Roaring Fork
RoaringForkLifestyle.com
NOVEMBER 2017
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Curtain Call CONSENSUAL IMPROV! THROWS OUT THE SCRIPT ALYA HOWE SHELTERS PERFORMING ARTISTS ERIC MEAD MAKES MAGIC
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Lifestyle Letter
To Laugh, To Cry, To Learn
“W
e are such stuff as dreams are made on, and our little life is rounded with a sleep.” I watched as Prospero delivered these words during Thunder River Theatre’s recent production of “The Tempest,” recognizing one of the most well-known lines in all of Shakespeare’s canon. It’s been quoted time and again in popular culture, even misquoted, to the point that many aren’t aware of its origins—so to finally hear it live, in its true context, felt powerful. For me, that’s where the most beautiful significance of the theatre lies: in its timelessness. Today, if we are still managing to find relevant meaning in the 400-year-old words of an island-dwelling sorcerer like Shakespeare’s Prospero, there must be a mystical, ageless, enduring truth in the connection between a performer and his or her audience. That connection is entertaining, yes, but also revelatory in a way that lines four centuries old can suddenly feel more urgent and timely than anything a modern Hollywood film could produce. In this issue’s article on Sopris Theatre Company, actress (and CMC Vice President and Campus Dean) Heather Exby says that “like all the fine arts, I think theatre allows us to engage in thoughtful exploration of what it means to be human. It challenges us to think and feel deeply about how we live, and what makes us tick.” In Nicolette Toussaint’s article on Alya Howe, the performance artist echoes that sentiment: “The arts are essential as the heartbeat of the community.” And in his poignant essay on the last page, Thunder River Theatre director Corey Simpson confides, “We are onstage to challenge ourselves and each other to be completely present and frighteningly vulnerable, to walk on the razor’s edge of our souls, to unabashedly bare our most private selves for the benefit of others. To act as a wake-up siren for the greater good, a living reminder of our shared humanity, whether it be through comedy or tragedy.” I think they’re onto something there. And it isn’t just actors and playwrights who step on stage to bring us insight into the human condition—it is also dancers, comedians, puppeteers, improvisers, spoken word poets, magicians, storytellers, and so many other types of performance artists. Fortunately for us, these art forms are all alive and well across the valley. This month, see a show if you can. We hope the stories in this issue inspire you to remember why we attend live performances in the first place: to laugh, to cry, to learn more about ourselves, and each other.
NOVEMBER 2017 PUBLISHER
Rick French | RFrench@LifestylePubs.com 970-618-8981 EDITOR
Caitlin Causey | Caitlin.Causey@LifestylePubs.com CONTRIBUTING WRITERS
Caitlin Causey, Alexa Fitzpatrick, Bridget Grey, Corey Simpson, Nicolette Toussaint, Geneviève Joëlle Villamizar CONTRIBUTING PHOTOGRAPHERS
Jane Bachrach, Lewis Cooper, Midge Dallas, Katherine Dessert, Gene Driskell, Chris R. Kemp, Joe Kracum, Ross Kribbs, Elle Logan, Asa Mathat, Jonathan Kim Photography, Hal Williams Photography, Renee Ramge, Andy Rosenberg, Michael Schauber, Corey Simpson
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Caitlin Causey, Editor
RoaringForkLifestyle.com ON THE COVER The members of Consensual
Improv! give us their best jazz hands. PHOTOGRAPHY BY COREY SIMPSON
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514 W 26th St, Kansas City, MO 64108 Proverbs 3:5-6 Roaring Fork Lifestyle™ is published monthly by Lifestyle Publications LLC. It is distributed via the US Postal Service to some of Roaring Fork’s most affluent neighborhoods. Articles and advertisements do not necessarily reflect Lifestyle Publications’ opinions. No portion of this magazine may be reproduced in any form without written consent. Lifestyle Publications does not assume responsibility for statements made by advertisers or editorial contributors. Information in Roaring Fork Lifestyle™ is gathered from sources considered to be reliable, but the accuracy of all information cannot be guaranteed.
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November 2017
Departments
50
10
Publisher’s Letter
12
Good Times
18
Around Town
22
Back Stage
24
Healthy Lifestyle
42
Culinary Creations
44
Lifestyle Calendar
50
Parting Thoughts
22 Uncommon Opportunity
CMC’s Sopris Theatre Company Produces a
Celebrated Coming-of-Age Comedy
24 Coming Soon: A New Mountain Family Health Centers Clinic
Bigger, Better Health Care in Basalt
42 Spice It Up
Roaring Fork Spice Co. Seasons the Valley and Beyond
22
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Publisher’s Letter
Life is a Stage
I
had the pleasure of going to a play recently at Thunder River Theatre in Carbondale. Our local performing artists are truly a gift to the community. I always enjoy not only their talented performances but also the actions of the stage crew as they rearrange set pieces on a darkened stage for the ever-changing scenes. Everything is choreographed for smooth transitions, and it’s amazing to watch.
I also enjoy observing the even larger stage of the world around me. Autumn is alive with performing arts. You can step in your back yard, take a walk through the woods or alongside a stream and see choreographed performances all around you. Recently I was doing some seasonal fall yard work and heard the honking of geese. Looking up, I witnessed the “V” of their flock in perfect formation. Suddenly, as if by design, two or more of them moved out of line and dropped to the rear, causing a complete realignment of the formation. The shift was so smooth they barely missed a wing beat— just like the incredible actors and stage crew at Thunder River.
Thinking of this, I sometimes slow down for a moment and just observe what is happening in front of me. I think the performing arts can actually take many forms in everyday life: the repetition of movement honed with hours or years of practice, a gracefulness of that movement or a practiced eye. Watch a craftsman refining the edges of a new piece of furniture, a skilled machine operator carving out a hole in the earth with such precision that he works within inches of a pipe or tree root, watch the motion of a traffic officer directing traffic, the fluid movement of a runner. Whether you are watching a play, a marching band, the Rockettes, or simply taking a peaceful walk in nature and noticing the gorgeous natural formation of a flock of geese, invite your mind to slow down and watch the movement. The arts are always alive around you; you just have to take the time to see them.
Rick French, Publisher RFrench@LifestylePubs.com
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Good Times
Spring Creek Uprising
September's event at Gianinetti Spring Creek Ranch in Carbondale was a day of local music, food, and family-friendly fun to kick off YouthZone Ascent, the nonprofit's annual fundraiser. PHOTOGRAPHY BY CHRIS R. KEMP.
The YouthZone Ascent Aspen Team takes the stage.
Ranch owners, the Gianinettis.
Lookout Mountain Showdown.
Volleyball under the sun.
A Band Called Alexis performing for enthusi- Festival attendees enjoying a game of cornhole. astic dancers.
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Roaring Fork Lifestyle | November 2017
Dressed to the K9s
In September, Colorado Animal Rescue (CARE) hosted its annual fundraiser at The Orchard in Carbondale. Festivities included a canine fashion show, music from Valle Musico, a performance by the Glenwood Vaudeville Revue, and remarks from co-founder and valley philanthropist Jim Calaway. PHOTOGRAPHY BY JANE BACHRACH, MICHAEL SCHAUBER, AND JOE KRACUM.
Co-founder Jim Calaway.
Staff member Eric Welker with Pixie and Kazoo.
Carol Murphy (left) with board member Faith Lipori.
Shelter staff members (from left): Samantha Staff members thanking Executive Director Wes Boyd. Pickard, Jessica Jones, Keira Clark, and Wes Boyd.
Mary Axelson (left), adopted CARE dog "Maggie," Michael Rosenberg (left), with board member (From left) Heather Craven, Connie Calaway, and and Molly Sustard. Courtney Kleager (center). Jorie DeVilbiss.
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Good Times
Spectrum Dance Festival
This fall, Dance Initiative hosted the Sixth Annual Spectrum Dance Festival at The Launchpad in Carbondale, celebrating the art of dance in all its forms through demos, studio performance, film screenings, and a series of workshops for the Roaring Fork Valley community. PHOTOGRAPHY BY KATHERINE DESSERT.
Dancers Rayne Jones and Ronnell Kitt.
Visiting dancers from the STAYCEE PEARL dance project of Pittsburgh, PA. Deborah Colley.
Carolyn Yates.
Staci Dickerson and Hamilton Pevec.
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Roaring Fork Lifestyle | November 2017
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Good Times
Hurricane Relief Effort
Earlier this season, Network Interiors of Glenwood Springs hosted a donation event for hurricane and flood disaster relief in the south. The group loaded some 35,000 pounds of donations, mostly new, onto a 53-foot semi truck headed for affected areas.
Butterfly Xpress owner Bill Barhite donated the semi and fuel to the effort. Beside him is Network Interiors owner Jody Maloley, a key organizer of this and other local charitable events.
Network Interiors owner Jody Maloley (center) poses with the hardworking group.
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November 2017 | Roaring Fork Lifestyle
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Around Town
AROUND TOWN
YOUTH ORCHESTRA PRESENTS FALL CONCERTS
UPROOT SEEKS VOLUNTEERS Valley-based nonprofit UpRoot is seeking volunteers for two work days at Eagle Springs Organic in Silt on November 4 at 9 a.m. and November 5 at 1 p.m. The organization's mission states that it works "to create a holistic, healthy, economically vibrant and just food system within Colorado through gleaning, experiential education, and nonpartisan legislation." Volunteers are asked to dedicate at least two hours of work harvesting leftover crops for local hunger relief organizations. Families are welcome, and volunteers will be able to take home a box of the harvested organic vegetables. Carpooling options are available. To RSVP,
The Roaring Fork Youth Orchestra will perform this month on
contact UpRoot co-founder Ciara Low at Ciara@UpRootColorado.org
November 12 in Aspen at Edlis Neeson Hall at the Bucksbaum
or call 401.601.5249. Visit UpRootColorado.org for further information.
Campus and on November 14 in Carbondale at the Third Street Center. Both performances begin at 5:30 p.m. All concerts are free and open to the public. Families and young children are always encouraged to attend. The nonprofit, now in its seventh year, serves nearly 50 young area musicians aged six to 18. The students play a variety of instruments including violin, viola, cello, wind and brass instruments, and percussion; the orchestra is composed of three ensembles so that musicians may participate in a program matched to their ages and abilities. Scholarships for tuition and private lessons are offered to make the program affordable for all. For performance details and registration information, visit RFYO.org.
ASPEN MUSIC FESTIVAL AND SCHOOL PARTNERS WITH AMERICORPS Aspen Music Festival and School (AMFS) has helped bring five new music educators to the valley through a new partnership with ArtistYear, an Americorps program dedicated to increasing arts education opportunities for young people around the country. The five full-time teaching fellows are working within the Basalt schools and directly with AMFS, providing after-school programming and private Photo: Ross Kribbs
lessons for local schoolchildren.
CONTINUED >
CASA OF THE NINTH ANNOUNCES NEW EXECUTIVE DIRECTOR Glenwood-based Court Appointed Special Advocates (CASA) of the Ninth recently welcomed new executive director Christy Doyon to the organization, which works to provide trained volunteer advocates for abused and neglected children in the state's Ninth Judicial District. Holding two degrees from Colorado State University, Doyon moved to the Roaring Fork Valley from Fort Collins in 2015. She previously worked with Eagle County Public Health's Healthy Aging Department, the University of Denver's Graduate School of Social Work in Glenwood Springs, and with the Boys & Girls Clubs of Larimer County. More at CASAOfTheNinth.org. 18
Roaring Fork Lifestyle | November 2017
Sarah Beske (AMFS), Emily Schoendorf (ArtistYear Fellow), Margo Drakos (ArtistYear Founder), Alan Fletcher (AMFS President/CEO), Daniel Jacobs (ArtistYear Fellow), and Katie Hone Wiltgen (AMFS). Photo: Elle Logan
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Around Town
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Said Alan Fletcher, AMFS president and CEO, “The five ArtistYear AmeriCorps members who have joined us here this fall are bringing to this community both the talent and the intention to make children’s lives better through art. We support this for our local families and also are proud to be a part of this program as it develops for all the other
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communities who will benefit from ArtistYear as it grows nationally.”
NEW RIVER DISTRICT GENERAL MANAGER The Colorado River District has announced that attorney Andrew (Andy) Mueller of Glenwood Springs will assume the role of general manager following the retirement of current GM Eric Kuhn. Mueller comes to the position from the law firm of Karp Neu Hanlon and was selected unanimously by the River District's board of directors after a nationwide search. He is a former member of the River District board,
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-Becky Ciani-Broker Associate When Roaring Fork Lifestyle EIKLOR FLAMES Magazine first came out, we were so excited as it gave our www.eiklorfl ames.com Community and our Valley an identifiable presence in a beautiful, upscale glossy form. We thought we would try an ad or two to see how it went - and then realized that our marketing dollars were reaching the entire valley – and we saw a definite increase in our Business. Having Rick French the Publisher take such time with his Clients and provide that personal touch and care, has made our experience with Roaring Fork Magazine – a Hwy 82 remarkable one. Sincerely - Patricia Blick
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21
ppor O t n
un
ity
CMC'S SOPRIS THEATRE COMPANY PRODUCES A CELEBRATED COMINGOF-AGE COMEDY
U
m o c mo n
Back Stage
are an intergenerational blend of voices performing in the company’s diverse, ambitious five-show season each year—and a dynamic
ARTICLE CAITLIN CAUSEY PHOTOGRAPHY CMC PHOTOGRAPHY STUDENTS
H
learning experience for the student actors. The cast of 10 women includes graduates of CMC’s associate of arts theatre program, current theatre majors, environmental
ow is anyone just suddenly supposed to know what to
science and business majors, an acting newbie studying psychol-
do with their life?
ogy, and even CMC Vice President and Dean of the Roaring Fork
It's an age-old question. Actresses treading the boards
Campus, Heather Exby.
at the New Space Theatre are pondering this quarter-life conundrum
Exby, who grew up immersed in the wonders of community the-
all month long, through their characters, as they rehearse for Sopris
atre thanks to her parents, notes that “like all the fine arts, I think
Theatre Company’s upcoming production of “Uncommon Women
theatre allows us to engage in thoughtful exploration of what it
and Others” by Pulitzer Prize-winning playwright Wendy Wasserstein.
means to be human. It challenges us to think and feel deeply about
The play, featuring an interrelated collage of scenes, follows a group of
how we live and what makes us tick.”
college friends reunited in the years after graduation as they recount their formative experiences together. It opens December 1.
To explore the nooks and crannies of the human experience: Perhaps this is why community artists seek involvement with a group
Tucked among the rolling hills of Missouri Heights on the Spring Valley Campus of Colorado Mountain College (CMC), the New
like Sopris Theatre Company again and again, and why young students choose to pursue studies in the performing arts field.
Space Theatre is an off-the-beaten-path venue that's home to a rel-
“Theatre fosters the best in people,” says Ciara Morrison, a the-
atively new troupe which many local performing arts patrons may
atre program grad who dreams of running her own acting company
still know little about. Sopris Theatre Company operates as a hybrid
someday. “It helps its participants to learn patience and teamwork.
program, combining the experienced talents of community artists
Theatre brings people together and helps them digest a little crumb
with the fresh eyes and eager hearts of CMC students. The results
of the world, through stories.”
MEREDITH DUSENBERY “Narrator” 22
PAIGE ULMER “Kate Quin”
Roaring Fork Lifestyle | November 2017
JOANNA CALDWELL “Samantha Stewart”
LYLAH PURPUS “Holly Kaplan”
MAKENA SEAVERS “Muffet di Nicola”
From left: Hiebert, Seavers, and Morrison rehearse a scene from "Uncommon Women and Others."
Suzie Brady, a current theatre student with plans to pursue a
feminism,” Exby says. “Women's colleges were both a vestige
master’s degree in stage management, adds that sometimes the
of the past and an incubator for women's liberation and inde-
draw is in “the exchange of energy from performer to audience
pendence: a point of great tension that is explored with tender-
member and back again,” which she says “is so unique and spe-
ness and realism in Ms. Wasserstein's play.”
cial—it really can’t be described, but the rush is amazing.”
Although many things have changed in the four decades since
Or, for these actresses, the pull of the stage might come down to something even simpler: joy.
the work was first mounted in New York City, some things haven’t. As business major and student actor Makena Seaver says of the
“It's a treat to spread joy,” says program grad Paige Ulmer. “To have the audience leaving the theatre feeling refreshed. The goal is to connect with the audience, have them take something meaningful with them when they leave.”
characters’ bonds and struggles: “As long as you have some good friends, you'll be just fine.” And that's the truth, whether you know what you want to do with your life or not.
Having premiered off-Broadway in 1977, “Uncommon
“Uncommon Women and Others” is directed by Brad Moore and
Women and Others” is sure to deliver meaning to contemporary
runs the first two weekends of December. Sopris Theatre Company’s
audiences, the cast agrees.
2017-2018 season continues in the spring with “Red,” “Cabaret,”
“The play provides an intimate glimpse into the tensions
and an original student workshop production. For full details,
and opportunities that were present during the first wave of
visit ColoradoMtn.edu or follow Sopris Theatre Company on Facebook.
SUZIE BRADY “Rita Altabel”
HEATHER EXBY “Mrs. Plumm”
CIARA MORRISON “Susie Friend”
HADLEY HIEBERT “Carter”
CHRISTINA CAPPELLI “Leilah”
November 2017 | Roaring Fork Lifestyle
23
Healthy Lifestyle
COMING SOON: A NEW MOUNTAIN FAMILY HEALTH CENTERS CLINIC
ARTICLE CAITLIN CAUSEY | PHOTOGRAPHY JONATHAN KIM PHOTOGRAPHY
M
BIGGER, BETTER HEALTH CARE IN BASALT ountain Family Health Centers (MFHC) will open a new integrated health center in Basalt in the fall of 2018. We recently spoke with MFHC
Development Director Garry Schalla about the new clinic. RFL: WHY IS THIS NEW HEALTH CENTER SO IMPORTANT
IN THE ROARING FORK VALLEY?
Schalla: MFHC’s mission is to provide high quality, integrated primary medical, behavioral, and dental health care, with special consideration for the medically underserved. Over 24 percent of residents of the Roaring Fork Valley (Pitkin, southwestern Eagle, and eastern Garfield Counties) live at or below 200 percent of the federal poverty level, and 85 percent of all MFHC patients fit this description. This is less than $48,000 for a family of four. Despite the wealth in the Aspen vicinity, there are large numbers of workers in the tourism, service, and construction industries who make limited wages and have little or no health insurance benefits. Many work multiple jobs and travel up to two hours to reach their jobs in Aspen. This can leave little time for medical visits. Currently, the Basalt Clinic serves only 1,000 of these 8,500 low-income individuals. In addition, thousands of other middle- to low-income families may soon be at risk of losing coverage with the proposed repeal of the Affordable Care Act. This health center will fulfill both current and coming medical needs for valley residents. RFL: WILL MFHC BRING MORE SERVICES TO THE VALLEY? Schalla: MFHC, in partnership with Pitkin County and Aspen Valley Hospital, will open the new Basalt Health Center at 123 Emma Road, in the former Bristlecone Mountain Sports space. In this expanded clinic, MFHC will have the room to increase its capacity for medical care and behavioral health and add new services including dental care, pharmacy and laboratory services, and care coordination. There is an extreme shortage of behavioral health professionals in our region, despite the high documented need for mental health and substance use disorder services for both children and adults. At present, MFHC is only able to provide limited behavioral health services in Basalt due to space constraints. The new health center will allow us to more than double the number of patients who can receive behavioral health services there. 24
Roaring Fork Lifestyle | November 2017
The new Basalt Health Center will open at 123 Emma Road in the fall of 2018.
The Basalt Health Center does not currently have the space for providing dental health care services either, but the new one will have room for a full dental clinic. Until this time, MFHC has not had the space to have an on-site pharmacy. The new Basalt Health Center pharmacy will directly address a social determinant of health, as patients with stressed schedules and limited transportation options will be able to receive their prescriptions before they leave the clinic. This means quicker recovery and a more productive parent, worker,
assistants, nurse practitioners, and medical assistants;
and member of the community.
dentists, registered dental hygienists, dental assistants,
RFL: WHAT MAKES MOUNTAIN FAMILY DIFFERENT?
and sterilization technicians; behavioral health specialists
Schalla: The Basalt Health Center expansion will
including psychiatric specialists via telehealth; and care
provide comprehensive, integrated primary medical,
coordination specialists including patient educators, social
behavioral and dental health care, supported by in-cen-
health advocates, and nurse complex care specialists.
ter pharmacy services. MFHC’s integrated care model
The new Basalt Health Center will provide all of these
consists of an interdisciplinary team of health and social
services on-site, in a model that connects all these ser-
service providers which will include physicians, physician
vices in one health care home. Additionally, laboratory testing will be provided both on-site and through contracts with accredited labs. The care coordination team will also ensure patient access to and collaboration with outside providers and specialists and social, human services, and other community agencies. In addition, the establishment of a primary care health care home for the target populations I identified earlier will reduce the strain on local hospital emergency departments, improve the management of chronic conditions, and have a positive impact on health disparities caused by the lack of access to appropriate services. RFL: HOW CAN THE COMMUNITY SUPPORT
THIS NEW HEALTH CENTER?
Schalla: MFHC has started a capital campaign to raise funds for the Basalt Health Center expansion, and is seeking support from individuals and businesses to cover the costs of the building’s renovation. The easiest way to learn more about and support this campaign is to visit our website MountainFamily.org. Or feel free to contact me, Garry Schalla, at 970.945.2840 ext. 7290. I’m always happy to present to any club, group, or civic organization as well. November 2017 | Roaring Fork Lifestyle
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Consensual Improv! Throws out the Script and Brings on the Laughs ARTICLE ALEXA FITZPATRICK | PHOTOGRAPHY COREY SIMPSON
28
Roaring Fork Lifestyle | November 2017
Cassidy Wiley and Nina Gabianelli create a scene.
C
onsensual Improv! and Thunder River Theatre Company (TRTC) are building a performance relationship and so far, it’s a perfect match.
“It was amazing when Jeff [Patterson] reached out to me, because
years before I was involved at Thunder River Theatre, I’d journaled about all of the exciting arts and cultural programming that could take place in a black box performance space. One idea that stood out to me was improv. When Jeff approached me, we had already started discussions about an improv group at TRTC, so it seemed like the perfect time,” says Corey Simpson, TRTC’s artistic director. Patterson, a success coach based in Aspen, was working on his own project at the same time. In early 2016 he was focused on a busy career filled with coaching and speaking engagements, but says he was “missing his playful creative side.” Remembering the acting career he’d left 20 years earlier, he looked for a class to take and couldn’t find anything that was quite right. Giving himself the advice he’d give to a client, he wondered, “Why don’t I just create it?” The two men put the word out to friends that they were going to start practicing and, after a couple of sessions, they held official auditions to form Consensual Improv!’s current group of 10. They rehearsed for months before deciding that they were ready for their first performance. Now, a year after their public debut, the group rotates to have six performers in any one show and is performing everywhere from TRTC’s black box stage to the Glenwood Vaudeville Revue to private parties in living rooms. Patterson stresses that the group is made up of a high caliber of talent who are focused on the work and that the “sold-out performances are just a bonus.”
Patterson describes improv as “taking a suggestion from the audience and creating and entertaining and humorizing it into a work of art. Improv, for me, is a great transformer. Improv takes great courage and vulnerability and commitment and those three attributes make for a great life.” Where's your funny?
Nina Gabianelli, a grande dame of Aspen’s theater and cabaret scene and now a newly minted improviser with the group, confesses, “It terrified me. The idea of not having a script, not having a character figured out, terrified me. So I signed up.” Her favorite game is New Choice, an improv standard where the players create a scene while the director periodically calls out the words “new choice.” Each time the words are spoken, the actors have to change what they are doing on the fly. “It’s great,” she says. “Someone calls out and tells me to do something different, so it’s much easier to get out of my head.” So how does one practice for something that is supposed to be off the cuff ? Every Wednesday, members of the group get together. Gabianelli says, “Practice is what makes it become effortless. It’s like my weekly playdate.” They begin by stretching and then move into doing some classic improv warm-ups. Zip, Zap, Zop, for instance, where the code word for passing one direction is Zip, the other is Zap, and to pass it across the circle, Zop. Once the control of the game is passed to you, it is your responsibility to pass it to someone else in the circle by pointing and using the correct word. The CONTINUED >
November 2017 | Roaring Fork Lifestyle
29
“YES, AND...” (CON TI N U ED)
game continues until a player uses the wrong word or is caught not paying attention; mistakes are frequently met with generous laughter as the game begins anew. Another game, dubbed Passing the Energy, is a movement variation of the child’s game of telephone, where the first person starts with an action and it moves around the circle with each player imitating the one immediately before them until the action is completely unrecognizable from the original. And, to warm up into characters and scenes, Freeze Tag has the cast on the back wall while two players create a situation. After they have set up the who, what, and where, a player from the back yells, “Freeze!” and tags one of the players out, taking their place and beginning a new scene. Once the group ideas are flowing, they settle into longer form scenes and, after each performance, discuss what worked for them and what didn’t. Rehearsals after shows can also involve watching their own performance recordings, breaking down the best parts and analyzing where they feel the group can improve.
Patterson adds that one of his favorite components of the group is that
“it’s not about stage time. It’s about growing and transforming as a person. It's also about supporting your fellow player and taking risks.” Auditions are open and according to Patterson, “everyone
Consensual Improv! performances mostly feature the shorter games
gets a shot,” though trying to pin down the time and location of
but, according to Patterson, who is both the director and one of the players,
those auditions is more challenging. Your best bet is to check out
their current focus is on mastering the long form and developing themes
ThunderRiverTheatre.com and go to a show. New performance
that run through the entire show. According to Simpson, “Consensual
dates will be posted soon.
Improv! has brought younger people through the doors who are looking
Love improv or hate it, one thing is for sure: this is a close-knit
for the edgier—often funnier—material common to improvisation.” The
group of people who are having a lot of fun. During a rehearsal, while
affordable shows, which run just 75 to 90 minutes, "make for the perfect
practicing a monologue, player Ryan Honey talked about trust.
after-dinner entertainment or the start to a later night on the town." Consensual Improv! performer and local middle school drama teacher Cassidy Wiley has offered improv classes for kids through
“This team is setting the bar for my life in the valley,” he says. He was onstage, he was performing, but it was also clear that he was in the moment sharing a beautiful and vulnerable truth.
TRTC and, according to Simpson, classes for adults are also a possibility. Simpson notes that "the first rule of improv is 'yes, and...' It's an invaluable philosophy for how to live everyday life, and it has value for kids as well as adults in every situation we face in our community.”
TRTC Artistic Director Corey Simpson takes center stage during a rehearsal.
30
Roaring Fork Lifestyle | November 2017
Consensual Improv! cast surrounds fellow performer Mike Monroney.
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U N DE R A LYA'S UMB R E L L A RAISING SUPPORT FOR LOCAL PERFORMING ARTISTS ARTICLE NICOLETTE TOUSSAINT PHOTOGRAPHY RENEE RAMGE & LEWIS COOPER
C
horeographer, poet, and performing arts curator Alya Howe has an “umbrella." What she needs now are additional rainmakers.
Over the past five years, Howe has curated three different
performing arts series: Writ Large, the Poetry Brothel, and The Salon in Aspen. The Salon celebrated its fifth anniversary this past September with a huge gala, one that for the first time took place at the Wheeler Opera House. It also moved downvalley to run in Carbondale. On the heels of that success, Howe reflects, “I’d like to have performance homes for these series both up and down the valley—a home base where I can meet with artists to create, collaborate, and cultivate new material. And I’d like to Alya Howe performing her poetry.
encourage and develop ways to pay local performing artists, especially poets and dancers, who typically are underpaid.”
32
Roaring Fork Lifestyle | November 2017
Feeding arts and artists in the Roaring Fork Valley is the mission of Howe’s new venture, one she calls “Under Alya’s Umbrella.” To that end, Howe recently convinced some local philanthropists to underwrite subscriptions. The generosity of Alan and Alicia Sirkin, Harris Clearfield, Shana Gregory, and Terry Paulson not only helped defray the cost of The Salon’s fifth anniversary show in Aspen, it also enabled the series to offer shows in Carbondale. Gena Buhler and her team at the Wheeler, Amy Kimberly of Carbondale Arts, and Peter Gilbert of Dance Initiative are all arts leaders who became the rainmakers who helped realize Howe's dream of producing the Salons both up and downvalley. “I would like to build a performing arts circuit,” says Gabriela Alaverez dancing in "Nature in Translation." Photo by Alya Howe.
Howe. “And now, with two Salons in Carbondale, it’s starting to happen.”
Cast of Howe's "Vacuum."
While continuing to develop new work, Howe has been the recipient of multiple local grants. In 2015, under a residency from Dance Initiative, she created a performance called “Vacuum” that combined dance, film, and poetry. In 2016, Dance Initiative awarded her a commission to create "HEaRD." This year, Howe created “Nature in Translation” as a Wilderness Workshop commission, funded in part by a grant from Colorado Creative Industries. CONTINUED >
November 2017 | Roaring Fork Lifestyle
33
UNDER ALYA’S UMBRELLA (CON TI N U ED)
As a choreographer and dancer who has performed
The author of this article was surprised to be handed
nationally and internationally, Howe knows what it’s like to
a check after storytelling at a Writ Large event in Aspen.
make a living in the arts—and to hit the big time. She has per-
Financially underwritten by Michele Kiley, Writ Large was
formed with modern dance greats including the Jose Limon
a collaboration between Justice Snow's, Howe, and the
Dance Company and Kei Takei, and she has improvised for
Isaacson School for New Media at Colorado Mountain
tabla legend Zakir Hussein. But she has had concerns about
College. Howe was in charge of finding local talent, indi-
the impact major artists have on struggling locals when they
viduals who told personal, non-fiction tales to a live audi-
drop in to perform. “For many years, I was a guest artist who
ence. Before doing so, the storytellers—some of whom
received international commissions. I would fly in to stay for
had never before spoken on a live microphone—received
awhile, to choreograph, teach, and perform. I would go to local
mentoring and coaching. After performing, they were
events to see artists that the local community wasn’t funding.
treated to dinner—and featured poets and Salon artists
I was happy to get the gig, but aware that I was taking money
were paid for their work.
that could have funded the local artists.”
“Writ Large explored some of the more insightful
“That’s why I now live in Carbondale,” Howe continues.
moments in people’s personal lives. I had no idea it would
Carbondale Arts steered the town to certification as an
be one of the most touching series I have done,” Howe
official Colorado “Creative District” in 2016. According
reflects. “And for some of the storytellers to have a pro-
to Creative Vitality Suite, a Denver-based data-tracking
fessional editor working with them is huge! Professional
company, Carbondale’s 81623 zipcode gained roughly
editors get between $30 to $200 an hour!”
$17.1 million in creative industry earnings since 2013.
Howe has experimented with various methods of rais-
But arts funding is notoriously uneven, and at the end
ing money for local arts. One of her more innovative ideas
of 2016, underwriting for all three of Howe's performance
was “Pillow Talk,” which involves buying a poem. As she
series ended, along with her own residency grant. That
explains it, anyone can buy a poem for $10-$15, and then
posed a conundrum: Should she allow the popular perfor-
present it as a gift to a friend. “I tell people, buy a friend a
mance series to dissolve? Stop creating her own works? Or
poem; it’s a cup of coffee to you!”
see whether the broader community would defray costs,
Recently, four Poetry Brothel patrons bought “A Little
moving the support away from reliance on Dance Initiative
Bit Nervous,” a poem written by local youth poet Alyssa
and on Michelle Kiley, who funded all three programs at
Szczelina, who has been a participant of the Youth Poetry
Justice Snow's in Aspen?
Slam and who was a featured poet at the Poetry Brothel
Hence the formation of "Under Alya’s Umbrella." It's a
in Aspen last February. Talking about why she writes,
shelter not only for Alya’s own dance/theatre work and
Szczelina said, “The catharsis of pouring my heart out
the three existing performance series, but also for other
from the page to the stage lifted me to a level of empow-
artists. Many who have envisioned new projects have
erment and honesty that I never thought I could possibly
come to Howe asking, “Can I do this work under your
experience... I write poetry so I can bask in the beauty
umbrella?” The organization’s mission, as expressed online
of vulnerability. I write poetry because the rawness cuts
at AlyaHowe.org, is “to provide mentorship, support and
away the superficial facade that life is draped with, even if
regular performance opportunities for up-and-coming as
for just a second. I write poetry to show others that truth
well as established artists in our valley.”
can destroy, but it is also the best teacher and healer.”
Howe says, “When we perform, our voice and craft
Howe concurs, and adds, “In a country that doesn’t have
becomes more potent. I want to cultivate value for per-
a long history, or a culture of art funding, or even arts educa-
forming artists, to foster a community that pays artists,
tion, the arts are essential as the heartbeat of the community.
whether it’s money, donations in kind, help with advertis-
The arts are essential voice—in relation to politics, relation-
ing and social media, mentoring…”
ships, social problems, racial relations, the environment—the
This is, of course, what Howe has been doing while curating those three series. As performance arts pro-
human condition. We need artists to provide a voice for people to react to, to invite reaction and accountability.”
grammer at Justice Snow's, as founder of the Poetry Brothel, and as curator and director of Aspen’s Writ Large,
Arts lovers and potential rainmakers can learn more about
Howe has continually mentored local dancers, musicians,
"Under Alya's Umbrella" online or by emailing alya@alyahowe.
poets, and storytellers.
org or phoning 970.309.2582.
34
Roaring Fork Lifestyle | November 2017
(Top left) Bows and flowers at the completion of "Vacuum." From left: Cynthia Gottloeb, Krysia Carter Giez, Peter Gilbert of Dance Initiative, Alya Howe, and Sean Ericson. (Top right) From left: Justice Snow's proprietor Michele Kiley, Alya Howe, and composer Andrea Clearfield, founder and host of the Philadelphia Salon, a monthly performance series that has been running since 1986.
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a conversation and a card trick with aspen magician and thinker, eric mead
ARTICLE GENEVIÈVE JOËLLE VILLAMIZAR
“M
ost people, who are not only involved find out. If you fly off on a tangent, you’ll find in magic but really big fans of magic all the things you never would have even
for a long time, still have a misconception about thought about.” what magicians are,” says Aspen magician Eric
Acclaimed by peers Penn and Teller, lauded
Mead. “There’s a huge spectrum. But the magi- by Jeff Bezos, Mead has been featured on Ted cians that I like most—respect most—aren’t Talks and NPR. Educator, writer, international even on that spectrum. They’re in a different speaker—magic informs all of it. room, doing work that is aimed at really smart
“Why does anything hook someone?” he
people. There are ideas behind magic besides muses. “Why do they take piano lessons for what the trick part is.”
a year, and that becomes the driving thing in
Confident yet a gentleman, Mead doesn’t their life? Why does someone throw a baseball, place himself on the spectrum or in the room. and now that’s all they devote their time to,
Perhaps he works more in something like the whatever it is? I can’t tell you why that is, but Great Room, where library meets dining room I can tell you—me and magic hooked like that.” meets living room: a locus of curiosity and question, observation and presentation.
He explains, “Ever since I was seven, eight, nine years old, I’ve thought about magic every
A recent Indian summer’s conversation I had day. Whether I’m working, not working, on with Mead is an expansive, tangential flight.
vacation, playing in the park with my family—it
“It’s where you find all the good things,” goes on, in my head. It’s a lot of imagination, he says, leaning in. “If you stick to the plan, dreaming of things that aren’t, and of interpretyou find out what you thought you would ing things that exist, that are.”
CONTINUED >
November 2017 | Roaring Fork Lifestyle
37
THE MAGIC OF MEAD (CON TI N U ED)
“Is there something bigger in there?” Mead ponders. “I
relationships, in sports and games, advertising, all of
don’t know. I wonder if it’s the same question you could
these arenas, in ways that are deceptive. Frequently we
ask about some other kind of art. Take a painter. Did
think of deception as negative,” he concedes, “but in
painting lead him to think of these things, or did he think
some cases it can be a positive.”
about these things and express it through painting? In a certain way, it has to be both.” The breadth of Mead’s career has been driven by curiosity and willingness.
doing this one, actually. I get in and out of my wheelhouse where I’m comfortable, my area of expertise. I’m writing a book now for the general public about magic in a vague way,
“One of the things I like to do is to say ‘Yes’ when peo-
related to other things. I don’t really know anything about
ple ask me to try things and I’m not sure I can do it or
politics except how I see misdirection being applied.by polit-
not. I say, ‘Yes.’ And then I hang up the phone and say
ical operatives; there’s an immense amount of research that
‘Holy crap, I’ve got to figure out how to really do this now.’
needs to be done, all so carefully fact-checked.”
Some of that has been frankly disastrous, of course,”
In this role, Mead is stepping off the stage and into
Mead laughs. “Because it’s too far outside my skill set.
the audience, pulling back the curtain on the trickery. He
But sometimes, it’s been surprisingly fruitful.”
admits the complexity.
As in some hocus pocus at the Aspen Ideas Festival.
“In this book, it’s important to me not to give away the
Mead was originally hired to perform magic and enter-
secrets of magicians that would ruin it for someone going
tain. At a closing party, he commented offhandedly to one
to see a magic show. If you read my book and therefore
of the directors that a guidebook associated with a lead-
could figure out the tricks in the David Copperfield show,
ership course wasn’t aimed at the high school students
I would feel like I had done something wrong.”
using it. The director told him to “put his money where
Under azure autumn skies, Mead gestures to a
his mouth is,” inviting him to rewrite the guide. Upon six
freshly cracked box of playing cards on the patio
months of program research and interviewing, the guide
table. An invitation.
Mead produced was so well received they asked him to teach the course. He did, for seven years. While magic enchants an audience, chasing ideas enchants Mead. His wife is a school teacher in Aspen. Their daughter is
“I won’t even touch it,” he promises. “Break the deck about halfway through and think of a card.” I join in, trying to catch him along the way while my adult suspicion gives way to wonder—what’s going to happen here?
now four, and is a renewing portal to the world for Mead.
The finale is gleefully astonishing: how did he read my mind?
As a family man, he has had to reconfigure the business
I did not scribe three of diamonds or seven of hearts,
model that once frequently took him far from home.
nor utter their names aloud. At no point did I ever see or
Writing more has allowed Mead to enjoy his family and
touch the cards I envisioned; no clues along the way for
deepen his study of magic.
him to know or reveal my cards. I was gobsmacked.
With numerous books to his credit, Mead’s current
“The best and most interesting thing about magic,”
endeavor is a two-volume encyclopedic set, five years in
he says, grinning, “is this very specific feeling you get
the writing, with over 4,000 photographs.
when you’re confronted by something you think is
“It’s a book not for the general public, it’s for magicians.
impossible. You’re a rational adult human being. You
It’s a very advanced ‘how to’ magic book; an immense
recognize that it’s a magic trick; you recognize there’s
amount of technical writing and a very tiny audience. The
a secret to it. But applying everything you know about
return on investment is ridiculous!” he chuckles.
the world to it, it seems impossible. And that brings
Almost 20 years of incubation give rise to Mead’s next book, which explores the concept of deception in our cul-
38
Mead adds, “This is a difficult book. I’m a little bit afraid of
up a certain kind of feeling and experience for people, which is the key thing that magic is about.”
ture. Tentatively titled “Misdirected,” it will be for the public.
Mead adds, “A dear, close friend of mine always said,
“It’s about how the magician’s tool of misdirection is
‘We don’t keep magic tricks secret from you, we keep
used by people who aren’t magicians. In other words,
them for you.’ And when you get to the deepest levels of
how controlling attention affects how people look
what magic is, it is about connecting people.” He returns
at things, how people understand things: in politics,
the cards to their box. “And this is what we’re doing.”
Roaring Fork Lifestyle | November 2017
Photo: Asa Mathat
Speaking at the 2017 EG Conference, a gathering for innovators in art and performance. Photo: Gene Driskell
Mead (center) enchants an audience at Toronto's Luminato Festival.
November 2017 | Roaring Fork Lifestyle
39
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Culinary Creations
Spice It Up ROARING FORK SPICE CO. SEASONS THE VALLEY AND BEYOND
ARTICLE BRIDGET GREY | PHOTOGRAPHY MIDGE DALLAS 42
Roaring Fork Lifestyle | November 2017
hat do you do with 100 mason jars
W
Their tent was present at almost every major
left over from your wedding? If you’re
valley event of summer 2017, and now they
Tony de Moraes and Jenn Dockery, you start
hope to reach statewide buyers and beyond
a business with them.
via their website, RoaringForkSpice.com.
“We made our own unique seasonings at
"The first year was a proof-of-concept
home because we love to cook, but Jenn is
phase for us,” Tony says. “It’s kind of cool
allergic to ingredients found in many commer-
to see it go from being brand new—where
cial spice blends. We made large batches of
nobody knows anything about you—to
our blends, filled the leftover mason jars and
having a following with repeat customers.
gave them out as Christmas gifts in 2015,”
People actually seek us out now.”
Tony recalls. “We had so many people telling
Jenn adds, “Turning a hobby into a busi-
us how good they were and that we should do
ness can be interesting. And now we’re
something with them.”
cooking for Instagram, not just for us.”
Within a few months, Roaring Fork Spice Co.
Despite such growth, the couple is commit-
was born. Tony was able to draw upon more
ted to keeping true to their roots here in the
than 20 years of experience in food and bev-
Roaring Fork Valley, though online sales allow
erage package design, applying it to their own
them to reach spice fans in the wider world
Glenwood-based brand, and things took off.
of e-commerce. Tony reports that some 80
“We really didn’t want to name it ‘Roaring
percent of the company’s web sales are gen-
Fork,’ because of how overused it is by local
erated from outside the valley, but they still
businesses, but in the end we decided it was
enjoy participating in local events and adding
the perfect name for a spice company, even
a little spice to their own hometown region.
outside our beloved valley,” he says.
“We’re really trying to create more of a one-
With an inspired lineup of natural, gluten-free,
on-one connection with our customers through
preservative-free products, the couple’s culinary
community: food, recipes, and ideas revolving
venture quickly amassed a local following of
around our seasonings,” he says. “Running an
home cooks, foodies, and professionals, offer-
online business allows us to reach people here,
ing dozens of savory and sweet blends to the
as well as beyond, and offer our customers con-
community at local events and farmers markets.
tent that traditional commerce doesn’t.”
They then added infused local honeys to their
“We’ll be ramping up sales efforts dramat-
chili kits, gift boxes, and are planning a new line
ically over the next six months,” Jenn says.
of no-salt seasonings—making variety the spice
“And we’re working with a firm out of Denver
of life, in more ways than one.
that is going to help us get into stores along
For Tony and Jenn, their mission comes
the Front Range, as well as help with some
down to good flavor and convenience: essen-
social media, blogger outreach, and getting
tial ingredients for the best homemade meals.
on Amazon—all that ‘next level’ stuff.” Amazon? We knew them when.
grounds. My answer is no,” Jenn explains. “We
Look for Roaring Fork Spice Co. goods
just love to cook and eat interesting, diverse
online this holiday season or at local sup-
foods. We cook like everyone else—often with-
pliers such as Country Rose Boutique in
out a formal recipe. But, with just a few shakes
Glenwood and Kitchen Collage in Basalt.
we can transform a simple dish into a unique meal every night just by using a different blend.” Tony adds, “We have the added challenge of varying diets and food allergies in our home too. Jenn is vegetarian and gluten-free, but I eat EVERYTHING! This forces us to use our blends on a wide range of foods in many different ways.” After a wildly successful first year, Tony and Jenn moved their operation from their
3.
What’s next for the company?
roster of goods, and now also sell meat rubs,
“We’re often asked if we have culinary back-
1.
2.
1. Tony and Jenn, packing each spice jar with love from the Roaring Fork Valley. 2. Frying Pan, Outlaw, and Rancher: three blends inspired by the valley. Tony and Jenn have developed seasonings inspired by many popular regional American and international cuisines. 3. Roaring Fork Spice Co.'s lineup of seasonings includes lively, unusual varieties such as Hanalei (Hawaiian), Jazz (New Orleans Blackened), Ahumado (Chilean), and Kajang (Thai).
home to a production facility and set their sights on wholesale and online sales. November 2017 | Roaring Fork Lifestyle
43
Lifestyle Calendar
November NOVEMBER 3
Animal Rescue. Tickets at the door are $15, but pre-sale and online tickets are $12. Visit BowWowFilmFest.com.
NOVEMBER 4 & 5 UPROOT GLEANING DAYS
DIA DE LOS MUERTOS
EAGLE SPRINGS ORGANIC
THIRD STREET CENTER AND THUNDER RIVER THEATRE
Join UpRoot to help rescue veggies at Eagle Springs Organic in
Carbondale's annual Dia de los Muertos celebration includes a festive
Silt! The organization is holding two volunteer gleaning events on
procession through downtown, poetry, dancing, altar viewing, Mexican
November 4 at 9 a.m. and November 5 at 1 p.m. Food harvested
hot chocolate, and more. This First Friday event begins at 5 p.m. at the
from leftover crops will be given to local hunger relief organiza-
Third Street Center and concludes at Thunder River Theatre with a Que
tions. Contact Ciara Low to RSVP at Ciara@UpRootColorado.org
Viva ceremony, folklorico dancing, and puppetry. CarbondaleArts.com
or 401.601.5249.
NOVEMBER 3-5
NOVEMBER 11
TEN THOUSAND VILLAGES GIFT FESTIVAL
KID FLIX
GOOD SHEPHERD LUTHERAN CHURCH
THE TEMPORARY
Make a world of difference this season! Shop for holiday gifts from 38
Kid Flix includes the best short films from New York International
countries including handmade home decor, jewelry, personal acces-
Children’s Film Festival, the largest film festival for kids and teens.
sories, toys, and more. The International Gift Festival at Good Shep-
Join us in Willits at 3 p.m. for the first of two programs of audience
herd Lutheran Church in Glenwood runs noon to 6 p.m. on November
favorites and award-winners from the 2017 festival! Recommended
3, 9 a.m. to 6 p.m. on November 4, and noon to 4 p.m. on November 5.
for ages 3-7. TACAW.org
NOVEMBER 4
NOVEMBER 11
TASTE OF BASALT
COMEDY NIGHT
ROARING FORK CLUB
MARBLE DISTILLING CO.
The 22nd Annual Taste of Basalt is the midvalley's most anticipated social
It's one of the best nights of the month at the Marble Bar: Comedy
event of the season! Sample food from some of the best area restaurants, sip
Night! Come ready to laugh with headliner Steve Simeone and opener
libations, dance the night away and place bids at the silent auction for a great
John Tole. $10 cover.
cause: the Basalt public schools. See BasaltEdu.org for more information.
NOVEMBER 4 BOW WOW FILM FESTIVAL
NOVEMBER 16 CROON GLENWOOD SPRINGS HIGH SCHOOL
THIRD STREET CENTER
The Glenwood Springs Community Concert Association presents Croon at
The third annual Bow Wow Film Festival is touring the U.S., and its next
7 p.m. at Glenwood Springs High School's Jeannie Miller Theater, featuring
stop is in Carbondale! Come join the fun, eat popcorn, and watch short
baritone Todd Murray singing tunes from the 1930s on. Admission is by
films about our beloved canine companions. Proceeds benefit Colorado
membership ticket in the association. GSConcertAssn.org CONTINUED >
44
Roaring Fork Lifestyle | November 2017
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Lifestyle Calendar
(CON TI N UED)
NOVEMBER 16 SCREENING: "LOOK & SEE" CRYSTAL THEATER Defiance Church hosts a screening of Look & See: A Portrait of Wendell Berry, a film following the life of the writer, poet, teacher, farmer, and outspoken citizen of an endangered world. Tickets for the 7:30 p.m. showing are a suggested donation of $10 to support Lift-Up. Learn more about the film at LookAndSeeFilm.com.
NOVEMBER 18 DOGA & CAT YOGA COLORADO ANIMAL RESCUE (CARE) Join CARE for Doga and Cat Yoga! Taught by some of the valley's best yogis, these classes will leave you feeling limber, energized, and covered in fur. Doga begins at 9:30 a.m. and Cat Yoga starts at 10:45 a.m. Mats provided. Classes are $20 each or both for $30. To register, visit ColoradoAnimalRescue.org. See you on the mat!
Basalt Regional Health Center
Coming to the Roa ring Fork Valley 2018... We need your support to expand our Basalt Health Center. Coming to the Roaring Fork Valley 2018, a fully integrated health center. Located just off Hwy 82 in Basalt, Mountain Family Health Centers will provide integrated primary, dental and behavioral health care all located in a single health center. Make a difference in the future health of our communities. Join our Basalt campaign and support this capital project.
NOVEMBER 18 WINTER ON THE MOUNTAIN KICK-OFF GLENWOOD CAVERNS ADVENTURE PARK Kick off the holiday season with Winter on the Mountain at Glenwood Caverns! Enjoy all the sparkling lights throughout the park, ride the Alpine Coaster, or warm yourself by the fire pits and roast s'mores. Don't miss the tree lighting at 6 p.m. Bring a turkey for Lift-Up, and get up to four free tram rides. GlenwoodCaverns.com
NOVEMBER 23 TURKEY CROSS TROT 5K RUN AND CROSS BIKE RACES ROARING FORK HIGH SCHOOL Join Carbondale Recreation and Aloha Mountain Cyclery Thanksgiving morning, November 23, for the Turkey Trot 5K Run and Cross Bike Races at the RFHS grounds. For run info, call 970.510.1290; for bike info, call 970.963.2500. Registration begins at 7:30 a.m. on race day. $25/race; $20/race with canned good donation; $10 for each additional race. CarbondaleRec.com
NOVEMBER 24 HOLIDAY LIGHTING & WINE WALK
FOR MORE INFORMATION: Call Garry Schalla 970-945-2840 x7290 Email gschalla@mountainfamily.org Visit www.mountainfamily.org/give
Ou r Fa mily, Ca ring For Y ou rs 46
Roaring Fork Lifestyle | November 2017
DOWNTOWN GLENWOOD Come together with the community and kick off the holiday season right! After the lighting of the Hotel Colorado, watch the town come alive with its own lighting show across the pedestrian bridge. Enjoy entertainment and wine tastings (plus non-alcoholic beverages like hot chocolate and tea) throughout downtown for the remainder of the evening. For details see RoaringForkEvents.com.
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business directory AUTOMOTIVE Phil Long Honda (970) 404-3600 phillonghonda.com
BANKING
US Bank/ XMedia (646) 779-4852
DENTISTS & ORTHODONTICS
Murray Dental Group (970) 945-5112 murraydg.com Verheul Family Dentistry P.C. (970) 963-3010 verheulfamilydentistry.com
FASHION & ACCESSORIES
Country Rose Boutique (970) 319-8894
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3 G Construction (970) 984-7046 Ace Roofing & Sheetmetal (970) 945-5366 aceroof.co
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HOME SERVICES
SkyLine Solar (970) 379-9502 skylinesolarpower.com Tom Roach Hardwood Floors (970) 274-0944 tomroachfloors.com
LEGAL
Balcomb & Green P.C. (970) 945-6546 balcombgreen.com Law Office of Jamie J. Roth (970) 987-5216 jamierothlaw.com The Noone Law Firm PC (970) 945-4500 noonelaw.com
MEDICAL CLINICS & FACILITIES
Mountain Family Health Centers (970) 945-2840 mountainfamily.org
MORTGAGE
Bay Equity Home Loans (970) 330-5010 bayequityhomeloans.com/ glenwood-springs
OTHER
Ajax Mechanical Services (970) 984-0579 ajaxmechanical.com AV by Design (970) 945-6610 avbydesignllc.com Big John's Ace Hardware (970) 945-5345
Roaring Fork Lifestyle | November 2017
Delta Disaster Services (970) 712-5298 deltawesterncolorado.com Elite Hardwood Floors (970) 366-1676 Gran Farnum Printing (970) 945-9605 printing4you.com Hurricane Relief Ad (970) 618-8981 Iron Mountain Hot Springs (970) 945-4766 ironmountainhotsprings.com Midland Shoe (970) 927-0902 midlandshoe.com Network Interiors (970) 984-9100 Nieslanik Beef, LLC (970) 963-1644 nieslanikbeef.com PRO TKD Martial Arts (970) 963-2685 protkdmac.com Roaring Fork Valley COOP (970) 963-2220 Space This (970) 319-4335 spacethis.com Spring Creek Land & Waterscapes (970) 963-9195 springcreeklandand waterscapes.com Testimonial Ad (970) 618-8981 roaringforklifestyle.com
The Fireplace Company (970) 963-3598 thefpco.com The Glass Guru (970) 456-6832 theglassguruof glenwoodsprings.com True North Hearth & Home (970) 230-9363 truenorthfireplaces.com Umbrella Roofing (970) 704-9130 umbrella-roofing.com West Canyon Tree Farm (970) 305-7556 westcanyontreefarm.com
PET CARE
Carbondale Animal Hospital (970) 963-2826 Red Hill Animal Health Center (970) 704-0403 redhillvet.com
REAL ESTATE
Coldwell Banker Mason Morse Real Estate (970) 963-3300 masonmorse.com INTEGRATED MOUNTAIN GROUP (970) 945-7653 integratedmountaingroup.com RAD Development Glenwood, LLC (970) 366-6000
SPECIALTY SHOPS Bethel Party Rentals (970) 947-9700 bethelpartyrentals.com
RECENTLY SOLD PROPERTIES OVER $600,000 NEIGHBORHOOD
ORIGINAL LIST
SOLD PRICE
%SOLD/ ORIGINAL
BASALT Roaring Fork Club Sopris Mountain Ranch The Wilds Vanderpol Minor Townsite of Basalt Roaring Fork Club Double K Ranch
$3,850,000 $2,575,000 $1,525,000 $895,000 $945,000 $775,000 $949,000
$2,985,000 $2,015,000 $1,450,000 $893,600 $800,000 $775,000 $725,000
78% 78% 95% 100% 85% 100% 76%
CARBONDALE Aspen Glen Carbondale Proper Carbondale Rural Carbondale Proper Aspen Equestrian
$1,365,000 $1,250,000 $995,000 $849,000 $650,000
$1,225,000 $970,000 $900,000 $795,000 $650,000
GLENWOOD SPRINGS Teller Springs South Glenwood Elk Springs Park East Westbank Ranch Pinyon Mesa
$1,250,000 $1,295,000 $929,000 $715,000 $675,000 $670,000
MISSOURI HEIGHTS Missouri Heights Harmony Missouri Heights
$1,249,000 $995,000 $775,000
DAYS ON MARKET
BEDS
FULL BTH
HALF BTH
SOLD PRICE/ SQ. FT
861 916 45 97 380 21 342
3 4 4 3 4 3 6
3 4 4 2 2 3 3
1 1 1 1 0 1 0
1231.94 466.98 460.17 413.7 299.07 319.85 231.19
90% 78% 90% 94% 100%
243 596 150 194 116
4 4 4 4 3
4 2 2 2 3
1 0 2 0 1
255.42 290.42 520.53 392.01 211.66
$1,089,000 $899,000 $890,000 $690,000 $675,000 $653,000
87% 69% 96% 97% 100% 97%
223 415 195 84 18 139
4 4 4 4 4 3
3 1 4 3 2 2
1 0 1 1 1 1
246.05 509.64 209.17 212.9 274.95 256.99
$1,150,000 $907,000 $775,000
92% 91% 100%
159 438 1
5 4 3
3 4 2
1 0 0
301.05 235.77 276.79
(This data is a sampling of sold properties from 9/1/17 to 9/30/17, Source: Aspen Glenwood MLS)
Your source for real estate in the Roaring Fork Valley Jamie
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Parting Thoughts
A THEATRE'S RITUAL ARTICLE COREY SIMPSON
THE PROFOUND SIMPLICITY OF SUPPORT, ONSTAGE AND OFF
L
et’s be honest. We actors can be downright weird.
There is power in this deceptively simple act of kindness. Acknowledging that no
After all, there is nothing natural matter what happens out there in the glare
about repeatedly putting ourselves into of the limelight, with the audience peering embarrassing situations or weeping at us out of the darkness from just a few uncontrollably in front of a crowd of feet away, that we are in this together—that
strangers. In the best moments there is I will catch you if you fall, and that you will a magical synchronicity that happens do the same for me if for some reason the between actors in a scene; in the worst, lines of Shakespeare don’t materialize or our egos get in the way and our acting if my voice finally gives in to a pesky cold. becomes stiff and unnatural.
The circle of support is a reminder that
So why bother? Why would I put when we step onstage together, it is our myself through such a public roller combined voice as a cast that holds the coaster of emotion?
most power. We are onstage to challenge
It comes down to joy. The joy that ourselves and each other to be completely arises from getting out of my own way present and frighteningly vulnerable, to so that I can be completely there for you, walk on the razor’s edge of our souls, to
the other actor, while our audience looks unabashedly bare our most private selves on as engaged voyeurs.
for the benefit of others. To act as a wake
I stand in the circle, holding hands up siren for the greater good, a living with those on each side of me, our group reminder of our shared humanity, whether forming an unbroken chain of the actors it be through comedy or tragedy. and crew members with whom we have
Amidst a national climate of unending
been rehearsing for the past six weeks. political drama and polarization, vioMy love and appreciation for each one lence, the devastation of natural disasof them, for their generous gifts of talent ters, and other disturbing headlines on and creativity, rises up to fill my heart.
the nightly news, I step back into that
It's a few minutes before showtime, circle of actors each night and I am and downstairs the audience buzzes reminded that looking into another’s with anticipation of tonight’s perfor- eyes and saying “I’m here for you” is mance. My eyes move around the group bigger than just preparation for another until they meet with another’s. Then, we performance. It is an opportunity that exchange a simple verbal confirmation each of us has anytime, anywhere. Such as we look directly at one another: “I’m a simple and profound act of softening, here for you.” This ritual continues, a reaching out, and reminding others that great incantation of support, until each we are in this together. That our shared of us has spoken these words with all humanity takes precedence over any of the others in the circle.
the random constructs we have created
It is a practice that has been repeated to potentially divide us. That life is more before every performance for the past meaningful when we face it together. 23 years among our band of theatre art-
I’m here for you.
ists. The words “I’m here for you,” passed down through the Thunder River Theatre Corey Simpson is the Executive Artistic Company lineage, delivered like a small gift Director of Thunder River Theatre Company among each of our fellow cast members. 50
Roaring Fork Lifestyle | November 2017
in Carbondale.
HURRICANE RELIEF
The tragedy of a natural disaster can strike anyone, and the normal lives of families in Texas and Florida have been devastated by recent hurricanes Harvey and Irma. News headlines change quickly, and it can be easy for us in Colorado to forget that many of these people will continue to suffer for months or even years as they attempt to piece their lives back together. Many in Texas and Florida lost everything: their homes, cars, personal belongings, pets, and some even lost family members. They returned home
after evacuations to find nothing left. Imagine losing everything you’ve spent years working for, and you can begin to understand what these fellow Americans are going through. It is time to react with your heart. Help load relief trucks with canned food, clothing, supplies, and children’s items. Or, make a donation to a reputable organization such as The American Red Cross. Give now, give tomorrow, or give next month and find a way to make a difference for people who urgently need your help.
RedCross.org/Disaster-Relief/Hurricane
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