The British Arrows Awards 2020

The British Arrows 2020 Book of the Night Thursday 25th March 2021

Contents

Forewords ARROWS Jury CRAFT Jury Our Generous Sponsors

4 11 15 17

Fellowship Award Advertiser of Excellence Commercial of the Year Agency of the Year Production Company of the Year Made in Lockdown Award

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Winners by Category

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Finalists by Category

137

Thank You

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Foreword – Jani Guest & Clare Donald Chairs of the Board

We were both extremely honoured to have been nominated as the new co-chairs of the British Arrows last year, and it’s amazing how quickly that year has gone.

Taking over the helm in such a turbulent political and economic landscape, we wondered what the impact of that would be on the British Arrows. Thankfully, and to our utter delight, the industry has once again proven its resilience and commitment to forever forging outstanding work despite the many obstacles it might face.

If there was one particular theme that pervaded the work, it was that this magnificent island committed itself in 2019 to messaging that reflected the larger global discussions happening at the moment - the future of our environment and racial and gender equality, to name just a few. We love that the industry continues to champion real change.

The judging was a triumph. We appointed two extraordinary Chairs: Hollie Walker, Creative Director at Wieden+Kennedy to lead the Arrows, and Matthew Fone, Owner of Riff Raff Films for the Craft Awards. They brought so much to the table and we cannot thank them enough.

As for the awards themselves, we’ve mixed that up too. We wanted a show that honoured the winners, without its duration feeling overly indulgent. And we feel, and hope you agree, that we’ve cracked a clearer way to applaud your work.

We are transitioning the British Arrows Doorway (BAD) initiative into the new Young Arrows Awards, renewing our efforts to support young people from diverse backgrounds and expanding our reach to the BAME, LGBTQ and disabled communities. We have also strengthened our relationship with The History of Advertising Trust, supporting its indispensable role as the archive of all the great work we produce.

We’ve been to Minneapolis to promote the unique relationship that the British Arrows has with the Walker Art Center. It was overwhelming to see how much excitement there is in the Purple City for your work (Prince is from Minneapolis in case you’re confused by the purple ref...). In one month, 35,000 people attended the exhibition to watch and admire the work you create. We negotiated a further three years with the Walker folk and we really want to expand this opportunity to champion British advertising further afield.

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FOREWORDS

And as for the work…! Another record year from you clever people. Entries were up by 15%, from 149 companies - 28 of whom had never entered before. We sold all our tickets in record time, and we spent 7 full days with our amazing 51 jurors carefully and sometimes robustly debating the relative strengths of all the fabulous films you’ve submitted. It’s so wonderful to see that the British Arrows is still dear to such a huge and diverse community - thank you for your work, your passion, your time and your support.

It should be noted that we couldn’t have done any of this without the amazing support of Lisa Lavender, our new Operations Director, alongside her team. Thank you, Lisa.

We are so thrilled to have been given the opportunity to chair the British Arrows. It’s as dynamic as the industry we love: ever changing, ever growing and ever adapting as we face the struggles that modern Britain throws at us. You all do it with bravery, wit and charm.

The Awards Show is a fabulous reflection of that. We very much hope you enjoyed the evening as much as we have enjoyed putting it together.

Jani & Clare (continued) THE BRITISH ARROWS AWARDS 2020

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Foreword continued...

Jani Guest & Clare Donald Chairs of the Board

Dear Industry Friends, Please indulge us for a moment… We were asked to be the new Chairs of The British Arrows in 2019, and duly wrote our forward for the 2020 show early last year when coronavirus was a far-eastern whisper. We dismissed those early concerns about what it might mean for the show as simple paranoia. As we happily penned our excitement about our first awards show as Chairs, we could not have begun to imagine how far reality was going to take us.

And here we are, almost exactly one year from our previous date, at last managing to celebrate your brilliant work – both from the original 2020 awards as well as our Made In Lockdown category that had such overwhelming engagement.

We decided to publish our words from last year alongside this updated piece, because it’s such a dramatic documentation of how much has changed since Covid hit our industry so hard.

2020 provided challenges for everyone; but what prevailed was that the love of storytelling withstood the pressures of the pandemic. We were thrilled to see the number of entries for our ‘Made In Lockdown’ category, and the incredible quality you managed to maintain.

While the industry proved its strength by weathering the turbulent year, The British Arrows wanted to contribute by supporting young people in their aspirations to become part of our industry.

We announced our partnership with Create Jobs at A New Direction to launch their Future Creative Content Now course. The six-week, multidisciplinary, content creation course will allow young people to gain and develop skills in digital storytelling & production. We are delighted to be a part of supporting the next generation of storytellers.

And finally, we would like to congratulate all of you for continuing to show your resilience and courage over this past year.

As Co-Chairs of The British Arrows, we remain humbled, honoured, and proud to be part of this remarkable industry.

And although it is a virtual event, we do hope that you have all enjoyed watching this evening’s British Arrows 2020 show.

Jani & Clare

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Foreword – Lisa Lavender British Arrows Operations Director

In May 2019 Clare left me a message saying she had something odd to ask me. Intrigued I of course called her straight back. Never in a million years would I have guessed that call would lead to me putting on The British Arrows 2020 Awards.

Having spent my entire career in this industry – in the early days making ads but for the last 20-plus years trafficking and delivering them – to be an integral part of the most prestigious awards business in the UK has been a dream come true. Really!

Unfortunately, that dream turned into a nightmare when COVID shut us down just two weeks before the show. Two postponements and a third wave and our plan to return to the Grosvenor House this year fell apart. Not to be beaten, we rolled up our sleeves for a rethink and with our fantastic event company, TBI Media devised the live stream event we hope you enjoyed this evening.

A particular highlight from tonight’s show is the Made in Lockdown collaborative film we were able to make with the support of Create Not Hate and The Elements Music.

It’s a snapshot in time from one of the most difficult and challenging periods in our industry’s existence and demonstrates how resilient we really can be. This 90 sec film is a little piece of history representing work produced in the first lockdown and the feelings of 16 year old Jaiden Chang reflecting on lockdown life for a teenager.

The journey from starting to accept entries to the publication of this book has been a challenging yet joyful one. It’s always a fine line to walk, preserving the legacy of a business with a 44-year history to refreshing and improving things for the future. Whilst we were not able to put all our plans into place the generosity of the industry will allow us to plan the 45th Awards and realise our dream to modernise the Show for this shiny new decade. We have lots of exciting plans to shake up the categories and streamline the awards to fit better the world we operate in, one that is likely to change even more as we come out of the Covid tunnel.

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FOREWORDS

Looking forward, our plans to host the first Young Arrows Awards last October were also impacted. The Young Arrows Awards aim to capitalise on the fantastic work started under our BAD (British Arrows Doorway) initiative, continuing our heritage of honouring the best in moving image commercial content creation from the next generation. The aim of the Young Arrows is to be more accessible to young talent while shining a light across a variety of crafts and skill sets.

The plan was to donate the proceeds from the evening to fund a British Arrows and APA-endorsed creative/production training course in Spring 2021. Whilst we could not fulfil that promise we did continue to partner with Create Jobs, a leading employability programme powered by non-profit, A New Direction. Since 2011, Create Jobs has been transforming London’s workforce by supporting and developing individuals who are underrepresented in the creative and digital sectors. Our ambition is to launch Young Arrows fully later this year if the industry recovers sufficiently to support it. Our joint mission is to connect young, diverse talent with development opportunities within our industry.

Last but never least, I would like to thank our incredible Board for their ongoing support, especially through the exceptionally challenging past 12 months!

Congratulations to everyone who was shortlisted as well as our worthy winners – we are so very proud of the work that we can showcase to the world.

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Foreword – Holly Walker Chairwoman of the ARROWS Jury Creative Director, Wieden+Kennedy The advertising world keeps turning.

New clients, new techniques, new formats, smarter ways to avoid them.

But some things never change.

Human beings are story obsessed creatures, every one of us.

We’re moved by them, entertained by them, and challenged by them.

On the sofa, on the bus, sometimes even on the toilet (I’m told).

Great storytelling, well executed, gets all of us, all of the time.

Judging the Arrows is a chance to sit at the helm and cast an eye over what this industry is still capable of when it doesn’t shirk its responsibility as crafters of great stories. When it acknowledges that a job worth doing is a job worth staying up all night arguing with a client in another timezone for. We might only be making ads but this is a room full of people who are proof that we can still make some bloody good ones.

It was an honour to be asked to chair the British Arrows. It was equal parts draining and inspiring to spend days holed away in that dark room with a bunch of incredibly talented people who even, after three days of watching telly ads solidly, were still excited and passionate about arguing for great ideas.

So have a flick through this year’s winners. Remind yourself of the ideas, creativity and craft in this industry. Drink in the quality of emotions we can invoke - the brilliance of the stories that unfold in the mere moments we’re given.

See where the ceiling is set, then smash your way right through it.

Thank you to Clare, Jani and the Arrows team for having me. It’s been a pleasure.

THE 2021 FOOTNOTE Just as I’d crafted all those fine words about storytelling, our collective story ended up in the shitter. Offices closed. Face to face meetings were halted. Shoots cancelled (how I miss the snacks).

And our awards outfits never had the outing they deserved (arguably a blessing.)

Whisper it... but it turns out we can still do our jobs from our kitchen, dining, garden and bedside tables. But whilst our new commute has been shorter, the process has not nearly been as fun, inspiring, collaborative or as creative as it should be...as it must be.

So, hopefully as you read this things are improving, we’re still washing our hands, but now enjoying non-substantial meals in pubs, and as an industry getting back to what we do best, together.

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FOREWORDS

ARROWS Jury

BACK ROW (L–R)

FRONT ROW (L–R)

James Allen, Partner, Time Based Arts Olly Calverly, Head of Broadcast, VCCP Rob Wester, Creative Director, McCann Tor Fitzwilliam, Executive Producer, Anonymous Content Graeme Hall, Creative Lead, Google Creative Lab Victoria Keenan, Head of Film Production, BBH Danny Brooke-Taylor, Creative Director, Lucky Generals Cindy Tervoort, CEO Beerwulf, The HEINEKEN Company Anthony Falco, Chief Production Officer, adam&eveDDB Rupert Reynolds-Maclean, Managing Director, Biscuit Filmworks

Philip Jacobson, Ex Brand Communication EMEA, Nike David Wigglesworth, Creative team, Droga5 Clare Donald, Chief Production Officer, Publicis Groupe - British Arrows Board of Directors Co-Chair HOLLIE WALKER, Creative Director, Wieden+Kennedy Jani Guest, Managing Director, Independent Films - British Arrows Board of Directors Co-Chair Kemi Anthony, Marketing Communications Manager UK & Ireland, IKEA Patrick Cahill, Joint Head of Production, Havas

MIDDLE ROW (L–R) Suzy Brown, Head of Marketing - UK & Ireland, VISA Rebecca Hunter, Head of Broadcast, Karmarama Fi Kilroe, Executive Producer, Freefolk Alex Grieve, Chief Creative Officer, AMV BBDO Heather Wright, Executive Producer & Creative Industries Consultant, Springboard Creative Rebecca Williams, Head of Film, Saatchi & Saatchi Rebecca Pottinger, Creative Director, BBC Genevieve Sheppard, Producer, Freelance Sam Hibbard, Director, Somesuch

THE BRITISH ARROWS AWARDS 2020

NOT PICTURED Vix Jagger, Creative Director, Anomaly

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Foreword – Matthew Fone Chairman of the CRAFT Jury Owner, Riff Raff Films Things that went through my mind being asked and actually chairing the craft jury.

Before - Thanks to the people who put me forward and had faith in me, Claire, Jani & Tracey Cooper and The Board of the British Arrows.

- Why me? Did they get the wrong person? What do I know that other people don’t?

- Humbling, honoured.

- Fuck who am I going to choose that is not just someone pushed on me?

- Who are the best people I know who can judge this but also the right type of person who won’t be a) annoying b) too loud and opinionated.

During - And they need a photo... ok they rejected my photo!

- We are the people who decide what is good or not. 20 people in a small room, the audience 1200 people at the Grosvenor House Hotel.

- 9am starts are you sure?

- Switch brain to awards mode... actually quite enjoying the fact I don’t have to vote.

- Is this a good year? Good bunch of people. Day 3 already. I could do with a drink... ...everyone is going home. Picked the wrong people.

After I was once on a jury where the chair thought that what was voted on to win would send not just a message BUT a direction out to clients, agencies and production companies as to where advertising should be going.

It made me think about what defines the top work and how that should be judged, BUT you can only award what is put in front of you, so any year is dependent on the work to push that direction, a kind of chicken and egg situation.

There is always a fight between the creative sections who want to make award winning work that sell brands and products and the brands and marketers who want to make work that increases profits and commercial benefits over ideas. I guess the best work transcends both keeping everyone in the room happy.

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This year there was no overall work that swept the board, no Gorilla, no Nike LDNR, no Viva la Vulva, no average Christmas ad that won more than it deserved (thank God).

The problem though is when this happens do works like this skew the overall calibre of what we have done in a year, or what is really happening in our industry?

Can one or two pieces of work really cover the complex areas we should be addressing in advertising.

I do think you need work that asks the question, or rather provides an answer in how it works as piece of communication to the actual audience. And that audience is changing.

So, something that works both in social media (yes we need a separate category) as well as the old timers 30 sec cut downs for TV (this is just another screen) is where I think the next piece of outstanding work should be and drag the direction of where our advertising industry should be moving.

How people consume, especially the immediacy of social media is a reflection of our society and how it operates, for better or worse so this needs to be an integral part of the craft and ideas of our industry to help us rebalance and push the imbalances I think we all know are self-evident.

If there was one take out for me, and it’s the same as that jury conversation, we do need to push the edges to pull the mainstream along, but for me that opportunity is as much in the platforms and consumption as in the idea. But what has always been true for me is the timeline of idea, craft in production, media strategy, engagement should all work together as all parts create that one off.

Too many words, but don’t worry no-one actually reads this … you guys asleep at the back wake up.

A great thanks to everyone at the Arrows especially Jani, Claire. Lisa and Sergio, and of course all the people on the jury for kindly giving up their time and opinion, very much appreciated.

Matthew (continued)

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Foreword continued...

Matthew Fone Chairman of the CRAFT Jury Owner, Riff Raff Films Revised Intro post Covid.

Re-Reading that intro it does seem a lot of words!

All I meant to say was in advertising “the idea is still king”. Nothing in the last year has changed my mindset apart from focus it.

This idea now more than ever needs to include how people interact and consume digital platforms, social media, good old terrestrial channels. I am not quite sure many pieces of work think of this when they are developed, it’s a deliverable rather than an integral part of the idea.

And please don’t use the words 360, or integrated campaign, it never is, or I mean the idea never is.

In these terrible Covid times I think there is a thought that rings true, as hard as it may be to think about, that adversity breeds opportunity. Good advertising preempts, reacts, and influences.

What I mean by opportunity is all of the above: an idea, how we communicate that idea and how people consume the idea. Within that there also needs to be a need to be more accountable to the social economics and diversity of the consumer. It can seem an impossible jigsaw but something as simple as a burger slowly going mouldy is a great example of how a brilliant idea does all of this, while even taking a pop at its competitors. Or the outstanding taboo breaking bravery of Libresse, which continues to use its risk-taking campaigns to help body positivity and diversity.

Advertising in the past used to reflect the state of consumerism, but more and more it is beginning to affect it. So let’s see more of these campaigns at next year’s British Arrows.

It’s not about being brave as a CMO its about trusting good ideas and the people who make them.

Still too many words.

Matthew

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FOREWORDS

CRAFT Jury AUDIO STANDING (L–R) Munzie Thind, Sound Designer, GCRS Ed Bailie, Director, Leland Music Napier Bonnet, Director, Ricall Music Supervision Anthony Moore, Creative Director, Factory SEATED (L–R) Dann Liebermann, Executive Producer, The Elements Music MATTHEW FONE, Owner, Riff Raff Films Imogen Pring, Head of Production, Goldstein

POST STANDING (L–R) Dan O’Rourke, Founder, Not to Scale Joe Guest, Editor, Final Cut Alex Lovejoy, Creative Director, MPC Alistair Thompson, Head of Innovation Lab, Epic Games Mike Skrgatic, Founder, Time Based Arts SEATED (L–R) Helen Hughes, Producer, Framestore Paul Harrison, Colourist, Freefolk MATTHEW FONE, Owner, Riff Raff Films Anna Roberts, Head of Operations, Nexus

AGENCY / PRODUCTION STANDING (L–R) Graham Bird, Founder, Black Kite Productions Chris Watling, Head of Production, Droga5 Juliette Larthe, Executive Producer, Pretty Bird Katie Keith, Executive Producer Alfred Thirolle, Student Mike Sutherland, Executive Creative Director, adam&eveDDB SEATED (L–R) Sorcha Shepherd, Executive Producer, Caviar Dylan Southern, Director, Pulse Films Grace Snell, Costume and Wardrobe, Freelancer MATTHEW FONE, Owner, Riff Raff Films Nanu Segal, DOP, Lux Artists John Ogunmuyiwa, Creative Director, Havas Jacqueline Gershinson, Consultant

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Without the generosity of our sponsors the show wouldn’t be possible.

24/7 x Radioaktive Film | www.radioaktivefilm.com 247 x Radioaktive is an exciting new venture bringing together two leading players from the world of international service production to offer a brand-new partner in Eastern Europe’s most cosmopolitan production hub, POLAND. Years of friendly competition are now consolidated in a joint embarkment that aims to provide excellence in production facilities in a vibrant and cosmopolitan territory that offers high-end production value at a cost-effective price. The team is headed by seasoned producers from Ukraine and Spain with the in-house support of some of Poland’s best local knowledge to deliver rock-solid production with the flair for which both companies are known, which, combined with the strength and diversity of Warsaw and Poland as a whole, makes a winning combination.

adam&eveDDB | www.adamandeveddb.com We are a creative agency dedicated to making work that works. A place that believes in the power of creativity to create the change we want to see in the world. A place full of audacious and famous ideas that help grow businesses and shape cultures. A place packed with the energy and passion to make things happen. A place where egos are left at the door, because we know none of us is as smart as all of us. A place that welcomes ‘adam&everyone’ and helps them be the best they can be.

BBH | www.bartleboglehegarty.com Bartle Bogle Hegarty (BBH) is one of the world’s most famous creative agencies. We did the ad agency differently back in 1982. And today we are no longer just an ad agency. We apply the same level of BBH thinking, care, craft and magic to the entire customer experience.

We believe in the power of difference to make a difference. We are ranked as the most effective creative agency in the UK (IPA) and the fourth in the world (Warc Effective 100).

BBH is part of Publicis Groupe and has offices in London, New York, Singapore, Shanghai, Mumbai, LA and Stockholm, and employs 1000 staff worldwide. We are proud to have consistently been named as one of the Sunday Times 100 Best Companies to Work For for the past decade.

Cinelab | www.cinelab.co.uk Cinelab London opened its doors in 2013 launched by a team of film and post production specialists, bonded by their passion for film and the craft involved in the processing and finessing of it. Their mission? To support all filmmakers choosing celluloid film as their creative medium of choice. Now Europe’s leading film laboratory and film facility, as well as the only laboratory in the world providing a complete solution for all motion picture film formats, S8, 16mm, 35mm and 65mm. From processing, digital scanning through to final deliverables. In 2019, Cinelab London worked on almost 600 commercials across every genre of advertising, including John Lewis and Partners, BMW, Mercedes, Nike, Adidas, Guinness, Heineken, Coors, Gucci, Chanel, Sennheiser and Marshall.

“Thank you to all our clients for placing their trust in us, we are all proud to have played a part in so many of the shortlisted commercials.

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Electric Theatre Collective | www.electrictheatre.tv As Edison was to the lightbulb, and Victor Frankenstein was to dead body parts, and Bob Dylan was to acoustic Bob Dylan, so Electric Theatre Collective is to, er… not electric theatre collectives... of which there are none in the field of visual effects, so that is a pretty poor analogy. But what can we say? Everyone at Electric is tired, so very tired, just flat out producing ground-breaking work and winning awards since we burst onto the scene in 2011, like a reanimated rampaging monster with bolts in its head. Our brains are fried and no good for analogies, only for VFX. Put simply, and slightly more seriously, we are a collective of artists who pride ourselves on being a hub of talent across all disciplines of visual creativity – CGI, 2D, animation and colour grading. And that, for now, is about all there is to say about ETC, except that ETC stands for et cetera, and there is indeed much more to come!

Finger Music | www.fingermusic.tv With offices on both sides of the Atlantic, Finger Music is one of the leading suppliers of music services to the advertising world. With an award-winning roster of world class composers and music supervisors Finger has written or sourced music for all the major advertising agencies and brands. Recent clients include O2, BT, McDonalds, Mercedes, Guinness, Hewlett Packard and many more.

Finger is delighted to sponsor the British Arrows 2020.

Framestore | www.framestore.com Framestore brings extraordinary ideas to life in any space or screen through craft, imagination and technology.

Founded in 1986 in London by a team of just five, Framestore has grown to a global company of more than 2500. The Oscar-winning creative studio has created pixel-perfect images for iconic advertising campaigns for major worldwide brands, building a celebrated portfolio of work underpinned by an intrinsic understanding of VFX. Framestore has collected a multitude of industry awards, including a record number of Cannes Lions in 2016 and many Gold British Arrows over the years, reflective of the creative studio’s position at the forefront of innovation.

Moore Kingston Smith | www.kingstonsmith.co.uk Moore Kingston Smith is a leading audit and accounting firm for all creative businesses, supporting them throughout their growth journey, providing a full range of audit, tax and outsourcing, as well as legal and strategic advisory services. To reflect the sector’s growth, we have a media specialist corporate finance arm. Our experts offer a comprehensive service advising on M&A, fundraising, due diligence and MBOs. International expansion is of increasing significance for a number of businesses. At Moore Kingston Smith, we support businesses as they move into new markets, providing commercial and timely advice throughout the transition and using our global accountancy and consulting network, Moore Global.

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SPONSORS

MPC | www.moving-picture.com Moving Picture Company (MPC) is a global creative studio with a single goal, to make any vision a reality. With decades of storytelling experience, MPC pushes the limits of what is technologically and artistically possible to tell visually stunning stories. MPC continues to lead in an ever-evolving industry, building authentic and long-lasting connections with audiences across all channels. Recent notable and award-winning work includes Ridley Scott’s ‘The Seven Worlds’ for Hennessy, Dante Ariola’s ‘Legend’ for BMW as well as Oscar winning films ‘The Jungle Book’, ‘Life Of Pi’ and Sam Mendes’ ‘1917.’

Peach | www.peachvideo.com Peach radically simplifies the workflow that moves all video ads from edit through to platform, broadcaster, ad server, social media app and more. Our platform powers efficiency with collaboration, security and speed whilst ensuring only the highest quality assets are available to view by the intended consumers - any device, any place, any format, anytime.

Peach is the #1 player in most major economies, working with the world’s leading creative agencies, media owners and advertisers such as Unilever, L’Oreal and Universal Pictures.

Source Creative | www.sourcecreative.com Source Creative is the world’s largest, constantly updated database of commercials, creatives, directors, agencies and brands. Encompassing a fully tagged and credited archive of video advertising, dating back to the 1950s, the database not only houses the spots themselves but also cross-referenced and up-to-date contact information for the companies and people involved.

On top of this, Source also contains added-value features that make it a market leader including the ability to make personalised notes set against any spot, person or company; high-res downloadable stills from every second of every film in the archive; easily buildable mood reels; a consistently updated repository of unsigned talent in Scout, and more...

Combined with the world-renowned editorial resource Shots and rapidly-growing reel-sharing platform Slate – both two-way linked to the powerful archive – there’s a reason that Source Creative is the industry’s leading research, discovery and pitching platform.

The Elements Music | www.theelementsmusic.com The Elements Music is an award-winning original music, catalogue licensing and sound design company with offices in London and Los Angeles. The shop is best known for its unique approach in creating ‘mini-records’ for advertising – authentic, record-quality original music that makes the end user ask, “Where can I get that record?”

The Elements has crafted music and sound for many of the world’s top brands such as Nike, Samsung, BMW, Dyson, Uber, and Land Rover to name a few, using a network of elite independent artist and composers from around the globe, guided by growing in-house production teams in their UK and US studios.

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Talent Republic | www.talentrepublic.co.uk Established in 2006, Talent Republic (TR) are a leading, independent, A-list Celebrity talent-brokering consultancy, delivering fully integrated talent-led marketing campaigns across the globe. This includes endorsements, voiceovers, personal appearances, PR activity and bespoke social media planning and implementation.

TR’s focus is on securing and matching the very best possible names for each individual brief, both creatively and strategically. The scope of TR’s services covers research, insight & analysis, contracts & negotiation, cross-media expertise, risk assessment, and compliance with all territory specific Union and Tax agreements.

With an international reach that spans high-profile talent in film, TV, music, fashion and sports - as well as influencers and rising stars - key names we have secured include Alicia Keys, Chris Evans, Chris Hemsworth, Elton John, Gerard Butler, Jeremy Renner, Maria Carey, Owen Wilson, Rihanna, Ryan Reynolds, Shakira and Snoop Dogg. International brands TR have worked with include Barclaycard, British Airways, British Telecom, Emirates, Ford, Just Eat, MG Motor, Muller, Renault, Snickers, Vodafone and Walkers.

TR believe, in a world where brands increasingly desire to have a large and more global reach, that A-list Talent can be one of the most effective ways to transcend cultural and geographical borders.

The Mill | www.themill.com The Mill is a global creative partner for agencies, production companies and brands, working across all media channels and platforms.

We are trusted specialists in visual effects, creative technologies and content production.

Our projects include the creation of digital products and virtual experiences, as well as world-class visual effects and video production.

We are a vibrant network of talented artists, producers, directors and creative technologists from multinational backgrounds. We nurture innovation, flexibility and diverse ideas across our studios in London, New York, Los Angeles, Chicago, Berlin and Bangalore. We are all united by one single ambition: To create extraordinary and memorable work that captivates and excites audiences.

Thinkbox | www.thinkbox.tv Thinkbox is the marketing body for commercial TV in the UK, in all its forms. It works with the marketing community with a single ambition: to help advertisers get the best out of today’s TV. From understanding how audiences engage with TV advertising, uncovering what the latest technological developments mean, explaining innovative and affordable solutions, and encouraging creativity to providing the rigorous proof of effectiveness that advertisers need, Thinkbox is here to help businesses meet their marketing objectives.

Thinkbox celebrates creative excellence in a variety of ways, from our film series ‘3 great ads I had nothing to do with’, our bi-monthly awards for TV ad creativity with Campaign (The Thinkboxes), right through to our continued proud support of the British Arrows.

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SPONSORS

Unit | www.unit.tv We are UNIT, London’s largest independently owned creative studio.

Our key value is creative excellence. The company has been built from the ground up around just that value.

We also believe in breaking boundaries between disciplines. And we are dedicated to every client’s individual needs, working closely to collaborate, which means we can offer the very best in VFX, CGI, Design, Grade, Sound and Print capabilities across Commercials, Broadcast, Digital, Film and TV. We pride ourselves on our people – the team of VFX and CG artists, designers, producers, colourists and sound designers that are at the heart of UNIT all ensure that their client partners are made to feel welcome from start to finish on every project – working closely in this family run company is key to our success.

With real passion for what we do and the craft we hone, we are committed to ensuring our team works on the most exciting projects possible – to make sure we exceed all client expectations and develop truly memorable, disruptive and shareable work.

Unreal | www.unrealengine.com Epic Games’ Unreal Engine technology brings high-quality games to PC, console, mobile, AR, and VR platforms. Creators also use Unreal in the production of films, television shows, architectural visualizations, automotive design and manufacturing, transportation, advertising, live events, and training and simulation applications. Follow @UnrealEngine and download Unreal for free at unrealengine.com

Walker Art | www.walkerart.org The Walker Art Center, located in Minneapolis, is a catalyst for the creative expression of artists and the active engagement of audiences. One of the most celebrated art museums in the United States, the Walker Art Center is known for its innovative presentations and acclaimed collections of contemporary art across the spectrum of the visual, performing, and media arts. Walker programs examine the questions that shape and inspire us as individuals, cultures, and communities.

The Walker’s Moving Image program presents a wide range of moving image artists and contemporary filmmakers, explores the history and creative use of the cinematic medium, represents our global community, and engages our audience with artistic approaches to the ideas that define our times. We offer cinematic experiences through screenings presented in our state-of-the-art cinema, self-select Bentson Mediatheque, and within gallery installations.

The Walker maintains a collection of avant-garde films, documentaries, world cinema, and video works within the Ruben/Bentson Moving Image Collection.

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PHOTO: CAMPAIGN

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SPECIAL AWARDS

Fellowship Award

SPONSORED BY

Awarded to Paul Silburn (Posthumous Award) Written by Nick Bell One evening in late November last year, I learned that - suddenly and prematurely my friend Paul Silburn had died.

At the same time I lost a friend, our industry lost one of its very best.

Paul started his advertising career relatively late.

And he left it too early.

But in the intervening years, Paul created more great work than most people can dream of.

If you Google Paul Silburn Home (and I strongly recommend you do), you’ll see what I mean.

Paul’s work really did enter both popular culture and awards annuals with extraordinary regularity.

He made a fisherman kick a bear in the balls so John West could have the freshest salmon.

And he made porn stars wrestle golfers for Sony PlayStation.

He made Penguins fly for BBC iPlayer.

And he made ‘Ave it’ and ‘Top bombing’ part of the British vernacular.

Paul turned Winston Wolfe from Pulp Fiction into the face of Direct Line Insurance.

He flash mobbed Liverpool Street Station and had the Royal Family rocking out to ‘House of Love’ to bring world fame to T-Mobile.

He made millions of people actually enjoy the British Airways safety video.

And he made millions of pounds for Unilever by writing ‘The Lynx Effect’.

But for all his success, Paul was just a really good bloke.

Anyone who knew Paul would testify that he was that rare being – an outstandingly talented individual whose feet remained firmly planted on the ground.

He was, just like the brilliant John Smith’s ads he wrote, No Nonsense!

Shortly before Paul left us, Patrick Collister told Paul he believed him to be the best writer of TV advertising since the great John Webster.

Humble to a fault, Paul was having none of it.

Well I’m sorry my old friend - I’m with Patrick on this one.

Every year at these awards, the very best work is recognised with Golds, Silvers and Bronzes.

But The British Arrows Fellowship is reserved for serial winners.

It is reserved for those who wear out the carpet to this stage year in, year out.

Given his outstanding body of work, I am quite sure that at some stage Paul would have won this award anyway. But following his untimely death, the Board of The British Arrows voted unanimously that The British Arrows Fellowship for 2020 should be awarded to Paul Silburn.

I wish to God Paul was here to collect it himself.

THE BRITISH ARROWS AWARDS 2020

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SPECIAL AWARDS

Advertiser of Excellence

SPONSORED BY

Awarded to Apple Apple have always known how to make a statement. In fact, their leaders and products are statements in themselves. When it comes to their advertising vision, this is no exception.

Apple are one of those brands whose ads transcend the medium. They’re talked about by everyone; from consumers on the street to creatives and commentators alike. They have made it their business to step right up to the status quo, stare it in the eye and subvert it beyond recognition. Breaking and remaking the mould. Demanding our attention with disruption. Ripping up the rule book and writing another one, but one that’s cooler, smarter, funnier – one that just gets us better.

They first burst onto our screens and into our advertising consciousness on January 22, 1984, during a break in the third quarter of the Super Bowl. Performance anxiety was never a problem.

Statement well and truly made.

The ad itself took inspiration from the book 1984, showing an athletic, vital heroine running through an Orwellian world, the only free spirit standing up to Big Brother amongst a grey and passive population. The ad was also a mischievous dig at IBM, and the birth of a rebellious, challenger mindset that has come to define the company and its advertising over the last thirty-plus years – even when they themselves had become one of the most powerful brands in the world.

Just like their era-defining products, and their visionary philosophy, their work has become part of our cultural consciousness. In the 1990s, with the help of a cast of notable mavericks from Albert Einstein to Kermit the Frog they encouraged us to ‘Think Different’. In the 2000s, they tempted us to ‘Switch’, or simply to ‘Get a Mac’ and invited us to ask ourselves honestly, whether we were a Mac or a PC (and there was realistically only one cool answer). With the birth of the iPod came the iconic ‘iPod people’ ads, silhouetted images of members of what was quickly becoming the world’s coolest club.

Our industry has played a vital role in making Apple’s vision a reality. This creativity, daring and technical expertise has been recognised and celebrated by the British Arrows on countless occasions. In recent years, to launch the iPhone 7, we were treated to ‘Detour’, Michel Gondry’s epic tale of the toddler’s tricycle that gets lost on a family road trip and ends up with a new owner (I’m not crying, you’re crying!). The ‘Welcome Home’ campaign saw a jaded, world-weary commuter re-energised and reminded of her vibrant energetic self by her Apple HomePod. One of this year’s winners, ‘The Underdogs’, tells the story of how a group of regular, slightly geeky, but downright and endearingly normal office colleagues can find their purpose and surprise themselves with what they can achieve if they work hard, commit fully to their ideas and don’t take no for an answer. 36 years on from their first televised advert and many, many products and campaigns later, it’s a message that is still unmistakeably, defiantly Apple.

Apple and its products are so embedded in our society, and play such a fundamental role in how we engage with the world and express our identities that sometimes it’s difficult to know where we end and the brand begins. Their advertising is not just a window into this unique brand, but blueprints and signposts for us to follow as they design and create our future culture.

Their bold, tirelessly inventive approach to their advertising springs from a belief that creativity is the root of all progress, an idea that resonates with us all.

THE BRITISH ARROWS AWARDS 2020

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Commercial of the Year Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson. + a ACHIEVEMENT IN PRODUCTION a DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES a IN-CAMERA EFFECTS INCL. STUNTS a USE OF EXISTING MUSIC a BEST OVER 90 SECOND COMMERCIAL a PRODUCTION DESIGN

Advertising Agency Group Creative Director Art Director Copy Writer Agency Producer Assistant Producer

TBWA\Media Arts Lab Arnau Bosch Saulo Mohana Imen Soltani Ian Kelly Corbin Meyer

Production Company Executive Producer - Director Producer Production Manager Production Assistant Cinematographer Production Designer Casting Director & Stunts Lead Performer & Stunts

Pulse Films Davud Karbassioun Oscar Hudson George Saunders Rachael Donson Tom Nutting Daniel Landin Dan Betteridge Yoann Bourgeois Mehdi Baki

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Costume & Wardrobe

Hair, Make Up & Prosthetics

Selina Wong and Lindsey Pond Jones Dasha Taivas

Editing Companies Editors

Trim Editing and Cosmo Street Paul Hardcastle and Chelsea Spensley

Post Production Company VFX Supervisors Post Producer

Framestore Steve Drew and Michael Ralla Bethan Thomas

Music Track

I Learnt Some Jazz Today

by Tessellated

SPECIAL AWARDS

SPONSORED BY

THE BRITISH ARROWS AWARDS 2020

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Agency of the Year

SPONSORED BY

Awarded to AMV BBDO

1 2 3 4 5 6

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Guinness – Clear Guinness – Liberty Fields | The Pioneers of Women’s Rugby Guinness – The Purse Mars Petcare – Sunday Duty Dodge Pepsico – No Can Left Behind The Valuable 500 – Diversish

SPECIAL AWARDS

Production Company of the Year

SPONSORED BY

Awarded to Pulse Films

1 2 3 4 5 6 7 8

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2

3

4

5

6

7

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Apple – Bounce BBC – Number 10 Comic Relief – Wise Words Department for Education – Tuesday ITV – Britain Get Talking KFC – Chicken Town Sainsburys – Nicholas The Sweep The Guardian – Hope Is Power

THE BRITISH ARROWS AWARDS 2020

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CAMPAIGN

SPONSORED BY

BBC, Bringing Us Closer made by BBC Creative, directed by Dan Emmerson.

BBC Creative Executive Creative Director Creative Head Creative Head Creative Head Audio Creative Producer TV Producer Head of Project Management Head of Planning Director of Marketing Media Planner

30

Helen Rhodes Becca Pottinger Lambros Charalambous Debbie Dillon Gavin Matthews Liz Dolan Diya Hofman Michael Lean Jane Lingham Emily Wilson

MADE IN LOCKDOWN

SINGLE

SPONSORED BY

National Centre for Domestic Violence, Abusers Always Work From made for Wunderman Thompson

by Stink Films, Framestore and Geej Ower, directed by Geej Ower.

Director / Editor Geej Ower Producer Katie Lambert VO Vicky McClure Sound Marty Leitner @ Wave Post Framestore Colourist Simon Bourne Casting Hannah Ashby Ward @ Lane Cast Daniel Creasy, Yvie Magee and family, Wunderman Thompson, Jo Wallace, Daisy Bard, Orla O’C

THE BRITISH ARROWS AWARDS 2020

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­ ­

FIND YOUR BRITISH ARROWS FORTUNE AN AR FILTER FROM THE MILL

TO ADD A SPARK OF AWARDS NIGHT ANTICIPATION FROM HOME, THE MILL INVITES YOU TO FIND YOUR FORTUNE & DISCOVER WHAT THIS YEAR’S AWARDS HAVE IN STORE...

SIMPLY OPEN YOUR CAMERA, SCAN THE QR CODE AND SHARE VIA YOUR SOCIAL CHANNELS. As specialists in VFX, content production and creative technologies, we partner with agencies, production companies and brands to deliver creative impact across all media. Our global team of original thinkers, directors, designers, artists, and world-class producers share the same ambition: to craft memorable experiences that excite & captivate audiences.

W E A R E T H E M I L L . W E C R E AT E T H E E X T R AO R D I N A R Y.Lorem ipsum

CONGRATULATIONS To all the nominees and winners of the British Arrows 2020 Moore Kingston Smith would like to celebrate all our clients in the advertising and production world, and we look forward to their continued future success.

HELPING YOU THRIVE IN A CHANGING WORLD

WE TRY

HARDER

WARSAW

WELCOME TO A NEW ERA OF STORYTELLING From previs to final pixels, Unreal Engine is accelerating media production pipelines—opening new doors to virtual production, performance capture, and immersive VR, AR, and MR experiences.

Discover more at www.unrealengine.com/media-entertainment Image provided courtesy of The Mill

TRE AT YOURSELF THIS EVENING. greenandbl acks.co.uk

Underrepresentation in advertising limits both the industry and the young people who can’t get into it. We’re using creativity to fight this and drive real positive change.

Create Not Hate empowers young people by unlocking potential avenues that exist within creative industries, giving them hands on experience. Participants who are recruited through a network of outreach partners attend workshops and work with us to create multi-media campaigns.

To find out more about Create Not Hate visit www.CreateNotHate.org or email info@CreateNotHate.org

Towards Employment is a Merton Council youth employment project. We support residents of Merton, Sutton and Croydon aged 16 – 25 at risk of poor economic and/or offending related outcomes to recognise and realise their currency in the workforce and to achieve social and economic status through legitimate means.

If you want to increase the social-economic and cultural diversity of your workforce and/ or to share how amazing your sector is, or just to find out more then please email us at towardsemployement@merton.gov.uk call on 07814799323 or go to Towards Employment on Merton.gov.uk

We were looking for brilliant local talent with fresh ideas, and through Create Jobs we found it Juliette Larthe, Co-Founding Partner at PRETTYBIRD UK

orted. I I have been brilliantly supp nities to have already had opportu luding work on incredible jobs inc TV Amazon’s Christmas 2020 advert mna and Yssis McKen, Create Jobs Alu UK IRD YB ETT PR Camera Trainee at

Transforming London’s creative workforce, through training, support, and our community of diverse young creatives, we’re helping organisations make their next best hire.

Bring new perspectives to your business; partner with us to make your teams as diverse as London itself.

Join us at createjobslondon.org/british-arrows

WINNERS

BY CATEGORY

THE BRITISH ARROWS AWARDS 2020

49

ALCOHOLIC DRINKS

Sipsmith Gin, Mr Swan made for Ogilvy UK by Biscuit Filmworks, directed by Jeff Low. + a ANIMATION: 3D a COSTUME / WARDROBE a PRODUCTION DESIGN

Advertising Agency Chief Creative Officer Executive Creative Director Creative Directors

Art Director Copy Writers

Agency Producer Business Director Account Manager Agency Project Manager Chief Strategy Officer Strategy Director

Ogilvy UK Andre Laurentino Jules Chalkley Giles Montgomery and Lotte Jeffs Ilka Mourao Giles Montgomery and Jonny Durgan Oliver Featherman Kerry Capps Charlotte Black Marianne Paton Kevin Chesters Marie Maurer

Cinematographer Production Designer MD/Executive Producer Production Assistant Costume Designers & Puppets

Lead Animators

Malcolm Hadley Gordon Allen Rupert Reynolds-Maclean Gabija Lauce AMS with Nadine Patterson and Mick Chippington Andy Biddle and Tobias Fouracre

Editing Company Editor

Work Editorial Saam Hodivala

Post Production Company Colourist Post Production Producer

The Mill James Bamford Nicole Duncan

Production Company Director Producer

Biscuit Filmworks Jeff Low Kwok Yau

Audio Company Sound Designer Voiceover

750 MPH Sam Robson Julian Barrett

50

ARROW

Diageo, Guinness, The Purse made for AMV BBDO by Stink Films, directed by Tom Green. + a CASTING a EDITING a DIRECTOR – THE FRANK BUDGEN AWARD a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company

AMV BBDO Stink Films Cinelab London Whitehouse Post The Mill Wave Studios and Radford Music

Diageo, Guinness, Clear made for AMV BBDO by MJZ, directed by Tom Kuntz. + a INTEGRATED Advertising Agency Production Company Editing Company Post Production Company Audio Company

AMV BBDO MJZ Whitehouse Post The Mill String and Tins

Diageo, Guinness, Liberty Fields | The Pioneers of Women’s Rugby made for AMV BBDO by Stink Films, directed by Eliot Rausch.

Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

AMV BBDO Stink Films Cinelab London Whitehouse Post Untold Studios 750 MPH and Radford Music

51

ANIMATION: 2D

Smith & Foulkes for Fender Musical Instruments, Mirror Telecaster, The Mystical Journey of Jimmy Page’s ’59 Telecaster made by Nexus Studios, directed by Smith & Foulkes.

Production Company Director Executive Creative Director Art Director Producer Editor Lead 2D Artist

Nexus Studios Smith & Foulkes Christopher O’Reilly Melanie Climent Tracey Cooper Dave Slade Michal Firkowski

Audio Company

Factory

52

CRAFT ARROW

Hello Savants for ASICS, A Shot at the Title made for Saatchi & Saatchi LA by Not to Scale, directed by Hello Savants.

Advertising Agency Production & Post Company Editing Company Audio Company

Saatchi & Saatchi LA Not To Scale Hello Savants Lime Studios, Piecelock 70 Inc

Golden Wolf for KFC, Good Luck made for Mother by Stink Films, directed by Golden Wolf.

Advertising Agency Production Company Animation & Post Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Mother Stink Films Golden Wolf Wave Studios

53

ANIMATION: 3D

Andy Biddle and Tobias Fouracre for Sipsmith Gin, Mr Swan made for Ogilvy UK by Biscuit Filmworks, directed by Jeff Low. + a ALCOHOLIC DRINKS a COSTUME / WARDROBE a PRODUCTION DESIGN

Advertising Agency Chief Creative Officer Executive Creative Director Creative Directors

Art Director Copy Writers

Agency Producer Business Director Account Manager Agency Project Manager Chief Strategy Officer Strategy Director

Ogilvy UK Andre Laurentino Jules Chalkley Giles Montgomery and Lotte Jeffs Ilka Mourao Giles Montgomery and Jonny Durgan Oliver Featherman Kerry Capps Charlotte Black Marianne Paton Kevin Chesters Marie Maurer

Cinematographer Production Designer MD/Executive Producer Production Assistant Costume Designers & Puppets

Lead Animators

Malcolm Hadley Gordon Allen Rupert Reynolds-Maclean Gabija Lauce AMS with Nadine Patterson and Mick Chippington Andy Biddle and Tobias Fouracre

Editing Company Editor

Work Editorial Saam Hodivala

Post Production Company Colourist Post Production Producer

The Mill James Bamford Nicole Duncan

Production Company Director Producer

Biscuit Filmworks Jeff Low Kwok Yau

Audio Company Sound Designer Voiceover

750 MPH Sam Robson Julian Barrett

54

CRAFT ARROW

Bruno Monteiro, Paulo Garcia and Daniel Salles for Born Free Foundation, The Bitter Bond made for ENGINE by Blinkink / Zombie Studio, directed by Daniel Salles and Paulo Garcia. + a BEST SOCIAL VIDEO Advertising Agency Production Company Audio Company Music Licensing

ENGINE Blinkink / Zombie Studio Jungle Soho Music

againstallodds for McDonald’s, Christmas, Archie the Reindeer made for Leo Burnett by Passion Animation Studios, directed by againstallodds.

Advertising Agency Animation & Production Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Leo Burnett Passion Animation Studios Framestore Factory

55

AUTOMOTIVE

Renault Clio, The French Exchange made for Publicis•Poke by Academy, directed by Frédéric Planchon. + a CASTING a COLOURIST a DIRECTOR – THE FRANK BUDGEN AWARD a RE-RECORD

Advertising Agency Executive Creative Director Group Creative Director Art Director Copy Writer Head of Film Production & Agency Producer Assistant Agency Producer Strategists

Business Director Account Management

Publicis•Poke Dave Monk Colin Byrne Tom Genower Rob Butcher Colin Hickson

Production Company Director Executive Producer Producer Cinematographer Production Designer Casting Directors

Academy Frédéric Planchon Simon Cooper Dulcie Kellett Stéphane Fontaine Dan Betteridge Thom Hammond and Michael Cox

56

Joss Haynes Miranda Ross and Calvin Lyon Stuart Pond Abby Fox, Luke Cox and Fraser Thomson

Editing Company Editor Edit Assistant Edit Producer

The Assembly Rooms Sam Rice-Edwards Marnie Clark Daniel Breheny

Post Production Company Colourist VFX Supervisor Executive Producer Producer VFX Co-ordinator VFX

MPC Jean-Clément Soret Timo Huber Ellora Chowdhury Jaz Rongokea Edwin Elkington Timo Huber and Amy Smith

Music Company Music Supervisor Music Producer and Arranger

Soundtree Music Jay James Luis Almau

Sound Company Sound Designer

Wave Studios Parv Thind

ARROW

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Lawyer made for adam&eveDDB by O Positive @ Rogue, directed by David Shane. + a SPONSORSHIP CAMPAIGN Advertising Agency Production Company Editing Company Post Production Company Audio Company

adam&eveDDB O Positive @ Rogue The Quarry Untold Studios 750 MPH

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Road Block made for adam&eveDDB by O Positive @ Rogue, directed by David Shane. + a SPONSORSHIP CAMPAIGN a BEST UP TO & INCLUDING 15 SECOND Advertising Agency Production Company Editing Company Post Production Company Audio Companies

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB O Positive @ Rogue The Quarry Untold Studios 750 MPH and Twenty Below Music

57

BEST SOCIAL VIDEO

Operation Black Vote, Fake Views made for Saatchi & Saatchi by Hungry Man, directed by David Allain. + a CHARITY & PUBLIC SERVICE

Advertising Agency Chief Creative Officer Executive Creative Director Chairman and CSO Business Leader Art Director Copy Writer Agency Producers

Production Assistant Designer

Saatchi & Saatchi Guillermo Vega Dan Treichel Richard Huntington Adrian Ash Kate Murphy Marcus Petterson Rebecca Williams and Ally Dean Lauren Harvey Kerry Roper

Production Company Director Producer Cinematographer Talent Casting and Procurement

Hungry Man David Allain Polly Leach Amelia Hazlerigg ITB Worldwide

58

Editing Company Editor

tenthree Ellie Johnson

Post Production Company

The Mill

Audio Company

750 MPH

ARROW

Instagram, Instagram UNFILTERED: Season 1 - Destiny, Alimasi & Adam made for Anomaly by SMUGGLER, directed by Jonah Hill.

Advertising Agency Production Company Editing Company Audio Company

Anomaly SMUGGLER Cartel Ariel Rechtshaid

Born Free Foundation, The Bitter Bond made for ENGINE by Blinkink / Zombie Studio, directed by Daniel Salles and Paulo Garcia. + a ANIMATION: 3D Advertising Agency Production Company Audio Company Music Licensing

THE BRITISH ARROWS AWARDS 2020

ENGINE Blinkink / Zombie Studio Jungle Soho Music

59

BRANDED ENTERTAINMENT

The Face, Love Letter to Europe, Where Were You? made by Somesuch, directed by Dan Emmerson.

Production Company Director Executive Producers Producer Cinematographer

Somesuch Dan Emmerson Sarah Pearson and Jennifer Byrne Tim Marshall Ed Hubert

Editing Company Editor

Speade Ben Crook

Colourist

Tim Smith at Cheat

Sound Designer

Frankie Beirne

60

ARROW

Molson Coors, Carling, Pigeons made for Havas London by Somesuch, directed by Alex Hulsey.

Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company

Havas London Somesuch Cinelab London Trim Editing The Mill Factory

YouTube Music, Artist Spotlight Series, Burna Boy made for The FADER by Knucklehead, directed by Maceo Frost.

Advertising Agency Production Company Film Laboratory/Scanning Animation Company Audio Company

The FADER Knucklehead Cinelab London Rudo Company Redpipe

Squarespace, Make It made for Squarespace by MJZ, directed by Spike Jonze.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Squarespace MJZ Final Cut Framestore Formosa

61

CASTING

Charlotte Martin and Hammond Cox Casting for Renault Clio, The French Exchange made for Publicis•Poke by Academy, directed by Frédéric Planchon. + a AUTOMOTIVE a COLOURIST a DIRECTOR – THE FRANK BUDGEN AWARD a RE-RECORD

Advertising Agency Executive Creative Director Group Creative Director Art Director Copy Writer Head of Film Production & Agency Producer Assistant Agency Producer Strategists

Business Director Account Management

Publicis•Poke Dave Monk Colin Byrne Tom Genower Rob Butcher Colin Hickson

Production Company Director Executive Producer Producer Cinematographer Production Designer Casting Directors

Academy Frédéric Planchon Simon Cooper Dulcie Kellett Stéphane Fontaine Dan Betteridge Thom Hammond and Michael Cox

62

Joss Haynes Miranda Ross and Calvin Lyon Stuart Pond Abby Fox, Luke Cox and Fraser Thomson

Editing Company Editor Edit Assistant Edit Producer

The Assembly Rooms Sam Rice-Edwards Marnie Clark Daniel Breheny

Post Production Company Colourist VFX Supervisor Executive Producer Producer VFX Co-ordinator VFX

MPC Jean-Clément Soret Timo Huber Ellora Chowdhury Jaz Rongokea Edwin Elkington Timo Huber and Amy Smith

Music Company Music Supervisor Music Producer and Arranger

Soundtree Jay James Luis Almau

Sound Company Sound Designer

Wave Studios Parv Thind

CRAFT ARROW

Des Hamilton, Ali Coffey, Franco Alberto Cucchini and Gemma Gurvitz for Diageo, Guinness, The Purse made for AMV BBDO

by Stink Films, directed by Tom Green. + a ALCOHOLIC DRINKS a EDITING a DIRECTOR – THE FRANK BUDGEN AWARD a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Companies

AMV BBDO Stink Films Cinelab London Whitehouse Post The Mill Wave Studios and Radford Music

Dan Kenny, Duncan Brooks and Tom Gong for BECO., #STEALOURSTAFF made for TBWA London by Hoi Polloi, directed by Dan Castella. + a THE POWER OF FILM a HOUSEHOLD GOODS Advertising Agency Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

TBWA\London Hoi Polloi Coffee & TV 750 MPH

63

CGI

William Laban, Selcuk Ergen and Kiril Mirkov for Hennessy XO, The Seven Worlds made for DDB Paris by RSA Films and 75 Paris, directed by Ridley Scott. + a VFX

Advertising Agency Managing Director Executive Creative Director Creative Directors

Agency Producer

DDB Paris Xavier Mendiola Alexander Kalchev Pierre Mathona and Alexis Benbehe Quentin Moenne Loccoz

Production Companies Director Producer Cinematographer Production Designer

RSA Films and 75 Paris Ridley Scott Debbie Garvey Dariusz Wolski Marc Homes

64

Post Production Company Colourist Head of CG Creative Director 3D Supervisor 2D Supervisor Head of FX Post Producer

MPC Stephen Nakamura Carsten Keller Ryan Jefferson Hays Boyo Frederix Rod Norman Selcuk Ergen Tomek Zietkiewicz

Audio Company

Grand Central Recording Studios

CRAFT ARROW

Jules Janaud, Matthew Thomas and Philip Child for Purdey’s, Hummingbird made for VCCP

by Framestore, directed

by Murray Butler.

Advertising Agency Animation & Post Company Audio Company

VCCP Framestore Wave Studios

Diarmid Harrison-Murray, Alex Gabucci, Amir Bazazi and Tim van Hussen for John Lewis & Partners and Waitrose & Partners, Christmas, Excitable Edgar made for adam&eveDDB by Blink, directed by Dougal Wilson. + a RE-RECORD Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company Music Supervision Company

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB Blink Cinelab London Final Cut Untold Studios Factory Leland Music

65

CHARITY & PUBLIC SERVICE

Channel 4, Complaints Welcome made by 4creative, directed by Alex Boutell. + a ENTERTAINMENT PROMOTIONS a WRITING a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND

Client Controller of Marketing & Media Deputy Head of Marketing Marketing Manager

Channel 4 Marketing James Walker Laura Ward Smith Laura Woodcock

Agency & Production Company Acting Head of 4creative Executive Creative Director Creative Directors

Creative Director Designer Group Business Director Executive Producer Senior Producers

Project Manager Director of Photography

4creative Chris Wood Alice Tonge Jonas Roth and Rasmus Smith-Bech Eoin McLaughlin Alex Boutell Tim Fellowes Matt Berry Shananne Lane Fiona Wright, Shananne Lane and Tabby Harris Olivia Emmerson Matt Fox

66

Editing Company Editor

Whitehouse Post Adam Rudd

Post Production Company Colourist

Black Kite Studios George Kyriacou

VFX

JAM VFX

Music Supervision Company

Leland Music

ARROW

Operation Black Vote, Fake Views made for Saatchi & Saatchi by Hungry Man, directed by David Allain. + a BEST SOCIAL VIDEO Advertising Agency Production Company Editing Company Post Production Company Audio Company

Saatchi & Saatchi Hungry Man tenthree The Mill 750 MPH

ITV, Mental Wellness Initiative, Britain Get Talking made for Uncommon Creative Studio by Pulse Films, directed by Nez. + a INTEGRATED a THE POWER OF FILM Advertising Agency Production Company Editing Company Post Production Company Audio Company

Uncommon Creative Studio Pulse Films Speade Raised by Wolves Soundtree

Comic Relief, Wise Words made for Wonderhood by Pulse Films, directed by 32.

Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Wonderhood Pulse Films Cinelab London tenthree Time Based Arts Factory

67

CINEMATOGRAPHY

Justin Brown for Sony Interactive Entertainment, PlayStation, Feel The Power: PS4 Pro made for adam&eveDDB by Academy, directed by Frédéric Planchon. + a ACHIEVEMENT IN PRODUCTION a PRODUCTION DESIGN a VFX

Advertising Agency CEO Chief Creative Officer Chief Production Officer Managing Partner Executive Creative Directors

Creatives

Agency Producer Account Director Project Manager Assistant Producer

adam&eveDDB Mat Goff Richard Brim Anthony Falco Sarah Coleman Ant Nelson and Mike Sutherland Darren Beresford and Richard Gayton Michael Macmillian Adam Patel Sam McGeorge Charlotte Wickens

Production Company Director Executive Producer Producer UK Production Manager Cinematographer Service Company

Academy Frédéric Planchon Medb Riordan Dulcie Kellett Gemma Priggen Justin Brown Radioaktive Film

68

Editing Company Editor

The Assembly Rooms Sam Rice-Edwards

Post Production Company Post Producer Colourist Lead 3D Artist Lead 2D Artist

The Mill Clare Melia Fergus McCall Sam Driscoll Gary Driver

Audio Company Sound Designer Composer Music Track

750 MPH Sam Ashwell Max Richter On The Nature Of Daylight

CRAFT ARROW

SPONSORED BY

Molly Manning Walker for NHS England, Nursing Recruitment, We Are Nurses made for MullenLowe

by Academy, directed by Billy Boyd Cape. + a EDITING a WRITING Advertising Agency Production Company Editing Company Post Production Company Audio Company

MullenLowe Academy tenthree Cheat Soundtree

Tim Sidell for Everyman Cinema x Apple Music, Music Makes You Feel Film made for Everyman Cinema x Apple Music by Partizan, directed

by Sophie Jones.

Advertising Agency

Production Company Post Production Company Audio Company

Everyman Cinema x Apple Music Partizan Glassworks London Factory

Ben Fordesman for Medecins Du Monde, We Don’t Care made for Marcel

by Dreamers, directed by Matilda Finn. + a SOUND DESIGN Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Marcel Dreamers Time Based Arts Mikros Factory

69

COLOURIST

Mark Gethin for BMW, X7, Legend made for Goodby, Silverstein & Partners by MJZ, directed by Dante Ariola.

Advertising Agency Agency Producer

Goodby, Silverstein & Partners Benton Roman

Production Company Director Cinematographer

MJZ Dante Ariola Kasper Tuxen

Post Production Company Colourist Executive Producer of Colour Colour Assist

MPC Mark Gethin Meghan Lang Dimitri Zola

Lead 3D Artist Lead 2D Artist Executive Producer of VFX VFX Supervisor

Tim Kafka Toya Drechlser Karen Anderson Michael Gregory

Audio Company

Trinitite Inc.

70

CRAFT ARROW

Jean-Clément Soret for Renault Clio, The French Exchange made for Publicis•Poke by Academy, directed by Frédéric Planchon. + a AUTOMOTIVE a CASTING a DIRECTOR – THE FRANK BUDGEN AWARD a RE-RECORD Advertising Agency Production Company Editing Company Post Production Company Music Company Sound Company

Publicis•Poke Academy The Assembly Rooms MPC Soundtree Wave Studios

Simon Bourne for Cerveza Victoria, Xibalba made for Ogilvy & Mather Mexico by MediaMonks Amsterdam, directed by Salomon Ligthelm.

Advertising Agency Ogilvy & Mather, Mexico Production Company MediaMonks Amsterdam Post Production Company Framestore

THE BRITISH ARROWS AWARDS 2020

71

COSTUME / WARDROBE

AMS with Nadine Patterson and Mick Chippington for Sipsmith Gin, Mr Swan made for Ogilvy London

by Biscuit Filmworks, directed by Jeff Low. + a ALCOHOLIC DRINKS a ANIMATION: 3D a PRODUCTION DESIGN

Advertising Agency Chief Creative Officer Executive Creative Director Creative Directors

Art Director Copy Writers

Agency Producer Business Director Account Manager Agency Project Manager Chief Strategy Officer Strategy Director

Ogilvy London Andre Laurentino Jules Chalkley Giles Montgomery and Lotte Jeffs Ilka Mourao Giles Montgomery and Jonny Durgan Oliver Featherman Kerry Capps Charlotte Black Marianne Paton Kevin Chesters Marie Maurer

Production Company Director Producer Cinematographer Production Designer

Biscuit Filmworks Jeff Low Kwok Yau Malcolm Hadley Gordon Allen

72

MD/Executive Producer Production Assistant Costume Designers & Puppets

Lead Animators

Rupert Reynolds-Maclean Gabija Lauce AMS with Nadine Patterson and Mick Chippington Andy Biddle and Tobias Fouracre

Editing Company Editor

Work Editorial Saam Hodivala

Post Production Company Colourist Post Production Producer

The Mill James Bamford Nicole Duncan

Audio Company Sound Designer Voiceover

750 MPH Sam Robson Julian Barrett

CRAFT ARROW

Ameena Kara Callender for Diamond Producers Association, The Diamond Journey made for BBH by Academy, directed by Ian Pons Jewell. + a ACHIEVEMENT IN PRODUCTION Advertising Agency Production Company Editing Company Post Production Company Audio Companies

BBH Academy The Quarry Time Based Arts Aumeta and Black Sheep Music

BRATSK for Mercedes Benz AG, Mercedes Benz, Bertha Benz: The Journey That Changed Everything made for Antoni GmbH by Anorak, directed by Sebastian Strasser.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Antoni GmbH Anorak Berlin Trim Editing The Mill Slaughterhouse Visual Manufacturing

73

DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES

Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson. + a ACHIEVEMENT IN PRODUCTION a IN-CAMERA EFFECTS INCL. STUNTS a USE OF EXISTING MUSIC a BEST OVER 90 SECOND COMMERCIAL a PRODUCTION DESIGN

Advertising Agency Group Creative Director Art Director Copy Writer Agency Producer Assistant Producer

TBWA\Media Arts Lab Arnau Bosch Saulo Mohana Imen Soltani Ian Kelly Corbin Meyer

Hair, Make Up & Prosthetics

Dasha Taivas

Editing Companies

Editors

Trim Editing and Cosmo Street Paul Hardcastle and Chelsea Spensley

Production Company Executive Producer Director Producer Production Manager Production Assistant Cinematographer Production Designer Casting Director & Stunts Lead Performer & Stunts Costume & Wardrobe

Pulse Films Davud Karbassioun Oscar Hudson George Saunders Rachael Donson Tom Nutting Daniel Landin Dan Betteridge Yoann Bourgeois Mehdi Baki Selina Wong and Lindsey Pond Jones

Post Production Company VFX Supervisors Post Producer

Framestore Steve Drew and Michael Ralla Bethan Thomas

Music Track

I Learnt Some Jazz Today

by Tessellated

74

ARROW

Apple, iPad, The Underdogs made for Apple by SMUGGLER, directed by Mark Molloy. + a DIRECTOR – THE FRANK BUDGEN AWARD a BEST OVER 90 SECOND COMMERCIAL Advertising Agency Production Company Editing Company Audio Company

Apple SMUGGLER Work Editorial A52

UBISoft, Watch Dogs: Legion, Legion: Classroom 101 made for Funworks Oakland by The Corner Shop, directed by Peter Martin.

Advertising Agency Production Company Post Production Company Audio Company

Funworks Oakland The Corner Shop Hutch Co. One Union

Amazon, Alexa, Not Everything Makes the Cut made for Lucky Generals by Hungry Man, directed by Wayne McClammy.

Advertising Agency Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Lucky Generals Hungry Man The Mill Beacon Street Studios

75

DIRECTOR - THE FRANK BUDGEN AWARD

Mark Molloy for Apple, iPad, The Underdogs made for Apple by SMUGGLER. + a BEST OVER 90 SECOND COMMERCIAL a DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES

Advertising Agency Creatives

Agency Producer

Apple Sam Oliver, Brooks Jackson, Alan Buchanan, Simon Cenamor and Raymond Chan Travis Huntington

Production Company Director Producer Cinematographer Production Designer Costume & Wardrobe Hair, Make Up & Prosthetics Film Services Producer

SMUGGLER Mark Molloy Donald Taylor Joost Van Gelder JC Molina Anna Terrazas Maripili Senderos Magali Sagarra

76

Editing Company Editor

Work Editorial Neil Smith

Audio Company Music Producer

A52 Kim Christensen

CRAFT ARROW

SPONSORED BY

Frédéric Planchon for Renault Clio, The French Exchange made for Publicis•Poke by Academy. + a AUTOMOTIVE a CASTING a COLOURIST a RE-RECORD Advertising Agency Production Company Editing Company Post Production Company Audio Companies

Publicis•Poke Academy The Assembly Rooms MPC Soundtree (music) Wave Studios (sound)

Tom Green for Diageo, Guinness, The Purse made for AMV BBDO

by Stink Films. + a ALCOHOLIC DRINKS a CASTING a EDITING a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Companies

THE BRITISH ARROWS AWARDS 2020

AMV BBDO Stink Films Cinelab London Whitehouse Post The Mill Wave Studios and Radford Music

77

EDITING

Billy Mead at tenthree for NHS England, Nursing Recruitment, We Are Nurses made for MullenLowe by Academy, directed by Billy Boyd Cape. + a CINEMATOGRAPHY a WRITING

Advertising Agency Director Creative Directors

Agency Producer Group Account Director Chief Strategy Officer Strategist

Mullenlowe Mark Elwood Hugh Todd and Lovisa Silburn Katie Colhoun Katie McCambley Jo Arden James Macaskill

Production Company Director Executive Producer Producers

Cinematographer Casting Director Costume & Wardrobe Hair, Make Up & Prosthetics

Academy Billy Boyd Cape Simon Cooper Ash Lockmun and Juliette Harris Molly Manning Walker Sue Odell Casting Sara Hassan Phoebe Llewllyn

78

Editing Company Editor

tenthree Billy Mead

Post Production Company Colourist Flame Artist

Cheat Toby Tomkins Douglas Haynes

Audio Company Soundtree Sound Designer Henning Knoepfel Music Music For Weather Elements: Clouds, The Mind On The (Re) Wind by Ezio Bosso

CRAFT ARROW

Russell Icke for Diageo, Guinness, The Purse made for AMV BBDO by Stink Films, directed by Tom Green.

+ a ALCOHOLIC DRINKS a CASTING a DIRECTOR – THE FRANK BUDGEN AWARD a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND Film Laboratory/Scanning Editing Company Post Production Company Audio Companies

Cinelab London Whitehouse Post The Mill Wave Studios and Radford Music

Ellie Johnson at tenthree for Department for Education, Tuesday made for Havas London

by Pulse Films, directed by 32. + a THE POWER OF FILM a BEST OVER 90 SECOND COMMERCIAL Editing Company tenthree Post Production Company Electric Theatre Collective Audio Company Factory

Edward Cooper for ITV, TELEVISION made for Uncommon Creative Studio by Academy, directed by Billy Boyd Cape. + a ORIGINAL COMPOSITION a WRITING a ENTERTAINMENT PROMOTIONS Editing Company The Assembly Rooms Post Production Company The Mill Audio Company Soundtree

Iain Whitewright for BMW, The Small Escape made for Jung von Matt by Tempomedia Berlin, directed by Alex Feil.

Advertising Agency Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Jung von Matt Tempomedia Berlin Spellwork Woodwork Music

79

ENTERTAINMENT PROMOTIONS

Channel 4, Complaints Welcome made by 4creative, directed by Alex Boutell. + a CHARITY & PUBLIC SERVICE a WRITING a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND

Client Controller of Marketing & Media Deputy Head of Marketing Marketing Manager

Channel 4 Marketing James Walker Laura Ward Smith Laura Woodcock

Agency & Production Company Acting Head of 4creative Executive Creative Director Creative Directors

Creative Director Designer Group Business Director Executive Producer Senior Producers

Project Manager Director of Photography

4creative Chris Wood Alice Tonge Jonas Roth and Rasmus Smith-Bech Eoin McLaughlin Alex Boutell Tim Fellowes Matt Berry Shananne Lane Fiona Wright, Shananne Lane and Tabby Harris Olivia Emmerson Matt Fox

80

Editing Company Editor

Whitehouse Post Adam Rudd

Post Production Company Colourist

Black Kite Studios George Kyriacou

VFX

JAM VFX

Music Supervision Company

Leland Music

ARROW

BBC, iPlayer, Wasted on Some - Queen’s English made for BBC Creative by Anonymous, directed by Tim Godsall. + a BEST OVER 30 AND UP TO & INCLUDING 60 SECOND a UK CAMPAIGN – THE JOHN WEBSTER AWARD Advertising Agency Production Company Editing Company Post Production Company Audio Company

BBC Creative Anonymous The Assembly Rooms Electric Theatre Collective Factory

ITV, TELEVISION made for Uncommon Creative Studio by Academy, directed

by Billy Boyd Cape. + a ORIGINAL COMPOSITION a WRITING a EDITING Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Uncommon Creative Studio Academy The Assembly Rooms The Mill Soundtree

81

FASHION

Diesel Collection 2019/2020, Enjoy Before Returning made for Publicis Italy by SMUGGLER, directed by Similar but Different.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

Publicis Milan SMUGGLER Trim Editing Electric Theatre Collective Birdbrain

Marks & Spencer, Clothing & Home, Go Jumpers for Christmas made for ODD by Cherry Studios, directed by Jake Nava.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

82

ODD Cherry Studios Final Cut MPC Grand Central Recording Studios

ARROW

FINANCIAL AND CORPORATE SERVICES

British Gas, British Gas & Carers UK, Share That You Care made for Ogilvy UK by Dark Energy, directed by David Stoddart.

Advertising Agency Production Company Post & Audio Company

THE BRITISH ARROWS AWARDS 2020

Ogilvy UK Dark Energy Hogarth

83

FOOD & NON-ALCOHOLIC DRINKS

Burger King UK, Whopper of a Secret made for BBH by Black Sheep Studios, directed by Korrie Powell.

Advertising Agency Chief Creative Officer Creative Director Creative Agency Producer Designer Production Company Director Executive Producer Producer Production Designers Head of Digital Production Digital Producer

84

BBH Ian Heartfield Fred Rodwell Thomas Devenport and Aubrey O’Connell Nnena Nwakodo Christian Tunstall

Animation Company Animation Producer

Wellcom Ish Shein

Editing Company Editor

Black Sheep Studios Gus Melton

Post Production Company

The Mill

BBH/Black Sheep Studios Korrie Powell Sophie Dewey Thom Godsill Christian Tunstall, Sam Janar, Adam Crowley and Rob Wilson Richard Atkins Margarita Ognjanovic

Audio Company

String and Tins

ARROW

KFC, Chicken Town made for Mother by Pulse Films, directed by Sam Pilling.

Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company

Mother Pulse Films Cinelab London tenthree MPC 750 MPH

PepsiCo, Pepsi Max, No Can Left Behind made for AMV BBDO by Hungry Man, directed by Taika Waititi.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

AMV BBDO Hungry Man Whitehouse Post The Mill Wave Studios

85

HOUSEHOLD GOODS

MARS Petcare, Cesar, Sunday Duty Dodge made for AMV BBDO by Blink, directed by Nick Ball. + a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND

Advertising Agency Executive Creative Director Art Director Copy Writer Agency Producer Board Account Director Account Manager Stills Producer Photographer

AMV BBDO Alex Grieve Andy Vasey Dan Warner Samantha Roberts Jonny White Ella Dolding Julian Cave Steve Hoskins

Production Company Director Producers

Cinematographer Production Designer Casting Director Lead Performers

Costume & Wardrobe

Blink Nick Ball Ewen Brown and Paul Weston Sebastian Blenkov Olly Williams Lesley Beastall Joseph May and Charlotte Quita Jones Mr Gammon

86

Hair, Make Up & Prosthetics

Louise Hinton

Editing Company Editor

Stitch Leo King

Post Production Company Colourist

MPC Mark Gethin

Audio Company Sound Designer

Wave Studios Jack Sedgwick

ARROW

Ecover, Zero, L’Eau de Bébé made for Uncommon Creative Studio by Object & Animal, directed by Matias & Mathias.

Advertising Agency Uncommon Creative Studio Production Company Object & Animal Post Production Company Cheat

BECO., #STEALOURSTAFF made for TBWA London by Hoi Polloi, directed by Dan Castella. + a THE POWER OF FILM a CASTING Advertising Agency Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

TBWA\London Hoi Polloi Coffee & TV 750 MPH

87

IN-CAMERA EFFECTS INCL. STUNTS

Oscar Hudson, Mehdi Baki and Yoann Bourgeois for Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson. + a ACHIEVEMENT IN PRODUCTION a DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES a USE OF EXISTING MUSIC a BEST OVER 90 SECOND COMMERCIAL a PRODUCTION DESIGN

Advertising Agency Group Creative Director Art Director Copy Writer Agency Producer Assistant Producer

TBWA\Media Arts Lab Arnau Bosch Saulo Mohana Imen Soltani Ian Kelly Corbin Meyer

Production Company Executive Producer Director Producer Production Manager Production Assistant Cinematographer Production Designer Casting Director & Stunts Lead Performer & Stunts Costume & Wardrobe

Pulse Films Davud Karbassioun Oscar Hudson George Saunders Rachael Donson Tom Nutting Daniel Landin Dan Betteridge Yoann Bourgeois Mehdi Baki Selina Wong and Lindsey Pond Jones

88

Hair, Make Up & Prosthetics

Dasha Taivas

Editing Companies Editors

Trim Editing and Cosmo Street Paul Hardcastle and Chelsea Spensley

Post Production Company VFX Supervisors Post Producer

Framestore Steve Drew and Michael Ralla Bethan Thomas

Music Track

I Learnt Some Jazz Today

by Tessellated

CRAFT ARROW

Holly Blakey for Vodafone, Vodafone Unlimited, Be Unlimited made for Ogilvy UK by Academy, directed by Si&Ad. Advertising Agency Production Company Editing Company Post Production Companies Audio Company

Ogilvy UK Academy Final Cut MPC and Alex Snookes Soho Music

Georgi Dimitrov for Argos, Christmas, The Book of Dreams made for The&Partnership by Stink Films, directed by Traktor. + a USE OF EXISTING MUSIC a RETAILERS Advertising Agency Production Company Editing Company Post Production Company Audio Company

Music Supervision Company

THE BRITISH ARROWS AWARDS 2020

The&Partnership Stink Films Final Cut MPC Grand Central Recording Studios Leland Music

89

INTEGRATED

Paddy Power, Save Our Shirt made by VCCP. Advertising Agency Executive Creative Director Creative Directors

Creatives

Agency Producer

VCCP Mark Orbine Kevin Masters and Christine Turner Chris Willis and Paul Kocur Simon Plant

Production Company Director Producer

Academy Peter Cattaneo Mark Whittow-Williams

Editing Company

The Assembly Rooms

Post Production Company

Framestore

Creative Agency Creative Director Creatives

Octagon Josh Green Joe Stuart, Cos Georgiou, Charlie Warcup and Joe Goicoechea

Audio Company

Wave Studios

90

ARROW

SPONSORED BY

ITV, Mental Wellness Initiative, Britain Get Talking made by Uncommon Creative Studio. + a CHARITY & PUBLIC SERVICE a THE POWER OF FILM Advertising Agency Production Company Editing Company Post Production Company Audio Company

Uncommon Creative Studio Pulse Films Speade Raised by Wolves Soundtree

Diageo, Guinness, Clear made by AMV BBDO. + a ALCOHOLIC DRINKS Advertising Agency Production Company Editing Company Post Production Company Audio Company

AMV BBDO/London MJZ Whitehouse Post The Mill String and Tins

Cadbury, Dairy Milk, Donate Your Words made by VCCP. Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

VCCP Academy The Assembly Rooms Freefolk Wave Studios

91

INTERNATIONAL

The New York Times, The Truth Is Worth It: Fearlessness made for Droga5 New York by Furlined, directed by Martin + Lindsay.

Advertising Agency Chief Creative Officer Executive Creative Director Creative Directors

Copy Writer Agency Producers

Director Of Film Production Associate Director of Film Production Chief Creation Officer

Droga5 New York Neil Heymann Tim Gordon Laurie Howell and Toby Treyer-Evans Chase Kimball Topher Cochrane and Brandon Chen Jesse Brihn Ruben Mercadal

Production Companies Director Producer

Furlined Martin + Lindsay Dave Thorne

92

Sally-Ann Dale

Editing Company Editor

Final Cut Jim Helton

Post Production Companies

Colourist

Significant Others and Company 3 Tom Poole

Audio Company Music Producer Sound Designers

Composers

Wave Studios NY Vicky Ferraro Aaron Reynolds and Ed Downham Danny Bensi and Saunder Jurriaans

ARROW

March for our Lives, Generation Lockdown made for McCann New York by Hungry Man, directed by Bryan Buckley. + a THE POWER OF FILM Advertising Agency Production Company Editing Company

McCann New York Hungry Man No6

Nike, Dream Crazier made for Wieden+Kennedy London

by Somesuch, directed by Kim Gehrig. + a THE POWER OF FILM Advertising Agency Production Company Editing Company Post Production Company Audio Company

Wieden+Kennedy Somesuch Joint A52 Eleven Studios

Old Spice, Swagger, Next Episode made for Wieden+Kennedy Portland by Biscuit Filmworks, directed by Steve Rogers.

Advertising Agency

Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Wieden+Kennedy Portland Biscuit Filmworks Kevin Lime Studios

93

MOST INNOVATIVE USE OF VIDEO

Vice UK, College Music, LoFi Beats Suicide made for McCann London

by Craft/McCann.

Advertising Agency Chief Creative Officers

McCann London Rob Doubal and Laurence Thomson Directors Sanjiv Mistry and Jamie Mietz Creative Robin Gordon and Ella Monti Designer Matthew Thomas Senior Planner Elisa Chami-Castaldi Senior Project Manager Paul Gillespie Director of Communications Katya Escala Head of New Business Elizabeth Bernstein New Business Executive Phoebe Cunningham Senior Account Manager Robert Stockton Account Director Leyla Tezcan

94

Production, Post Production & Audio Freelance Illustrator & Animator Editor Sound Engineers

Craft/McCann Gloria Gemignani Alastair Graham Giselle Hall and Will Frances

ARROW

Unilever, Marmite, Mind Control made for adam&eveDDB by Friends Electric, directed by Ewan Jones Morris.

Advertising Agency Animation & Production Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB Friends Electric Stitch Electric Theatre Collective String and Tins

95

NEW DIRECTOR

SPONSORED BY

Jungle for Jägermeister, Der Musik Platz, Trapped made for Grey Mexico by Untitled, directed by Jungle.

Advertising Agency Creative Director Agency Producers

Musicplatz Director Jägermeister Regional Director

Grey Mexico Humberto Polar Emilio Pichardo and Giovanni Rozo Alex Rojas Rodrigo Hidalgo

Production Company Untitled Director Jungle Executive Producer Karin Nantes Producer Camila Gouveia Production Assistant Mariane Oliveira Sales Danielle Makauskas Cinematographer JP Garcia Focus Puller Kleber Nascimento Line Producer Sandra Spethmann Casting Gunnar Hans, Walter Seifert,

Arne Swars and

Andreas Leipner Actor Saddiq Abubakar

THE BRITISH ARROWS AWARDS 2020

Film Laboratory/Film Scanning

Cinelab London

Post Production Company Colourist

Plano Z Osmar Jr.

Audio Companies Audio Producer Sales Voice Over

Shuffle Audio and Soho Voices Henrique Ruiz Nicolau Renata Prado Shane Attwoll

97

ORIGINAL COMPOSITION

Wake the Town & D Double E for IKEA, Home Furnishings, Silence the Critics made for Mother by MJZ, directed by Tom Kuntz. + a RETAILERS a BEST OVER 60 AD UP TO & INCLUDING 90 SECOND

Advertising Agency Creative Directors

Creatives

Agency Producer Production Director

Mother Thom Whitaker and Danielle Outhwaite-Noel Mike Kennedy and Pauline Ashford Jenny Fan Giedre Miniotaite

Production Company Director Executive Producers

Producer Production Manager First Assistant Director Cinematographer Production Designer Costume & Wardrobe

MJZ Tom Kuntz Helen Kenny and David Zander Emma Butterworth Daniel Gay Joe Smith Chris Soos Chris Oddy Rachel Pearce

Editing Company Editor

Whitehouse Post Russell Icke

98

Post Production Company Electric Theatre Collective Colourist Luke Morrison Creative Director & James Sindle VFX Supervisor Producer Magda Krimitsou Lead 2D Artist James Belch 2D Artists Chris Fraser and Tomer Epsthein Lead 3D Artist Patrick Krafft 3D Artists Jordan Dunstall, Ryan Maddox, Mark Bailey, Remy Herisse, Edwin Leeds, Gregory Martin, Nikolai Maderthoner, Will Preston, Stefan Brown, Adrian Lan Sun Luk, Piers Limberg, Zach Pindolia, Olivia Grimmer, Romain Thirion and Richard Fry Audio Companies Composer Music Supervisors

750 MPH and Wake The Town D Double E Dave Bass and Arnold Hattingh

CRAFT ARROW

Gustav Karlström for Yamaha, Making Waves made for We Are Zag by Knucklehead, directed

by Maceo Frost.

Advertising Agency Production Company Audio Company

We Are Zag Knucklehead Redpipe

Luis Almau at Soundtree for ITV, TELEVISION made for Uncommon Creative Studio by Academy, directed by Billy Boyd Cape. + a EDITING a WRITING a ENTERTAINMENT PROMOTIONS Advertising Agency Production Company Editing Company Post Production Company Audio Company

Uncommon Creative Studio Academy The Assembly Rooms The Mill Soundtree

Philip Kay at KOM (formerly Woodwork Music) for MillerCoors, Miller Lite, Followers made for DDB Chicago by Rattling Stick, directed by Ringan Ledwidge.

Advertising Agency Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

DDB Chicago Rattling Stick Blacksmith Sonic Union

99

PRODUCTION DESIGN

Gordon Allen for Sipsmith Gin, Mr Swan made for Ogilvy UK by Biscuit Filmworks, directed by Jeff Low. + a ALCOHOLIC DRINKS a ANIMATION: 3D a COSTUME / WARDROBE

Advertising Agency Chief Creative Officer Executive Creative Director Creative Directors

Art Director Copy Writers

Agency Producer Business Director Account Manager Agency Project Manager Chief Strategy Officer Strategy Director

Ogilvy UK Andre Laurentino Jules Chalkley Giles Montgomery and Lotte Jeffs Ilka Mourao Giles Montgomery and Jonny Durgan Oliver Featherman Kerry Capps Charlotte Black Marianne Paton Kevin Chesters Marie Maurer

Production Company Director Producer Cinematographer Production Designer

Biscuit Filmworks Jeff Low Kwok Yau Malcolm Hadley Gordon Allen

100

MD/Executive Producer Production Assistant Costume Designers & Puppets

Lead Animators

Rupert Reynolds-Maclean Gabija Lauce AMS with Nadine Patterson and Mick Chippington Andy Biddle and Tobias Fouracre

Editing Company Editor

Work Editorial Saam Hodivala

Post Production Company Colourist Post Production Producer

The Mill James Bamford Nicole Duncan

Audio Company Sound Designer Voiceover

750 MPH Sam Robson Julian Barrett

CRAFT ARROW

SPONSORED BY

Mikey Hollywood for Sony Interactive Entertainment, PlayStation, Feel The Power: PS4 Pro made for adam&eveDDB by Academy, directed by Frédéric Planchon. + a CINEMATOGRAPHY a ACHIEVEMENT IN PRODUCTION a VFX Advertising Agency Production Company Editing Company Post Production Company Audio Company

adam&eveDDB Academy The Assembly Rooms The Mill 750 MPH

Olly Williams for Virgin Trains, Virgin Trains, Very Fast Chair made for Anomaly by Caviar London, directed by Keith Schofield. + a TRANSPORT & TOURISM a WRITING Advertising Agency Production Company Editing Company Post Production Company Audio Companies

Anomaly Caviar Marshall Street Editors Electric Theatre Collective 750 MPH and Mr. Pape

Dan Betteridge for Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson. + a ACHIEVEMENT IN PRODUCTION a DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES a IN-CAMERA EFFECTS INCL. STUNTS a USE OF EXISTING MUSIC a BEST OVER 90 SECOND COMMERCIAL Advertising Agency Production Company Editing Companies

Post Production Company

THE BRITISH ARROWS AWARDS 2020

TBWA\Media Arts Lab Pulse Films Trim Editing and Cosmo Street Framestore

101

RE-RECORD

Wake The Town for Lucozade, Three Lionesses made for Grey London by Academy, directed by Jack Driscoll.

Advertising Agency Creative Directors Creatives Agency Producer

Grey London Sam Daly and Rob Greaves Matt Tassel and Marc Owens Thea Evely

Production Company Director Executive Producer Producer

Academy Jack Driscoll Medb Riordan Tabetha Glass-Jackman

Editing Company Editor

tenthree Stephen Dunne

102

Post Production Company Colourist Head of 3D

Electric Theatre Collective Luke Morrison Dean Robinson

Audio Company Sound Designer

Theodore Sam Ashwell at 750 MPH

Music Production

Wake The Town

CRAFT ARROW

Luis Almau at Soundtree for The Guardian, Hope Is Power made for Uncommon Creative Studio by Pulse Films, directed by James Marsh.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

Uncommon Creative Studio Pulse Films Marshall Street Editors Freefolk Soundtree

Luis Almau at Soundtree for Renault Clio, The French Exchange made for Publicis•Poke

by Academy, directed by Frédéric Planchon. + a AUTOMOTIVE a CASTING a COLOURIST a DIRECTOR – THE FRANK BUDGEN AWARD Advertising Agency Production Company Editing Company Post Production Company Audio Company

Publicis•Poke Academy The Assembly Rooms MPC Soundtree (music) Wave Studios (sound)

Matt Gay at adam&eveDDB for John Lewis & Partners and Waitrose & Partners, Christmas, Excitable Edgar made for adam&eveDDB by Blink, directed by Dougal Wilson. + a CGI Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company Music Supervision Company

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB Blink Cinelab London Final Cut Untold Studios Factory Leland Music

103

RETAILERS

IKEA, Home Furnishings, Silence the Critics made for Mother by MJZ, directed by Tom Kuntz. + a ORIGINAL COMPOSITION a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND

Advertising Agency Creative Directors

Creatives

Agency Producer Production Director

Mother Thom Whitaker and Danielle Outhwaite-Noel Mike Kennedy and Pauline Ashford Jenny Fan Giedre Miniotaite

Production Company Director Executive Producers

Producer Production Manager First Assistant Director Cinematographer Production Designer Costume & Wardrobe

MJZ Tom Kuntz Helen Kenny and David Zander Emma Butterworth Daniel Gay Joe Smith Chris Soos Chris Oddy Rachel Pearce

Editing Company Editor

Whitehouse Post Russell Icke

104

Post Production Company Electric Theatre Collective Colourist Luke Morrison Creative Director & James Sindle VFX Supervisor Producer Magda Krimitsou Lead 2D Artist James Belch 2D Artists Chris Fraser and Tomer Epsthein Lead 3D Artist Patrick Krafft 3D Artists Jordan Dunstall, Ryan Maddox, Mark Bailey, Remy Herisse, Edwin Leeds, Gregory Martin, Nikolai Maderthoner, Will Preston, Stefan Brown, Adrian Lan Sun Luk, Piers Limberg, Zach Pindolia, Olivia Grimmer, Romain Thirion and Richard Fry Audio Companies Composer Music Supervisors

750 MPH and Wake The Town D Double E Dave Bass and Arnold Hattingh

ARROW

Argos, Christmas, The Book of Dreams made for The&Partnership

by Stink Films, directed by Traktor. + a USE OF EXISTING MUSIC a IN-CAMERA EFFECTS INCL. STUNTS Advertising Agency Production Company Editing Company Post Production Company Audio Company

Music Supervision Company

The&Partnership Stink Films Final Cut MPC Grand Central Recording Studios Leland Music

Sainsbury’s, Christmas, Nicholas the Sweep made for Wieden+Kennedy London by Pulse Films, directed

by Ninian Doff.

Advertising Agency Production Company Editing Company Post Production Company Audio Company Music Company

THE BRITISH ARROWS AWARDS 2020

Wieden+Kennedy Pulse Films Stitch Time Based Arts Wave Studios SIREN

105

SOUND DESIGN

Sam Ashwell for Sony Interactive Entertainment, PlayStation Now, The Fall made for adam&eveDDB by Nexus Studios, directed by Mischa Rozema. + a USE OF EXISTING MUSIC

Advertising Agency CEO Chief Creative Officer Executive Creative Directors

Chief Strategy Officer Creatives

Agency Producer Project Management Chief Strategy Officer Planning Director Business Director Account Director Account Manager

adam&eveDDB Mat Goff Richard Brim Ant Nelson and Mike Sutherland Martin Beverley John Farley, Alex Lucas and Matthew Osborne Rebecca Holt Sam McGeorge Martin Beverley David Mortimer Matthew Harris Faye Morten Madeleine Burrell

Production Company Director Executive Producers Producer Cinematographer

Nexus Studios Mischa Rozema Judy Hill and Ollie Allgrove Alan Traquair Steve Annis

106

Editing Company Editor

tenthree Stephen Dunne

Post Production Company Colourist Lead 3D Artist Lead 2D Artist Post Producers Creative Director

The Mill James Bamford Alan Williamson Peter Hodsman Kirsty Ratcliffe and Alex Fitzgerald Mike Chapman

Audio Company Music Producer

750 MPH Sam Ashwell

CRAFT ARROW

Mark Hills at Factory for Medecins Du Monde, We Don’t Care made for Marcel by Dreamers, directed by Matilda Finn. + a CINEMATOGRAPHY Advertising Agency Production Company Editing Company Post Production Company Audio Company

Marcel Dreamers Time Based Arts Mikros Factory

Jack Sedgwick at Wave Studios for Niantic & Warner Brothers Games, Harry Potter Wizards Unite - Launch made for Wieden+Kennedy London by Stink Films, directed by Xueling Wang.

Advertising Agency Production Company Editing Company Post Production Company Audio Company Music Company

Wieden+Kennedy Stink Films Whitehouse Post The Mill Wave Studios Mr. Pape

Sam Ashwell for Coca-Cola, Open made for Wieden+Kennedy London by Somesuch, directed

by Steve Rogers.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Wieden+Kennedy Somesuch Work Editorial Time Based Arts 750 MPH

107

SPONSORSHIP CAMPAIGN

Paddy Power, Enough of the Nonsense made by Hatch London, directed by Mark Harrison.

Advertising Agency, Production Hatch London Company & Post Production Creative Director & Director Mark Harrison Copy Writer James Menzies Creatives Ben Harvie and Bryony Watson Executive Producer Mark Gibson Producer Rebecca Hunnybun Cinematographer Ray Moody Audio Company

108

SNK Studios

ARROW

Direct Line, Insurance, Film 4 Idents made for Saatchi & Saatchi by Rattling Stick, directed by Daniel Kleinman.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

Saatchi & Saatchi Rattling Stick The Assembly Rooms Framestore Factory

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence Sponsors ITV Movies made for adam&eveDDB by O Positive @ Rogue, directed by David Shane. + a AUTOMOTIVE (LAWYER) a AUTOMOTIVE (ROAD BLOCK) a BEST UP TO & INCLUDING 15 SECOND Advertising Agency Production Company Editing Company Post Production Company Audio Companies

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB O Positive @ Rogue The Quarry Untold Studios 750 MPH and Twenty Below Music

109

110

ARROW

SPORTS

Nike, Football, Raheem Sterling: Dream for the Next You made for Wieden+Kennedy London

by Academy, directed by Billy Boyd Cape.

Advertising Agency Production Company Post Production Company Audio Company

Wieden+Kennedy London Academy Time Based Arts 750 MPH

Nike, Stop at Nothing made for Wieden+Kennedy London by Park Pictures, directed by Georgia Hudson.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Wieden+Kennedy London Park Pictures Stitch Time Based Arts 750 MPH

111

THE POWER OF FILM

March for our Lives, Generation Lockdown made for McCann New York by Hungry Man, directed by Bryan Buckley. + a INTERNATIONAL

Advertising Agency SVP / Executive Producer

McCann New York John McAdorey

Production Company Director Executive Producers

Producer Cinematographer

Hungry Man Bryan Buckley Kevin Byrne, Mino Jarjoura, Dan Duffy and Caleb Dewart Matt Lefebvre Scott Henriksen

Editing Company

No6

112

ARROW

BECO., #STEALOURSTAFF made for TBWA London by Hoi Polloi, directed by Dan Castella. + a CASTING a HOUSEHOLD GOODS Advertising Agency Production Company Post Production Company Audio Company

TBWA\London Hoi Polloi Coffee & TV 750 MPH

Department for Education, Recruitment, Tuesday made for Havas London by Pulse Films, directed by 32. + a EDITING a BEST OVER 90 SECOND COMMERCIAL Editing Company tenthree Post Production Company Electric Theatre Collective Audio Company Factory

ITV, Mental Wellness Initiative, Britain Get Talking made for Uncommon Creative Studio

by Pulse Films, directed by Nez. + a INTEGRATED a CHARITY & PUBLIC SERVICE Editing Company Speade Post Production Company Raised by Wolves Audio Company Soundtree

Nike, Dream Crazier made for Wieden+Kennedy London by Somesuch, directed by Kim Gehrig. + a INTERNATIONAL Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Wieden+Kennedy Somesuch Joint A52 Eleven Studios

113

TRANSPORT & TOURISM

Virgin Trains, Very Fast Chair made for Anomaly by Caviar London, directed by Keith Schofield. + a PRODUCTION DESIGN a WRITING

Advertising Agency Creative Director Creatives

Agency Producer Assistant Producer Business Lead Account Director

Anomaly Joe Corcoran Ben Robinson and Mike Whiteside Alen Grebovic Paul Van Lierop Max Taylor Flic Green

Production Company Director Executive Producer Producer Cinematographer Production Designer Costume & Wardrobe

Caviar Keith Schofield Sorcha Shepherd Kwok Yau Jallo Faber Olly Williams Selina Wong

Editing Company Editor

Marshall Street Editors Patric Ryan

114

Post Production Company Electric Theatre Collective Colourist Luke Morrison Lead 3D Artists Jimmy Rogers, Adrian Lan Suk, Nick Turner and Patrick Krafft Lead 2D Artists Tane Welham, Tom Humphrey, Alberto Pizzocchero, Adam Woolrich, Alex Grey and Kia Coates VFX & Shoot Supervisors Simon French, Patrick Krafft and James Belch Producer Jon Purton Matte Paint & Design Billy Stockwell Audio Company Sound Designer Music Supervisor

750 MPH Sam Ashwell John Connon

Music Production Composer

Mr. Pape Joseph Alexander

ARROW

On the Beach, Package Holidays, Everything’s Better on the Beach made for Uncommon Creative Studio by Biscuit Filmworks, directed by Jeff Low. Advertising Agency Production Company Editing Company Post Production Company Audio Company

Uncommon Creative Studio Biscuit Filmworks Work Editorial The Mill Factory

easyJet, Holidays, Hide & Seek made for VCCP by Iconoclast, directed by Alaska.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

VCCP Iconoclast Final Cut MPC Soho Music

115

UK CAMPAIGN - THE JOHN WEBSTER AWARD

Amazon, Prime Video, Great Shows Stay with You 2019 made for Droga5 by Somesuch x Revolver/Will O’Rourke, directed by Steve Rogers. + a BEST OVER 30 AND UP TO & INCLUDING 60 SECOND

Advertising Agency Chief Creative Officer Art Directors Copy Writers Group Creative Directors Joint Managing Director Account Director Strategy Director Production Assistant

Droga5 London David Kolbusz Dave Wigglesworth and Frazer Price Ed Redgrave and Teddy Souter Raph Basckin and Shelley Smoler Heather Cuss Callum Raines Tim Whirledge Manon Rees

Production Company Director Producer Production Designer Executive Producer Cinematographer Production Manager

Somesuch Steve Rogers Lee Groombridge Drogo Michie Seth Wilson Daniel Landin Luke Thornton

116

Post Production Company

Electric Theatre Collective

Audio Company

750 MPH

ARROW

SPONSORED BY

BBC, iPlayer, Wasted on Some - Name Blame; Paranoid Parkers; Queen’s English made for BBC Creative by Anonymous, directed by Tim Godsall. + a ENTERTAINMENT PROMOTIONS a BEST OVER 30 AND UP TO & INCLUDING 60 SECOND Advertising Agency Production Company Editing Company Post Production Company Audio Company

BBC Creative Anonymous The Assembly Rooms Electric Theatre Collective Factory

The Valuable 500, Diversish made for AMV BBDO by Outsider, directed by James Rouse.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

AMV BBDO Outsider Work Editorial Electric Theatre Collective Factory

117

USE OF EXISTING MUSIC

Codie Childs at Leland Music for Argos, Christmas, The Book of Dreams made for The&Partnership by Stink Films, directed by Traktor. + a RETAILERS a IN-CAMERA EFFECTS INCL. STUNTS

Advertising Agency Executive Creative Directors Creative Director Creatives

Agency Producers

Senior Producer Managing Director Head of Planning Senior Planner Account Director Account Manager

The&Partnership Yan Elliott and Micky Tudor Danny Hunt Arthur Harry and Ludo Thomas Andy Roberts and Alfie Glover-Short Andy Roberts Gary Simmons Rebecca Munds Claire Carmichael Lucy Almond Hannah Gray

Production Company Director Producer Producer Cinematographer Production Designer

Stink Films Traktor Richard Ulfvengren Millen Nickolov at Icon Films Joost Van Gelder Nicholas Foley-Oates

118

Stunts Casting Directors Costume & Wardrobe

Georgi Dimitrov Kate and Lou Castings Verity Hawkes

Editing Company Editor

Final Cut Ryan Beck

Post Production Company Colourist VFX Supervisor Producer

MPC Jean-Clément Soret Jake Nelson Phil Whalley

Audio Company Music Producer Sound Designer Music Supervision Company Music Supervisor Music Arranger Drum Supervisor

Grand Central Recording Studios Chris Hill Munzie Thind Leland Music Codie Childs at Leland Music Chris Hill Brad Webb

CRAFT ARROW

Nicole Palko and Oscar Hudson for Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson. + a ACHIEVEMENT IN PRODUCTION a DIGITAL SERVICES a IN-CAMERA EFFECTS INCL. STUNTS a BEST OVER 90 SECOND COMMERCIAL a PRODUCTION DESIGN Advertising Agency Production Company Editing Companies

Post Production Company Music Track

TBWA\Media Arts Lab Pulse Films Trim Editing and Cosmo Street Framestore I Learnt Some Jazz Today

by Tessellated

Alex Lucas for Sony Interactive Entertainment, PlayStation Now, The Fall made for adam&eveDDB

by Nexus Studios, directed by Mischa Rozema. + a SOUND DESIGN Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB Nexus Studios tenthree The Mill 750 MPH

119

VFX

Thiago Dantas and Francois Roisin for Lacoste, Crocodile Inside made for BETC/Paris by Iconoclast France, directed by Megaforce.

Advertising Agency Executive Creative Director Creative Directors

Art Director Agency Producers

BETC Remi Babinet Aurelie Scalabre, Olivier Aumard and Damien Bellon Jessica Fecteau Fabrice Brovelli, Karim Naceur and Slim Trabelsi

Production Company Director Producer Cinematographer

Iconoclast France Megaforce Charlotte Marmione Bradford Young

Editing Company Editor

Final Cut Joe Guest

120

Post Production Company Colourist Lead 3D Artist Lead 2D Artist VFX Supervisors

VFX Head of Production

Time Based Arts Lewis Crossfield Francois Roisin Thiago Dantas Francois Roisin and Federico Vanone Josh Robinson

Audio Company

Iconoclast Publishing

CRAFT ARROW

SPONSORED BY

Alessandro Granella, Radu Ciubotariu and Kristian Bonne for Hennessy XO, The Seven Worlds made for DDB Paris by RSA Films and 75 Paris, directed by Ridley Scott. + a CGI Advertising Agency Production Companies Post Production Company Audio Company

DDB Paris RSA Films & 75 Paris MPC Grand Central Recording Studios

Gary Driver, Stefan Susemihi and Greg Spencer for Sony Interactive Entertainment, PlayStation, Feel The Power: PS4 Pro made for adam&eveDDB by Academy, directed by Frédéric Planchon. + a CINEMATOGRAPHY a ACHIEVEMENT IN PRODUCTION a PRODUCTION DESIGN Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

adam&eveDDB Academy The Assembly Rooms The Mill 750 MPH

121

VR / 360 / AR EXPERIENCE

The Mill for Tate Modern, Tate AR Wing, Untold Stories.

Production Company The Mill Executive Creative Director Rama Allen Executive Producer Desi Gonzalez Creative Director Sally Reynolds Videographer Rauri Cantelo Developers Kim Kohler, Jack Kalish,

Jeffrey Wang and

Richard Lapham Designers Conrad McLeod, Steve Kutny, Ben Weaver and Daniel Whitaker Senior Producer Hayley Underwood Norton Production Co-ordinator Oliver Schwartz

122

ARROW

Nexus Studios Interactive Arts for Google, CERN, Big Bang AR.

Nexus Studios Interactive Arts for Google, Pixel 3, Childish Gambino Playmoji.

THE BRITISH ARROWS AWARDS 2020

123

WRITING

Eoin McLaughlin, Jonas Roth, Rasmus Smith-Bech and Alex Boutell for Channel 4, Complaints Welcome made by 4creative, directed by Alex Boutell. + a CHARITY & PUBLIC SERVICE a ENTERTAINMENT PROMOTIONS a BEST OVER 60 AND UP TO & INCLUDING 90 SECOND

Client Controller of Marketing & Media Deputy Head of Marketing Marketing Manager

Channel 4 Marketing James Walker Laura Ward Smith Laura Woodcock

Agency & Production Company Acting Head of 4creative Executive Creative Director Creative Directors

Creative Director Designer Group Business Director Executive Producer Senior Producers

Project Manager Director of Photography

4creative Chris Wood Alice Tonge Jonas Roth and Rasmus Smith-Bech Eoin McLaughlin Alex Boutell Tim Fellowes Matt Berry Shananne Lane Fiona Wright, Shananne Lane and Tabby Harris Olivia Emmerson Matt Fox

124

Editing Company Editor

Whitehouse Post Adam Rudd

Post Production Company Colourist

Black Kite Studios George Kyriacou

VFX

JAM VFX

Music Supervision Company Leland Music

CRAFT ARROW

Uncommon Creative Studio for ITV, TELEVISION made for Uncommon Creative Studio by Academy, directed by Billy Boyd Cape. + a ORIGINAL COMPOSITION a EDITING a ENTERTAINMENT PROMOTIONS Advertising Agency Production Company Editing Company Post Production Company Audio Company

Uncommon Creative Studio Academy The Assembly Rooms The Mill Soundtree

Hugh Todd for NHS England, Nursing Recruitment, We Are Nurses made for MullenLowe by Academy, directed by Billy Boyd Cape. + a EDITING a CINEMATOGRAPHY Advertising Agency Production Company Editing Company Post Production Company Audio Company

MullenLowe Academy tenthree Cheat Soundtree

Ben Robinson and Mike Whiteside for Virgin Trains, Very Fast Chair made for Anomaly by Caviar London, directed by Keith Schofield. + a TRANSPORT & TOURISM a PRODUCTION DESIGN Advertising Agency Production Company Editing Company Post Production Company Audio Companies

THE BRITISH ARROWS AWARDS 2020

Anomaly Caviar Marshall Street Editors Electric Theatre Collective 750 MPH and Mr. Pape

125

ACHIEVEMENT IN PRODUCTION

Davud Karbassioun, George Saunders and Ian Kelly for Apple, AirPods, Bounce made for TBWA\Media Arts Lab

by Pulse Films, directed by Oscar Hudson. + a DIGITAL SERVICES a IN-CAMERA EFFECTS INCL. STUNTS a USE OF EXISTING MUSIC a BEST OVER 90 SECOND COMMERCIAL a PRODUCTION DESIGN

Advertising Agency Group Creative Director Art Director Copy Writer Agency Producer Assistant Producer

TBWA\Media Arts Lab Arnau Bosch Saulo Mohana Imen Soltani Ian Kelly Corbin Meyer

Hair, Make Up & Prosthetics

Dasha Taivas

Editing Companies

Editors

Trim Editing and Cosmo Street Paul Hardcastle and Chelsea Spensley

Production Company Executive Producer Director Producer Production Manager Production Assistant Cinematographer Production Designer Casting Director & Stunts Lead Performer & Stunts Costume & Wardrobe

Pulse Films Davud Karbassioun Oscar Hudson George Saunders Rachael Donson Tom Nutting Daniel Landin Dan Betteridge Yoann Bourgeois Mehdi Baki Selina Wong and Lindsey Pond Jones

Post Production Company VFX Supervisors Post Producer

Framestore Steve Drew and Michael Ralla Bethan Thomas

Music Track

I Learnt Some Jazz Today

by Tessellated

126

CRAFT ARROW

SPONSORED BY

Michael MacMillan at adam&eveDDB and Dulcie Kellett , Medb Riordan and Gemma Priggen at Academy for Sony Interactive Entertainment, PlayStation, Feel The Power: PS4 Pro made for adam&eveDDB by Academy, directed by Frédéric Planchon. + a CINEMATOGRAPHY a PRODUCTION DESIGN a VFX Advertising Agency Production Company Editing Company Post Production Company Audio Company

adam&eveDDB Academy The Assembly Rooms The Mill 750 MPH

Simon Cooper, Medb Riordan, Shirley O’Connor and Bugs Hartley for Diamond Producers Association, The Diamond Journey made for BBH by Academy, directed by Ian Pons Jewell. + a COSTUME / WARDROBE Advertising Agency Production Company Editing Company Post Production Company Audio Companies

THE BRITISH ARROWS AWARDS 2020

BBH Academy The Quarry Time Based Arts Aumeta and Black Sheep Music

127

BEST UP TO & INCLUDING 15 SECOND

Trebor, Give Me Strength Leg Spreader made for Ogilvy UK

by Rattling Stick, directed by Andy McLeod.

Advertising Agency Production Company Editing Company Post Production Company Audio Company

Ogilvy UK Rattling Stick The Quarry Big Buoy Wave Studios

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Road Block/ Gateski made for adam&eveDDB by O Positive @ Rogue, directed by David Shane. + a SPONSORSHIP CAMPAIGN a AUTOMOTIVE (ROAD BLOCK) Advertising Agency Production Company Editing Company Post Production Company Audio Companies

128

adam&eveDDB O Positive @ Rogue The Quarry Untold Studios 750 MPH and Twenty Below Music

ARROW

BEST OVER 15 AND UP TO & INCLUDING 30 SECOND

McDonald’s, Saver Menu, Marigold made for Leo Burnett by MindsEye, directed by Andrew Gaynord.

Advertising Agency Production Company Post Production Company Audio Company

Leo Burnett MindsEye MPC 750 MPH

BBC, Number 10 made for BBC Creative

by Pulse Films, directed by 32.

Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

BBC Creative Pulse Films Cinelab London The Assembly Rooms Time Based Arts Factory

129

BEST OVER 30 AND UP TO & INCLUDING 60 SECOND

Amazon, Prime Video, Great Shows Stay with You - Cupcake made for Droga5 by Somesuch, directed by Steve Rogers.

Advertising Agency Chief Creative Officer Art Director Copy Writer Agency Producer Group Creative Directors

Joint Managing Director Account Director Strategy Director Production Assistant

Droga5 London David Kolbusz Dave Wigglesworth Ed Redgrave Peter Montgomery Raph Basckin and Shelley Smoler Heather Cuss Callum Raines Tim Whirledge Manon Rees

Production Company Director Executive Producer Producer Production Designer Cinematographer Production Manager

Somesuch Steve Rogers Seth Wilson Lee Groombridge Drogo Michie Daniel Landin Luke Thornton

Post Production Company

Electric Theatre Collective

Audio Company

750 MPH

130

ARROW

SPONSORED BY

Amazon, Prime Video, Great Shows Stay with You - Conference made for Droga5 by Somesuch x Revolver/Will O’Rourke, directed by Steve Rogers. + a UK CAMPAIGN – THE JOHN WEBSTER AWARD Advertising Agency Production Company Post Production Company Audio Company

Droga5 London Somesuch Electric Theatre Collective 750 MPH

BBC, iPlayer, Wasted on Some Queen’s English made for BBC Creative by Anonymous, directed by Tim Godsall. + a ENTERTAINMENT PROMOTIONS a UK CAMPAIGN – THE JOHN WEBSTER AWARD Advertising Agency Production Company Editing Company Post Production Company Audio Company

BBC Creative Anonymous The Assembly Rooms Electric Theatre Collective Factory

Amazon, Prime Video, Great Shows Stay with You - Table Football made for Droga5 by Somesuch, directed by Steve Rogers.

Advertising Agency Production Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Droga5 London Somesuch Electric Theatre Collective 750 MPH

131

BEST OVER 60 AND UP TO & INCLUDING 90 SECOND

IKEA, Home Furnishings, Silence the Critics made for Mother by MJZ, directed by Tom Kuntz. + a ORIGINAL COMPOSITION a RETAILERS

Advertising Agency Creative Directors

Creatives

Agency Producer Production Director

Mother Thom Whitaker and Danielle Outhwaite-Noel Mike Kennedy and Pauline Ashford Jenny Fan Giedre Miniotaite

Production Company Director Executive Producers

Producer Production Manager First Assistant Director Cinematographer Production Designer Costume & Wardrobe

MJZ Tom Kuntz Helen Kenny and David Zander Emma Butterworth Daniel Gay Joe Smith Chris Soos Chris Oddy Rachel Pearce

Editing Company Editor

Whitehouse Post Russell Icke

132

Post Production Company Electric Theatre Collective Colourist Luke Morrison Creative Director & James Sindle VFX Supervisor Producer Magda Krimitsou Lead 2D Artist James Belch 2D Artists Chris Fraser and Tomer Epsthein Lead 3D Artist Patrick Krafft 3D Artists Jordan Dunstall, Ryan Maddox, Mark Bailey, Remy Herisse, Edwin Leeds, Gregory Martin, Nikolai Maderthoner, Will Preston, Stefan Brown, Adrian Lan Sun Luk, Piers Limberg, Zach Pindolia, Olivia Grimmer, Romain Thirion and Richard Fry Audio Companies Composer Music Supervisors

750 MPH and Wake The Town D Double E Dave Bass and Arnold Hattingh

ARROW

Diageo, Guinness, The Purse made for AMV BBDO by Stink Films, directed by Tom Green. + a ALCOHOLIC DRINKS a CASTING a EDITING a DIRECTOR – THE FRANK BUDGEN AWARD Advertising Agency Production Company Film Laboratory/Scanning Editing Company Post Production Company Audio Companies

AMV BBDO Stink Films Cinelab London Whitehouse Post The Mill Wave Studios and Radford Music

Channel 4, Complaints Welcome made by 4creative, directed

by Alex Boutell. + a CHARITY & PUBLIC SERVICE a ENTERTAINMENT PROMOTIONS a WRITING Production Company 4creative Post Production Company Jam VFX Music Supervision Company Leland Music

MARS Petcare, Cesar, Sunday Duty Dodge made for AMV BBDO by Blink, directed by Nick Ball. + a HOUSEHOLD GOODS Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

AMV BBDO Blink Stitch MPC Wave Studios

133

BEST OVER 90 SECOND COMMERCIAL

Apple, iPad, The Underdogs made for Apple by SMUGGLER, directed by Mark Molloy. + a DIRECTOR – THE FRANK BUDGEN AWARD a DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES

Advertising Agency Apple Creatives Sam Oliver, Brooks Jackson, Alan Buchanan, Simon Cenamor and Raymond Chan Agency Producer Travis Huntington Production Company Director Producer Cinematographer Production Designer Costume & Wardrobe Hair, Make Up & Prosthetics Film Services Producer

SMUGGLER Mark Molloy Donald Taylor Joost Van Gelder JC Molina Anna Terrazas Maripili Senderos Magali Sagarra

Editing Company Editor

Work Editorial Neil Smith

Audio Company Music Producer

A52 Kim Christensen

134

ARROW

Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson. + a ACHIEVEMENT IN PRODUCTION a DIGITAL SERVICES a IN-CAMERA EFFECTS INCL. STUNTS a USE OF EXISTING MUSIC a PRODUCTION DESIGN Advertising Agency Production Company Editing Companies

Post Production Company

TBWA\Media Arts Lab Pulse Films Trim Editing and Cosmo Street Framestore

Department for Education, Recruitment, Tuesday made for Havas London by Pulse Films, directed by 32. + a EDITING a THE POWER OF FILM Advertising Agency Production Company Editing Company Post Production Company Audio Company

THE BRITISH ARROWS AWARDS 2020

Havas London Pulse Films tenthree Electric Theatre Collective Factory

135

Finalists by Category ALCOHOLIC DRINKS

CASTING

Samsung, QLED, Ad Space made for adam&eveDDB by Escape Velocity directed by Bryan Rowland.

Hammond Cox Casting for Cadbury, Dairy Milk, Fence made for VCCP by Academy, directed by Frédéric Planchon.

Pernod Ricard, The Glenlivet, Breaking Walls made for CPB London by Prettybird directed by Tom Noakes.

ANIMATION: 2D RUFFMERCY for Nike, Air Force 1 made for ONE HUNDRED by My Accomplice, directed by RUFFMERCY. ANIMATION: 3D James Sindle and Patrick Krafft for IKEA, Home Furnishings, Silence the Critics made for Mother by MJZ, directed by Tom Kuntz.

Des Hamilton for Chilly’s Bottles, Gift Responsibly made for Uncommon Creative Studio by Biscuit Filmworks, directed by Aaron Stoller.

Kate & Lou Casting and Casting BG for Argos, Christmas, The Book of Dreams made for The&Partnership by Stink Films, directed by Traktor.

CGI Jon Wood, Bruno Fukumothi, Martino Madeddu and Philippe Moine for Churchill, Insurance, Churchill BRTV Chill Road REV made for ENGINE by MJZ, directed by Nikolai Fugslig.

Graeme Revell, Jacob Fradkin and Mike Lombardo for Dick’s Sporting Goods, The New Kid made for Anomaly by Pacific Rim Films, directed by Shawn Levy and Will Gluck.

Sam Driscoll, Daniel Sterne, Victoria McIntyre, Roman Vrbovsky, Vaclav Cizkovsky and Tony Atherton for Sony Interactive Entertainment, PlayStation, Feel the Power: PS4 Pro made for adam&eveDDB by Academy, directed by Frédéric Planchon.

Chris Welsby, David Bryan and James Bown for Virgin, Virgin Australia, Up, Up and Toupee made for DDB Sydney by Revolver, directed by Gary Freedman.

James Sindle, James Belch and Patrick Krafft for IKEA, Home Furnishings, Silence the Critics made for Mother by MJZ, directed by Tom Kuntz.

AUTOMOTIVE

CHARITY & PUBLIC SERVICE

Audi, Audi R8, A Pleasure to Follow made for BBH by Rogue Films, directed by Sam Brown.

Born Free Foundation, The Bitter Bond made for ENGINE by Blinkink / Zombie Studio, directed by Daniel Salles and Paulo Garcia.

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Zombie made for adam&eveDDB by O Positive @ Rogue, directed by David Shane.

Wildlife Trusts, Wind in the Willows made for Don’t Panic by Rowdy, directed by Matthew Day and Thomas Harnett O’Meara.

Audi, Transporter made for BBH by Academy, directed by Marcus Soderlund.

CINEMATOGRAPHY

BEST SOCIAL VIDEO Channel 4, Drag SOS made by 4creative, directed by Barry Dyer.

Vice UK, College Music, LoFi Beats Suicide made for McCann London by Craft/McCann.

Channel 4, The End of the Fucking World made by 4creative and Picnic, directed by Picnic.

BRANDED ENTERTAINMENT Britain’s Beer Alliance, Long Live the Local, A Story Cut Short made for Havas London by SMUGGLER, directed by Chris Smith.

Robbie Ryan for Volkswagen, Hello Light made for Johannes Leonardo by Somesuch, directed by Daniel Wolfe.

Tom Townend for Miu Miu, Women’s Tales, Brigitte made by Somesuch and HI productions, directed by Lynne Ramsay.

COLOURIST Nikola Stefanovic for Durex, Step Forward made for SGAD+ China by 37film, directed by Limin Wang.

Mark Gethin for Chevrolet, Silverado, Tailgates made for Commonwealth/McCann by MJZ, directed by Rupert Sanders.

Ricky Gausis, Matthieu Toullet and Jean-Clément Soret for AT&T services, Train made for BBDO New York by Furlined, directed by Dougal Wilson.

THE BRITISH ARROWS AWARDS 2020

137

COSTUME / WARDROBE

FINANCIAL & CORPORATE SERVICES

Natasha Lawes, Baga Chipz, Blu Hydrangea, Divina De Campo, Crystal, Sum Ting Wong, Cheryl Hole, Gothy Kendoll, Vinegar Strokes, Scaredy Kat, The Vivienne for BBC Three, RuPaul’s Drag Race UK made for BBC Creative by Rattling Stick, directed by Jack Whiteley.

Barclays, Barclaycard Business, Crystal Barn made for Droga5 by Biscuit Filmworks, directed by Jeff Low.

Verity Hawkes for Argos, Spring, So Stylish You Can Wear It made for The&Partnership by Stink Films, directed by Traktor.

Verity Hawkes for Argos, Autumn/Winter, So Stylish You Can Wear It made for The&Partnership by Stink Films, directed by Traktor.

DIGITAL SERVICES, ELECTRONICS & COMPUTER GAMES Sony Interactive Entertainment, PlayStation, Feel the Power: PS4 Pro made for adam&eveDDB by Academy, directed by Frédéric Planchon.

Sony Interactive Entertainment, PlayStation Now, The Fall made for adam&eveDDB by Nexus Studios, directed by Mischa Rozema.

DIRECTOR - THE FRANK BUDGEN AWARD Oscar Hudson for Apple, AirPods, Bounce made for TBWA\Media Arts Lab by Pulse Films, directed by Oscar Hudson.

Frédéric Planchon for Cadbury, Dairy Milk, Fence made for VCCP by Academy, directed by Frédéric Planchon.

James Marsh for ITV Drama, The Patriarch - Great Characters Make Great Drama made for Uncommon Creative Studio by Pulse Films, directed by James Marsh.

Visa, Show the High Street Some Love made for Saatchi & Saatchi by Independent Films, directed by Gary Freedman.

Experian, Tribes - Anglers made for BBH by Outsider, directed by Dom & Nic. Experian, Tribes - Goths made for BBH by Outsider, directed by Dom & Nic. FOOD & NON-ALCOHOLIC DRINKS Onken, Yogurt, Feed Your Inner Happiness (20”) made for AllTogetherNow by MindsEye, directed by Brad Lubin.

Unilever, Marmite, Mind Control made for adam&eveDDB by Moxie Pictures, directed by Martin Granger.

Lucozade, Three Lionesses made for Grey/London by Academy, directed by Jack Driscoll.

HOUSEHOLD GOODS Simba, Made for Peace made for BBH by SMUGGLER, directed by Guy Shelmerdine.

Amazon, Echo, Morning Ritual made for Joint by Academy, directed by Frédéric Planchon.

NIVEA, The Man Who Changes Mondays made for Cheil by CYLNDR, directed by Jeromy Groman.

EDITING

IN-CAMERA EFFECTS INCL. STUNTS

Thomas Grove Carter for Mercedes Benz AG, Bertha Benz: The Journey That Changed Everything made for Antoni GmbH by Anorak, directed by Sebastian Strasser.

Inka Titto for Apple, Apple Watch, Flight made for TBWA\Media Arts Lab by Academy / Reset, directed by Jonathan Glazer.

ENTERTAINMENT PROMOTIONS

INTEGRATED

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Lawyer/Baker made for adam&eveDDB by O Positive @ Rogue, directed by David Shane.

ITV/Veg Power, Eat Them to Defeat Them made by adam&eveDDB.

BBC, iPlayer, Wasted on Some - Name Blame made for BBC Creative by Anonymous, directed by Tim Godsall.

BBC, iPlayer, Wasted on Some - Paranoid Parkers made for BBC Creative by Anonymous, directed by Tim Godsall.

FASHION Loewe, An Otter’s Tale made for Loewe by Blinkink, directed by Nina Gantz.

BBC, Women’s World Cup, WIS - Remember the Name made by BBC Creative.

INTERNATIONAL Diageo, Guinness, Liberty Fields | The Pioneers of Women’s Rugby made for AMV BBDO by Stink Films, directed by Mackenzie Sheppard.

Apple, Apple Watch, This Watch Tells Time made for Apple by Reset, directed by Ian Pons Jewell.

Diamond Producers Association, The Diamond Journey made for BBH by Academy, directed by Ian Pons Jewell.

138

FINALISTS BY CATEGORY

MADE IN LOCKDOWN - CAMPAIGN

NEW DIRECTOR

ITV, Mental Health Awareness, Britain Get Talking made by Uncommon Creative Studio.

Fred Rowson for Pride in London, Pride Jubilee made for BMB by Blink, directed by Fred Rowson.

Sony Interactive Entertainment, PlayStation 5, Immersion - Adaptive Triggers made for adam&eveDDB by Biscuit Filmworks, directed by Dan DiFelice.

Mars Chocolate, Maltesers, Lightside to Lockdown made for AMVBBDO by Outsider, directed by James Rouse.

BBC Local News, Local News Radio, Make a Difference made by BBC Creative, directed by Hannah Jacobs, Anna Ginsburg and Matt Lloyd.

BBC One, Oneness Idents, Oneness in Lockdown made by BBC Creative, Whitehouse Post and Red Bee Media.

Nationwide, Six Months’ Time made for VCCP by VCCP Kin and Bark Soho, directed by Greta Wynn Davies.

BT, Top Tips on Tech made for Saatchi & Saatchi by Prodigious, directed by Chris Faith.

MADE IN LOCKDOWN – SINGLE NHS, ‘It Must Be Love’ In Support of Our NHS made by Dark Energy Films, directed by Two Flying Fish.

Born Free Foundation, Creature Discomforts: Life in Lockdown made for ENGINE by Aardman Animations and Jungle Sound Studios, directed by Peter Peake.

Extinction Rebellion, How normal was normal? made by Extinction Rebellion, Tim Arnold, Luke O’Driscoll and Marco Mollo, directed by Milos Mlynarik.

BBC, BBC Sounds, Join the Great British Singalong made for BBC Creative by Pulse Films, directed by 32.

BBC, BBC News, One Day made for BBC Creative by Pulse Films, directed by 32.

Earthrise, Second Chances made for Truant London by MDRN Love, directed by Charlie Lindsay and George Bartlett.

MOST INNOVATIVE USE OF VIDEO John Lewis & Partners and Waitrose & Partners, Christmas, Edgar x I’m a Celebrity Get Me out of Here made for adam&eveDDB by Untold Studios, directed by Matt Gay. John Lewis & Partners and Waitrose & Partners, Christmas, Edgar x X-Factor made for adam&eveDDB by Untold Studios, directed by Matt Gay. NatWest, England Cricket, Freddie v Freddie made for M&C Saatchi by Electric Robin, directed by Kevin Batchelor.

Malaria No More, Malaria Must Die made for R/GA London by RSA Films, directed by Juriaan Booij.

Finn Keenan for Nike, Qiang Diao made for Wieden+Kennedy Shanghai by Riff Raff Films, directed by Finn Keenan.

David Petch for World Rugby, Sweta Unstoppable made for MATTA by Sweetshop, directed by David Petch.

Tom Speers for Vodafone, Connectivity, The Joy of Connection made for Town Productions by SMUGGLER, directed by Tom Speers.

ORIGINAL COMPOSITION Anné Kulonen for Leica, SL Camera and M Lenses, Like the Night made by Paddington Pictures Ltd, directed by Barney Cokeliss.

Codie Childs at Leland Music Ltd for Nike, Nike Kids, You’re It made for Wieden+Kennedy Amsterdam by Riff Raff Films, directed by David Wilson.

PRODUCTION DESIGN Jon Henson for Sainsbury’s, Christmas, Nicholas the Sweep made for Wieden+Kennedy London by Pulse Films, directed by Ninian Doff.

James Hatt for EA Sports, FIFA 20, The Bunker made by Iconoclast, directed by Paul Geusebroek.

RE-RECORD Fred Ashworth at Native Music for Ovarian Cancer Action, I Will Survive made for Heads Up Productions by Snapper Films, directed by Joanna Bailey.

Joe Skinner and Fred Ashworth at Native Music for The Times & The Sunday Times, Politics. Tamed. made for Pulse Creative by Framestore, directed by William Bartlett.

RETAILERS John Lewis & Partners and Waitrose & Partners, Christmas, Excitable Edgar made for adam&eveDDB by Blink, directed by Dougal Wilson.

Converse, Spark Progress made for Wieden+Kennedy London by Pulse Films, directed by Paco Raterta.

IKEA, The Nightclub made for Mother by MJZ, directed by Juan Cabral.

SOUND DESIGN Sam Ashwell for ITV, Rugby World Cup, Rise for the Rugby World Cup made for ITV Creative by Stink Films, directed by Keith McCarthy and Golden Wolf.

Sam Ashwell and Jake Ashwell for Nike, Stop at Nothing made for Wieden+Kennedy London by Park Pictures, directed by Georgia Hudson.

THE BRITISH ARROWS AWARDS 2020

139

SPONSORSHIP CAMPAIGN

VFX

Citroën C3, First Dates: Don’t Go; Kiss; Car Wash made for Havas London by Bold, directed by Camila Zapiola.

Michael Gregory, Toya Drechsler and Tim Kafka for BMW, X7, Legend made for Goodby, Silverstein & Partners by MJZ, directed by Dante Ariola.

Diageo, Guinness, Clear made for AMV BBDO by MJZ, directed by Tom Kuntz.

McDonald’s, McDelivery ITV Idents made for Leo Burnett by Tantrum, directed by Samuel Petursson and Gunnar Olafsson.

SPORTS O2, Rugby World Cup, Be Their Armour made for VCCP by Rogue Films, directed by Sam Brown.

Nike, Nike Kids, You’re It made for Wieden+Kennedy Amsterdam by Riff Raff Films, directed by David Wilson.

THE POWER OF FILM Microsoft, Xbox Adaptive Controller, We All Win made for McCann New York by Hungry Man, directed by Bryan Buckley.

TRANSPORT & TOURISM British Airways, Flight no. BA100 (90”) made for Ogilvy UK WPP Team Horizon and Wavemaker by Park Pictures, directed by Tom Tagholm.

Haven Holidays, The Beach Boy made for Iris Worldwide by Academy, directed by Vince Squibb.

Transport for London, Road Danger Reduction, Watch Your Speed made for VCCP by Another Film Company, directed by Steve Reeves.

UK CAMPAIGN - THE JOHN WEBSTER AWARD Cadbury, Dairy Milk, Donate Your Words made for VCCP by VCCP Kin, directed by Tubby Brother.

GambleAware, Bet Regret, Drunk Betting; Chasing Loses; Bored Betting made for M&C Saatchi by Gorgeous, directed by Chris Palmer.

Unilever, Marmite, Mind Control made for adam&eveDDB by Moxie Pictures and Friends Electric, directed by Martin Granger and Ewan Jones Morris.

USE OF EXISTING MUSIC Lucas Reis and Charlie Lanus for KFC, Chicken Town made for Mother by Pulse Films, directed by Sam Pilling.

Steve Phillips for Audi, A1 and A7, Synchronised Swim made for BBH by Independent Films, directed by Johnny Hardstaff.

Steve Hawthorne, Jason Keet, James Hodson, Stefanie Forbes and Katy Hopkins for Born Free Foundation, The Bitter Bond made for ENGINE by Blinkink / Zombie Studio, directed by Daniel Salles and Paulo Garcia.

Mike Chapman, Peter Hodsman, Alan Williamson, Laique Quershi and Anthony D’Souza for Sony Interactive Entertainment, PlayStation Now, The Fall made for adam&eveDDB by Nexus Studios, directed by Mischa Rozema.

Giles Cheetham and James Sindle for Apple, Electronics, This Watch Tells Time made for Apple by Reset, directed by Ian Pons Jewell.

VR / 360 / AR EXPERIENCE Factory Fifteen for Nissan, Formula E Nissan VR Experience made for Dark Horses by Nexus Studios, directed by Factory Fifteen.

WRITING Spike Jonze for Squarespace, Make It made for Squarespace by MJZ, directed by Spike Jonze.

James Hodson and Jason Keet for Born Free Foundation, The Bitter Bond made for ENGINE by Blinkink / Zombie Studio, directed by Daniel Salles and Paulo Garcia.

ACHIEVEMENT IN PRODUCTION Kwok Yau, Rupert Reynolds-Maclean, Jeff Low for Sipsmith, Sipsmith Gin, Mr Swan made for Ogilvy UK by Biscuit Filmworks, directed by Jeff Low. Anthony Taylor and Jack Goodwin for Formula E, Street Level made for Iris Worldwide by Kode, directed by Rich Lee. Kwok Yau from Caviar and Alen Grebovic at Anomaly for Virgin Trains, Very Fast Chair made for Anomaly by Caviar London, directed by Keith Scholfield.

BEST UP TO & INCLUDING 15 SECOND Unilever, Marmite, Mind Control made for adam&eveDDB by Moxie Pictures and Friends Electric, directed by Martin Granger and Ewan Jones Morris.

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Lawyer/Baker made for adam&eveDDB by O Positive @ Rogue, directed by David Shane.

IKEA, The Stuff Dreams Are Made Of made for Mother by Biscuit Filmworks & Revolver / Will O’Rourke, directed by The Glue Society.

Burger King UK, Whopper of a Secret made for BBH by Black Sheep Studios, directed by Korrie Powell.

BEST OVER 15 AND UP TO & INCLUDING 30 SECOND Arla Foods, Anchor Butter, Butter the Food, Butter the Mood made for ENGINE by Blinkink, directed by Joseph Mann.

Google, Google UK Search & Maps, Google Multi App made for 72andSunny Amsterdam by Rattling Stick, directed by Jack Whiteley.

Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Zombie/Funny Face made for adam&eveDDB by O Positive at Rogue, directed by David Shane.

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FINALISTS BY CATEGORY

BEST OVER 30 AND UP TO & INCLUDING 60 SECOND Volkswagen UK, Volkswagen SUVs, Movie Star Confidence - Lawyer made for adam&eveDDB by O Positive @ Rogue, directed by David Shane.

BBC, iPlayer, Wasted on Some - Name Blame made for BBC Creative by Anonymous, directed by Tim Godsall.

BEST OVER 60 AND UP TO & INCLUDING 90 SECOND John Lewis & Partners and Waitrose & Partners, Christmas, Excitable Edgar made for adam&eveDDB by Blink, directed by Dougal Wilson.

ITV Drama, The Patriarch - Great Characters Make Great Drama made for Uncommon Creative Studio by Pulse Films, directed by James Marsh.

BEST OVER 90 SECOND COMMERCIAL John Lewis & Partners and Waitrose & Partners, Christmas, Excitable Edgar made for adam&eveDDB by Blink, directed by Dougal Wilson.

Squarespace, Make It made for Squarespace by MJZ, directed by Spike Jonze.

Renault Clio, The French Exchange made for Publicis•Poke by Academy, directed by Frédéric Planchon.

THE BRITISH ARROWS AWARDS 2020

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The British Arrows have a few credits of our own…

Chairs Clare Donald & Jani Guest Board of Directors Andy Gulliman, Anne Batz, Chaka Sobhani, Charlie Crompton, Danny Edwards, Dave Monk, David Kolbusz, Davud Karbassioun, Lee Pavey, Lisette Nice, Mark Benson, Rick Brim, Robin Shenfield, Shananne Lane, Simon Cooper, Tony Davidson and Tracey Cooper.

BRITISH ARROWS CREW Operations Director Creative Director Operations Manager Head of Partnerships Marketing Manager Social Media Assistant

Lisa Lavender Michael Lenz / ofnofixedabode.agency Sergio Colina Restrepo Devon Pearce Emma Stevens Costanza Rendini Manzoni

With special thanks to

For producing our beautiful on-screen content

For composing and curating the fantastic music for the night

Composer & Arranger Andy Carroll

For finding and securing our fantastic presenters for the night

For writing the wonderful words to our Made in Lockdown sizzle

For hosting our jury over 6 days

For creating the brilliant Instagram filter

For producing a spectacular show

For editing the wonderful tribute to Paul Silburn

We have worked hard to produce an event with a reduced impact on the environment, in collaboration with industry initiative AdGreen.

We are very much looking forward to seeing you all in person next year!

www.a-p-a.net/goodkarma