No. 35 - Roger Sanchez - English

No. 35 · MAY 2025

MANAGEMENT MAY OUTEIRAL INTERNATIONAL JUANJO BLANCO FRONT PAGE, ART DIRECTION AND LAYOUT NEREA CARRIÓN EDITORS MAY OUTEIRAL NEREA CARRIÓN COLLABORATOR BEEPDMUSIC LM PR ZENO.FM CONTACT info@syncbeatmag.eu WEB www.syncbeatmag.eu

The opinions expressed in this interview belong solely to the artist and do not necessarily reflect the views of SYNC BEAT MAGAZINE. At SYNC BEAT MAGAZINE, we promote freedom of expression and open dialogue, but we are not responsible for the statements made by the interviewees.

AARON SEVILLA

CHRIS DAMON

ERTAN KOCULU .............................................. PAGE 1

MAH BOD ......................................................... PAGE 33

ENGIN ÖZTÜRK................................................ PAGE 7

E. KOCULU, DIANELLA & MUZA ....... PAGE 47

FABRIZIO MARRA........................................ PAGE 15

KAPPA FESTIVAL ................................... PAGE 23

MUSIC ON .................................................. PAGE 35

FATIMA HAJJI INVITES ....................... PAGE 25

SOUND WAVES ..................................... PAGE 43

ERTAN KOCULU presenta Nutuk

A sonic journey between Atatürk’s legacy and the forefront of Melodic Techno Ertan Koculu releases his new track “Nutuk”, a powerful Melodic House and Techno production inspired by the famous speech of Mustafa Kemal Atatürk, the founder of modern Turkey.

The track is a sonic tribute that blends emotional melodies, intense rhythms, and deep historical significance, conveying values such as resilience, transformation, and national pride.

With an immersive production, “Nutuk” invites listeners to reflect on unity and cultural legacy within the contemporary context.

The track has been available on streaming platforms since April 23rd and represents another example of Koculu’s artistic commitment to meaningful and profound electronic music.

“Nutuk” is not just music—it’s a heartfelt tribute that culminates with a powerful message: “Ne Mutlu Türküm Diyene”

DJ, producer and founder of Afrodise Aaron Sevilla has established himself as the most influential figure in Afro House worldwide.

His sound—defined by tribal rhythms, immersive percussion, and a spiritual energy that transcends the dance floor—has topped the charts on Beatport and Traxsource, and echoed across world-class stages like Ultra Music Festival, Burning Man, and Untold.

In 2025, Sevilla cements his status with residencies at electronic music temples such as Cova Santa (Ibiza) and Cavo Paradiso (Mykonos), while also championing emerging talent through his labels: Afrodise, Pulse Wave and Sunset Gathering. We spoke with him about the rise of Afro House, his plans for the summer, and the future of his global project.

Aaron, the I’m

how

are

international really

you

rise

happy

to

of

experiencing

This

Afro

Tomorrowland this

date

can

people

see

House?

how

this

movement, which I joined a few years ago, has now reached a global scale.

It’s great news not just for artists in the genre, but also because it’s attracting new audiences who previously weren’t drawn to electronic music. It’s opening doors, breaking barriers, and connecting cultures.

Since when have you been producing Afro House, and what drew you to the genre?

Since by

2019, tribal

I’ve

been

fascinated

rhythms

and

percussion.

These elements allow me to create a connection with the dance floor in a very organic and emotional way. I was captivated by the balance between rhythmic strength and the spirituality the music conveys.

summer,

you’re

part of

the

line-up.

What

does

to

you,

and

what

expect

from

your

set?

mean

Playing at the most important festival in the world is a dream come true. It’s a huge responsibility, and at the same time,

an

my

sound

on

I’m

very

grateful

deliver

opportunity

a

a

to

showcase

massive

platform.

and

unique

ready

to

experience.

As the founder of Afrodise, you also work with emerging talent. What do you

look

for

in

up-and-coming

DJs?

First and foremost, that they truly love music. That passion is irreplaceable. Then, I really value whether they produce tracks that inspire me to play them, or if their sets convey something genuine. It’s not all about technique—emotional connection is key.

You’ve created Sunset Gathering, a

another in August—and I’ll also be

radio show broadcast on Sync Beat

performing

Radio. How do you select the artists,

Additionally,

we’re

launching

and what philosophy drives the show?

the

Afrodise

residency

at

new

alongside

Amnesia

Moots

at

in

August.

Cova

Santa.

The goal of the show is to give visibility to the music from our labels. We put a

I’m really excited about what we’re

lot of care into curating each episode,

building

in

Ibiza

this

summer.

projects

are

on

ensuring it reflects the essence of Afro House with quality and consistency.

What

new

the

horizon? Can we expect new releases?

It’s talent

a

space and

build

to

showcase community.

Yes, there are many releases on the way. We have at least ten tracks

In addition to Tomorrowland, you’ll be

scheduled for the coming months.

playing at iconic venues like Hï Ibiza and Amnesia. What can you tell us in

I’m collaborating with several artists and

advance about those performances?

exploring new fusions within Afro House.

This summer, I have two confirmed

2025 will be a year of consolidation and

dates at Hï Ibiza—one in May and

expansion for the entire Afrodise team.

ENGIN ÖZTÜRK ignites the dance floor with

‘Rhythm Is A Dancer’: Afro House full of soul and energy Engin Öztürk returns with “Rhythm Is A Dancer”, a high-energy Afro House track that blends dynamic percussion, lush synths, and soulful vocals to create a vibrant and immersive musical experience.

The song stands out for its ability to connect with listeners through a fusion of traditional Afro influences and contemporary electronic sounds, further solidifying Öztürk’s reputation as a versatile and emotionally driven producer.

This new release is not just a dance floor anthem—it’s a celebration of music’s power to unite and move people.

FROM THE DJ BOOTH TO THE INDUSTRY A TECH HOUSE VISIONARY MADE IN SPAIN

From has

Ibiza’s built

iconic

a

DJ

career

booths

that

to

blends

international passion,

skill,

stages,

Chris

Damon

and

business

vision.

Founder of the label Strictly Records and creator of trendsetting events, Damon has established himself as a key figure in the Spanish electronic music scene. With a sound that fuses Tech House, Minimal, and Deep Tech, and a consistent presence on the airwaves through his Strictly Radio Show, we spoke with him about his artistic evolution, upcoming projects, and the philosophy that drives his work.

You’ve mentioned that your friend Paco

and produce tracks with a distinct

was a key influence in your early musical

identity. I owe much of that to him.

journey. How do you think that early connection with the piano has shaped your

Strictly Records has become a platform

current approach as a producer and DJ?

for both emerging and established artists. What criteria do you use to select

From my very first steps in music, Paco

new talent, and how do you balance

was a fundamental figure. He was one

your artistic vision with market trends?

of my best friends and a passionate, self-taught pianist. From the moment

At

I saw him play for the first time, when

is always our top priority. It doesn’t

we were just 6 or 7 years old, his love

matter if the artist is well-known or just

for the instrument was contagious.

starting out—what matters is that their

Strictly

Records,

musical

quality

music connects with the label’s identity.

Although

longer

physically

influence

remains

We look for proposals that preserve our

every time I sit in front of a piano,

essence but also bring freshness and

which is still my favorite instrument.

authenticity. While we stay aware of

with

me,

he’s his

no

trends, we don’t let them dictate our Having developed such an intimate

decisions.

connection with music from a young age gave me a unique perspective: I

We prefer to bet on genuine sounds that

don’t just feel music—I understand

convey something real, even if they’re

it. That understanding allows me to

not what’s currently “in.” Our goal is to

create more structured and emotional

build a timeless catalog with a distinct

sets, perform natural harmonic mixes,

character.

Both your tours across Latin America and Asia, as well as your residency at Bora-Bora Ibiza, have been key milestones in your career. What lessons have these experiences taught you, and how have they influenced your style?

Performing in such diverse contexts has been one of the most enriching experiences of my career. Each country, each crowd, each culture has taught me something

different—from

the

overwhelming

energy of Lima, Santiago, or Los Angeles to the intensity of shows in the UAE or Europe.

These experiences have pushed me to be more alert, to better read the audience, and to expand my musical palette. Ibiza, especially my residency at Bora-Bora with Made in Ibiza, was a life school.

It allowed me to truly understand the industry, connect with artists, and grasp the business machinery behind

the

electronic

scene.

You’ve organized events like Strictly LeClub

and

Strictly

Boiler

Edition.

What challenges and rewards do you encounter

when

switching

between

your

as

DJ

promoter?

roles

a

and

Switching mindsets between DJ and promoter isn’t always easy, but it’s been an incredibly formative journey. Although I enjoy performing live or working in the studio more, producing my own events has given me a global vision of the music ecosystem. It has also helped solidify the Strictly brand not just as a record label, but also as an event promoter.

Thanks to that, I’ve had the chance to share the booth with incredible artists like Andrea Oliva,

Deborah

De

Luca,

Nic

Fanciulli,

Viviana

Casanova, Eddie M, and Andres Campo. Creating spaces that bring artists and audiences together is a reward that goes far beyond just playing music.

With a new residency in Malta and appearances at international festivals, how do you prepare to connect with such diverse audiences and musical cultures?

Every

stage

requires

a

different

kind

of

preparation. Playing in a club in Malta is not the same as performing at a festival in Spain or an intimate show in Asia.

I always do prior research on the audience— their energy, their musical culture, how they experience the party. This helps me craft sets that stay true to my artistic identity while also connecting with the local vibe.

For

me,

adapting

doesn’t

mean

changing—it means finding the perfect balance between who I am and what the audience

expects.

Every

performance

is an opportunity to grow as an artist.

Do

you

collaborations

have you

can

any

upcoming

share

with

us?

Yes, there are several exciting collaborations on the way, but one I’m especially excited about is the one I’ve been working on with William Deep.

I consider him one of the best producers in the country—and he’s also a great friend. We’ve been sharing ideas in the studio for a while, and now we finally have a collaboration ready to release.

Beyond the final sound, what I seek

Before submitting a track, I always

with these collaborations is to grow,

make sure it fits their editorial line. It’s

share

experiences,

and

not enough for a song to be good; it has

creating

authentic

music

continue with

soul.

You host the Strictly Radio Show, broadcast on more than 200 stations in places like Tulum, Argentina, and Ibiza. How do you curate the content, and what impact do you hope to have on your audience?

Strictly Radio Show is a natural extension of the label’s philosophy. It allows us to bring our music to places where we haven’t yet performed physically. The music selection follows the same principles as Strictly Records:

to be the right one for that moment and that label. A “no” isn’t always a rejection of the work—sometimes it’s just a matter of timing and perspective.

Looking

ahead,

yourself

within

Right

now,

the

studio,

working

on

in

multiple

signing

with projects

about. One highlight

visibility

is Café, a solo track that will be released

building community

authentic

focused

that I’m really excited

importantly,

global

very

industry?

launching

to our releases and,

a

I’m

music

important labels and

impact in two ways:

by

the

I’m

I aim to make an

more

and

productions that will be released soon.

quality,

giving

personal

professional goals have you set for

identity, and emotion.

by

what

that

electronic

values music—

and

was

on

David

Tort’s

label,

Hotl

Records,

premiered

exclusively

the kind you feel before you hear.

during the Miami Winter Conference.

You’ve worked with labels like Baikonur

Also, New Day, which will come out through

Recordings,

Be

KlapHouse.

What

Records,

and

the Portuguese label Plastic Galaxy, and

differences

do

Shook 2.0, set to be released on Baikonur

you notice when collaborating with

Recordings, accompanied by remixes

various

from artists like Pako Ramirez and Reebs.

labels,

influence

your

One

and

how

creative

does

that

process?

Working with different labels is a rewarding experience that also comes with great responsibility. Each label has its own identity, sonic language, and audience.

The future? I prefer not to obsess over it. My goal is to keep growing artistically and, most of all, to enjoy every step of the journey.

FABRIZIO MARRA presents “Uhuru”

Rhythm, freedom and connection through Afro House His latest Afro House production, masterfully blending tribal percussion, deep basslines, and hypnotic melodies to convey a message of freedom, unity, and cultural celebration.

The title, which means “freedom” in Swahili, captures the essence of the track: an invitation to surrender to the rhythm and connect on a deeper, emotional level through music. With its rich textures and contagious energy, Marra crafts an immersive sonic experience that turns each listen into a powerful emotional and collective journey.

“Uhuru” is not just a dance track—it’s an artistic statement about the unifying power of rhythm.

This month, in our section, we present two artists who have turned collaboration into an explosive formula to create a sound that blends artistic, emotional, and cultural influences.

DJ and producer known for his style that blends Indie Dance, deep house, and electronic music.

He has released music on labels such as Exx Underground, UNCLES MUSIC, and HYPECUE, standing out with tracks like “Back To The Funk” and “No Complications.”

In addition to his original productions, he

“Spreading positive emotions to the audience that’s my mission.”

has

remixes for

the

His

gained of

popularity

classics “Deep

presence

and

Crew on

with

sessions Podcast.”

platforms

like

SoundCloud and Instagram keeps him connected with a growing community of electronic music followers. @alex_yikker

Originally from Russia, both have experienced a meteoric rise in the electronic scene thanks to their versatile approach and unique energy, both in the studio and on stage.

DJ and music producer who blends deep house, Indie Dance, and melodic electronic music, which has allowed him to stand out in the contemporary electronic scene.

He

has

such

as

MUSIC,

released Exx and

music

on

Underground, HYPECUE,

labels

UNCLES

and

is

the

founder of the label Wonders Music.

Among

his

most

notable

collaborations are those with Alex Yikker, with whom he has produced tracks like “Back To The Funk,” “Live Fast,” and “We Won’t Stop.”

He maintains an active presence on platforms like SoundCloud and Instagram, where he shares his productions and remixes. @coldmindmusic

“Music is an emotional bridge: DJing is sharing my essence.”

is an emotional form of expression through electronic music, more than just a job.

Can

you

about

tell

us

your

a

bit

more

background?

Cold Mind: I started DJing at school parties and later at university events. In 2004, I entered the Moscow club scene, playing at venues like Molniya, Veranda, and Solo Café.The following year, I began working at Kapriz DJ Café, and in 2006, I landed a residency at Molniya Club.

Over time, I was invited to the booths of To begin with, could you briefly introduce

renowned clubs like Atlantis and Concord.

yourselves? Tell us where you’re from, any

Alex Yikker: As I mentioned, my beginnings

other details you consider important.

were humble, performing in small venues.

your

favorite

musical

style,

and

Those early experiences helped me grow as Cold Mind: I was born in 1987 in Azerbaijan.

From a young age, I was fascinated by music, especially cassette players, Vega turntables, and my parents’ huge vinyl collection.

Alex Yikker: I’m originally from Rostov-onDon, Russia, but I currently live in Moscow.

Music has always been present in my life.

I

started

performing

and

clubs,

which

the

foundation

in

local

bars

helped

me

build

for

my

career.

an artist and brought me to where I am today.

What motivated you to become DJs? Cold Mind: My passion for House, Italo Disco,

and

Techno

has

always

been

there. Electronic music has been a core part of my taste since the beginning.

Alex Yikker: My path started by chance.

One night I attended a party at a local club, and the energy completely drew me in. I knew then that I wanted to be

Cold Mind & Alex Yikker: We enjoy

part of that world and share positive

experimenting

emotions with people through music.

by

blending

different

genres, from Indie Dance and Melodic Techno to classic House.

We currently perform in various cities across Russia, and for us, being DJs and producers

Who are your main musical influences?

Cold Mind: My influences range from Elvis and The Beatles to Depeche Mode and Kraftwerk.

Back in school, I was already forming

own. The main goal is to make the audience

my musical identity and the desire

feel comfortable and enjoy the experience.

to

share

that

passion

with

others.

Alex Yikker: I’ve been deeply influenced by artists like Carl Cox, Gustavo Bravetti, and Vintage Culture. I admire their ability to create unique atmospheres on the dance floor and connect with the crowd.

How would you describe your musical style?

Cold Mind & Alex Yikker: Our music is a fusion of Indie Dance and Melodic Techno with electronic nuances. We aim to create dynamic and immersive sets, perfect for both daytime and nighttime stages.

Alex

Yikker:

Besides

technical

skills,

it’s crucial to be able to read the crowd,

be

creative,

stay

on

trends,

and

have

some

knowledge

management

and

marketing.

of

top

of

How do you stay updated with the latest

trends

in

electronic

music?

Cold Mind & Alex Yikker: We listen to new releases, closely follow key record labels, and take part in professional communities.

We

also

attend

major

festivals and parties to stay in tune with what’s happening on the global scene.

What are the main challenges you’ve

What strategies do you use to keep the

faced as professional DJs and producers?

audience engaged during your sets?

Cold Mind & Alex Yikker: Consistency

Cold Mind: I try to transmit what I

is key. One of the biggest challenges is

staying

relevant

competitive still

exploring

in

environment a

personal

such

a

while sound.

It’s also essential to find a balance between producing music and performing live.

What skills do you think are essential for a DJ or producer to succeed today?

Cold Mind: A DJ doesn’t just mix tracks, they create emotions, build atmospheres. They can work with other people’s music but also compose their

feel through the music — to build an emotional connection with the audience.

Alex Yikker: I like to create a sonic

management

narrative in every performance. I also

we prepare our sets. We also try to

use visual elements and stay active on

dedicate quality time to our families.

social media to keep in touch with our audience before and after each show.

What

do

you

personally

the

most

about

Cold

Mind:

Seeing

enjoy

How

tasks.

have

influenced

And

at

night,

new

technologies

your

workflow?

DJs?

Cold Mind & Alex Yikker: Technology has

studio

We automate routine tasks and use AI tools

performances?

to generate beats or analyze trends, which

being how

been a great ally.

the

audience reacts to each track and witnessing their emotions from the booth , it’s an indescribable feeling.

Alex Yikker: Knowing that people are

dancing

with

the

and

connecting

music

I

deeply

rewarding.

gives

meaning

You’re

collaborating

create

That’s

to

is

what

everything. with

new

labels. How are you experiencing this moment in your careers?

Cold Mind & Alex Yikker: It’s a very exciting time. Labels don’t just give us visibility, they also allow us to share our ideas with new audiences.

We’re

incredibly

for

these

How

do

your

time

work

and

grateful

opportunities. you

organize between

live

Cold Mind & Alex Yikker: We focus on

production

in

the

mornings.

In

the afternoons, we handle label and

allows us to focus more on the creative side.

What

apart

We also want to launch our own DJ school

artists?

and expand our international presence.

Cold Mind & Alex Yikker: Our ability

We’d love to create an exclusive space

to

where

as

do

DJs

you

think

compared

fuse

genres

sets

to

and

you

other

surprise

the

audience with unexpected transitions.

We

love

experimenting

with

live

performance, making each set unique.

people

musically If

you

what

can

enjoy

enriching involved

would

you

Mind:

relaxed,

environment.

weren’t

Cold

a

in

music,

be

I’ve

doing?

always

been

interested in computer science, although a

I

ended

Master’s

in

up

Law

getting with

a

specialization in Real Estate Law. Nowadays, from

my

that

work

original

is

far

training.

Alex Yikker: I’d probably be an architect or designer.

I’m drawn to professions that allow you

to

create

something

new

and bring beauty into the world.

Any final message for our readers?

Where

would

you

like

to

be

professionally in the next 2 to 4 years?

What goals have you set for this year?

Cold

Mind

&

focused

on

both

together

Alex

producing and

Yikker:

We’re

more

music,

individually.

Cold

Mind:

all

peace

I

wish and

you calm.

Alex Yikker: Music is more than a profession — it’s a way of life. Thanks to everyone who supports me; I hope to keep inspiring through my music.

presents the full lineup for the ‘ART&TECHNO’ experience A renewed proposal for the 2025 edition of the Piedmontese festival The most VIP way to experience Kappa FuturFestival is through the Art & Techno program, which equally blends a passion for art and electronic music during the celebration of the Italian festival. For the twelfth edition of Kappa FuturFestival, the details of its ‘Art & Techno’ program are now available.

Kappa FuturFestival began its journey during the centenary of the Futurism movement—one of the key “isms” that led the transformation of 20th-century artistic language. As the birthplace of this avantgarde movement, Turin holds a special relationship with art, showcased in each edition of Art & Techno by merging it with the cutting-edge electronic music of Kappa FuturFestival. The project honors the cultural heritage of Turin and aims for the international clubbing community that descends upon the city each year to embrace all the art and culture that Turin has to offer, as one of Italy’s cultural capitals.

The ‘Art & Techno’ experience will celebrate its fifth edition in 2025, and the program will include exclusive visits to private collections, artist studios, and various museum spaces and galleries, offering a unique journey of discovery and learning.

This year’s itinerary features visits to the iconic collection of Carlo Mollino—one of the great figures of Piedmontese cultural collecting—with a specially curated selection of works on display in the permanent exhibition at Casa Mollino. Guests will also visit the studio of artist Ernesto Morales and experience the space where his works come to life.

Attendees will have the opportunity to view some of the most impressive private art collections in Turin and enjoy unique experiences such as the Xerjoff Perfume Experience and Peyrano chocolate tastings. In addition, guests will enjoy traditional Piedmontese lunches in some of the city’s most historic and prestigious venues, including Muro Restaurant, Maggiora Bistrot, and Farmacia del Cambio—with the culinary offerings updated each year with new spaces as part of Art & Techno.

The Art & Techno experience also includes a Torino Museum Pass, which grants access to all of the city’s top museums, including the Automobile Museum, the Egyptian Museum, the Royal Museums, and the National Cinema Museum.

confirms her first event series at Amnesia in the summer 2025 The Salamanca-based producer confirms Fatima Hajji Invites with three exclusive dates in July

A special production with a special 360º stage, to which various guests will be added in the coming weeks Fatima Hajji will be a star in Ibiza this summer, inaugurating her first event series on the island. Amnesia will host three exclusive dates for Fatima Hajji Invites. This project will land in one of the island’s most iconic venues, Amnesia, taking over its Main Room.

Fatima Hajji Invites offers a sensorial journey through the DJ and producer’s sound, an immersive experience in her techno universe accompanied by a light-based audiovisual production, featuring strobe elements.

Hajji will host the Amnesia Main Room from a unique, 360-degree stage, where she will be joined by various guests on each of her three exclusive dates in July: Wednesdays, July 2, 9, and 16, 2025.

This July is a unique opportunity to experience Fatima Hajji’s first series of events on the Pitiusan island, featuring a spectacular sound and stage design for her first visit to Amnesia. These three dates will feature a spectacular lineup, each different, which will be revealed in the coming weeks.

With a hectic schedule of performances at the best clubs and festivals around the world, in recent years Fatima Hajji has toured all over Europe, as well as Mexico and the US, Latin America and Asia.

2025 is full of news and new challenges for Hajji, from the now usual All Night Long on January 18th at Fabrik to the launch of her new label Strobö, her own platform where she will publish her new releases alongside her closest collaborators, in addition to tour dates every weekend and having confirmed the most representative festivals in the scene such as Awakenings Summer Festival (NL), Medusa Festival (ES), Sziget Festival (HU), Sonus Festival (HR), Parookaville (DE), A Summer Story (ES), Monegros Festival (ES), Verknipt India (IN), Aquasella (ES) and Verknipt Australia (AU) and Verknipt Asia (AS).

With

over

Sanchez most

has

three

decades

established

influential

figures

of

himself in

house

experience, as

one

music

Roger of

the

worldwide.

Born in Queens, New York, with Dominican roots, he has made his mark in both underground clubs and major international stages, including his iconic residencies in Ibiza since the year 2000.

A Grammy Award winner and creator of the classic “Another Chance,” he has worked with legends such as Madonna, Daft Punk, and Michael Jackson. In addition to his talent as a producer and DJ, he is known for his commitment to the electronic music community through his radio show Release Yourself, where he supports new generations of artists.

In this interview, we explore his perspective on the current scene, his musical evolution, and his future plans.

“THE ARCHITECT OF HOUSE WHO BUILT A LEGACY FROM HIS LATIN ROOTS”

Throughout your

career,

you’ve

used

different

aliases

S-Man

and

S.

Roger

There’s like

The

What

role

does each one play in your creative process

and

musical

direction?

Each alias represents a different facet of my sound. It allows me to experiment without the expectations tied to releases under the name Roger Sanchez.

It’s like stepping into a character— it gives me the freedom to explore territories I might not otherwise touch.

That way, I can push my creative boundaries

without

compromising

the

coherence

of

Your

initial

training

architecture.

How

each

project. was

does

in that

background influence your approach

also

a spatial dimension: the relationship between elements, the silences, the breathing room… all of that comes from seeing design as a matter of balance.

You’ve said that “soul” is essential in music. How do you define it, and how do you make sure it’s present

in

your

productions?

For me, soul is that vibration you don’t just hear—you feel it. It’s something emotional. You know it when you hear it—it moves you inside.

Quite a bit of Latin percussion and rhythms are present in my productions and

that

is

fundamental

to

my

expression of soul.

to music production and live sets?

“Creating music

Architecture taught me to think in

that connects

terms of structure—how to build something solid from the ground up.

with people

In

is my reason

music,

I

often

start

with

percussion as the foundation and build everything else from there.

for being”

I

“Remixing Michael Jackson was a challenge: I had to respect his essence and translate it to the dance floor”

worked

directly

with

the

original

2-inch tape recordings, which meant analyzing every detail of each track.

The challenge was to respect the spirit of the original version while adapting it to my own language and making it functional for the dance floor. It requires respect, but also the confidence to bring your own vision.

Technology has radically transformed the work of DJs and producers. How do you integrate new tools without compromising your artistic essence?

I’m very tech-savvy and love exploring

After

new possibilities, but I always maintain

in

a clear foundation: the idea starts in

the industry, what still motivates you

my head, and technology is just the

to create, innovate, and stay active?

means to bring it to life. I don’t let it

so

many

years

dictate the process—it just enhances it.

The passion is still intact. I truly love what I do. Creating and playing music that

You’ve

connects with people is my most honest

the

form of communication. As long as

do

that connection exists, I’ll keep doing it.

an

You’ve worked with artists like Michael

Balance is the biggest challenge. For me,

Jackson and No Doubt.

the key is prioritizing. I block out time

What

has

challenging

often

most you

said

that

important

family

thing.

balance

personal

international

music

is

How

life

with

career?

been

the

most

exclusively for my wife and family, and I

collaboration

or

remix?

build my professional calendar around that.

I also make sure my lifestyle stays

The

Michael

Jackson

remixes

were

within

a

range

that

allows

me

to

especially challenging, particularly Don’t

choose how and when to work. That

Stop Till You Get Enough and Dangerous.

gives me control over my time, which is the most valuable thing in the end.

Your story with Ibiza goes back to the

What new projects can you share with us?

year 2000. How have you experienced the changes on the island since then?

I’m launching a new concept that will soon go on tour, but what excites me

In my early years in Ibiza, the movement

most is the new music I’m about to

was

release. Big announcements are coming.

more

local

and

organic,

with

promotion focused on the island and a more direct connection with the crowd.

I’m also continuing with the Orishas De

Las

Islas

Today, social media takes center stage,

my

wife,

Kristen

and the experience has shifted from

includes

being

lived

to

being

both

project

alongside

Knight,

music

and

which events.

documented.

Still, Ibiza retains a very special energy.

I can’t wait to get back into the studio,

Every summer, I return with excitement.

on stage, and to share all of that with the people.

If

you

could

talk

to

the

young

man who used to sell mixtapes on Broadway to fund his early shows, what advice would you give him?

I’d tell him to keep going, to not lose

faith

in

his

path,

but

to

be

more aware of who surrounds him, both

personally

Every

experience,

will

shape

Live

all

the

of

and

good

man

them

professionally. or

he’ll with

bad,

become. intention.

What does the summer season look like?

It’s

going

summer—just

to how

be

a I

like

busy it.

I’m working with my team on new visual and aesthetic elements for my brand and shows, so… there will be surprises!

“Balancing music and family is my greatest challenge, but also my top priority”

MAH BOD

returns with “Miss You”,

a sonic experience for the heart and the dance floor Mah Bod returns with “Miss You,” a captivating single that dives into the realms of Melodic House and Techno. With refined production, the track combines atmospheric pads, vibrant basslines, and melodic synthesizers that evoke a deep emotional charge. The track unfolds with hypnotic percussion and ethereal vocals that lead to intensely emotional climactic moments.

“Miss You” is a piece that moves between nostalgia and euphoria, designed both for the dance floor and for introspective listening.

Ideal for nighttime sets and sonic sunsets, this release demonstrates Mah Bod’s ability to narrate emotions through rhythm and melody.

An essential track for Melodic House & Techno lovers this season.

MUSIC ON confirm your spot in Madrid for next

June 7th.

The event will take place at a brand-new venue on the circuit, the Cuña Verde Park of O’Donnell Marco Carola will be joined by guests such as Dennis Cruz, Blond:ish, Black Child, and Karretero Music On has now confirmed the venue for its upcoming landing in Madrid on Saturday, June 7. The event will take place at a previously unknown location on the electronic circuit: the Cuña Verde Park of O’Donnell in the Moratalaz district. It’s an open-air space, surrounded by green areas and fully accessible within the M-40 ring road, with metro access (station: Pavones, line 9) and EMT bus services on lines 30, 32, 71, and 113.

This new venue will host Music On’s unprecedented production in the Spanish capital.

The upcoming Music On event in Madrid will be one of the most prominent in the spring-summer circuit. Scheduled for Saturday, June 7, it will feature Marco Carola performing alongside top national and international names, including Dennis Cruz, with whom the Italian DJ will play a special B2B set.

Blond:ish will also be joining this special Music On date in Madrid. The Canadian producer has carved out her own space in the scene, and she will be joined

by Italian producer Black Child, rounding out Music On’s international lineup.

Music On will present an innovative Open Air format from 5:00 PM to midnight in this new venue at Cuña Verde Park of O’Donnell, with the high-quality production standards and attention to detail that have made Music On a near-legendary name in the international circuit. One of the must-attend dates of the spring-summer season in Madrid.

The re turn

of

Music On

to

Madrid

promises

to

be one of the

season’s highlights in the capital. An event backed by an international brand, featuring first-class outdoor production in a lush green setting, where

the audiovisual setup will create an unmatched atmosphere.

With a career that began at the age of 16 in clubs and beach bars along the Costa del Sol, Jhon Mena has built a solid path in both the national and international electronic music scenes.

Now based in Marbella, this Valencian DJ and producer has cemented

his

flawless

technique

approach

to

career

through

behind

both

the

music

constant

artistic

decks,

a

and

and

project

evolution, professional

management.

Today, leading the Cirqular Bookings project, Mena shares with us his vision of the present and future of electronic music.

From

your

early

beginnings

very

young

age

to

your

international

DJ

booths,

in

at

a

presence

the

Genal

WADE,

Valley,

Mark

with

Jenkyns,

artists and

like

Miane.

how

would you describe the evolution of

Aparenzza was born from the shared

your

dream with another DJ to create our

My

sound

and

technical

artistic

evolution

approach? has

been

remarkable, especially considering that I started with very limited resources. Over time, I’ve expanded my musical knowledge and repertoire, which allows me to deliver versatile sets tailored to diverse audiences.

Mental agility, the ability to read the dance

floor

without

having

to

pre-

plan my set, and creating an instant connection with the crowd are the aspects that have developed the most in me.

You’re part of the BeachGrooves Radio team with your show “Cirqular Radio Show.” What role has radio played in your professional

development,

and

what

own label and organize both local and international events. Although I’m no longer part of it, that experience taught me a lot about how to professionalize ideas and choose your partners wisely.

Cirqular was born from that maturity.

2024 marked a turning point with the closing of a chapter at La Térmica and the beginning of Cirqular Bookings. What does this new stage represent for you?

Cirqular, together with Ben Rodd, is a project that reflects maturity and strategic vision. We started as a DJ agency, then

moved

into

event

production,

and soon we’ll launch our own record

kind of energy do you aim to transmit?

label. This structure has allowed me

Radio has been key. It’s a space that

with other professionals in the scene,

fosters a direct connection between the

understand the competitiveness of the

artist and the listener. Beyond musical

market, and strengthen my positioning.

to

build

much

closer

relationships

style, I prioritize quality, professionalism, and providing visibility to new talents.

You’ve played at festivals like Awake

The

show

(Marrakech), Terrazzza House Park (Zurich),

new

music,

also

features

and

interviews,

relevant

events,

and La Punky (France). Did any of these

bringing real value to our audience.

events mark a turning point in your career?

You founded the Blue Town Festival

Industrial Copera was a milestone due to

and the label Aparenzza Music. What sets

this

and

what

label

apart

from

philosophy

others,

drives

it?

Blue Town was a very special project that

brought

electronic

music

to

the club’s history and its significance in the scene. Awake, on the other hand, gave me a fresh perspective on Morocco and its culture.

“Cirqular represents a new stage of maturity, strategic vision, and connection with the scene”

And La Punky was an incredible experience in terms of connecting with the crowd. But my greatest wish is to live something similar in my own city, surrounded by my people.

You’ve shared the booth with artists like

Dubfire,

Nicole

Moudaber,

Tale

of Us, and Technasia. What lessons or

personal

taken

connections

from

those

have

you

experiences?

I’ve learned a lot by observing how these big names work—their professionalism and the way they give their all in every set. I’ve also built real friendships with some of them, like Toni Varga, Viviana Casanova, and Tini Gessler, with whom I share a vision and passion for music.

With a busy schedule of events and residencies,

how

the

balance

DJ,

producer,

do

you

between and

manage being

a

promoter?

The key is organization. Knowing how to manage your time, set priorities, and surround yourself with a good team is essential. It’s important to know when to perform, when to produce, and how to delegate tasks to trusted people so that everything runs smoothly and with quality.

2025 will be a big year, with monthly EP releases and new collaborations. Can you give us a preview of what’s coming?

I recently released an EP, Gamba Jump, with Manu Fuentes on the Noushit label.

Soon, we’ll release an original track with a remix by Toni Varga, a member of elrow.

The goal is to maintain consistency in releases, always betting on quality and collaborations What

with

currently

relevant

inspires

artists.

you

when

producing? Do you have any creative rituals or regular sources of inspiration?

I’m inspired by working with artists who share my vision. I also draw inspiration from attending events in genres different from mine, like Drum & Bass or live music.

Listening to vinyls by Amy Winehouse, Aretha Franklin, or Prodigy helps me disconnect I

usually

and start

percussion

reconnect my

productions

and

the

foundation

With

your

creatively. with

groove—they’re of

experience

everything. and

global

perspective, what advice would you give to new talents looking to make their way in the Tech House and Minimal Deep Tech scene?

I’d tell them to be versatile, to get a solid education, and to learn everything— from

vinyl

to

the

latest

technology.

It’s not enough to know how to DJ; you also need some musical theory, the ability to adapt, and above all, a professional attitude from day one.

Sound Waves in Esmoriz will feature 9 women on its Main Stage who represent the present and future of techno and hard techno at every level.

On July 5th, a date marked in red for electronic music lovers worldwide, the Sound Waves Festival will celebrate its 20th anniversary with a lineup that lives up to the occasion.

A selection of artists featuring the cream of hard techno, along with some fresh and innovative touches, stands out—especially highlighting female talent.

>> The mothers of the scene << We begin with Rebekah and Fatima Hajji—two queens of the hard techno scene who, after many years of grinding it out, now look over the dance floors from a well-earned throne. Yet, when it’s time to put on the headphones, they mix and thrill the crowd with the energy of two girls playing with passion and carefree joy. Their powerful style and magnetic personalities, combined with long-standing careers that have taken them to the biggest stages in the scene, promise two unmissable sets for everyone attending the festival.

From Rebekah, we can expect drops From Fatima Hajji, we’ll witness from another planet, kicks spanning mind-blowing tricks on the mixer, various styles within hard music, and three-channel

blends,

and

an

even a touch of hardcore to top it all exquisite track selection that never off.

leaves anyone indifferent.

>> Bold and breaking new blood << From experience to youth. The scene has evolved, and new talents have emerged who stand out not only for their music but also for their stage presence. This is the case of Cloudy,

Novah, and Jazzy, three women who have

recently broken into major stages and show no signs of stepping down.

Cloudy is a total artist: from four-deck sets to schranz, all the way to bouncy grooves reminiscent of the 240KM/H label, with which she has a strong connection. Novah is the embodiment of performance as art, and Jazzy is the raw force that conquers through pounding industrial beats.

>> Talent rooted in portuguese soil << After highlighting the solo performers, it’s time to turn to the B2B acts. First up: Miss Sheila and Joanna Coelho, a true icon of the Portuguese scene and a Brazilian artist pushing the neorave movement to new heights. Their B2B promises to be high-energy and relentless. We’re eager to see how they complement each other, but one thing is certain: intense emotions are guaranteed.

Next is Ornella, currently the most on-fire artist in the Portuguese scene, an unstoppable DJ and producer whose sound is rooted in schranz and old-school hard techno.

She’ll go B2B with LUCIID in a set that will be hard to miss.

Closing out the Main Stage lineup is Carlota, vocalist of AEREA, who will bring her sweet voice to the mix with melodic techno, crafting the most emotional set of the entire festival.

MUZA (RU)

delivers a vibrant remix of

“Now We Are Free”

with an Indie Dance soul Muza

(RU)

Are

Free,”

Dianella,

presents the

infusing

a

latest it

with

powerful track a

by fresh

remix Ertan Indie

of

“Now

We

Koculu

and

Dance

energy.

With his signature melodic approach and polished production, Muza transforms the original piece into a vibrant anthem celebrating freedom and self-expression. The remix blends punchy basslines, immersive soundscapes, and an emotionally charged atmosphere that enhances the voices of the original artists.

This reinterpretation stands out as an ideal offering both for the dancefloor and introspective listening, reaffirming Muza’s ability to fuse genres with identity and sensitivity.

Sync Beat Magazine had the privilege of speaking with Lexlay, a Spanish DJ and producer who is celebrating 20 years in the music industry this year. To mark this important milestone, the artist released his new EP, “20 Years of Music,” on April 21 through his own label, Happy Techno. The album, which features 10 tracks, reflects Lexlay’s musical evolution throughout his career while also celebrating the passion and energy that electronic music has brought into his life.

By Eleonora Vologni

Lexlay, you’ve reached a major

This album isn’t just a music collection,

milestone in any artist’s life: 20 years in

it’s a way to share with my followers

the industry! How do you feel about it?

how my sound has changed over the years. It’s like a personal tribute, but

It’s a beautiful feeling and, honestly,

also a way to honor all the moments

kind of surreal. When I started, I

and lessons that brought me here.

never imagined I’d reach this point.

Your new EP is meant to be a These have been 20 years of hard work,

journey

sacrifice, incredible moments—and

as a DJ and producer. Can you

also tough ones—but above all, a

tell

us

through a

bit

your

more

career

about

it?

lot of passion for what I do. Looking back brings me great satisfaction,

20 Years of Music is a musical

but it also fills me with motivation

journey that traces my different

to keep creating and giving my best

stages as a DJ and producer. With

to the people who have supported

this EP, I wanted to capture my

me

influences,

throughout

this

journey.

stylistic

shifts,

and

the key moments of my career.

Why did you decide to release an album with 10 new tracks to

Each track has its own story and

celebrate this musical anniversary?

personal meaning. It’s a blend of everything that has inspired me over

I

wanted

to

celebrate

these

the years: from Tech House to Groovy

20 years in a special way, with

Techno, and of course, that Latin

something

touch that’s always been present in

that

truly

reflects

everything I’ve experienced and how

I’ve

evolved

as

an

artist.

my music.

If you had to sum up your 20-year

What

career in just one of these tracks, which

give

to

one would you choose and why?

to

pursue

If I had to choose one, it would be

Be authentic and patient. The path

“Press Play.” This track represents

isn’t easy, and sometimes results

my first steps, those moments when

don’t come immediately. The key is

everything started to fall into place.

to work with passion, not compare

advice

would

you

someone

wanting

this

career?

yourself to others, and above all, don’t I remember the first time I heard it

get discouraged by obstacles. Music

in a club and that feeling of knowing

has to be a calling, not just a goal.

I was on the right path. It’s a tribute to those beginnings, to that passion

Now that your aim is to reach 30 years,

I felt for electronic music back then.

what do you expect from the future and what are your short-term plans?

What

have

been

the

best

and

worst moments of these 20 years?

I’d love to keep evolving and creating music that inspires people! In the

The best moments have definitely

short term, I’m very focused on the

been

upcoming summer season events

the

gigs

where

connect

with

the

those

unforgettable

I

truly

audience,

at

La

Terrrazza

with

my

team.

experiences.

I’m also planning to keep releasing

There’s something unique when the

new music and take my sound to more

music becomes a shared experience

places. My projects with Happy Techno

between the artist and the crowd.

are underway, and I’m eager to connect with more artists and producers.

The worst moments, I think, were the times of doubt, when things

The next few years will be very exciting,

weren’t going well and uncertainty

and I have many ideas I want to bring

about the future took over. But those

to life.

difficult times are what ultimately make you stronger and have taught me to value even more what I do.

IMS 2025 International Music Summit Sync Beat Magazine had the privilege of attending the International Music Summit (IMS) 2025, an exclusive event in the world of electronic music. Below, we share some of the most significant moments from this important annual gathering held in Ibiza.

The highly anticipated 2025 edition of IMS International Music Summit Ibiza, presented in collaboration with AlphaTheta, took place from April 23 to 25 at Mondrian and Hyde Ibiza.

This event marks the official start of the summer season on the island and undoubtedly stands out as one of the most comprehensive and remarkable editions since its inception.

This year’s focus was on intergenerational connection within the industry, addressing key themes such as “The bond between generations is based on principles and ethics” and “What is being done to expand the possibilities of

electronic

music?”

Considered one important global continues

to

electronic evolve

with

of

the

most

in

the

scene,

IMS

events music each

edition,

offering

panels and informative talks that bring together key figures from the artistic, marketing, and other crucial sectors of the industry.

More than 1,700 speakers, artists, and delegates from over 50 countries participated in over 140 sessions, talks, and presentations, helping shape the future of the electronic music industry.

The

Sync

Beat

Magazine

team,

present

at

this

major

professional

gathering,

had the opportunity to witness and enjoy several standout moments firsthand.

Among the highlights was the IMS Business Report, where Mark Mulligan from MIDiA Research emphasized the importance of culture over metrics in 2025, alongside a solid year-on-year

industry

growth

of

6%,

currently valued at $12.9 billion.

Other notable moments included the Beatport Awards, a panel on Afro House moderated by Dare Balogun, where artists like Shimza and Jackie Queens celebrated the global rise of the genre while defending its roots, and a generational dialogue between Sherelle and C, two prominent figures in Jungle and Drum & Bass.

As expected, throughout the event, various activities took place in iconic venues such as Pacha Ibiza, Chinois, Hyde, Akasha, Las Dalias, and the emblematic Baluarte de Santa Lucia (Dalt Vila). These included artist performances, a tribute to the legendary Alfredo Fiorito, and the After-Party, which crowned another successful edition.

As

mentioned

needs,

offering

contributing

to

before,

IMS

solutions the

continues to

to

evolve,

controversial

development

of

the

delving

into

topics,

and,

current

electronic

essential

above

all, scene.

Sync Beat Magazine will closely follow all updates on the upcoming 2026 edition and keep you informed with timely coverage of its progress.

25 years of hard techno, passion and evolution This 2025 marks a milestone in the career of Lukas, a Brazilian DJ and producer considered one of the pioneers of hard techno worldwide. To celebrate his 25 years of career, the artist has released a very special EP titled “Blood Moon,” launched on April 21 through his iconic label, Audiocode Records.

Renowned for his refined mixing technique and performances full of intensity and energy, Lukas has established himself as a key figure in both the Brazilian and international techno scenes. His breakthrough into the European circuit came in 2004, and after two years of touring major countries across the continent, he decided to settle in Spain in 2007. Two years later, alongside Fernanda Martins, he founded Audiocode Records, a label that quickly became a global reference in hard techno. This initiative was later joined by Hardwork Records and Devotion Records, further consolidating his influence in the development of the genre.

Lukas, summarizing your career, how

That’s how Blood Moon was born,

would you define these first 25 years?

almost organically, and in the end it turned out to be perfect to frame this

I’ve experienced everything in these

very special moment in my career.

25 years. There have been many achievements, dreams fulfilled, but

You

lead

three

also frustrations and disappointments.

alongside

Fernanda

Martins:

Even so, I usually focus my energy on

Audiocode

Records,

Hardwork

the positive, and what prevails in me

Records,

is a deep feeling of gratitude. Mainly

What is the identity of each, and

because I’ve had the privilege to work

what goals do you pursue with them?

and

record

Devotion

labels

Records.

and dedicate a significant part of my life to what I love most: music. And

Audiocode and Hardwork Records

that, without a doubt, is a gift of life.

focus we

on

hard

maintain

techno. an

In

open

both, vision

“Blood Moon” is the EP with which you

because we believe in the richness

celebrate this important milestone

and versatility of the genre. We

and your fans who have accompanied

don’t

like

to

box

has

a

ourselves

in.

you. How did the idea of this commemorative album come about?

Audiocode

slightly

more

defined line, although we always Actually,

I

didn’t

conceive

these

tracks from the beginning as a

leave

room

releases

for

that

surprises

break

with

expectations.

celebration of my 25-year career.

At Hardwork, I allow myself even more I worked on them little by little,

freedom: it’s a label where the only

without any specific intention. But

limit is creativity within hard techno.

as I progressed in the production, I felt there was coherence among

Devotion

them, reflecting many of the things

hand, is a broader techno label.

I love most about hard techno.

Its sound is powerful, yes, but it

Records,

on

the

other

offers great flexibility and plenty When I finished them, I realized they had something special and deserved to be part of the same EP.

of

room

for

experimentation.

In summary, each label has its own

Everything else is ephemeral: fashions,

personality, but all share a constant

trends, numbers… they come and go.

pursuit of quality and authenticity.

But the music remains. It’s the truth, the essence. And that conviction has

You’re a prominent figure in hard

guided me throughout all these years.

techno worldwide. What do you consider have been the keys to

What musical surprises do you

building a 25-year career while

have planned for the rest of 2025?

maintaining such a personal style?

After the release of Blood Moon, I For

me,

the

always

plan to publish a series of singles and

been to be clear that the most

EPs, both solo and in collaboration

important

with producers I deeply admire.

thing

key is

has the

music.

There’s

a

collaboration

Vendex

that’s

a

bomb,

with and

a

remix alongside Fernanda Martins that

we’re

very

satisfied

with.

I’m also finishing a couple of very powerful tracks with GNRØ, and I’ve been in the studio with Golpe (from the Czech Republic), who is a true master of hard techno.

We’re still polishing those tracks, but

they

look

very

promising.

Also, I have other collaborations and solo productions underway... though

I

prefer

to

keep

some

mystery to not spoil the surprise.