The British Arrows Awards 2024

The British Arrows 2024 Book of the Night

Foreword –

Simon Cooper Chair of the Board

It was obviously an enormous honour to be asked to take over as chairman of the Arrows Board last year…

At 48 years old, The Arrows remains the most important, the most respected and the most influential awards event in the UK calendar.

But at a time when making good work is becoming exponentially more difficult each year, there was also the potential, in stepping clumsily into the immaculate shoes of outgoing chairs Jani and Clare, to find myself presiding over an event and an organisation that was seen as something of an indulgence or worse, an irrelevance.

Nothing, I am pleased to say, could be further from the truth.

The second Young Arrows in November was an enormous success, massively oversubscribed and a conclusive demonstration of the burgeoning and resourceful talent flooding into the industry, bursting with new ideas, new voices and fresh enthusiasm. The third Young Arrows will be at The Outernet, utilising the larger capacity and the cutting-edge audio and visual opportunities there, and will be free to enter, removing all barriers to entry and further encouraging the next generation of talent on which we all depend. Continuing to grow and extend the Young Arrows’ reach and our connections and support for other gateway organisations is central to the Arrows remit for the coming years.

In November, Lisa and I attended the opening �Brit Night’ at the incredible Walker Arts Centre in Minneapolis where over the course of a month over 30,000 members of the public came to watch 75 minutes of last year’s Arrow winning ads curated by the Museum, something Mid-West audiences have been doing for over 35 years. British advertising still carries that kind of interest and enjoyment abroad, and we are working to extend that influence into other territories.

And the main show this year has seen record entry numbers for a single year and, as always, a full sell out of tickets for the evening.

With the incomparable industry legends Ana Balarin and Rick Russell as jury chairs and a stellar jury line up, including Savanah Leaf, fresh from Bafta film success, we spent 6 days watching work that I believe was some of the most creative, refreshing and entertaining work that we have seen for years.

Any one of four or five films could have won Commercial of the Year in other years. We must have watched the EE films, The Channel 4 idents, Vanish ‘Me, My Autism and I’, 30 times or more, and I would have happily carried on watching them again and again. Despite all its fragmentation, moving image advertising is still the most effective form of advertising when it is engaging. These were all exceptionally

engaging pieces of work and there were many, many more. We should all be collectively proud that we are able as an industry to continue to produce work of this calibre with an everdecreasing portion of the marketing pie and in a landscape of creeping in-house expediency.

The Arrows stands as a testament to, and celebration of, the very best in moving image advertising, and has a vital role to play in continuing to promote British excellence around the world and in providing support and validation to the next generation of talent coming into the industry.

None of which would be possible without the incredible Arrows team of Lisa, Sergio, Sophie, Millie and creative director Michael Lenz; the generosity and commitment of all our sponsors each year and to you all buying tickets for, and attending, this spectacular night of celebration.

Enormous thanks and appreciation to all.

Foreword –

Ana Balarin Chair of the ARROWS Jury Chief Creative Officer, Wieden+Kennedy

The British Arrows were the first awards Hermeti and I ever won, for the first work we ever made, so they have always held a special place in our memories - and our home-office shelf. Being invited to chair its jury felt like a homecoming of sorts. Thank you Simon and Lisa for having us. Well, mostly me, as Hermi disappeared down a pitch-shaped hole right in the middle of judging.

It was only my second time being in a dark room talking about other people’s work since we unconsciously and collectively decided to get on with it. And moved on we have.

Not having to make allowances for post-pandemic jitters was a relief. Getting to be honest and not just polite, “because, you know, all things considered”, was also a plus. The shadows of tight budgets and ridiculously short timelines still loom large, but glimpses of ambitious briefs and of clients willing to trust the power of creativity could be found if you squinted hard enough.

The work that rose to the top was light, knowing, of the twinkle-in-the-eye quality. There was striking looking and sounding stuff, and I’m sure Rick will elaborate on that, but at the heart of it was a simplicity and honesty that felt exciting and refreshing. Almost nothing felt overplayed, either for laughs or tears. Not a lot of gimmicks. Not many WTFs of the bad kind. A healthy amount of ‘I wish I had done that’.

Mostly though, the work that stood out was genuinely entertaining. Sitting through hours of it didn’t feel like watching the ads, but more like watching the main thing. And if it managed to entertain a generous but jaded bunch, who have seen and done it all, it’s a sign that we are back on the right track. Let’s keep on going, and winning.

ARROWS Jury

FRONT ROW (L–R)

Ana Balarin, Chief Creative Officer, Wieden+Kennedy – Chair of the Arrows Jury

SIMON COOPER, Managing Director and Executive Producer, Academy –British Arrows Board of Directors Chair

Hannah Smit, Creative Director, Apple

Dean Wei, Chief Creative Officer, CPB

SECOND ROW (L–R)

Caroline Pay, Chief Creative Officer, Dentsu Creative

Felipe Serradourada Guimarāes, Deputy Executive Creative Director, BBH

Imogen Tazzyman, Executive Creative Director, McCann

Joe Corcoran, Executive Creative Director, Anomaly

Ant Nelson, Executive Creative Director, adam&eveDDB

Caroline Rawlings, Creative Director, VCCP

Sophie Lloyd, Branded Entertainment and Creative Leader, Channel 4

Victoria Daltrey, Creative Group Head, Pablo

BACK ROW (L–R)

Monica Pool, Chief Marketing Director, KFC

Sam Robson, Creative Director and Partner, No.8

David Day, Chief Creative Officer, Special

Danielle Outhwaite-Noel, Director, Riff Raff Films

Chris Barrett, Managing Director, Creators Inc

Natasha Johnson, Head of Production,

Wonderhood Studios

Dannie Stewart, Executive Producer

Nisha Mullea, Executive Producer, Caviar

NOT PICTURED

Jenny Fan, Producer, Mother

Josh Tenser, Executive Creative Director, Anomaly

Paula Bloodworth, Global Chief Strategy Officer, Sillyface

Foreword –

Rick Russell Chair of the CRAFT Jury Founding Editor, Final Cut

The time has come ‘folks’ to revel in another quiver of arrows!

It’s been an absolute pleasure and a privilege to chair the craft jury this year to assess the work in the company of some of my favourite industry legends.

Last year was extremely challenging for most of our industry with a UK economy weathering multiple headwinds, some global and some self-inflicted. In an atmosphere of anxiety and lack of confidence of many clients, it is a testament to the tenacity and passion within our industry that creative teams, production companies and post companies continued to produce some truly outstanding work.

The process of whittling down the field to the best of the best has been both enthralling and inspiring. As always, the cream rises to the top.

Viewing the work with each esteemed jury really highlights the expert insight and experience they all have in the varied crafts of our industry. At a time of imminent disruption to our universe with AI, it is a timely recognition of the immense skill and craft required to achieve the highest level of creative work which is ultimately a human endeavour.

Training as a film editor in a time of cutting celluloid with a razor blade and sellotaping together, the transition to digital non-linear systems was feared initially to be an existential threat. What became clear was that the craft of film editing is as much about creative ideas, story-telling, sensibilities for music, judgement of performance, pace and style than the aptitude for the tools.

I was struck by the very diverse work entered this year. It was interesting to see that the juries were often comparing extreme opposites in scale and genre, which focused everyone on looking for and feeling that elusive quality - excellence. Even after thoughtful and passionate debate, the best crafted work stood out with panache and authenticity.

The care and diligence of the jury in assessing the entries is only made possible by the amazing team at British Arrows. I would like to thank Simon and The Board for inviting me to chair and Lisa, Sergio, Sophie and Millie for making the whole process extremely smooth and enjoyable.

So, fasten your seat belts, take a last desperate swig of warm, sparkling fizz before the flight attendant tries to snatch it from you, let the show begin and enjoy the ride.

CRAFT Jury

AGENCY FRONT ROW (L–R)

Colin Hickson, Executive Producer

Anna Arnell, Creative Director, Wieden+Kennedy

SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair

Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury

Jo Moore, Executive Creative Director, House337

Noel Bunting, Chief Creative Officer, Publicis•Poke

AGENCY BACK ROW (L–R)

Jess Ringshall, Chief Production Officer, Saatchi & Saatchi

Nadja Lossgott, Chief Creative Officer, AMV BBDO

Andy Clough, Joint Executive Creative Director, Neverland

Neil Simpson, Founding Partner, The Corner

PRODUCTION FRONT ROW (L–R)

Savanah Leaf, Director, Academy

Robin Brown, Production Designer

Dickie Jeffares, Executive Producer, MJZ

SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair

Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury

Nell Jordan, Executive Producer, O Positive

Andrew Levene, Managing Director, Stink Films

PRODUCTION BACK ROW (L–R)

Sue Odell, Casting Director, Sue Odell Casting

Richard Packer, Managing Partner, Outsider

Spencer Dodd, Managing Director, Merman

Simon Chaudoir, Cinematographer

Corin Taylor, Executive Director, Blink

Tim Katz, Managing Director, Knucklehead

Nick Gordon, Director, Somesuch

Katie McGoldrick, Stylist & Costume Designer

NOT PICTURED

Precious Mahaga, Global Head of Music Video, Riff Raff Films

Bukonla (Buki) Ebiesuwa, Stylist

Louise Hinton, Hair & Make-Up Artist

AUDIO FRONT ROW (L–R)

Emily Pritchard, Managing Director, Twenty Below Music

SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair

Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury

Mary-Ann D’Cruz, New Business and Marketing Director, No.8

AUDIO BACK ROW (L–R)

Raja Sehgal, Partner and Sound Designer, Grand Central Recording Studios

Dan Beckwith, Creative Director, Factory Studios

Parv Thind, Managing Director and Sound Designer, Wave Studios

Jake Ashwell, Senior Sound Engineer, 750mph

Adam Smyth, Creative Director and Sound Designer, String and Tins

NOT PICTURED

Jay James, Managing Director and Music Composer, Soundtree Music

POST FRONT ROW (L–R)

Hannibal Lang, Senior Colourist, Bacon X

Amber Frisenda, Art Director, Selected Works

SIMON COOPER, Managing Director and Executive Producer, Academy – British Arrows Board of Directors Chair

Rick Russell, Founding Editor, Final Cut – Chair of the Craft Jury

Katie Reid, Production Director, Big Farmer and Trailer Farm

Kamen Markov, Creative Director and VFX Supervisor,

Framestore

POST BACK ROW (L–R)

Jean-Clément Soret, Colourist, Company 3

Diarmid Harrison-Murray, Creative Director, Untold Studios

Toby Tomkins, Founder and Director, CHEAT

Ellie Johnson, Editor and Partner, tenthree

Jason Watts, Founder and Creative Director, Freefolk

Alistair Thompson, Head of Innovation Lab, Epic Games

Ludo Fealy, VFX Supervisor, 1920

Jordi Bares, 3D VFX Creative Director, Rohtau

NOT PICTURED

Hasani Franke, Editor, Work Editorial

Rebekah King-Britton, Head of CG, Absolute Post

Eve Ashwell, Editor and Partner, The Assembly Rooms

Dorianne Fibleuil, CG Lead, Electric Theatre Collective

Without the generosity of our sponsors the show wouldn’t be possible.

24/7 x Radioaktive Film | www.radioaktivefilm.com

247 x Radioaktive is an exciting new venture bringing together two leading players from the world of international service production to offer a brand-new partner in Eastern Europe’s most cosmopolitan production hub, POLAND.

Years of friendly competition are now consolidated in a joint embarkment which aims to provide excellence in production facilities in a vibrant and cosmopolitan territory which offers high end production value at a cost-effective price. The team is headed by seasoned producers from Ukraine and Spain with the in-house support of some of Poland´s best local knowledge to deliver rock-solid production with the flare for which both companies are known which, combined with the strength and diversity of Warsaw and Poland as a whole, makes a winning combination.

750mph | www.750mph.com

750mph is a state of the art sound design and mix facility in the heart of Soho, London. With over 23yrs of experience and 9 studios, they offer high-end audio production, sound design and mixing in all formats including Dolby 5.1, 7.1, Atmos & 3D sound for VR. The team of sound designers have amassed an array of awards both internationally and domestically, including multiple golds and silvers at the British Arrows, as well as winning the British arrows inaugural Craft Company of the Year 2021.

750mph also offers bespoke composition & music supervision through our in-house music company Twenty Below Music.

ARRI | www.arri.com/en/solutions/virtual-production/arri-stage-london

As one of Europe’s largest fixed virtual production facilities, ARRI Stage London provides a premium choice for high-quality feature, episodic television, and commercial projects.

Delivered as a collaboration between ARRI and Creative Technology, the facility showcases a state-of-the-art LED volume with creative software platforms, powerful media servers, the latest ICVFX technologies, all within a dedicated 708 m² studio space located at ARRI’s UK premises in Uxbridge, West London.

BBH | www.bartleboglehegarty.com

Bartle Bogle Hegarty (BBH) is one of the world’s most famous creative agencies. We did the ad agency differently back in 1982. And today, we are no longer just an ad agency. We apply the same level of BBH thinking, care, craft and magic to the entire customer experience.

We believe in the power of difference to make a difference. We are ranked as the most effective creative agency in the UK (IPA), and the fourth in the world (Warc Effective 100). BBH is part of Publicis Groupe and has offices in London, New York, Singapore, Shanghai, Mumbai, LA and Stockholm and employs 1000 staff worldwide. We are proud to have consistently been named as one of the Sunday Times’ 100 Best Companies to Work For for the past decade.

HARBOR X CHEAT | www.cheatit.co

Cheat is a new kind of post production studio, run by creators for creators. We use the magic of craft to move storytelling forever forwards. Founded in 2015, Cheat is known for its colour and finishing work across all forms of motion picture. From our East London studio and beyond, we bring you bold vision, considered innovation, and exceptional craft.

Behind the scenes, we’re invested in innovation. Years of R&D, proprietary creative tools and film emulation mean we’re constantly finding new ways to deepen the emotive impact of your work and make the process streamlined, transparent and fun.

Everything we do is in service of the work. Our accomplished roster of colourists have backgrounds in production design, photography, VFX and beyond. This knowledge informs our craft, helping you harmonise the look of your story with artistic sensitivity.

CLEARCAST | www.clearcast.co.uk

Clearcast are your advertising partners, from script to screen. They’re best known for clearing ads. In the UK, broadcasters mustn’t show ads that are misleading, harmful or offensive, so before they can be aired, Clearcast check that they comply with UK code rules.

As well as this, they offer a range of optional Clearance and Delivery services, designed to make it easier for agencies, advertisers and broadcasters to get their ads to air. Choose fromfaster feedback, copy clearance guidance (out of office hours, on set, at pitch stage) or help with tricky claims. Or, choose for them to subtitle your ad, deliver it to the broadcasters or to take care of all of the admin needed, start to finish. Additionally, book a place on one of their awardwinning Training courses, for tips and need-to-know information. As a key part of the TV advertising landscape, Clearcast are keen to be a positive influence in the industry. A particular goal of theirs is to encourage people to make #AdsForAll, by adding Subtitles or Audio Description to ads. This improves accessibility, allowing many more people the opportunity to engage with TV ads.

To raise awareness, Clearcast have partnered with British Arrows for the second year in a row, working with them behind the scenes to make the Awards show as accessible as possible. As well as sponsoring the Charity & Public Service award, they’ve provided live captions for the evening and worked with the team to include BSL interpreters.

Eleanor | eleanor.co

In the realm of commercial advertising, Eleanor emerges as both muse and advocate, uplifting a diverse ensemble of directors whose artistic brilliance transcends conventional boundaries. With offices in Santa Monica and Soho’s Golden Square, Eleanor’s creative leadership reverberates worldwide, boldly breaking new ground–a champion of powerful voices, excellence in artistry, and authentic storytelling.

At Eleanor, our hand-picked talent share a common purpose - a relentless pursuit of artistic expression that delves deep into the tapestry of their vibrant inner worlds. Named after the Spirit of Ecstasy, Eleanor serves as a guiding star, empowering directors to breathe life into their most audacious visions. Eleanor’s storytellers infuse each frame with a meticulous love for detail and a mastery of craft. Every project becomes a heartfelt ode to the power of storytelling.

Electric Theatre Collective | www.electrictheatre.tv

As Edison was to the lightbulb, and Victor Frankenstein was to dead body parts, and Bob Dylan was to acoustic Bob Dylan, so Electric Theatre Collective is to, er… not electric theatre collectives... of which there are none in the field of visual effects, so that is a pretty poor analogy. But what can we say? Everyone at Electric is tired, so very tired, just flat out producing ground-breaking work and winning awards since we burst onto the scene in 2011, like a reanimated rampaging monster with bolts in its head. Our brains are fried and no good for analogies, only for VFX.

Put simply, and slightly more seriously, we are a collective of artists who pride ourselves on being a hub of talent across all disciplines of visual creativity - CGI, 2D, animation and colour grading. And that, for now, is about all there is to say about ETC, except that ETC stands for et cetera, and there is indeed much more to come!

FilmLight | www.filmlight.ltd.uk

FilmLight develops unique colour grading systems, image processing applications and workflow tools that are transforming film and video post-production. The company’s streamlined metadata-based workflows employ robust products - including Baselight, Daylight and Baselight Editions - with cutting edge creative tools, allowing professionals in the world’s leading facilities to work at the very forefront of the digital media revolution.

Final Cut and Machine | www.finalcut-edit.com

www.machinesound.co

Final Cut is a creative editorial company working across advertising, film, TV and music videos. Our offices in New York, London and LA are home to many of the industry’s most celebrated editors, working alongside the next generation of editorial talent. Dedicated to craft and collaboration, we are a trusted creative partner to top directors, agencies and brands.

Machine is a sound and music production company with studios in London and New York. Our award-winning team of sound designers, composers and producers work across a diverse range of projects, including commercials, sonic branding, TV series, feature films and immersive audio experiences. Driven by new challenges, our dedicated team approaches every brief with a passion for imaginative sound design and audio composition.

Framestore | www.framestore.com

Framestore brings extraordinary ideas to life in any space or screen through craft, imagination and technology.

Founded in 1986 in London by a team of just five, Framestore has grown to a global company of more than 2,500. The Oscar-winning creative studio has created pixel-perfect images for iconic advertising campaigns for major worldwide brands, building a celebrated portfolio of work underpinned by an intrinsic understanding of VFX. Framestore has collected a multitude of industry awards, including a record number of Cannes Lions in 2016 and many Gold British Arrows over the years, reflective of the creative studio’s position at the forefront of innovation.

Indochina Production | www.indochinaproductions.com

We shoot films all over Asia - long form and short - in 14 territories / our offices are in Bangkok and Tokyo.

Thailand | Malaysia | Japan | Vietnam | Cambodia | Myanmar | The Maldives | The Philippines | Singapore | Sri Lanka | Laos | Bangladesh.

Moore Kingston Smith | www.mooreks.co.uk

Moore Kingston Smith is a leading audit and accounting firm for all creative businesses, supporting them throughout their growth journey, providing a full range of audit, tax and outsourcing, as well as legal and strategic advisory services. To reflect the sector’s growth, we have a media specialist corporate finance arm. Our experts offer a comprehensive service advising on M&A, fundraising, due diligence and MBOs.

International expansion is of increasing significance for a number of businesses. At Moore Kingston Smith, we support businesses as they move into new markets, providing commercial and timely advice throughout the transition and using our global accountancy and consulting network, Moore Global.

No.8 | no8london.com

No.8 is an award-winning creative sound and vision studio, located in the heart of London’s Soho. Established in 2019 by Creative Director Jim Allen and Managing Director Barny Wright, No.8 offers best-in-class multi-disciplinary services through a single point of contact.

In late 2020, multi award winning sound designer Sam Robson joined as a partner and Creative Director and, in 2021, award winning colourist Alex Gregory joined as Head of Colour.

Clients are serviced by a dedicated team across all post disciplines - editing, audio, music, colour grading, VFX, CGI and animation. We offer a personal, bespoke service to a wide range of clients across advertising, film and television.

Rohtau | www.rohtau.com

Rohtau is a young and proactive visual effects creative studio founded by a team of seasoned professionals who bring a wealth of knowledge and creativity to the table. With a proven track record of delivering top-quality work, we are dedicated to pushing the boundaries of what’s possible.

Our unique, custom cloud-distributed model allows us to bring together the best talent, regardless of where they are based worldwide. This allows us to assemble a hand-picked, global team, bespoke for each project and ensures that our clients always receive the best possible result and experience. We are committed to reducing our carbon footprint and promoting sustainability. Our reported ant-like carbon footprint is a testament to our commitment to the environment and our desire to have a net-positive impact on the world.

Join us on our adventure to reinvent visual effects. Let us help you achieve your goals and realise your vision.

Sue Terry Voices | www.sueterryvoices.com

We are a VO agency since 1999, representing the cream of performing talent of all kinds, particularly stars of comedy and TV. We also represent a range of international artists who are all performers and authentic, native voices. We are constantly refreshing our list and adding new exciting talent.

We record demos with each artist so we know what they can do. Please get in touch with any briefs, questions or quote advice as we have a very experienced team of eleven agents who specialise in particular areas of voice and respond very quickly to all enquiries.

Sunbelt Rentals | www.sunbeltrentals.co.uk

Sunbelt Rentals are specialist suppliers of professional end-to-end solutions for content creators in the Film and TV production industry. With a comprehensive and technologically advanced rental inventory of lighting, camera, access, grip, power and temporary infrastructure, we offer a full production solution from prep to wrap.

Together we have honed our expertise over many years. Working with international studios, renowned producers and directors, on everything from blockbuster motion pictures to classic episodic series and award-winning commercials.

Today, we are proud to provide all the expertise, equipment and solutions you need to deliver your production smoothly and cost-effectively. Think of us as the crew behind your crew. Skilled technicians, in-house production experts and best-in-class maintenance teams who will do whatever it takes.

The Assembly Rooms | theassemblyrooms.tv

The Assembly Rooms was established in 2004. With partners Nik Hindson, Sam Rice-Edwards and Eve Ashwell at the helm, it has grown into one of London’s leading film editing companies, with a roster of 11 award winning editors, alongside a hotbed of emerging talent. We cut commercials, promos, short films, features and documentaries.

Our townhouse in the heart of London’s Soho is a creative haven for editors, directors, producers and agencies alike. We have a principle of sustainability running through the company, starting from training and promoting from within, to how we source our water and electricity.

The Mill | www.themill.com

The Mill is a global creative partner for agencies, production companies and brands, working across multiple media channels and platforms.

We are trusted specialists in Visual Effects, Creative Production and Experience design. Our projects include the creation of digital products and virtual experiences, as well as world class VFX and video production for the Advertising and Brand Experience industries.

We are a vibrant network of talented Artists, Producers, Directors and Creative Technologists from multinational backgrounds. We nurture innovation, flexibility and diverse ideas across our studios in London, Paris, Amsterdam, Berlin, New York, Los Angeles, Chicago, Seoul, Shanghai and Bangalore. We are all united by one single ambition: To create extraordinary and memorable work that captivates and excites audiences.

Thinkbox | www.thinkbox.tv

Thinkbox is the marketing body for commercial TV in the UK, in all its forms. It works with the marketing community with a single ambition: to help advertisers get the best out of today’s TV.

From understanding how audiences engage with TV advertising, uncovering what the latest technological developments mean, explaining innovative and affordable solutions, and encouraging creativity to providing the rigorous proof of effectiveness that advertisers need, Thinkbox is here to help businesses meet their marketing objectives.

Thinkbox celebrates creative excellence in a variety of ways, from our film series ‘3 great ads I had nothing to do with’, our bi-monthly awards for TV ad creativity with Campaign (The Thinkboxes), right through to our continued proud support of the British Arrows.

Walker Art | www.walkerart.org

The Walker Art Center, located in Minneapolis, is a catalyst for the creative expression of artists and the active engagement of audiences. One of the most celebrated art museums in the United States, the Walker Art Center is known for its innovative presentations and acclaimed collections of contemporary art across the spectrum of the visual, performing, and media arts. Walker programs examine the questions that shape and inspire us as individuals, cultures and communities.

The Walker’s Moving Image program presents a wide range of moving image artists and contemporary filmmakers, explores the history and creative use of the cinematic medium, represents our global community, and engages our audience with artistic approaches to the ideas that define our times. We offer a range of cinematic experiences through screenings presented in our state-of-the-art cinema, self-select Bentson Mediatheque, and within gallery installations. The Walker maintains a collection of avant-garde films, documentaries, world cinema, and video works within the Ruben/Bentson Moving Image Collection.

Fellowship Award

Awarded to Steve Davies

Written by:

Lewis More O’Ferrall, Co-Chairman APA

John Hackney, Co-Chairman APA

Dom Thomas, Managing Partner, Object & Animal

In 1999 the Chairs of The Advertising Producers Association, Lewis More O’Ferrall and John Hackney set about looking for a more legally oriented CEO to help steer the organisation and guide its members through a rapidly evolving commercial landscape.

At interview it was immediately apparent that, in spite of the candidate’s mild mannered demeanour, his bristling intelligence, wry wit, and appetite to achieve great things shone through. So impressed were they both, they even had to put to one side his support for Tottenham Hotspur.

And so it was that Steve Davies found himself in Beak Street, in an industry which, at the time, he knew almost nothing about.

From day one, Steve wasted no time however. On went the trainers and he visited every single member company in order to better understand their issues and to set about dynamically changing them for the better.

Perceptively, he took away two essential principles facing every member company; that at the core of every production was the need to manage risk and, that at every stage of the process they required certainty on every level - so his primary mission became his effort to grant them both these things.

Those that know Steve know he not only has an agreeable temperament, but is also utterly fearless. He is pragmatic, dogged and fair. So it’s no surprise that not only were APA members winning 100% of industry disputes, but Steve would go further still, by negotiating and introducing new union agreements including fairer working practices and a ten hour day.

He brokered fresh contracts and Tripartite Agreement with Clients and Agencies, re-evaluated the nature of Insurance and generally created a safer, more secure industrial platform fit for the twenty first century.

Consequently, disputes have almost been consigned to history. In so doing, he won the admiration and respect of peers and those on the other side of the negotiating table, recognising a man who goes about his work with much benign kindness at the centre of his being.

Then, without pausing for breath over the coming years, he partnered with the UK government to open up unexplored foreign markets sending promotional task forces to Tokyo (twice), Mumbai, Beijing, Mexico City, Silicon Valley, Seoul and Shanghai, bringing hundreds of millions of pounds of business to the UK.

In the last quarter of a century Steve has transformed The APA from a London-centric organisation of 75 production company members into a globally recognised tour-de-force of over 400 companies across Production, Post, Editors, Musicians, Animators, VFX, Immersive/Experiential and Sound Design.

In 2020 he led us through Covid and it is almost impossible to overestimate the impact he had in keeping our industry from disaster during this time. When our industry was scattered Steve was the glue that kept the community together.

He developed and negotiated an industry-wide modus operandi for a return to shooting, the template for which was adopted by Film and TV around the world, that allowed us, against all the odds, to keep our doors open and remain in business.

Since then, he has introduced a Code of Conduct, set up an Unconscious Bias programme, a Diversity and Inclusion policy, and a Wellbeing directory. He has developed member Marketing Strategies, provided Advice services for Contracts, promoted a Green agenda, partnered with Just Runners and Creative Mentor Network, established The APA Show, masterminded and curated industry events and seminars on a host of subjects, most latterly AI, and, in the process, still managed to make us laugh.

But what stands out to me as his most significant accomplishment is the introduction and growth of The APA Masterclass. I was among the early participants of the programme and the skills it equipped me with nearly 20 years ago were as invaluable to me as I’m sure they’ll prove to the 121 graduates in 2024. This is a man who deeply cares about the future of our industry and has invested in it - to the benefit of everyone in this room.

Whoever you may be, he has time for you, seemingly without limit and, pivotally, has ideas and answers. And he religiously follows up. Always.

How this same individual has the time to be the great family man, play football and be secretary of the Tottenham Hotspur Supporters Club, travel the globe and still be up to speed with the latest industry issues is beyond even those who work alongside him and know him well. So I’m delighted that he’s made time this evening for us to say, Thank You Steve.

a UK CAMPAIGN a DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS a BEST OVER 90 SECOND COMMERCIAL

SHORTLIST - THE IMPACT AWARD

CRAFT a CASTING a DIRECTOR – THE FRANK BUDGEN AWARD

+ ARROWS a UK CAMPAIGN a DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS

SHORTLIST - BEST OVER 90 SECOND COMMERCIAL

CRAFT a CREATIVE USE OF MUSIC

+ ARROWS a UK CAMPAIGN a DIGITAL SERVICES, ELECTRONICS, COMPUTER GAMES & TOYS

Written by Ben Mooge, Chief Creative Officer, Publicis Groupe UK

EE was born with strong DNA. The lovechild of Orange and T-Mobile. All that creative heritage; from the Orange Film Board that ruined movies with mobile phones to the T-Mobile viral flashmob at Liverpool Street before viral, or flashmobs, were a thing.

And of course, the Six Degrees of Kevin Bacon, when EE was born.

Since then, with strong, nurturing co-parenting from Saatchi&Saatchi, EE had grown into a happy, healthy twelve year old.

But we all need to evolve as we grow, and in 2023 EE was re-launching, as a New EE, in a turbulent/disastrous economic climate with a beyond-fractured media landscape.

Many clients would have taken this as the cue to play it safe.

But the EE/Saatchi instinct has always been to look for the right road, not the comfortable one.

That’s why they’re turning their business from a phone company into an everything-for-your-life platform company.

That’s why they’re not afraid to acknowledge the risks that come with arming a generation of teenagers with social media, and know they have a responsibility to do something about it.

And that’s why they make work like this. Cultural, crafted, modern British work.

To not bat an eyelid when they sign off the idea of ‘wi-fi frenzied kids literally raving before bedtime…set to a monster house tune…shot by Daniel Wolfe.’

And then make no changes to the first edit.

To go through a casting process of almost 4000 real kids to get the truth of what you see in Elliot Power’s ‘Freedom’ film. And then seeing the CEO moved to tears as he watches it.

This just doesn’t happen. But maybe it should more.

In my career, which suddenly appears to be 27 years long despite essentially remaining a teenager myself, I’ve never seen such trust in a creative partnership as this.

This work is a huge testament to the taste and the instinct of Pete Jeavons and Kelly Engstrom, Christian Thrane and Marc Allera, and everyone with them at EE.

They say do your best work on your biggest clients.

They don’t come much bigger than EE.

Commercial of the Year

Channel 4, Idents 2023 made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe.

+ ARROWS

a BEST OVER 90 SECOND COMMERCIAL

a ENTERTAINMENT & SPORTS PROMOTION

a UK CAMPAIGN

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Agency Producers Lou Oliver and Lauren Holden

Copy Writer John Joseph Holt

Production Company

Art Practice

Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe

Producers Maca Gaset, James Guy and Hannah May

Cinematographer Daniel Landin at Eponine Momenceau

Production Designer Arthur De Borman

Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics

+ CRAFT

a ACHIEVEMENT IN PRODUCTION

a SOUND DESIGN

a VFX

a WRITING

a ANIMATION: CGI

Animation Company

Time Based Arts

Animation Directors Nick Smalley and Chris Aliano

Editing Company

Trim Editing Editor

Post Company

VFX Company Producer

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Foud Gaber

Time Based Arts

Chris Aliano

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar

Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Congratulations to all of tonight’s nominees and winners

We’re thrilled to have worked with the British Arrows on another ‘Accessible Arrows’, as part of our #AdsForAll campaign, encouraging the ad industry to consider people with various access needs. We hope that the additions to this evening, such as live captioning and BSL interpreters, will allow more people to engage with the show.

We’d like to encourage you to consider adding Subtitles and Audio Description to your TV ads. Find out about Clearcast Subtitles:

Clearcast is a proud sponsor of the British Arrows

BREAK THE CLASS CEILING with

JUST 16% OF PEOPLE WORKING IN THE CREATIVE INDUSTRIES COME FROM A WORKING CLASS BACKGROUND.

Creative Mentor Network is a mentoring and training charity that supports young people from lower socioeconomic backgrounds whilst upskilling and training creatives in the industry to be more inclusive leaders, better managers, and DE&I advocates to create better workplace cultures.

Join us along with mentors from all across the creative industry, including Droga5, AnalogFolk, Bulletproof, MJZ, Unit9, Digitas, Biscuit Filmworks, Somesuch & MullenLowe UK

Learn more about how you and your business can get involved and mentor with us.

hello@creativementornetwork.org

www.creativementornetwork.org

Congratulations to all British Arrows nominees and winners 2024

CONGRATULATIONS

To all the nominees and winners of the British Arrows 2024!

As specialist accountants and advisers in the advertising and production world, we are proud to work with so many of you. We would like to take this opportunity to celebrate your triumphs and we look forward to your continued success.

www.mooreks.co.uk/media

Principal member of the Moore Global network

YOU NEED IN ONE TAKE

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TO ALL THE WINNERS AND NOMINEES

ARRI

Stage London is proud to sponsor the British Arrows Impact Award. Good luck to all the shortlisted campaigns!

As one of Europe‘s largest fi xed virtual production facilities, ARRI Stage London provides a premium choice for high-quality features and commercials. Our team of virtual production specialists from ARRI Solutions and Creative Technology provides expert support, all within a dedicated 708 m 2 studio space in Uxbridge, West London.

Book your next production at ARRI Stage London: www.arri.com/arri-stage-london

WINNERS BY CATEGORY

ACHIEVEMENT IN PRODUCTION

James Guy, Bonnie Anthony and Chris Aliano for Channel 4, Idents 2023 made for 4creative by Art Practice, Optical Arts, The Line, Time Based Arts and String and Tins.

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Agency Producers Lou Oliver and Lauren Holden

Copy Writer John Joseph Holt

Production Company Art Practice

Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin

Smith and Daniel Wolfe

Producers Maca Gaset, James Guy and Hannah May

Cinematographer Daniel Landin at Eponine Momenceau

Production Designer Arthur De Borman

Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics

Animation Company

Time Based Arts

Animation Directors Nick Smalley and Chris Aliano

Editing Company

Trim Editing Editor Foud Gaber

Post Company

Time Based Arts

VFX Company Producer Chris Aliano

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar

Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Joseph Ogunmokun and Becky Bishop for Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.

Production Companies Black Dog Films and Virtual Films

Editing Company Absolute Post Company Absolute Sound Company Absolute

Katie Wood and Molly Pope for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Agency Havas London

Production Company SMUGGLER

Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm Sound Company 750mph Audio Company Soundtree Music

ALCOHOLIC DRINKS

Diageo, Guinness, Zero Regrets made for AMVBBDO by Red Studios, DayDreamer and Sounds Good Studio, directed by Scott Kelly.

Agency AMVBBDO

Production Company Red Studios

Editing Company Red Studios

Post Company DayDreamer Sound Company Sounds Good Studio

Leffe, Beer, Silence is Golden made for Wieden+Kennedy by MJZ, Framestore and Antfood, directed by Gary Freedman.

Agency Wieden+Kennedy

Production Company MJZ

Editing Company The Assembly Rooms

Post Company Framestore Sound Company Antfood

Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis for WWF, Up In Smoke made by NOMINT and Twelve Decibels, directed by Yannis Konstantinidis.

Production Company

NOMINT Director Yannis Konstantinidis

Producers Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis

Production Designer Yannis Konstantinidis

Animation Company NOMINT

Animation Director Yannis Konstantinidis

Post Company

NOMINT

Colourist George Kyriacou at Black Kite Studios

Sound Company

Twelve Decibels

Sound Designer Rabbeats

Music Supervisor Matt Lee

Composer

Finneas O’Connell

Music Arrangement Hughie Gavin

Performance The Social Singing Choir

Isabel Gómez, Andy Biddle and Tobias Fouracre for BBC, Square Eyed Boy made for BBC Creative by Blinkink, CHEAT, Stephen McNally, Major Tom and Factory Studios, directed by Sam Gainsborough.

Agency BBC Creative Production Company Blinkink

Post Companies CHEAT and Stephen McNally Sound Companies Major Tom and Factory Studios

Ben Edwards, Guy Hobbs, Nikki Holbrow, Sam Gainsborough, David McShane and Isabel Garrett for The Royal Foundation, Centre for Early Childhood, Shaping Us made for Wonderhood Studios by Blinkink, Time Based Arts and Major Tom, directed by Sam Gainsborough.

Agency Wonderhood Studios Production Company Blinkink

Post Company Time Based Arts Sound Company Major Tom

Simon French, David Filipe, Matteo La Motta and Vic Lovejoy for Accenture, Changing Tree made for Droga5 by Imperial Woodpecker and Electric Theatre Collective, directed by Sam Brown.

Agency Droga5 Creative Director Simon French Production Company Imperial Woodpecker Director Sam Brown Producer Polly Ruskin Cinematographer Sebastian Blenkov Post Company Electric Theatre Collective VFX Supervisors Giles Cheetham and Simon French

Colourist Luke Morrison Lead Artists David Filipe and Matteo La Motta

Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry for Virgin Media, Broadband, Goat Glider made for VCCP by Rogue, Untold Studios and Factory Studios, directed by Sam Brown.

Agency VCCP Production Company Rogue Editing Company Marshall Street Editors

Post Company Untold Studios Sound Company Factory Studios

Nick Smalley, Sam Osborne and Mike Battcock for Channel 4, Idents 2023 made for 4Creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith, Daniel Wolfe.

Agency 4creative Production Company Art Practice

Animation Company Time Based Arts Editing Company Trim Editing

Post Company Time Based Arts Sound Company String and Tins

Ryan Knowles, Gregory McKneally, Dan Yargici and Antonia Vlasto for Coca-Cola, Masterpiece made for Heads Up Production and Blitzworks by Academy, Electric Theatre Collective, tenthree and Yessian, directed by Henry Scholfield.

Agencies Heads Up Production and Blitzworks

Production Company Academy

Animation Company Electric Theatre Collective

Editing Company tenthree

Post Company Electric Theatre Collective Sound Company Yessian

AUTOMOTIVE

The AA, It’s OK, I’m with The AA made for The Gate by Academy, The Assembly Rooms, Absolute and Grand Central Recording Studios, directed by Si&Ad.

Agency The Gate Production Company Academy Post Companies The Assembly Rooms and Absolute Sound Company Grand Central Recording Studios

Formula E, ABB FIA Formula E World Championship, Progress is Unstoppable made for Uncommon Creative Studio by RASCAL and King Lear, directed by Sam Walker.

Agency Uncommon Creative Studio Post Company RASCAL Sound Company King Lear

Ford, Ranger made for AMVBBDO by Academy, 1920, Wave Studios and Parv Thind, directed by Marcus Soderlund.

Agency AMVBBDO Production Company Academy Post Company 1920 Sound Company Wave Studios and Parv Thind

Pernod Ricard, KahlÚa, Stir Up - Gasp made for Wieden+Kennedy by Birth, Time Based Arts and 750mph, directed by Rodrigo Valdes.

Agency

Wieden+Kennedy

Chief Creative Officers Hermeti Balarin and Ana Balarin

Creative Directors Philippa Beaumont and Freddy Taylor

Creatives Hannah Fortune and Chelsea Thorley

Producers Richard Adkins, Amy Leach, Aurelie Livera and Priya Shial

Studio

Phil Rosieur, Zhangzhe Peng, Zee Kerry and Joel Somerfield

Strategy Dan Hill, Brian Ritter and Melanie Eckersley

Account Laura Jacobs, Siham Zerkak and Oliver Mitchell

Business Affairs Helena Tomas and Alex Coomer

Production Company Birth Director Rodrigo Valdes Post Company Time Based Arts

Sound Company 750mph

Flora, Skip the Cow made for Pablo London by Biscuit Filmworks, Untold Studios and Factory Studios, directed by James Rouse.

Agency Pablo London

Production Company Biscuit Filmworks

Post Company Untold Studios

Domino’s, Channel 4 Idents, Exorcism made for VCCP by MJZ, RASCAL and King Lear, directed by Steve Ayson.

Advertising Agency VCCP

Media Agencies Havas Media UK and Havas Play

Production Company MJZ

Post Production Company RASCAL Sound Company King Lear

Comedy on Audible, Laugh Through It made for Fold7 by Mindseye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.

BBC, Not Just Telly - Happy Valley made by BBC Creative and Picture Shop.

Agency

BBC Creative Production Company

BBC Creative Editing Company Picture Shop Post Company Picture Shop Sound Company Picture Shop

BBC, Not Just Telly - Line of Duty made by BBC Creative and Picture Shop.

Agency

BBC Creative Production Company

BBC Creative Editing Company Picture Shop Post Company Picture Shop Sound Company Picture Shop

The AA, It’s OK, I’m with The AA made for The Gate by Academy, The Assembly Rooms, Absolute and Grand Central Recording Studios, directed by Si&Ad.

Agency

The Gate Production Company Academy Post Companies

The Assembly Rooms and Absolute Sound Company Grand Central Recording Studios

Cadbury, Dairy Milk, Speakerphone made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.

McDonald’s, Raise Your Arches made for Leo Burnett by Moxie Pictures, Framestore, Company 3, 750mph and Factory Studios, directed by Edgar Wright.

Agency Leo Burnett

Production Company Moxie Pictures

Editing Company Final Cut

Sound Companies 750mph and Factory Studios

Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.

Agency 4creative

Production Company Academy

Editing Company tenthree

Post Companies Selected Works and Platform Post

Sound Company String and Tins

Harry’s, Razors, Feel Good, Fellas made for The Or London by Somesuch, Radioaktive, Shelter, CHEAT, Creative Outpost and The Hogan, directed by Max Sherman.

Agency

The Or London

Production Companies Somesuch, Radioaktive and Shelter

Editing Company Shift Post

Post Companies CHEAT and Creative Outpost

Sound Company Creative Outpost

Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.

JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.

Agency Uncommon Creative Studio

Production Company ICONOCLAST

Editing Company Trim Editing

Post Company Electric Theatre Collective Sound Company Factory Studios

Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.

Agency Lucky Generals

Production Company Somesuch

Editing Company Work Editorial

Post Company Electric Theatre Collective Sound Companies No.8 and Jack Whitelee

Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.

Agency Johannes Leonardo

Production Company Love Song

Editing Companies

The Quarry and Cut+Run

Post Company Mathematic Sound Company Barking Owl Sound

BEST OVER 90 SECOND COMMERCIAL

Channel 4, Idents 2023

made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors

Agency Producers

Copy Writer

Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Lou Oliver and Lauren Holden

John Joseph Holt

Production Company Art Practice

Directors

Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin

Smith and Daniel Wolfe

Producers Maca Gaset, James Guy and Hannah May

Cinematographer Daniel Landin at Eponine Momenceau

Production Designer Arthur De Borman

Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie

& Prosthetics

Animation Company

Animation Directors

Editing Company

Time Based Arts

Nick Smalley and Chris Aliano

Trim Editing Editor

Post Company

VFX Company Producer

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Foud Gaber

Time Based Arts

Chris Aliano

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar

Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Fathom VFX and Factory Studios, directed by Taika Waititi.

Agency Apple Marcom

Production Company Hungry Man

Editing Company Work Editorial Sound Company Factory Studios

BEST OVER 90 SECOND COMMERCIAL

Uber, Uber One and Uber Eats, Best Friends made for Mother by O Positive, 1920 and No.8, directed by David Shane.

Agency Mother Production Company O Positive

Editing Company The Quarry Post Company 1920

Sound Company No.8

EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.

Agency Saatchi & Saatchi

Production Companies Art Practice and Love Song

Editing Company Marsheen

Post-Production Company The Mill Sound Company Factory Studios

Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.

Agency TBWA\MAL Production Company Hungry Man

Animation Company Passion Pictures

Editing Company Rock Paper Scissors

Post Company Passion Pictures

Reckitt, Vanish, Me, My

Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Agency Havas London

Production Company SMUGGLER

Editing Company Whitehouse Post

Post Companies Whitehouse Post and The Post Arm

Sound Company 750mph

Audio Company Soundtree Music

Beavertown, Beer, Flightmare made for Like Minded Individuals by Black Dog Films, 1920 and King Lear, directed by Alice Bloomfield.

Agency Like Minded Individuals Production Company Black Dog Films

Coca-Cola, The Santa Stories - The Note made for VML UK and VML New York by Imagine Entertainment, PRETTYBIRD, Significant Others, Final Cut and Machine NY, directed by Bryce Dallas Howard.

Agencies VML UK and VML New York Production Companies Imagine Entertainment and PRETTYBIRD Editing Company Final Cut Post Companies Significant Others and Final Cut Sound Company Machine NY

Kharmel Cochrane for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Kharmel Cochrane, Claire Catterson and Holly Ritchie for EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.

Agency Saatchi & Saatchi

Production Companies Art Practice and Love Song

Editing Company Marsheen

Post-Production Company The Mill

Sound Company Factory Studios

Casting Double for Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.

Agency Uncommon Creative Studio

Production Company Object & Animal

Editing Company Cabin Editing

Sound Company 750mph

Mollie Maguire for Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.

Agency Nike GLOBAL

Production Company Object & Animal

Post Companies Native Foreign and Punderson Gardens

Sound Company 750mph

Gina Liotti for Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.

Agencies

Ogilvy UK and Ogilvy Toronto

Production Company SMUGGLER Editing Company Final Cut NY

Post Company Final Cut NY

Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.

Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse made for The&Partnership by Academy, Glassworks, Factory Studios and SIREN, directed by Zhang + Knight.

Agency The&Partnership Production Company Academy Editing Company tenthree Post Company Glassworks Sound Companies Factory Studios and SIREN

Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.

Agency Lucky Generals Production Company Somesuch Editing Company Work Editorial Post Company Electric Theatre Collective Sound Companies No.8 and Jack Whitelee

PETA, Shop To Save Their Lives made for House337 by BlinkInk, Absolute and String and Tins, directed by Will Wightman.

Agency House337 Production Company Blinkink Post Company Absolute Sound Company String and Tins

Alzheimer’s Research UK, Change

The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.

Agency Above+Beyond Production Company Tubby Brother Films

Animation Company Passion Pictures

Post Company No.8

Sound Company No.8

Marie Curie, Good Death made for CPB London by SMUGGLER, Black Kite Studios and King Lear, directed by Shannon Murphy.

Agency CPB London Production Company SMUGGLER

Editing Company tenthree

Post Company Black Kite Studios Sound Company King Lear

Daniel Landin for Hornbach AG, DIY, Hornbach 1sq. m made for HeimatTBWA\ by Tony Peterson Film, Katalyst Berlin and Loft Studios Berlin, directed by Steve Rogers.

Agency HeimatTBWA\ Production Company Tony Peterson Film Director Steve Rogers Cinematographer Daniel Landin, BSC Post Company Katalyst Berlin

Patrick Golan for Zara, Spring ‘23 made by SMUGGLER and Colin Davis, directed by rubberband.

Production Company SMUGGLER

Rina Yang for Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.

Agency Uncommon Creative Studio

Production Company Object & Animal Editing Company Cabin Editing Sound Company 750mph

Harry Wheeler for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.

Agency Johannes Leonardo Production Company Love Song

Editing Companies The Quarry and Cut+Run Post Company Mathematic Sound Company Barking Owl Sound

Simon Bourne for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.

Agency

Chief Creative Officers

Executive Creative Directors

Creative Directors

Johannes Leonardo

Jan Jacobs and Leo Premutico

Jeph Burton and Hunter Hampton

Zack Browne, Alfonso Ruiz and Celia Mortlock

Agency Producers Danica Rosen, Oliver McAvoy, Sydney Davis and Sharizma Budden

Copy Writers

Production Company

Jeph Burton, Zack Browne and Celia Mortlock

Love Song

Director Daniel Wolfe

Producers Kelly Bayett, Deannie O’Neil and Julie Sawyer

Cinematographer Harry Wheeler

Production Designer Andrew Clark

Casting Directors

Bonnie-Lee Boumann and Monique Murray

Costume Designer Verity May Lane

Hair, Make-Up & Prosthetics Thato Nzimande, Tamara Moeng, Lucy Thomson and Francois Burger

Editing Companies

The Quarry and Cut+Run

Editor Paul Watts

Post Company Mathematic

VFX Company Company 3

VFX Supervisor Vincent Blin

Colourist Simon Bourne Lead Artist Vincent Blin

Sound Company Barking Owl Sound

Sound Designer Gus Koven

Music Supervisors

Jacobo Álvarez and Roxy Shah Composer

Philip Hambi for Burger King, Chicken Royale, We Give Up made for BBH by Riff Raff Films, The Mill and String and Tins, directed by The Sacred Egg.

Agency BBH

Production Company Riff Raff Films

Editing Company Final Cut

Post Company The Mill

Sound Company String and Tins

Richard Fearon for United Nations, A New Day made by Unit 9 Films and Black Kite Studios, directed by Jonathan Pearson.

Production Company Unit 9 Films

Editing Company Whitehouse Post

Post Company Black Kite Studios

Simon Bourne for Adidas, Gazelle made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Will Dohrn.

Agency Johannes Leonardo

Production Company Love Song

Editing Company Cut+Run

Post Companies Mathematic and Company 3

Sound Company Barking Owl Sound

Mark Gethin for Expedia, Wisdom & Obi made for Expedia by Love Song, Trafik and Barking Owl Sound, directed by Justyna Obasi.

Production Company Love Song

Post Company Trafik

Sound Company Barking Owl Sound

Emeralds Music for EE, School Night made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe. Agency Saatchi & Saatchi

Ogilvy and Big Sync Music for Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.

Agencies Ogilvy UK and Ogilvy Toronto Production Company SMUGGLER

Editing Company Final Cut NY

Post Company Final Cut NY

Ed Bailie and Seb Whyte at Leland Music for Greenpeace, Don’t Stop made for Mother by Lammas Park, Black Kite Studios, Leland Music and King Lear, directed by Samona Olanipekun.

Agency Mother Production Company Lammas Park

Editing Company The Assembly Rooms

Post Company Black Kite Studios Sound Companies Leland Music and King Lear

Wake the Town for Child Poverty Action Group, Imagine made for Creature London by SMUGGLER, Blacksmith NYC and Factory Studios, directed by Adam Berg.

Agency Creature London Production Company SMUGGLER

Editing Company Trim Editing

Post Company Blacksmith NYC Sound Company Factory Studios

EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power. Agency Saatchi & Saatchi

EE, School Night made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.

Agency Saatchi & Saatchi

Production Companies Art Practice and Love Song

Editing Company Marsheen

Post-Production Company The Mill Sound Company Factory Studios

Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Company 3, Fathom VFX and Factory Studios, directed by Taika Waititi.

Agency Apple Marcom

Production Company Hungry Man

Editing Company Work Editorial Sound Company Factory Studios

Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.

Agency TBWA\MAL

Production Company Hungry Man

Animation Company Passion Pictures

Editing Company Rock Paper Scissors

Post Company Passion Pictures

EE, Sunday Funday made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.

Agency Saatchi & Saatchi

Production Companies Art Practice and Love Song

Editing Company Marsheen

Post-Production Company The Mill Sound Company Factory Studios

DIRECTOR - THE FRANK BUDGEN AWARD

Tom Hooper for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music.

Daniel Wolfe for The Harris Project, COD, You Don’t Know The Half Of It made for Havas NY by Love Song, Company 3, Mathematic and Barking Owl Sound.

Agency Havas NY

Production Company Love Song

Editing Company Trim Editing

Post Companies Company 3 and Mathematic Sound Company Barking Owl Sound

DIRECTOR - THE FRANK BUDGEN AWARD

Elliott Power for EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios.

Agency Saatchi & Saatchi

Production Companies Art Practice and Love Song

Editing Company Marsheen

Post-Production Company The Mill

Sound Company Factory Studios

Lucia Aniello and Anna Mantzaris for Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures.

Agency TBWA\MAL

Production Company Hungry Man

Animation Company Passion Pictures

Editing Company Rock Paper Scissors

Post Company Passion Pictures

SHIRZAN. for Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute.

Production Companies Black Dog Films and Virtual Films

Editing Company Absolute

Post Company Absolute

Sound Company Absolute

Taika Waititi for Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Fathom VFX and Factory Studios.

Agency Apple Marcom

Production Company Hungry Man

Editing Company Work Editorial

Sound Company Factory Studios

Paul Watts for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.

Agency Johannes Leonardo

Chief Creative Officers Jan Jacobs and Leo Premutico

Executive Creative Directors Jeph Burton and Hunter Hampton

Creative Directors

Zack Browne, Alfonso Ruiz and Celia Mortlock

Agency Producers Danica Rosen, Oliver McAvoy, Sydney Davis and Sharizma Budden

Copy Writers

Jeph Burton, Zack Browne and Celia Mortlock

Production Company Love Song

Director Daniel Wolfe

Producers

Kelly Bayett, Deannie O’Neil and Julie Sawyer

Cinematographer Harry Wheeler

Production Designer Andrew Clark

Casting Directors

Bonnie-Lee Boumann and Monique Murray

Costume Designer Verity May Lane

Hair, Make-Up & Prosthetics Thato Nzimande, Tamara Moeng, Lucy Thomson and Francois Burger

Editing Companies The Quarry and Cut+Run Editor Paul Watts Post Company Mathematic

VFX Company Company 3

VFX Supervisor Vincent Blin

Colourist Simon Bourne Lead Artist Vincent Blin

Sound Company Barking Owl Sound

Sound Designer Gus Koven

Music Supervisors Jacobo Álvarez and Roxy Shah Composer

Fouad Gaber for The Harris Project, COD, You Don’t Know the Half of It made for Havas NY by Love Song, Company 3, Mathematic and Barking Owl Sound, directed by Daniel Wolfe.

Agency Havas NY

Production Company Love Song

Editing Company Trim Editing

Post Companies Company 3 and Mathematic Sound Company Barking Owl Sound

Russell Icke for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Agency Havas London

Production Company SMUGGLER

Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm Sound Company 750mph Audio Company Soundtree Music

Nik Kohler for Volvo, The Little Things made by new‒land, Electric Theatre Collective and Mattias Eklund, directed by Marcus Ibanez.

Production Company new—land Editing Company Cabin Editing

Post Company Electric Theatre Collective Sound Company Mattias Eklund

Channel 4, Idents 2023

made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors

Agency Producers

Copy Writer

Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Lou Oliver and Lauren Holden

John Joseph Holt

Production Company Art Practice

Directors

Producers

Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin

Smith and Daniel Wolfe

Maca Gaset, James Guy and Hannah May

Cinematographer Daniel Landin at Eponine Momenceau

Production Designer Arthur De Borman

Casting Directors

Costume Designers

Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics

Animation Company

Animation Directors

Editing Company

Time Based Arts

Nick Smalley and Chris Aliano

Trim Editing Editor

Post Company

VFX Company Producer

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Foud Gaber

Time Based Arts

Chris Aliano

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar

Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Comedy on Audible, Laugh Through It made for Fold7 by Mindseye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.

Agency Fold7

Production Company Mindseye

Post Company Black Kite Studios

Sound Company String and Tins

Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.

Agency 4creative

Production Company Academy

Editing Company tenthree

Post Companies Selected Works and Platform Post

Sound Company String and Tins

Formula E, ABB FIA Formula E World Championship, Progress is Unstoppable made for Uncommon Creative Studio by RASCAL and King Lear, directed by Sam Walker.

Agency Uncommon Creative Studio

Post Company RASCAL

Sound Company King Lear

JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas. Agency Uncommon Creative Studio Chief Creative Officers Nils Leonard and Shaun Savage Executive Creative Director Benny Everitt Creative Directors Shaun Savage and Quba Tuakli Producer Kaiya Taffel Copy Writer Quba Tuakli Production Company ICONOCLAST Director Amara Abbas Producer Luke Plaister Cinematographer Nicholas Loir Production Designer Bon Walsh

Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.

Agency Nike GLOBAL

Production Company Object & Animal Post Companies Native Foreign and Punderson Gardens Sound Company 750mph

Arsenal, Football Jersey, Third Kit 23/24 Launch made by Knucklehead, Creative Outpost and tenthree, directed by Marc Sidelsky.

Production Company Knucklehead Editing Company tenthree Post Company Creative Outpost

Balenciaga, Spring 24 Digital Fashion Show made by ProdCo, Analog and Arnaud Lavaleix, directed by Mau Morgo.

Production Company ProdCo Post Company Analog

Sound Designer Arnaud Lavaleix

Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.

Agency Uncommon Creative Studio

Production Company Object & Animal Editing Company Cabin Editing Sound Company 750mph

Intuit, Quickbooks, Eggs made for Wieden+Kennedy by ProdCo, Time Based Arts and Aumeta, directed by Ian Pons Jewell.

Agency Wieden+Kennedy

Production Company ProdCo

Post Company Time Based Arts Sound Company Aumeta

Communion, Saving Application, F.U.nd made by Uncommon Creative Studio, directed by Tally Francis.

Agency Uncommon Creative Studio

Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.

Agency Lucky Generals Creative Directors Nick Bird, Lee Smith and Will Hislop

Agency Producer Alex Taylor Copy Writer Will Hislop

Production Company Blink Productions Director Fred Rowson Producer Andrew Rawson

Cinematographer Stefan Yap

Production Designer Ranya El-Rafaey

Casting Director Kharmel Cochrane

Costume Designer Neesha Champaneria Hair, Make-Up & Prosthetics Jess Summer

Sound Companies Ninja Tunes and No.8

Sound Designers Sam Robson and James Benn Composer Ninja Tunes

Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.

Agency BBH Production Company ICONOCLAST Post Company Black Kite Studios

Cadbury, Dairy Milk, Speakerphone made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.

Agency VCCP Production Company Somesuch Editing Company The Quarry Post Company Freefolk Sound Company King Lear

Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.

Agencies Ogilvy UK and Ogilvy Toronto Production Company SMUGGLER

Editing Company Final Cut NY Post Company Final Cut NY

Harry’s, Razors, Feel Good, Fellas made for The Or London by Somesuch, Radioaktive, Shelter, CHEAT, Creative Outpost and The Hogan, directed by Max Sherman.

Agency The Or London Production Companies Somesuch, Radioaktive and Shelter

Editing Company Shift Post

Post Companies CHEAT and Creative Outpost Sound Company Creative Outpost

Georgia Paes for RNIB, Design for Every Gamer made for The&Partnership by Mill+ and The Mill, directed by Kevin Young.

Will MacNeil and Seph Li for Art Fund, National Art Pass made for Pablo London by Somesuch, Mill+, The Mill and Sine Audio, directed by Dan Emmerson.

Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Unilever, Marmite, Baby Scan made for adam&eveDDB by Biscuit Filmworks, Absolute and Factory Studios, directed by James Rouse.

Agency adam&eveDDB

Production Company Biscuit Filmworks

Post Company Absolute Sound Company Factory Studios

McDonald’s, Keep Up With The Times made for Leo Burnett by Anonymous Content, Black Kite Studios, Final Cut and 750mph, directed by Tim Godsall

Agency Leo Burnett

Production Company Anonymous Content

Editing Company

Final Cut

Post Production Company Black Kite Studios Sound Company 750mph

Unilever, Pot Noodle, Nothing Fills

A Hole Like Pot Noodle made for adam&eveDDB by cain&abelDDB, King Henry, Academy Photo and Factory Studios, directed by Honor Northridge.

Agency adam&eveDDB

Production Companies cain&abelDDB, King Henry and Academy Photo

Post Company cain&abelDDB Sound Companies cain&adeblDDB and Factory Studios

Girl vs. Cancer, Sex and Cancer made for BBH by Academy, Coffee & TV and String and Tins, directed by Sophia Ray.

Agency BBH

Production Company Academy

Post Company Coffee & TV Sound Company String and Tins

Apple, iPhone, Action Mode made by Biscuit Filmworks, directed by Andreas Nilsson.

Agency Producer Alison McMahon Production Company Biscuit Filmworks Director Andreas Nilsson Managing Director Shawn Lacy Executive Producer Holly Vega Head of Production Sean Moody Producer Mala Vasan

Apple, iPhone, R.I.P Leon made by Biscuit Filmworks, directed by Andreas Nilsson.

Production Company Biscuit Filmworks

Apple, The Underdogs: Swiped Mac made for Apple by SMUGGLER, Glassworks and 750mph, directed by Mark Molloy.

Agency Apple Production Company SMUGGLER

Editing Company Work Editorial Post Company Glassworks Sound Company 750mph

Squarespace, The Singularity made for Squarespace by SMUGGLER, Black Kite Studios and Heard City, directed by Aoife McArdle.

Agency Squarespace Production Company SMUGGLER

Editing Company Final Cut Post Company Black Kite Studios Sound Company Heard City

PUMA x Noah, Winning Streak made for Chandelier Creative by O Positive and Mack Cut, directed by Brian Billow.

Agency Chandelier Creative Production Company O Positive Editing Company MackCut Post Company MackCut Sound Company MackCut

The Blaze for Madly made by ICONOCLAST, Poster Co, Savoir Faire and ANIMAL63.

Production Company ICONOCLAST Sound Companies Savoir Faire and ANIMAL63

Albert Albert for Thom Draft, Tense made by ICONOCLAST and Poster Co.

Production Company ICONOCLAST Post Company Poster Co

Aube Perrie for The Hives, Bogus Operandi made by Pulse Films, Pineapple VFX and 750mph.

Production Company Pulse Films Post Company Pineapple VFX Sound Company 750mph

Will Wightman and Joe Wilkinson for PETA, Shop To Save Their Lives made for House337 by Blinkink, Absolute and String and Tins, directed by Will Wightman.

Agency House337

Executive Creative Directors

Creative Directors

Jo Moore and Leon Jaume

Steve Hawthorne and Katy Hopkins

Agency Producers Victoria Fischer and Lawrie McLintock

Creatives Holly Fallows and Charlotte Watmough

Copy Writers

Holly Fallows and Charlotte Watmough

Production Company Blinkink

Director Will Wightman Producer William Kay Editors Nick Armstrong and tenthree Post Company Absolute Colourist Alex Gregory

Sound Company String and Tins

Sound Designer Jim Stewart Composers Will Wightman and Joe Wilkinson

Audio Producer Olivia Endersby Music Composition and Lyrics Will Wightman

Arrangement, Production and Joe Wilkinson

Additional Composition

Ninja Tunes for Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.

Agency Lucky Generals Production Company Blink Productions

Sound Companies Ninja Tunes and No.8

Ben Smith, Jordan Crisp, Toni Robinson and Adam Smyth for Just Eat, Did Somebody Say HipOpera made for Craft WW and McCann London by Craft London, RadicalMedia Europe, Final Cut and String and Tins, directed by Dave Meyers and Dave Dean.

Agencies Craft WW and McCann London Production Companies Craft London and RadicalMedia Europe Post Company Final Cut Sound Company String and Tins

Peter Raeburn for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Agency

Le Feste Antonucci for John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.

Agency Saatchi & Saatchi Production Company Riff Raff Films Post Company Electric Theatre Collective Editing Final Cut Sound Company 750mph

Yannis Konstantinidis for WWF, Up In Smoke made by NOMINT and Twelve Decibels, directed by Yannis Konstantinidis.

Production Company

NOMINT

Director Yannis Konstantinidis

Producers Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis

Production Designer Yannis Konstantinidis

Animation Company

NOMINT

Animation Director Yannis Konstantinidis

Animation 2D Nominees Yannis Konstantinidis, Christos Lefakis and Marilena Vatseri

Post Company

Colourist

Sound Company

NOMINT

George Kyriacou at Black Kite Studios

Twelve Decibels

Sound Designer Rabbeats

Music Supervisor Matt Lee

Composer Finneas O’Connell

Music Arrangement

Performance

Hughie Gavin

The Social Singing Choir

Jonathan Houlding for Canal+, The Secret Of Wakany made by Partizan, BETC Paris and GUM, directed by Antoine Bardou Jacquet.

Production Company Partizan

Post Company BETC Paris Sound Company GUM

KOJA for Amazon, Insurance, The Women Who Lived In A Shoe made for Joint London by Somesuch, Untold Studios and 750mph, directed by Nick Gordon.

Agency Joint London

Production Company Somesuch

Editing Company Final Cut

Post Company Untold Studios Sound Company 750mph

JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas. Agency Uncommon Creative Studio Chief Creative Officers Nils Leonard and Shaun Savage Executive Creative Director Benny Everitt Creative Directors Shaun Savage and Quba Tuakli Producer Kaiya Taffel Copy Writer Quba Tuakli

Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.

Agency BBH Production Company ICONOCLAST Post Company Black Kite Studios

McDonald’s, Raise Your Arches made for Leo Burnett by Moxie Pictures, Framestore, Company 3, 750mph and Factory Studios, directed by Edgar Wright.

Agency Leo Burnett Production Companies Moxie Pictures Editing Company Final Cut Sound Companies 750mph and Factory Studios

John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.

Agency Saatchi & Saatchi Production Company Riff Raff Films Post Company Electric Theatre Collective Editing Final Cut Sound Company 750mph

Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.

Agency TBWA\MAL Creative Directors JD Jurentkuff and Nick Cliffone Producer Max Voreacos Copy Writer Jacob Abernathy Production Company Hungry Man Directors Lucia Aniello and Anna Mantzaris Producer Jude Vermeullen

Cinematographer James Laxton

Production Designer Fernanda Guerrero

Casting Director Hannah Simons

Costume Designer Julie Vojtovic Hair, Make-Up & Prosthetics Sarah Kelly

Animation Company Passion Pictures

Animation Director Anna Mantzaris

Editing Company Rock Paper Scissors Editor Tom Eagles

Post Company

Passion Pictures

VFX Supervisor Jim Radford

Colourist

Ricky Gousis

Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.

Agency BBH Production Company ICONOCLAST Post Company Black Kite Studios

JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.

Agency Uncommon Creative Studio Production Company ICONOCLAST Editing Company Trim Editing Post Company Electric Theatre Collective Sound Company Factory Studios

John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.

Agency Saatchi & Saatchi Production Company Riff Raff Films Post Company Electric Theatre Collective Editing Final Cut Sound Company 750mph

Etsy, Your Mission - Twins made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.

Agency Orchard Creative Production Companies Biscuit Filmworks and Revolver Editing Companies The Quarry and Cut+Run Post Company Yours Truly, Kevin Sound Company Heavy Duty NYC

RNIB, Design For Every Gamer made for The&Partnership by You Are Here, Time Based Arts and Munzie

Thind at Grand Central Recording Studios, directed by Jesse Lewis-Reece.

Agency

The&Partnership

Production Companies You Are Here and Mill Experience

Editing Company Electric Theatre Collective

Post Company Time Based Arts Sound Company Munzie Thind at Grand Central Recording Studios

Breast Cancer Now, The Chat made by BMB, Iowa Productions and Wave Studios, directed by Mary-Sue Masson.

Agency BMB

Production Company BMB

Editing Company Iowa Productions

Post Company Iowa Productions Sound Company Wave Studios

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

for Channel 4, Idents 2023 made for 4Creative by Art Practice, Love Song, Optical Art, The Line, Time Based Arts and String and Tins.

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Agency Producers Lou Oliver and Lauren Holden

Copy Writer John Joseph Holt

Production Company Art Practice

Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin

Producers

Smith and Daniel Wolfe

Maca Gaset, James Guy and Hannah May

Cinematographer Daniel Landin at Eponine Momenceau

Production Designer Arthur De Borman

Casting Directors

Costume Designers

Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics

Animation Company

Animation Directors

Editing Company

Time Based Arts

Nick Smalley and Chris Aliano

Trim Editing Editor

Post Company

VFX Company Producer

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Foud Gaber

Time Based Arts

Chris Aliano

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar

Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Agency

The Corner London

Production Company Trizz

Post Company Trizz

Sound Company String and Tins

Adam Smyth for Cannondale, SuperSix EVO, Michelangelo made for The Corner London by Trizz and String and Tins, directed by Trizz.

Jack Hallett for Palace x Kappa, Alpine F1 made for Palace by Somesuch, Work Editorial, No.8 and Factory Studios, directed by Femi Ladi.

Agency Palace Production Company Somesuch

Editing Company Work Editorial

Post Companies Work Editorial and No.8 Sound Company Factory Studios

Sam Ashwell for Riyadh Season, Battle of the Baddest, Rumble made for Droga5 NY and Accenture Song by Park Pictures, Time Based Arts and 750mph, directed by Seb Edwards.

Agencies Droga5 NY and Accenture Song

Production Company Park Pictures

Post Company Time Based Arts Sound Company 750mph

Sam Ashwell and Jake Ashwell for Formula E, Racing, It’s On made for Uncommon Creative Studio by Somesuch, Untold Studios and 750mph, directed by Max Sherman.

Agency Uncommon Creative Studio Production Company Somesuch Post Company Untold Studios Sound Company 750mph

Sam Ashwell for giffgaff, Ode To Bad made for neverland by Blink Productions, Untold Studios and 750mph, directed by Nick Ball

Agency neverland Production Company Blink Productions Post Company Untold Studios Sound Company 750mph

Verity May Lane for Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.

Agency

Chief Creative Officers

Johannes Leonardo

Jan Jacobs and Leo Premutico

Executive Creative Directors Jeph Burton and Hunter Hampton

Creative Directors

Zack Browne, Alfonso Ruiz and Celia Mortlock

Agency Producers Danica Rosen, Oliver McAvoy, Sydney Davis and Sharizma Budden

Copy Writers

Production Company

Jeph Burton, Zack Browne and Celia Mortlock

Love Song

Director Daniel Wolfe

Producers Kelly Bayett, Deannie O’Neil and Julie Sawyer

Cinematographer Harry Wheeler

Production Designer Andrew Clark

Casting Directors

Costume Designer

Bonnie-Lee Boumann and Monique Murray

Verity May Lane

Hair, Make-Up & Prosthetics Thato Nzimande, Tamara Moeng, Lucy Thomson and Francois Burger

Editing Companies

The Quarry and Cut+Run Editor Paul Watts Post Company Mathematic

VFX Company Company 3

VFX Supervisor Vincent Blin Colourist Simon Bourne Lead Artist Vincent Blin

Sound Company Barking Owl Sound

Sound Designer Gus Koven

Music Supervisors Jacobo Álvarez and Roxy Shah Composer

Lana Jay Lackey for Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.

Agency Nike GLOBAL

Production Company Object & Animal Post Companies Native Foreign and Punderson Gardens Sound Company 750mph

Kate Forbes for Levi’s, Fair Exchange made for Droga5 by Epoch, Thomas Panayiotou and Ballad Sound, directed by Martin De Thurah.

Agency Droga5

Production Company Epoch Films UK Post Company Thomas Panayiotou Sound Company Ballad Sound

Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller. Agency Lucky Generals Creative Founder Danny Brooke-Taylor Production Company Somesuch Director Raine Allen-Miller Producer Elly Camisa Cinematographer Courtney Bennett Production Designer Bobbie Cousins Casting Director Kharmel Casting Costume Designer Mekel Bailey Hair, Make-Up & Prosthetics Bianca Simone Scott

Greenpeace, Don’t Stop made for Mother by Lammas Park, Black Kite Studios, Leland Music and King Lear, directed by Samona Olanipekun.

Agency Mother Production Company Lammas Park

Editing Company The Assembly Rooms

Post Company Black Kite Studios

Sound Companies Leland Music and King Lear

Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.

Agency 4creative Production Company Academy

Editing Company tenthree

Post Companies Selected Works and Platform Post

Sound Company String and Tins

Flora, Skip the Cow made for Pablo London by Biscuit Filmworks, Untold Studios and Factory Studios, directed by James Rouse.

Agency Pablo London Production Company Biscuit Filmworks

Post Company Untold Studios

Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER and Final Cut NY, directed by Henry-Alex Rubin.

Agencies Ogilvy UK and Ogilvy Toronto

Production Company SMUGGLER

Editing Company Final Cut NY

Post Company Final Cut NY

Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse made for The&Partnership by Academy, Glassworks, Factory Studios and SIREN, directed by Zhang + Knight.

Agency The&Partnership

Production Company Academy

Editing Company tenthree

Post Company Glassworks

Sound Companies Factory Studios and SIREN

Alzheimer’s Research UK, Change The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.

Agency Above+Beyond Production Company Tubby Brother Films

Animation Company Passion Pictures

Post Company No.8

Sound Company No.8

Uber, Uber One and Uber Eats, Best Friends

Uber, Uber Trains, Gina made for Mother by Biscuit Filmworks, Electric Theatre Collective and Factory Studios, directed by James Rouse.

Agency Mother Production Company Biscuit Filmworks

Editing Company Work Editorial Post Company Electric Theatre Collective

Sound Company Factory Studios

UK CAMPAIGN - THE JOHN WEBSTER AWARD

EE, New EE made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe and Elliot Power.

Channel 4, Idents 2023 made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe.

Agency 4creative Production Company Art Practice

Animation Company Time Based Arts

Editing Company Trim Editing

Post Company Time Based Arts

Sound Company String and Tins

BBC, Not Just Telly made by BBC Creative and Picture Shop.

Agency BBC Creative Production Company BBC Creative

Editing Company Picture Shop

Post Company Picture Shop Sound Company Picture Shop

Etsy, Your Mission made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.

Agency Orchard Creative Production Companies Biscuit Filmworks and Revolver

Editing Companies The Quarry and Cut+Run Post Company Yours Truly, Kevin Sound Company Heavy Duty NYC

Stephen Grasso, Nick Smalley, Sam Osborne, Leo Weston, Mike Battcock and Miguel Wratten for Channel 4, Idents 2023

made for 4Creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Agency Producers

Lou Oliver and Lauren Holden

Copy Writer John Joseph Holt

Production Company Art Practice

Directors Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin

Producers

Cinematographer

Production Designer

Casting Directors

Costume Designers

Smith and Daniel Wolfe

Maca Gaset, James Guy and Hannah May

Daniel Landin at Eponine Momenceau

Arthur De Borman

Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics

Animation Company

Animation Directors

Editing Company

Time Based Arts

Nick Smalley and Chris Aliano

Trim Editing Editor

Post Company

VFX Company Producer

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Foud Gaber

Time Based Arts

Chris Aliano

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar

Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Iain Murray and Dean Robinson for Apple, Quiet the Noise made for TBWA\MAL by ICONOCLAST and Electric Theatre Collective, directed by MEGAFORCE.

Agency TBWA\MAL Production Company ICONOCLAST Editing Company Final Cut Post Company Electric Theatre Collective

Pete Hodsman, Vittorio Barabani, Fabian Frank, Keith Kamholz and Selcuk Ergen for Smirnoff Vodka, We Do Atomic made for McCann NY by Riff Raff Films and The Mill, directed by The Sacred Egg.

Agency McCann NY Production Company Riff Raff Films Animation Company The Mill Post Company The Mill

Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry for Virgin Media, Goat Glider made for VCCP by Rogue, Untold Studios and Factory Studios, directed by Sam Brown.

Agency VCCP

Production Company Rogue

Editing Company Marshall Street Editors

Post Company Untold Studios Sound Company Factory Studios

Ryan Knowles, Gregory McKneally, Dan Yargici and Antonia Vlasto for Coca-Cola, Masterpiece made for Heads Up Production and Blitzworks by Academy, Electric Theatre Collective, tenthree and Yessian, directed by Henry Scholfield.

Agencies Heads Up Production and Blitzworks

Production Company Academy

Animation Company Electric Theatre Collective

Editing Company tenthree

Post Company Electric Theatre Collective Sound Company Yessian

Jules Janaud, Matthew Thomas, Joel Savage, Suzanne Jandu and Michael Brown for Sky Sports, The Greatest Show On Earth made for Sky Creative by Rattling Stick, Framestore and Grand Central Recording Studios, directed by Daniel Kleinman.

Agency Sky Creative

Production Company Rattling Stick

Editing Company The Assembly Rooms

Post Company Framestore Sound Company Grand Central Recording Studios

John Joseph Holt for Channel 4, Idents 2023

made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins.

Agency 4creative

Executive Creative Director Lynsey Atkin

Creative Directors Mike Skrgatic, Daniel Wolfe, Lynsey Atkin and Bafic

Agency Producers Lou Oliver and Lauren Holden

Copy Writer John Joseph Holt

Production Company Art Practice

Directors

Producers

Art Practice x Love Song: Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe

Maca Gaset, James Guy and Hannah May

Cinematographer Daniel Landin at Eponine Momenceau

Production Designer Arthur De Borman

Casting Directors Kharmel Cochrane, Claire Catterson, Found Casting and Belinda Norcliffe

Costume Designers Hannah Edwards, Bratsk Collective and Ella Lucia

Hair, Make-Up Lu Hinton and Ainslie Currie & Prosthetics

Animation Company

Animation Directors

Editing Company

Time Based Arts

Nick Smalley and Chris Aliano

Trim Editing Editor

Post Company

VFX Company Producer

VFX Supervisor 2D Supervisors

CG Supervisors

Colourists

Lead Artists 2D Supervisors

CG Supervisors

Sound Company

Sound Designers

Audio Producers

Music Supervisors

Composers

Foud Gaber

Time Based Arts

Chris Aliano

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

Max Ferguson Hook and Simone Grattarola

Stephen Grasso, Leo Weston and Miguel Wratten

Mike Battcock, Sam Osborne and Nick Smalley

String and Tins

Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford

Laura-Leigh Smith and Rachel Hough

Laura-Leigh Smith and Mike Bamford

Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar

Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman and Anthony Moore

Ash Prentice, Artem Bjork and Tim van der Mee for Alzheimer’s Research UK, Change The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.

Agency Above+Beyond Production Company Tubby Brother Films Animation Company Passion Pictures Post Company No.8 Sound Company No.8

Hollie Iles for Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

Agency Havas London Production Company SMUGGLER Editing Company Whitehouse Post Post Companies Whitehouse Post and The Post Arm Sound Company 750mph Audio Company Soundtree Music

Will Hislop for Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.

Agency Lucky Generals Production Company Blink Productions Sound Companies Ninja Tunes and No.8

FINALISTS & WINNERS BY

BRAND

Accenture, Changing Tree made for Droga5 by Imperial Woodpecker and Electric Theatre Collective, directed by Sam Brown.

CRAFT

a Animation: CGI - Simon French, David Filipe, Matteo La Motta and Vic Lovejoy

Adidas, Gazelle made for Johannes Leonardo by Love Song, Company 3, Mathematic and Barking Owl Sound, directed by Will Dohrn.

CRAFT

a Colourist - Simon Bourne

Adidas, Superstar made for Johannes Leonardo by Love Song, Mathematic, Company 3 and Barking Owl Sound, directed by Daniel Wolfe.

ARROWS a Best Over 60 & Up To & Including 90 Second Commercial Best Over 30 & Up To & Including 60 Second Commercial

CRAFT a Colourist - Simon Bourne a Editing - Paul Watts a Styling - Verity May Lane a Cinematography - Harry Wheeler

Alzheimer’s Research UK, Change The Ending made for Above+Beyond by Passion Pictures, Tubby Brother Films and No.8, directed by againstallodds and Tubby Brothers.

ARROWS

a Charity & Public Service a The Impact Award

CRAFT

a Writing - Ash Prentice, Artem Bjork and Tim Van Der Mee

Animation: 2D & Stop Motion - againstallodds

Amazon, Prime, Separation made for Wieden+Kennedy by MJZ, Time Based Arts, King Lear and Twenty Below Music, directed by Michael Spiccia.

ARROWS Digital Services, Electronics, Computer Games & Toys

Amazon, Insurance, The Women Who Lived In A Shoe made for Joint London by Somesuch, Untold Studios and 750mph, directed by Nick Gordon.

CRAFT a Production Design - Koja

Amazon, Music, Generational Queens made for Droga5 by SMUGGLER and Heard City, directed by Fenn O’Meally.

ARROWS International - The Non-British Arrow

Apple, iPhone, Action Mode made by Biscuit Filmworks, directed by Andreas Nilsson.

ARROWS

a International – The Non-British Arrow

Apple, Fuzzy Feelings made for TBWA\MAL by Hungry Man and Passion Pictures, directed by Lucia Aniello and Anna Mantzaris.

ARROWS

a Seasonal Celebrations

a Best Over 90 Second Commercial a Digital Services, Electronics, Computer Games & Toys

CRAFT

a Director - The Frank Budgen Award - Lucia Aniello and Anna Mantzaris

Apple, Quiet the Noise made for TBWA\MAL by ICONOCLAST and Electric Theatre Collective, directed by MEGAFORCE.

CRAFT

a VFX - Iain Murray and Dean Robinson

Apple, iPhone, R.I.P Leon made by Biscuit Filmworks, directed by Andreas Nilsson.

ARROWS

a International - The Non-British Arrow

Apple, Personal Voice, The Lost Voice made for Apple Marcom by Hungry Man, Work Editorial, Fathom VFX and Factory Studios, directed by Taika Waititi.

ARROWS

a Best Over 90 Second Commercial a Digital Services, Electronics, Computer Games & Toys

CRAFT

a Director - The Frank Budgen Award - Taika Waititi

Apple, The Underdogs: Swiped Mac made for Apple by SMUGGLER, Glassworks and 750mph, directed by Mark Molloy.

ARROWS

a International – The Non-British Arrow

Arsenal, Football Jersey, Third Kit 23/24 Launch made by Knucklehead, Creative Outpost and tenthree, directed by Marc Sidelsky.

ARROWS

a Fashion & Apparel

Art Fund, National Art Pass made for Pablo London by Somesuch, Mill+, The Mill and Sine Audio, directed by Dan Emmerson.

ARROWS

a Innovative Use Of Realtime 3D - Will MacNeil and Seph Li

Asahi, Cornish Orchards Cider, Locally Pressed made by The Corner London and Elmntl, directed by Sam Huckle, Lauri Vuohensilta and Hydraulic Press Channel.

ARROWS

Alcoholic Drinks

Bakar, Alive! made for Sony by SMUGGLER and No.8 , directed by rubberband.

CRAFT Music Video - rubberband.

Balenciaga, Spring 24 Digital Fashion Show made by ProdCo, Analog and Arnaud Lavaleix, directed by Mau Morgo.

ARROWS a Fashion & Apparel

BBC, Bitesize made for BBC Creative by Biscuit Filmworks, Selected Works and Picture Shop, directed by Bine Bach.

ARROWS UK Campaign - The John Webster Award

BBC, Not Just Telly made by BBC Creative and Picture Shop.

ARROWS UK Campaign - The John Webster Award

BBC, Not Just Telly - Baptiste made by BBC Creative and Picture Shop.

ARROWS Best Up To 30 Second Commercial

BBC, Not Just Telly - Happy Valley made by BBC Creative and Picture Shop.

ARROWS a Best Up To 30 Second Commercial

BBC, Not Just Telly - Line of Duty made by BBC Creative and Picture Shop.

ARROWS a Best Up To 30 Second Commercial

BBC, Not Just Telly - Vigil made by BBC Creative and Picture Shop.

ARROWS Best Up To 30 Second Commercial

BBC, Square Eyed Boy made for BBC Creative by Blinkink, CHEAT, Stephen McNally, Major Tom and Factory Studios, directed by Sam Gainsborough.

ARROWS Entertainment & Sport Promotions Production Design

CRAFT a Animation: 2D & Stop Motion - Isabel Gómez, Andy Biddle and Tobias Fouracre

Beavertown, Beer, Flightmare made for Like Minded Individuals by Black Dog Films, 1920 and King Lear, directed by Alice Bloomfield.

ARROWS a Branded Entertainment

Beavertown, Beer, Paper Machete made for Like Minded Individuals by Black Dog Films, Sound Studio and King Lear, directed by Alice Bloomfield.

ARROWS

Branded Entertainment

bet365, Sportsbetting, Never Ordinary made for Drummond Central by Academy, Selected Works and String and Tins, directed by Jack Driscoll.

ARROWS Financial & Corporate Services

Boots, Thank you, Santa made for VML UK by Rogue, Selected Works and Factory Studios, directed by Sam Brown.

ARROWS Retailers

Breast Cancer Now, The Chat made by BMB, Iowa Productions and Wave Studios, directed by Mary-Sue Masson.

ARROWS

a Social Media

Branded Entertainment

Burger King, Chicken Royale, We Give Up made for BBH by Riff Raff Films, The Mill and String and Tins, directed by The Sacred Egg.

CRAFT a Colourist - Philip Hambi Original Composition - The Infinity Orchestra

Production Design - Mike Berg Styling - Dihantus Engelbrecht

Cadbury, Dairy Milk, Speakerphone made for VCCP by Somesuch, Freefolk and King Lear, directed by Steve Rogers.

ARROWS a Best Over 30 & Up To & Including 60 Second Commercial a Food & Non-Alcoholic Drinks

CRAFT Writing - Simon Connor And Steve Cross

Canal+, The Secret Of Wakany made by Partizan, BETC Paris and GUM, directed by Antoine Bardou Jacquet.

CRAFT a Production Design - Jonathan Houlding

Cannondale, SuperSix EVO, Michelangelo made for The Corner London by Trizz and String and Tins, directed by Trizz.

CRAFT a Sound Design – Adam Smyth

Centrepoint, Violent Night made for Wonderhood Studios by The Sweetshop and No.8, directed by Nicolas Jack Davies.

CRAFT

Creative Use Of Music - Wake The Town

Channel 4, Change Climate made for 4creative by Academy, Selected Works, Platform Post and String and Tins, directed by GRANDMAS.

ARROWS a Best Over 30 & Up To & Including 60 Second Commercial a Entertainment & Sport Promotions a The Green Arrow

Channel 4, Idents 2023 made for 4creative by Art Practice, Love Song, Optical Arts, The Line, Time Based Arts and String and Tins, directed by Saman Aminzadeh, Optical Arts,Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic, James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, Elliott Power, The Romantix, Dan Tobin Smith and Daniel Wolfe.

ARROWS a Best Over 90 Second Commercial a Entertainment & Sport Promotions

a UK Campaign - The John Webster Award

CRAFT a Achievement In Production - Bonnie Anthony and Chris Aliano a Sound Design - Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen and Mike Bamford a Writing - John Joseph Holt

a VFX - Stephen Grasso, Nick Smalley, Sam Osborne, Leo Weston, Mike Battcock and Miguel Wratten

a Animation: CGI - Nick Smalley, Sam Osborne and Mike Battcock

Child Poverty Action Group, Imagine made for Creature London by SMUGGLER, Blacksmith NYC and Factory Studios, directed by Adam Berg.

ARROWS The Impact Award

CRAFT a Creative Use Of Music - Wake The Town

Co-Op, Funeralcare, Wishes made for Lucky Generals by Knucklehead, Selected Works and No.8, directed by Charlotte Regan.

ARROWS Financial & Corporate Services

Coca-Cola, Masterpiece made for Heads Up Production and Blitzworks by Academy, Electric Theatre Collective, tenthree and Yessian, directed by Henry Scholfield.

CRAFT a Animation: CGI - Ryan Knowles, Gregory Mckneally, Dan Yargici and Antonia Vlasto a VFX - Ryan Knowles, Gregory Mckneally, Dan Yargici and Antonia Vlasto Achievement In Production Production Design

Coca-Cola, The Santa Stories - Ho Ho Heist made for VML UK and VML New York by Imagine Entertainment, PRETTYBIRD, Significant Others, Final Cut and Machine NY, directed by Steven Caple Jr.

ARROWS Branded Entertainment

Coca-Cola, The Santa Stories - The Note made for VML UK and VML New York by Imagine Entertainment, PRETTYBIRD, Significant Others, Final Cut and Machine NY, directed by Bryce Dallas Howard.

ARROWS a Branded Entertainment

Comedy on Audible, Laugh Through It made for Fold7 by Mindseye, Black Kite Studios and String and Tins, directed by Thomas Ormonde.

ARROWS a Best Up To 30 Second Commercial a Entertainment & Sport Promotions

Communion, Saving Application, F.U.nd made by Uncommon Creative Studio, directed by Tally Francis.

ARROWS a Financial & Corporate Services

DEFENDER 110, Embrace the Impossible made for Accenture Song by Annex, Absolute and Father, directed by Scott Carthy.

ARROWS Automotive

Devolver Digital, The Talos Principle 2, Reveal Trailer made by Big Farmer and Will McKetchnie, directed by Ryan Seville.

CRAFT

Innovative Use Of Realtime 3D - Jack Roach, Dan Greenway, Ansh Kanchan, Ryan Seville and Nicole Houseman

Diageo, Guinness, Don’t Jinx It made for AMVBBDO by Biscuit Filmworks, We Are Covert and Factory Studios, directed by James Rouse.

ARROWS

Alcoholic Drinks

Diageo, Guinness, Foot Pints made for AMVBBDO, directed by Ste Hinde.

ARROWS

Social Media

Diageo, Guinness, Zero Regrets made for AMVBBDO by Red Studios, DayDreamer and Sounds Good Studio, directed by Scott Kelly.

ARROWS a Alcoholic Drinks

Domino’s, Channel 4 Idents made for VCCP by MJZ, RASCAL and King Lear, directed by Steve Ayson.

ARROWS

a Best Up To & Including 15 Second Commercial – Exorcism Best Up To & Including 15 Second Commercial – Train Food & Non-Alcoholic Drinks – Exorcism UK Campaign - The John Webster Award

Dove, The Cost of Beauty made for Ogilvy UK and Ogilvy Toronto by SMUGGLER, Final Cut NY, directed by Henry-Alex Rubin.

ARROWS a Household Goods a The Impact Award

CRAFT a CREATIVE USE OF MUSIC - Ogilvy and Big Sync Music a CASTING - Gina Liotti Writing - Morgan Starr and Luke Woodard

EE, Freedom made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Elliott Power.

ARROWS

a Digital Services, Electronics, Computer Games & Toys a Best Over 90 Second Commercial

CRAFT a Director - The Frank Budgen Award - Elliott Power a Casting - Kharmel Cochrane, Claire Catterson And Holly Ritchie

EE, New EE made for Saatchi & Saatchi by Art Practice, Love Song, The Mill and Factory Studios, directed by Daniel Wolfe and Elliot Power.

ARROWS a UK Campaign - The John Webster Award

EE, School Night made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.

ARROWS a Digital Services, Electronics, Computer Games & Toys

CRAFT a Creative Use Of Music - Emeralds Music

EE, Sunday Funday made for Saatchi & Saatchi by Art Practice, Love Song, The Mill, Company 3 and Factory Studios, directed by Daniel Wolfe.

ARROWS a Digital Services, Electronics, Computer Games & Toys

Etsy, Your Mission made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.

ARROWS a UK Campaign - The John Webster Award

Etsy, Your Mission - Twins made for Orchard Creative by Biscuit Filmworks, Revolver, Yours Truly, Kevin and Heavy Duty NYC, directed by Steve Rogers.

ARROWS a Seasonal Celebrations

Eurostar, Together We Go Further made for adam&eveDDB by Riff Raff Films, The Mill, 2Veinte and 750mph, directed by François Rousselet.

CRAFT Animation: 2D & Stop Motion - The Mill and 2Veinte

Evoca Foundation, #WomanLifeFreedom, RISE made by Black Dog Films, Virtual Films and Absolute, directed by SHIRZAN.

ARROWS a Charity & Public Service a The Impact Award

CRAFT a Achievement In Production - Joseph Ogunmokun And Becky Bishop a Director - The Frank Budgen Award – Shirzan.

Expedia, Nothing made for Anomaly London by CANADA, Untold Studios and Wave Studios, directed by Lope Serrano.

CRAFT Cinematography - Tim Lorentzén

Expedia, Wisdom & Obi made for Expedia by Love Song, Trafik and Barking Owl Sound, directed by Justyna Obasi.

CRAFT a Colourist - Mark Gethin

Flora, Skip the Cow made for Pablo London by Biscuit Filmworks, Untold Studios and Factory Studios, directed by James Rouse.

ARROWS a Best Up To & Including 15 Second Commercial a The Green Arrow

Ford, Ranger made for AMVBBDO by Academy, 1920, Wave Studios and Parv Thind, directed by Marcus Soderlund.

ARROWS a Automotive

Ford of Europe, New Line-Up Evs. New Technologies, And Cutting-Edge Engineering, Our Time made by Chrome Productions and 750mph, directed by Chrome Productions.

ARROWS Automotive

Formula E, Racing, It’s On made for Uncommon Creative Studio by Somesuch, Untold studios and 750mph, directed by Max Sherman.

CRAFT a Sound Design - Sam Ashwell and Jake Ashwell

Formula E, ABB FIA Formula E World Championship, Progress is Unstoppable made for Uncommon Creative Studio by RASCAL and King Lear, directed by Sam Walker.

ARROWS a Automotive a Entertainment & Sport Promotions

Free Now, Feel FREENOW made for BMB by Electric Theatre Collective, directed by Dean Robinson.

CRAFT Animation: CGI - Dean Robinson, David Filipe, Fabrice Fireni, Tobin Brett and Alasdair Patrick

giffgaff, Ode To Bad made for neverland by Blink Productions, Untold Studios and 750mph, directed by Nick Ball.

CRAFT a Sound Design - Sam Ashwell Cinematography - Steve Annis

Girl vs. Cancer, Sex and Cancer made for BBH by Academy, Coffee & TV and String and Tins, directed by Sophia Ray.

ARROWS a Integrated Campaign

Greenpeace, Don’t Stop made for Mother by Lammas Park, Black Kite Studios, Leland Music and King Lear, directed by Samona Olanipekun.

ARROWS

a The Green Arrow

CRAFT

a Creative Use Of Music - Ed Bailie And Seb Whyte at Leland Music

Gucci x GQ, A Hero’s Journey: Jalen Ramsey made for Condé Nast by SMUGGLER, Electric Theatre Collective and Brother Music, directed by Ebeneza Blanche.

ARROWS Fashion & Apparel

Hak Baker, Doolally made for AWAL Records by Riff Raff Films and Gabha Studios, directed by Hugh Mulhern.

CRAFT

a Music Video - Hugh Mulhern

Harry Styles, Satellite made for Columbia Records by Pulse Films, Electric Theatre Collective and 750mph, directed by Aube Perrie.

CRAFT Music Video - Aube Perrie

Harry’s, Razors, Feel Good, Fellas made for The Or London by Somesuch, Radioaktive, Shelter, CHEAT, Creative Outpost and The Hogan, directed by Max Sherman.

ARROWS a Best Over 30 & Up To & Including 60 Second Commercial a Household Goods

Heineken, 150th Anniversary made for Le Pub by PRETTYBIRD UK, Black Kite Studios and 750mph, directed by Bradley and Pablo.

ARROWS Alcoholic Drinks

Hornbach AG, DIY, Hornbach 1sq. m made for Heimat TBWA\ by Tony Peterson Film, Katalyst Berlin and Loft Studios Berlin, directed by Steve Rogers.

CRAFT a Cinematography - Daniel Landin

HSBC, Banking, No Beeping Fees made for Wunderman Thompson by Blink Productions, Shift Post and Factory Studios, directed by Big Red Button.

ARROWS Financial & Corporate Services

Icelandair, Easy To Stop, Hard To Leave made for Pablo London by Somesuch, Trim Editing, Untold Studios and Creative Outpost, directed by Sam Hibbard.

ARROWS Best Over 60 & Up To & Including 90 Second Commercial Transport & Tourism

Intuit, Quickbooks, Eggs made for Wieden+Kennedy by ProdCo, Time Based Arts and Aumeta, directed by Ian Pons Jewell.

ARROWS a Financial & Corporate Services

JD Sports, Forever Forward made for Uncommon Creative Studio by ICONOCLAST, Electric Theatre Collective and Factory Studios, directed by Amara Abbas.

ARROWS a Fashion & Apparel a Retailers a Best Over 60 & Up To & Including 90 Second Commercial a Seasonal Celebrations

JOBST Compression, Irregular Bold made for Publicis Poke by Zeta Fonts, directed by Debora Manetti.

ARROWS HOUSEHOLD GOODS

John Lewis & Partners, Snapper: The Perfect Tree made for Saatchi & Saatchi by Riff Raff Films, Electric Theatre Collective, Final Cut and 750mph, directed by MEGAFORCE.

ARROWS a Retailers a Seasonal Celebrations

CRAFT a Original Composition - Le Feste Antonucci

Just Eat, Did Somebody Say HipOpera made for Craft WW and McCann London by Craft London, Radical Media Europe, Final Cut and String and Tins, directed by Dave Meyers and Dave Dean.

CRAFT a Original Composition - Ben Smith, Jordan Crisp, Toni Robinson and Adam Smyth

The Kraken Black Spiced Rum, The Origin made for Purple Creative by Fight Gravity, Polycat Animation, Street Monkey and HB Studio, directed by Rudolf Peter Kiss.

ARROWS Alcoholic Drinks

Leffe, Beer, Silence is Golden made for Wieden+Kennedy by MJZ, Framestore and Antfood, directed by Gary Freedman.

ARROWS a Alcoholic Drinks

Levi’s, Fair Exchange made for Droga5 by Epoch Films UK, Thomas Panayiotou and Ballad Sound, directed by Martin De Thurah.

CRAFT a Styling - Kate Forbes

Lil Yachty, Department For Mental Tranquility made by Happy Place and Electric Theatre Collective, directed by Crowns & Owls.

CRAFT

Colourist - Connor Coolbear

Make My Money Matter, Oblivia Coalmine made for Lucky Generals by Somesuch, Electric Theatre Collective, No.8 and Jack Whitelee, directed by Raine Allen-Miller.

ARROWS

a The Green Arrow

a Best Over 60 & Up To & Including 90 Second Commercial a Charity & Public Service The Impact Award

Make My Money Matter, The Hidden Relationship made for Mother by Biscuit Filmworks, Black Kite Studios and No.8, directed by Ben Strebel.

ARROWS

The Green Arrow

Marie Curie, Good Death made for CPB London by SMUGGLER, Black Kite Studios and King Lear, directed by Shannon Murphy.

ARROWS

a Charity & Public Service

McDonald’s, Keep Up With The Times made for Leo Burnett by Anonymous Content, Black Kite Studios, Final Cut and 750mph, directed by Tim Godsall.

ARROWS

a Integrated Campaign

Best Up To & Including 15 Second Commercial

McDonald’s, Raise Your Arches made for Leo Burnett by Moxie Pictures, Framestore, Company 3, 750mph and Factory Studios, directed by Edgar Wright.

ARROWS

a Best Over 30 & Up To & Including 60 Second Commercial a Retailers Integrated Campaign

Mercedes-Benz AG And All Companies Affiliated With Mercedes-Benz AG, EQS SUV, The Hunt For Glory made for Antoni Garage GmbH & Co. KG by Mill+, The Mill and Echoic Audio, directed by Tim Fox.

CRAFT Animation: CGI - Chris Welsby, Clem Supiot, Alberto Lara, Declan Andrews and Ted Harrison

Riyadh Season, Day Of Reckoning made for BigTime Creative Shop by Academy, Truffle Film, Electric Theatre Collective and BMM Network, directed by Romain Chassaing.

CRAFT Styling - Matthew Smith

Netflix, Immersive Experience, The Witcher Maze, Season 3 Launch made by Collective Studios and Darion Leigh.

CRAFT Innovative Use Of Realtime 3D - Darion Leigh and Collective Studios

Nike, Jordan, Beyond made for Uncommon Creative Studio by Object & Animal, Framestore and 750mph, directed by Karim Huu Do.

ARROWS a Fashion & Apparel

Social Media

CRAFT a Casting - Casting Double a Cinematography - Rina Yang Creative Use Of Music

Nike, Football, Let it Rip made for Wieden+Kennedy by Wizz, All Of Us Here, Wizz and Storefrontmusic, directed by Gary Levesque.

ARROWS Entertainment & Sport Promotions

Nike, Ambush, Nite Sport made for Nike GLOBAL by Object & Animal, Native Foreign, Punderson Gardens and 750mph, directed by Aidan Zamiri.

ARROWS a Best Over 60 & Up To & Including 90 Second Commercial a Fashion & Apparel

CRAFT a Styling - Lana Jay Lackey a Casting - Mollie Maguire

Nike, Sportswear, Own The Floor made for Wieden+Kennedy by Park Pictures, Black Kite Studios and 750mph, directed by Terence Neale.

CRAFT Editing - Rich Orrick

On Running, The Right To Race made by Hungry Man, The Editors and Heckler, directed by Richard Bullock.

ARROWS a Branded Entertainment

On Running, Tri Kings made for Brother and Son by Passion Pictures, directed Future Power Station.

CRAFT Animation: 2D & Stop Motion - Future Power Station

Palace x Kappa, Alpine F1 made for Palace by Somesuch, Work Editorial, No.8 and Factory Studios, directed by Femi Ladi.

CRAFT a Sound Design - Jack Hallett

Pernod Ricard, Kahlúa, Stir Up - Couch made for Wieden+Kennedy by Birth, Time Based Arts and 750mph, directed by Rodrigo Valdes.

ARROWS

Best Up To & Including 15 Second Commercial

Pernod Ricard, Kahlúa, Stir Up - Gasp made for Wieden+Kennedy by Birth, Time Based Arts and 750mph, directed by Rodrigo Valdes.

ARROWS

a Best Up To & Including 15 Second Commercial

PETA, Shop To Save Their Lives made for House337 by Blinkink, Absolute and String and Tins, directed by Will Wightman.

ARROWS a Charity & Public Service

CRAFT

a Original Composition - Will Wightman and Joe Wilkinson

PUMA x Noah, Winning Streak made for Chandelier Creative by O Positive and Mack Cut, directed by Brian Billow.

ARROWS a International - The Non-British Arrow

Reckitt, Vanish, Me, My Autism & I made for Havas London by SMUGGLER, Whitehouse Post, The Post Arm, 750mph and Soundtree Music, directed by Tom Hooper.

ARROWS a Household Goods

a Integrated Campaign

a Best Over 90 Second Commercial

CRAFT

a Casting - Kharmel Cochrane a Director - The Frank Budgen Award - Tom Hooper a Achievement In Production - Katie Wood And Molly Pope a Editing - Russell Icke a Original Composition - Peter Raeburn a Writing - Hollie Iles

Riyadh Season, Battle of the Baddest, made for Accenture Song and Droga5 by Park Pictures, Trim Editing and 750mph, directed by Seb Edwards.

CRAFT

a Sound Design - Sam Ashwell Editing - Tom Lindsay

RNIB, Awareness, Design For Every Gamer made for The&Partnership by You Are Here, Time Based Arts and Munzie Thind at Grand Central Recording Studios, directed by Jesse Lewis-Reece.

ARROWS a Social Media

CRAFT a Innovative Use Of Realtime 3D - Georgia Paes

Royal Mail, Awareness, In Good Hands made for AMVBBDO by Stink Films, Time Based Arts and Factory Studios, directed by Tom Green.

ARROWS

Financial & Corporate Services

Samsung, Micro Miracles made for BMB and Cheil Worldwide by Cylndr, Black Kite Studios and Wake the Town, directed by Man vs Machine.

CRAFT

Achievement In Production - Clancie Brennan and Matt Posner

Sky Sports, The Greatest Show on Earth made for Sky Creative by Rattling Stick, Framestore and Grand Central Recording Studios, directed by Daniel Kleinman.

CRAFT a VFX - Jules Janaud, Matthew Thomas, Joel Savage, Suzanne Jandu and Michael Brown

Smirnoff Vodka, We Do Atomic made for McCann NY by Riff Raff Films and The Mill, directed by The Sacred Egg.

CRAFT a VFX - Pete Hodsman, Vittorio Barabani, Fabian Frank, Keith Kamholz and Selcuk Ergen

Squarespace, Anything made for Squarespace by Stink Films and The Mill London, directed by Felix Brady.

CRAFT Innovative Use Of Realtime 3D - Felix Brady

Squarespace, The Singularity made for Squarespace by SMUGGLER, Black Kite Studios and Heard City, directed by Aoife McArdle.

ARROWS a International - The Non-British Arrow

Stonewall, Ban Conversion Therapy, It’s Not Therapy, It’s Abuse made for The&Partnership by Academy, Glassworks, Factory Studios and SIREN, directed by Zhang + Knight.

ARROWS a Charity & Public Service a The Impact Award

CRAFT Casting - Sue Odell

Swiss Tourism, The Grand Train Tour made for Wirz Communications by SMUGGLER, The Post Arm and 750mph, directed by Tom Hooper.

ARROWS Transport & Tourism

Temptations Creamy Purrrr-ée, Cats Lose Their Cool: Holiday Special made for adam&eveDDB by Biscuit Filmworks, Time Based Arts and Factory Studios, directed by Jeff Low.

ARROWS Household Goods

Tesco, Food Love Stories, BBQ made for BBH by Biscuit Filmworks, Electric Theatre Collective and String and Tins, directed by dayday.

ARROWS Retailers

Tesco, Helping You Become More Christmas made for BBH by ICONOCLAST, Black Kite Studios and 750mph, directed by Alaska.

ARROWS a Food & Non-Alcoholic Drinks a Retailers a Seasonal Celebrations

CRAFT Styling - Lucy Hagan

The AA, It’s OK, I’m with The AA made for The Gate by Academy, The Assembly Rooms, Absolute and Grand Central Recording Studios, directed by Si&Ad.

ARROWS

a Automotive a Best Up To 30 Second Commercial

The Blaze, Madly made by ICONOCLAST, Poster Co, Savoir Faire and ANIMAL63, directed by The Blaze

CRAFT a Music Video - The Blaze

The Chemical Brothers, Live Again made for EMI Records by Outsider, Untold Studios and String and Tins, directed by DOM&NIC.

CRAFT

a Innovative Use Of Realtime 3D - Outsider, Untold Studios, ARRI Stage London, Creative Technology and Lux Machina

The Harris Project, COD, You Don’t Know The Half Of It made for Havas NY by Love Song, Company 3, Mathematic and Barking Owl Sound.

CRAFT

a Director - The Frank Budgen Award - Daniel Wolfe a Editing - Fouad Gaber

The Hives, Bogus Operandi made by Pulse Films, Pineapple VFX and 750mph, directed by Aube Perrie.

CRAFT

a Music Video - Aube Perrie

The Royal Foundation, Centre for Early Childhood, Shaping Us made for Wonderhood Studios by Blinkink, Time Based Arts and Major Tom, directed by Sam Gainsborough.

CRAFT

a Animation: 2D & Stop Motion - Ben Edwards, Guy Hobbs, Nikki Holbrow, Sam Gainsborough, David McShane and Isabel Garrett

Thom Draft, Tense made by ICONOCLAST and Poster Co, directed by Albert Albert.

CRAFT

a Music Video - Albert Albert

Toyota, Toyota Billy made for The&Partnership by Rogue, Absolute and Factory Studios, directed by Max Fisher.

ARROWS

Automotive

Trainline App, New Realisations made for DUDE London by DUDE Milan, Coffee & TV and Operà Music, directed by Matthew Swanson.

ARROWS Transport & Tourism

Uber, Uber One and Uber Eats, Best Friends made for Mother by O Positive, 1920 and No.8, directed by David Shane.

ARROWS

a Transport & Tourism

a Best Over 90 Second Commercial

Uber, Uber Rides, Elevator made for Mother by Biscuit Filmworks, Black Kite Studios and Soundtree Music, directed by Angelo Cerisara.

ARROWS Transport & Tourism

Uber, Uber Trains, Gina made for Mother by Biscuit Filmworks, Electric Theatre Collective and Factory Studios, directed by James Rouse.

ARROWS a Transport & Tourism

Unilever, Marmite, Baby Scan made for adam&eveDDB by Biscuit Filmworks, Absolute and Factory Studios, directed by James Rouse.

ARROWS a Integrated Campaign

Best Over 60 & Up To & Including 90 Second Commercial Food & Non-Alcoholic Drinks

Unilever, Marmite, First Timers made for adam&eveDDB by SMUGGLER, Absolute and 750mph, directed by Guy Shelmerdine.

ARROWS Seasonal Celebrations

Unilever, Pot Noodle, Nothing Fills A Hole Like Pot Noodle made for adam&eveDDB by cain&abelDDB, King Henry, Academy Photo and Factory Studios, directed by Honor Northridge.

ARROWS a Integrated Campaign

Best Over 30 & Up To & Including 60 Second Commercial Food & Non-Alcoholic Drinks

United Nations, A New Day made by Unit 9 Films and Black Kite Studios, directed by Jonathan Pearson.

CRAFT a Colourist - Richard Fearon

Virgin Media, Goat Glider made for VCCP by Rogue, Untold Studios and Factory Studios, directed by Sam Brown.

CRAFT

a Animation: CGI - Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry

a VFX - Ben Cronin, Sam Driscoll, Christian Baker, Suvi Jokiniemi and Ian Berry

Volvo, The Little Things made by new—land, Electric Theatre Collective and Mattias Eklund, directed by Marcus Ibanez.

CRAFT a Editing - Nik Kohler

Women’s Environmental Network, Just FACT Food Programme, The Bigger Picture made by Really Bright Media and Soundmix Post, directed by Chelsea Jackson.

ARROWS

The Green Arrow

WWF, Up In Smoke made by NOMINT and Twelve Decibels, directed by Yannis Konstantinidis.

CRAFT

a Animation: 2D & Stop Motion - Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis

a Production Design - Yannis Konstantinidis

Achievement In Production - Marilena Vatseri, Yannis Konstantinidis and Christos Lefakis

Yorkshire Tea, Pack Yer Bags made for Lucky Generals by Blink Productions, Selected Works, Ninja Tunes and No.8, directed by Fred Rowson.

ARROWS a Food & Non-Alcoholic Drinks

CRAFT

a Original Composition - Ninja Tunes a Writing - Will Hislop

Zara, Spring ‘23 made by SMUGGLER and Colin Davis, directed by rubberband.

CRAFT

a Cinematography - Patrick Golan

The British Arrows have a few credits of our own…

Chair

Board of Directors

BRITISH ARROWS TEAM

Managing Director

Creative Director

Operations Manager

Head of Partnerships

Awards Assistant

TBI MEDIA

Head of Events

Senior Event Producer

Event Producer

Event Co-ordinator

Simon Cooper

Alex Grieve, Anne Batz, Chaka Sobhani, Charlie Crompton, Charlie Gatsky Sinclair, Clare Donald, Danny Edwards, Dave Monk, Davud Karbassioun, Dom Thomas, Jani Guest, Katie Keith, Lee Pavey, Lisette Nice, Mark Benson, Melody Sylvester, Richard Denney, Rick Brim, Shananne Lane

Lisa Lavender

Michael Lenz

Sergio Colina Restrepo

Sophie Cantopher

Millie Sharer

Nicci Holiday

Ciara Teggart

Ria Penido

Erin Robinson

SFL (Technical Production Partners)

Video & Projects Director

Project Manager

Craig Lawrence

Ben Reynolds

We have worked hard to produce an event with a reduced impact on the environment, in collaboration with industry initiatives AdGreen and ISLA

PRINT

Printed on paper made under the strictest environmental certifications - ISO 14001 and EMAS – and PEFC and FSC chain of custody certification, thereby guaranteeing the wood and pulp used as raw materials have been sustainably sourced.

STAGING & TECHNICAL (SFL)

Using electric vehicles to transport crew where possible

All equipment coming from one location to reduce trucking

Staging solutions are used between events and any consumable materials are recycled

SFL use green sourced power at our premises via Octopus

We are also part of Isla which is a trade body looking at ways to make the events industry more sustainable.

VENUE & CATERING

Marriott strives to be a force for good. Our sustainability and social impact platform, Serve 360: Doing Good in Every Direction, guides our path to making a positive and sustainable impact wherever we do business.

We hope you all had a wonderful night, and we’ll see you next year!

With special thanks to

For producing our beautiful on-screen content

Creative Director CGI

VFX Supervisor

Lead Compositor

2D Artist

CG Generalist

VFX Producer

VFX Producer

Ben Blundell

Kate Gabriel

Leanne Pletersky

Toby O’Connell

Vicky McIntyre

Ellie Thwaites

Hannah Jarrold

For composing and curating the fantastic music for the night

Sound Design and Mix

Supervising Sound Engineer

Music Curation & Supervision

Original Music Composition

For the amazing shortlist sizzle

Executive Producer

For throwing a fabulous after party

Mark Hellaby

Sam Ashwell

Emily Pritchard, Imogen Raey & Luke Barham at Twenty Below Music

Sarah Playford for Twenty Below Music

For hosting our jury over 6 days

Candice Chubb

For helping us with our first ever virtual production

Director/Director of Photography

Rob Payton

For producing the sponsor films

Head of Production

Senior Production Assistant

Runner

Gemma Priggen

Heza Jalloh

Rachel Akinola

For editing our chairs intro and all this year’s sponsor films

Foundng Editor and CEO

Editor

Rick Russell

Matt Gabzdyl

ENTRY OPENS 13TH MAY 2024