The opinions expressed in this interview belong solely to the artist and do not necessarily reflect the views of SYNC BEAT MAGAZINE.
At SYNC BEAT MAGAZINE, we promote freedom of expression and open dialogue, but we are not responsible for the statements made by the interviewees.
DJ, producer and founder of Afrodise
Aaron Sevilla has established himself as the most influential figure in Afro House worldwide. His sound—defined by tribal rhythms, immersive percussion, and a spiritual energy that transcends the dance floor—has topped the charts on Beatport and Traxsource, and echoed across world-class stages like Ultra Music Festival, Burning Man, and Untold.
In 2025, Sevilla cements his status with residencies at electronic music temples such as Cova Santa (Ibiza) and Cavo Paradiso (Mykonos), while also championing emerging talent through his labels: Afrodise, Pulse Wave and Sunset Gathering. We spoke with him about the rise of Afro House, his plans for the summer, and the future of his global project.
Aaron, how are you experiencing the international rise of Afro House?
I’m really happy to see how this movement, which I joined a few years ago, has now reached a global scale.
It’s great news not just for artists in the genre, but also because it’s attracting new audiences who previously weren’t drawn to electronic music. It’s opening doors, breaking barriers, and connecting cultures.
Since when have you been producing Afro House, and what drew you to the genre?
Since 2019, I’ve been fascinated by tribal rhythms and percussion.
These elements allow me to create a connection with the dance floor in a very organic and emotional way. I was captivated by the balance between rhythmic strength and the spirituality the music conveys.
This summer, you’re part of the Tomorrowland line-up. What does this date mean to you, and what can people expect from your set?
Playing at the most important festival in the world is a dream come true. It’s a huge responsibility, and at the same time, an opportunity to showcase my sound on a massive platform.
I’m very grateful and ready to deliver a unique experience.
As the founder of Afrodise, you also work with emerging talent. What do you look for in up-and-coming DJs?
First and foremost, that they truly love music. That passion is irreplaceable. Then, I really value whether they produce tracks that inspire me to play them, or if their sets convey something genuine. It’s not all about technique—emotional connection is key.
ENGIN ÖZTÜRK
ignites the dance floor with ‘Rhythm
Is A Dancer’:
Afro House full of soul and energy
Engin Öztürk returns with “Rhythm Is A Dancer”, a high-energy Afro House track that blends dynamic percussion, lush synths, and soulful vocals to create a vibrant and immersive musical experience.
The song stands out for its ability to connect with listeners through a fusion of traditional Afro influences and contemporary electronic sounds, further solidifying Öztürk’s reputation as a versatile and emotionally driven producer.
This new release is not just a dance floor anthem—it’s a celebration of music’s power to unite and move people.
From Ibiza’s iconic DJ booths to international stages, Chris Damon has built a career that blends passion, skill, and business vision.
Founder of the label Strictly Records and creator of trendsetting events, Damon has established himself as a key figure in the Spanish electronic music scene. With a sound that fuses Tech House, Minimal, and Deep Tech, and a consistent presence on the airwaves through his Strictly Radio Show, we spoke with him about his artistic evolution, upcoming projects, and the philosophy that drives his work.
You’ve mentioned that your friend Paco was a key influence in your early musical journey. How do you think that early connection with the piano has shaped your current approach as a producer and DJ?
From my very first steps in music, Paco was a fundamental figure. He was one of my best friends and a passionate, self-taught pianist. From the moment I saw him play for the first time, when we were just 6 or 7 years old, his love for the instrument was contagious.
Although he’s no longer physically with me, his influence remains every time I sit in front of a piano, which is still my favorite instrument.
Having developed such an intimate connection with music from a young age gave me a unique perspective: I don’t just feel music—I understand it. That understanding allows me to create more structured and emotional sets, perform natural harmonic mixes,
and produce tracks with a distinct identity. I owe much of that to him.
Strictly Records has become a platform for both emerging and established artists. What criteria do you use to select new talent, and how do you balance your artistic vision with market trends?
At Strictly Records, musical quality is always our top priority. It doesn’t matter if the artist is well-known or just starting out—what matters is that their music connects with the label’s identity.
We look for proposals that preserve our essence but also bring freshness and authenticity. While we stay aware of trends, we don’t let them dictate our decisions.
We prefer to bet on genuine sounds that convey something real, even if they’re not what’s currently “in.” Our goal is to build a timeless catalog with a distinct character.
Both your tours across Latin America and Asia, as well as your residency at Bora-Bora Ibiza, have been key milestones in your career. What lessons have these experiences taught you, and how have they influenced your style?
Performing in such diverse contexts has been one of the most enriching experiences of my career. Each country, each crowd, each culture has taught me something different—from the overwhelming energy of Lima, Santiago, or Los Angeles to the intensity of shows in the UAE or Europe.
These experiences have pushed me to be more alert, to better read the audience, and to expand my musical palette. Ibiza, especially my residency at Bora-Bora with Made in Ibiza, was a life school. It allowed me to truly understand the industry, connect with artists, and grasp the business machinery behind the electronic scene.
You’ve organized events like Strictly LeClub and Strictly Boiler Edition. What challenges and rewards do you encounter when switching between your roles as a DJ and promoter?
Switching mindsets between DJ and promoter isn’t always easy, but it’s been an incredibly formative journey. Although I enjoy performing live or working in the studio more, producing my own events has given me a global vision of the music ecosystem. It has also helped solidify the Strictly brand not just as a record label, but also as an event promoter.
Thanks to that, I’ve had the chance to share the booth with incredible artists like Andrea Oliva,
Beyond the final sound, what I seek with these collaborations is to grow, share experiences, and continue creating authentic music with soul.
You host the Strictly Radio Show, broadcast on more than 200 stations in places like Tulum, Argentina, and Ibiza. How do you curate the content, and what impact do you hope to have on your audience?
Strictly Radio Show is a natural extension of the label’s philosophy. It allows us to bring our music to places where we haven’t yet performed physically. The music selection follows the same principles as Strictly Records: quality, identity, and emotion.
I aim to make an impact in two ways: by giving visibility to our releases and, more importantly, by building a global community that values authentic electronic music— the kind you feel before you hear.
Before submitting a track, I always make sure it fits their editorial line. It’s not enough for a song to be good; it has to be the right one for that moment and that label. A “no” isn’t always a rejection of the work—sometimes it’s just a matter of timing and perspective.
Looking ahead, what personal and professional goals have you set for yourself within the music industry?
Right now, I’m very focused in the studio, working on multiple productions that will be released soon.
I’m signing with important labels and launching projects that I’m really excited about. One highlight is Café, a solo track that will be released on David Tort’s label, Hotl Records, and was premiered exclusively during the Miami Winter Conference.
You’ve worked with labels like Baikonur Recordings, Be One Records, and KlapHouse. What differences do you notice when collaborating with various labels, and how does that influence your creative process?
Working with different labels is a rewarding experience that also comes with great responsibility. Each label has its own identity, sonic language, and audience.
Also, New Day, which will come out through the Portuguese label Plastic Galaxy, and Shook 2.0, set to be released on Baikonur Recordings, accompanied by remixes from artists like Pako Ramirez and Reebs.
The future? I prefer not to obsess over it. My goal is to keep growing artistically and, most of all, to enjoy every step of the journey.
FABRIZIO MARRA presents “Uhuru”
Rhythm, freedom and connection through Afro House
His latest Afro House production, masterfully blending tribal percussion, deep basslines, and hypnotic melodies to convey a message of freedom, unity, and cultural celebration.
The title, which means “freedom” in Swahili, captures the essence of the track: an invitation to surrender to the rhythm and connect on a deeper, emotional level through music. With its rich textures and contagious energy, Marra crafts an immersive sonic experience that turns each listen into a powerful emotional and collective journey.
“Uhuru” is not just a dance track—it’s an artistic statement about the unifying power of rhythm.
“Spreading positive emotions to the audience that’s my mission.”
This month, in our section, we present two artists who have turned collaboration into an explosive formula to create a sound that blends artistic, emotional, and cultural influences.
DJ and producer known for his style that blends Indie Dance, deep house, and electronic music.
He has released music on labels such as Exx Underground, UNCLES MUSIC, and HYPECUE, standing out with tracks like “Back To The Funk” and “No Complications.”
In addition to his original productions, he has gained popularity with remixes of classics and sessions for the “Deep Crew Podcast.”
His presence on platforms like SoundCloud and Instagram keeps him connected with a growing community of electronic music followers. @alex_yikker
Originally from Russia, both have experienced a meteoric rise in the electronic scene thanks to their versatile approach and unique energy, both in the studio and on stage.
DJ and music producer who blends deep house, Indie Dance, and melodic electronic music, which has allowed him to stand out in the contemporary electronic scene.
He has released music on labels such as Exx Underground, UNCLES MUSIC, and HYPECUE, and is the founder of the label Wonders Music.
Among his most notable collaborations are those with Alex Yikker, with whom he has produced tracks like “Back To The Funk,” “Live Fast,” and “We Won’t Stop.”
He maintains an active presence on platforms like SoundCloud and Instagram, where he shares his productions and remixes. @coldmindmusic
“Music is an emotional bridge: DJing is sharing my essence.”
Back in school, I was already forming my musical identity and the desire to share that passion with others.
Alex Yikker: I’ve been deeply influenced by artists like Carl Cox, Gustavo Bravetti, and Vintage Culture. I admire their ability to create unique atmospheres on the dance floor and connect with the crowd.
How would you describe your musical style?
Cold Mind & Alex Yikker: Our music is a fusion of Indie Dance and Melodic Techno with electronic nuances. We aim to create dynamic and immersive sets, perfect for both daytime and nighttime stages.
What are the main challenges you’ve faced as professional DJs and producers?
Cold Mind & Alex Yikker: Consistency is key. One of the biggest challenges is staying relevant in such a competitive environment while still exploring a personal sound.
It’s also essential to find a balance between producing music and performing live.
What skills do you think are essential for a DJ or producer to succeed today?
own. The main goal is to make the audience feel comfortable and enjoy the experience.
Alex Yikker: Besides technical skills, it’s crucial to be able to read the crowd, be creative, stay on top of trends, and have some knowledge of management and marketing.
How do you stay updated with the latest trends in electronic music?
Cold Mind & Alex Yikker: We listen to new releases, closely follow key record labels, and take part in professional communities. We also attend major festivals and parties to stay in tune with what’s happening on the global scene.
What strategies do you use to keep the audience engaged during your sets?
Cold Mind: I try to transmit what I feel through the music — to build an emotional connection with the audience.
Cold Mind: A DJ doesn’t just mix tracks, they create emotions, build atmospheres. They can work with other people’s music but also compose their
What do you think sets you apart as DJs compared to other artists?
Cold Mind & Alex Yikker: Our ability to fuse genres and surprise the audience with unexpected transitions. We love experimenting with live performance, making each set unique.
We also want to launch our own DJ school and expand our international presence.
We’d love to create an exclusive space where people can enjoy a relaxed, musically enriching environment.
If you weren’t involved in music, what would you be doing?
Where would you like to be professionally in the next 2 to 4 years? What goals have you set for this year?
Cold Mind & Alex Yikker: We’re focused on producing more music, both together and individually.
Cold Mind: I’ve always been interested in computer science, although I ended up getting a Master’s in Law with a specialization in Real Estate Law.
Nowadays, my work is far from that original training.
Alex Yikker: I’d probably be an architect or designer.
I’m drawn to professions that allow you to create something new and bring beauty into the world.
Any final message for our readers?
Cold Mind: I wish you all peace and calm.
Alex Yikker: Music is more than a profession — it’s a way of life. Thanks to everyone who supports me; I hope to keep inspiring through my music.
presents the full lineup for the ‘ART&TECHNO’ experience
A renewed proposal for the 2025 edition of the Piedmontese festival
The most VIP way to experience Kappa FuturFestival is through the Art & Techno program, which equally blends a passion for art and electronic music during the celebration of the Italian festival. For the twelfth edition of Kappa FuturFestival, the details of its ‘Art & Techno’ program are now available.
Kappa FuturFestival began its journey during the centenary of the Futurism movement—one of the key “isms” that led the transformation of 20th-century artistic language. As the birthplace of this avantgarde movement, Turin holds a special relationship with art, showcased in each edition of Art & Techno by merging it with the cutting-edge electronic music of Kappa FuturFestival. The project honors the cultural heritage of Turin and aims for the international clubbing community that descends upon the city each year to embrace all the art and culture that Turin has to offer, as one of Italy’s cultural capitals.
The ‘Art & Techno’ experience will celebrate its fifth edition in 2025, and the program will include exclusive visits to private collections, artist studios, and various museum spaces and galleries, offering a unique journey of discovery and learning.
This year’s itinerary features visits to the iconic collection of Carlo Mollino—one of the great figures of Piedmontese cultural collecting—with a specially curated selection of works on display in the permanent exhibition at Casa Mollino. Guests will also visit the studio of artist Ernesto Morales and experience the space where his works come to life.
Attendees will have the opportunity to view some of the most impressive private art collections in Turin and enjoy unique experiences such as the Xerjoff Perfume Experience and Peyrano chocolate tastings. In addition, guests will enjoy traditional Piedmontese lunches in some of the city’s most historic and prestigious venues, including Muro Restaurant, Maggiora Bistrot, and Farmacia del Cambio—with the culinary offerings updated each year with new spaces as part of Art & Techno.
The Art & Techno experience also includes a Torino Museum Pass, which grants access to all of the city’s top museums, including the Automobile Museum, the Egyptian Museum, the Royal Museums, and the National Cinema Museum.
A special production with a special 360º stage, to which various guests will be added in the coming weeks
Fatima Hajji will be a star in Ibiza this summer, inaugurating her first event series on the island. Amnesia will host three exclusive dates for Fatima Hajji Invites. This project will land in one of the island’s most iconic venues, Amnesia, taking over its Main Room.
Fatima Hajji Invites offers a sensorial journey through the DJ and producer’s sound, an immersive experience in her techno universe accompanied by a light-based audiovisual production, featuring strobe elements.
Hajji will host the Amnesia Main Room from a unique, 360-degree stage, where she will be joined by various guests on each of her three exclusive dates in July: Wednesdays, July 2, 9, and 16, 2025
This July is a unique opportunity to experience Fatima Hajji’s first series of events on the Pitiusan island, featuring a spectacular sound and stage design for her first visit to Amnesia. These three dates will feature a spectacular lineup, each different, which will be revealed in the coming weeks.
With a hectic schedule of performances at the best clubs and festivals around the world, in recent years Fatima Hajji has toured all over Europe, as well as Mexico and the US, Latin America and Asia.
2025 is full of news and new challenges for Hajji, from the now usual All Night Long on January 18th at Fabrik to the launch of her new label Strobö, her own platform where she will publish her new releases alongside her closest collaborators, in addition to tour dates every weekend and having confirmed the most representative festivals in the scene such as Awakenings Summer Festival (NL), Medusa Festival (ES), Sziget Festival (HU), Sonus Festival (HR), Parookaville (DE), A Summer Story (ES), Monegros Festival (ES), Verknipt India (IN), Aquasella (ES) and Verknipt Australia (AU) and Verknipt Asia (AS).
With over three decades of experience, Roger Sanchez has established himself as one of the most influential figures in house music worldwide.
Born in Queens, New York, with Dominican roots, he has made his mark in both underground clubs and major international stages, including his iconic residencies in Ibiza since the year 2000.
A Grammy Award winner and creator of the classic “Another Chance,” he has worked with legends such as Madonna, Daft Punk, and Michael Jackson. In addition to his talent as a producer and DJ, he is known for his commitment to the electronic music community through his radio show Release Yourself, where he supports new generations of artists.
In this interview, we explore his perspective on the current scene, his musical evolution, and his future plans.
“THE ARCHITECT OF HOUSE WHO BUILT A LEGACY FROM HIS LATIN ROOTS”
“Remixing Michael Jackson was a challenge: I had to respect his essence and translate it to the dance floor”
After so many years in the industry, what still motivates you to create, innovate, and stay active?
The passion is still intact. I truly love what I do. Creating and playing music that connects with people is my most honest form of communication. As long as that connection exists, I’ll keep doing it.
You’ve worked with artists like Michael Jackson and No Doubt.
What has been the most challenging collaboration or remix?
The Michael Jackson remixes were especially challenging, particularly Don’t Stop Till You Get Enough and Dangerous.
I worked directly with the original 2-inch tape recordings, which meant analyzing every detail of each track.
The challenge was to respect the spirit of the original version while adapting it to my own language and making it functional for the dance floor. It requires respect, but also the confidence to bring your own vision.
Technology has radically transformed the work of DJs and producers. How do you integrate new tools without compromising your artistic essence?
I’m very tech-savvy and love exploring new possibilities, but I always maintain a clear foundation: the idea starts in my head, and technology is just the means to bring it to life. I don’t let it dictate the process—it just enhances it.
You’ve often said that family is the most important thing. How do you balance personal life with an international music career?
Balance is the biggest challenge. For me, the key is prioritizing. I block out time exclusively for my wife and family, and I build my professional calendar around that.
I also make sure my lifestyle stays within a range that allows me to choose how and when to work. That gives me control over my time, which is the most valuable thing in the end.
Your story with Ibiza goes back to the year 2000. How have you experienced the changes on the island since then?
In my early years in Ibiza, the movement was more local and organic, with promotion focused on the island and a more direct connection with the crowd.
Today, social media takes center stage, and the experience has shifted from being lived to being documented.
Still, Ibiza retains a very special energy. Every summer, I return with excitement.
If you could talk to the young man who used to sell mixtapes on Broadway to fund his early shows, what advice would you give him?
I’d tell him to keep going, to not lose faith in his path, but to be more aware of who surrounds him, both personally and professionally.
Every experience, good or bad, will shape the man he’ll become. Live all of them with intention.
What does the summer season look like?
It’s going to be a busy summer—just how I like it. I’m working with my team on new visual and aesthetic elements for my brand and shows, so… there will be surprises!
What new projects can you share with us?
I’m launching a new concept that will soon go on tour, but what excites me most is the new music I’m about to release. Big announcements are coming.
I’m also continuing with the Orishas De Las Islas project alongside my wife, Kristen Knight, which includes both music and events.
I can’t wait to get back into the studio, on stage, and to share all of that with the people.
“Balancing music and family is my greatest challenge, but also my top priority”
MAH BOD returns
with “Miss You”, a sonic experience for the heart and the dance floor
Mah Bod returns with “Miss You,” a captivating single that dives into the realms of Melodic House and Techno. With refined production, the track combines atmospheric pads, vibrant basslines, and melodic synthesizers that evoke a deep emotional charge. The track unfolds with hypnotic percussion and ethereal vocals that lead to intensely emotional climactic moments.
“Miss You” is a piece that moves between nostalgia and euphoria, designed both for the dance floor and for introspective listening. Ideal for nighttime sets and sonic sunsets, this release demonstrates Mah Bod’s ability to narrate emotions through rhythm and melody. An essential track for Melodic House & Techno lovers this season.
MUSIC ON
confirm your spot in Madrid for next June 7th.
The event will take place at a brand-new venue on the circuit, the Cuña Verde Park of O’Donnell
Marco Carola will be joined by guests such as Dennis Cruz, Blond:ish, Black Child, and Karretero
Music On has now confirmed the venue for its upcoming landing in Madrid on Saturday, June 7. The event will take place at a previously unknown location on the electronic circuit: the Cuña Verde Park of O’Donnell in the Moratalaz district. It’s an open-air space, surrounded by green areas and fully accessible within the M-40 ring road, with metro access (station: Pavones, line 9) and EMT bus services on lines 30, 32, 71, and 113. This new venue will host Music On’s unprecedented production in the Spanish capital.
The upcoming Music On event in Madrid will be one of the most prominent in the spring-summer circuit. Scheduled for Saturday, June 7, it will feature Marco Carola performing alongside top national and international names, including Dennis Cruz, with whom the Italian DJ will play a special B2B set.
Blond:ish will also be joining this special Music On date in Madrid. The Canadian producer has carved out her own space in the scene, and she will be joined by Italian producer Black Child, rounding out Music On’s international lineup.
Music On will present an innovative Open Air format from 5:00 PM to midnight in this new venue at Cuña Verde Park of O’Donnell, with the high-quality production standards and attention to detail that have made Music On a near-legendary name in the international circuit. One of the must-attend dates of the spring-summer season in Madrid.
The re turn of Music On to Madrid promises to be one of the season’s highlights in the capital. An event backed by an international brand, featuring first-class outdoor production in a lush green setting, where the audiovisual setup will create an unmatched atmosphere.
With a career that began at the age of 16 in clubs and beach bars along the Costa del Sol, Jhon Mena has built a solid path in both the national and international electronic music scenes.
Now based in Marbella, this Valencian DJ and producer has cemented his career through constant artistic evolution, flawless technique behind the decks, and a professional approach to both music and project management.
Today, leading the Cirqular Bookings project, Mena shares with us his vision of the present and future of electronic music.
From your early beginnings at a very young age to your presence in international DJ booths, how would you describe the evolution of your sound and artistic approach?
My technical evolution has been remarkable, especially considering that I started with very limited resources. Over time, I’ve expanded my musical knowledge and repertoire, which allows me to deliver versatile sets tailored to diverse audiences.
Mental agility, the ability to read the dance floor without having to preplan my set, and creating an instant connection with the crowd are the aspects that have developed the most in me.
You’re part of the BeachGrooves Radio team with your show “Cirqular Radio Show.” What role has radio played in your professional development, and what kind of energy do you aim to transmit?
Radio has been key. It’s a space that fosters a direct connection between the artist and the listener. Beyond musical style, I prioritize quality, professionalism, and providing visibility to new talents. The show also features interviews, new music, and relevant events, bringing real value to our audience.
You founded the Blue Town Festival and the label Aparenzza Music. What sets this label apart from others, and what philosophy drives it?
Blue Town was a very special project that brought electronic music to
the Genal Valley, with artists like WADE, Mark Jenkyns, and Miane.
Aparenzza was born from the shared dream with another DJ to create our own label and organize both local and international events. Although I’m no longer part of it, that experience taught me a lot about how to professionalize ideas and choose your partners wisely. Cirqular was born from that maturity.
2024 marked a turning point with the closing of a chapter at La Térmica and the beginning of Cirqular Bookings. What does this new stage represent for you?
Cirqular, together with Ben Rodd, is a project that reflects maturity and strategic vision. We started as a DJ agency, then moved into event production, and soon we’ll launch our own record label. This structure has allowed me to build much closer relationships with other professionals in the scene, understand the competitiveness of the market, and strengthen my positioning.
You’ve played at festivals like Awake (Marrakech), Terrazzza House Park (Zurich), and La Punky (France). Did any of these events mark a turning point in your career?
Industrial Copera was a milestone due to the club’s history and its significance in the scene. Awake, on the other hand, gave me a fresh perspective on Morocco and its culture.
“Cirqular represents a new stage of maturity, strategic vision, and connection with the scene”
And La Punky was an incredible experience in terms of connecting with the crowd. But my greatest wish is to live something similar in my own city, surrounded by my people.
You’ve shared the booth with artists like Dubfire, Nicole Moudaber, Tale of Us, and Technasia. What lessons or personal connections have you taken from those experiences?
I’ve learned a lot by observing how these big names work—their professionalism and the way they give their all in every set. I’ve also built real friendships with some of them, like Toni Varga, Viviana Casanova, and Tini Gessler, with whom I share a vision and passion for music.
With a busy schedule of events and residencies, how do you manage the balance between being a DJ, producer, and promoter?
The key is organization. Knowing how to manage your time, set priorities, and surround yourself with a good team is essential. It’s important to know when to perform, when to produce, and how to delegate tasks to trusted people so that everything runs smoothly and with quality.
2025 will be a big year, with monthly EP releases and new collaborations. Can you give us a preview of what’s coming?
I recently released an EP, Gamba Jump, with Manu Fuentes on the Noushit label.
Soon, we’ll release an original track with a remix by Toni Varga, a member of elrow.
The goal is to maintain consistency in releases, always betting on quality and collaborations with relevant artists.
What currently inspires you when producing? Do you have any creative rituals or regular sources of inspiration?
I’m inspired by working with artists who share my vision. I also draw inspiration from attending events in genres different from mine, like Drum & Bass or live music.
Listening to vinyls by Amy Winehouse, Aretha Franklin, or Prodigy helps me disconnect and reconnect creatively. I usually start my productions with percussion and groove—they’re the foundation of everything.
With your experience and global perspective, what advice would you give to new talents looking to make their way in the Tech House and Minimal Deep Tech scene?
I’d tell them to be versatile, to get a solid education, and to learn everything— from vinyl to the latest technology.
It’s not enough to know how to DJ; you also need some musical theory, the ability to adapt, and above all, a professional attitude from day one.
On July 5th, a date marked in red for electronic music lovers worldwide, the Sound Waves Festival will celebrate its 20th anniversary with a lineup that lives up to the occasion.
A selection of artists featuring the cream of hard techno, along with some fresh and innovative touches, stands out—especially highlighting female talent.
>> The mothers of the scene <<
We begin with Rebekah and Fatima Hajji—two queens of the hard techno scene who, after many years of grinding it out, now look over the dance floors from a well-earned throne. Yet, when it’s time to put on the headphones, they mix and thrill the crowd with the energy of two girls playing with passion and carefree joy. Their powerful style and magnetic personalities, combined with long-standing careers that have taken them to the biggest stages in the scene, promise two unmissable sets for everyone attending the festival.
From Rebekah, we can expect drops from another planet, kicks spanning various styles within hard music, and even a touch of hardcore to top it all off.
From Fatima Hajji, we’ll witness mind-blowing tricks on the mixer, three-channel blends, and an exquisite track selection that never leaves anyone indifferent.
>> Bold and breaking new blood <<
From experience to youth. The scene has evolved, and new talents have emerged who stand out not only for their music but also for their stage presence. This is the case of Cloudy, Novah, and Jazzy, three women who have recently broken into major stages and show no signs of stepping down. Cloudy is a total artist: from four-deck sets to schranz, all the way to bouncy grooves reminiscent of the 240KM/H label, with which she has a strong connection. Novah is the embodiment of performance as art, and Jazzy is the raw force that conquers through pounding industrial beats.
>> Talent rooted in portuguese soil <<
After highlighting the solo performers, it’s time to turn to the B2B acts. First up: Miss Sheila and Joanna Coelho, a true icon of the Portuguese scene and a Brazilian artist pushing the neorave movement to new heights. Their B2B promises to be high-energy and relentless. We’re eager to see how they complement each other, but one thing is certain: intense emotions are guaranteed.
Next is Ornella, currently the most on-fire artist in the Portuguese scene, an unstoppable DJ and producer whose sound is rooted in schranz and old-school hard techno. She’ll go B2B with LUCIID in a set that will be hard to miss.
Closing out the Main Stage lineup is Carlota, vocalist of AEREA, who will bring her sweet voice to the mix with melodic techno, crafting the most emotional set of the entire festival.
MUZA (RU) delivers
a vibrant remix of “Now We Are Free” with an Indie Dance soul
Muza (RU) presents a powerful remix of “Now We Are Free,” the latest track by Ertan Koculu and Dianella, infusing it with a fresh Indie Dance energy.
With his signature melodic approach and polished production, Muza transforms the original piece into a vibrant anthem celebrating freedom and self-expression. The remix blends punchy basslines, immersive soundscapes, and an emotionally charged atmosphere that enhances the voices of the original artists.
This reinterpretation stands out as an ideal offering both for the dancefloor and introspective listening, reaffirming Muza’s ability to fuse genres with identity and sensitivity.
Sync Beat Magazine had the privilege of speaking with Lexlay, a Spanish DJ and producer who is celebrating 20 years in the music industry this year. To mark this important milestone, the artist released his new EP, “20 Years of Music,” on April 21 through his own label, Happy Techno. The album, which features 10 tracks, reflects Lexlay’s musical evolution throughout his career while also celebrating the passion and energy that electronic music has brought into his life.
By Eleonora Vologni
Lexlay, you’ve reached a major milestone in any artist’s life: 20 years in the industry! How do you feel about it?
It’s a beautiful feeling and, honestly, kind of surreal. When I started, I never imagined I’d reach this point.
These have been 20 years of hard work, sacrifice, incredible moments—and also tough ones—but above all, a lot of passion for what I do. Looking back brings me great satisfaction, but it also fills me with motivation to keep creating and giving my best to the people who have supported me throughout this journey.
Why did you decide to release an album with 10 new tracks to celebrate this musical anniversary?
I wanted to celebrate these 20 years in a special way, with something that truly reflects everything I’ve experienced and how I’ve evolved as an artist.
This album isn’t just a music collection, it’s a way to share with my followers how my sound has changed over the years. It’s like a personal tribute, but also a way to honor all the moments and lessons that brought me here.
Your new EP is meant to be a journey through your career as a DJ and producer. Can you tell us a bit more about it?
20 Years of Music is a musical journey that traces my different stages as a DJ and producer. With this EP, I wanted to capture my influences, stylistic shifts, and the key moments of my career.
Each track has its own story and personal meaning. It’s a blend of everything that has inspired me over the years: from Tech House to Groovy Techno, and of course, that Latin touch that’s always been present in my music.
If you had to sum up your 20-year career in just one of these tracks, which one would you choose and why?
If I had to choose one, it would be “Press Play.” This track represents my first steps, those moments when everything started to fall into place.
I remember the first time I heard it in a club and that feeling of knowing I was on the right path. It’s a tribute to those beginnings, to that passion I felt for electronic music back then.
What have been the best and worst moments of these 20 years?
The best moments have definitely been the gigs where I truly connect with the audience, those unforgettable experiences.
There’s something unique when the music becomes a shared experience between the artist and the crowd.
The worst moments, I think, were the times of doubt, when things weren’t going well and uncertainty about the future took over. But those difficult times are what ultimately make you stronger and have taught me to value even more what I do.
What advice would you give to someone wanting to pursue this career?
Be authentic and patient. The path isn’t easy, and sometimes results don’t come immediately. The key is to work with passion, not compare yourself to others, and above all, don’t get discouraged by obstacles. Music has to be a calling, not just a goal.
Now that your aim is to reach 30 years, what do you expect from the future and what are your short-term plans?
I’d love to keep evolving and creating music that inspires people! In the short term, I’m very focused on the upcoming summer season events at La Terrrazza with my team.
I’m also planning to keep releasing new music and take my sound to more places. My projects with Happy Techno are underway, and I’m eager to connect with more artists and producers.
The next few years will be very exciting, and I have many ideas I want to bring to life.
IMS 2025 International Music Summit
Sync Beat Magazine had the privilege of attending the International Music Summit (IMS) 2025, an exclusive event in the world of electronic music. Below, we share some of the most significant moments from this important annual gathering held in Ibiza.
The highly anticipated 2025 edition of IMS International Music Summit Ibiza, presented in collaboration with AlphaTheta, took place from April 23 to 25 at Mondrian and Hyde Ibiza. This event marks the official start of the summer season on the island and undoubtedly stands out as one of the most comprehensive and remarkable editions since its inception.
This year’s focus was on intergenerational connection within the industry, addressing key themes such as “The bond between generations is based on principles and ethics” and “What is being done to expand the possibilities of electronic music?”
Considered one of the most important events in the global electronic music scene, IMS continues to evolve with each edition, offering panels and informative talks that bring together key figures from the artistic, marketing, and other crucial sectors of the industry.
More than 1,700 speakers, artists, and delegates from over 50 countries participated in over 140 sessions, talks, and presentations, helping shape the future of the electronic music industry.
The Sync Beat Magazine team, present at this major professional gathering, had the opportunity to witness and enjoy several standout moments firsthand.
Among the highlights was the IMS Business Report, where Mark Mulligan from MIDiA Research emphasized the importance of culture over metrics in 2025, alongside a solid year-on-year industry growth of 6%, currently valued at $12.9 billion.
Other notable moments included the Beatport Awards, a panel on Afro House moderated by Dare Balogun, where artists like Shimza and Jackie Queens celebrated the global rise of the genre while defending its roots, and a generational dialogue between Sherelle and C, two prominent figures in Jungle and Drum & Bass.
As expected, throughout the event, various activities took place in iconic venues such as Pacha Ibiza, Chinois, Hyde, Akasha, Las Dalias, and the emblematic Baluarte de Santa Lucia (Dalt Vila). These included artist performances, a tribute to the legendary Alfredo Fiorito, and the After-Party, which crowned another successful edition.
As mentioned before, IMS continues to evolve, delving into essential needs, offering solutions to controversial topics, and, above all, contributing to the development of the current electronic scene.
Sync Beat Magazine will closely follow all updates on the upcoming 2026 edition and keep you informed with timely coverage of its progress.
Lukas, summarizing your career, how would you define these first 25 years?
I’ve experienced everything in these 25 years. There have been many achievements, dreams fulfilled, but also frustrations and disappointments. Even so, I usually focus my energy on the positive, and what prevails in me is a deep feeling of gratitude. Mainly because I’ve had the privilege to work and dedicate a significant part of my life to what I love most: music. And that, without a doubt, is a gift of life.
“Blood Moon” is the EP with which you celebrate this important milestone and your fans who have accompanied you. How did the idea of this commemorative album come about?
Actually, I didn’t conceive these tracks from the beginning as a celebration of my 25-year career.
I worked on them little by little, without any specific intention. But as I progressed in the production, I felt there was coherence among them, reflecting many of the things I love most about hard techno.
When I finished them, I realized they had something special and deserved to be part of the same EP.
That’s how Blood Moon was born, almost organically, and in the end it turned out to be perfect to frame this very special moment in my career.
You lead three record labels alongside Fernanda Martins: Audiocode Records, Hardwork Records, and Devotion Records. What is the identity of each, and what goals do you pursue with them?
Audiocode and Hardwork Records focus on hard techno. In both, we maintain an open vision because we believe in the richness and versatility of the genre. We don’t like to box ourselves in.
Audiocode has a slightly more defined line, although we always leave room for surprises with releases that break expectations.
At Hardwork, I allow myself even more freedom: it’s a label where the only limit is creativity within hard techno.
Devotion Records, on the other hand, is a broader techno label. Its sound is powerful, yes, but it offers great flexibility and plenty of room for experimentation.
In summary, each label has its own personality, but all share a constant pursuit of quality and authenticity.
You’re a prominent figure in hard techno worldwide. What do you consider have been the keys to building a 25-year career while maintaining such a personal style?
For me, the key has always been to be clear that the most important thing is the music.
Everything else is ephemeral: fashions, trends, numbers… they come and go. But the music remains. It’s the truth, the essence. And that conviction has guided me throughout all these years.
What musical surprises do you have planned for the rest of 2025?
After the release of Blood Moon, I plan to publish a series of singles and EPs, both solo and in collaboration with producers I deeply admire.
There’s a collaboration with Vendex that’s a bomb, and a remix alongside Fernanda Martins that we’re very satisfied with.
I’m also finishing a couple of very powerful tracks with GNRØ, and I’ve been in the studio with Golpe (from the Czech Republic), who is a true master of hard techno. We’re still polishing those tracks, but they look very promising.
Also, I have other collaborations and solo productions underway... though I prefer to keep some mystery to not spoil the surprise.
