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Holocaust Remembrance events stream live Jan. 27-31 by Mike Nelson
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k this proof over carefully and indicate all corrections clearly. You will have a “1st Proof”, “2nd Proof”, and “Final Proof”. If no proof after the 1st or 2nd Proofs, AD WILL RUN AS IS. If this proof meets your approval on the 1st proof, check off OF (APPROVED)” box, date and sign at the bottom. Clockwise from top: The New West Symphony (Photo by Eugene Yankevich) ; Alyssa Park; The Jerusalem String Quartet ISSUE: 1/14/21 PLEASE FAX THIS PROOF TO (805) 648-2245 ASAP (Photo by Felix Broede).
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ould it be that live-streamed B-flat Major), Erwin Schulhoff artistic performances will (Five Pieces for String Quartet), become more (if not total- John Williams (three pieces from ly) the norm, even after the coro- Schindler’s List) and more. navirus pandemic is a distant and Guest performers include the unpleasant memory? acclaimed Jerusalem String Quartet, “As confronting as the pandemic pianist Daniel Vnukowski, NWS has been,” says Michael Christie, concertmaster Alyssa Park (violin) music director for the New West and section principals Philip Triggs T: Symphony (NWS), “it’s given us (viola) and Joshua Ranz (clarinet). mber is correct p address is correct p expiration date is correct p spelling is correct lots to think about and tools to use The concert features pre-recorded the road. It’s forced us to con- performances that, while absent the DEADLINE FOR AD CHANGES IS 12:00 NOON THE TUESDAY PRIOR TOdown THAT ISSUES RELEASE. TE: front digital media and other skills atmosphere of a live venue, offer produced by the production department of Times Media Group, is the copyrighted property of Media Group. weTimes all knew we’d need inAny order to another dimension that in-person the placement of advertising in any of Times Media Group’s publications is prohibited without expresswith, consent of be upthe to speed and embrace concerts do not. “We’ve had a lot of great feedback going forward. And for organizaGroup, plus any applicable fees. p OK to run tions like ours that present their from our patrons on the camera work Date: ______________________________ work at a designated time and place, that show closeups of the musicians check for accuracy and is p OK to run it makes us think about the broader which you don’t get to see when Signature: __________________________ show quality of reproduction. with correction you‘re in the performance hall for the experience of our performances.” The “broader experience” — audience,” says Christie, speaking by including interaction between audi- phone from his Minneapolis home ence and performers during inter- where he and his wife, an emergency mission, to enhance audience acces- room physician, well understand the 1 12/7/20 2:48 PMchallenges of the pandemic. sibility — was something NWS Indeed, this new method of prebegan in 2019. “Even before COVID,” says senting concerts offers a unique but Christie, “we had an enthusiastic not insurmountable set of challengresponse from our audiences who got es. Not only are the orchestra memto know our musicians and our work bers socially distanced and masked on a more personal, relaxed level (except for woodwind and horn through informative banter. And players, and then only when they are EXPIRES // 1.31.21 nothing has changed in our desire to playing), they are not always togethconnect with people, whether it’s via er in the same room when playing. Zoom or other platforms.” “For me,” says Christie, with a On Jan. 31, NWS presents via smile, “the great challenge is trying livestream its third concert of to gather music for different-sized the 2020-21 season, “Holocaust ensembles to play while safely Remembrance,” exploring Jewish distancing. Planning for a regular | themes through music of the late orchestra concert with 60 members INSTORE \\ INSTORE PICKUP \\ CURBSIDE \\ DELIVERY 19th centuries through today. Works is a whole lot easier. But our musi3 5 3 W C H A N N E L I S L A N D S B LV D , P O R T H U E N E M E C A , 9 3 0 41 will include pieces by Johannes cians are enthusiastic about playing SAFEPORT_ 805.843.3131 Brahms (String Quartet No. 3 in for our patrons, who seem to enjoy
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these different-sized efforts.” The Holocaust Remembrance concert, he says, will celebrate “an incredible chapter of music history where you can see an array of cultural influences — classical, folk, contemporary — mixing together. There were literally hundreds of Jewish composers and artists flourishing in the early 20th century who were captured, exiled and struck down by the Nazi regime. So this concert is a way to honor that period, especially in Southern California where our music history is replete with contributions from these composers. It’s the story of the music we know as well as great discoveries of works from a very special time.” Ahead of the concert, NWS will present “complementary content” including interviews with the Violins of Hope Los Angeles Chair Susanne Reyto and a local Holocaust survivor (Jan. 27, 7 p.m.), a pre-concert talk with musicologist David Ravetch (Jan. 28, 6 p.m.) and an interview with Jerusalem Quartet members (Jan. 30, 7 p.m.). “It’s a special combination of our musicians and guests, working within the parameters we have,” says Christie. “This concert, even in the hardest of health circumstances, has come together well.” Holocaust Remembrance virtual events take place Jan. 27-31. For schedule, tickets and more information, call 805-497-5800 or visit newwestsymphony.org/2020-21-virtual-season/holocaust-remembrance/.
— January 21, 2021
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