嶺東科大流設系 歷年獲獎作品集 2023─2021

#LTUFSD #DESIGN #CREATION #AWARD

COLLECTION COLLECTION

FASHION STYLIST DESIGN

有關流設

本系以培育國際視野、藝術與人文素養兼具，以及專業、敬業、 樂業之整體造形設計專業人才為教育目標。系課程設計著重於， 跨域整合、多元教學與評量，以及實務與理論並重，以「整體 造形設計」與「婚紗造形設計」為發展特色。在時尚學院人文 素養與美學風格的教學環境營造下，致力於培養學生彩妝造形 能力、髮型設計能力、創意造形能力、美感設計知識能力，並 以通過系畢業門檻的專業證照與專題製作，做為前述專業能力 的檢核機制。

Brief Introduction to the Department of Fashion Stylist Design

The educational goal of this department is to cultivate overall shape design professionals who have an international perspective, artistic and humanistic qualities, and are professional, dedicated and happy. The course design of the department focuses on cross-domain integration, diversified teaching and assessment, and equal emphasis on practice and theory, with "overall shape design" and "wedding dress shape design" as its development characteristics. Under the teaching environment of the School of Fashion's humanistic qualities and aesthetic style, we are committed to cultivating students' makeup styling abilities, hair design abilities, creative styling abilities, and aesthetic design knowledge and abilities, and use professional certificates and special productions that pass the department's graduation threshold as the verification mechanism for professional abilities.

Ballroom

Ballroom

每個個體有獨特的性別氣質，性別狀態可應不同心境而改變，任 何型態與表象，不該被框架及定義任一性別，因為性別是流動的。 整體造型主色選用純淨的白色，白色不代表任何性別象徵，不被 侷限在任何特質中，服裝概念以美國東岸同志文化，VOGUE舞蹈 為設計核心，選用硬挺皮革布料展現前衛剛強感，將舞蹈元素融 入在服裝的版型及裁剪上，凸顯人體的自然曲線，使性別流動結 合服裝理念。

Every person has his own unique gender temperament, and the state of gender may change depending on different moods and situation. Any Stereotype, appearance, should not be framed nor defined as one gender, because the gender is fluid.

The main color is pure white, which does not symboized any gender and is not limited to any characteristics.

The concept of this collection is based on the gay culture of the East Coast of the United States, and utilizing VOGUE dance as the core of the design. The stiff leather fabric is used to show avant-garde strength, and to integrate dance elements into the shape and tailoring of each look, which highlighting the natural curves of human body, and combining the flow of gender with the concept of this collection.

Stylist Design Group of professors

黃致恩 Huang, Zhi-En

指導老師 Instructor

流設系教授群Fashion

Civitas Lux

張可楹 Chang, Ke-Ying

黃欣慈 Huang, Xin-Ci

Civitas Lux

大膽濃豔的色彩，絢爛顏色，交織出對未來世界憧憬與想 像，用顏料補抓光的美好與力量，夢想著這些色塊成真， 在世人眼中，最時尚的黑白，用色彩打破。以Cyberpunk 光感色調為靈感，運用螢光效果壓克力顏料手繪上色，繪 出未來城市夜晚光景，服裝擁有獨一無二手繪痕跡，可大 幅提升服裝耐穿程度，使服裝不易變型及克服戶外天氣影 響；壓克力顏料不易褪色，可長時間保存，顏料在紫光燈 下會反射出強烈光芒，夜晚中極具辨識性；織帶可增加服 裝功能性

The bold and vivid colors weave the yearn and imagination towards the future world. Inspired by Cyberpunk's lightsensitive hues, we use acrylic pigments with fluorescent effects to express the urban nights.

Each piece of clothing has unique traces that were painted by hand. The finishing coat gives the fabric water resistance and durable function, so the clothes could greatly overcome the weather outdoor. Fluorescent acrylic pigments reflect light intensively and are highly recognizable at night, so the clothes are safe when walking outside. The ribbon attached on the garment not only embellished but also increase the functionality of the garment.

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

Conquer

Conquer

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指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

死並非生的對立面，而作爲生的一部分永存。-村上春樹《挪威的森 林》發想，概念以鯨落作延伸，運用海浪印花，整體色系以湛藍為主， 呈現唯美浪漫、幽靜柔美氛圍；鯨魚元素則以百摺及弧形展現，擺動 的百摺像是鯨落時浪花濺起的瞬間，部分布料選用亮面質料，與波光 粼粼海浪相互呼應。

“Death is not the opposite of life, but a part of it that lasts forever.” Inspired by the book “Norwegian Wood” by Haruki Murakami, the concept is extended by whale fall. Wave printing, and the overall blue color present a beautiful, romantic, quiet, and soft atmosphere. The pleats and curved silhouette symbolize whale. The movement of the pleats presents the splashing moment when the whale fall. Some fabrics have a shiny finish to represent the sparkling surface of the ocean.

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

廖家儀 董晏瑜

現今為快時尚世代，衣物被大量製造生產，同時衍 生了生產過剩的問題。服飾退流行時，人們必定轉 而添購新衣順應潮流，忽略了，淘汰的衣物成為地 球的累贅，而衍生出環境問題，潮流和地球永續發 展平衡課題是我們必須解決的。

以自創手繪印花，將心中童趣世界可視化，將拼貼 與纏繞服裝工法，將二手衣、襪子、舊玩具和零食 包裝袋等，以童趣、無厘頭與烏托邦的方式呈現， 強調100%永續精神再製，結合文藝復興華麗元 素，賦予服裝新生命。

Fast fashion is an on-going trend, and causes environmental issues when clothes are overproduced. The balance between fashion and the sustainability is everyone’s responsibility nowadays.

The wearable art combined with customized digital prints, second-hand clothes, old toys, and snack packaging bags to emphasize the sustainable spirit - UPERCYCLING. The colorful layers and collage in exaggerate shapes and forms are used to express the childlike world in everyone‘s mind.

指導老師 Instructor

陳昱銓 Chen, Yu-Chuan

流設系教授群Fashion Stylist Design Group of professors

Funny & Innocent

林傳洧 Lin, Chuan-Wei

Healing

朱語欣

Zhu, Yu-Xin

黄琪媜 Huang, Ci-Jhen

Healing

第三國際紀念碑代表人們對烏托邦的空想，無處不在的 駐留於人類的精神裡，希望世界各地的紛鬥、戰爭隨著 時間的逝去，朝美好的方向前行。服裝以鐵鏽色為主色， 每套布料都燃燒過，製造破碎、束縛的氛圍。將燃燒後 的碎布拼湊在一起，寓意烏托邦不是空想，拼湊在一起 的碎布就像傷口般慢慢癒合，成為美好的世界-「烏托 邦」。作品設計著重在癒合的過程。

Third International Monument represents people's utopian dreams. We hope that the disputes and wars disappear as time goes by.

The main colors are in rusty shades. All the fabric was burned to create a fragile effect. The burned pieces were sewn together to symbolize that Utopia is no longer a fantasy. The patched pieces are just like wounds in a healing process. We believe the world would heal as this collection are finished through the patchworks.

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

黃文倩 Huang, Wen-Chien

張芝綺 Chang, Chih-Chi

SWAY

風使水面飄起漣漪、風使植物們舞動、風使火在燃燒的 姿態，萬物看似不被風而左右，卻因風而起舞飛揚，視 覺無法理解風的流動，是一種無形的美。利用異材質的 扭曲特性及透光感營造出風在萬物生存的自然中帶起的 一線生機。

以紗和羊毛氈爲主要材料，將紗層次堆疊、破壞搭配羊 毛氈呈現服裝理念，針對材料的透光性和延展性，讓整 體視覺延伸放大到全身服裝更為明顯立體卻不影響基本 活動能力。

Wind makes the water surface ripple, the plants dance, and the fire burn. It is invisible, but everything moves with it. The characteristic of wind is beautiful while itself cannot be explained through visualization. This collection features the distorted characteristics and light transmission effect of multi-materials, and creates the look of lives brought by the wind in the nature where all things live.

Using yarn and wool felt as the main materials, the layers are stacked and destroyed to present the design concept. Light transmission and ductility materials were used to enlarge the overall visual effect without limit body movement.

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

以人體上的流動線條，藝術為主、彩妝為輔的模 式，著重琢磨在時尚彩妝的美妝與人體彩繪的藝 術創作兩者之間取之平衡，擁有完美紅唇搭配鮮 豔跳動的流動線條感。

Based on the flowing lines on the human body, the model is based on art and supplemented by makeup. It focuses on the balance between the beauty of fashionable makeup and the artistic creation of body painting and has a perfect red lip with bright and beating flowing lines.

獲獎學生Student 蘇芳以 Fang YI Su

指導老師Instructor 黃瑞媚Jui Mei Huang

MIVA Asia Excellent Awards of Make Up Magazine Cover Poster冠軍

International Beauty Expo

竹和水墨的流動感，在創作過程中用水性顏料代替墨 水，將竹與樹表現在彩妝上。柔和的筆觸線條表現流 動感，再結合局部的潑墨讓整體更加隨性、灑脫。再 以綠色表達竹的堅韌及綠意盎然，讓每個人都能夠感 受到自然和藝術的結合。燈光採用了暖色調，讓畫面 色調更有層次。同時也讓自己的鸚鵡參與拍攝，體現 了大自然和我們的和諧共處。

The fluidity of bamboo and ink is expressed in makeup by using water-based pigments instead of ink during the creative process. The soft brushstrokes and lines express a sense of flow, combined with local splashes of ink to make the whole painting more casual and freer. Then green is used to express the tenacity and greenery of bamboo, so that everyone can feel the combination of nature and art. The lighting uses warm colors to make the picture more layered. At the same time, he also let his parrot participate in the shooting, which reflects the harmonious coexistence between nature and us.

獲獎學生Student 吳美媚Mae Mae Ng

指導老師Instructor 黃瑞媚Jui Mei Huang

MIVA Asia Excellent Awards of Make

Up Magazine Cover Poster亞軍

一場豐富多彩的旅程，找尋心目中的服飾和道具。 在色彩的海洋中尋找平衡，以及如何在筆觸中表 達情感的過程。

A colorful journey to find the costumes and props you want. The process of finding balance in a sea of colors and how to express emotions in brushstrokes.

獲獎學生Student 溫耀汶 Yao Wen VoonW

指導老師Instructor 黃瑞媚Jui Mei Huang

MIVA Asia Excellent Awards of Make

白佩真Pai, Pei-Chen

Continue

新生命誕生始於細胞分裂，代代相傳，如生物DNA 般，適應環境彼此競爭，最終轉變成所知生命形式， 方能與他人萬物產生真正連結，並延續生命。

為呈現DNA骨架，利用纏繞方式表達，線條與皺褶 為表現基因成分與律動狀態，服裝上雙面波浪設計， 表達減數分裂再次交集，並環環相扣互相影響，進 而產生新的生命體，延續在生氣蓬勃的地球上。

The birth of a new life begins with cell division passing down from generation to generation, just like the DNA of all livings adapt to the environment and compete with each other. It eventually transforms into life forms we know in order to make true connections with others and to continue lives.

In order to present the skeleton of DNA, we use the winding technique. Lines and folds represent the composition and rhythmic state of genes. The doublesided waves on the costume express the intersection of meiosis. They interlock and influence each other and produce new life forms that continue on this vital earth.

指導老師 Instructor

流設系教授群Fashion

Stylist Design Group of professors

陳威呈Chen, Wei-Cheng

夢中漫遊

潛意識不自覺成為領袖 由夢 分裂成印花 探索 相互拼湊 所產生矛盾與共生 失真的焦慮 向夢發問 由水中浮木 引領去向 期待美夢的降臨 願好眠

Roaming in a dream, subconsciousness becomes a leader.

Dreams split into prints and explore the contradictions and symbiosis produced by piecing together.

The distorted anxiety questioning dreams.

Guided by the driftwood in the water, we look forward to the arriving of the dream.

Wish you a good sleep.

吳怡萱Wu, Yi-Xuan

楊智鈞Yang, Zhi-Jun

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

Dream Incubation

Who am I

李沛晴 Li, Pei-Qing 戴孟涵Dai, Meng-Han

Who am I

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

「WHO AM I」設計靈感來自被親近的人情感勒索，無法自主控制思想與情感， 如魁儡般沒有靈魂與生命。整體服裝設計上，添加許多關於魁儡與刻板印象 等相關靈感，塑造個別角色，間接反諷現代社會風氣，當自我性格與思想， 無法被周遭人接納，只能迎合其眼光與期望，在這殘酷世界裡生存。

The inspiration for the design of "WHO AM I" came from children who were emotionally blackmailed by those closed to them and could not control their thoughts and emotions independently. In this collection, a lot of related inspirations such as puppets and stereotypes are added, and each look is individually shaped into a character, which indirectly satirizes the modern society. When one’s own personality can’t be accepted by the surroundings, one could only meet others’ expectation in order to survive in the cruel world.

Who am I

馬可妤Ma, Ko-Yu 柯淨詒Ke, Jing-Yi

Who am I

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

社會上充斥各種眼光，如喜愛的、鄙視的或或刻板的，每個人在 這當中不斷巡迴。在這冷血無白生活中，生活雖艱辛，仍認真打 拼，想從這種五顏六色彩中，扭轉生活狀態，創造自己營造廠。

In this cold-blooded life, there are still some colorful laughter from time to time. From this moment on, build your own factory.

Vanguard

莊倚恩 Chuang,Yi-En

陳王茵 Chen,Wang-Ying

王玟琍 Wang,Wen-Li

Vanguard

我們是以突破傳統規範為設計思考倒向，並且不侷限在大眾認 為的正規服飾裡，以「感覺自我」的概念，傳達進而喚醒出每 個人都是與眾不同的強烈自我意識。

每套服裝都有獨特品味，我們在領子或是袖子上做寬大的版型 設計，為了在視覺效果上呈現出強悍、冷酷的形象，並使用俐 落感的輪廓、剪裁，布的顏色採用冷色系，為了給人不易親近 的疏離感，整體設計希望能襯托出每一個人心中渴望成為帶動 潮流領導者的美好形象並具有富革新性的感覺。

Our design is meant to break through traditions and are not limited to the normal clothing that the public believes. The concept is “self-awareness” and it means to wake the sense that everyone is different.

The five looks each has its’ own unique taste. We use a wide shape design on the collars and sleeves, in order to present a strong visual effect. The clean silhouette, cutting, and the cool colors are used to give people a sense of alienation that hard to approach. The overall design hopes to set off the beautiful image that everyone who aspires to become a trend leader and has a sense of innovation.

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

李郁儒 Li, Yu-Ru

莊雅昀 Zhuang, Ya-Yun

詹寀華Zhan, Cai-Hua

Undefined

指導老師 Instructor

流設系教授群Fashion Stylist Design Group of professors

在這個世界，沒有什麼是需要被定義的。

人們總是偽裝著自己，被世俗的眼光束縛，期望重獲自由，在這個世界，沒有 什麼是需要被定義的。

In this world, nothing needs to be defined.

People are always disguising themselves, who are bound by worldly vision, and hope to regain their freedom. In this world, nothing needs to be defined.

羅莉塔1990年代開始在日本開始流行起來的時尚 風格及次文化，可以形容為「成人的少女服裝」。 蘿莉塔時尚受到維多利亞時代服裝和洛可可時期 風格的影響，服裝設計上常使用蕾絲、花邊、緞 帶、蝴蝶結等元素。 蘿莉塔時尚中有三大子風格， 分別是古典、甜美、歌德。亦有其他如水手、鄉村、 公主/王子、龐克、中華風、和風等等設計。

獲獎學生Student 許嘉真 指導老師Instructor 黃瑞媚Jui Mei Huang

Makeup & Hair Style Demonstration

Video彩妝髮型示範影片組 冠軍

International Beauty Expo

中國風為主，由於是比較臨時決定要參賽，準備 時間也沒有多久，還好有找到模特特別來支援； 在這張作品背後，需要感謝幫忙我的老師、朋友、 家人，讓我可以順利的比賽。總結，第一次參加， 覺得很好玩，沒有主題限制，依照自己喜歡的東 西下去做設計，覺得很nice，因為可以無設限的 去做不同的可能。

獲獎學生Student 柳燕雪

指導老師Instructor 黃瑞媚Jui Mei Huang

Makeup Magazine Cover Poster

彩妝雜誌封面海報組 亞軍

使用異材質的選擇和應用，親自做做實驗才能把 天馬行空的想像具象化。主題為滿版的撫媚女人， 創作理念是我認為每個女人都有各自獨特的風格 與美，獨一無二就像拼圖一樣，沒有百分之百最 漂亮的眼睛，而是每個人的五官都是自己最特別 的禮物。眼影粉和色鉛筆為主要創作媒材，另外 加入拼圖和小黑人的元素增加作品活潑與靈動性， 運用牛奶筆和奇異筆將五官和拼圖的光澤和立體 度勾勒出來，並以橡皮擦做輔助的使用。

獲獎學生Student 蘇芳以 Fang YI Su

指導老師Instructor 黃瑞媚Jui Mei Huang

Makeup Magazine Cover Poster

創意彩妝設計繪圖組 季軍

李漢霖 Lee, Han Lim

曾葦欣 Tseng,Wei Hsin

彭羽瑄 Peng,Yu-Shiuan

指導老師 Instructor

Reflection

賴志昌Lai, Chih Chang

水持續著生命。

有如降水般的沉倫水流的轉變， 滲透的養分會逐漸蒸發逝去， 最終轉變昇華且凝結而重生， 水與生命週而復始。

就像水朔造了生命， 就像水籠罩著生命， 就像水是生命。

Water lasts life.

There is a change in the flow of water like precipitation,

The permeable nutrients will gradually evaporate and die, Eventually the transformation sublimates and condenses and is re-born, Water and life go on and on.

It's like water has created life, It's like water is shrouded in life, It's like water is life

Still Mountain Is As Ancient

王昱婷 Wang, Yu- Ting 劉嘉旻 Liu, Chia-Min

指導老師 Instructor 洪祥瀚 Hong, Xiang-Han

濃淡筆觸詮釋雲煙間的變化 並運用現代色彩模糊輪廓具象化 猶如在紙墨 前的舉筆躊躇。

太古時代是個什麼模樣？對我們來說，它是一片寧靜中添加了幾分色彩， 試圖扭轉、堆疊，編織成新世代。

The light and shade brushstrokes interpret the changes between clouds and smoke, and use modern colors to blur outlines to visualize it, just like hesitating before paper and ink.

What was it like in the ancient times? For us, it is a piece of tranquility that adds a bit of color, trying to twist, stack, and weave into a new generation."

On the Origin of Species by

劉凱瑜 Liu Kai yu

陳珮瑄 Chen pei hsuan

莊詒婷 Juang Yi Ting 指導老師 Instructor 洪祥瀚 Hong xiang han

我們以恐龍的生存環境做為發想，恐龍曾經是世界上的霸主， 最終還是被大自然淘汰，就如熱帶雨林裡的樹木，只有不斷的 向上長，不斷的靠近陽光，才能活得更壯更直更久。

We were inspired by the living space of dinosaurs in the past. Dinosaurs were once the overlord on earth, but eventually eliminated by Mother Nature. Take trees in the rainforest for example, only the taller ones can be closer to the sun in order to live stronger and as long as possible.

Means of Natural Selection

李郁儒 Li, Yu-Ru

莊雅昀 Zhuang, Ya-Yun

詹寀華Zhan, Cai-Hua

指導老師 Instructor Fashion Stylist Design Group of professors

Texture

Architectural

廣闊無定之型態，連結、建構，虛實交錯後行成的組織創體，形 成中的意義非凡，創造後的未知影響，別小看任何事物。

The vast and indeterminate form, linking, constructing, and forming an organization created by the interlacing of virtual and real, is of extraordinary significance in the formation. The unknown influence after creation, don't underestimate anything.

1947年，伊莉莎白蕭特散落在雷曼特公園，她被解構的輪廓以怪誕的姿 態重組，後人稱之為黑色大理花。將流竄的動脈與渲染的靜脈，捕捉為印 花；作品透過褶皺、透光的肌理詮釋身體空間的表裡之美。

In 1947, Elizabeth Short was found murdered in the Leimert Park, her corpse had been mutilated in peculiar appearances. The tragedy is known posthumously as the "Black Dahlia". Using the pattern to refer to splattering veins and arteries. Pleats and sheer fabric are the textures to create the delicate space between body and clothing.

流設系教授群Fashion Stylist Design Group of professors

An anonymous letter to Elizabeth

指導老師 Instructor

Elizabeth Short