Harry Styles, Satellite made for Columbia Records by Pulse Films, Electric Theatre Collective and 750mph, directed by Aube Perrie.
CRAFT
Music Video - Aube Perrie
Harry’s, Razors, Feel Good, Fellas made for The Or London by Somesuch, Radioaktive, Shelter, CHEAT, Creative Outpost and The Hogan, directed by Max Sherman.
ARROWS
a Best Over 30 & Up To & Including 60 Second Commercial a Household Goods
Heineken, 150th Anniversary made for Le Pub by PRETTYBIRD UK, Black Kite Studios and 750mph, directed by Bradley and Pablo.
ARROWS
Alcoholic Drinks
Hornbach AG, DIY, Hornbach 1sq. m made for Heimat TBWA\ by Tony Peterson Film, Katalyst Berlin and Loft Studios Berlin, directed by Steve Rogers.
CRAFT
a Cinematography - Daniel Landin
HSBC, Banking, No Beeping Fees made for Wunderman Thompson by Blink Productions, Shift Post and Factory Studios, directed by Big Red Button.
ARROWS
Financial & Corporate Services
Icelandair, Easy To Stop, Hard To Leave made for Pablo London by Somesuch, Trim Editing, Untold Studios and Creative Outpost, directed by Sam Hibbard.
ARROWS
Best Over 60 & Up To & Including 90 Second Commercial Transport & Tourism
Intuit, Quickbooks, Eggs made for Wieden+Kennedy by ProdCo, Time Based Arts and Aumeta, directed by Ian Pons Jewell.
ARROWS
a Financial & Corporate Services
JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.
ARROWS a Fashion & Apparel a Retailers
a Best Over 60 & Up To & Including 90 Second Commercial a Seasonal Celebrations
JOBST Compression, Irregular Bold made for Publicis Poke by Zeta Fonts, directed by Debora Manetti.
ARROWS
HOUSEHOLD GOODS
John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.
ARROWS a Retailers a Seasonal Celebrations
CRAFT a Original Composition - Le Feste Antonucci
Just Eat, Did Somebody Say HipOpera made for Craft WW and McCann London by Craft London, Radical Media Europe, Final Cut and String and Tins, directed by Dave Meyers and Dave Dean.
CRAFT
a Original Composition - Ben Smith, Jordan Crisp, Toni Robinson and Adam Smyth
The Kraken Black Spiced Rum, The Origin made for Purple Creative by Fight Gravity, Polycat Animation, Street Monkey and HB Studio, directed by Rudolf Peter Kiss.
ARROWS Alcoholic Drinks
Leffe, Beer, Silence is Golden made for Wieden+Kennedy by MJZ, Framestore and Antfood, directed by Gary Freedman.
ARROWS a Alcoholic Drinks
Levi’s, Fair Exchange made for Droga5 by Epoch Films UK, Thomas Panayiotou and Ballad Sound, directed by Martin De Thurah.
CRAFT
a Styling - Kate Forbes
Lil Yachty, Department For Mental Tranquility made by Happy Place and Electric Theatre Collective, directed by Crowns & Owls.
CRAFT
Colourist - Connor Coolbear
Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.
ARROWS
a The Green Arrow
a Best Over 60 & Up To & Including 90 Second Commercial
a Charity & Public Service
The Impact Award
Make My Money Matter, The Hidden Relationship made for Mother by Biscuit Filmworks, Black Kite Studios and No.8, directed by Ben Strebel.
ARROWS
The Green Arrow
Marie Curie, Good Death made for CPB London by SMUGGLER, Black Kite Studios and King Lear, directed by Shannon Murphy.
ARROWS a Charity & Public Service
McDonald’s, Keep Up With The Times made for Leo Burnett by Anonymous Content, Black Kite Studios, Final Cut and 750mph, directed by Tim Godsall.
ARROWS
a Integrated Campaign
Best Up To & Including 15 Second Commercial
McDonald’s, Raise Your Arches made for Leo Burnett by Moxie Pictures, Framestore, Company 3, 750mph and Factory Studios, directed by Edgar Wright.
ARROWS
a Best Over 30 & Up To & Including 60 Second Commercial
a Retailers Integrated Campaign
Mercedes-Benz AG And All Companies Affiliated With Mercedes-Benz AG, EQS SUV, The Hunt For Glory made for Antoni Garage GmbH & Co. KG by Mill+, The Mill and Echoic Audio, directed by Tim Fox.
CRAFT
Animation: CGI - Chris Welsby, Clem Supiot, Alberto Lara, Declan Andrews and Ted Harrison
Riyadh Season, Day Of Reckoning made for BigTime Creative Shop by Academy, Truffle Film, Electric Theatre Collective and BMM Network, directed by Romain Chassaing.
CRAFT
Styling - Matthew Smith
Netflix, Immersive Experience, The Witcher Maze, Season 3 Launch made by Collective Studios and Darion Leigh.
CRAFT
Innovative Use Of Realtime 3D - Darion Leigh and Collective Studios
Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.
ARROWS a Fashion & Apparel
Social Media
CRAFT
a Casting - Casting Double a Cinematography - Rina Yang Creative Use Of Music
Nike, Football, Let it Rip made for Wieden+Kennedy by Wizz, All Of Us Here, Wizz and Storefrontmusic, directed by Gary Levesque.
ARROWS
Entertainment & Sport Promotions
Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.
ARROWS
a Best Over 60 & Up To & Including 90 Second Commercial a Fashion & Apparel
CRAFT a Styling - Lana Jay Lackey a Casting - Mollie Maguire
Nike, Sportswear, Own The Floor made for Wieden+Kennedy by Park Pictures, Black Kite Studios and 750mph, directed by Terence Neale.
CRAFT
Editing - Rich Orrick
On Running, The Right To Race made by Hungry Man, The Editors and Heckler, directed by Richard Bullock.
ARROWS a Branded Entertainment
On Running, Tri Kings made for Brother and Son by Passion Pictures, directed Future Power Station.
CRAFT
Animation: 2D & Stop Motion - Future Power Station
Palace x Kappa, Alpine F1 made for Palace by Somesuch, Work Editorial, No.8 and Factory Studios, directed by Femi Ladi.
CRAFT a Sound Design - Jack Hallett
Pernod Ricard, Kahlúa, Stir Up - Couch made for Wieden+Kennedy by Birth, Time Based Arts and 750mph, directed by Rodrigo Valdes.
ARROWS
Best Up To & Including 15 Second Commercial
Pernod Ricard, Kahlúa, Stir Up - Gasp made for Wieden+Kennedy by Birth, Time Based Arts and 750mph, directed by Rodrigo Valdes.
ARROWS
a Best Up To & Including 15 Second Commercial
PETA, Shop To Save Their Lives made for House337 by Blinkink, Absolute and String and Tins, directed by Will Wightman.
ARROWS
a Charity & Public Service
CRAFT
a Original Composition - Will Wightman and Joe Wilkinson
PUMA x Noah, Winning Streak made for Chandelier Creative by O Positive and Mack Cut, directed by Brian Billow.
ARROWS
a International - The Non-British Arrow
Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.
ARROWS
a Household Goods
a Integrated Campaign a Best Over 90 Second Commercial
CRAFT
a Casting - Kharmel Cochrane
a Director - The Frank Budgen Award - Tom Hooper
a Achievement In Production - Katie Wood And Molly Pope
a Editing - Russell Icke
a Original Composition - Peter Raeburn
a Writing - Hollie Iles
Riyadh Season, Battle of the Baddest, made for Accenture Song and Droga5 by Park Pictures, Trim Editing and 750mph, directed by Seb Edwards.
CRAFT
a Sound Design - Sam Ashwell Editing - Tom Lindsay
RNIB, Awareness, Design For Every Gamer made for The&Partnership by You Are Here, Time Based Arts and Munzie Thind at Grand Central Recording Studios, directed by Jesse Lewis-Reece.
ARROWS a Social Media
CRAFT a Innovative Use Of Realtime 3D - Georgia Paes
Royal Mail, Awareness, In Good Hands made for AMVBBDO by Stink Films, Time Based Arts and Factory Studios, directed by Tom Green.
ARROWS
Financial & Corporate Services
Samsung, Micro Miracles made for BMB and Cheil Worldwide by Cylndr, Black Kite Studios and Wake the Town, directed by Man vs Machine.
CRAFT
Achievement In Production - Clancie Brennan and Matt Posner
Sky Sports, The Greatest Show on Earth made for Sky Creative by Rattling Stick, Framestore and Grand Central Recording Studios, directed by Daniel Kleinman.
CRAFT
a VFX - Jules Janaud, Matthew Thomas, Joel Savage, Suzanne Jandu and Michael Brown
Smirnoff Vodka, We Do Atomic made for McCann NY by Riff Raff Films and The Mill, directed by The Sacred Egg.
CRAFT
a VFX - Pete Hodsman, Vittorio Barabani, Fabian Frank, Keith Kamholz and Selcuk Ergen
Squarespace, Anything made for Squarespace by Stink Films and The Mill London, directed by Felix Brady.
CRAFT
Innovative Use Of Realtime 3D - Felix Brady
Squarespace, The Singularity made for Squarespace by SMUGGLER, Black Kite Studios and Heard City, directed by Aoife McArdle.
ARROWS
a International - The Non-British Arrow
Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse made for The&Partnership by Academy, Glassworks, Factory Studios and SIREN, directed by Zhang + Knight.
ARROWS
a Charity & Public Service a The Impact Award
CRAFT
Casting - Sue Odell
Swiss Tourism, The Grand Train Tour made for Wirz Communications by SMUGGLER, The Post Arm and 750mph, directed by Tom Hooper.
ARROWS Transport & Tourism
Temptations Creamy Purrrr-ée, Cats Lose Their Cool: Holiday Special made for adam&eveDDB by Biscuit Filmworks, Time Based Arts and Factory Studios, directed by Jeff Low.
ARROWS
Household Goods
Tesco, Food Love Stories, BBQ made for BBH by Biscuit Filmworks, Electric Theatre Collective and String and Tins, directed by dayday.
ARROWS
Retailers
Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.
ARROWS a Food & Non-Alcoholic Drinks a Retailers a Seasonal Celebrations
CRAFT Styling - Lucy Hagan
The AA, It’s OK, I’m with The AA made for The Gate by Academy, The Assembly Rooms, Absolute and Grand Central Recording Studios, directed by Si&Ad.
ARROWS
a Automotive a Best Up To 30 Second Commercial
The Blaze, Madly made by ICONOCLAST, Poster Co, Savoir Faire and ANIMAL63, directed by The Blaze
CRAFT
a Music Video - The Blaze
The Chemical Brothers, Live Again made for EMI Records by Outsider, Untold Studios and String and Tins, directed by DOM&NIC.
CRAFT
a Innovative Use Of Realtime 3D - Outsider, Untold Studios, ARRI Stage London, Creative Technology and Lux Machina
The Harris Project, COD, You Don’t Know The Half Of It made for Havas NY by Love Song, Company 3, Mathematic and Barking Owl Sound.
CRAFT
a Director - The Frank Budgen Award - Daniel Wolfe a Editing - Fouad Gaber
The Hives, Bogus Operandi made by Pulse Films, Pineapple VFX and 750mph, directed by Aube Perrie.
CRAFT
a Music Video - Aube Perrie
The Royal Foundation, Centre for Early Childhood, Shaping Us made for Wonderhood Studios by Blinkink, Time Based Arts and Major Tom, directed by Sam Gainsborough.
CRAFT
a Animation: 2D & Stop Motion - Ben Edwards, Guy Hobbs, Nikki Holbrow, Sam Gainsborough, David McShane and Isabel Garrett
Thom Draft, Tense made by ICONOCLAST and Poster Co, directed by Albert Albert.
CRAFT
a Music Video - Albert Albert
Toyota, Toyota Billy made for The&Partnership by Rogue, Absolute and Factory Studios, directed by Max Fisher.
ARROWS
Automotive
Trainline App, New Realisations made for DUDE London by DUDE Milan, Coffee & TV and Operà Music, directed by Matthew Swanson.
ARROWS
Transport & Tourism
Uber, Uber One and Uber Eats, Best Friends made for Mother by O Positive, 1920 and No.8, directed by David Shane.
ARROWS
a Transport & Tourism a Best Over 90 Second Commercial
Uber, Uber Rides, Elevator made for Mother by Biscuit Filmworks, Black Kite Studios and Soundtree Music, directed by Angelo Cerisara.
ARROWS Transport & Tourism
Uber, Uber Trains, Gina made for Mother by Biscuit Filmworks, Electric Theatre Collective and Factory Studios, directed by James Rouse.
ARROWS a Transport & Tourism
Unilever, Marmite, Baby Scan made for adam&eveDDB by Biscuit Filmworks, Absolute and Factory Studios, directed by James Rouse.
ARROWS a Integrated Campaign
Best Over 60 & Up To & Including 90 Second Commercial Food & Non-Alcoholic Drinks
Unilever, Marmite, First Timers made for adam&eveDDB by SMUGGLER, Absolute and 750mph, directed by Guy Shelmerdine.
ARROWS Seasonal Celebrations
Unilever, Pot Noodle, Nothing Fills A Hole Like Pot Noodle made for adam&eveDDB by cain&abelDDB, King Henry, Academy Photo and Factory Studios, directed by Honor Northridge.
ARROWS
a Integrated Campaign
Best Over 30 & Up To & Including 60 Second Commercial Food & Non-Alcoholic Drinks
United Nations, A New Day made by Unit 9 Films and Black Kite Studios, directed by Jonathan Pearson.
CRAFT a Colourist - Richard Fearon
Virgin Media, Goat Glider made for VCCP by Rogue, Untold Studios and Factory Studios, directed by Sam Brown.
CRAFT a Animation: CGI - Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry a VFX - Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry
Volvo, The Little Things made by new—land, Electric Theatre Collective and Mattias Eklund, directed by Marcus Ibanez.
CRAFT a Editing - Nik Kohler
Women’s Environmental Network, Just FACT Food Programme, The Bigger Picture made by Really Bright Media and Soundmix Post, directed by Chelsea Jackson.
ARROWS The Green Arrow
WWF, Up In Smoke made by NOMINT and Twelve Decibels, directed by Yannis Konstantinidis.
CRAFT a Animation: 2D & Stop Motion - Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis a Production Design - Yannis Konstantinidis Achievement In Production - Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis
Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.
ARROWS a Food & Non-Alcoholic Drinks
CRAFT a Original Composition - Ninja Tunes a Writing - Will Hislop
Zara, Spring ‘23 made by SMUGGLER and Colin Davis, directed by rubberband.
CRAFT
a Cinematography - Patrick Golan
The British Arrows have a few credits of our own…
Chair
Board of Directors
BRITISH ARROWS TEAM
Simon Cooper
Alex Grieve, Anne Batz, Chaka Sobhani, Charlie Crompton, Charlie Gatsky Sinclair, Clare Donald, Danny Edwards, Dave Monk, Davud Karbassioun, Dom Thomas, Jani Guest, Katie Keith, Lee Pavey, Lisette Nice, Mark Benson, Melody Sylvester, Richard Denney, Rick Brim, Shananne Lane
Managing Director Lisa Lavender
Creative Director Michael Lenz
Operations Manager Sergio Colina Restrepo
Head of Partnerships Sophie Cantopher
Awards Assistant Millie Sharer
TBI MEDIA
Head of Events Nicci Holiday
Senior Event Producer Ciara Teggart
Event Producer Ria Penido
Event Co-ordinator Erin Robinson
SFL (Technical Production Partners)
Video & Projects Director Craig Lawrence
Project Manager Ben Reynolds
We have worked hard to produce an event with a reduced impact on the environment, in collaboration with industry initiatives AdGreen and ISLA
Printed on paper made under the strictest environmental certifications - ISO 14001 and EMAS – and PEFC and FSC chain of custody certification, thereby guaranteeing the wood and pulp used as raw materials have been sustainably sourced.
STAGING & TECHNICAL (SFL)
Using electric vehicles to transport crew where possible
All equipment coming from one location to reduce trucking
Staging solutions are used between events and any consumable materials are recycled SFL use green sourced power at our premises via Octopus
We are also part of Isla which is a trade body looking at ways to make the events industry more sustainable.
VENUE & CATERING
Marriott strives to be a force for good. Our sustainability and social impact platform, Serve 360: Doing Good in Every Direction, guides our path to making a positive and sustainable impact wherever we do business.
We hope you all had a wonderful night, and we’ll see you next year!
With special thanks to

For producing our beautiful on-screen content
Creative Director CGI Ben Blundell
VFX Supervisor
Lead Compositor
2D Artist
CG Generalist
Kate Gabriel
Leanne Pletersky
Toby O’Connell
Vicky McIntyre
VFX Producer Ellie Thwaites
VFX Producer Hannah Jarrold
For composing and curating the fantastic music for the night
Sound Design and Mix


Mark Hellaby
Supervising Sound Engineer Sam Ashwell
For the amazing shortlist sizzle
Executive Producer Candice Chubb
For throwing a fabulous after party
For hosting our jury over 6 days
For helping us with our first ever virtual production
Director/Director of Photography Rob Payton
For producing the sponsor films
Head of Production Gemma Priggen
Senior Production Assistant Heza Jalloh
Runner Rachel Akinola

For editing our chairs intro and all this year’s sponsor films
Foundng Editor and CEO Rick Russell Editor Matt Gabzdyl
ENTRY OPENS 13TH MAY 2024
