The British Arrows Awards 2023

The British Arrows 2023 Book of the Night

Foreword –Jani Guest & Clare Donald Chairs of the Board

This has been a difficult foreword for us to write, as it’s our last as Co-Chairs. It has been such a privilege to witness the extraordinary work from you, our industry peers over the last 4 years. A true honour. We feel our industry has achieved so much, despite all the challenges of Covid, inflation and recession over this time. We shall miss you all terribly.

We’re proud that we leave The British Arrows in a position of strength and will be handing the helm to the next Chair - the amazing Mr Simon Cooper, a most safe pair of hands. During 2020 when the show was cancelled at the last minute, we had legitimate concerns that our 40+ year legacy would come to a natural end. As a not-for-profit organisation, losing the income from an event is crushing. It was the work of the indefatigable Lisa Lavender and the British Arrows team, supported by the entire industry (you) that allowed us to carry on. Now in 2023, we are still receiving huge numbers of entries, the show is another sell-out, and we have more sponsorship support than ever. We travelled to Minneapolis to strengthen our ties with The Walker Art Center, and we continue to work on potential international partners for the Arrows.

In addition, we launched the Young Arrows in June last year, to celebrate and support emerging talent in our industry. We truly believe it will generate a wholly new cohort of diverse young people into this amazing industry that we love. These new awards were so well received; we are thrilled to establish them as a permanent feature on our calendar and entry will open in May with the award show scheduled for early November.

We were delighted when Alex Grieve, Global CCO at BBH, and Sara Dunlop, Director/ Partner at The Corner Shop, agreed to take on the roles of Arrows and Craft chairs. They selected two incredibly talented juries, and we spent a total of 6 fascinating days debating the merits of this year's entries. It was a tough competition - the standards have been high and we’re so excited to reveal the overall winners this evening. There is a huge amount to celebrate. And what better place to do it, back in the Grosvenor House hotel, where we (somewhat raucously) reunited post Covid in March last year.

And now the section for thanks. None of this extraordinary activity would have happened without the glorious British Arrows team: Lisa Lavender, Sergio Colina Restrepo, Sophie Cantopher and our fabulous creative director Michael Lenz. Not only do you give so much of your time and care to making the Arrows great, but you manage to maintain compassion, kindness and humour in the face of every single challenge. Thank you.

Thank you also to our wonderful jury Chairs, Alex and Sara, and to our incredible jurors who gave so much of their time, wisdom and wit. And to our sponsors, old and new. Without you, we simply could not do what we do.

We’d also like to thank the British Arrows board, who have been so supportive over the last four years. In particular, we’d like to thank Anne Batz of Talent Republic who helped us secure our amazing host for this evening, Rylan.

It seems that each year, we are faced with ever more challenges. But our ability to continuously unite with compassion and creative integrity provides the optimism for the year ahead. We are so proud to have played our part in leading The British Arrows. It has been an honour that we will never forget. And we thank all of you, particularly our board and sponsors, for your continued support over the past 4 years of our tenureship.

Clare and Jani

Foreword

–Alex Grieve Chair of the ARROWS Jury Global and London CCO, BBH

I like wine. But, truth be told, I know next to nothing about wine. The different grapes, the soils, the south-facing slopes of particular chateaus. It’s all a bit of a mystery.

But I guess it must matter because some years are just better than others: more depth, more complexity; they linger in the memory.

So, to torture the analogy, are this year’s Arrows a vintage year? Well, yes & no. The very best of the work was like a sumptuous 1990 Pauillac (it’s a banger) but some of it, unfortunately, was like a warm bottle of Blue Nun (those of you born after 1985 may need to google this).

Ironically, given we’re on the subject of wine, the Alcohol category was disappointing. But not as disappointing as Automotive.

What’s going on here?

These used to be the blue-chip categories responsible for some of the greatest advertising Britain has ever produced.

Now it’s like creativity is viewed as an onerous form of taxation they will do anything to avoid paying.

Come on people, we can do better than this.

And whilst the best of the work told their stories in varied and beautiful ways, too much of it employed a Maximalist Crash! Bang! Wallop! style where the camera insisted on dashing around like a puppy with an erection who’s just downed a can of Red Bull. Modern life is fast and stressful enough, can we all just slow things down a bit?

But enough of my grumbles.

Great work is always a rare and wondrous thing. And this year produced some truly great pieces. Work that punched us in the solar plexus. Work that once seen meant we would never see the world in the same way again.

So, let’s be thankful for that.

Let’s be thankful that after the horrors of Covid and the sensation of being locked in a Groundhog Day Permacrisis we are all still summoning the energy, the talent and the resilience to push the creative envelope.

And on a personal note I would like to thank the incredible jury with whom I had the privilege to spend three days shooting the shit about ads. It was fun, it was frank, it was fair. Thank you also to the legends that are Clare & Jani and all at British Arrows. Finally, thank you to everyone who entered.

You may have won big, you may have won small.

You may not have won at all.

But you made something. You learnt something. You’re now better. And that deserves a toast.

Maybe with a fine red. Burgundy is good. Apparently. Cheers.

ARROWS Jury

FRONT ROW (L–R)

Emma Botton, Group Brand, Proposition & Marketing Communications Director, Tesco

Sarah Douglas, Global Brand Director, Essity

Clare Donald, Chief Production Officer, Publicis Groupe UK – British Arrows Board of Directors Co-Chair

ALEX GRIEVE, Global & London Chief Creative Officer, BBH

Jani Guest, CEO, Creators Inc. – British Arrows Board of Directors Co-Chair

Lucy Jameson, Founder, Uncommon Creative Studios

Nik Studzinski, Chief Creative Officer, Accenture Song UK

MIDDLE ROW (L–R)

Michael Lee, Chief Strategy Officer, VCCP

Charlene Chandrasekaran, Executive Creative Director, The Or

Stirling Archibald, VFX Supervisor, Electric Theatre Collective

Miles Nathan, Executive Producer

Hannah Palumbo, Director, Academy

Linden Feng, Executive Creative Director, AMV BBDO

Alex Gregory, Head of Colour, No.8

BACK ROW (L–R)

Tor Fitzwilliams, Managing Director, Anonymous Content

Franki Goodwin, Chief Creative Officer, Saatchi & Saatchi

Emma de la Fosse, Creative Director, Digitas London

Jules Chalkley, Chief Executive Creative Director, Ogilvy

Anthony Moore, Founding Partner, Factory Family Group

Neil Davies, Co-Founder, Untold Studios

Katie Jackson, Managing Director, 4creative Mike Sutherland, Executive Creative Director, adam&eveDDB

NOT PICTURED

Sue Higgs, Executive Creative Director, Dentsu Creative

Foreword –

Sara Dunlop Chair of the CRAFT Jury Director and Partner, The Corner Shop

Making films, whatever the length, is about making choices - from what crew to work with, to what shots to pick. But it starts with what script to make. Over the years I’ve reduced my criteria down to three words:

MOVING - PROVOKING - ENTERTAINING

As I director, if I think I have a chance of making people feel one of these, I’m in and the work starts.

So, I hoped these words would resonate with this year’s craft jury too. Because isn’t that what we all want? To make an audience feel something? It isn’t only about making people cry (although I think a few tears were shed). What about a chuckle or a smile? Or to simply feel seen.

This year’s work was varied and managed to capture all of the above, which brings me to the craft.

It’s hard to look at work in isolation; to unpick the grade from the cinematography, the sound design from the editing or the writing from the direction, but this is what the craft awards are for. To celebrate the people that help breathe life into the work. To acknowledge their contribution as invaluable, in fact undeniable. They say it takes a village to raise a child. All I know, is it takes a bloody good crew to make a great film.

So, in a dark room, the jury deliberated the latest trends in cinematography, feats of physical engineering in production design and how to make a child cry on cue. But what I hope we all came away agreeing on is that, in the end, the whole is more than the sum of its parts. That when we watch something that is faultlessly crafted we cease to notice the craft involved in making it.

And that’s the magic of film.

Thank you to Clare, Jani, Lisa and Sergio for trusting me as the British Arrows craft chair this year. And to my awesome jury - hope you enjoyed it as much as me.

I left my three days in a darkened room feeling invigorated in the knowledge that if we do our jobs well, maybe, just maybe, we all have the power to make an audience feel moved, provoked and entertained.

CRAFT Jury

AGENCY FRONT ROW (L–R)

Ankita Tobit, Senior Creative, Wieden+Kennedy

Emily Marr, Chief Production Officer, Leo Burnett

Dayoung Yun, Creative Director, VMLY&R

SARA DUNLOP, Director and Partner, The Corner Shop

Andy Garnett, Executive Creative Director, Havas

Serafima Kutsenko, Video Producer

AGENCY BACK ROW (L–R)

Alice Tonge, Group Creative Director, Apple

Remco Graham, Senior Creative Director

Lesley Williams, Head of Production, Sunshine

Anna Murray, Head of Production, Mother

Peter Montgomery, Head of Production, Droga5

AUDIO FRONT ROW (L–R)

Sam Ashwell, Partner, 750mph

SARA DUNLOP, Director and Partner, The Corner Shop

Jack Sedgwick, Sound Designer, King Lear

AUDIO BACK ROW (L–R)

Raife Burchell, Founder, Dirty Soup

Keana Bernard, Radio, Podcast & Music Content Producer

Beth Tomblin, Head of Production, Wave

Alex Bingham, Creative Director, Machine London

PRODUCTION FRONT ROW (L–R)

Ben Magahy, Cinematographer

Molly Manning Walker Cinematographer and Director

SARA DUNLOP, Director and Partner, The Corner Shop

Paul Weston, Managing Director, Blink

Elena Argiros, Head of Music, Academy

Coralie Rose, Founder, Road Casting

PRODUCTION BACK ROW (L–R)

Molly Burdett, Director, Spindle

Dionne Archibald, Executive Producer, Coffee & TV

Serafima Kutsenko, Video Producer

Ashling Johnson, Production Designer

Kate Ruth, Stylist and Costume Designer

Jess Summer, Hair and Makeup Designer

Morgan Clement, Founding Partner, Object & Animal

POST FRONT ROW (L–R)

Mike McGee, Chief Creative Officer, Framestore

Fi Kilroe, Joint Managing Director and Executive Producer, Freefolk

SARA DUNLOP, Director and Partner, The Corner Shop

Dionne Archibald, Executive Producer, Coffee & TV

George Kyriacou, Co-Founder, Head of Colour, Black Kite Studios

Bill Smedley, Co-Founder, WORK

POST BACK ROW (L–R)

Phil Oldham, Creative Director, Absolute Post

Fabian Frank, Head of CG, The Mill

Duncan Gaman, Executive Producer, Partizan

Simona Cristea, Colour Director, Coffee & TV

Serafima Kutsenko, Video Producer

24/7

x Radioaktive Film | www.radioaktivefilm.com

247 x Radioaktive is an exciting new venture bringing together two leading players from the world of international service production to offer a brand-new partner in Eastern Europe's most cosmopolitan production hub, POLAND.

Years of friendly competition are now consolidated in a joint embarkment which aims to provide excellence in production facilities in a vibrant and cosmopolitan territory which offers high end production value at a cost-effective price. The team is headed by seasoned producers from Ukraine and Spain with the in-house support of some of Poland's best local knowledge to deliver rock-solid production with the flare for which both companies are known which, combined with the strength and diversity of Warsaw and Poland as a whole, makes a winning combination.

BBH | www.bartleboglehegarty.com

Bartle Bogle Hegarty (BBH) is one of the world’s most famous creative agencies. We did the ad agency differently back in 1982. And today, we are no longer just an ad agency. We apply the same level of BBH thinking, care, craft and magic to the entire customer experience.

We believe in the power of difference to make a difference. We are ranked as the most effective creative agency in the UK (IPA), and the fourth in the world (Warc Effective 100). BBH is part of Publicis Groupe and has offices in London, New York, Singapore, Shanghai, Mumbai, LA and Stockholm and employs 1000 staff worldwide. We are proud to have consistently been named as one of the Sunday Times’ 100 Best Companies to Work For for the past decade.

CHEAT | www.cheatit.co

Cheat is a new kind of post production studio, run by creators for creators. We use the magic of craft to move storytelling forever forwards. Founded in 2015, Cheat is known for its colour and finishing work across all forms of motion picture. From our East London studio and beyond, we bring you bold vision, considered innovation, and exceptional craft.

Behind the scenes, we’re invested in innovation. Years of R&D, proprietary creative tools and film emulation mean we’re constantly finding new ways to deepen the emotive impact of your work and make the process streamlined, transparent and fun.

Everything we do is in service of the work. Our accomplished roster of colourists have backgrounds in production design, photography, VFX and beyond. This knowledge informs our craft, helping you harmonise the look of your story with artistic sensitivity.

Without the generosity of our sponsors the show wouldn’t be possible.

CLEARCAST | www.clearcast.co.uk

Clearcast is best known for clearing ads.

In the UK, broadcasters mustn’t show ads that are misleading, harmful or offensive. So before ads are shown, we check they comply with the UK Code of Broadcast Advertising. We make it easy for brands to advertise responsibly.

We’re proud to play a much wider role in the world of TV advertising and are partners in the advertising process from script to screen. Whether agencies and advertisers are short on time, struggling with complex claims, or need advice on set, we’ve got it covered.

Our award-winning Training Programme welcomed 700+ delegates in 2022, offering unique advice on the clearance process and hot topics like gambling rules and environmental claims. We listen to our friends in the industry about what’s needed for a smoother ride and collaborate with the right teams to harness new technologies and produce innovative and streamlined products and services. An example of this would be the 2022 launch of our optional delivery service, which takes place in parallel to clearance.

We’re committed to making ads more accessible. With our new submissions system, The Library, we’ve introduced a subtitling marketplace, giving advertisers the choice to add subtitles in parallel to the clearance process, and connecting them to subtitling providers. The Library also contains a tick box for agencies to declare if the ad is subtitled, allowing us to report levels back to the industry.

COMPANY 3 | www.Company3.com

Company 3 is an award-winning postproduction company working across feature films, episodic television, commercials, gaming, and more. Collaborating with world-renowned filmmakers and storytellers, the unique artist-led and client-focused global network of studios offers the highest level of talent, pioneering technology, top-tier production, and support teams to every project that comes through its doors.

Company 3 allows filmmakers, brands, and partners to work seamlessly from anywhere globally across London, New York, Los Angeles, Vancouver, Toronto, and Pune. Their London studio, which opened at the beginning of 2022, is based within sister studio Framestore’s headquarters at 28 Chancery Lane and boasts word class facilities.

Dean ST. Voices | www.deanstreetvoices.com

Established in 2021 by lead agent Sophie Dean, Dean Street Voices is a voiceover agency specialising in premium talent across all media and entertainment. A friendly and transparent attitude is at the forefront of what we do, and we pride ourselves on representing a diverse mix of talent - from household names to up-and-coming new faces - so whether you’re casting a big campaign, an important pitch, or anything in between, we can help you find the perfect voice to suit any brief.

Electric

Theatre Collective | www.electrictheatre.tv

As Edison was to the lightbulb, and Victor Frankenstein was to dead body parts, and Bob Dylan was to acoustic Bob Dylan, so Electric Theatre Collective is to, er… not electric theatre collectives... of which there are none in the field of visual effects, so that is a pretty poor analogy. But what can we say? Everyone at Electric is tired, so very tired, just flat out producing ground-breaking work and winning awards since we burst onto the scene in 2011, like a reanimated rampaging monster with bolts in its head. Our brains are fried and no good for analogies, only for VFX.

Put simply, and slightly more seriously, we are a collective of artists who pride ourselves on being a hub of talent across all disciplines of visual creativity - CGI, 2D, animation and colour grading. And that, for now, is about all there is to say about ETC, except that ETC stands for et cetera, and there is indeed much more to come!

Factory | www.factory.uk.com

Established in 1997, Factory is a multi-award-winning sound design and audio facility based in London.

Our highly skilled team specialises in the art of sound design and has created some of the most revered and awarded commercial work of recent years for brands including Honda, Apple, John Lewis, Nike, and Virgin to name a few. We offer a comprehensive audio production and sound design service in a creative and friendly environment.

Framestore

| www.framestore.com

Framestore brings extraordinary ideas to life in any space or screen through craft, imagination and technology.

Founded in 1986 in London by a team of just five, Framestore has grown to a global company of more than 2500. The Oscar-winning creative studio has created pixel-perfect images for iconic advertising campaigns for major worldwide brands, building a celebrated portfolio of work underpinned by an intrinsic understanding of VFX. Framestore has collected a multitude of industry awards, including a record number of Cannes Lions in 2016 and many Gold British Arrows over the years, reflective of the creative studio’s position at the forefront of innovation.

Freefolk | www.freefolk.com

Celebrating 20 years, we are a team of Emmy winning creative artists, technicians, producers and problem solvers who use post-production as their toolbox. Working closely with clients in the advertising, film, TV and music industries, we provide a full-service post-production and VFX offering including high-end colour grading, 2D & 3D visual effects, shoot supervision, animation, design, direction and concept. Established in London in 2003 as Finish, we became Freefolk in the autumn of 2016. Soon after this we launched our Film & Episodic department to work on episodic TV for the likes of Netflix, Paramount, TNT, Universal and Warner TV. The standard of top-level artistry and personalised, bespoke service that we provide our clients has become our calling card. We're committed to upholding the independent spirit that has always set us apart and given us the sterling reputation we stand behind today. Our clients have consistently voted us into the Televisual Magazine's annual surveys on Facilities 50 and Top 10 Commercials Post Houses and our artists have won multiple prestigious awards including an Emmy Award, BAFTA TV Craft nominations, British Arrow Craft, Midsummers, Kinsale Sharks, LIAA and D&AD Yellow Pencil.

Moore Kingston Smith | www.kingstonsmith.co.uk

Moore Kingston Smith is a leading audit and accounting firm for all creative businesses, supporting them throughout their growth journey, providing a full range of audit, tax and outsourcing, as well as legal and strategic advisory services. To reflect the sector's growth, we have a media specialist corporate finance arm. Our experts offer a comprehensive service advising on M&A, fundraising, due diligence and MBOs.

International expansion is of increasing significance for a number of businesses. At Moore Kingston Smith, we support businesses as they move into new markets, providing commercial and timely advice throughout the transition and using our global accountancy and consulting network, Moore Global.

SIREN | www.siren.uk.com

SIREN is a music supervision company made up of award-winning music supervisors and producers who love music and the craft of storytelling through sound. We collaborate with a global network of composers, artists, musicians, labels and publishers to provide the strongest musical solutions.

SIREN are committed to nurturing talent and working to help make our industry representative through education and training, and are proud supporters of The Avenues and sponsors of The British Arrows Young Arrows.

Sue

Terry Voices | www.sueterryvoices.com

We are a VO agency since 1999, representing the cream of performing talent of all kinds, particularly stars of comedy and TV. We also represent a range of international artists who are all performers and authentic, native voices. We are constantly refreshing our list and adding new exciting talent.

We record demos with each artist so we know what they can do. Please get in touch with any briefs, questions or quote advice as we have a very experienced team of eleven agents who specialise in particular areas of voice and respond very quickly to all enquiries.

The

Lift | www.thelift.mx

México City based and London head-quartered The Lift was founded in 2005 to focus on delivering world-class production services in one of the world’s most inspirational and fertile international creative environments: México. We empower creativity. With an obsession to detail and an unmatched level of service excellence, innovation and passion for our craft and for México, we have firmly established our Country as the destination of choice for some of the most exciting creative voices working today and the most awarded Production Companies in the world. Yet in a more conscious and aware post pandemic world we know we need to do more, for our clients, our collaborators, our employees, our planet. Physical Production can be notoriously harmful to our ecosystem, which is why over the past 3 years, we have developed one of the most progressive ESG agendas in the industry, which we commit to continuously innovate and improve, offering our clients the opportunity to create consciously ambitious projects in a fast changing environment. In 2022 our initiatives achieved a 26% reduction / mitigation of our carbon footprint. Our goal for 2023 is to reduce the carbon footprint of all of our activities and services by a further 10% and develop an integrated model for operation, measurement, creative promotion and CO2 impact reporting enabling us all to be more accountable and accelerate industry-wide progress.

The Mill | www.themill.com

The Mill is a global creative partner for agencies, production companies and brands, working across multiple media channels and platforms.

We are trusted specialists in Visual Effects, Creative Production and Experience design. Our projects include the creation of digital products and virtual experiences, as well as world class VFX and video production for the Advertising and Brand Experience industries.

We are a vibrant network of talented Artists, Producers, Directors and Creative Technologists from multinational backgrounds. We nurture innovation, flexibility and diverse ideas across our studios in London, Paris, Amsterdam, Berlin, New York, Los Angeles, Chicago, Seoul, Shanghai, and Bangalore. We are all united by one single ambition: To create extraordinary and memorable work that captivates and excites audiences.

Thinkbox | www.thinkbox.tv

Thinkbox is the marketing body for commercial TV in the UK, in all its forms. It works with the marketing community with a single ambition: to help advertisers get the best out of today’s TV. From understanding how audiences engage with TV advertising, uncovering what the latest technological developments mean, explaining innovative and affordable solutions, and encouraging creativity to providing the rigorous proof of effectiveness that advertisers need, Thinkbox is here to help businesses meet their marketing objectives.

Thinkbox celebrates creative excellence in a variety of ways, from our film series '3 great ads I had nothing to do with', our bi-monthly awards for TV ad creativity with Campaign (The Thinkboxes), right through to our continued proud support of the British Arrows.

Walker Art | www.walkerart.org

The Walker Art Center, located in Minneapolis, is a catalyst for the creative expression of artists and the active engagement of audiences. One of the most celebrated art museums in the United States, the Walker Art Center is known for its innovative presentations and acclaimed collections of contemporary art across the spectrum of the visual, performing, and media arts. Walker programs examine the questions that shape and inspire us as individuals, cultures, and communities.

The Walker’s Moving Image program presents a wide range of moving image artists and contemporary filmmakers, explores the history and creative use of the cinematic medium, represents our global community, and engages our audience with artistic approaches to the ideas that define our times. We offer a range of cinematic experiences through screenings presented in our state-of-the-art cinema, self-select Bentson Mediatheque, and within gallery installations. The Walker maintains a collection of avant-garde films, documentaries, world cinema, and video works within the Ruben/Bentson Moving Image Collection.

WAVE & SixtyFour Music | www.wavestudios.co.uk | www.sixtyfourmusic.com

Wave & SixtyFour Music are globally acclaimed sister companies providing sound design, audio post production and full service music supervision in the fields of commercials, feature films, promos, gaming, and sonic branding. Both companies have gained an award-winning reputation of excellent creative craftsmanship which has been acknowledged at previous British Arrows, Cannes Lions, LIA’s, Music and Sound and the D&AD awards. Across 2 decades of projects, Wave and SixtyFour continue to spread the word according to sound; offering clients a truly unique and integrated experience as the passionate teams explore sonic boundaries and rewrite the rulebook of music and sound.

Our industry partners

History of Advertising Trust | www.hatads.org.uk

History of Advertising Trust (HAT) is an educational charity and the archive for the UK advertising industry. Founded in 1976, the Trust aims to preserve the heritage of the industry and make it available to all for study and research. HAT is archivist to many of the major governing organisations of UK brand communications. These include The Advertising Association (AA), The Institute of Practitioners in Advertising (IPA), The Direct Marketing Association (DMA), Professional Publishers Association (PPA) and The Chartered Institute of Public Relations (CIPR).

HAT also holds archives for several of the top 30 agencies including Ogilvy & Mather and JWT, as well as dozens of agencies that no longer trade such as Bates UK/Dorland and Collett Dickenson Pearce (CDP). In addition, the Trust’s collections include many industry clubs such as Women in Advertising and Communications London (WACL), The Publicity Club of London, The Solus Club and The Thirty Club. As a British Arrows partner, HAT is also delighted to preserve the wonderful British Arrows Awards Archive, which holds over 40 years of UK advertising heritage and over 30,000 examples of the best of British commercials.

ARROWS

Awarded to Kim Gerhig

Written by Tim Nash, Co-founder, Somesuch

I’ve known Kim Gehrig for the best part of 25 years. She is one of my closest friends and collaborators.

In the increasingly ephemeral world of advertising and short form content, her work has made a lasting impact on culture. It has changed behaviour and attitudes. It has redefined the way we see things. Kim’s work transcends.

In the early years of Somesuch I remember trying to sell her on an average script. In true used car salesman fashion I told her I thought it could be good. She paused, looked me in the eye and told me, “Tim, good is the enemy of great.” I didn’t know what to say. I later found out that it was an old Mark Waites line from her days as a creative at Mother. Kim has always known a great line when she hears it. She pushes. She strives. She distills. She always looks for the essence, the truth — the truth of a concept, the truth of an image. And therein lies the province of great.

This left brain rigour paves the way for right brain alchemy. Lizie Gower used to talk about ‘fairy-dust’ directors, those that can sprinkle magic. Kim is a fairy-dust director. She conjures. Over time you learn to recognise that conjuring. She grows quiet, eyes narrowing, looking askance, fringe ruffled, lost in concentration. Then she walks into a room and says things like, “I can see this film now. It’s singing vaginas.”

Kim would never consider herself a political film maker. But her work is political in that it deals with the dynamics of power and representation. For so long advertising has been predicated on the male gaze, on controlling the way women are supposed to look and behave, on controlling the way they relate to their bodies, to their sexuality. Kim’s work liberates those bodies and frees them from shame. But more than that she celebrates people in all their rich complexity. Her lens inspires as it captures human joy, finding rhythm and music in the everyday.

It’s not easy being a woman in the advertising industry. It’s even harder being a working mother, caught in that limbo between feeling like you’re never enough or being told you’re too much. Kim has been patronised, dismissed, talked over, mis-gendered, mansplained; she’s been called scary when advocating for herself; she’s been labelled a femi-nazi by the Daily Mail; she’s endured online bullying and rape threats. But her body of work is the loudest rebuke. From ‘This Girl Can’, to ‘Viva La Vulva’, to ‘Make Movies like the Movies’, to ‘The Greatest’, among many others, she has earned her place in the pantheon of great directors, while opening the door for a generation of film makers.

The late great Steve Golin once told me that the first responsibility of a film maker is to show up everyday. Kim wakes up everyday with the simple intention of trying to make something great.

I am in awe of her.

Advertiser of Excellence

Awarded to CALM

+ ARROWS

a BEST OVER 60 & UP TO AND INCLUDING 90 SECOND COMMERCIAL a CHARITY & PUBLIC SERVICE

a INTEGRATED CAMPAIGN a THE IMPACT AWARD

a DIRECTOR – THE FRANK BUDGEN AWARD a IMMERSIVE EXPERIENCES

CRAFT

a CREATIVE USE OF MUSIC a CASTING

+ SHORTLISTED

– CHARITY & PUBLIC SERVICES –

BEST OVER 30 & UP TO AND INCLUDING 60 SECOND COMMERCIAL

CALM x ITV, The Last Photo

CALM, The Lonely Player

CALM believes that no one should live miserably.

That suicide is a permanent solution to a temporary problem.

That losing 125 lives to suicide every week is fucking unacceptable.

That talking openly and unapologetically about suicide is the key to preventing it.

It’s this belief that drives CALM to embrace nothing but the very best creative ideas.

Ideas that create hope.

Ideas that change lives.

Ideas that challenge the status quo.

That’s why they published real suicide notes in national newspapers.

Why they put 84 figures on top of one of London’s most prominent buildings.

Why they showed the world’s greatest fighter battling with an invisible opponent.

Why they told the story of an England football player feeling completely alone in front of millions.

Why they made a film that captures the raw and real fragility of mental health.

And why they exhibited the last photos of people who went on to take their own lives.

These were brave ideas that pushed boundaries.

They broke silence and shattered stigma.

They raised money and changed culture.

They even had government ministers appointed.

But most importantly, they saved lives.

Commercial of the Year

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

+ ARROWS a BEST OVER 60 & UP TO AND INCLUDING 90 SECOND COMMERCIAL a CHARITY & PUBLIC SERVICE a INTEGRATED CAMPAIGN a THE IMPACT AWARD a DIRECTOR – THE FRANK BUDGEN AWARD a IMMERSIVE EXPERIENCES

CRAFT a CREATIVE USE OF MUSIC a CASTING

Advertising Agency adam&eveDDB

Chief Creative Officer Richard Brim

Executive Creative Directors Ant Nelson and Mike Sutherland

Creative Directors Andy Clough and Richard McGrann

Agency Producer Amy Simmons

Production Company cain&abelDDB

Director Max Fisher Producer Carmen de Witt

Cinematographer Jim Joliffe

Editing Company Final Cut Editor James Rosen

Post Production

Colourist

James Ireland

James Bamford c/o Rascal

Head of 2D Ed Christie c/o cain&abel

Audio Companies

Music Producers

Sound Designers

Composers

Wave and Radford Music

James Radford, Morgan Pochin and Ben Robbins

Parv Thind, Jeff Smith and Beth Thomblin

James Radford, Morgan Pochin and Ben Robbins

Music Supervisor James Radford c/o Radford Music

Agency of the Year

1 The National Lottery, A Christmas Love Story

2 Volkswagen UK, Plug-In Range, Electrifying Movies

3 John Lewis, Stuck On You

4 John Lewis, The Beginner

5 The National Lottery, The Chase

6 CALM x ITV, The Last Photo

7 PlayStation, Why Be One Thing, When You Can Be Anything?

8 Mars, Twix, Camping

Production Company of the Year

Awarded to Biscuit Filmworks

1 Cadbury, Bed

2 Vestiaire Collective, Catwalk

3 Uber Eats, Embrace the Art of Doing Less

4 Barclaycard, Hammers

5 Virgin Media, WiFi, Highland Rider

6 Kellogg's, Pringles, Multigran

11 PETA, The Octocurse 12 British Heart Foundation, This Is Science Fiction 13 INEOS, You Can Handle Anything 9 10

7 3

SPONSORED BY

Craft Company of the Year Awarded to 750mph

11 Burberry, Outerwear 22/23, Night Creatures

12 Ladbrokes, Rocky

13 Save the Children, Save the Survivors

14 The National Lottery, The Chase

15 Nike, The Footballverse

16 Red Cross, The Last Mile

17 Bombay Sapphire, Gin, The World is a Gallery

18 Dove, Toxic Influence

19 Macmillan, Whatever You Need

20 Eurosport, Winter Olympics

The easy way to make it

Full of helpful tips like:

ű Be from London

ű Enjoy debilitating student debt

And much, much more!

ű Work for free!

ű

Have six years experience before you start

BBH PROUDLY SPONSORS THE LOVE OF CRAFT

Congratulations to all of tonight’s nominees and winners

We’re thrilled to be bringing you an evening of ‘Accessible Arrows’ as part of our #AdsForAll campaign.

Please spare five minutes to take part in our short survey about accessible TV advertising and what the barriers are to creating more: bit.ly/botnsurvey

Clearcast is a proud sponsor of the British Arrows

CONGRATULATIONS

To all the nominees and winners of the British Arrows 2023!

As specialist accountants and advisers in the advertising and production world, we are proud to work with so many of you. We would like to take this opportunity to celebrate your triumphs and we look forward to your continued success.

www.mooreks.co.uk/media

Principal member of the Moore Global network

SUPPORT YOUNG PEOPLE INTO THE INDUSTRY

A New Direction is an award-winning nonprofit dedicated to supporting young people access creative opportunities in London.

Our Employment & Skills team delivers training, mentoring, career support and advice, events and networking opportunities – connecting anyone creatively inclined or creatively abundant aged 18-30 in London with the best employers and opportunities in the cultural, creative and digital industries.

We also operate the Good Growth Hub in Hackney, East London, where we deliver a range of employability programmes and short courses in-person, and facilitate workshops, events and takeovers.

@goodgrowthhub

@GGHub__

www.anewdirection.org.uk/aboutus/programmes/employment-and-skills

There are many ways you can get involved!

• Become a mentor

• Run a workshop, deliver a masterclass or take part in a panel discussion

• Offer an interview, job or freelance gig (supporting pathways into paid employment)

Recent or regular contributors to our programmes from the worlds of TV, Production, Audio, Radio, Content and Broadcast include Untold Studios, Uncommon Creative Studio, Stink Films, Blink Ink, Factory, Prodigious, BBC Studios, NTS Radio, No Signal Radio, Foundation FM, Sony Music Entertainment, The Podcast Show MixCloud, Swim Dem Crew, Thames (a Freemantle label) + more.

CONTACT THE TEAM

Fran.Plowright@anewdirection.org.uk

Lucy.Carasco@anewdirection.org.uk

Creativity is contagious. Pass it on.

Albert Einstein

The Accumulate Art School for The Homeless provides creative workshops and activities to young, homeless people so that they can develop their skills, self-esteem and confidence and start to put plans in place for a more positive future.

Accumulate also provides scholarships for Accumulate students to study on a one year creative course at university. So far, 27 Accumulate students have received Accumulate scholarships and 13 have gone on to study on an undergraduate degree. This is life-changing.

The Accumulate team is delighted to be taking the photographs at this evening’s British Arrows event and wish it every success.

Please do contact us if you are interested in Accumulate and want to change people’s lives through creativity.

WINNERS BY CATEGORY

ACHIEVEMENT IN PRODUCTION

Neil Andrews at Pulse Films, Danielle Sandler at Uncommon Creative Studio, Beba Yordanova and Emil Rangelov at Icon Films for B&Q, Flip made for Uncommon Creative Studio by Pulse Films, Electric Theatre Collective, Factory and Native Music, directed by Oscar Hudson.

Advertising Agency Uncommon Creative Studio

Chief Creative Officer Nils Leonard

Director Sam Walker

Agency Producer Danielle Sandler

Production Company Pulse Films

Director Oscar Hudson

Producer Neil Andrews

Cinematographers Oscar Hudson and Jess Hall

Production Designer Dan Betteridge

Stunts Georgi Dimitrov "Bomba"

Lead Performers Maëva Berthelot, Deshaye

Gayle and Lareece Skerritt

Costume & Wardrobe Dora Somova

Hair, Makeup & Prosthetics Marina Boshnakova and Mira Chakarova

Editing Company tenthree

Editor Ellie Johnson

Post Production Company Electric Theatre Collective

Colourist Luke Morrison

Lead 3D Artist Patrick Krafft

Audio Company Native Music

Music Company Factory

Sound Designer Anthony Moore Supervisor Dean Neale

Service Company Icon Films, Bulgaria

Producers Beba Yordanova and Emil Rangelov

James Waters for Burberry, Outerwear 22/23, Night Creatures made for In-House Burberry / Riff Raff Films by Riff Raff Films, The Mill and 750mph, directed by Megaforce.

Advertising Agency In-House Burberry / Riff Raff Films

Production Company Riff Raff Films

Editing Company Work Editorial

Post Production Company The Mill

Audio Company 750mph

Tim Wild, Alex Cowley and Alex Fitzgerald for Ladbrokes, Rocky made for neverland by MJZ, Selected Works and 750mph, directed by Nicolai Fuglsig.

Advertising Agency neverland

Production Company MJZ

Editing Company Final Cut

Post Production Company Selected Works

Audio Company 750mph

Marilena Vatseri,Yannis Konstantinidis and Christos Lefakis for WWF, A Flammable Planet made by NOMINT, Black Kite Studios and Ted Regklis, directed by Yannis Konstantinidis and Christos Lefakis.

Animation Company NOMINT

Post Production Company Black Kite Studios

Audio Ted Regklis

ALCOHOLIC DRINKS

Belvedere Vodka Presents Daniel Craig made by Hungry Man, BANDITS and Company 3 and KOUZ, directed by Taika Waititi.

Production Company Hungry Man

Editing Company Cabin Edit

Post Production Companies BANDITS and Company 3

Audio Company KOUZ

White Claw, Bring The Wave made for Girl&Bear and VCCP by Rogue, Selected Works and Factory, directed by Sam Brown.

Advertising Agency Girl&Bear and VCCP

Production Company Rogue

Post Production Company Selected Works

Audio Company Factory

ANIMATION: 2D & STOP MOTION

Andy Biddle for Amazon, Music, Unbox A World Of Music made for Droga5 by Blinkink and Jungle Studios, directed by Essy May and Stevie Gee.

Advertising Agency Droga5

Chief Creative Officer David Kolbusz

Executive Creative Director Shelley Smoler

Creative Directors Ed Redgrave and David Wigglesworth

Creatives Ahmed Ellabib and Chris Rusell

Agency Producer Rob Steiner

Production Company Blinkink

Directors Essy May and Stevie Gee

Executive Producer Bart Yates

Facility Producer Polly Durance at Black Kite Studios

Animation Company Blinkink

Audio Company Jungle Studios

Yannis Konstantinidis, Christos Lefakis and Jua Braga for WWF, A Flammable Planet made by NOMINT, Black Kite Studios and Ted Regklis, directed by Yannis Konstantinidis and Christos Lefakis.

Animation Company NOMINT Post Production Company Black Kite Studios Audio Ted Regklis

Johnny Kelly, Tim Cherry-Jones, Shakara Carter and Kim Scopes for Back Market, Refurbished Tech, The Monster made by Nexus Studios and Factory, directed by Johnny Kelly.

Animation Company Nexus Studios Audio Company Factory

ANIMATION: CGI

Marta Carbonell Amela, Andreas Rohde, Kariem Saleh and Tanjia Ljubimtseva for Samsung, Phones, The Spider & The Window made for Leo Burnett by Zauberberg Productions and The Mill, directed by Dorian&Daniel.

Advertising Agency Leo Burnett

Production Company Zauberberg Productions

Director

Dorian&Daniel

Post Production Company The Mill

Colourist

Lead 2D Artist

VFX Supervisors

James Bamford

Neil Alford

Stefan Susemihl and Marta Carbonell Amela

Amir Bazazi, Sebastian Caldwell, Chloe Dawe, Suvi Jokiniemi and Natasha Santiparp for Virgin Media, WiFi, Highland Rider made for VCCP by Biscuit Filmworks, Untold Studios and Wave, directed by Jeff Low.

Advertising Agency VCCP

Production Company Biscuit Filmworks

Editing Company Shift Post

Post Production Company Untold Studios

Audio Company Wave

Jules Janaud, Brad Silby, Adam Burnett, Daniel Bielawski and Jake Saunders for Three Mobile, Jeff’s World made for Boys + Girls by Ponder, Framestore and Soundtree Music, directed by Tomas Jonsgården.

Advertising Agency Boys + Girls

Production Company Ponder

Animation Company Framestore

Editing Company Art Official Agency

Audio Company Soundtree Music

Andy Steele, David Bryan, Fernando Tortosa and Fergal Hendrick for M&S, Food, Fairy & Duckie made by Outsider and The Mill, directed by Dom&Nic.

Production Company Outsider

Animation Company The Mill

Formula E, No Turning Back made for Uncommon Creative Studio by Pulse Films, Rascal Post and King Lear, directed by Sam Walker.

Advertising Agency Uncommon Creative Studio

Production Company Pulse Films

Editing Company Final Cut

Post Production Company Rascal Post

Audio Company King Lear

Secret Escapes, Travel Agent, Regret 30 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell.

Advertising Agency Pablo

Executive Creative Director Dan Watts

Creative Oli Beale

Agency Producer Tom Moxham

Production Company DROOL Director Freddie Powell

Post Production Company James Pratt, Alex Gabucci and Cristina Serreli at Untold Studios

Audio Company Sine Music

Cadbury, Bed made for VCCP by Biscuit Filmworks, Electric Theatre Collective and String and Tins, directed by Jeff Low.

Advertising Agency VCCP

Production Company Biscuit

Filmworks Editing Company Shift Post

Post Production Company Electric Theatre Collective

Audio Company Strings and Tins

Secret Escapes, Travel Agent, Regret 20 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell.

Advertising Agency Pablo

Production Company DROOL

Post Production Company James Pratt, Alex Gabucci and Cristina Serreli at Untold Studios

Audio Company Sine

what3words, Neighbours made for neverland by SMUGGLER, Electric Theatre Collective and GCRS, directed by Tom Speers.

Advertising Agency neverland

Production Company SMUGGLER

Editing Company The Quarry

Post Production Company Electric Theatre Collective

Audio Company GCRS

Advertising Agency Mother

Creative Directors Martin Rose, Hannaah Tarpey and David Colman

Creatives Alex Sattlecker and Filipe Birck

Agency Producer Suzy Macgregor

Production Company Biscuit Filmworks

Director Andreas Nilsson

Producer Peter Knowles

Cinematographer Peter Demming

Production Designer Jon Henson

Costume and Wardrobe Sarah Blenkinsop

Post Production Company Selected Works

Audio Company No.8

Uber Eats, Dance “Do Less” made for Mother by Biscuit Filmworks, Selected Works and No.8, directed by Andreas Nilsson.

Cadbury, Garage made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.

Advertising Agency VCCP

Production Company Somesuch

Editing Company The Quarry

Post Production Company Freefolk

Audio Company King Lear

what3words, Neighbours made for neverland by SMUGGLER, Electric Theatre Collective and GCRS, directed by Tom Speers.

Advertising Agency neverland

Production Company SMUGGLER

Editing Company The Quarry

Post Production Company Electric Theatre Collective

Audio Company GCRS

Secret Escapes, Travel Agent, Regret 40 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell.

Advertising Agency Pablo

Production Company DROOL

Post Production James Pratt, Alex Gabucci and Cristina Serreli at Untold Studios

Audio Company Sine Music

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Chief Creative Officer Richard Brim

Executive Creative Directors Ant Nelson and Mike Sutherland

Creative Directors Andy Clough and Richard McGrann

Agency Producer Amy Simmons

Production Company cain&abelDDB

Director Max Fisher

Producer Carmen de Witt

Cinematographer Jim Joliffe

Editing Company Final Cut Editor James Rosen

Post Production James Ireland

Colourist James Bamford c/o Rascal

Head of 2D Ed Christie c/o cain&abel

Audio Companies Wave and Radford Music

Music Producers James Radford, Morgan Pochin and Ben Robbins

Sound Designers Parv Thind, Jeff Smith and Beth Thomblin

Composers James Radford, Morgan Pochin and Ben Robbins

Music Supervisor James Radford c/o Radford Music

ITV, The Break Through made for Uncommon Creative Studio by Anonymous Content and Time Based Arts, directed by thirtytwo.

Advertising Agency Uncommon Creative Studio

Production Company Anonymous Content

Editing Company The Assembly Rooms

Post Production Company Time Based Arts

Women’s Aid, He’s Coming Home made for House337 by The Corner Shop, Absolute and King Lear, directed by Sara Dunlop.

Advertising Agency House337

Production Company The Corner Shop

Editing Company Work Editorial

Post Production Company Absolute

Audio Company King Lear

Advertising Agency Apple

Production Company Somesuch

Director Kim Gehrig

Producer Alexandra Lisee

Cinematographer Christopher Blauvelt

Production Designer Jade Healy

Choreographer Denna Thomsen

Casting Director Brigid McBride

Lead Performers Wil Eaton, Matthew Whitaker, Cola Boyy, Janet Moreno, Kashmiere Culberson and Jenna Olinick

Costume and Wardrobe April Napier

Hair, Makeup and Prothetics Grace Phillips

Editing Company Trim

Editor Tom Lindsay

Post Production Company Blacksmith

Colourist Mikey Pehanich

Audio Company Apple Music Producer Apple Marcom Audio Department

Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple, directed by Kim Gehrig.

Burberry, Outerwear 22/23, Night Creatures made for In-House Burberry / Riff Raff Films by Riff Raff Films, The Mill and 750mph, directed by Megaforce.

Advertising Agency In-House Burberry / Riff Raff Films

Production Company Riff Raff Films

Editing Company Work Editorial

Post Production Company The Mill

Audio Company 750mph

B&Q, Flip made for Uncommon Creative Studio by Pulse Films, Electric Theatre Collective, Factory and Native Music, directed by Oscar Hudson.

Advertising Agency Uncommon Creative Studio

Production Company Pulse Films

Editing Company tenthree

Post Production Company Electric Theatre Collective

Audio Company Native Music

BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards & Seb Edwards.

Advertising Agency BBC Creative

Production Company Academy

Editing Company The Assembly Rooms

Post Production Company Time Based Arts

Audio Company Factory

BRANDED ENTERTAINMENT

Certified Sports, Dropped made by House337, Big Buoy, Kabbage and Tag Collective Arts, directed by Rob Sanderson.

Advertising Agency House337

Post Production Companies Big Buoy and Kabbage

Audio Company Tag Collective Arts

RNIB, See the Person made for The&Partnership by You Are Here, Time Based Arts and GCRS, directed by Jesse Lewis-Reece.

Advertising Agency The&Partnership

Production Company You Are Here

Editing Company The Quarry

Post Production Company Time Based Arts

Audio Company GCRS

Sue Odell for Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Time Based Arts, Selected Works and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency New Commercial Arts

Chief Creative Officer Ian Heartfield

Creatives Mary Johansen, Nici Hofer and Kenny Meek

Agency Producer Lucie Georgeson

Production Company Academy Director Billy Boyd Cape

Producer Gemma Priggen

Cinematographer Molly Manning Walker

Production Designer Luke Moran-Morris

Casting Director Sue Odell

Lead Performers Caroline Jay and David Shaw Parker

Costume and Wardrobe George Buxton

Hair, Makeup and Prosthetics Elena Diaz

Editing Company tenthree Editor Ellie Johnson

Post Production Companies Time Based Arts and Selected Works

Colourist Simone Grattarola

Audio Company Soundtree Music

Sound Designer Henning Knoepfel

Composer Joel Hartman Music

Josie Cole, Rebecca Lloyd-Evans and Six Minutes for CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Production Company cain&abelDDB

Editing Company Final Cut

Post Production Company James Ireland

Audio Companies Wave and Radford Music

McBride Casting for Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple, directed by Kim Gehrig.

Advertising Agency Apple

Production Company Somesuch

Editing Company Trim

Post Production Company Blacksmith

Audio Company Apple

Kharmel Cochrane for ITV, The Break Through made for Uncommon Creative Studio by Anonymous Content, Time Based Arts, directed by thirtytwo.

Advertising Agency Uncommon Creative Studio

Production Company Anonymous Content

Editing Company The Assembly Rooms

Post Production Company Time Based Arts

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Chief Creative Officer Richard Brim

Executive Creative Directors Ant Nelson and Mike Sutherland

Creative Directors Andy Clough and Richard McGrann

Agency Producer Amy Simmons

Production Company cain&abelDDB

Director Max Fisher

Producer Carmen de Witt

Cinematographer Jim Joliffe

Editing Company Final Cut

Editor James Rosen

Post Production

Colourist

Head of 2D

James Ireland

James Bamford c/o Rascal

Ed Christie c/o cain&abel

Audio Companies Wave and Radford Music

Music Producers James Radford, Morgan Pochin and Ben Robbins

Sound Designers Parv Thind, Jeff Smith and Beth Thomblin

Composers

James Radford, Morgan Pochin and Ben Robbins

Music Supervisor James Radford c/o Radford Music

Prostate Cancer UK, Ode to Dads made for BBH by Somesuch and No.8, directed by Dan Emmerson.

Advertising Agency BBH

Production Company Somesuch

Editing Company tenthree

Audio Company No.8

Women’s Aid, He’s Coming Home made for House337 by The Corner Shop, Absolute and King Lear, directed by Sara Dunlop.

Advertising Agency House337

Production Company The Corner Shop

Editing Company Work Editorial

Post Production Company Absolute

Audio Company King Lear

Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Selected Works and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency New Commercial Arts

Production Company Academy

Editing Company tenthree

Post Production Companies Time Based Arts and Selected Works

Audio Company Soundtree Music

Molly Manning Walker for Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Selected Works and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency New Commercial Arts

Chief Creative Officer Ian Heartfield

Creatives Mary Johansen, Nici Hofer and Kenny Meek

Agency Producer Lucie Georgeson

Production Company Academy

Director Billy Boyd Cape

Producer Gemma Priggen

Cinematographer Molly Manning Walker

Production Designer Luke Moran-Morris

Casting Director Sue Odell

Lead Performers Caroline Jay and David Shaw Parker

Costume and Wardrobe George Buxton

Hair, Makeup and Prosthetics Elena Diaz

Editing Company tenthree Editor Ellie Johnson

Post Production Companies Time Based Arts and Selected Works

Colourist Simone Grattarola

Audio Company Soundtree Music

Sound Designer Henning Knoepfel

Composer Joel Hartman Music

JP Garcia and Arnoud Potier for EA Games, FIFA 23, Matchday For The World’s Game made for Wieden+Kennedy Portland by Blink and The Mill LA, directed by Jungle.

Advertising Agency Wieden+Kennedy Portland Production Company Blink

Editing Company Cut & Run LA Post Production Company The Mill LA

Peter Deming for Uber Eats, Dance “Do Less” made for Mother by Biscuit Filmworks, Selected Works and No.8, directed by Andreas Nilsson.

Advertising Agency Mother

Production Company Biscuit Filmworks

Post Production Company Selected Works

Audio Company No.8

Jean-Clément Soret for Bombay Sapphire, Gin, The World is a Gallery made for AMV BBDO by MJZ, Rohtau, Company 3 and 750mph, directed by Juan Cabral.

Advertising Agency AMV BBDO

Chief Creative Officers Nicholas Hulley and Nadja Lossgott

Creative Directors Michael Jones and Thomas Hazledine

Production Company MJZ

Director Juan Cabral

Producer Nicola Dempsey

Editing Company Whitehouse Post

Post Production Company Rohtau at Company 3

Colourist Jean-Clément Soret

Audio Company 750mph

Sound Designer Sam Ashwell

Simona Cristea for Gucci, Exquisite made by January Productions and Coffee & TV, directed by Mert & Marcus.

Production Company January Productions Post Production Company Coffee & TV

Hannibal Lang for Uber Eats, Dance “Do Less” made for Mother by Biscuit Filmworks, Selected Works and No.8, directed by Andreas Nilsson.

Advertising Agency Mother

Production Company Biscuit Filmworks

Editing Company The Quarry Post Production Company Selected Works Audio Company No.8

Jamie Noble for Calvin Klein x Palace Skateboards, CK 1 Palace Fragrance Collaboration made for Calvin Klein by One Thirty-Eight Productions x Ragi Dholakia Productions, Studio RM and Pet Shop Boys, directed by Alasdair McLellan.

Advertising Agency Calvin Klein

Production Company One Thirty-Eight Productions x Ragi Dholakia Productions

Post Production Company Studio RM Audio Company Pet Shop Boys

James Bamford for Gucci, SS22, Love Parade made by January Productions and Rascal Post, directed by Mert & Marcus.

Production Company January Productions Post Production Company Rascal

James Radford for CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Chief Creative Officer Richard Brim

Executive Creative Directors Ant Nelson and Mike Sutherland

Creative Directors Andy Clough and Richard McGrann

Agency Producer Amy Simmons

Production Company cain&abelDDB

Director Max Fisher Producer Carmen de Witt

Cinematographer Jim Joliffe

Editing Company Final Cut

Editor James Rosen

Post Production

Colourist

James Ireland

James Bamford c/o Rascal

Head of 2D Ed Christie c/o cain&abel

Audio Companies

Music Producers

Wave and Radford Music

James Radford, Morgan Pochin and Ben Robbins

Sound Designers Parv Thind, Jeff Smith and Beth Thomblin

Composers

James Radford, Morgan Pochin and Ben Robbins

Music Supervisor James Radford c/o Radford Music

Peter Raeburn and Luke Fabia at Soundtree Music for Libresse, Bodyform, #periodsomnia made for AMV BBDO by Somesuch, Time Based Arts and 750mph, directed by Kim Gehrig.

Advertising Agency AMV BBDO

Production Company Somesuch

Editing Company Trim

Post Production Company Time Based Arts

Audio Company 750mph

Apple for Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple, directed by Kim Gehrig.

Advertising Agency Apple

Production Company Somesuch

Editing Company Trim

Post Production Company Blacksmith

Audio Company Apple

DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS

Amazon, Alexa, Mind Reader

made for Lucky Generals by Hungry Man, Jamm Visual and Beacon Street Studios, directed by Wayne McClammy.

Advertising Agency Lucky Generals

Production Company Hungry Man

Post Production Company Jamm Visual

Audio Company Beacon Street Studios

Apple, iPad, Election made for TBWA\Media Arts Lab by Pulse Films, The Mill and Formosa Group, directed by Sam Pilling.

Advertising Agency TBWA\Media Arts Lab

Production Company Pulse Films

Editing Company Excile Post

Post Production Company The Mill

Audio Company Formosa Group

EE, Hope United, Not Her Problem made for Saatchi & Saatchi by Academy, Time Based Arts and Factory, directed by Sasha Rainbow.

Advertising Agency Saatchi & Saatchi

Production Company Academy

Editing Company Final Cut

Post Production Company Time Based Arts

Audio Company Factory

DIRECTOR - THE FRANK BUDGEN AWARD

Andreas Nilsson for Uber Eats, Dance “Do Less” made for Mother by Biscuit Filmworks, Selected Works and No.8.

Advertising Agency Mother

Creative Directors Martin Rose, Hannaah Tarpey and David Colman

Creatives Alex Sattlecker and Filipe Birck

Agency Producer Suzy Macgregor

Production Company Biscuit Filmworks Director Andreas Nilsson

Producer Peter Knowles

Cinematographer Peter Demming

Production Designer Jon Henson

Costume and Wardrobe Sarah Blenkinsop

Post Production Company Selected Works

Audio Company No.8

Kim Gehrig for Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple.

Advertising Agency Apple

Production Company Somesuch

Editing Company Trim

Post Production Company Blacksmith

Audio Company Apple

Max Fisher for CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music.

Advertising Agency adam&eveDDB

Production Company cain&abelDDB

Editing Company Final Cut

Post Production Company James Ireland

Audio Companies Wave and Radford Music

Molly Burdett for Mayor of London, Have A Word made for Ogilvy UK by Spindle, Hogarth and Gramercy Park Studios.

Advertising Agency Ogilvy UK

Production Company Spindle

Post Production Company Hogarth

Audio Company Gramercy Park Studios

Billy Boyd Cape for BBC, News, Trust Is Earned made for BBC Creative by Academy, nineteentwenty and Soundtree Music.

Advertising Agency BBC Creative

Production Company Academy

Editing Company tenthree

Post Production Company nineteentwenty

Audio Company Soundtree Music

Andrew Cross and Jack Williams for BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards & Seb Edwards.

Advertising Agency BBC Creative

Creative Director Chris Vernon

Creatives Michael Tsim and Rachel Miles

Agency Producer Rachel Roberts

Production Company Academy Directors Sam Rice-Edwards and Seb Edwards

Producer Shirley O'Connor

Editing Company The Assembly Rooms

Editors Andrew Cross and Jack Williams

Post Production Company Time Based Arts

Colourist Lewis Crossfield

Audio Company Factory Music Producer Mikey Hill

Sound Designer Mark Hills

Stephen Dunne for BBC, News, Trust Is Earned made for BBC Creative by Academy, nineteentwenty and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency BBC Creative

Production Company Academy

Editing Company tenthree

Post Production Company nineteentwenty Audio Company Soundtree Music

Tom Lindsay for Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple, directed by Kim Gehrig.

Advertising Agency Apple

Production Company Somesuch

Editing Company Trim

Post Production Company Blacksmith

Audio Company Apple

Tim Thornton-Allan for Red Cross, The Last Mile made for Weber Shandwick by Knucklehead and 750mph, directed by Max Fisher.

Advertising Agency Weber Shandwick

Production Company Knucklehead Editing Company Marshall Street Editors Audio Company 750mph

ENTERTAINMENT & SPORTS PROMOTIONS

BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards & Seb Edwards.

Advertising Agency BBC Creative

Creative Director Chris Vernon

Creatives Michael Tsim and Rachel Miles

Agency Producer Rachel Roberts

Production Company Academy Directors Sam Rice-Edwards and Seb Edwards

Producer Shirley O'Connor

Editing Company The Assembly Rooms

Editors Andrew Cross and Jack Williams

Post Production Company Time Based Arts

Colourist Lewis Crossfield

Audio Company Factory Music Producer Mikey Hill

Sound Designer Mark Hills

ITV, The Break Through made for Uncommon Creative Studio by Anonymous Content and Time Based Arts, directed by thirtytwo.

Advertising Agency Uncommon Creative Studio

Production Company Anonymous Content

Editing Company The Assembly Rooms

Post Production Company Time Based Arts

Ladbrokes, Rocky made for neverland by MJZ, Selected Works and 750mph, directed by Nicolai Fuglsig.

Advertising Agency neverland

Production Company MJZ

Editing Company Final Cut

Post Production Company Selected Works

Audio Company 750mph

FASHION & APPAREL

Advertising Agency Zara

Creative Director Gorka Sorozabal

Creatives Jae Iriah, Maria Angeles de Hita, Ruben Vazquez and Giuseppe Sartorio

Agency Producer Nerea Rey

Production Company SMUGGLER

Director rubberband.

Producer Executive Producers Patrick Milling-Smith, Brian Carmody and Sara Wallace

Head of Production Halland Kemp

Producer Josh Sondock

Cinematographer Pat Golan

Production Designer Hans Maharawal

Casting Director AMT Casting

Lead Performers Gavin Peppers, Stephan Junior and Josh Lovins

Costume and Wardrobe Tony Irvine

Hair, Makeup and Prothetics Tina Murgas and Vanessa Elese

Editor Armen Harootun

Post Production Company King of Birds

Colourist Aubrey Woodiwiss

Sound Designer Raphaël Ajuelos

Sound Mix Michael Lonsdale

Composer Jakob Shaw

Zara Man, Dry made for Zara by SMUGGLER and King of Birds, directed by rubberband.

Burberry, Outerwear 22/23, Night Creatures made for In-House Burberry / Riff Raff Films by Riff Raff Films, The Mill and 750mph, directed by Megaforce.

Advertising Agency In-House Burberry / Riff Raff Films

Production Company Riff Raff Films

Editing Company Work Editorial

Post Production Company The Mill

Audio Company 750mph

Highsnobiety x Gucci x The North Face, Gucci x The North Face collection, Summit Ascent Service made for Highsnobiety by Black Dog Films, Shivam Solanki and String and Tins, directed by Tom Dream.

Advertising Agency Highsnobiety

Production Company Black Dog Films

Post Production Company Shivam Solanki

Audio Company String and Tins

Advertising Agency neverland

Executive Creative Director Jon Forsyth

Creative Lloyd Daniel

Agency Producers Amy Coomber and Alex Cowley

Production Company MJZ

Director Nicolai Fuglsig

Producer Tim Wild

Cinematographer George Richmond

Editing Company Final Cut

Editor Rick Russell

Post Production Company Selected Works

Colourist Fergus McCall at Rare Medium

Head of 3D

Lead 3D Artists

Head of 2D

Lead 2D Artists

Paul Donnellan

Mickey O'Donoghue, Adame Boutrif and Abner Marin

Theajo Dharan

Georgina Ford, Jonathan 'Wes' Westley, Maheshwaran

Chandrasekaran, Matt 'Wispy' Clarke and Stephanie Skarbeck

VFX Supervisor Greg Spencer

Audio Company

750mph

Producer Olivia Ray

Sound Designer Sam Ashwell

Composers

Music Supervisor

Bill Conti, Carol Connors and Ayn Robbins

Jemma Skidmore at Resilient Music LLP

Ladbrokes, Rocky made for neverland by MJZ, Selected Works and 750mph, directed by Nicolai Fuglsig.

The National Lottery, A Christmas Love Story made for adam&eveDDB by SMUGGLER, Framestore and 750mph, directed by Tom Hooper.

Advertising Agency adam&eveDDB

Production Company SMUGGLER

Editing Company Whitehouse Post

Post Production Company Framestore

Audio Company 750mph

Barclaycard, Hammers made for Droga5 by Biscuit Filmworks, Electric Theatre Collective and String and Tins, directed by Jeff Low.

Advertising Agency Droga5

Production Company Biscuit Filmworks

Post Production Company Electric Theatre Collective

Audio Company String and Tins

Advertising Agency BBH

Chief Creative Officer Alex Grieve

Executive Creative Director Helen Rhodes

Creative Directors Dom Moira and Kieron Roe

Agency Producer Ali Terrell

Production Company MindsEye Director Thomas Ormonde

Producer Ali Terrell

Editing Company Stitch

Editor Leo King

Audio Company String and Tins

Ribena, Blackcurrant Core, Moments of Reflection made for BBH by MindsEye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.

Cadbury, Sign With Fingers Big and Small made for VCCP by Agile Films, Girl&Bear and Factory, directed by Lucy Bridger.

Advertising Agency VCCP

Production Company Agile Films

Editing Company The Assembly Rooms

Post Production Company Girl&Bear

Audio Company Factory

Cadbury, Bed made for VCCP by Biscuit Filmworks, Electric Theatre Collective and String and Tins, directed by Jeff Low.

Advertising Agency VCCP

Production Company Biscuit Filmworks

Editing Company Shift Post

Post Production Company Electric Theatre Collective

Audio Company Strings and Tins

Essity, Tena, #lastlonelymenopause

made for AMV BBDO by Lief, Daydreamer and Wave, directed by Shannon Murphy.

Advertising Agency AMV BBDO

Chief Creative Officers Nadja Lossgott and Nicholas Hulley

Executive Creative Directors Nadja Lossgott and Nicholas Hulley

Creative Director Jim Hilson

Creatives Lauren Peters and Augustine Cerf

Agency Producer Trish Russell

Production Company Lief Director Shannon Murphy

Post Production Company Daydreamer

Audio Company Wave

John Lewis, Home, Stuck On You made for adam&eveDDB by MJZ, nineteentwenty and Soundtree Music, directed by Juan Cabral.

Advertising Agency adam&eveDDB

Production Company MJZ

Editing Company Final Cut

Post Production Company nineteentwenty

Audio Company Soundtree Music

Wild, Deodorant, Dirty Talk made for BBH by Black Sheep Studios, Harry Davidson, Cheat and Virtual Sound, directed by Dylan Holmes Williams.

Advertising Agency BBH

Production Company Black Sheep Studios

Post Production Company Harry Davidson and Cheat

Audio Company Virtual Sound

IMMERSIVE EXPERIENCES

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Production Company cain&abelDDB

Editing Company Final Cut

Post Production Company James Ireland

Audio Companies Wave and Radford Music

Netflix, Stranger Things, A Slice Of The Upside Down made for BBH by Blonstein.

Advertising Agency BBH

Production Company Blonstein

INTEGRATED CAMPAIGN

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Chief Creative Officer Richard Brim

Executive Creative Directors Ant Nelson and Mike Sutherland

Creative Directors Andy Clough and Richard McGrann

Agency Producer Amy Simmons

Production Company cain&abelDDB

Director Max Fisher

Producer Carmen de Witt

Cinematographer Jim Joliffe

Editing Company Final Cut Editor James Rosen

Post Production James Ireland

Colourist James Bamford c/o Rascal

Head of 2D Ed Christie c/o cain&abel

Audio Companies Wave and Radford Music

Music Producers James Radford, Morgan Pochin and Ben Robbins

Sound Designers Parv Thind, Jeff Smith and Beth Thomblin

Composers James Radford, Morgan Pochin and Ben Robbins

Music Supervisor James Radford c/o Radford Music

Shelter UK, Only Choice Lettings made for Pablo by MindsEye, Absolute, Rosanne Crisp, Jenna Le Noury and Jungle Studios, directed by Andrew Gaynord.

Advertising Agency Pablo

Production Company MindsEye

Editing Company Shift Post Post Production Company Absolute Audio Company Jungle Studios

ASDA (in assoc. with Coppa Feel! & Breast Cancer Now), Tickled Pink, The Real Self Checkout made for Havas London by Rosie May Bird Smith, directed by Dean Trendler and Lucy Farrell.

Advertising Agency Havas London

Mars, Twix, Camping made for adam&eveDDB and DDB Chicago by Another Country, Dummy Films and The Mill, directed by Harold Einstein.

Advertising Agencies

adam&eveDDB and DDB Chicago

Chief Creative Officers Richard Brim, Ari Weiss and Rodrigo Jatene

Executive Creative Directors Ant Nelson, Mike Sutherland and Colin Selikow

Creative Directors Ben Stilitz and Colin Booth

Production Companies

Another Country and Dummy Films

Director Harold Einstein

Executive Producers Annie Larimer and Crissy Desimone

Producers

Josh Hunnicutt, Louise Rider, Michael Kanter and Tom Barnett

Assistants Brett Rossiter and Logan Vines

Cinematographer Glynn Speeckaert

Head of 2D

Aassistants

Lead of Artist 2D Online

VFX Executive Producer

VFX Producer

VFX Production Assistant

VFX Supervisor

Editor

Assitant

Post Production Company

Colourist

Colour Producer

Colour Assistant

Ben Turner

Didem Ergor and Tomer Epshteun

Rich Watson

Chris Allen

Thom Godsill

Will Howland

Roxy Zuckerman

Sean Lagrange

Andy Trecki

The Mill

Tim Masick

Kevin Breheny

Ryan Moncrief

Upwork, This Is How We Work Now made for Alto NY by SMUGGLER, Parliament and Walker Music, directed by Ivan Zachariáš.

Advertising Agency Alto NY

Production Company SMUGGLER

Editing Company HutchCo

Post Production Company Parliament

Audio Company Walker Music

Ocean Spray, Power Your Holidays made for Orchard Creative by Dohyun Lee, directed by Christine Taffe.

Advertising Agency Orchard Creative

Production Company Dohyun Lee

Animation Company Sila Soyer

François Rousselet for Pharrell, 21 Savage and Tyler, The Creator, Cash In Cash Out made for I am other by Division, Electric Theatre Collective and Columbia Records.

Advertising Agency I am other

Executive Creative Director Malaika Bigirumwami

Creative Directors Phil Hollinger and Todd Tourso

Production Company Divison

Director François Rousselet

Producer Jules de Chateleux

Animation Company Electric Theatre Collective

Lead 3D Artists Fabrice Fiteni and Andras Ormos

Editor Nicolas Larrouquère

Colourist Connor Coolbear

Heads of 3D Gregory Mckneally and James Sindle

Lead 3D Artist Tobin Brett

Head of 2D Iain Murray

Leads of Artists

Alex Snookes and David Filipe

Audio Company Columbia Records

Aube Perrie for Harry Styles, Music for a Sushi Restaurant made by Pulse Films, Black Kite Studios and 750mph.

Production Company Pulse Films

Post Production Company Black Kite Studios

Audio Company 750mph

Fiona Jane Burgess for Christina Aguilera, Beautiful made for Sony Legacy by SMUGGLER, Untold Studios and Factory.

Advertising Agency Sony Legacy

Production Company SMUGGLER

Editing Company Okay Studios

Post Production Company Untold Studios

Audio Company Factory

Phillip Youmans for Michael Kiwanuka, Beautiful Life made for Polydor by SMUGGLER.

Advertising Agency Polydor

Production Company SMUGGLER

Audio Company Phillip Youmans

Fred Ashworth, ShadowCV and PhazeFX for The Joshua Ribera Foundation & SBTV, Depzman - Life Cut Short made for McCann by Intergalactic Studios, Black Kite Studios and Native Music, directed by BRIGHTNIGHT.

Advertising Agency McCann

Chief Creative Officers Rob Doubal and Laurence Thomson

Creative Directors William Cottam and James Crosby

Creatives Elliot Lee and Rory Peyton-Jones

Agency Producers Pedro Pinto and Andrei Cebotari

Production Company Intergalactic Studios

Director BRIGHTNIGHT

Producers Rhory Daniels, Tom Ringsby and MagicofBarca

Lead Performer T Roadz

Craft Editors Paddy Cartwright and Matt Dollings

Post Production Company Black Kite Studios

Colourist Andi Chu

Audio Company Native Music

Producers PhazeFX, Fred Ashworth and Dan Neale

Joel Hartman at Soundtree Music for Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Selected Works and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency New Commercial Arts

Production Company Academy

Editing Company tenthree

Post Production Companies Time Based Arts and Selected Works

Audio Company Soundtree Music

Luis Almau at Soundtree Music for BBC, News, Trust is Earned made for BBC Creative by Academy, nineteentwenty and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency BBC Creative

Production Company Academy

Editing Company tenthree

Post Production Company nineteentwenty Audio Company Soundtree Music

Twenty Below Music for Macmillan, Whatever You Need made for AMV BBDO by Knucklehead, Time Based Arts and 750mph, directed by Charlotte Regan.

Advertising Agency AMV BBDO

Production Company Knucklehead

Editing Company Marshall Street Editors

Post Production Company Time Based Arts

Audio Company 750mph

Dan Betteridge for B&Q, Flip made for Uncommon Creative Studio by Pulse Films, Electric Theatre Collective, Factory and Native Music, directed by Oscar Hudson.

Advertising Agency Uncommon Creative Studio

Chief Creative Officer Nils Leonard

Director Sam Walker

Agency Producer Danielle Sandler

Production Company Pulse Films

Director Oscar Hudson

Producer Neil Andrews

Cinematographer Oscar Hudson and Jess Hall

Production Designer Dan Betteridge

Stunts Georgi Dimitrov "Bomba"

Lead Performers Maëva Berthelot, Deshaye Gayle and Lareece Skerritt

Costume & Wardrobe Dora Somova

Hair, Makeup & Prosthetics Marina Boshnakova and Mira Chakarova

Editing Company tenthree Editor Ellie Johnson

Post Production Company

Electric Theatre Collective

Colourist Luke Morrison

Lead 3D Artist Patrick Krafft

Audio Company

Native Music

Music Company Factory

Sound Designer Anthony Moore Supervisor Dean Neale

Service Company

Icon Films, Bulgaria

Producers Beba Yordanova and Emil Rangelov

James Hatt for DFS, Animals made for Pablo by DROOL, Untold Studios and 750mph, directed by Freddie Powell.

Advertising Agency Pablo

Production Company DROOL

Animation Company DIGITAL Post Production Company Thomas Grove Carter

Jon Henson for Uber Eats, Dance “Do Less” made for Mother by Biscuit Filmworks, Selected Works and No.8, directed by Andreas Nilsson.

Advertising Agency Mother

Production Company Biscuit Filmworks

Post Production Company Selected Works Audio Company No.8

RETAILERS

B&Q, Flip made for Uncommon Creative Studio by Pulse Films, Electric Theatre Collective, Factory and Native Music, directed by Oscar Hudson.

Advertising Agency Uncommon Creative Studio

Chief Creative Officer Nils Leonard

Director Sam Walker

Agency Producer Danielle Sandler

Production Company Pulse Films

Director Oscar Hudson

Producer Neil Andrews

Cinematographer Oscar Hudson and Jess Hall

Production Designer Dan Betteridge

Stunts Georgi Dimitrov "Bomba"

Lead Performers Maëva Berthelot, Deshaye Gayle and Lareece Skerritt

Costume & Wardrobe Dora Somova

Hair, Makeup & Prosthetics Marina Boshnakova and Mira Chakarova

Editing Company

tenthree Editor Ellie Johnson

Post Production Company Electric Theatre Collective

Colourist Luke Morrison Lead 3D Artist Patrick Krafft

Audio Company

Native Music

Music Company Factory

Sound Designer Anthony Moore Supervisor Dean Neale

Service Company

Icon Films, Bulgaria

Producers Beba Yordanova and Emil Rangelov

Tesco, Mobile, Epic Mission made for BBH by Pulse Films, Electric Theatre Collective and Factory, directed by thirtytwo.

Advertising Agency BBH

Production Company Pulse Films

Editing Company The Assembly Rooms

Post Production Company Electric Theatre Collective

Audio Company Factory

Landsec, Shopping Centres, Speechless made for Snap London by Outsider and Creative Outpost, directed by Chris Balmond.

Advertising Agency Snap London

Production Company Outsider

Editing Company Final Cut

Audio Company Creative Outpost

John Lewis, The Beginner made for adam&eveDDB by Biscuit Filmworks, nineteentwenty and Factory.

Advertising Agency adam&eveDDB

Production Company Biscuit Filmworks

Editing Company Work Editorial Post Production Company nineteentwenty Audio Company Factory

Essity, Bodyform, #periodsomnia

made for AMV BBDO by Somesuch, Time Based Arts and 750mph, directed by Kim Gehrig.

Advertising Agency AMV BBDO

Chief Creative Officer Nadja Lossgott and Nicholas Hulley

Executive Creative Directors Nadja Lossgott and Nicholas Hulley

Creative Directors Toby Allen and Jim Hilson

Creatives Anzhela Hayrabedyan and Luca Grosso

Agency Producer Edwina Dennison

Production Company Somesuch Director Kim Gehrig

Post Production Company Time Based Arts

Audio Company 750mph

ONET, Herd Immunity made for Havas Studios by Papaya Films and Russell Oxenden, directed by Rosie May Bird Smith.

Advertising Agency Havas Studios

Production Company Papaya Films

Animation Company DIGITAL

Post Production Company Russell Oxenden

Women’s Aid, He’s Coming Home made for House337 by The Corner Shop, Absolute and King Lear, directed by Sara Dunlop.

Advertising Agency House337

Production Company The Corner Shop

Editing Company Work Editorial

Post Production Company Absolute

Audio Company King Lear

Sam Ashwell and Mike Bovill for Save the Children, Save the Survivors made for POL Oslo by B-Reel Films, Framestore and 750mph, directed by Tomas Jonsgården.

Advertising Agency POL Oslo

Art Directors Pia Lystad, Sara Hødnebø and Marius Aasen

Copy Writers Rikke Sofie Jacobsen and Emil Hafslund

Production Company B-Reel Films

Director Tomas Jonsgården

Producer Magnus Åkerstedt

Cinematographer Joe Saade

Production Designer Issa Kandil

Casting Directors Beatrice Harb and Rita Gergess

Animation Company Framestore

Animation Company Producer Jake Saunders

Head of VFX Paul O'Brien

VFX Supervisors

Darran Nicholson, Jon Berridge and Judy Roberts

Editing Company Edisen Editor Gregers Dohn

Colourist Jean-Clement Sore at Company 3

Audio Company 750mph

Sound Designer Sam Ashwell and Mike Bovill at750mph

Music Supervisors Jenny Aubert and Goran Obad at Ohlogy

Sam Ashwell and Jake Ashwell for Burberry, Outerwear 22/23, Night Creatures made for In-House Burberry / Riff Raff Films by Riff Raff Films, The Mill and 750mph, directed by Megaforce.

Advertising Agency In-House Burberry / Riff Raff Films

Production Company Riff Raff Films

Editing Company Work Editorial

Post Production Company The Mill Audio Company 750mph

Jack Sedgwick for Formula E, No Turning Back made for Uncommon Creative Studio by Pulse Films, Rascal Post and King Lear, directed by Sam Walker.

Advertising Agency Uncommon Creative Studio

Production Company Pulse Films

Post Production Company Rascal Post Audio Company King Lear

Sam Ashwell & Michalis Anthis for Eurosport, Winter Olympics made for R/GA by MJZ, nineteentwenty and 750mph, directed by Henry Hobson.

Advertising Agency R/GA

Production Company MJZ

Editing Company Work Editorial Post Production Company nineteentwenty Audio Company 750mph

SPONSORSHIP CAMPAIGN

Sainsbury’s, Taste the Difference, Cake or Not Cake? made for Wieden+Kennedy by Blinkink, Electric Theatre Collective and 750mph, directed by Joseph Mann.

Advertising Agency

Wieden+Kennedy

Executive Creative Director Susan Hoffman

Creative Directors

Juan Sevilla and Joe De Souza

Associated Creative Directors Freddy Taylor and Phillipa Beaumont

Creatives

Group Account Director

Brendan Madden and Spencer Llewellyn

Ollie Pym

Agency Producer Hazel McPartlan

Account Manager Nicholas Minnott

Chief Strategy Officer

Strategy Director

Planner

Comms Planning Director

Comms Planner

TV Producer

TV Production Assistant

Project Director

Account Manager

Business Affairs

Dan Hill

Georgia Challis

Ollie Chakraverty

Martin Bassot

Calvin Lyon

Tom Dean

Lea Georgiev

Mark D'abero

Ryan Teixeira

Jo Woodford and Helena Tomas

Production Company Blinkink Director

Producers

Cinematographer

Joseph Mann

Bart Yates, Josh Smith and Matthew Day

Matthew Day

Animation Company Electric Theatre Collective

Animation Company Director

Oscar Wendt

Editing Company Stitch Editors

Colourist

Max Windows and Alice Clarke

Luke Morrison

Audio Company 750mph

Music Company

Sound Designers

Composers

Music Supervisor

Major Tom

Marcin Pawlik and Olivia Ray

Adam Shaw and Timothy Clarke

Tessa Harris

Volkswagen UK, Plug-In Range, Electriyfing Movies made for adam&eveDDB by Rattling Stick, Untold Studios and Wave, directed by Aircastle.

Advertising Agency adam&eveDDB

Production Company Rattling Stick

Post Production Company Untold Studios

Audio Company Wave

Advertising Agency Grey London

Executive Creative Director Dave Wiggleswoorth

Creative Directors Cesar Herszkowicz and Alexander Vasile

Creative Cameron Sutherland

Agency Producer Anthony Borkett

Production Company Biscuit Filmworks

Director Jeff Low

Producer Kwok Yau

Cinematographer Matthew Emvi Taylor

Production Designer Luice Red

Post Production Company Untold Studios

Emily Newson and Robert Allsop for PETA, The Octocurse made for Grey London by Biscuit Filmworks and Untold Studios, directed by Jeff Low.

Heather Picciottino for Just Eat, Did Somebody Say Just Eat made for McCann by RadicalMedia, Mathematic and String and Tins, directed by Dave Meyers.

Advertising Agency McCann

Production Company RadicalMedia

Post Production Company Mathematic Audio Company String and Tins

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland, Wave and Radford Music, directed by Max Fisher.

Advertising Agency adam&eveDDB

Chief Creative Officer Richard Brim

Executive Creative Directors Ant Nelson and Mike Sutherland

Creative Directors Andy Clough and Richard McGrann

Agency Producer Amy Simmons

Production Company cain&abelDDB

Director Max Fisher

Producer Carmen de Witt

Cinematographer Jim Joliffe

Editing Company Final Cut

Editor James Rosen

Post Production

Colourist

Head of 2D

James Ireland

James Bamford c/o Rascal

Ed Christie c/o cain&abel

Audio Companies Wave and Radford Music

Music Producers James Radford, Morgan Pochin and Ben Robbins

Sound Designers Parv Thind, Jeff Smith and Beth Thomblin

Composers

James Radford, Morgan Pochin and Ben Robbins

Music Supervisor James Radford c/o Radford Music

Mayor of London, Have a Word made for Ogilvy UK by Spindle, Hogarth and Gramercy Park Studios, directed by Molly Burdett.

Advertising Agency Ogilvy UK

Production Company Spindle

Post Production Company Hogarth

Audio Company Gramercy Park Studios

Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Selected Works and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency New Commercial Arts

Production Company Academy

Editing Company tenthree

Post Production Companies Time Based Arts and Selected Works

Audio Company Soundtree Music

Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple, directed by Kim Gehrig.

Advertising Agency Apple

Production Company Somesuch

Editing Company Trim

Post Production Company Blacksmith

Audio Company Apple

Secret Escapes, Travel Agent, Regret 30 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell.

Advertising Agency Pablo

Executive Creative Director Dan Watts

Creative Oli Beale

Agency Producer Tom Moxham

Production Company DROOL

Director Freddie Powell

Post Production Company James Pratt, Alex Gabucci, Cristina Serreli at Untold Studios

Audio Company Sine Music

Secret Escapes, Travel Agent, Regret 20 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell.

Advertising Agency Pablo

Production Company DROOL

Post Production Company Untold Studios

Audio Company Sine Music

Secret Escapes, Travel Agent, Regret 40 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell.

Advertising Agency Pablo

Production Company DROOL

Post Production Company Untold Studios

Audio Company Sine Music

UK CAMPAIGN - THE JOHN WEBSTER AWARD

KFC, Table, Trousers, Jacuzzi, Lie-in made for Mother by Biscuit Filmworks and Electric Theatre Collective, directed by Jeff Low.

Advertising Agency Mother

Creative Director Rich Tahmasebi

Creatives Liv Shortland and Steph Flynn

Agency Producer Nikki Gregory

Production Company Biscuit Filmworks

Director Jeff Low

Producer Kwok Yau

Cinematographer Matthew Emvin Taylor

Production Designer Lucie Red

Editor Saam Hodivala

Post Production Company Electric Theatre Collective

Uber Eats, Embrace the Art of Doing Less made for Mother by Biscuit Filmworks, directed by Andreas Nilsson.

Advertising Agency Mother Production Company Biscuit Filmworks

ITVX, The Freshest made for Uncommon Creative Studio by O Positive and Wave, directed by David Shane.

Advertising Agency Uncommon Creative Studio Production Company O Positive Audio Company Wave

Greg Spencer, Theajo Dharan, Georgie Ford, Adame Boutrif and Mickey O’Donoghue for Ladbrokes, Rocky made for neverland by MJZ, Selected Works and 750mph, directed by Nicolai Fuglsig.

Advertising Agency neverland

Executive Creative Director Jon Forsyth

Creative Lloyd Daniel

Agency Producers Amy Coomber and Alex Cowley

Production Company MJZ

Director Nicolai Fuglsig

Producer Tim Wild

Cinematographer George Richmond

Editing Company Final Cut

Editor Rick Russell

Post Production Company Selected Works

Colourist Fergus McCall at Rare Medium

Head of 3D

Lead 3D Artists

Paul Donnellan

Mickey O'Donoghue, Adame Boutrif and Abner Marin

Head of 2D Theajo Dharan

Lead 2D Artists

Georgina Ford, Jonathan 'Wes' Westley, Maheshwaran

Chandrasekaran, Matt 'Wispy' Clarke and Stephanie Skarbeck

VFX Supervisor Greg Spencer

Audio Company 750mph Producer Olivia Ray

Sound Designer

Composers

Sam Ashwell

Bill Conti, Carol Connors and Ayn Robbins

Music Supervisor Jemma Skidmore at Resilient Music LLP

Alex Thomas, Christian Nielsen, Clement Renaudin, Alejandro Villabon and Andrew McLintock for Nike, The Footballverse made for Wieden+Kennedy by Iconoclast, Framestore and 750mph, directed by Megaforce.

Advertising Agency Wieden+Kennedy

Production Company Iconoclast

Editing Company Rock Paper Scissors

Post Production Company Framestore

Audio Company 750mph

Guillaume Weiss, Fin Crowther, Jonny Freeman, Andrew Bartholomew and Pawel Lusczak for Amazon, Books, That Reading Feeling Awaits made for Droga5 by Prettybird, Black Kite Studios and String and Tins, directed by Tom Noakes.

Advertising Agency Droga5

Production Company Prettybird

Editing Company ZED

Post Production Company Black Kite Studios Audio Company String and Tins

Will Laban, Grace Thorpe, Marion Strunck and Alex Lovejoy for Burberry, Outerwear 22/23, Night Creatures made for In-House Burberry / Riff Raff Films by Riff Raff Films, The Mill and 750mph, directed by Megaforce.

Advertising Agency In-House Burberry / Riff Raff Films

Production Company Riff Raff Films

Post Production Company The Mill

Audio Company 750mph

Grace Chambers and Lucy Johnstone for Wild, Deodorant, Dirty Talk made for BBH by Black Sheep Studios, Harry Davidson, Cheat and Virtual Sound, directed by Dylan Holmes Williams.

Advertising Agency BBH

Chief Creative Officer Alex Grieve

Executive Creative Director Helen Rhodes

Creative Director Adam Newby

Art Director Lucy Johnstone

Copy Writer Grace Chambers

Agency Producer Felicity Cruickshank

Production Company Black Sheep Studios

Director Dylan Holmes Williams

Producer Scarlett Barclay

Cinematographer Olan Collardy

Post Production Company Harry Davidson and Cheat

Audio Company Virtual Sound

Rachel Miles & Michael Tsim for BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards & Seb Edwards.

Advertising Agency BBC Creative

Production Company Academy

Editing Company The Assembly Rooms

Post Production Company Time Based Arts Audio Company Factory

Lawrence Bushell, Luke Till and Nick Gill for Prostate Cancer UK, Ode to Dads made for BBH by Somesuch and No.8, directed by Dan Emmerson.

Agency Droga5

Production Company Biscuit Filmworks

Editing Company Shift Post

VFX/Post Company Electric Theatre Collective Sound Company No.8

Ian Heartfield for Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Selected Works and Soundtree Music, directed by Billy Boyd Cape.

Advertising Agency New Commercial Arts

Production Company Academy

Editing Company tenthree

Post Production Companies Time Based Arts and Selected Works

Audio Company Soundtree Music

FINALISTS & WINNERS BY BRAND

Allianz, Start Making Cents made for Wieden+Kennedy by SMUGGLER, Trim, Black Kite Studios and King Lear x Birdbrain, directed by Tom Speers

ARROWS

UK Campaign - The John Webster Award

Alzheimer’s Society, It’s Not Called Getting Old made for New Commercial Arts by Academy, Time Based Arts, Selected Works and Soundtree Music, directed by Billy Boyd Cape

ARROWS

a Charity & Public Services

a The Impact Award

CRAFT

a Casting - Sue Odell

a Cinematography - Molly Manning Walker

a Original Composition - Joel Hartman at Soundtree Music

a Writing - Ian Heartfield

Amazon, Alexa, Mind Reader made for Lucky Generals by Rick Jarjoura, Jamm Visual and Beacon Street Studios, directed by Dion Bebee

ARROWS

a Digital Services, Electronics, Computer Games & Toys

Amazon, Books, That Reading Feeling Awaits made for Droga5 by Prettybird, Black Kite Studios and String and Tins, directed by Tom Noakes

ARROWS

a Digital Services, Electronics, Computer Games & Toys

Best Over 30 And Up To & Including 60 Second Commercial

Entertainment & Sport Promotions

CRAFT

a Animation 2D & Stop Motion - Andy Biddle

a VFX - Guillaume Weiss, Fin Crowther, Jonny Freeman, Andrew Bartholomew and Pawel Lusczak

Sound Design - Joe Wilkinson, Culum Simpson and Lawrence Kendrick

Amazon, Music, Unbox a World of Music made for Droga5 by Blinkink and Jungle Studios, directed by Essy May and Stevie Gee

CRAFT

a Animation 2D & Stop Motion - Andy Biddle

Apple, Technology, Data Auction made for TBWA\Media Arts Lab by SMUGGLER, Stillking Films and Barking Owl, directed by Ivan Zachariáš

ARROWS

International - The Non-British Arrow

Apple, iPad, Election made for TBWA\Media Arts Lab by Pulse Films, The Mill and Formosa Group, directed by Sam Pilling

ARROWS

a Digital Services, Electronics, Computer Games & Toys

Apple, I’m Only Sleeping made for Universal Music by Jelly, directed by Em Cooper

CRAFT

Music Video - Em Cooper

Apple, Accessibility, The Greatest made for Apple by Somesuch, Blacksmith and Apple, directed by Kim Gehrig

ARROWS

a Best Over 90 Second Commercial

a The Impact Award

CRAFT

a Casting - McBride Casting

a Director - The Frank Budgen Award - Kim Gehrig

a Creative Use of Music - Apple

a Editing - Tom Lindsay

Achievement In Production - Alexandra Lisee

ASDA, Have Your Elf A Merry Christmas made for Havas London by Rattling Stick, Framestore and 750mph, directed by Danny Kleinman

ARROWS

Best Over 60 And Up To & Including 90 Second Commercial Retailers

ASDA (in assoc. with Coppa Feel! & Breast Cancer Now), Tickled Pink, The Real Self Checkout made for Havas London by Rosie May Bird Smith, directed by Dean Trendler and Lucy Farrell

ARROWS

a Integrated Campaign Retailers

B&Q, Flip made for Uncommon Creative Studio by Pulse Films, Electric Theatre Collective and Native Music, directed by Oscar Hudson

ARROWS

a Best Over 90 Second Commercial

a Retailers

CRAFT

a Achievement in Production - Neil Andrews at Pulse Films, Danielle Sandler at Uncommon Creative Studio, Beba Yordanova and Emil Rangelov at Icon Films

a Production Design - Dan Betteridge

Cinematography - Oscar Hudson and Jess Hall

Creative Use Of Music - Dan Neale and Oscar Webster Bell at Native Music, Sam Walker at Uncommon Creative Studio and Oscar Hudson at Pulse Films

Back Market, Refurbished Tech, The Monster made by Nexus Studios, and Factory, directed by Johnny Kelly

CRAFT

a Animation 2D & Stop Motion - Johnny Kelly, Tim Cherry-Jones, Shakara Carter and Kim Scopes

Barclaycard, Hammers made for Droga5 by Biscuit Filmworks, Electric Theatre Collective and String and Tins, directed by Jeff Low

ARROWS

a Financial & Corporate Services

BBC, This Is Our BBC made for BBC Creative by Academy, Time Based Arts and Factory, directed by Sam Rice-Edwards & Seb Edwards

ARROWS

a Entertainment & Sport Promotions

a Best Over 90 Second Commercial

CRAFT

a Editing - Andrew Cross and Jack Williams

a Writing - Rachel Miles and Michael Tsim

BBC, News, Trust Is Earned made for BBC Creative by Academy, nineteentwenty and Soundtree Music, directed by Billy Boyd Cape

ARROWS Best Over 90 Second Commercial Entertainment & Sport Promotions

CRAFT a Editing - Stephen Dunne

a Original Composition - Luis Almau at Soundtree Music

a Director - The Frank Budgen Award - Billy Boyd Cape

Beats, Electronics, Defy The Noise made for Uncommon Creative Studio by Pulse Films and Soundtree Music, directed by Hector Dockrill

ARROWS Social Media

Bombay Sapphire, Gin, The World is a Gallery made for AMV BBDO by MJZ, Rohtau, Company 3 and 750mph, directed by Juan Cabral

ARROWS Alcoholic Drinks

CRAFT a Colourist - Jean-Clément Soret

Brewdog, Lost Lager, A Call To The Lost made for MediaMonks by COMPULSORY, No.8 and The Assembly Rooms, directed by Taz Tron Delix

ARROWS Alcoholic Drinks

British Airways, A British Original - French Boys made for Uncommon Creative Studio

ARROWS Transport & Tourism

British Airways, A British Original - Her made for Uncommon Creative Studio

ARROWS Transport & Tourism

British Heart Foundation, This Is Science Fiction made for Saatchi & Saatchi by Biscuit Filmworks and MPC, directed by Ben Strebel

CRAFT

Cinematography - Ben Todd

Burberry, Outerwear 22/23, Night Creatures made for In-House Burberry / Riff Raff Films by Riff Raff Films, The Mill and 750mph, directed by Megaforce

ARROWS a Fashion & Apparel

CRAFT a Achievement in Production - James Waters a Sound Design - Sam Ashwell & Jake Ashwell

a VFX - Will Laban, Grace Thorpe, Marion Strunck and Alex Lovejoy

Bushmills, The Journey made for Havas London by Stink, Windmill Lane and Locky Butler, directed by Tom Green

ARROWS Alcoholic Drinks

Cadbury, Bed made for VCCP by Biscuit Filmworks, Electric Theatre Collective and Strings and Tings, directed by Jeff Low

ARROWS a Best Up To 30 Second Commercial

a Food & Non-Alcoholic Drinks

Cadbury, Sign With Fingers Big and Small made for VCCP by Agile Films, Girl&Bear and Factory, directed by Lucy Bridger

ARROWS a Food & Non-Alcoholic Drinks Best Up To 30 Second Commercial Integrated Campaign

Calvin Klein x Palace Skateboards, CK 1 Palace Fragrance Collaboration made for Calvin Klein by One Thirty-Eight Productions x Rhagi Dholakia Productions, Studio RM and Pet Shop Boys, directed by Alasdair McLellan

ARROWS Fashion & Apparel

CRAFT a Colourist - Jamie Noble

Certified Sports, Dropped Made by House337, Big Bouy, Kabbage and Tag Collective Arts, directed by Rob Sanderson

ARROWS a Branded Entertainment Charity & Public Service

Channel 4, #LetHerFinish made by 4creative

ARROWS

UK Campaign - The John Webster Award

Christina Aguilera, Beautiful made for Sony Legacy by SMUGGLER, Untold Studios and Factory, directed by Fiona Jane Burgess

CRAFT a Music Video - Fiona Jane Burgess

Corteiz, Leather Jacket, Da Skydive made by Noir & Division and No.8, directed by Walid Labri

ARROWS

Fashion & Apparel

DFS, Animals made for Pablo by DROOL, Untold Studios and 750mph, directed by Freddie Powell

ARROWS

Best Over 30 And Up To & Including 60 Second Commercial

CRAFT

a Production Design - James Hatt

Disney+, House Of Disney+ made for Leo Burnett by ProdCo, Time Based Arts and String and Tins, directed by Ian Pons Jewell

CRAFT

Production Design - Robin Brown

Dove, Toxic Influence made for Ogilvy UK by SMUGGLER, Absolute and 750mph, directed by Henry-Alex Rubin

ARROWS Branded Entertainment Household Goods Social Media

EA Games, FIFA 23, Matchday For The World’s Game made for Wieden+Kennedy Portland by Blink and The Mill, directed by Jungle

CRAFT

a Cinematography - JP Garcia and Arnoud Potier Editing - Ben Campbell

EE, Hope United made for Saatchi & Saatchi by The Mill, directed by Will MacNeil

ARROWS Immersive Experiences

EE, Hope United, Not her Problem made for Saatchi & Saatchi by Academy, Time Based Arts and Factory, directed by Sasha Rainbow

ARROWS a Digital Services, Electronics, Computer Games & Toys Integrated Campaign

Essity, Tena, #lastlonelymenopause made for AMV BBDO by Lief, Daydreamer and Wave, directed by Shannon Murphy

ARROWS

a Household Goods Best Over 90 Second Commercial

Essity, Bodyform, #periodsomnia made for AMV BBDO by Somesuch, Time Based Arts and 750mph, directed by Kim Gehrig

ARROWS a Social Media

Eurosport, Winter Olympics made for R/GA by MJZ, nineteentwenty and 750mph, directed by Henry Hobson

CRAFT a Sound Design - Sam Ashwell and Michalis Anthis

Formula E, No Turning Back made for Uncommon Creative Studio by Pulse Films, Rascal Post and King Lear, directed by Sam Walker

ARROWS a Automotive

CRAFT a Sound Design - Jack Sedgwick

Gorillaz + Google, Google Geospatial API, Gorillaz Presents made by Nexus Studios and Gorillaz, directed by Jamie Hewlett and Fx Goby

ARROWS Immersive Experiences

Greene King, Craft Beers, Brand New Beers, Centuries In The Making made for House337 by BlinkInk, GYAR and King Lear, directed by Balázs Simon

CRAFT

Animation 2D & Stop Motion - Balázs Simon, Pete Ioulianou and Ollie Agius

Gucci, Exquisite made by January Productions and Coffee & TV, directed by Mert & Marcus

CRAFT a Colourist - Simona Cristea

Gucci, SS22, Love Parade made by January Productions and Rascal Post, directed by Mert & Marcus

CRAFT a Colourist - James Bamford

Guinness, Black Shines Brightest made for AMV BBDO by RSA Films, MPC and 750mph, directed by Meji Alabi

ARROWS Alcoholic Drinks

Harry Styles, Music for a Sushi Restaurant made by Pulse Films, Black Kite Studios and 750mph, directed by Aube Perrie

CRAFT a Music Video - Aube Perrie

HBO, House Of The Dragon: DracARys made for HBO by The Mill, directed by Kevin Young

ARROWS

Immersive Experiences

Head & Shoulders, Anti Dandruff Shampoo, I Don’t made for PG One and Saatchi & Saatchi by Creators Inc, Framestore and Wave, directed by Tony Barry

ARROWS

Household Goods

Helly Hansen, Outdoor Clothing, Pip Hare made for Grey London by Nazneen Read, Steve Miller and Lawrence Gumm, directed by Jane Bessey & Thalia Shear

ARROWS

Branded Entertainment

Highsnobiety x Gucci x The North Face, Gucci x The North Face collection, Summit Ascent Service made for Highsnobiety by Black Dog Films, Shivam Solanki and String and Tins, directed by Tom Dream

ARROWS a Fashion & Apparel

Hyundai Motor UK, New Dawn made for INNOCEAN UK by FAMILIA, Lem Lawrence and GuiltFree, directed by Jeroen Mol

ARROWS

Automotive

INEOS, Hygienics range, You Can Handle Anything made for The&Partnership by Biscuit Filmworks, Electric Theatre Collective and GCRS, directed by Maria Sosa Betancor

ARROWS

Household Goods

International Olympic Committee, Every Rise, Every Fall, Every Victory: We’re in it Together made for Uncommon Creative Studio by Prettybird, directed by Salomon Ligthelm

ARROWS

Entertainment & Sport Promotions

Transport & Tourism

ITV, The Break Through made for Uncommon Creative Studio by Anonymous Content and Time Based Arts, directed by thirtytwo

ARROWS a Best Over 60 And Up To & Including 90 Second Commercial a Entertainment & Sport Promotions

CRAFT a Casting - Kharmel Cochrane

ITVX, The Freshest made for Uncommon Creative Studio by O Positive and Wave, directed by David Shane

ARROWS a UK Campaign - The John Webster Award

JET, Forecourt Dramas made for Isobel by Tantrum Productions, Rascal Post and Factory, directed by Stephen Pipe

ARROWS

Sponsorship Campaign

John Lewis, Home, Stuck On You made for adam&eveDDB by MJZ, nineteentwenty and Soundtree Music, directed by Juan Cabral

ARROWS a Household Goods

John Lewis, The Beginner made for adam&eveDDB by Biscuit Filmworks, nineteentwenty and Factory.

ARROWS a Retailers

Best Over 60 And Up To & Including 90 Second Commercial

Just Eat, Did Somebody Say Just Eat made for McCann by RadicalMedia, Mathematic and String and Tins, directed by Dave Meyers

CRAFT a Styling - Heather Picciottino

Just Eat, Love Island Idents 2022 made for McCann by Park Pictures, Tim Hardy and String and Tins, directed by Terri Timely

ARROWS

Sponsorship Campaign

Kellogg’s, Pringles, Multigran made for Grey London by Biscuit Filmworks and Brian King, directed by Jeff Low

ARROWS

Food & Non-Alcoholic Drinks

KFC, Lie In made for Mother by Biscuit Filmworks and Electric Theatre Collective, directed by Jeff Low

ARROWS Best Up To 30 Second Commercial

KFC, Table, Trousers, Jacuzzi, Lie-in made for Mother by Biscuit Filmworks and Electric Theatre Collective, directed by Jeff Low

ARROWS a UK Campaign - The John Webster Award

Ladbrokes, Rocky made for neverland by MJZ, Selected Works and 750mph, directed by Nicolai Fuglsig

ARROWS a Financial & Corporate Services a Entertainment & Sport Promotions

Best Over 60 And Up To & Including 90 Second Commercial

CRAFT a VFX - Greg Spencer, Theajo Dharan, Georgie Ford, Adame Boutrif and Mickey O’Donoghue

a Achievement in Production - Alex Cowley and Alex Fitzgerald

Landsec, Shopping Centres, Speechless made for Snap London by Outsider and Creative Outpost, directed by Chris Balmond

ARROWS a Retailers

Libresse, Bodyform, #periodsomnia made for AMV BBDO by Somesuch, Time Based Arts and 750mph, directed by Kim Gehrig

CRAFT

a Creative Use of Music - Peter Raeburn and Luke Fabia at Soundtree Music Director - The Frank Budgen Award - Kim Gehrig Editing - Thomas Grove Carter

M&S, Food, Fairy & Duckie made by Outsider and The Mill, directed by Dom&Nic

CRAFT

a Animation CGI - Andy Steele, David Bryan, Fernando Tortosa and Fergal Hendrick

Macmillan, Super Surgeons: A Chance at Life made by Wonderhood Studios and Storm Post Production, directed by Sophie Wright and James W Newton

ARROWS

Branded Entertainment

Macmillan, Whatever You Need made for AMV BBDO by Knucklehead, Time Based Arts and 750mph, directed by Charlotte Regan

CRAFT

a Original Composition - Twenty Below Music

Made, Never Ordinary made for Wonderhood Studios by Optical Arts, Optical Arts and Factory, directed by Fabrice Le Nezet

CRAFT

Original Composition - Lank & Tank at SIREN

Mars, Twix, Camping made for adam&eveDDB, DDB Chicago by Another Country, Dummy Films and The Mill, directed by Harold Einstein

ARROWS

a International - The Non-British Arrow

Mayor of London, Have a Word made for Ogilvy UK by Spindle, Hogarth and Gramercy Park Studios, directed by Molly Burdett

ARROWS

a The Impact Award

Charity & Public Services

CRAFT

a Director - The Frank Budgen Award - Molly Burdett

Casting - Kharmel Cochrane

McDonald’s, Fries Claims made for Leo Burnett by Prodigious, directed by Zack Langsdon

ARROWS Integrated Campaign

Michael Kiwanuka, Beautiful Life made for Polydor by SMUGGLER and Phillip Youmans, directed by Phillip Youmans

CRAFT

a Music Video - Phillip Youmans

Mind, If This Speaks To You made for Langland by Prodigious, directed by Dorothy Allen Pickard

ARROWS

UK Campaign - The John Webster Award

NatWest Group, Tomorrow Begins Today made for The&Partnership by DROOL, Untold Studios and Factory, directed by Freddie Powell

ARROWS

Financial & Corporate Services

Netflix, Stranger Things, A Slice of the Upside Down made for BBH by Blonstein

ARROWS

a Immersive Experiences

NHS, We Are The NHS, We Are Life-Changing Careers made for MullenLowe Group UK by Spindle, Framestore, Company3 and No.8, directed by Molly Burdett

ARROWS

Financial & Corporate Services

Nike, Never Settle, Never Done made for Wieden+Kennedy by Division, Monumental FX and 750mph, directed by Valentin Petit

CRAFT

Cinematography - Paul Guilhame

Sound Design - Sam Ashwell and Jake Ashwell

Nike, The Footballverse made for Wieden+Kennedy by Iconoclast, Framestore and 750mph, directed by Megaforce

CRAFT

a VFX - Alex Thomas, Christian Nielsen, Clement Renaudin, Alejandro Villabon and Andrew McLintock

Styling - Rebecca Rich

NRA Children’s Museum, Change the Ref made for Ogilvy by Hungry Man, NO6 and Beacon Street Studios, directed by Bryan Buckley

ARROWS

International - The Non-British Arrow

The Impact Award

Ocean Spray, Power Your Holidays made for Orchard Creative by Dohyun Lee, directed by Christine Taffe

ARROWS

a International - The Non-British Arrow

Old Speckled Hen, Ale, A Fox Of The World made for House337 by Partizan Studio and Red Knuckles, directed by Rick & Mario

CRAFT

Animation 2D & STOP Motion - Rick Thiele and Mario Ucci

ON, Running, Black Ice made by Hungry Man, Heckler and Heckler Sound, directed by Richard Bullock

ARROWS

Branded Entertainment

ONET, Herd Immunity made for Havas Studios by Papaya Films and Russell Oxenden, directed by Rosie May Bird Smith

ARROWS a Social Media

Outernet London, Ninja Tune, TSHA Sister made by Black Dog Films and Alice Bloomfield, directed by Alice Bloomfield

ARROWS

Immersive Experiences

Paramount, Paramount+, A Mountain of Entertainment made for New Commercial Arts by Caviar, Framestore and King Lear, directed by Los Pérez

CRAFT

VFX - Kamen Markov, Adam Smith, Suzanne Jandu, Ed Mykolaitis and Alexia Paterson

Penny, The Rift made for Serviceplan by Academy, Anorak and Time Based Arts, directed by Seb Edwards

CRAFT

Production Design - Kave Quinn

PETA, The Octocurse made for Grey London by Biscuit Filmworks and Untold Studios, directed by Jeff Low

CRAFT

a Styling - Emily Newson and Robert Allsop

Pharrell, 21 Savage and Tyler, The Creator, Cash In Cash Out made for I am other by Divison, Electric Theatre Collective and Columbia Records, directed by François Rousselet

CRAFT

a Music Video - François Rousselet

PlayStation, Why Be One Thing, When You Can Be Anything? made for adam&eveDDB by MJZ, Selected Works and 750mph, directed by Henry Hobson

ARROWS

Digital Services, Electronics, Computer Games & Toys

Prostate Cancer UK, Ode to Dads made for BBH by Somesuch and No.8, directed by Dan Emmerson

ARROWS a Charity & Public Services

CRAFT

Creative Use Of Music - Black Sheep Music

Writing - Lawrence Bushell, Luke Till and Nick Gill

Red Cross, The Last Mile made for Weber Shandwick by Knucklehead and 750mph, directed by Max Fisher

CRAFT a Editing - Tim Thornton-Allan

Renault UK, All new Megane E-Tech 100% Electric, The Story Lives On made for Publicis•Poke by RSA Films, The Mill and Soundtree Music, directed by Toby Dye

ARROWS Automotive

Resuscitation Council UK, CPR Training - Public Services, The Manikin You’d Want To Save made for Pablo by Hungry Man, Andrew ‘Barns’ Wood, Colin Oaten, Rascal Post and Wave, directed by Ruth Pickett

CRAFT

Writing - Tom Gong and Claire Guiller

Ribena, Blackcurrant Core, Moments of Reflection made for BBH by MindsEye, Black Kite Studios and String and Tins, directed by Thomas Ormonde

ARROWS a Food & Non-Alcoholic Drinks

Ribena, Blackcurrant Core, Parallel Parking made for BBH by MindsEye, Black Kite Studios and String and Tins, directed by Thomas Ormonde

ARROWS Food & Non-Alcoholic Drinks

Royal Enfield, A Shot Of Motorcycling made for New Commercial Arts by FAMILIA, Coffee & TV and Wave, directed by Adriaan Louw

ARROWS Automotive

RNIB, See The Person made for The&Partnership by You Are Here, Time Based Arts and GCRS, directed by Jesse Lewis-Reece

ARROWS a Branded Entertainment

Sainsbury’s, Taste the Difference, Cake or Not Cake? made for Wieden+Kennedy by Blinkink, Electric Theatre Collective and 750mph, directed by Joseph Mann

ARROWS a Sponsorship Campaign

Samsung, Galaxy S22, Nightwalkers made for Mother by Biscuit Filmworks and Time Based Arts, directed by Matilda Finn

CRAFT

Styling - Charles Jeffery and Ben Scofiel

Samsung, Phones, The Spider & The Window made for Leo Burnett by Zauberberg Productions and The Mill, directed by Dorian&Daniel

CRAFT

a Animation CGI - Marta Carbonell Amela, Andreas Rohde, Kariem Saleh and Tanjia Ljubimtseva

Sandy Hook Promise, Teenage Dream made for AMV BBDO by SMUGGLER, Color Collective and Post Human, directed by Henry-Alex Rubin

ARROWS International - The Non-British Arrow

Save the Children, Save the Survivors made for POL Oslo by B-Reel Films, Framestore and 750mph, directed by Tomas Jonsgården

CRAFT a Sound Design - Sam Ashwell & Mike Bovill

Secret Escapes, Travel Agent, Regret 20 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell

ARROWS

a Best Up To 30 Second Commercial

a Transport & Tourism

Secret Escapes, Travel Agent, Regret 30 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell

ARROWS a Best Up To 30 Second Commercial

a Transport & Tourism

Secret Escapes, Travel Agent, Regret 40 made for Pablo by DROOL, James Pratt, Alex Gabucci, Cristina Serreli, Untold Studios and Sine, directed by Freddie Powell

ARROWS

a Transport & Tourism

a Best Over 30 and Up To & Including 60 Second Commercial

Shelter UK, Only Choice Lettings made for Pablo by MindsEye, Absolute, Rosanne Crisp, Jenna Le Noury and Jungle Studios, directed by Andrew Gaynord

ARROWS a Integrated Campaign

ŠKODA, Fabia, A Lot Goes Into A Fabia made for Leo Burnett by Blink, Black Kite Studios, Tamara Mennell and GCRS, directed by Fred Rowson

ARROWS

Automotive

Stormzy, Mel Made Me Do It made by Pulse Films, Electric Theatre Collective and Earth Zoom VFX House, directed by KLVDR

CRAFT

Music Video – KLVDR

Tesco, Mobile, Epic Mission made for BBH by Pulse Films, Electric Theatre Collective and Factory, directed by thirtytwo

ARROWS a Retailers

The Joshua Ribera Foundation & SBTV, Depzman - Life Cut Short made for McCann by Intergalactic Studios, Black Kite Studios and Native Music, directed by BRIGHTNIGHT

CRAFT a Original Composition - Fred Ashworth, ShadowCV and PhazeFX

The National Lottery, A Christmas Love Story made for adam&eveDDB by SMUGGLER, Framestore and 750mph, directed by Tom Hooper

ARROWS a Financial & Corporate Services

The National Lottery, The Chase made for adam&eveDDB by Arts & Sciences, Black Kite Studios and 750mph, directed by The Bobbsey Twins From Homicide

ARROWS Financial & Corporate Services

Three Mobile, Jeff’s World made for Boys+Girls by Ponder, Framestore and Soundtree Music, directed by Tomas Jonsgården

CRAFT

a Animation CGI - Jules Janaud, Brad Silby, Adam Burnett, Daniel Bielawski and Jake Saunders

Uber Eats, Dance “Do Less” made for Mother by Biscuit Filmworks, Selected Works and No.8, directed by Andreas Nilsson

ARROWS

a Best Over 30 and Up To & Including 60 Second Commercial

CRAFT

a Director - The Frank Budgen Award - Andreas Nilsson

a Cinematography - Peter Deming

a Colourist - Hannibal Lang

a Production Design - Jon Henson

Uber Eats, Embrace the Art of Doing Less made for Mother by Biscuit Filmworks, Selected Works and No.8, directed by Andreas Nilsson

ARROWS a UK Campaign - The John Webster Award

Upwork, This Is How We Work Now made for Alto NY by SMUGGLER, Parliament and Walker Music, directed by Ivan Zachariáš

ARROWS a International - The Non-British Arrow

CRAFT Writing - Hannes Ciatti

Vestiaire Collective, Catwalk made for Droga5 by Biscuit Filmworks, Electric Theatre Collective and 750mph, directed by Andreas Nilsson

ARROWS Fashion & Apparel

Virgin Atlantic, See The World Differently made for Lucky Generals by Biscuit Filmworks, Electric Theatre Collective and Sizzer, directed by Ben Strebel

CRAFT

Creative Use of Music - Sizzer

Styling - Vicky Robinson

Virgin Media, WiFi, Highland Rider made for VCCP by Biscuit Filmworks, Untold Studios and Wave, directed by Jeff Low

ARROWS Digital Services, Electronics, Computer Games & Toys

CRAFT

a Animation: CGI - Amir Bazazi, Sebastian Caldwell, Chloe Dawe, Suvi Jokiniemi and Natasha Santiparp

VFX - Amir Bazazi, Alex Kulikov, Sebastian Caldwell, Chloe Dawe and Ben Cronin

Volkswagen UK, Plug-In Range, Electriyfing Movies made for adam&eveDDB by Rattling Stick, Untold Studios and Wave, directed by Aircastle

ARROWS a Sponsorship Campaign

Weetabix, Wolf made for BBH by Stink, Golden Wolf, Electric Theatre Collective and Unit, directed by Golden Wolf

CRAFT

Animation 2D & Stop Motion - Tania Baptista and Ingi Erlingsson

what3words, Neighbours made for neverland by SMUGGLER, Electric Theatre Collective and GCRS, directed by Tom Speers

ARROWS a Best Over 30 and Up To & Including 60 Second Commercial a Best Up To 30 Second Commercial Digital Services, Electronics, Computer Games & Toys

CRAFT Casting - Ali Fearnley

White Claw, Bring The Wave made for Girl&Bear and VCCP by Rogue, Selected Works and Factory, directed by Sam Brown

ARROWS a Alcoholic Drinks

Wild, Deodorant, Dirty Talk made for BBH by Black Sheep Studios, Harry Davidson, Cheat and Virtual Sound, directed by Dylan Holmes Williams

ARROWS a Household Goods

Social Media

CRAFT a Writing - Grace Chambers & Lucy Johnstone

Women’s Aid, He’s Coming Home made for House337 by The Corner Shop, Absolute and King Lear, directed by Sara Dunlop

ARROWS a Charity & Public Service a Best Over 60 and Up To & Including 90 Second Commercial a Social Media

The Impact Award

Woolmark, Wear Wool Not Fossil Fuel made for 20Something by Park Village, Dead Pixel and Ambit, directed by Studio Birthplace

CRAFT

Colourist - Alex Gregory Original Composition - Laurie Shenoda

Woolmark Prize, PLAYSCAPE made for Zak Group by Object & Animal, Electric Theatre Collective and Stephen Hodge, directed by FKA twigs

CRAFT Styling - Anja Maye

WWF, A Flammable Planet made for NOMINT, Black Kite Studios and Ted Regklis, directed by Yannis Konstantinidis and Christos Lefakis

CRAFT

a Animation: 2D & Stop Motion - Yannis Konstantinidis, Christos Lefakis and Jua Braga

a Achievement in Production - Marilena Vatseri, Yannis Konstantinidis, Christos Lefakis

Production Design - Yannis Konstantinidis

Yorkshire Tea, Where Everything’s Done Proper: Patrick Stewart made for Lucky Generals by Hungry Man, Rascal Post and King Lear, directed by Dan Opsal

ARROWS

Food & Non-Alcoholic Drinks

Zara Man, Dry made for Zara by SMUGGLER and King of Birds, directed by rubberband.

ARROWS

a Fashion & Apparel

CALM x ITV, The Last Photo made for adam&eveDDB by cain&abelDDB, James Ireland and Wave and Radford Music, directed by Max Fisher

ARROWS a Best Over 60 and Up To & Including 90 Second Commercial

a Charity & Public Services

a Integrated Campaign

a The Impact Award

a Immersive Experiences

CRAFT

a Creative Use of Music - James Radford

a Casting - Josie Cole, Rebecca Lloyd-Evans and Six Minutes

a Director - The Frank Budgen Award - Max Fisher

Achievement In Production - Amy Simmons

Chairs Clare Donald & Jani Guest

Board of Directors

Alex Grieve, Anne Batz, Chaka Sobhani, Charlie Crompton, Charlie Gatsky, Danny Edwards, Dave Monk, David Kolbusz, Davud Karbassioun, Dom Thomas, Katie Keith, Lee Pavey, Lisette Nice, Mark Benson, Melody Sylvester, Richard Denney, Rick Brim, Shananne Lane, Simon Cooper, and Tracey Cooper

BRITISH ARROWS CREW

Managing Director Lisa Lavender

Creative Director Michael Lenz

Operations Manager Sergio Colina Restrepo

Head of Partnerships Sophie Cantopher

TBI MEDIA

Head of Events Nicci Holliday

Senior Event Producer Ciara Teggart

Event Producer Ria Gillett

Assistant Producer Jess Rogers

Screen Producer Louise Segal

SFL (Technical Production Partners)

Video & Projects Director Craig Lawrence

Project Manager Ben Reynolds

Lighting and Staging Designer Morgan Evans at Tim Routledge

We have worked hard to produce an event with a reduced impact on the environment, in collaboration with industry initiatives AdGreen and ISLA

PRINT

Printed on paper made under the strictest environmental certifications - ISO 14001 and EMAS – and PEFC and FSC chain of custody certification, thereby guaranteeing the wood and pulp used as raw materials have been sustainably sourced.

STAGING & TECHNICAL (SFL)

Using electric vehicles to transport crew where possible All equipment coming from one location to reduce trucking Staging solutions are used between events and any consumable materials are recycled SFL use green sourced power at our premises via Octopus We are also part of Isla which is a trade body looking at ways to make the events industry more sustainable

VENUE & CATERING

Marriott strives to be a force for good. Our sustainability and social impact platform, Serve 360: Doing Good in Every Direction, guides our path to making a positive and sustainable impact wherever we do business.

The British Arrows have a few credits of our own…

With special thanks to

For producing our beautiful on-screen content

Executive Producer Fi Kilroe

Producer Laura Ricketts

Producer Charles Gillett

Creative Director Jason Watts

Lead CG Artist Jansen McCord

Lead CG Artist Jason Watts

CG Generalist Curtis Hardy

Lead Nuke Artist Rob Sheridan

Colourist Marty McMullan

For composing and curating the fantastic music for the night

Sound Design Michael Haines at Factory

Audio Producer Ethan Day at Factory

Composition Chris Christoforou at SIREN

Music Supervisor Joshua Gibbard at SIREN

For throwing an awesome after party

For hosting our jury over 6 days

We hope you all had a wonderful night, and we’ll see you next year!

ENTRY

OPENS 15 TH MAY 2023