















































































![]()
















































































Benefit from our wealth of knowledge and expertise essential for the modern independent jewellery retailer. We offer support services in marketing, finance, administration, retail, training and education. Our members also enjoy generous discounts from our diverse network of preferred suppliers. Join a community of like-minded peers to connect and grow together. To find out more, contact us today.

Email: enquiries@showcasejewellersgroup.com
Phone: +61 2 8566 1800
Visit: showcasejewellers.com.au





















Publisher/Advertising Editor
Debbie Whiting Debra Douglas Mobile: 0274 777 955 Mobile: 021 185 6846 debbie@inklink.co.nz chaucer@xtra.co.nz www.jewellerytime.co.nz
Jewellers & Watchmakers
19 Edwin Drive, Trent Park, Prebbleton 7604, New Zealand
Executive Secretary: Craig Anderson, Phone +64 (0)21 596 988 info@jwnz.co.nz, www.jwnz.co.nz
Digital Copies
Digital copies of our previous four issues are available at www.jewellerytime.co.nz.
Terms and Conditions
Jewellery Time is the official magazine of the Jewellers & Watchmakers of New Zealand Incorporated.
InkLink Publications Ltd. publishes Jewellery Time on behalf of the Jewellers & Watchmakers of New Zealand Incorporated.
The Jewellers & Watchmakers of New Zealand Incorporated reserves the right at any time and without notice or liability to any party cancel, omit or alter any editorial or advertisement and the advertiser agrees to indemnify the Jewellers & Watchmakers of New Zealand Incorporated and the publisher for all damages or liabilities arising from the published material.
Copyright
Reproduction rights in part or full of the contents of this magazine must be obtained with the permission of the Jewellers & Watchmakers of New Zealand Incorporated and or the publisher.
Disclaimer
The views and opinions expressed in this magazine are purely those of the authors and are not necessarily the official views of the Jewellers & Watchmakers of New Zealand Incorporated nor those of the publisher.
UPCOMING JT DEADLINES
AUTUMN 2026
BOOKING, EDITORIAL & NEW PRODUCTS: FEBRUARY 12
ADVERTISING MATERIAL: FEBRUARY 19
MAGAZINE POSTED: FEBRUARY 26
WINTER 2026
BOOKING, EDITORIAL & NEW PRODUCTS: MAY 7
ADVERTISING MATERIAL: MAY 14
MAGAZINE POSTED: MAY 21
SPRING 2026
BOOKING, EDITORIAL & NEW PRODUCTS: AUGUST 4
ADVERTISING MATERIAL: AUGUST 11
MAGAZINE POSTED: AUGUST 18
Published by InkLink Publications PO Box 46-218, Herne Bay, Auckland 1147
Design/Prepress by Rex Eade, Ph 027 286 0438, rexeade@gmail.com
Printed by Soar Communications Group Ltd (SCG)
Registered as a magazine at the GPO, Wellington. ISSN 1170-9960.
The official magazine of
The Jewellers and Watchmakers of New Zealand Incorporated.
















Celebrating 75 years of partnership with the Australian and New Zealand jewellery industry, Palloys is your singular destination for custom jewellery manufacturing, fabricated metals, findings, chain, finished jewellery, refining and more. As the region’s leading RJC-accredited manufacturer and wholesaler, Palloys draws on ethically sourced and sustainable materials, including 100% Australian gold, to remain the preeminent supplier of jewellers and the jewellery industry. It all comes together at Palloys. 0800 446 491, info@palloys.com, palloys.com

Introducing gem setter and hand engraver Paul Cosson …
Where do you live and who do you share your home with?
I live on a 5-acre lifestyle property in Katikati, B.O.P, with my wife Angela, daughter Ellesse and our dogs, Ness, Mo and Cody. We are surrounded by avocado and kiwifruit orchards and keep beef cattle on our property.
Tell us about your career background –when and where did it all begin?
I started a gemsetting apprenticeship at Anvil Jewellery in Auckland in 1987. I started practicing engraving then too. I am forever grateful to Marcel and Gary DeWitte for taking me on, it really was a magic time in my life. I stayed until 1994, then moved north to Whangarei Heads to be with my family. I met Angela there and ended up working at Michael Hill International for about eight years before going out solo. Now I work from home in a purpose-built studio in our garden. I built it myself.
Tell us about your current business and what it offers …
I do gemsetting and hand engraving on a contract basis to the trade. It’s about 60% setting, 40% engraving.
Describe your workplace/studio …
My workshop is beautifully positioned in a corner of our garden. It has views over our property. It’s a warm, well equipped, very comfortable space, well set up for teaching!
When and why did you choose Katikati as the base for your business?
We moved to Katikati from Whangarei Heads in 2017. Northland is lovely; we raised our kids there, but the Bay of Plenty has always had a pull on us. We are very content here, it’s a great part of the country to live in.
We understand your wife Angela is a designer/jeweller … Angela also has a purpose-built studio in another part of our garden. She’s a very skilled, experienced, knowledgeable jeweller. We occasionally collaborate on one-off commissions for our clients, but mostly we just do our own thing.
What do you think are the most important skills for someone in your trade to have …
Hand skills are super important, obviously. With practice, they will come to anyone. Probably more important is the skill of interpreting a design and understanding what processes are required to make it work. What’s required to make a stone fit perfectly? What font/ornament will be best suited to a piece? The rest is just process.
Favourite metal to work with and why?
18ct Y/G. It’s just lovely to cut and work. It leaves a bright, clean cut and the tools stay sharp longer too! Silver is nice to engrave too; very consistent but big fancy pieces are not usually made in silver.
Greatest challenge in your job?
My greatest challenge is the endless pursuit of perfection. Jewellery at its highest level can be wearable art and is also a discretionary spend, so the standard by default is perfection, which is so hard to achieve!
Who make up the majority of your customers i.e. individuals or local businesses?
We have numerous shops/businesses that we work for all over N.Z. We have built up excellent working relationships and friendships over the years. The business relationships are important to us. We really enjoy and appreciate the regular clients we have, they are excellent people. We work hard to maintain those relationships.
Where is your work seen and available?
Sometimes I’m asked if I have pictures or samples of my work for viewing. I have a Facebook page – www. facebook.com/paulsengraving. There’s plenty to see there.
Tell us about a very special/memorable moment in your career …
I have set and engraved many, many memorable pieces in my time, but the piece that means the most to me is the memorial plate I engraved for my

mother after she passed away in 2023. The plate was 200mm by 100mm, a much bigger piece than I am used to working on. I gave everything I had to make the plate perfect. Artistically and technically, it could probably be better, but from a skill point of view this is it, my limit!
In another life, is there another career you would perhaps liked to have pursued?
When I was at school, I wanted to be an engineer, maybe a fitter/turner. Glad I chose jewellery! I have also spent many years in the gym and worked as a personal trainer for a while which was very rewarding.
How do you relax in your spare time? I love sport. I’m a big fan of the NRL, less so rugby union now. I represented NZ in powerlifting at the 2002 World Champs, where I placed 4th in the under 67.5 kg division and set a new New Zealand record in bench press at 147.5 kg. I also love D.I.Y, gardening, golf and mountain biking and I have a classic car, a 1964 Chev Belair coupe.
What is the most adventurous thing you have ever done?
Sky diving was adventurous, but the best adventure we’ve had was a Golden Oldies rugby tour to Mar del Plata in Argentina. What a wild time!
If there was one luxury item you would like to buy for yourself today, what would that be?
I’d trade the Chev for a Mk.1 Lotus Cortina. What a car!


Every love story. Every milestone. Every memory.

From “I do” to every milestone and special moment that follows — there’s a BECKS ring made for your story and designed to last a lifetime.
Expertly crafted using the finest of metals and materials, including tantalum, zirconium, and our very own Spectrum.
Ask your trusted jeweller about the BECKS collection.

On behalf of the team at BECKS we wish everyone a safe and happy festive season - filled with joy, connection and love that lasts a lifetime.
Long live love.
Toll Free. 0800 443 991
Mary-Louise Squire
T. +64 21 287 5586
MaryLouiseSquire@becksgroup.au becksgroup.au
Styles shown: TA5343SAA, J5323, J5325, J5327, ZRJ5307BS.
The JWNZ Spring Trade Fair was an opportunity to present Paul Taylor of Paul Taylor Jewellers, Beachlands, Auckland, with his Trade Certified Master Manufacturing Jeweller certificate.
Paul commenced his apprenticeship in January 1965 with a sole trader in Papatoetoe.
“I simply put my hand up in the engineering classroom and got the job!” said Paul. “We specialised in repairs and the business had trade repair accounts throughout the North Island. After three years I became quite competent with this work, however, just knew I had a lot more to learn about the actual manufacturing processes, so was granted leave to find an employer prepared to finish my time.
“I was most grateful as Leon of L F Yalden & Co gave me the opportunity to complete my apprenticeship in their workshop in the Victoria Arcade Building in Auckland’s CBD, then a real hub for jewellers and setters. I do remember working in Leon’s retail shop in K’Road on Thursday nights for the amazing sum of 60 cents per sizing!

“My previous employer invited me to form a manufacturing company in 1971 and eventually I got to own the business in 1975. I have seen many changes over the years and continue to have a keen interest in the industry and am fortunate to have a great team with amazing skills and enthusiasm in some quite difficult trading times.”

The premiere in London of the ‘Downton Abbey Finale’ saw stars hit the carpet in luxury looks. Fan favourite Sophie McShera, who has played the character of Daisy Mason for all six series and both films, was dressed Yoko London’s signature diamond and pear ear cuff and pearl ring.
Yoko London said the look perfectly encapsulated the brand’s contemporary expression of timeless glamour.




contact
Christine Power ajp (gia)
Head of Fine Jewels, Watches & Luxury Accessories christinep@webbs.co.nz +64 27 929 5607
Webb’s Fine Jewels, Watches & Luxury Accessories department is perfectly positioned to help you liquidate old gold stock and capitalise on current recordbreaking prices while you refresh your inventory.
Given our position in the secondary market and our strong client base, Webb’s regularly achieves results well above low estimates and scrap gold prices.
Our experts are seeking gold jewellery for upcoming auctions; from sovereign coin pieces to vintage items and bold contemporary designs.
Recent highlights include a 22ct/18ct Yellow Gold Sovereign Coin Bracelet (est $4,000—$5,000), which sold for $5,975; a 22ct Yellow Gold, 18.5cm Curb Link Bracelet which sold for $8,962.50 (est. $6,000—$7,000); and a 9ct Yellow Gold 41cm Heavy Curb Link Necklace, which sold for $17,925 (est $12,000—$13,500). All prices include buyers’ premiums.
As you are aware, gold is increasingly seen as both a luxury item and a safe-haven asset, driving demand among collectors and investors alike.
We’re also inviting entries of period jewels, Swiss timepieces (Rolex, Patek Philippe, Cartier), and luxury accessories from Hermès, Chanel, and more.
Now is an ideal time to consign. Contact us— or refer a client—for a complimentary appraisal. We’d be delighted to hear from you.
“After 57 years as a craftsman, I decided it was time to retire from running a business and being an employer and instead focus on something more meaningful and fulfilling.
“Following the loss of my son Jesse, who did all our CAD and design work, I felt a deep desire to give back to Hospice, in gratitude for the care they provided during his illness. About a year and a half ago, I began volunteering in the IPU (Inpatient Unit) at Hospice and discovered a genuine sense of joy and freedom in that role.
“During this time, I was inspired to use my skills to help with fundraising, knowing how important financial support is for the work Hospice does.
Recently, I created a 9ct gold, 30gram handmade wrist chain, inspired by the Norfolk Pine needle, in my studio. It was featured in the quarterly Hospice magazine, along with a current valuation, and sold the very same day, raising $3000 to support Hospice’s services.
“Vanessa Astley from Regal Castings was incredibly supportive throughout this journey and a great help in achieving this goal. My hope is to continue creating and donating pieces like this over the coming years, using my craft to make a difference. My next object being a 28-gram half round bangle valued at $5,500.”
- Geoff Taylor, Cambridge


Wellington’s Capital Watch Services celebrates 50 years in business this year. Formed by watchmaker Ash Wells, the business started out in the Commercial Travellers Building and has been in the Majestic Centre at 100 Willis Street since 1996. Gary Barwick took over ownership in 2024. He began as an apprentice in 1997, one of more than a dozen young watchmakers who have trained with the company over the years.


Distributed by Duraflex Group Australia
Contact: Helen Finlayson - The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz

Distributed by Duraflex Group Australia
Contact: Helen Finlayson - The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz


The Jewellery Industry Fair held in Sydney in September at The Venue, Alexandria, focused on trends, networking, and innovation for Australasian jewellery professionals. The fair included showcases from suppliers, networking opportunities and a summit that focused on trends and professional development. The JAA Jewellery Design Awards and Industry Awards were also held as part of the event, as was The Between the Lugs Watch Fair which featured both international and local watch brands.
With consumer buying patterns shifting as households reassess discretionary spending and businesses adapting with new approaches to how they buy, sell and structure their operations the Jewellery Industry Summit proved to be a vital forum. Industry leaders and guest speakers offered practical insights into consumer behaviour, branding, digital innovation and sustainability.



Watchmaker and Past President of the Jewellers & Watchmakers of New Zealand JWNZ, Ash Wells, was awarded Life Membership of the JWNZ at the JWNZ Spring Trade Fair in September. The Life Membership is in recognition of his support and dedication to the JWNZ through long-time membership, including time as Wellington Branch Chairman, Watchmakers Institute of NZ Chairman, National Council member and President 2002-2004.
Ash commenced his industry apprenticeship in 1966 with Louis Kerr Ltd, Nelson and then went on to work with Robert Harrap Watchmaker in Wellington, later buying the business and renaming it Capital Watch Services, as well as opening Tempus Jewellers, Nelson.
Ash and his wife Carol recently sold Capital Watch Services to Gary Barwick.
Marking the NZ Roadshow and 60th Anniversary for Citizen Watches Australia at Sofitel Auckland Viaduct Harbour the weekend of the JWNZ Spring Trade Fair, were Katsunobu Shimizu, CEO Citizen Watches Australia and watch enthusiast and collector, Nick from NZ Redbar Group.


T r u s t e d E x p e r t i s e .
I n d e p e n d e n t V a l u a t i o n s .
T r a d e F o c u s e d .
B a c k e d b y J e w e l l e r y S e r v i c e s ’
r e p u t a t i o n a s N e w Z e a l a n d ’ s
l a r g e s t t r a d e w o r k s h o p , o u r n e w
v a l u a t i o n s e r v i c e b l e n d s d e c a d e s
o f j e w e l l e r y m a n u f a c t u r i n g a n d
r e p a i r e x p e r i e n c e w i t h s p e c i a l i s t
v a l u a t i o n k n o w l e d g e , g i v i n g y o u
t h e c o n f i d e n c e o f t r u l y
i n d e p e n d e n t , e x p e r t r e p o r t s .
O u r t e a m o f e x p e r i e n c e d G I A
g r a d u a t e g e m m o l o g i s t s ,
r e g i s t e r e d v a l u e r s , a n d j e w e l l e r s
u n d e r s t a n d e v e r y a s p e c t o f t h e
p i e c e s t h e y a s s e s s . E v e r y
v a l u a t i o n i s p e r f o r m e d w i t h t h e
s a m e c a r e , p r e c i s i o n , a n d
p r o f e s s i o n a l i s m y o u a l r e a d y t r u s t
u s w i t h f o r y o u r t r a d e w o r k
Need valuations?

Geoff and Emily Kidd, the owners of PEKA, Wholesale Jewellery Services, Christchurch, have announced they have acquired the Brisbane-based business Jewellery Centre and will be moving their family to the city.
Founded by Ted and Trish Pevy in 1977, what began as a small family business has grown into one of Australia’s most trusted wholesale suppliers of gold and silver jewellery and findings to jewellers and retailers across Australia, New Zealand and the South Pacific.
“We are incredibly excited to have acquired Jewellery Centre, a business with an exceptional reputation and a legacy that’s admired across the Australasian trade.” said Geoff. “We feel privileged that Ted has chosen to entrust us with the next chapter of a business he has poured so much passion into.
“This acquisition presents a significant opportunity for both of our companies. We’re excited to bring fresh energy and investment to Jewellery Centre in Australia, while also enhancing the product range we offer through PEKA in New Zealand. Together, we see real potential to strengthen our supply
French jewellery maison Mellerio has unveiled a set of jewels inspired by Queen Marie-Antoinette’s famous garden tapestry that hung in her apartment in the Palace of Versailles, with the regal pineapple as the central motif. Founded in 1613, Mellerio famously counted Queen MarieAntoinette among its clientele.
For the queen, who once said, “Nothing is too beautiful”, the pineapple, the central motif of the tapestry and magnified in a painting by Jean-Baptiste Oudry, symbolised royal power as the so-called King of Fruits.

capabilities, broaden our ranges and deliver even more value to jewellers on both sides of the Tasman.
“Most importantly, we recognise that Jewellery Centre’s success has always been built on strong relationships, great service and a commitment to supporting the trade. Those values remain at the core of everything we do, and we look forward to building on Ted’s remarkable legacy for many years to come.”

At a private dinner at Versailles Mellerio presented the parure, named Jardin des Rêves. Laden with 172 carats of gemstones spanning 14 gem varieties, including aquamarine, rubellite, tanzanite, imperial topaz, sapphire, and tourmaline, the 18ct gold necklace centres on a gem-encrusted pineapple pendant that can be removed and worn as an earring (a matching pineapple earring comes with the set).
The Far North community is saddened after the death of Kaitāia businessman, Monty Knight. Eighty-year-old Monty died in November following reports of an assault and a woman has since been charged with murder.
Monty was a director of Knights the Jewellers, a JWNZ member and a stalwart of the Kaitaia community. He was also a former councillor with both the Far North District Council and Northland Regional Council and established the vineyard, Okahu Estate, in 1984.
Monty began his career with a shoeshine stand, then went on to establish Kaitaia’s first nightclub. He also worked as a professional sign writer, owned a record shop before moving into electronics retailing and then succeeded an older brother as owner of Knights the Jewellers, which was established by his father Keith in 1931.
Former Far North mayor John Carter said he was shocked by Monty’s death.
“I knew him very well, as did most people in Kaitāia,” he said. “He's a very community-minded person who's done a tremendous amount for the community. A very successful businessman of course, which has enabled him to do so. But he's been very generous with his time and support.”



Recent high-profile museum thefts suggest some criminal gangs are further shifting their focus away from fine art and are instead targeting items that are rich in gold and precious stones. Such objects are not being stolen for their craftsmanship or cultural significance, but for their value once melted or recut.
The Art Loss Register, which is based in London, currently has more than 700,000 artworks, antiques and collectibles registered on its global database, warns that this trend to melt or break down works of art highlights a disturbing reality, while gold and gems are relatively easily sold once broken up, their artistic, cultural and historic worth is immeasurable and lost forever. The organisation warns museums to take action to both record and protect their collections and to report losses immediately to maximise the odds of recovery prior to destructive action being taken.
Recent high profile crimes include the
Cognacq-Jay Museum in Paris, which was raided in a violent daytime robbery late last year. Axes were used to smash display cases and seize 18th century snuff boxes, one encrusted with nearly 3,000 diamonds. Days later, armed thieves struck another French museum, the Hiéron Museum in Paray-leMonialin, central France, to steal jewels worth up to €7 million from a work by the famed Parisian goldsmith Joseph Chaumet. Then in October this year a meticulously coordinated raid that lasted less than four minutes, a gang of masked thieves stole nine priceless jewels, each encrusted with hundreds of diamonds and emeralds from the Galerie d’Apollon at the Louvre Museum, Paris.



Indicating the global spread of this issue is the permanent loss of a 3,000-year-old gold bracelet from The Egyptian Museum in Cairo. The bracelet was stolen and reduced to bullion within days, removing forever a unique

artefact of Egyptian history for a few thousand pounds in scrap value.
• The Art Loss Register is the world’s largest private database of lost and stolen art, antiques and collectibles (www.artloss.com). Founded in 1990, it has been responsible for the recovery of lost and stolen property worth hundreds of millions of dollars.



Staff from the Gemological Institute of America (GIA) have examined a rough diamond weighing 2,488.32cts, nearly 0.498 kilograms, at the Institute’s laboratory in Gaborone, Botswana. Recovered in August 2024 by the Lucara Diamond Corporation at the Karowe diamond mine in Botswana, this diamond is second in size only to the legendary 3,106ct Cullinan diamond, which was found in South Africa 120 years ago.
Generally known at recovery as ‘the Lucara rough’, the diamond was named ‘Motswedi’ through a public competition in Botswana. ‘Motswedi’
Los Angeles jeweller and goldsmith
Dale Hernsdorf’s celestial-inspired orb boasts a diameter of 2.2cm, making it the largest such style she’s created to date. But size is only the half of it. The 22ct yellow gold and diamondstudded locket, which comes on a 61cm handmade gold chain, contains a secret: a sparkly pile of faceted natural diamonds totalling between 0.5 ct. and 0.75 ct.
“Who doesn’t like loose diamonds?” said Hernsdorf. “What’s interesting is that clients don’t see loose diamonds. We see them and take them for
means water spring or source in Setswana, the national language of Botswana. Since beginning operations in 2012, the Karowe mine has gained international recognition for producing large, high-quality diamonds of remarkable rarity.
“Our examinations confirmed that the Motswedi is a single gemquality crystal, type IIa diamond with no detectable nitrogen,” said Dr. Wuyi Wang, GIA’s Vice President of Research and Development. “It is the largest known single crystal diamond in existence and undoubtedly formed much deeper within the earth than the

granted. But when people see them, they go nuts.”
Hernsdorf created her first orb locket about five years ago. She later had the idea to add diamonds to the piece, even though it’s a virtual certainty that
A striking interpretation of a race car, Tiffany & Co’s Time for Speed table clock is presented in black for the first time. It boasts a glossy black frame accented by a Tiffany Blue ‘57’ detail on the hood, a subtle nod to the address of the Landmark, the House’s iconic New York flagship store.
A manually wound mechanical movement, an in-house calibre by L’Epée 1839, powers the clock and time is ingeniously displayed via rotating hour and minute disks located on the side of the car body, a testament to innovative design.
The Tiffany Airways Diamond Edition clock pays tribute to Tiffany & Co.’s legendary expertise in diamonds. The


majority of diamonds. Our examination revealed that the diamond is divided into several large gem-quality ‘blocks’ with minimal inclusions.”
eventually, they’ll fall out.
“That’s the point,” she says. “There’s a psychological tension to having this thing that you could lose at any point. The idea is that you can’t grasp too hard, it’s like a little lesson on life.”
The design also features a single flush-set ruby alongside the scattered flush-set diamonds, to evoke the planet Mars. The top and bottom poles of the locket are set with cabochon rubies.
“You’re wearing a secret,” Hernsdorf says. “And if you’ve lost your diamonds, what are you going to put in it now?”
meticulous design incorporates 66 round brilliant diamonds (3.1 total carats) adorning the nose and a further 445 round brilliant diamonds (1.4 total carats) within the cockpit, representing a total of 511 round brilliant diamonds.
Hours and minutes are displayed on large stainless steel disks at the plane’s nose, with the cockpit’s cage culminating in an arrow-shaped display that points to the current time. The piece can be showcased independently or mounted on a stainless steel stand.
Both Tiffany Airplane Diamonds and Tiffany Time for Speed are one-off pieces - $POA.




Introducing our new tool to assess CAD files to ensure they are manufacturing-ready. Mesh Verifier detects and flags common issues, including: Holes or gaps that may cause casting failure Check your designs instantly EXPLORE CASTING See your jewellery design brought to life by Palloys. Why wait? Pal loys casts daily in all alloys.



Honorary historian with the NZ Horological Institute, Terry Sutcliffe, is researching the history of Rolex and Tudor watches, the importing, wholesaling, servicing and retailing in New Zealand. He will use this material as part of an upcoming book ‘Watches in New Zealand – Rolex’.
Terry is working towards having this book published in 2026, which coincides with the Centenary of the Rolex Oyster watch and is requesting readers’ assistance in this endeavour. Broadly the information and items he is seeking soonest fall into the following areas:
Research material sought:
• Material on early Rolex watches, stocklists (published/unpublished)
• Details on history of the early Rolex agents, or those who have worked for them in a sales or workshop capacity. These companies include: - Fred Sladen and Sons Ltd; Horace Bolton and Co Ltd; Ponsford, Newman and Benson Ltd; Baudinet Trust; Rolex Australia Pty Ltd.
The British Museum has launched a major campaign to save the 'Tudor Heart', a spectacular gold pendant linked to Henry VIII and Katherine of Aragon, by acquiring it permanently for the public. Discovered in 2019 by a metal detectorist in a field in Warwickshire, the Museum has the opportunity to purchase the Heart to stop it entering a private collection. It hopes to raise £3.5m by April 2026 and has called for public support to achieve this goal and help ensure it remains on view for generations to come.
The heart-shaped 24ct gold pendant offers a rare glimpse into Henry VIII's marriage to Katherine of Aragon, uniting the Tudor rose with Katherine's pomegranate symbol. Beneath, a banner reads tousiors, the old French for 'always', a poignant declaration of an eternal connection. Their marriage, lasting 24 years, was the longest of Henry's life and shaped the early Tudor court with Katherine as a trusted
• Early Rolex retail stores and shops.
• Photos of interior/exterior of retail and workshops relating to Rolex.
• Stories or information about Rolex’s involvement in cultural or sporting events.
• Any Rolex or Tudor watch with a strong New Zealand family story.
• Rolex watches with a military association, used in WW1 or WW2.
Items sought:
• Rolex shop advertising, posters, business cards, accounts, letterheads, etc.
• Rolex trade tools, trade catalogues & workshop manuals.
• Rolex branded watch boxes and early instruction books and guarantees.
• Watches with a New Zealand association, any condition, including parts.
• Rolex ephemeral e.g. giveaways, watchmaker’s knife, decals, etc.
Contact Terry Sutcliffe: Ph +64 21 0810 2643, terry@sutcliffehistory.nz www.sutcliffehistroy.nz

partner of Henry, sometimes acting as Regent in his times of absence.
Almost no other objects survive that celebrate Henry and Katherine's relationship, most having been lost over time. The Tudor Heart therefore acts as an important historical witness, showing both the luxury of Henry VIII's earlier reign and the strength of their union before it was ultimately annulled in 1533.
The Australian jewellery industry celebrated a milestone in October with the official launch of the Sarah Hue-Williams Library at The Centre in Leichhardt, Sydney. Unveiled by the Jewellery Industry Network, this collection is believed to be the largest dedicated jewellery library in the Southern Hemisphere, with hundreds of volumes spanning gemmology, design history, goldsmithing, cultural adornment and the archives of major auction houses.
The library is dedicated to the memory of Sarah Hue-Williams, an admired and respected voice in the global jewellery community. Made possible through the generous donation of Karen Lindley, the collection has been described by the Jewellery Industry Network as an unparalleled gift to the trade.
At the launch The Centre’s founder and managing director, Laura Moore, described the library as “a gift to the entire industry - more than a collection of books - it is a tribute to a remarkable woman and a lasting contribution to the future of our trade.”
Timex Group has bought a majority stake in Daniel Wellington, a Swedish business focused on minimalist, Scandistyle, watches founded in 2011 by Filip Tysander.
DW will continue to be run independently from its headquarters in Stockholm, but will work with Timex Group to accelerate innovation, expand distribution and strengthen relevance with new generations of consumers around the world.
“When I started Daniel Wellington, the goal was to create something timeless and accessible; a brand that felt personal, stylish, and effortless. Seeing how far we have come is incredible. Joining forces with Timex Group, a company that has stood for craftsmanship, quality, and innovation for more than a century, is the right next step to unlock the brand’s full future potential,” said Filip Tysander.







London DE Group has announced its role as funding partners in a new mining initiative in New South Wales. In collaboration with Broula King Enterprises (BKE), it is establishing a state-of-the-art gold and Rare Earth Elements (REE) processing plant near the historic mining town of Goulburn.
This project will breathe new life into dormant artisanal and small-scale mines across NSW, many of which have been inactive for decades.
“Together with BKE, we are ensuring the project develops only on land free of indigenous rights concerns. We are also working closely with the NSW government to remediate the toxic legacies of abandoned mines, where pollutants such as arsenic and cyanide continue to threaten ecosystems, ” said a company statement.
“BKE’s subsidiary, Ecotech, is partnering with Newcastle and Deakin Universities to pioneer clean and responsible extraction methods for gold
The 9.51ct ‘Mellon Blue’, a fancy vivid blue pear-shape diamond, sold for US$25.6 million at Christie’s November Magnificent Jewels auction in Geneva, landing within its estimated range, but falling short of the record-setting US$32.6 million the diamond garnered when it came to auction at Sotheby’s in 2014.
While the diamond failed to top its


and REEs. This approach safeguards the natural environment while creating high-value skilled employment for local communities. Once operations are complete, each site will be carefully rehabilitated, restoring land to its natural state and free from toxic waste.
“In what we believe to be a world first for the SME mining sector,
previous auction price, Christie’s said the Mellon Blue is the most expensive jewel it has sold so far this year. The blue diamond once belonged to the late American horticulturalist, philanthropist and art collector Rachel ‘Bunny’ Lambert Mellon. Highly regarded, Mellon’s garden designs can be seen at the White House.
Fabergé and Amazon MGM Studios celebrated the 60th anniversary of the Bond movie, Goldfinger, (1964), with the introduction of the Fabergé x 007 Limited Edition Goldfinger Egg Objet.
This 18ct yellow gold objet is inspired by the Fort Knox gold depository safe which was a central part of the Goldfinger film plot. The front of the egg features a six-prong safe combination lock, anchored with 007 at the centre. By rotating this lock anticlockwise, two bolts move allowing the safe door to be opened.
Upon gaining access to the safe a
machine learning AI is being deployed to create a digital twin of each site. This technology will uncover key efficiencies, optimise operations, and maximise the positive outcomes of the project.”
Phase two of development will launch in early 2026, with gold extraction from existing tailings marking the start of production.

stack of gold bars becomes visible, nestled inside and surrounded by 140 brilliant cut yellow diamonds. The egg is mounted on an 18ct white gold stem set with 16 round brilliant-cut white diamonds, which is fixed to a carved black nephrite jadeite base. The James Bond-inspired egg objet is limited to only 50 creations and sits alongside a locket.



Meet the crew at Canterbury Jewellers, Christchurch. As told by Manager Jason Baylis…
Tell us about the history of Canterbury Jewellers…
Canterbury Jewellers was founded back in 1982 by my father Brent Baylis, after he served his apprenticeship with Koura Products.
Has the business always been part of the Peterborough Street scene?
The first workshop location was the above the old Trust Bank building on Colombo Street and after that the Whitcoulls building in Cashel Mall. In 2000 a building came up for sale on Peterborough Street. While still within the four Ave’s and with easier parking for clients, the choice to move out of the middle of city was made. Unfortunately
this building required a rebuild after the quakes, but luckily we found another building in the same complex that needed a tenant, so the disruption was minimal.
You are described as working by Brent’s side ever since you could ‘hold a hammer and a file at the bench’…
It’s become a bit of a family affair with Brent, myself and my son James. I started working full time at CJ's when I was 18 (30 years ago) and James is in his 2nd year apprenticeship here. That’s three generations working together. Brent is still a regular on the bench, while James is the latest CJ’s apprentice. Most of the 10 crew have been here for



10 years or more, so it is really a tight group to work with.
I’d like to take this opportunity to thank our staff for all their hard work and commitment to CJ’s. We wouldn’t be where we are without amazing people around us, so a huge thanks to Roy Williamson, Sandy Riach, Dean Sims, Gary Jones, Amon Gath, Steele McDonald and Kaz Pucia.
What does CJ specialise in? And what other services do you offer?
The mainstay of the business these days is one off bespoke designs and repair work. We can facilitate diamond and coloured gem sourcing, ring sizing, all manner of repairs - rings, chains, silverware, watchstraps and cases - as well as insurance work.
What are your current bestselling pieces?
We have found platinum back in vogue with the price of gold soaring to new heights. It makes sense being more durable, not requiring rhodium plating and being more cost effective than 18ct white gold.
How have your customers’ tastes in design and materials changed over the years?
Sapphires in all colours are definitely popular and lab diamonds seem to have been accepted by the public, so they are selling well too. We are hopeful there will be a sizable shift back to natural diamonds, but only time will tell.
What advice would you give to someone starting out in the trade…
It seems that imports have for the best part killed off the majority of manufacturing run-type work in NZ. It’s a shame because that’s the work apprentices used to cut their teeth on. As boring as it can be it really had a place in the training process.
For anyone trying to get into the trade, as there generally isn’t the repetitive work available to business owners to have their apprentices hone and lock in skill sets, I’d be taking at least a silver-smithing course, buying a basic set up and practicing in my spare time. That way you are going to prospective employers with some skills and it will

remove some of the perceived risk and maybe with a positive attitude you might just get lucky!
What keeps you motivated about the industry and what customer story are you most proud of?
Working closely with people to make their visions a real tangible object is very rewarding and no one customer interaction really stands above the others. But I think engagement rings are very personal and it’s awesome to be a part of a couple’s journey together. At the same time helping grieving clients that have lost a loved one and to be able to have them close is an honour, so mourning pieces also hold a great deal of weight with me.
How do you and your father relax away from the business?
I’m keen on jet boating and fishing mainly, but I will find pretty much any reason I can to get outdoors and away from the rat race. Brent and James are keen fishermen too.





Stunning new pendant necklaces for a perfect ‘festive’ touch. Green agate & black enamel (72-833), opal & black enamel (72-829), cabachon garnet & red enamel (72-832). All crafted in sterling silver and individually beadset with Swarovski marcasites.
Thank you for your support this year. We look forward to bringing you more fabulous jewellery in 2026.
Contact: AM Imports Pty Ltd, NZ Agent: Susi Chinnery-Brown P. 021 751 115 or E. susi@twentyfive7.co.nz





The twin jewellery shows organised by the Hong Kong Trade Development Council will open in March. The 42nd HKTDC Hong Kong International Jewellery Show, specialising in finished jewellery (March 2-6) and the 12th HKTDC Hong Kong International Diamond, Gem & Pearl Show (March 4-8), focusing on loose stones and raw materials for jewellery, will be held at the Hong Kong Convention and Exhibition Centre and AsiaWorld-Expo respectively.
Under the theme of ‘Fusion of Dazzling Beauty’, the twin jewellery shows are expected to gather exhibitors from around the world, presenting an exceptional collection of fine jewellery and premium jewellery-making materials.
The Hong Kong International Jewellery Show will feature themed zones including the Hall of Extraordinary, Hall of Fame and Designer Galleria. The Hall of Extraordinary will showcase high-end collections while enhancing this display of luxury, the Hall of Fame will feature a line-up of international brands. Additionally, the Designer Jewellery Galleria will present a showcase of hip collections from designers at the forefront of fashion trends.
In response to the market trends, the Hong Kong International Jewellery Show introduced the Gold Jewellery zone in 2025.The zone will continue to showcase innovative designs and exquisite craftsmanship in gold jewellery at the upcoming edition.
Meanwhile, the Hong Kong International Diamond, Gem & Pearl Show will feature exceptional selections of diamonds, pearls and quality gemstones, alongside raw materials for jewellery from various origins. The Hall of Fine Diamonds will present huge carat-sized diamonds, Treasures of Nature will showcase stunning collections of rubies, emeralds and sapphires and Treasures of Ocean will enchant buyers with natural sea pearls.
Building on the spirit of creativity, the Hong Kong Jewellery Design Competition invites design talents to explore the theme of Pure Elegance – Natural Beauty. The award presentation ceremony will take place at the Hong Kong International Jewellery Show, where the winning pieces will also be showcased.
The twin jewellery shows will be held under EXHIBITION+ hybrid model, complemented by the ‘Click2Match’, an online smart business matching platform. To facilitate buyers’ admission, the HKTDC Marketplace App and official websites of the two shows will be providing an online self-authentication function. Buyers will be able to download the HKTDC Marketplace App and register through the App by uploading their photos and valid documents for instant authentication to obtain a verified buyer e-badge for direct admission. Fair Websites:
Kong International Jewellery Show: https://www.hktdc.com/event/hkjewellery/en Hong Kong International Diamond, Gem & Pearl Show: https://www.hktdc.com/event/hkdgp/en

Ethically sourced metals certified by the Responsible Jewellery Council
Extensive range of 100+ alloys
All alloys undergo rigorous testing by an independent laboratory
Fresh metal every time
In stock and ready to ship
Unlimited array of products and profiles
Industry-leading team of fabricators







Australia and New Zealand’s largest wholesaler and manufacturer of high-quality findings.
Always in stock and available for immediate dispatch. Free shipping to New Zealand customers.
EXPLORE FINDINGS




By Gregor Thompson, Markets Reporter, NZME
Independent jewellers are up in arms about the practices of a third-party claims specialist who they say isn’t transparent enough.
Major general insurance players Tower and IAG utilise JVC Claims to assess repairs and replacements for watches, bracelets, earrings, and similar items. IAG owns AMI, State, NZI, NAC, Lumley, and Lantern, and is the country's largest general insurer. In correspondence with BusinessDesk, Tower said it has about 10% of the general insurance market.
Jewellers take umbrage over JVC Claims’ practice of referring work to another division within the same company, Jewellery Partners, for replacements.
‘Unfair’
JVC Claims’ director, Michael Emerson, said the company uses “industry standard processes”.
The company has updated its website to clarify its two brands, following BusinessDesk’s inquiries.
Both IAG and Tower stand by their supplier, stating that its internal protocols are sufficient. The second-largest player, Suncorp’s Vero, told BusinessDesk that it stopped using JVC two years ago.
Goldsmiths Guild chair Brian Barrett said the organisation was “deeply concerned” that an independent insurance assessor is engaged in replacing jewellery. “Not only is this practice unfair to manufacturers who are being used for free pricing intel, it’s unfair to consumers, who are the insurers’ customers,” Barrett said.
“When the lines between assessor and competitor blur, the integrity of the process is compromised. This practice raises serious questions about fairness, transparency, and conflict of
Rio Tinto’s Diavik diamond mine in the Northwest Territories of Canada has reached a significant milestone of producing 150 million carats of rough diamonds since the mine commenced production in 2003. The mine, located on an island in a remote sub-Arctic lake, produces predominantly gem quality white diamonds and a small quantity of yellow diamonds, destined for high end jewellery in all major consumer markets.
Diavik is the first diamond mine in Canada to achieve 150 million carats of rough diamond production, surpassing the original expectations in the late 1990s of just over 100 million carats. The mine, comprising four pipes, is scheduled to end production in early 2026. Planning for closure has been ongoing throughout the life of Diavik, with closure goals covering safety, land use, landforms, water, biodiversity, community capacity and resource development.
interest,” Barrett, whose association represents 50 qualified tradespeople, added.
In 2022, IAG said that jewellery was its largest contents insurance category by value in New Zealand.
As a service provider for insurance companies, JVC approaches jewellers to quote for the remaking or repair of jewellery. It then writes reports for insurers that include quotes and a recommended course of action.
“In certain cases, Jewellery Partners, JVC’s procurement arm, may be included among the options presented to customers, typically for niche or difficult-to-source items,” Tower’s chief claims officer, Steve Wilson, said.
For more on this story: https://businessdesk.co.nz/article/investigations/jewellersdecry-lack-of-transparency-in-claims-market






Bulgari marks the end of the Year of the Snake with three new Serpenti additions that revive the ‘pallini’ technique. First appearing in Bulgari’s catalogue in 1955, ‘pallini’ means ‘small round beads’ in Italian and refers to the unique construction of this type of jewellery.
Essentially, the scales of the snake are comprised of hundreds of small gold beads or diamonds, each individually set on a gold mesh, which allows them to quiver and dance with the wearer’s movement like the snake is actually alive.
In French, this technique is called ‘en tremblant’, which means ‘to tremble’ and was developed by jewellers in 18thcentury Paris.
Shaped in rose gold, the necklace wraps sinuously around the neck, with head and tail meeting gracefully at the front, the single-coil bracelet frames the wrist and the brooch offers genderless elegance.

Phillips, in association with Bacs & Russo, offered a collection of exceptional Cartier clocks from a prestigious private collection across recent auctions in Geneva and Hong Kong. These historical timepieces spanned from the 1900s to the 1940s, showcasing Cartier’s iconic Art Deco design, innovation and mastery of horological craftsmanship.
The headline piece at The Geneva Watch Auction was the Cartier Portico Mystery Clock No. 3, created in 1924 and one of only six known to exist. Cartier’s Mystery Clocks are known for their hidden mechanisms and the mesmerising effect of floating hands. All pieces are signed by Cartier and several by the European Watch & Clock Company, further cementing their collectability.

A refined desk compendium from circa 1925, merging silver, enamel and rock crystal. Sold for NZ$86,140.

An important yellow gold, nephrite, jade, onyx and lacquer minute repeating desk clock with Lacquer Burgauté panels and mother-of-pearl numerals and key, circa 1929. A nephrite Fu Dog crowns the case, serving both as a protective symbol in Chinese tradition and as the trigger for the minute-repeating mechanism. Sold for NZ$1,037,600.

The circa 1930 Coral Sculpture Mystery Clock sold for NZ$1,609,934. The piece features a coral dragon and Bixie figure (to ward off evil), mother-of-pearl bezel and diamond dragon-wing hands, masterfully concealing the mechanism to create the illusion of floating time.

Crafted in rare Burmese red amber and black enamel, the clock features a carved jade dial depicting a monkey paired with a red amber bangle adorned with a chimera. Both powerful symbols of longevity, fortune and protection in Chinese culture. Rosecut diamond hands, gold Roman numerals and its original Cartier presentation box completed the composition. Circa 1925. Sold for NZ$563,400.

A historically important, unique and large Portico Mystery Clock made of rose quartz, enamel, onyx, rock crystal and diamonds, circa 1924. Inspired by the architecture of Chinese temples, Cartier’s Portico Mystery Clocks (1923-1925) were designed to evoke the grandeur of a traditional Chinese archway, with their frames resembling the columns of a temple gate. Sold for NZ$8,090,700.

A striking blend of pink marble, carved agate and vivid green enamel, this unique Cartier table clock evokes the elegance of Russian-inspired design. Crowned by a finely carved agate elephant, it incorporates a barometer and thermometer alongside its timekeeping function. Circa 1905. Sold for NZ$483,100.
In a bold tribute to the decade in which the House was founded, Graff has unveiled ‘1963’, a new high jewellery suite that captures the spirit of the Swinging Sixties. The collection was launched at Paris Haute Couture Week and features a necklace, matching bracelet and statement earrings, ablaze with 7,790 oval, baguette cut and round diamonds which total more than 129 carats.

Each piece is designed to symbolise the freedom, rebellion, glamour and cultural revolution of the 60s. The House’s artisans have set the designs to draw the eye into an infinite loop of sculptural concentric ovals, creating an almost psychedelic feel.
Artfully concealed within each white gold setting lies a secret line of round pavé emeralds is a subtly flicker of Graff green, a hidden signature coded in colour. This emerald flash, a nod to the House’s identity, contrasts with the icy glistening of diamonds, bringing an unexpected edge to the suite.
CEO, Francois Graff, said: “This is one of the most intricate, complex and technically challenging high jewellery suites we have ever created. While the design is inspired by the decade in which Graff was founded, each jewel also represents the journey and evolution of our brand, our expertise and our future potential. We pursue absolute beauty and perfection in everything we do and ‘1963’ is the ultimate representation of these values.”



As a manufacturing and fine jewellery retailer, I was delighted to meet Shane. He has an exceptional understanding of the unique needs and intricacies of the jewellery industry. His prompt, proactive, and seamless service made what is often a complex process feel effortless - and he’s truly a pleasure to work with.
Gina Dean of DEAN & DUST


Photos by Kate Dhu.
The outback town of Lightning Ridge once again played host to Australia’s most significant celebration of opal artistry, with the 2025 Australian Opal Awards honouring outstanding craftsmanship, innovation and design.
Recognised globally as a showcase of Australia’s most iconic gemstone, this year’s awards captivated judges and opal enthusiasts alike with an extraordinary display of creativity. There were six categories: open prestige jewellery, freeform prestige jewellery, designer menswear jewellery, freeform carving, figurative carving and jewellery hand sketch, with more than AU$30,000 in the prize pool.
The highpoint of the evening, the


AU$15,000 Open Prestige Jewellery Award, was awarded to Nadia Neuman of Mondial by Nadia for her creation, The Celestine, a double-sided Andamooka crystal opal, spinning within a diamond-set frame and finished with a gold-chained tassel and bezel-set opals.
“Regarding its design, the magnificent opal itself was the inspiration for the entire piece. My goal was to create something that highlighted the opal's


best features, especially its stunning display of colour on both sides,” said Nadia. “This led to the decision to make the gemstone rotatable, allowing everyone to enjoy this magnificent natural creation.”
It’s been an exciting year for the Sydney jeweller who won the Champion of Champions Award at the International Jewellery Design Excellence Awards in Hong Kong in March with her piece Kaleidoscope.




A special People’s Choice Award was awarded to Kayt Primmer of Valued Possessions, Appin, NSW, for Mantra of the Ridge, a tribute to Lightning

Think Pink snake bracelet by Paris designer, Lydia Courteille, with 2.388 cts. t.w. pink spinels, 9.269 cts. t.w. pavé rose spinels, 12.577cts. t.w. pink sapphires, 0.12ct. t.w. onyx, 4.88cts. t.w. black diamonds, and 0.766ct. t.w. brown diamonds in 18ct gold.

Make time yours.


The JWNZ Spring Trade Fair show floor was buzzing as business was conducted, introductions were made and old friends were greeted. The fair attracted retailers, buyers, manufacturers, designers and suppliers of jewellery, watches and tools, with the new venue a winner on the day.

“The setting at the Viaduct Events Centre, Wynyard Quarter, Auckland, was far superior to previous years’ venues, offering exhibitor space all on one level, bigger stands now in booth style and much more ease of viewing for visitors,” said Debbie Whiting, Manager of the Fair.
“Footfall at the event was markedly strong, with exhibitors enthusiastic about conversations had and deals made. Most were happy with sales; some were overwhelmed and had no time to leave their stand to look around as they were too busy writing orders.


“This year saw 104 tables, up from 76 last year, Australian exhibitor numbers were up, catering received a huge upgrade, everyone was comfortable with the security team and the Champagne ladies to toast the end of the day were again a highlight.
“A few of our exhibitors have chosen not to exhibit for various reasons in 2026, but these spots are being taken up quickly. We already have a popular jewellery brand coming in as a first-time exhibitor and taking three stands. Everyone enjoyed the new location and all the Viaduct Events Centre had to offer. Many of the participants’ suggestions have been considered and will be actioned. We do our best!”
The 2026 JWNZ Spring Trade Fair will be held on September 13th.

TO EXHIBIT CONTACT: DEBBIE WHITING, JWNZ TRADE FAIR MANAGER, DEBBIE@INKLINK.CO.NZ, PH 274 777 955.
FOR MORE INFORMATION: CRAIG ANDERSON, EXECUTIVE SECRETARY, JWNZ, INFO@JWNZ.CO.NZ, PH 21 596 988.


Top marks to the organisers. We thought the new space, layout and atmosphere at the Spring Trade Fair were ideal, as well as the additional exhibitors from Australia. Hopefully the visitor numbers made the event worthwhile. To your success.
- Visitor Jenni Franich, John Franich Jewellers, Westgate, Auckland
Hope you had a successful fair. We popped in for a looksee and will be putting in some orders.
I just wanted to say thank you for your hospitality.
- Visitor Boh Runga, Boh Runga Jewellery, Ponsonby & Auckland International Airport.
New venue was amazing; layout was excellent and great to see some new suppliers there. Good atmosphere and nice to catch up with fellow retailers and wholesalers.
- Visitor Brent Morrison, Petersens Jewellers Ltd, Upper Riccarton, Christchurch.
A great fair. Excellent venue on one floor from the entrance that looked professional, very open, spacious, easy access to exhibitors and good space for movement.
Exhibitors looked happy and those I spoke to were very pleased. A credit to Debbie and Craig for all their hard work.
- Visitor Grant Rae, Consultant - Matheson Rae Accountants, Christchurch.
The new venue provided a lot of space, especially for retailers to move around the stands and although initially the fair felt quiet, we were very happy with the end results. The space afforded an element of privacy, so much easier to have conversations without being overheard. A new venue always takes some getting used to, but the location was excellent, pack in and pack out easy, plenty of security.
At the DGA stand we found our diamond specials as strong as previous years, but a definite uplift in interest in our Lab diamond range. Several new watch accounts and some good leads generated, which is always a bonus. We would be very happy to have the fair in the same venue next year.
- Exhibitor Helen Finlayson, The Brand Agent, TS Retail NZ, DGA Duraflex Group Australia, Sydney,
We felt this year’s JWNZ Spring Trade Fair was a real success. The new venue worked well, creating a bright and welcoming atmosphere.
On our stand, there was strong interest in our ever-popular pick & take specials, the new earring ranges, and the coloured black zirconium pieces. The new Helix stud earrings also drew a lot of attention.
Looking ahead, we think the event is already in great shape. Overall, it’s a well-run and worthwhile fair that continues to bring the industry together.
- Exhibitor Chris Worth, Worth & Douglas Ltd, Auckland.
I think this year’s fair was great. The new venue really elevated the atmosphere, lots of visitors commented on how easy it was to get around and see everyone. Our spinning wheel was popular as well as castings, scan to print and bullion drew a lot of interest.
An idea for next year would be potentially spot prizes in the morning, or later in the afternoon to encourage people to spread out their visit times. Found that the 12-2pm was super busy, but then it slowed right down. Also think that splitting areas into NZ, Australia and International would be good.
Overall was a fantastic fair and thank you to the team.
- Exhibitor Antonia Morris, Morris & Watson Ltd, Auckland.
We LOVED the show! It was the first time for Jewellery Services to be at something like that and we were busy all day!
The venue was perfect! Please don’t change it. Lock us in for another 2x spaces next year. We would like to be a little more ‘centre’ though. Atmosphere was great, people seemed happy and energetic. Was good to have coffee/food around too.
Let’s make sure the dates do not clash with an overseas show. This year it was at the same time as the Hong Kong show, so there was a number of ‘big fish’ who were not there. Also, I would love to see a ‘NZ Manufacture’ section, where certain vendors are situated in and we can take about supporting NZ manufacturing (Jewellery Services, Morris & Watson, etc).
On the flip side, I did notice a few people who were not part of the trade and were just ‘looking’ around. I’m not sure if there were any checks/balances to ensure someone was in the trade before they were issued a ticket. Maybe a little tighter on this next time.
- Exhibitor Richard Mayo, Jewellery Services, Auckland. Craig Anderson: “Next year there will be a lot more info requested at online registration time. Also the mailing list will again be scrutinised and names deleted.”
It was a great event very busy for us all day. I didn’t even get a look around either, which was a shame (probably saved me some money!)
Thank you for your work well done. Security firm was very on to it and lovely people.
Very positive event in what's been challenging trading times in retail in NZ. I am sure the event has given us as an industry a boost!
Thank you to all involved.
- Exhibitor Mary-Louise Squire, BECKS Group, Adelaide.
This year’s venue was far superior to the previous year. Load in and out was a breeze and the atmosphere was fantastic.
- Exhibitor Scott Powell, Citizen Watches Australia, Sydney.
We were really impressed with the new venue, which created a fantastic atmosphere throughout the show. Customers were enthusiastic and excited about our new product releases, including some of our new gold chains and earrings and there was a real buzz amongst both exhibitors and visitors that made the event a great success.
- Exhibitor Geoff Kidd, PEKA, Christchurch.
I thought the location setup of the fair was excellent. Timing is a problem. It was the same time as the Hong Kong fair and quite a few were not at the NZ fair. Maybe the week before the Sydney Fair?
- Exhibitor Stephen Zamel, Global Jewellery Concepts, Melbourne.
The New Zealand Jewellery Fair proved to be an outstanding platform for business development. It yields high quality leads, fosters robust buyer engagement and paves the way for strategic partnerships with significant growth potential.
- Exhibitor Jae Lee, Citizen Watches, Australia, Sydney.





































2ct, 3ct and 5ct Available in F/VS and GH/SI, 9kt and 18kt
Chain & Bracelets crafted in Italy from 100% Certified Australian Gold
No minimum order quantities
All products in stock available for immediate dispatch


























Watches and Wonders Geneva is known as the epicentre of the fine watchmaking world, gathering the most prestigious maisons under one roof at Palexpo to unveil their latest creations. The watch show reportedly reached a record attendance this year with more than 55,000 visitors throughout the week.
Among those timepieces on show …

The 18ct rose gold Van Cleef & Arpels Ruban Mystérieux Watch certainly boasted the prettiest of gems. Set with 888 pink sapphires and 252 diamonds; simply swing the bow to one side to reveal the watch.

Geneva-based TAOS, founded in 2019 by master artisan Olivier Vaucher, presented Savile Row which mimics the precision of London’s famous tailoring district. Its dial created through more than 20 successive layers of transparent enamel fired over a finely hand-engraved gold base.

A watch that is barely a watch … In white gold with indicolite tourmaline, diamonds and a hidden onyx dial, the Hermes Maillon Libre brooch doubles as a pendant and a secret watch.

The Bvlgari Serpenti Aeterna in pink gold redefined one of the brand’s most iconic motifs. Stripped of scales, eyes, or figurative detail, this sculptural bangle-watch reduces the serpent to its most essential form: fluid, geometric, and resolutely contemporary.

Jaeger-LeCoultre came to Geneva with The Reverso Tribute Enamel ‘Shahnameh’, a tribute to Persian art. A set of four limited-edition timepieces, each featured a miniature enamel reproduction of a 16th-century folio from the Shahnameh, the Persian ‘Book of Kings’.

A stalwart of the Geneva salon, Cartier returned with creations that blur the lines between horology and haute joaillerie. The white gold and black lacquer version of the Panthère Jewellery Watch is set with more than 1,100 brilliant-cut diamonds.

Chanel’s Diamonds Astroclock is a celestial sculpture encased in a glass sphere, where time is indicated by a comet-shaped hour hand and a Leo constellation minute hand. Both set with diamonds. Beneath this intricate mechanism rests a regal lion, carved in white gold and adorned with 5,037 diamonds, symbolising Chanel's enduring emblem.

The Roma watch by Dolce & Gabbana combines Italian baroque flair with fine watchmaking, featuring a hand-engraved 18ct pink gold case, a mother-of-pearl dial inspired by Roman piazzas and crowned with a fantasy cut gemstone, while a black diamond crowns the winding stem.

Housed in a 38.8mm white gold case set with diamonds, the Beauregard Dalia celebrated floral artistry, featuring dials adorned with 48 sculpted gemstone petals - including opal, turquoise and coral - each meticulously hand-carved and assembled to create a vibrant, dimensional flower.



















Chopard has unveiled a new high jewellery collection featuring the emeralds cut from ‘Insofu’, the 6,225ct rough emerald Gemfields recovered from the Kagem mine in Zambia in 2010. Insofu means ‘elephant’ in the local Bemba language, an affirmation to the rough stone’s trunk-like shape and extraordinary size.
The 15-piece collection, also called Insofu, has been unveiled in collaboration with the Elephant Family charity, who work with conservation experts to tackle the challenges facing Asia’s wildlife and indigenous communities. Part of the profits from each piece sold in the collection will be donated to support Elephant Family and its actions.
In 2022, Chopard acquired the rough and co-president and artistic director Caroline Scheufele took on the challenge of assessing how the gigantic rock could yield the most


captivating cuts for finished jewellery pieces. No easy feat for emeralds, which are softer, more fragile and therefore riskier to cut compared to a diamond. The brand flew in the world’s most expert gemstone cutters from India to Geneva to work on the cutting process, which took almost a year.
“Unlike diamonds, which can be analysed with precision to predict the final stones, emeralds reveal their full potential only during the cutting process. The outcome is full of surprises and magic,” said Caroline Scheufele.



A suite of necklaces comprising : A necklace in 18ct white gold set with a central 6.61carat emerald-cut emerald, as well as pearshaped and brilliant-cut diamonds and a tie necklace in 18ct white gold set with three emerald-cut emeralds accompanied by brilliant-cut, pear-shaped and marquise-cut diamonds.







The Australian jewellery trade is preparing for one of its most anticipated annual events, with the Melbourne Jewellery Industry Fair returning 14-15 2026 for its fifth year in Victoria and the eighth edition delivered by the Jewellery Industry Network. Once again, the Fair will take place at Melbourne’s iconic Royal Exhibition Building, a heritage landmark built in 1880.
Victoria remains one of the country’s strongest jewellery hubs. Nationally, approximately 2,600 jewellers and watch-retail businesses operate across Australia, with New South Wales leading the market and Victoria closely following as the second-largest state for jewellery trade activity. Home to a rich ecosystem of bench jewellers, independent studios, gemstone dealers, and long-established retailers, Victoria continues to provide a strong

foundation for hosting the Fair.
Although firmly rooted in Victoria, the Fair consistently attracts a significant national audience. The 2025 event drew strong interstate participation from both exhibitors and visitors, with organisers reporting an increase in interstate attendance compared with the previous year.
In 2026, the Melbourne Jewellery Industry Fair will stand as the only dedicated jewellery trade event in Victoria, reinforcing its role as a mustattend national gathering for retailers, suppliers, designers, and industry professionals. The Fair remains a key opportunity for Victorian businesses to connect with suppliers and for interstate and New Zealand attendees to engage with the state’s thriving jewellery scene.
With registrations now open, the 2026 Fair is shaping up to be one of the most comprehensive editions yet: – An expanded exhibitor showcase A growing list of leading Australian suppliers, manufacturers, and designers
will feature across the floor, including specialists in casting, CAD/CAM, gemstones, tools, packaging and more.
– A refreshed networking and events programme
A strengthened social calendar will include a networking cocktail party, High Tea, speakers and more.
– A celebrated venue
The Royal Exhibition Building’s central location, architectural heritage, and accessibility make it an ideal setting for an event of this scale, particularly for interstate visitors.
– Spotlight on craft, technology and innovation
The 2026 Fair will showcase advances in manufacturing, sustainability, digital retail and the growing role of lab-grown diamonds, supported by live demonstrations and educational programming.
For the Australasian jewellery trade, the Melbourne Jewellery Industry Fair is more than an exhibition, it is a strategic platform for industry development:
• Supply chain access: Engage with key national suppliers in one place.
• Trend insight: Discover the emerging design, gem, and retail directions shaping the year ahead.
• Relationship building: Strengthen networks across retail, manufacturing, design, and allied sectors.
• Brand visibility: Exhibitors gain exposure to a highly engaged trade audience.
• Professional development: Associated events offer opportunities for learning and business growth.
Time to Secure Your Place
Registration for the 2026 Fair is now open, with demand expected to build quickly. With an expanded exhibitor lineup, enhanced networking opportunities and a sharpened national focus, the event is positioned to be a standout moment on the 2026 jewellery industry calendar.
Whether you are a retailer seeking new partnerships, a bench jeweller exploring the latest technologies, or a designer preparing to unveil your next collection, this is the event where the industry comes together to connect, collaborate and grow.
Dates: 14th – 15th March 2026
Royal Exhibition Building – Carlton VIC For information and to register, head to: www. jewelleryindustrysummit.com/melbourne/



After the most successful 2025 JWNZ SPRING TRADE FAIR at the Viaduct Events Centre, Auckland, we are filling up fast for 2026.
All tables are in a booth format, please call to book or discuss options and availability.
Visitor registration is open www.jewelleryfair.co.nz
Thanks to our Trade Fair sponsors



At Paris Couture 2025 week Chanel invited its VIP clients and the press to its Place Vendôme maison, where its 'Reach for the Stars' high jewellery collection was presented.
The jewels took a creative flight of imagination from three symbols linked to prolific French fashion creator and founder of the Chanel brand,

of the highlights of

Lions are a recurring favourite in Chanel's universe. The boldness of the lion is expressed here as a stylised pendant, an interpretation of the feline with its resplendent mane surrounded by an aura of stars.
Mademoiselle Gabrielle ‘Coco’ Chanel. The comet pays tribute to her debut 1932 'Bijoux de Diamants' collection. Wings refer to her refrain: 'If you were

born without wings, do nothing to prevent them from growing'. And the lion is her birth sign, Leo.
Among the collection…












2026 Autumn Booking, Editorial and New Products: February 12, Advertising Material: February 19, Magazine Posted: February 26
Future deadlines:
2026 Winter Booking, Editorial and New Products: May 7, Advertising Material: May 14, Magazine Posted: May 21



2026 Spring Trade Fair Special Booking, Editorial and New Products: August 4, Advertising Material: August 11, Magazine Posted: August 18








The crew at Jewellery Time would like to thank our loyal advertisers and contributors. Thirty years plus behind us now and with good support from our industry.
2026 Summer Booking, Editorial and New Products: November 5, Advertising Material: November 12, Magazine Posted: November 19
Give us a call to discuss how we can help. Any support the trade can give us is welcomed. If you have an advertisement, new products to promote, or an editorial feature suggestion, please get in touch.
Christie’s Paris hosted a retrospective dedicated to Jean Dinh Van, (1927-2022), the French jeweller whose sleek, sculptural designs helped usher in a new era of modern jewellery.

Marking 60 years since the founding of Dinh Van’s namesake house, the exhibition, titled ‘Dinh Van, 60 Years of Freedom and Creation’ brought together archival sketches, heritage pieces and iconic creations that trace his influence on contemporary design.





Dinh Van began his career in the 1950s at Cartier, but by the mid-1960s he was carving out a new path with his own company, one that broke from tradition and reflected the spirit of the times. He pared jewellery down to pure lines, bold shapes with an emphasis on


wearability. His work resonated with a generation seeking freedom, both in design and in life.
"At that time, decoration, couture, and even gastronomy had undergone their revolution, all taking a big step toward a certain simplicity. Jewellery, on the other hand, was still in the era of elaborate jewellery, as in the last century. We had a vague feeling that women expected jewellery from us that was easier to wear. It remained to invent it." said Jean Dinh Van (1970).
In 1967, Dinh Van created the now famous Deux Perles ring, a design inspired by Pierre Cardin’s futuristic visuals. Around the same time, he collaborated with avant-garde designers like Paco Rabanne and his close friend, the sculptor César.
Dinh Van’s influence extended across the Atlantic. Exhibiting at Expo 67 in Montreal, he was invited to oversee Cartier’s New York workshops, a role he held for a decade. His pieces, often co-signed with Cartier, were distributed widely in North America and helped cement the idea of jewellery as part of everyday style, rather than something reserved for special occasions.
Jean Dinh Van sold the Dinh Van brand and the Dinh Van boutiques to Yves Mouriès, the CEO of Aigle SA and a group of investors in 1998. At the end of his career he created unique non-jewellery pieces, including redesigning a folding chair for the French manufacturer Chaisor.







FREDERICK
2ND NOVEMBER 1928 - 21ST MAY 2025
A past president of the Jewellers Association of New Zealand 19741976, Fred died peacefully in Christchurch on the 21 May 2025 aged 96yrs, survived by his wife Patricia (97), three sons, nine grandchildren and eight great grandchildren.
Fred was instrumental in encouraging the emerging professionalism within the industry. He had registered as an Associated Chartered Accountant in 1952 and in 1964 was awarded the Tully Medal by the Gemmological Association of Great Britain for his first place in a class of 200 in theory and practice of Gemmology Examinations.
With interests in golf and horse racing, Fred will be fondly remembered as a quiet achiever whose private
It was great to catch up with so many of you at this year’s JWNZ Spring Trade Fair. There was a real sense of optimism throughout the event and it was wonderful to see people in such positive spirits after what has been a challenging year for many.

One of the highlights of the show for many was to hold a 12kg bar of gold, courtesy of Palloy’s, Australia. I also had the pleasure of presenting Paul Taylor with his Master Jewellers Certificate, a well-deserved recognition of his outstanding contribution to the jewellery industry. We now have the summer to look forward to and with the traditional engagement and wedding season approaching, I’m hopeful it will be a brighter and busier time for us all. Wishing everyone the very best over the holiday period.
- Brian Barrett GGNZ CHAIRMAN 04 476 4764, 021 661 060 nzgoldsmithsguild@gmail.com
charitable endeavours and professional guidance of others will be known only to those who benefitted from him. In business he was the managing director of Fred Sladen And Sons Ltd, originally a watch and jewellery import business with records dating back to the 1880’s. He had purchased the company from his wife’s family of shareholders and transitioned the business from importers of jewellery and watch brands like Hafis & Heuer to manufacturing diamond jewellery based in Christchurch. Alongside winning the inaugural Jewel of the Year competition in Fred’s tenure the company produced the ceremonial batons for the 1974 Commonwealth Games.
- Anthony Dowie

Spring is finally here and with the warmer weather we hope for stronger trading.
Anecdotal feedback from around the country is that trading conditions continue to be challenging and unpredictable, however, outlooks remain cautiously hopeful for a good run in to Christmas; only time will tell. Economist Tony Alexander notes in his weekly report that from his November Spending Plans Survey that sentiment has increased positively for the seventh month in a row, with November’s survey showing a net 18% of respondents planning on spending more in the months ahead. Hopefully this translates to stronger trading ahead.
The last months since the Autumn JT magazine was released have seen much activity; The JWNZ trade fair in September was a huge success, with the new venue being positively reported on by all with whom I’ve spoken. I did try to get around and see the offerings and exhibitors in the few lulls we had on our stand and it looked to be a busy day for most. Please do provide feedback to Debbie Whiting and the team of organisers so we can continue to learn what works and what doesn’t.
Earlier in September, Susi ChinneryBrown and I travelled to Hong Kong for the annual HKTDC Watch and Clock fair. Overall impressions were that there were some great new products filtering through, with a few innovative new designs such as the tactile watches for the visually impaired. There looked to
be a real resurgence of colour in the watch offering. Great to see people trying new markets and looking to solve problems and create a business opportunity from it.
Other take aways from that trip were that more and more of the industry are looking to promote their products through digital channels and increasingly utilising product placement and influencers to get their brands out there. I guess with the ever-present increase and competition and general margin squeeze people look for more value from their marketing spend and try to gain efficiencies where they can. We also noted that the numbers of visitors from Europe were down this year, however, whether that is a result of trading conditions in Europe with the ongoing uncertainty over there, or a structural shift in how they source their products remains to be seen. All in all it was a great trip, and we found it useful to attend.
Going forward I intend to send out a survey of the membership to see how we can provide value and to canvas you for ideas and feedback. Ultimately the JWNZ is a members organisation, so I would like to hear your views on what you would like from us. This will likely be sent out in the new year once the Christmas chaos is behind us, so please keep an eye out for that.
Until then, good trading; hopefully the build up to Christmas provides a good sugar rush and the trading environment is trending upwards.
Wishing you all a safe, happy and prosperous Christmas and 2026.


- Ollie Dugdale, JWNZ President Ph 03 356 3587 sales@pacifictime.co.nz
During the fair the HKTDC conducted a survey interviewing some 920 exhibitors and buyers on-site. The aim was to understand global trends in the watch industry, as well as exhibitors' and buyers' perspectives on the industry's outlook and product trends.
The survey results show that 59% of respondents expect overall sales to grow in the next 12 to 24 months, while 36% anticipate that sales will remain stable. Respondents considered the growth prospects for the watch industry in the following target sales markets to be promising or very promising in the next two years: the Middle East (82%), Taiwan (79%), Korea (78%), Latin America (76%), Australia (76%), and ASEAN countries (73%).
Regarding product trends, 47% of respondents consider smart watches to have the most significant growth potential, followed by fashion watches (30%) and casual watches (26%).









Jewellery Time magazine - The focal point of JWNZ member and industry communication.
JWNZ Inc. Trade Fair - An annual event held on behalf of our members, for our members and industry.
Internet - www.jwnz.co.nz - The official JWNZ website with a free listing for financial members.
Press Releases - Jewellery and watch specific editorial promotion of product and JWNZ members.
Consumer Information - Online brochures, water resistancy guide and refund policy.
ANZ Bank - Business and Personal banking.
ANZ Merchant Business Solutions - Merchant facilities for EFTPOS, Credit & Debit Card sales.
Gallagher - Business, Personal and Travel insurances.
CourierPost - Special Trackpak rates, $2000 insurance cover on each parcel sent.
EFTPOS NZ Ltd - EFTPOS Terminals and Payment Solutions.
Gilrose Finance - Consumer Finance for Hire Purchase sales.
Grow Online Ltd - Creating Results Driven Websites, SEO (Search Engine Optimisation), SEM (Search Engine Marketing), Ecommerce Websites, B2B, Custom Solutions.
Office Products Depot - Stationery, Office furniture, Computer accessories and consumerables.
one.nz - Telecommunication services - Fixed line & Broadband
one.nz - DigitalMobile - Vodafone Product Suppliers
INDUSTRY REPRESENTATION:
Jewellery Industry Registration Board of New Zealand - Representation on the Jewellery & Watch Industry organisation responsible for Apprenticeship Training.
Government Liaison (When required) - Ministry of Consumer Affairs, Commerce Commission, New Zealand Customs, Disputes Tribunal, New Zealand Trade & Enterprise, Immigration New Zealand, Statistics New Zealand, Ministry of Economic Development.
The JWNZ Executive Council was elected with Ollie Dugdale, Christchurch, JWNZ President, with Robert McAuliffe, South Island Representative and Brian Barrett and Gary Barwick North Island Representatives. The Executive Council was elected as per the new Constitution.
The 2025 Annual General Meeting voted in favour of the adoption of the Society’s new Constitution and voted to continue the process of re-registering the Society under the Incorporated Societies Act 2022.
The Statement of Financial Performance was presented to members and approved, showing a Net Surplus for the year of $8,639.00. It must be noted that the financial year was a 13-month period, which allowed the Society to align the financial year 1 April to 31 March. Previously 1 March to 28/29 February.
The opinion of the auditor John Hooper, John Hooper and Co., noted“In our opinion the financial statements presents fairly, in all material respects, the financial position of the Jewellers & Watchmakers of New Zealand Inc as at 31 March 2025 and its financial performance for the 13 month period then ended, in accordance with the special purpose framework published by Chartered Accountants of Australia and New Zealand.”

Moving our 2025 JWNZ Spring Trade Fair to the Viaduct Events Centre (VEC), saw the event rise to a new level in terms of presentation, catering, increased floor space and an increase in visitor registrations. Thus allowing the exhibitors to showcase their products and services to industry participants on the one level.
The positive feedback from both exhibitors and visitors on the new venue confirms the move to the VEC was a great investment for the ongoing future of the event JWNZ greatly appreciates the support of our 2025 Spring Trade Fair sponsors: Landau Jewellery, Pacific Time Industries, Morris and Watson and PEKA.
House of
$500.00 Travel Voucher - Chris Scanlan, Scanlan & Co., Melbourne, Australia. $50.00 Travel Vouchers - Brent Morrison, Petersens Jewellers, Christchurch. Rachel Vellacott, Jamies Jewellers, Alexandra. Aimee White, The Ringmakers, Timaru. Fiona Wilson, Gold 'n' Gifts, Paihia. Angela Cosson, Katikati. Tony Field, Tony Field Jewellers, Gisborne. Warren Beard, Jewel, Petone. Glenis Palmer, Aspiring Jewellers Ltd., Wanaka. Justine Donaldson, Greymouth Showcase Jewellers, Greymouth. Bill Roy, Dalgleish Diamond Jewellers, New Plymouth.
Diary next year’s date now - JWNZ

Spring Trade Fair, Sunday 13 September 2026.
JT
Issues of Jewellery Time (JT) magazine are available as an e-magazine soon after the publishing and posting of the printed version. JT is the focal point for JWNZ member communication. Keep yourself informed as the magazine contains information such as events, JWNZ reports and editorial, business, news and industry updates. Link to Jewellery Time magazines from Spring 2023 - https://issuu.com/inklink
JWNZ Inc. National Office
Craig Anderson, JWNZ Executive Secretary, 021 59 69 88, info@jwnz.co.nz

Firstly, it was a pleasure for JIRBNZ to be able to award Paul Taylor with his Master Certificate at the JWNZ Spring Trade Fair. There continues to be a fair amount of interest around obtaining the Master Desigination and anybody who is interested in doing so should contact the JIRBNZ.
It was a busy Trade Fair day for the Registration Board. During the morning, we had seven Manufacturing Jewellers and Watch and Clockmaking apprentices sitting their Trade Certificate examination upstairs, as part of the requirements of becoming a Qualified, Trade Certified Tradesperson.
One of those participants has already satisfied the remaining conditions of his apprenticeship indenture to be able to be awarded his Trade Certification … Aiden Smith - Qualified, Trade Certified Manufacturing Jeweller of GMW Jewellery, Blenheim.
Another of the apprentices also achieved a milestone when his top in NZ examination mark was combined with his other marks gained, resulted in him earning the accolade -Apprentice of the Year 2025 - Barnaby White. Well done to Barnaby, Brent White and the team at The Ringmakers Timaru.
It was very rewarding to see two of our Watch and Clockmaking apprentices sitting their Trade Certificate examination alongside our Maufacturing Jewellery apprentices. I encounter a lot of chat about apprentices, lack of Tradespeople etc. and what is readily apparent and something that needs to be constantly reminded to everybody, is that the entire system is reliant of employers taking an apprentice on. That means registering them as an apprentice and supporting them to get on with what needs to be



covered. Fantastic, to those that do, you are taking ownership and pride of your Trade.
I wish there could be more rewards for the Masters and Qualified Tradespeople involved and I am working on that but in the interim, do afford yourself to take the honour that you will be recorded as part of a system that has endured the ages and encompasses all the great civilizations from the Romans and Egyptians to the Vikings.
Formal indentured apprenticeships trace their origins back to the medieval era in Europe. Young individuals would be placed under the mentorship of a master tradesman to learn the intricacies of a specific trade to ensure it continued and to regulate standards that the public could trust. One of the earliest established involves our trade and is recorded in the 14th century, with the Worshipful Company of Goldsmiths in London establishing one of the earliest formal apprenticeship programmes.
Recently I called on Qualified Tradesperson Rachelle Frazer of Kapiti Jewellers who, along with Qualified Tradesman Adam Pointon, is currently training three apprentices, Leon Frazer, Bonnie Frazer and Evy Dewhurst. Nice






work guys.
Hope everyone has a great Christmas break, great to be involved with you all and hope to catch with as many of you as I can in the new year.

– Grant Harrison
Industry appointed Commissioner of Apprentices
Jewellery Industry Registration Board of New Zealand
M: 027 693 0001, E: info@jirbnz.org.nz
W: www.jirbnz.org.nz











The Citizen Zenshin 60 collection embodies precision and modern sophistication. Crafted entirely from Super Titanium™ with Duratect™ treatment, it offers superior strength, lightness and hypoallergenic comfort. Featuring a 12-sided bezel, vertical brushed dégradé dial and Caliber 8322 automatic movement with a 60-hour power reserve, it harmonises enduring durability with refined elegance. Models NK5020-58L, NK5020-58P, NK502058M, & NK5020-58X.
The Calendrier collection epitomises contemporary elegance, featuring a 41.8mm case and refined five-link bracelet with recessed crown for a seamless profile. Its multi-layered dial reveals the month, day, and date, with a moonphase indicator at 6 o’clock, adding depth and allure. Driven by Citizen’s Eco-Drive technology and water-resistant to 100ms, it fuses advanced functionality with avant-garde design for the discerning modern wearer. Models BU0080-52X, BU008851H, & BU0082-06P.



Contact: Citizen Watches New Zealand, Scott Powell, M +64 21508019, www.citizenwatches.com.au



The detailed cross pendant made from recycled 925 silver with 18ct gold plating can be effortlessly combined with necklaces and bracelets thanks to the filigree eyelet - for an elegant look. Sparkling zirconia stones in an elegant princess baguette cut give the cross a vintage look that immediately catches the eye. A shimmering cultured freshwater pearl forms the central highlight of the cross and adds a luxurious accent. CCC1287.
The delicate eyelet made from recycled 925 silver with 18ct gold plating allows you to wear the pearl charm flexibly on necklaces and bracelets - to suit your individual style. The unique cultured freshwater pearl creates a natural, elegant look that gives your look that certain something. CCC1282.
The filigree eyelet allows you to combine this romantic heart charm made from recycled 925 silver on necklaces and bracelets as you wish. The charm features a heart-shaped, faceted lab-grown ruby framed by small zirconia stones. CCC1279.
Sparkle meets comic cult: this Thomas Sabo Snoopy charm showcases the popular beagle with shiny black zirconia stones. Crafted from recycled 925 silver and red enamel on the iconic bandana, this design radiates pure joie de vivre. A charming piece of jewellery for anyone who wants to add a touch of glamour to their Peanuts collection and round off their look with a sparkling statement. CCC1310.


Contact: Helen Finlayson. DGA Duraflex Group Australia. Ph 61 2 9417 0177, NZ 027 7226 000, helen@dgau.com.au


The Cudworth Apex Chronograph series is a bold statement in precision and style, available in three striking finishes: Jet black, turquoise and gold. Designed for performance, this chronograph features a multi-function dial with moon phase display, 24-hour indicator and triple sub-dials for precise time keeping. The black bezel is etched with tachymeter markings, while luminous hour markers and hands ensure visibility in any light.
Crafted with a stainless steel case, 3 ATM splash-resistant rated and a robust quartz movement, the Apex pairs durability with elegance. Completed with a comfortable black silicone strap and signature Cudworth detailing.
The Cudworth Velocity Chronograph blends motorsport-inspired design with rugged performance, available in both a durable silicone strap and a black steel bracelet. Its black dial features striking red and blue accents, oversized 10, 2, and 8 hour markers and three sub-dials for precise chronograph functionality. A tachymeter bezel allows for speed measurement, while luminous hands ensure visibility in all light conditions.
Powered by a reliable quartz movement and splash-resistant rated 3 ATM, the Velocity is paired with the sport-ready silicone band or the commanding metal bracelet.


The Cudworth Heritage Chronograph reflects timeless simplicity with a modern edge. Its clean white minimalist dial is complemented by slim chrome markers and sub-dials for precise chronograph function. Housed in a polished chrome case with a durable stainless steel case-back, this watch offers both elegance and resilience. The tan PU vegan leather strap provides a refined finish, ensuring comfort and style while remaining environmentally conscious.
With quartz accuracy and water resistance to 3 ATM, the Heritage Chronograph is designed for those who appreciate understated sophistication.
Contact: Helen Thompson-Carter, Fabuleux Vous, Ph 0274 203 137, helen@fabuleuxvous.com, www.fabuleuxvous.com

Crafted from sterling silver, these petite hoop earrings showcase hand-woven white seed pearls. The delicate style makes them ideal for weddings and special occasions, while their timeless design ensures they'll remain cherished for years to come. A sophisticated choice for those who appreciate refined jewellery craftsmanship.
This Bijoux silver bold ring twist bracelet presents a bold and beautiful design expertly crafted from sterling silver. Its striking twist detail adds a sophisticated edge, making it a standout piece for any occasion.
Contact: Helen Thompson-Carter, Fabuleux Vous, Ph 0274 203 137, helen@fabuleuxvous.com, www.fabuleuxvous.com

Delicate with a touch of whimsy, the Ikecho Phoebe collection features five petite freshwater pearls nestled together on a fine 14ct yellow gold chain. The necklace gracefully accentuates the neckline, while the matching bracelet adds a soft, elegant focal point to the wrist. Together, they bring effortless polish and timeless charm. Perfect for layering or wearing solo.
Product codes: IP1169-N14Y & IP1169-B14Y.



Experience true rarity with our one-of-a-kind opal collection, showcasing authentic Australian opals renowned for their unparalleled quality. Each piece reveals the mesmerising interplay of colours and patterns unique to these gems, set in a design that captures their organic form. While similar settings may appear, each opal is entirely unique, ensuring no two pieces are the same. Product codes: OP12856-9W5 & OR559-14W.
Say “yes” to a Fancy Blue Oval Lab-Grown engagement ring that embodies romance and lasting beauty. With the same composition as traditional diamonds and an IGI certificate to guarantee its quality, every ring shines with enduring brilliance. Thoughtfully crafted and ethically made, it’s the perfect way to celebrate love’s most special moment. Product code: LAB-21.
Contact: Ikecho Australia, Ph 61 2 9266 0636, cindy@ikecho.com.au, www.ikecho.com.au





Marquise peridot and marcasite ring: 18-1104, earrings: 43-363.

Elegant set in sterling silver, featuring emerald cut green agate, black enamel and top grade Swarovski marcasites. Earrings: 43-362, ring: 181102, pendant: 72-834.


Oval blue topaz and marcasite ring: 181105, earrings: 43-365.


Octagonal citrine, black enamel and marcasites ring: 18-1054, earrings: 43300CIT.
Contact: AM Imports Pty Ltd NZ agent Susi Chinnery-Brown, Ph 021 75 1115, susi@twentyfive7.co.nz
A trio of pretty styles for summer crafted in sterling silver and individually bead set with top-grade Swarovski marcasites, PACKED
WB A353
Black Vegan leather/leatherette 6-slot watch box. Cross stitched, with latch. 190mm x 190mm x 92mm.
Contact: Pacific Time Industries, Ph 03 356 3587, www.pacifictime.co.nz

ALL IN GOOD HANDS
New from Rochet…

HB562207
Karma: bracelet 13mm, vintage steel, burgundy braided leather strap, red bulls eyes. 21.5cm, adjustable. ‘Carpe Diem’ engraving. RRP $120.
HB1430307
Driver: 28mm satined steel bracelet, 3.5mm burgundy braided leather strap. 20.5cm one size. RRP $89.95.

HB2807

Zen: 8mm red bulls eye beads & knurled vintage beads. Elastic bracelet. RRP $85.
HB4766
Santorini: steel bracelet bi-colour ip blue 6mmx21cm adjustable. RRP $149.95.



HB4771

Santorini: steel bracelet bi-colour ip black and gold 6mmx21cm adjustable. RRP $159.95.
Contact: Pacific Time Industries, Ph 03 356 3587, www.pacifictime.co.nz




Our new helix stud earrings bring a sharp, modern edge to the classic piercing. Each style features a sleek hypoallergenic titanium post with a comfortable flat back and set with cubic zirconia. Choose from three minimalist designs, available in sterling silver or gold-plated sterling silver. Made for the helix, they sit snug and secure without the bulk. They’re also right on trend with the younger crowd who love the mix of simplicity, shine and everyday comfort.
Contact: Worth & Douglas Ltd, Ph + 64 303 4666, sales@worthdouglas.co.nz, www.worthdouglas.com

Palloys hoop earrings. Crafted from 100% certified Australian gold with 2 natural, mined diamonds GH/SI. 9ct2.1g, 18ct- 2.8g. HEHO00004.

Palloys stud earrings. Crafted from 100% certified Australian gold with 2 natural, mined diamonds GH/SI. 9ct1.4g, 18ct- 1.9g. HEST00001.
Contact: www.palloys.com
FOR EVERY OCCASION



Palloys two-sided diamond bezel set necklace. Crafted from 100% certified Australian gold with 40 natural, mined diamonds GH/SI. 9ct- 4.7g, 18ct- 6g. HNDN00004.

Palloys star charm. Crafted from 100% certified Australian gold with natural, mined diamonds GH/SI. 9ct- 0.15g, 18ct- 0.17g. HCDC00001.

Palloys hoop earrings. Crafted from 100% certified Australian gold with 12 natural, mined diamonds GH/SI. 9ct2.4g, 18ct- 3.3g. HEHO00003.

Bezel set tennis necklace by Palloys. Crafted from 100% certified Australian gold with 49 natural, mined diamonds in GH/SI. Gold weight: 9ct- 18g, 18ct24.5g.
Diamond weight: 5ct. Also available in 2 and 3ct. HNTN00001.
Crafted from zirconium, this ring embodies modern resilience and sophistication - strong, striking, and made to endure. Choose from our wide range of modern metal styles to express your individuality. Style: ZRJ5313BT.
This fluid-style ring embodies effortless elegance - perfect for stacking, mixing, and matching to create your own signature look. Pairs beautifully with any band or an engagement ring. Style: J5337.

Crafted in two-tone gold, this puzzle ring intertwines elegance and creativity - a symbol of connection and individuality. Explore our range of contemporary two-tone rings that celebrate personal style. Style: 2TJ5309AA.
Delicately pinched and diamond-set, this ring is designed to stack seamlessly or sit beautifully beside an engagement ring. An elegant choice. Style: J5316.

Contact: BECKS Group Australia, Mary-Louise Squire, Toll Free 0800 443 99, MaryLouiseSquire@becksgroup.au

+64 274 203 137


19 Tapestry Grove, Silverstream, Upper Hutt 5019 p 04 528 9699 e info@aven.co.nz www.aven.co.nz All rethreading including lengthening & shortening Extensive range of clasps Pearl drilling IMPORTERS AND WHOLESALERS OF PREMIUM GOLD, PLATINUM AND
$150.00 each for Standard Business Card size advertisement $400.00 for 4 issues (1 year) $300.00 each for Double Standard Business Card size advertisement $800.00 for 4 issues (1 year)
Contact: Debbie Whiting, Jewellery Time, PO Box 46 218 Herne Bay Auckland. Phone 0274 777 955 – www.jewellerytime.co.nz Email: debbie@inklink.co.nz

• E-commerce website with pricing for easy online ordering
• Quick dispatch of orders
• Personal customer service
• Happy to help source findings not on our website
Contact Joel on 09-478 9950 or sales@nzfindings.co.nz www.nzfindings.co.nz













GEMS for Design Work & Trade repairs. Sourcing of Gems from the cutters. Hand Engraving, Setting, Sizing, trade repairs. Prompt Turn around of your Jobs.
Richard 021670145, Argosy 03 3669332 141 Holly Rd, Christchurch 8014 argosy.jewellery@gmail.com argosyjewellery.co.nz
• Quality Akoya & Freshwater Pearls
• Unique semi-precious necklaces
• ESSE Marcarsite Sterling Silver jewellery
PO Box 62, Morrinsville 3340, New Zealand
E: susi@twentyfive7.co.nz
P: +64 7 889 3545
Sapphires, Rubies, Emeralds, Diamonds & Semi-Precious Stones & Jewellery
Fast & Reliable Cutting Services Available. P O Box 109380, Newmarket, Auckland. Ph: 09-623 2078 Email: info@carlyung.com






$150.00 each for Standard Business Card size advertisement $400.00 for 4 issues (1 year) $300.00 each for Double Standard Business Card size advertisement $800.00 for 4 issues (1 year)
Contact: Debbie Whiting, Jewellery Time, PO Box 46 218 Herne Bay Auckland. Phone 0274 777 955 – www.jewellerytime.co.nz Email: debbie@inklink.co.nz





























Our revolutionary 3D Ring Configurator provides immediate access to your bestselling styles, and allows you to customise any unique design from our extensive range of alloys, profiles, finishes, stones and more!
Every order is underpinned by Palloys unwavering commitment to service and quality and is backed by a lifetime replacement guarantee. All wedding bands are fabricated from sustainably mined and certified 100% Australian Gold.


















































