
4 minute read
ART+CULTURE
On Stage by Emily Dodi Last Train to Nibroc at Conejo Players Theatre
These days, “the show must go on” has taken on a much deeper meaning. It no longer simply means overcoming a technical glitch or calming a bout of stage fright before the curtain goes up. During COVID times, it means having to find new ways to bring art to the people. Conejo Players Theatre (CPT) has been especially creative in doing so, first with producing outdoor musical revues and now by livestreaming a staged performance of Last Train to Nibroc (Jan. 22-24.)
Arlene Hutton’s poignant and timely play revolves around a young man and woman who meet on a train. The year is 1940, the world is in tumult and two seemingly lost souls connect, revealing truths about themselves they never expected. As director Elena Mills explains, it is a deeply moving and, at times, humorous


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look at human relationships, Emilyrose Morris and Jeff Lawless star as May kindness, understanding and and Raleigh in Last Train to Nibroc. misunderstanding. Photo by Elena Mills/Conejo Players Theatre In many ways, Last Train to Nibroc is a play for our times. Not completely zero-contact . . . Then I CHECK LIST: just because it is an intimate look at saw that Conejo was doing some sort p phone number is correct p address is correct p expiration date is correct p spelling is correct
a relationship forged during a pivotal time in history, but because its structure is conducive to the moment. The twoperson drama does not fit CPT’s prepandemic tradition of mounting largescale musical productions. COVID-19 has inspired the theater to reimagine what is possible — in short, how it can turn obstacles into opportunities. Now is the perfect moment for Last Train to Nibroc, a play that Mills says she has been wanting to direct for a long time. “I read the play many years ago and I just fell in love with it.”
Mills and the actors Emilyrose Morris and Jeff Lawless, as well as a diligent crew, have been working according to COVID-19 protocols to bring the production to the stage. Zoom rehearsals were followed by onstage rehearsals (and multiple COVID tests) in anticipation of the upcoming live performances. In every aspect — sets, props, costumes and staging — Last Train to Nibroc is a “regular” production, except that the audience will be at home instead of in the theater.
“When COVID hit, I felt deprived of performing as I know a lot of people were,” Lawless says. “I was looking around for things to do and there were so many Zoom shows where it’s of hybrid-type thing — it’s real-time with another actor and there’s just no PLEASE NOTE: DEADLINE FOR AD CHANGES IS 12:00 NOON THE TUESDAY PRIOR TO THAT ISSUES RELEASE. audience and I’m like, that’s awesome All advertising produced by the production department of Times Media Group, is the copyrighted property of Times Media Group. and a safe way to bring theater back in use other than the placement of advertising in any of Times Media Group’s publications is prohibited without the express consen a unique way … and I think that it’s Times Media Group, plus any applicable fees. just a really cool happy medium that p OK to run Date: ______________________________can only have been discovered during this time.” Morris agrees, likening the experience This proof is to check for accuracy and is not intended to show quality of reproduction. p OK to run with correction Signature: __________________________ to doing a multi-cam sitcom, “where there’s kind of an audience, but it’s kind of like doing a film.”
“We think it’s so important that people can see this piece of art, especially now 1-21 Ventura Chamber of Comm 2.5x6.indd 1

in these difficult times,” Mills adds. “We are trying not just to survive (I’m talking about Conejo Players) but we’re trying to bring people something nice, something good, something that they’re missing right now — which is live theater. I understand that it is live stream, but they can see that it’s our stage with live actors.”
When the show goes on, you won’t want to miss it.
Last Train to Nibroc, streaming live Jan. 22-24. For schedule, tickets and more information, visit www. conejoplayers.org. Watch an author talk back with playwright Arlene Hutton at www. facebook.com/conejoplayers/