No. 28 - DJ Oliver - English

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CONTACT info@syncbeatmag.eu WEB www.syncbeatmag.eu

The first time I heard her

Her methodical way of selecting each track makes a

play was at her house, with

difference in every one of her DJ sets – I’ve been

just a vinyl turntable and a

following her for a couple of years. She worked

Traktor X1 machine. She managed

as an assistant at one of the most important

to choose and mix songs I never would

clubs in Chile, La Feria, where she gained

have imagined could sound so good

more knowledge alongside Ornella.

together. Paulina Gallardo, 29, has always shown talent for music, and even production.

She’s also the owner of Journeys

She started at 17, when she lived in Argentina,

parties, a space where she

where the electronic scene drenched the youth with

supports emerging DJs.

parties that lasted until dawn. She decided to pursue a career as a DJ by taking classes, and today, in Santiago de Chile, she has earned her place.

In this interview, I’ll tell you more about her:

When

did

you

start

getting

And

when

did

into

the

electronic

scene?

to

DJ

come

the

desire about?

I got into it when I was around 16

I had to choose a career. I had always

or 17 years old. I had just moved to

been

Córdoba, Argentina, with my parents.

technology,

so

There, I started going out, and there

Audiovisual

Communication.

was a really strong electronic music

time, my mom moved back to Chile.

interested

in I

computers started

and

studying At

that

scene. I began listening to local artists.

I stayed living alone in Córdoba. But one I started going to electronic parties with

day, my older sister sent me a flyer for DJ

my classmates. I would fake my ID to

courses at an academy in Córdoba. So,

get in and began selling tickets. The first

I signed up, and during the day, I went

party I went to was Sticky. I remember

to university, and in the afternoons, I

Danny

practiced DJing. But I started dedicating

Howells

and

Nick

Warren.

all my time to music. My dad bought They were the artists that impacted me

me a machine, and I started practicing

the most at the beginning. Popof as well.

nonstop.

I started getting my first events, and at that

going out, the darker sounds of techno were

moment, I called my mom to tell her that I

my first reference, as well as minimal techno

didn’t want to continue studying my degree.

like Victor Ruiz and Sam Paganini, which was what was popular at that time in Argentina.

As for any artist, family support is crucial.

That was Paulina from 16 to 21 years old.

Making the call to my mom to say I would drop out was a moment that pushed me to

How was it to carve your path in Chile?

follow my dream. Doing what I love is one of my main motivations for deciding what to

I was in Argentina until I was 24 years old.

do on my path. My mom supported me from

When I returned to Chile, I started from

the beginning, recommending that I enter

scratch, but I met Ornella, who became

a sound technician program, which allowed

an important person for me, like a mentor.

me to improve my music productions.

She worked at La Feria and began to pass on some of her knowledge to me. I started

What sounds

were that

the

first

electronic

convinced

you?

working as her assistant and began to play.

After a few years there, since I didn’t have any contacts, I started meeting more people and

When I was younger, I really liked pop

became enchanted with more progressive

music. My classmates in Bariloche listened

and melodic sounds. During the pandemic,

to a lot of American music, so I started

I created my first house production.

listening to music in English, and I began to enjoy the electronic music scene more

My best gig was when I was able to do the

at first than the

warm-up for Whebba, a Brazilian artist,

music itself.

in Córdoba, right after a day when Richie

When

I

Hawtin was playing. It was a gig where

started

I played from around 10:30 PM to 2 AM, where I was able to develop an incredible set—starting with deep house and finishing with techno. Many of my friends came to support me because I was already living here in Chile, and they called me to play.

Then, of course, La Feria Club in Chile has always been a beautiful place to play. The first time I played there was a threehour

debut

before

Paralelo 86. I have that set recorded as well.

I think it was very nice

musically. Also, La Jauz is my favorite place to perform.

I can always develop my music there; they always take great care of me, and I’m always seen.

At the end of this year, I will release

HUMMUS

EP

for

the

Blue Label label from Buenos Aires.

My first production was an invitation from a DJ from Portugal who wanted a Deep House remix made by Paulina.

What

do

electronic

you

think

scene

about in

the Chile?

I believe it is still a work in progress.

Recently, it has grown a lot due to social media and the events happening here in Chile. I think Chile has a very strong techno audience, but I believe the scene still has a lot of room to grow, it lacks community, and it lacks respect in that regard. There’s a matter of connections, and we need to highlight many producers and emerging artists who are truly producing. Within that, I also consider myself an emerging producer. One criticism I could make is that the reality is that it’s often more about how many people you can bring than truly assessing the talent of the artists.

I believe there are many artists and many people wanting to hear new artists, and they are also tired of the same thing.

In my events, Journeys, or in the events I produce as a curator for the lineups, I have

been a b l e to

invite

new talents that I believe have what it takes and that it’s not just about how many people they can draw.

Do

you

“monopoly”

think

there on

is

a

parties?

There’s a sort of favoritism within the production companies; they don’t invite those who have talent. But if you notice, the lineups are always the same, and it’s always the same circle, which makes it very difficult to break in if you’re not friends with the owner of the party. There’s also a lot of bartering, like saying “I’ll invite you to my party, and you’ll invite me to yours later,” and it has happened to me where they’ve said, “Okay, invite me to your party, and I’ll invite you later.” I have opened doors for many DJs in some places and didn’t receive the same support back.

Over the years, Paulina has become a great

it would be, or the audience is not what I

friend whom I admire and follow when she

expected, and I have to play a little higher or

plays at parties. I have noticed from the first

a little lower. That’s when I start to improvise.

moment she starts preparing for a party that

But fortunately, I know how to do it.

her methodology leads to perfect DJ sets.

There’s a lot of improvisation and feeling Explain for

your selecting

methodology

that goes in between; I don’t like to be too

music...

rigid. I like things to unfold as I feel them.

For example, I really enjoy using tracks with

For all my gigs, the first thing I do is download

vocals; I feel those also fit in at appropriate

new music and go to the place where I will

moments where I can awaken people

be playing. If not, I look it up on Instagram,

or

research it, see the venue’s photos, and see

within me and that I can pass on to them.

convey

something

that

flourishes

what type of people attend. I assess the context of the place and the city. Second,

Any

message

I listen to a track before downloading it,

for

those

you

starting

would

leave

to

DJs...

be

and I imagine myself in the venue. I close my eyes and envision being there and how

The only advice I could give that has worked

that track would sound. Let’s say, all of this

for me is to be curious, attentive, watchful,

is my studio; I don’t know how that track

listen... go to parties, go to afters, meet the

would sound in that place.

people who work there, get to know your peers, greet them.

Once I find that the tracks fit together, I try to adjust to the DJ who will be playing

Say, “We could get to know each other,

before me. I also pay attention to the timing.

make

music,

create

community,

be

friends.” It’s about searching and being in Then I open Rekordbox, listen to them one

the right moment. If you have a chance

by one again, and check if they really fit

to speak to someone who could bring

into the playlist I’m building. Once I have

you an opportunity, take it. It’s not luck.

all that, I do a second filter to see if I add

Well, sometimes it is, but it’s also about

any older tracks I’ve played before that

searching.

could work. I organize them by key and BPM, and once I have the playlist set up, I

Let’s stop competing against each other;

listen to it.

instead, let’s start supporting one another, especially in the female aspect. I would like

It might happen that I end up playing the playlist, and it’s not what I thought

us to validate ourselves more as artists and produce more.

Focused on showcasing his roots, the Colombian artist reveals his latest material.

‘Wild Arrows’ is a very popular track, the lyrics are incredibly cool and sung by Jose Caraballo, a great singer from Venezuela which makes the song more powerful. The song is a moment at the party where you see a really beautiful person on the dance floor and the feelings it conveys.

- SEBASTIAN CUESTA -

The Producer Sebastian Cuesta presents his latest material ‘Wild Arrows’ ft.

José Caraballo, an emotional piece with Melodic Techno notes, released on September 27th, through Dirty Talk Recordings.

Known for his infectious sounds, Colombian Sebastian Cuesta releases his new single ‘Wild Arrows’ ft. José Caraballo, combining catchy vocal fragments with masterful arrangements and an addictive bassline, the beats strike the perfect balance between emotion and power; adding another track to his selection of unique releases and his live sets with an immersive experience that fuses the groove and intensity of Afro, Melodic and Tribal elements.

With Colombian vibe, the producer has a Radio Show called Harmonic Session, he presents a careful selection of Afro House and Melodic Techno sounds, two genres with the aim of transmitting feelings of joy and evoking happy memories in each of his sessions.

Sebastian Cuesta is a DJ and Producer from Bogotá, Colombia, with roots in Afro House, Melodic Techno and Progressive House. Since he was a child, music has been the soundtrack of his life and he continues to explore new and vibrant musical adventures, establishing himself as an excellent producer with several tracks that have made his mark on success across borders.

His enormous talent has already led him to perform in several iconic places such as the Salt Mines in Colombia and the Club Octava, ranked among the 100 best by the renowned electronic music magazine DJ Mag. In addition, he recently went on an electrifying tour of Mexico, with performances in Puebla and Mexico City that did not leave the audience indifferent.

Sebastian has released numerous tracks under several international record labels such as ‘Ethernal’ (Argentina) with his catchy song ‘So Easy’ and on ‘Bedroom Muzik’ (USA) with the song ‘About Me’. He has also collaborated with prestigious labels such as Natura Viva, Balkan Nomads and Cr2.

H o w d your

i

d

early

experiences with guitar

and

piano

influence the futuristic and

dark

developed

Saga

an

you’ve

electronic

music producer?

a . k . a .

Sebastian

as

style

Alcántara

is

a

DJ/Producer from Lima, Peru. A musician

From my first encounters with guitar

since his childhood, Saga learned to play

and piano, I always aimed to create

the guitar and piano from a very young age.

something beyond the conventional, exploring the textures and emotions

Influenced by rock, metal, and rap, his musical

that sounds could convey. These

journey led him to hidden and powerful fusion

instruments taught me to think in

compositions rooted in his musical taste.

layers, about how chords and melodies can generate complex atmospheres.

This

must-hear

artist

brings

us

his

tunes,

That approach led me to bring those

characterized by great grooves, enveloping

ideas into the electronic world, where

basslines, deep synths, and a musical style

synthesizers

and

strongly marked by House music.

extensions

of

compositions

and

eclectic

effects that

became

exploration.

The darkness in my music comes from

Speaking of your early sets, do you

that same curiosity, wanting to create

remember a track that defined your love

atmospheres that captivate the listener,

for the deep grooves and basslines that

immersing them in a sonic journey.

characterize your style today?

Additionally, learning piano has been a crucial tool for much of the creative

One track that has always held a special

process when composing in this genre.

place for me is “Touch Me” by Haris and Dino Dvornik. It has that unmistakable

Your background in rap and rock is

groove where the bassline and rhythmic

fascinating. How do you fuse those

elements blend perfectly to create a

influences

hypnotic atmosphere. Every time I hear it,

with

house

and

other

electronic genres in your productions?

I’m fascinated by how timeless groove can be. It also taught me a key mantra: less is

Rap and rock gave me a solid rhythmic

more.

foundation, a sense of groove and energy that I always try to bring into my tracks. In

What do you aim to convey with that

my productions, I often use many elements

hypnotic atmosphere you create in your

from hip-hop, like crunchy drums and

sets? Is it a reflection of any personal or

heavy basslines, which create a hypnotic

emotional experience?

progression in house.

Definitely, it reflects my own emotional Rock, on the other hand, taught me how

and personal journey, how I feel during

to use tension, something I incorporate

the gig. The atmosphere in my sets aims

through subtle transitions and dynamic

to transport listeners while generating

changes in my tracks. It’s a natural fusion,

enough energy to keep them in a mental

where both influences flow effortlessly

space where time seems to stop, and

into each other.

music is the only thing that connects them.

While dancing is essential, I also try to create harmony that helps people disconnect from the routine.

If you could go back to those long

Your use of classic hip-hop vocals in

hours on the dance floor that defined

your tracks is quite distinctive. What

your connection with electronic music,

draws you to this genre to incorporate

what advice would you give yourself at

it into your cutting-edge approach to

that moment?

electronic music?

I would tell myself to keep exploring

Hip-hop is a culture that continues to

without limits. Those nights of dancing

be part of my life. Classic vocals add a

are just the beginning; music has the

visceral feeling that contrasts well with

power to take you to fascinating places

the more polished textures of house.

and emotions. Curiosity and openness are your best allies. Allow yourself to feel

When I use vocals from rap anthems, it

and experiment with every subgenre.

feels extraordinary how a story can

be

decontextualized

In your productions, do you prefer to

and create an entirely new

keep a structured process, or do you

atmosphere.

let inspiration and improvisation guide

of paying homage to my

the way? Any rituals before entering

roots while continuing to

the studio?

push the boundaries of my

It’s

a

way

own sound.

I like to think of the studio as a space improvisation

With the evolution of your

coexist. Sometimes I start with a clear

sound over the years, how

idea, inspired by something I saw or

do you think your vision of

heard, but I let improvisation lead me to

house has transformed,

express that vision. I don’t overthink my

and where do you

tracks; if it flows, great, if not, it wasn’t

see the scene

the right time.

heading?

I don’t have any particular rituals, but I

I now focus

like to create basslines standing up, to

more

feel if the bass is deep and groovy. If I’m

refining

already dancing, it’s ready.

my

where

structure

and

on cuts,

aiming for a more minimalist and detailed

returning to that more lyrical side in

sound. At first, I would fill my tracks with

your current projects?

many elements, but over time I learned that less is more. Space is as important as

I still carry hip-hop with me. I’m still

sound, and it’s that balance that creates

making beats and writing tracks, often

something harmonious. As for the scene,

getting together with friends from my

I think house and its deeper variations

neighborhood to make music. Rap will

are gaining more ground. I see many

be with me until the end of time.

artists searching for a more sophisticated sound.

The idea is always there. However, now I’m more focused on minimal production

For me, the scene is moving toward

and devote more time to that. But it’s

a

very likely you’ll see some projects or

direction

where

quality

and

immersion matter, though there

collaborations in my beloved hip-hop.

are still some who prioritize business over music. However,

How do you balance your musical roots

I know that people are tuning

with the need to constantly innovate

their

within the electronic scene?

ears,

seeking

higher

quality for both the dance floor and their personal experience.

I think the key is to stay true to your roots without getting boxed in. There’s always

As someone who started in rap,

a line that connects who I am with who

both as a beatmaker and

I want to become. Innovation doesn’t

lyricist,

have

mean leaving your roots behind; on the

you

ever

contrary, it’s using those foundations to

thought

build something new. In the end, it’s me

about

versus myself. I just aim to be better and surpass myself in all aspects, musically and in life.

Ertan Koculu and TRXPS come together to deliver an electrifying new track, “Angel Dust”, that redefines the essence of Progressive House. This collaboration showcases a harmonious blend of intricate melodies and driving beats, creating an uplifting atmosphere that draws listeners in. With ethereal vocals and mesmerizing synths, “Angel Dust” takes you on a euphoric journey, perfect for late-night dance floors or intimate listening sessions. Experience the magic as these two talented DJs weave a soundscape that elevates the spirit and ignites the imagination, making this track a standout addition to any set.

The Planetarium of the Casa de las Ciencias, Domus, Fundación Luis Seoane x Son Estrella Galicia, and Sala O Tunel will host the sound and visual proposals for the tenth edition of the festival, which will take place from December 2 to 7.

Ten years of strengthening the most stimulating aspect of electronic music, ten years of betting on the most avant-garde sound, and ten years of tirelessly working to offer a different way of building a music event. Fanzine Fest has earned its place as an essential event, establishing the city of A Coruña as a reference point in club culture. To demonstrate this, it will celebrate its tenth edition from December 2 to 7 at the Casa de las Ciencias, Domus, Fundación Luis Seoane x Son Estrella Galicia, and Sala O Tunel.

For such a special anniversary, Fanzine Fest will feature international figures like Convextion, Tasha, Headless Horseman, Umwelt, and Ben Pest. An eclectic lineup that will present a heterogeneous and current vision of musical avant-garde, while not neglecting the local and Galician scene. This year’s lineup includes names like Death Whistle, Synth Alien, Baldo, Phasic 18, Cintia Martís, Boneco, Huma & Urok, EME-SX, Lefrenk, DJ Sith, Robot City, Aural Space, Roi, The Panic Room, and Fake Robotique.

The event will also feature pieces from the audiovisual projects section FPS-BPM, curated once again by Juan Lesta and Maria Nunez, along with open workshops for all audiences organized by Fundación Luis Seoane x Son Estrella Galicia.

Fanzine Fest will kick off its programming on...

At the Planetarium of the Casa de las Ciencias, the new AV live set by the galician duo Synth Alien & Baldo, specially prepared for the occasion, will mark the inaugural day.

The activity will move to Domus, where a new edition of FPS-BPM will take place, featuring authors presenting their music videos and audiovisual creations.

At the Casa del Hombre, two very special concerts will be held: one featuring the Asturian artist Okkre, a significant reference in the national scene, who will debut a visual collaboration by The Panic Room. Okkre will present NOISEA, a piece inspired by the therapeutic impact of the noise frequencies generated by urban beaches on the residents of those cities.

The second act of the day will be performed by Death Whistle. The artist from Viveiro, on his fourth visit to Fanzine Fest, will present ‘Alter’: An alteration of time that sometimes traverses luminous spaces filled with air and spirituality, and at other times moves through dark, broken, and unsettling landscapes.

The “Fundación Luis Seoane x Son Estrella Galicia” will take the reins of the festival and will serve as the official venue for three days. During this time, there will be a series of DJ sets and live performances by artists from the local, national, and international scenes.

On the first day, the presence of the Basque artist Judy will be highlighted for the first time in Galicia, along with one of the essential names in the national Electro scene, the Madrid-based The Zenobit3.

They will be joined by three representatives of the local scene: Lefrenk, Phasic 18, and EME-SX.

The second day will be a marathon, starting in the morning and concluding at midnight. The schedule includes workshops, talks, and 9 musical shows, 4 of which will feature Galician artists: Roi, Boneco, DJ Sith, and Robot City. A highlight of the day will be the presence of one of the leading figures in the scene in recent years: the French artist Umwelt, an experienced DJ and producer from the rave and underground techno scenes of the 90s.

The lineup for the day will be completed by the young Madrilenian Luska, the León-based Hüugen, the Londoner of Coruña origin Lex G, and the Colombian based in Galicia, WG83.

The third act will kick off in the morning with a lineup led by the live performance of British artist Ben Pest.

Accompanying him will be the Portuguese duo Ruuar, the Málaga-based Raphlex, and representing the Galician scene will be Cintia Martís, Fake Robotique, and Aural Space.

On Saturday night, the festival will conclude with a grand finale at Sala O Tunel. The lineup highlights the presence of renowned American producer Convextion, along with Headless Horseman, who will visit Galicia for the first time, and British DJ Tasha.

But they won’t be the only highlights of the day. The lineup will also include Cantabrian artist Robert Cosmic, Andalusian act Irrational Languaje, the León-based duo JX2, and Galician artists Huma & Urok. The visuals will be provided by the Coruña-based Baldo and The Panic Room, along with León’s Mucrovisión.

Tickets are available for purchase through the official festival website

www.fanzinefest.com

Ertan Koculu and NP Project (RU) join forces to deliver an exhilarating remix of DJ NVMVSTE’s “This Is Special”, infused with the vibrant energy of Indie Dance.

This remix reimagines the original, layering infectious grooves and shimmering synths that breathe new life into the track. With a captivating blend of melodic hooks and driving beats, it invites listeners to dance and revel in the moment. The duo expertly crafts an atmosphere that feels both nostalgic and fresh, making “This Is Special” a standout anthem for late-night adventures and sun-soaked gatherings alike. Dive into this dynamic remix and experience the magic as it transforms the familiar into something extraordinary!

With over 30 years in the industry and

It’s a party with a special atmosphere,

being a pillar of the Ibiza scene, how have

where people have fun and dance all night

you managed to stay relevant in a world

with their hands up. That’s what makes

where musical trends are constantly

Pandora special and something you don’t

changing?

see in many clubs on the island.

Honestly, by adapting to them while staying true to my sound. It’s important to stay in tune with new musical trends and adapt them to your own style. Music changes too fast, and you always have to stay on top of things!

Your ‘Pandora’ party has been a constant success at Lío Ibiza. What inspired you to create this concept, and what elements make it different from other experiences on the island?

I had a clear vision for this party from the beginning: it’s all about the music! No dancers, no confetti, no special effects...

studio or during a DJ set. We all learn from each other. For me, it’s been a very gratifying You’ve mentioned in several interviews

evolution and learning experience.

that you focus more on music than visual spectacle during your sets. How has the

I’ve been fortunate to work with Roger

audience responded to this more intimate

Sanchez, Carl Cox, George Morel, DJ Sneak,

and minimalistic approach?

David Morales, Junior Sanchez, Paco Osuna, Alvaro Smart, Joeski... I’ve learned

Very well! We create a connection between

so much from all of them.

the DJ and the audience, making everything more authentic and allowing people to

Ibiza has changed a lot since the

experience it in a special way. In the end,

“golden days.” What aspects of the

music reaches your heart, and that’s what

current scene do you think are

we aim for.

positive, and what do you miss from the more classic era of the island?

Throughout your career, you’ve worked with some of the biggest names in

I think that today’s true clubbers

electronic

How

have

these

are more informed about where to

influenced

your

artistic

go to listen to a DJ. In the world

music.

collaborations evolution?

of electronic music, there’s much more information now, which I

I’ve learned a lot from all my professional collaborations. In the end, each of us has a different perspective, whether it’s in the

think is positive.

What I miss the most is that people used to dance much more than they do now. The problem nowadays is called mobile phones and social media, which have destroyed dancing on the dance floor.

You currently lead the Pandora party with a 22-week residency.

What challenges do you face in keeping the party fresh for such a long period?

First of all, having an incredible team behind everything is essential, and they make it all work. That’s important!

We

always

keep

the

freshness alive because every Saturday is a new experience in every sense. The biggest challenge is ensuring that the audience enjoys themselves, and we know how to do that very well!

In addition to your residencies in Ibiza, you also have a radio show on Los40 Dance. How do you balance your time between live performances and curating music for the media?

Honestly, I set a work schedule for each week, and I take advantage of that time to get into my studio and work on the radio shows, productions, etc.

Technology

has

transformed

electronic

music in many ways. As a DJ who has experienced you

this

adapted

evolution,

your

how

approach

to

have new

technological advances?

It’s quite simple, by adapting to them and doing research. Nowadays, it’s vital to stay updated with new technologies and then apply them to your work. You always have to evolve; otherwise, you’ll fall behind.

The pandemic brought significant challenges for live music. How did this period affect you, and how did you use it to strengthen your artistic approach?

This period was quite tough for the industry, especially here in the Balearic Islands, as we were the last to reopen nightlife.

Honestly, during the pandemic, I focused on studio work. I was lucky enough to do a few gigs in Dubai during that time, which helped me get by.

But frankly, it was a shame that electronic music artists didn’t receive financial aid.

Still, we stayed strong and pushed through!

Looking ahead, what can

Are there any particular

we expect from DJ Oliver

musical

directions

in terms of new releases or

collaborations

projects?

exploring?

you

or are

Honestly, I don’t focus too much

After five years of hard work, we’ve

on the future. I try to live day by day.

created our brand, and now it’s

Right now, I’m focused on my party,

time to launch Pandora Showcase

and once the season ends here in Ibiza,

and throw parties around Spain and

we’ll start doing several Pandora Ibiza tours.

Europe.

Sofía Cristo knew from a very young age that

years

music would be her life and was determined

to

to dedicate herself to it wholeheartedly.

the times while staying true to her

of

experience,

has

evolve

musically

in

managed line

with

essence and setting aside stereotypes.

In

1999,

a

DJ,

spinning

at

in

the

capital,

such

Paladium,

and

Sala

she

began

her the as

journey

as

trendy

clubs

She

Sala

Arena,

playing

Club

Social.

venues and nightclubs in each city, in

has

toured at

the

throughout most

Spain,

emblematic

addition to her summer concerts and Chameleonic

and

indomitable,

Sofía

participation

in

numerous

festivals.

connects with the audience as soon as she steps into the booth, turning an

Currently,

ordinary night into an unforgettable party.

between Remember and Commercial,

her

musical

style

ranges

although she remains connected to Electro This

media-savvy

and

veteran

DJ

of the national scene, with over 20

House, Beatroom, and Future House.

What

inspired

your

I grew up and slowly started listening to

career as a DJ, and what were your

electronic music with friends, following

first

artists I liked. One of my best friends was a DJ

steps

you

in

to

the

start

music

scene?

and said to me, “Why don’t you try DJing?”

Music

has

always

of

connecting

of

my

life,

with

been

with

my

every

special

way stage

The first time I touched some vinyl, I felt

moments.

like I was caressing the music, and that’s when my passion and obsession for DJing

From a very young age, I knew I wanted to

began, dedicating myself to it 100% at just

dedicate myself to something related to

17 years old.

music, but I didn’t know which profession.

What does it mean to have performed

a Madrileña, and it’s my hometown. It has

in

iconic

as

Sala

clubs

in

Madrid,

such

always been said that no one is a prophet

Arena

and

Club

Social?

in their own land, but the truth is that I feel very loved and respected in my city,

Performing anywhere in Madrid, whether

both musically and among people in the

in the capital or other locations, is an honor

industry. I consider myself very fortunate.

and a pleasure because I feel very much like

What challenges have you faced in

connected as if we had known each

staying

electronic

other for a lifetime. We were able to fit

music industry for over two decades?

our ideas together and merge them to

relevant

in

the

create such a beautiful piece of work.

I have faced several challenges on a

How do you select the tracks and remixes

musical level, including the handicap

you decide to include in your sets?

of being a woman and coming from the family I do. However, all of this has

The musical selection for my sets is very

helped me work hard, fight, and show

delicate, and it’s important to know very

how far I’ve come. After 24 years of

well what kind of crowd you are facing,

DJing, I have managed to be on a stage

to have a sense of the booth, and to truly

like

understand what the promoter wants.

Tomorrowland.

Working

under

pressure in very difficult circumstances pushes me to work much harder, with

However, that doesn’t always mean it

more passion, enthusiasm, and tenacity.

aligns with what the people want. I try to know in advance where I will be performing

Can you tell us more about your recent

since I adapt musically to always make a

collaboration

good selection without losing my essence.

with

Bjones

on

the

“Everytime We Touch” cover by Cascada?

I think one of the things that characterizes It has been an honor to have a new

me is that I work with a great team, and

collaboration with Bjones on “Everytime

we do a lot of studio work. Therefore,

We Touch” through her label Arryba Music.

when we make music selections, they are usually our original tracks or remixes we

We are doing a remix, a cover of

create in the studio with love, featuring the

Cascada that has marked both of our

most prominent artists of the moment.

lives. It’s a song that everyone knows on dance floors, everyone sings it, dances

It’s always a matter of essence, musical

to it, and it gives them goosebumps.

taste, and making people dance. I usually come well-prepared, with a plan B for

Additionally, working with Bea (Bjones)

whatever might happen, but the best plan

is an absolute delight because she has

is always to bring your own studio sound.

a very beautiful and delicate musical taste. From the very first moment, we

What

has

your

How

do

you

prepare

for

your

live

experience been like performing at

performances,

major festivals and events like the ‘De

do you consider essential to offer an

Vuelta en Vuelta’ party in Vall d’Uixó?

unforgettable experience to the audience?

DJing

To provide an unforgettable experience

at

any

festival

is

extremely

and

what

elements

important to me, and I try to give it

for

my all. If I get invited back, that’s even

very clear that you can’t just DJ for

better. Right now, what excites me the

yourself;

the

audience, you

you

have

to

have DJ

to

for

be

them.

most and where my focus is directed is Tomorrowland. I want to deliver a

This motivates my inspiration for music

perfect set, make my country, Spain,

and my team’s work because I not only

extremely proud of me, and leave a

have to play music I like but also seek and

mark in Belgium so that I can return.

achieve a sound that I enjoy, without losing

I plan to give it everything I’ve got

my essence. I shape it in the production

and

studio to ensure that sound fits with

prepare

something

incredible.

those songs, allowing people to enjoy it.

What

aspects

of

your

DJ

career

have brought you the most personal

What

and

in mind to continue innovating and

professional

satisfaction?

future

evolving

in

projects your

do

you

musical

have

career?

I believe that, as an artist, the most important thing is to connect with the

Our

current

audience, to know what they need at all

on

Tomorrowland

and

times. The greatest satisfaction for an artist

on

continuing

collaborate

is to see and feel that people go home happy,

important artists like Ladilla Rusa, as

that it wasn’t just another night out. I try to

we have our track with them coming

make sure they remember that night for

out soon, as well as IZAL, Mónica

the music and the feelings it evoked while

Naranjo,

projects to

Marlena,

and

are

focused especially

many

with

more.

they were with friends, their partner, etc.

The basic project of my life is to never I also have the privilege of doing what I

stop working, creating, and making

truly love. I’ve fulfilled my dream of working

music so that I can keep DJing and

in

that festivals continue wanting me to

something

I’m

passionate

about,

waking up every day and feeling lucky to have a job that fulfills me in every sense.

participate! That’s my life project.

Dive into the enchanting world

of

Kimmy

Baxter’s

latest release, “The Jungle Of Dreams In My Head”.

This

Progressive

House

track

seamlessly

blends

lush melodies with deep, pulsating rhythms, creating an

immersive

auditory

experience. From the very first

note,

transported

listeners to

a

are

vibrant

soundscape where ethereal synths

intertwine

with

hypnotic basslines, evoking the

feeling

of

wandering

through a surreal jungle of sound.

As the track unfolds, intricate layers build upon one another, drawing you deeper into a dreamlike state. The dynamic drops and uplifting crescendos keep the energy flowing, making it perfect for both the dance floor and introspective moments. Kimmy’s signature style shines through, balancing euphoric highs with reflective passages that resonate long after the last beat fades.

Get ready to lose yourself in “The Jungle Of Dreams In My Head”, where every listen is a new adventure in sound.

One of the sensations of the Portuguese scene and two emerging talents present an energetic and vibrant track on one of the most prominent labels in the hard techno world.

Ornella Luz is currently one of the best artists in the electronic music scene in Portugal. The Portuguese DJ and producer kicked off her career in 2019 and from there she hasn’t stopped rising. She describes herself as a ‘Hard Techno Dealer’, and where she feels most comfortable is with fast and aggressive beats, especially the schranz sound that is so present lately in the scene. Although, it is very versatile and handles well with all the rhythms that surround the hard techno we know today, proof of this is this track produced in neorave style.

Her last production “Rave Rage” is a track that maintains the essence of the artist at the level of intensity. Although, it is by no means a track that bets on a single sound. The combination with the Portuguese duo Dimension 9 and the capacity of going over boundaries of the artist give us a really complete production that fits perfectly with Rave Alert sound.

Beginning and ending with the same beat, accelerated and linear, a kick with an acid touch. As soon as the beat starts other kicks of other kinds are added as well as different types of vocals. In this way, in the first minute of the track have already appeared a bass, synthesizers and metallic beats that converge in the first drop. A drop that is not recreated much since, the accelerated rhythm ends hiddin it just when it is at the highest point. The track is still fast but, in the middle it changes influences.

The heaviest hard techno is replaced by a neorave sound with touches even of psy that come together again in the same drop but with a different previous construction. Finally, a quiet oriental vocal gives way to the kick we heard at the beginning for the track to die abruptly.

Undoubtedly, “Rage Rave” by Ornella with Dimension 9, is a sensory journey through hard and psy techno and is perfect to mix at the beginning of energetic sessions or to close other more melodic ones.

Regarding Ornella as a prodecer we could talk about ‘Anurb’, ‘Wrong reality’ o ‘Airplane Mode’ . Tracks that have been support by the biggest artist of the scene such as I Hate Models, Charlie Sparks, Le Ann Roberts o Farrago in venues like Monegros, TerminalVFest o Gotec Club. Moreover, we have her biggest hit. ‘C U in Hell’ a track published Vermillontrax, Farrago´s label and which has been heard at Exhale events as well as in Tomorrowland.

SONG

ARTIST

Talking about her trajectory se has plated in all the biggest clubs of Portugal like Ministerium or Hard Club.Besides being a regular on Sound Waves and had participated in Verknipt´s takeover with this festival.

She also has conquered spanish hearts and ears in Fabrik (CODE) or in A Summer Story. In addition of collaborating with Blackworks in Brooklyn, USA. Finally she has also played in France Origins festival at Dieze Warehouse.

But, her biggest project will be at home the next 11 October in Lisbon where she will host her own event Ornella Invites. A show that will start at Disaster Club with the presence of the mythical duo of schranz Svetec and O.B.I and will aim to expand throughout Europe.

Based in the Canary Islands, Spain, The

His work has also gained media

young DJ and producer is bringing his

recognition from brands like EarWaxx

unique sounds to the House music

and two radio show residencies on

scene. Deep, minimal, and groovy

the iconic Ibiza stations, “Ibiza Club

sounds are what this talented DJ

Radio” and “Ibiza Stardust Radio”.

crafts to produce his versatile style.

As for his own work, this year he starts Releasing

like

his own record label Bela Grooves

Whoyostro, Rawsome Deep, House

together with the English DJ and

Cookin, and G-Mafia, among others,

producer Patrick Zak.

has

His EP “Never Meant 2 Be” with

earned

with

him

big

labels

recognition

and

support from bigger names in the

Rawsome

scene such as Riva Starr, Marco

international

Carola, Melanie Ribbe, MADVILLA,

the top 100 tracks of Beatport in the

Candidate, Evie UK, LondonGround,

Minimal/Deep Tech genre. Despite his

Parker, Sweeney, GRECO (NYC), Mihai

short career he has played both locally

Popoviciu and Darles Flow amongst

and

others.

venues such as Papagayo Tenerife,

Deep

made

chart

internationally

his

appearance

in

first in

renowned

Hidden Manchester and Ramona.

You’ve released music on some pretty

label. Some of the biggest names in

important labels. How do you feel your

the genre, like Kolter, Archie Hamilton,

sound has evolved since your first

Kreech, Nas Elmes, George Smeddles,

release, and what are some milestones

and more, have been there. But the truth

you’re particularly proud of?

is, the EP exceeded my expectations, both in sales and streams. I never

Well,

at

the

beginning,

I

started

expected to get over 100,000 streams

producing a much drier tech house

across all platforms, even though both

sound, nothing like what I do now. It

tracks

was just a few months after I started as a

imagined it in my wildest dreams, but

DJ. One night, I went out to a club near

sometimes dreams come true! As for

where I worked, and the DJ was playing

Beatport... it was crazy to see my EP in

more housey and deep tracks. That’s

the charts for two weeks across all the

when I first heard the sound of artists

minimal deep tech charts. It sold really

like Kolter or DJ Steaw, and I was really

well, and I heard my tracks on various

blown away by the style. I went back to

podcasts, shows, and clubs. I’m sure this

my studio and found Kolter’s “Hooked

will happen again soon with the new

on You,” a track that would completely

tracks I’m releasing towards the end of

change my approach to music selection

this year and into 2025.

are

catchy—I

couldn’t

have

and production. That’s how I began to evolve, finding a genre and sound

With the creation of your new label,

I could fully identify with. Thanks to

Bela Grooves, what are your long-term

that, today I’m working with one of my

visions for it? Are there any upcoming

favorite labels, Rawsome Deep, where

releases you’re particularly excited

I’ve signed what is possibly my best EP

about?

so far, “Never Meant 2 Be,” an EP that has opened many doors for me in terms

As I said when I started this project, my

of new projects and DJing opportunities

goal is to give visibility to new talents as

in different venues.

well as established names in the scene, ensuring continuous growth of the

Your EP “Never Meant 2 Be” made it

label in terms of releases. Regarding

into Beatport’s Minimal/Deep Tech

events, we recently launched our debut

top 100—did you expect that kind of

in one of the most important venues in

response, and how did it feel seeing

Manchester, Hidden, which is in the Top

your name on that chart?

10 of DJ Mag UK.

Honestly, I expected the EP to be well-

For Patrick and me, it was a huge

received since Rawsome Deep is a great

challenge because of everything

watch

what

i nvo l ve d

the DJs before you are playing and

in launching your first event—

figure out what works and what doesn’t—

booking

the audience is king. People know what

DJs, handling relations with the

they want, and we’re just feeding the

venue, and so on. But in the end,

dancefloor with music, but they feed us

you have to push yourself and give

with their energy. Without that energy,

it your all, because, as they say, “you

there’s no dancefloor. So, I always try to

have to risk it to win.” It went better

balance giving the crowd what they want

than expected; we sold 175 out of

while keeping my own style and touch

200 tickets, almost a sold-out on our

that defines me.

managing

promotion,

first edition. It was incredible, not just for the success but for the people—

You’ve played internationally in places

seeing a packed venue for your own

like Hidden Manchester and Papagayo

event tells you that you’re doing

Tenerife. Do you approach your sets

things right, and that fills me with

differently when playing at home versus

pride and energy to keep pushing

abroad?

forward with my career.

As I mentioned earlier, every place, and As for releases, we’re wrapping up

even every club, works differently. You

some EPs from emerging artists for the

always have to adapt to the audience

remainder of the year. There’s some

in front of you, within limits, and always

great music ahead!

respecting your style and personality as an artist. For example, when I played in

Your sets are known for being deep,

the UK at Hidden, I leaned more into the

minimalist, and groovy. How do you

“British sound,” using more tracks with

balance these elements while keeping

the signature reese bass of UK garage, or

your audience engaged throughout

tracks with recognizable hip-hop acapellas

your performance?

that the British audience loves.

When creating a set, I always like to

This strikes a balance between keeping my

prepare a list of tracks based on the

style, as I also use a lot of UK 2-step drums

audience I might encounter, with several

and have tracks with hip-hop vocals, some

options available for the night since it’s not

unreleased. I really enjoy blending house

the same to play in Tenerife as it is in the

and 90s hip-hop. For the Spanish crowd,

UK, for example.

I might mix in some Latin acapellas or more percussive beats, or even a version of

The key is analyzing your crowd

a classic track more familiar to them. As I

once you arrive at the venue. You

said, it all depends on the venue and the

crowd—at Papagayo, for example, the

meet people like that in the music world.

crowd is very diverse and international,

The fact that an edit I made opened so

so I can play with both styles, and I love

many doors and introduced me to new

that.

friends and partners is just crazy—I never imagined it.

How did your collaboration with Patrick Zak for Bela Grooves come about, and

Your edits of tracks like “Gypsy Woman”

what makes this partnership special in

have caught the attention of big names

terms of creative chemistry?

like Riva Starr and Mihai Popoviciu. How do you decide which songs to rework,

Patrick and I have known each other for a

and what’s your process for giving them

few months now. He reached out via DM,

your own style?

saying he had done a deep house set on his YouTube channel and had used my

Yes, “Gypsy Woman” was my first big

track “Gypsy Woman” in his set, which

track in the scene. I was in Amsterdam

had over a million views. Of course, I was

last year on vacation when my edit had

blown away—”Gypsy Woman” was my

just come out, and I got a message in my

first edit recognized by top DJs, but I had

SoundCloud inbox from none other than

no idea it was part of a session with over

Riva Starr, asking for a copy of the track.

a million views! We started talking, and

Of course... who would say no to that? I

I sent him more of my music. He began

had to go to an internet café since I didn’t

to consistently support me by using my

have my laptop with me, and I sent him

tracks in his sets, giving me visibility. We

the track, hahaha! But it paid off because,

exchanged phone numbers, and one day

weeks later, he sent me a video of him

around February, he invited me to come

playing the track at a Glitterbox event in

to Manchester to DJ with him.

Pacha Ibiza—just another level.

We organized everything, got in touch

Honestly, “Gypsy Woman” is one of the

with the promoter of Hidden, and the

iconic tracks of house music. Who doesn’t

rest is history. As for chemistry, it’s been

know it? That’s why I decided to give it a

great—we both play to our strengths. If

deep twist. It was actually my first release

Patrick is better at something, he handles

in my new style, marking my transition

it, and if I’m better at something, I take

from making generic stuff to producing

care of it. We’ve never had any problems;

something that truly represented my

we always help each other and offer

own sound. It’s the track I’m most

mutual advice to improve things. With

attached to because of what it means to

mutual effort, everything has worked

me—it’s definitely the one that opened

out the way we wanted. Patrick is a great

all the doors to a new world.

friend of mine now, and it’s really special to

With residencies at iconic Ibiza

Your debut Bela Grooves event

radio

do

at Hidden Manchester was a

you think radio still plays in

huge success. What were the key

the

music

elements that made that night

scene, especially with the rise of

special, and how do you plan to

streaming platforms?

keep that momentum going for

stations, current

what

role

electronic

future events?

I think radio has lost some of its strength if you compare it to how

The main one responsible for the

it was just 10 years ago—digital

success is Patrick, haha! It was our

streaming has taken over, that’s just

first event, and although I helped

how it is. But there are still people

with

who tune into radio or platforms

things, Patrick played a bigger role

like SoundCloud or Mixcloud to

in making the event happen. The

listen to their favorite DJ’s sets. You

vibe of the event was incredible;

can’t do that on Spotify or Apple

we made sure everything went

Music. So, I believe that, within

smoothly from the very beginning,

certain genres and markets, radio

with a clear promotional strategy,

consumption is still alive, especially

connecting with the venue, and of

when

recognized

course, playing the music we both

artists’ sets. Maybe radio is evolving

love. But as I mentioned before, the

into more of an audiovisual format,

true key to success was the energy

with live video sessions becoming

of the crowd. Hidden is a very

more popular now.

well-known club in Manchester,

it

comes

to

managing

and

arranging

and people there expect a highWe’ve seen this with some of the

quality musical experience, which

biggest DJs in the industry, and it’s

we made sure to deliver. To keep

been very well-received. In a world

the momentum going, we plan on

full of instant access to almost

organizing more events, not only

everything,

formats

in the UK but also in other cities

take a backseat. Still, as long as

where we have growing support.

radio adapts its content, it won’t

We’re already planning our next

disappear—there will always be

big event, and we’re confident it

people who want to listen to their

will be just as special as the first

favorite podcast or DJ.

one!

traditional

Martin Garrix has been reviving his aliases and now, under his pseudonym Ytram, he teams up with LADANZA to release the electrifying new track “The Game”.

Premiered during Garrix’s iconic set at the RAI in Amsterdam in 2023, the song immediately caught the attention of fans but has remained under wraps... until now.

“The Game” is a fresh and dynamic addition to Ytram’s catalog, with LADANZA’s captivating vocals perfectly complementing the deep, bass-filled sound. This release marks another exciting chapter in the revival of Garrix’s aliases, and there could be more to come.

Domingueros December and,

of

lands

at

the

IFEMA

an

unmissable

14th.

This

is

course,

for

the

thousands

MADRID of

event

Fairgrounds

on

for

music

followers

electronic of

this

Saturday,

iconic

lovers session.

Following its last event on May 12th at the majestic Santiago Bernabéu Stadium, the yellow car brand returns to action in a unique location where it will once again present a top-level production at the IFEMA MADRID Fairgrounds. On Saturday, December 14th, electronic music will take center stage in a new installment of Domingueros, closing the 2024 season with a spectacular lineup and stage production on a single Saturday night.

Domingueros at

the

of

many

will

offer

a

space

designed

for

IFEMA

Madrid

Fairgrounds,

featuring

top

artists

from

international

the

this a

new

event

dizzying

lineup

electronic

scene.

The most anticipated performance will surely be that of the German Ben Böhmer.

The young genius doesn’t perform often, and this will be his only appearance in 2024 in Madrid. After succeeding at this year’s SONAR, Ben will delight all attendees at Domingueros with his inspirational melodic house. Based in Berlin, he has built his career by releasing music on labels such as Ninja Tune, Keller Records, and Cercle Music. The German artist has experienced a meteoric rise in the circuit with his original style that fuses atmospheric sounds with synthesizers and intense melodies that succeed every time he takes the stage.

Despite his youth, Colyn has become a top-level artist due to his involvement in the Afterlife project by

Ben Tale of Us, which supported his sound from its inception to the release of “Resolve.”

Böhmer, Colyn, George His ascent will make Fitzgerald y Colyn’s set one of the explosive Massano star in this event at the IFEMA MADRID Fairgrounds

moments

at

Domingueros

the

IFEMA

MADRID

The

Englishman

at

Fairgrounds.

George

Fitzgerald

began his career as a DJ and producer in 2010 when he moved to Berlin. Known for having a unique voice in the electronic scene, he blends pop sounds with more progressive dance floor-focused sounds.

A regular collaborator with labels such as Domino and Double Six Records, this will be his first time at Domingueros.

Closing the show will be Massano.

The English artist has experienced exponential growth in recent years, climbing the Beatport charts and receiving support from top names in the circuit, releasing music on platforms like Drumcode and Afterlife.

Additionally, Massano will be presenting his new EP “Healing,” released very recently in collaboration with Stephan Bodzin, another emblem of the currently trendy sound. Therefore, the English artist is a name to watch for in 2024, and

it’s a great opportunity to enjoy his set at Domingueros this coming December.

The performances of Support and Scram B2B VAVA complete the lineup for this new Domingueros event at the IFEMA MADRID Fairgrounds on December 14th.

Domingueros was born in 2019, designed for large-format events, with top-tier programming accompanied by a unique stage setup and the conquest of the trendiest spaces in the capital, such as the Mad Beach venue in Casa de Campo, the Las Ventas Bullring, the Fuencarral Drivein, and the Santiago Bernabéu Stadium.

This new brand concept, allied with electronic

music,

has

Sundays

in

capital,

the

revolutionized featuring

top international artists like Artbat, Camelphat, Vintage Culture, Deborah De Luca, Nic Fanciulli, Erick Morillo, and Dennis Cruz, among many others.

The last installment sold out at the Santiago Bernabéu Stadium last May in collaboration with the Upperground label.

This rising star is making waves in the electronic music scene with her original and captivating interpretation. Lola Bozzano is a pianist, composer, producer, singer, and DJ, performing a dynamic HYBRID set of electronic music in a mesmerizing and stimulating show.

Lola’s debut EP features two captivating tracks. ‘Eternity’ is a brilliant track that showcases Lola’s melodic and vocal prowess, with a great rhythm and beautiful vocal arrangements. This track is sure to captivate dance floors with its emotional energy and irresistible flow.

Lola’s musical style is rooted in the piano, voice, and a blend of solid deep techno and melodic sounds in a continuous crescendo, proving her unwavering and limitless talent, as well as being a strong example of her conservatory-trained musical roots.

“Tango” is a vibrant blend of Lola’s Spanish roots and her love for electronic music. It is an electrifying track that highlights Lola’s passion for merging diverse musical influences with a fresh electronic touch.