GableStage Presents August Wilson's How I Learned What I Learned Playbill

Presents

Directed by Carey Brianna Hart With support by: Rick & Myrna Toren SEED School of Miami Education Initiative Sponsored By Dorothy Terrell Florida Memorial University Education Initiative Sponsored By Pat Papper Additional support provided by Knight Foundation With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners 1

Success starts with passion.

Member FDIC

2

UP NEXT STREAMING AVAILABLE

Directed by Bari Newport

NOVEMBER 17 - DECEMBER 10 TICKETS gablestage.org | (305) 445 1119 See you at the theatre!

3

T he heART of it.

Art is the inspiration that breathes life into the urban landscape and infuses our world with color. At G City, we create thriving city centers by empowering this transformative artistic spirit.

G-City Ltd. (TASE "GCT", formerly Gazit Globe Ltd.), is a leading global real estate company focused on developing and managing mixed-use properties at the heart of major cities in North America, Israel, Europe, and Brazil. As of June 30, 2022, G City owns 106 properties with approximately 25 milion square feet of gross leasable area, valued at 11 billion USD.

4

August Wilson’s

THE THANKSGIVING PLAY

HOW I LEARNED WHAT I LEARNED Co-Conceived by Todd Kreidler

OLD WICKED SONGS

by Larissa FastHorse

by Jon Marans

THE LEHMAN TRILOGY

by Stefano Massini Adapted by Ben Power

LAUGHS IN SPANISH

by Alexis Scheer

A Taste of the Season

Saturday, October 14 Performances at 6:30pm & 8pm Tickets: $150

Please join us

for our most popular event of the season!

Two Performances: 6:30 PM performance & 7:30 PM After party 8:00 PM Performance & 9:00 PM After party

Enjoy delicious samplings from local restaurants:

Akashi Sushi • Bagel Emporium • Cèrto • Tullio Miami Michael’s Genuine Food & Drink NARBONA Coconut Grove Zucca & more.

Box Office: (305) 445-1119 www.gablestage.org

Tickets can be purchased through our website or by calling our box office at 305.445.1119.

5

6

City Model Designed and Engineered by Oliva Design Group City Model Laser Cut by Oliva Design Group Jeff Gorwitz, Custom Laser Engraving City Model Assembled, Painted and Electrified by Victoria Murawski and Art Garcia at GableStage Production Workshop Oliva Design Group is a multidisciplinary firm founded by Frank J Oliva, specializing in experiential and immersive design for events, live performances and large-scale installations. Bridging art, design, technology and commerce, their work delivers meaningful impact through spatial design. Based in New York City, their growing client list includes New York Theatre Workshop, Broadway.com, The Moth, Anonymous Club, Shayne Oliver, ShopStepforward, Emilio Madrid and others. www.olivadesigngroup.com

7

THANK YOU TO OUR COMMUNITY SPONSORS!

Al & Jane Nahmad Family Foundation, Louis Appignani Foundation, Inc., Lloyd & Helen Dilworth Foundation 8

We are streaming 3 shows this season!

Stream these three great shows from the comfort of your home!

3 Show Streaming Subscription $75 Individual Streaming tickets: $30 Streaming will be available beginning the Friday after opening weekend at the same times as live performances. gablestage.org/subscribe

Streaming made possible by the John S. and James L. Knight Foundation

9

PRODUCING ARTISTIC DIRECTOR'S NOTE

It is a privilege to open our 25th Season with the Miami premiere of August Wilson’s penultimate play. Originally performed by Wilson himself, this autobiographical journey lifts up the creative spirit, as Divine. Whether or not you define yourself as an Artist, as a human, you possess the ability to Create: to Imagine an image, an idea, a future – and make it so. Perhaps more than anything else, this notion has driven my own journey and is why I continue to believe in theatre as a very powerful and optimistic tool for empowerment of self and community. If we can imagine it, it can be.

Bari Newport | Producing Artistic Director

DIRECTOR’S NOTE August Wilson is one of the most important artists of our time. In what is often called “The Century Cycle” or “Pittsburgh Cycle”, a set of ten plays mostly set in the Hill District of Pittsburgh, Pennsylvania where he was born, he chronicled the lives and experiences of African American people in the 20th Century. Through this autobiographical one person show, How I Learned What I Learned, August Wilson shows us the places where he roamed and the people he experienced growing up in the Hill. This play becomes a lexicon to understanding the "characters" in his other works. Then the play also reveals how he as an artist was forged within this crucible of the Hill District. The obstacles August Wilson encountered could have led him down many paths, but the truest path for him was the one that led to the creation of Art. We are in the Hill District and experience the tethering of this artist's soul to the community that gave him his life lessons. The Hill becomes alive as August Wilson tells us of his struggles as a young man to become an artist in America. We see his eagerness to participate in life as he roams the Hill and seeks his passions.

He finds his poetic voice and pays honor and respect to the individuals that inspired him to continue on his journey. He highlights the wayward experiences that ignited his passion to chronicle the triumphs that may seem mundane but display the strength and pride of people striving with all energies toward the American Dream.

The documentation of these desperate yearnings for dreams to be made whole has made August Wilson one of the greatest chroniclers of American Life. In How I Learned What I Learned he takes us, the willing, into the crucible to feel the fires and challenges us to be better individuals.

Carey Brianna Hart | Director 10

DRAMATURG'S NOTE In the heart of every artist resides an indomitable spirit, fueled by passion and a relentless pursuit of truth. August Wilson, a luminary of American theatre, exemplified this spirit throughout his illustrious career. His journey, his words, and his legacy continue to illuminate the world of theatre, resonating deeply with all who encounter his work.

August Wilson's transcendent talk, 'The Ground on Which I Stand,' lays a profound foundation for understanding How I Learned What I Learned. In this talk first delivered at the 1996 TCG National Conference, Wilson articulated his belief that African American artists should embrace their cultural heritage as a wellspring of creativity and inspiration. How I Learned What I Learned is a testament to this conviction, as it showcases the rich tapestry of Wilson's own life and experiences, weaving them into the fabric of American drama.

Pittsburgh, particularly the Hill District, served as both the inspiration and crucible for many of Wilson's seminal plays. This vibrant and historically significant neighborhood was a fertile ground where the voices and stories of African Americans resonated with an authenticity that captivated audiences worldwide. How I Learned What I Learned allows us to journey back in time to Pittsburgh's streets and imbibe the essence of a community that shaped Wilson's artistic vision.

Remarkably, How I Learned What I Learned marked August Wilson's first foray into acting, revealing yet another layer of his immense talent. August Wilson's love for poetry, nurtured in his early years, infuses this work with lyrical beauty. His words transcend the stage, painting vivid pictures of the past and inviting us to share in his deeply personal reflections. Tragically, shortly after the premiere of How I Learned What I Learned, August Wilson died of liver cancer, leaving an indelible mark on the theatrical landscape. His legacy endures, not only through his powerful body of work but also through the lives he touched and the voices he amplified.

In How I Learned What I Learned, we celebrate a remarkable artist's journey, one that is as poignant as it is inspirational. Through Wilson's words, we are reminded that the ground on which we stand is fertile with the potential to grow and bloom, nourished by the roots of our own experiences. It is with great reverence that we present this production, inviting you to join us in honoring the enduring legacy of August Wilson.

'Confront the dark parts of yourself, and work to banish them with illumination and forgiveness.Your willingness to wrestle with your demons will cause your angels to sing.' – August Wilson" Karina Batchelor | Dramaturg

11

presents

August Wilson's

HOW I LEARNED WHAT I LEARNED Co-Conceived by Todd Kreidler With support by: Rick & Myrna Toren SEED School of Miami Education Initiative Sponsored By Dorothy Terrell Florida Memorial University Education Initiative Sponsored By Pat Papper Scenic Designer Frank J. Oliva^

Sound Designer Carey Brianna Hart

Lighting Designer Ernesto Pinto

Projection Designer Joel Zishuk

Assistant Stage Manager Amanda Hernandez

Costume Coordinator Marialexia Hernandez

Dramaturg Karina Batchelor

Production Stage Manager Marialexia Hernandez

Directed by Carey Brianna Hart ^

Additional support provided by Knight Foundation With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners

“How I Learned What I Learned” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com New York Premiere originally produced by Signature Theatre, New York City James Houghton, Founding Artistic Director Erika Mallin, Executive Director The world premiere of "How I Learned What I Learned" was presented by Seattle Repertory Theatre in 2003, performed by August Wilson 12

CHARACTERS Actor.......... Melvin Huffnagle* Actor...................Robert L. Strain*

Performing 10/4, 10/11, 10/18 at 2pm & 10/12 student matinee at 10.30am

Photo: David Genik

Melvin Huffnagle*

Photo: Stephen G. Anthony

Robert L. Strain* Setting The crucible in which many a work of art has been fired.

How I Learned What I Learned will be performed without an intermission.

Content warning: When telling his story, August Wilson doesn’t shy away from adult language (including the n-word) and difficult subjects. He frankly and honestly discusses how racism, violence, sexual relationships, and drug use impacted his life.

THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT:https://concordtheatricals.com/resources/protecting-artists performed by August Wilson

*Appearing through an agreement between GableStage and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.

13

ABOUT THE PLAYWRIGHT August Wilson (Playwright) (April 27, 1945 – October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf.

These works explore the heritage and experience of AfricanAmericans, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr.Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle,The Coldest Day of the Year, Malcolm X, The Homecoming and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwrighting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh.

He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle,Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.

ABOUT THE DIRECTOR Carey Brianna Hart (Director & Sound Designer) is thrilled to present art at GableStage. She is a native Floridian, born in Miami and a graduate of the New World School of the Arts and The Goodman School of Drama at DePaul University. Carey has taught Theatre for the Miami Dade County Public Schools, AreaStage and M Ensemble Theatre. Carey has worked on productions by the African American Performing Arts Community Theatre, AreaStage, City Theatre, Ebeneezer Productions, GableStage, Juggernaut Theatre, M Ensemble Theatre, Mad Cat, Main Street Players, New Theatre, Thinking Cap Theatre,Vinnette Carroll Theatre and Women’s Theatre Project. She has directed Topdog/Underdog, Shakespeare Is A White Supremacist, Blues For An Alabama Sky, Sisters, Shakin’ the Mess Outta Misery, Tears A Sister Cries, Other Side of America. Carey hosts a weekly radio talk show about the Arts on am 1490 WMBM (Saturdays @ 9:30am). Carey seeks to continue contributing to the Artistic Landscape of the World.

Photo: Bob Lasky 14

ABOUT THE CAST Melvin Huffnagle* (Actor) is ecstatic to make his debut at GableStage. A Native of Buffalo, NY., Mr. Huffnagle holds an MFA from The University of Florida. Melvin has worked professionally in NYC for over twenty years. He is a ten year member of The Layon Gray American Theatre in NYC where he originated numerous roles in the company's many Off-Broadway productions; Cowboy, Gus The Kings of Harlem Coach, Ben Coffey III, and Searching for Willie Lynch , Harlen Davis. Mr. Huffnagle also appeared as Jeremiah Jones in the company's long running and award winning Black Angels Over Tuskegee. Most recently, Melvin appeared as Memphis in The M Ensemble’s production of Two Trains Running. Film and Television Credits include: Striped Search, Directed by Sidney Lumet, Law and Order SVU, Law and Order CI "Royal Pains",The Family Business, and the Award winning short film Brooklyn In July. Melvin currently serves as an Assistant Professor of Acting in FIU’s Theatre Department.

Robert L. Strain* (Actor) has worked as a professional actor in South Florida for the past twenty-two years. He has performed at various theatres in the area, including Miami New Drama, GableStage, New Theatre, Mosaic Theatre, The Jerry Herman Ring Theatre, and City Theatre. Some of Robert’s favorite roles include: Christian in Ruined (GableStage-Carbonell Award, Best Supporting Actor), Lucius in Tom Walker (New Theatre-Carbonell Nomination Best Supporting Actor), Kreon in Antigone, Kent in King Lear, and Roosevelt in Radio Golf. Robert has been a faculty member at Florida Memorial University in Miami Gardens for the past twenty-four years and would like to extend a special thanks to his friends and colleagues there who have worked together with him, both inside and outside of the classroom, to make a positive difference in students’ lives. Go Lions!

ABOUT THE CREATIVE TEAM Karina Batchelor (Dramaturg) (she/they) is a Latinx dramaturg, director, and writer. Previous dramaturgical projects include SolFest 2023 (Festival Dramaturg), El Huracan, A Doll’s House Pt.II, Heisenberg, and We Will Not Be Silent (GableStage).

Karina recently directed new work as part of the Summer Jam Playwright Fellows for SolFest at Pregones/PRTT. British-based projects include collaborations with Leeds Playhouse and The Coronet Theatre in London. They are a proud alumna of the Shakespeare Institute (RSC) in the UK. Karina is guided by a profound belief in the power of storytelling as a catalyst for societal change and dedicated to amplifying underrepresented voices on the stage.

Marialexia Hernandez (Production Stage Manager & Costume Coordinator) is thrilled to be stage managing the first show of the 25th season at GableStage! She has come full circle, from working behind the scenes as Wardrobe Supervisor, House Manager, Backstage Crew, and Assistant Stage Manager for various productions of the previous seasons. You might know her as Mimi from Rubenology, starring the legend Ruben Rabasa. She has a Bachelor of Arts from Florida International University.When she isn’t collaborating behind the scenes she is on stage. Recent credits include: Prueba (Guadi), Rubenology (Mimi/ASM), The Polar Express Train Ride (Bailey), The Addams Family (Mal Beineke), The Diary of Anne Frank (Anne), The Little Mermaid (Flotsam/Adella/Scuttle Puppeteer), Aida (Ensemble), Cabaret (Kit Kat Girl “Fritzie”), and In the Heights (Ensemble). She would like to thank GableStage for the opportunity to grow as an artist and her loved ones for their continued support.

15

ABOUT THE CREATIVE TEAM Amanda Hernandez (Assistant Stage Manager) is thrilled to make her GableStage debut with their production of How I Learned What I Learned. She recently graduated from FIU with a B.A. in Theatre Studies with a focus on Stage Management. She has done various stage management work with local companies like LakehouseRanchDotPng and 11th Hour Productions. Her work includes Gay Cowboys at the Orlando International Fringe Festival, XOXOLOLA with LakehouseRanchDotPng, and Necessary Targets with FIU Theatre. She is looking forward to continuing her collaboration with GableStage on their upcoming Shakespeare in The Schools Production of MacBeth.

Ernesto Pinto (Lighting Designer) is a Venezuelan Lighting designer for performing arts and concerts. Over the years, he has designed lights for several artists and productions. Winner of the Avencrit Award in 2017 as the best Lighting Design in his country and holder of two Latin Grammy Award certificates for his participation as a lighting designer in the musical video Una Noche Común Y Sin Corriente (Winner of the Long-Term Video category). His most recent designs include: Little Shop of Horrors directed by Damaris Lopez (Loxen Productions), Papá Cuatro directed by Juan Souki (Miami New Drama), Tebas Land directed by Carlos Cedan (Arca Images), Cecilia Valdés directed by Manny Albelo (Martí Productions), Here And Now (Miami Light Project), Kisses Through The Glass directed by Nilo Cruz (Arca Images). He also founded Lumitec Workshop, a technical school in an effort to teach new generations of south Floridians in lighting technical skills.

Joel Zishuk (Projection Designer) is a Lighting and Projection Designer who has worked across Florida and in Chicago. He currently works as the Resident Lighting Designer at the Madison Street Theater in Oak Park, Illinois. Other professional credits include Rubenology (Projections, GableStage), Lady Day at Emerson's Bar and Grill (Lighting, Florida REP), Lobby Hero (Lighting & Projection, Florida REP), Let’s Fall in Love (Lighting, Florida REP), and The Addams Family (Lighting, Uptown Music Theater). He received his BFA in Theatre - Design and Technology from the University of Central Florida. www.JoelZishuk.com Bari Newport** (Producing Artistic Director) joined GableStage as producing artistic director in June 2021. Bari’s tenure follows the legendary leadership of Joseph Adler, “the godfather of South Florida theatre” and the producing artistic director of GableStage from 1988 - 2020. Bari is known for her creative methods of centering a theatre company in a community. Whether it’s giving out hundreds of potted plants on Earth Day or designating Thursdays as Give a Dog a Bone Days, Bari’s belief that a theatre company is a citizen in a community rather than simply a place where plays are produced, has been the bellwether of her career. Bari came to Miami from the Penobscot Theatre Company in Bangor, Maine, where she served as Producing Artistic Director for nine and a half seasons. Previously, she was artistic associate at the Tony Award winning Alliance Theatre in Atlanta, artistic/literary manager at the Pasadena Playhouse, associate producer at Atlanta’s Horizon Theatre and associate director of Florida Repertory Theatre. As a producer, Newport has been responsible for the creation and stabilization of a wide range of artistic initiatives, including extensive work in new play development, education and community engagement. Her work as a director and actor has been seen at Horizon Theatre Company, Greenbrier Valley Theatre, American Stage, Cumberland County Playhouse, Florida Repertory Theatre, Sacramento Theatre Company, Westport Country Playhouse and the Williamstown Theatre Festival. At GableStage, Bari has directed The Price,The Year of Magical Thinking, Heisenberg,We Will Not Be Silent and A Doll’s House, Part 2. She earned her BFA from the University of Southern California and her MFA from the University of Iowa. Bari is a 16

ABOUT THE CREATIVE TEAM 25 year member of the Stage Directors and Choreographers Society and the Actor's Equity Association. Email her at bnewport@gablestage.org.

Frank J Oliva^ (Scenic Designer) is a Cuban-American Stage Designer. Resident Set Designer this season at Gablestage. In Miami, Frank’s work has also been seen at Miami New Drama (Defacing Michael Jackson and Papá Cuatro) and Area Stage Company (Beauty and the Beast and The Little Mermaid). Recent work include world premieres and new productions with Ars Nova, The SHED, Cherry Lane Theatre, Weston Playhouse, Geva Theatre, Two River Theatre and The Cincinnati Symphony.

Associate Designer on the recent Broadway productions of The Collaboration, Hangmen, Oklahoma!, and West Side Story. Frank received a Silver Palm Award for his work on Gablestage’s production of The White Card and Area Stage Company’s production of Beauty and the Beast. Frank won the 2022 Opera America Director/ Designer Prize and the 2017 Innovative Theatre Award. His work was exhibited at the Prague Quadrennial in 2019. Carbonell and Audelco Award Nominee. Member of Wingspace Theatrical Design and United Scenic Artists. BFA:NYU. Special thanks to Bari, Katie,Vick and the entire Gablestage team.

^

*

**

*Appearing through an agreement between GableStage and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.

LAND ACKNOWLEDGMENT The land that we now stand has been the traditional homelands of First Nations peoples including the Tequesta, the Calusa, and today the sovereign homelands of the Seminole and Miccosukee. It is within our responsibility to uphold knowledge about the history of the original stewards of this land. We encourage our community to read and learn about ways to support our local Indigenous communities and their efforts to conserve the environment.

Young Professionals Network

Join a growing group of active community members and arts enthusiasts with diverse backgrounds and careers.

During the run of each production, we will host one night featuring a discounted ticket price and special pre-show event. Each event will be hosted by a different Coral Gables location (food and drinks included) revealed after every opening.

Special Young Professional Season subscription prices are also available.

For more information, please contact Kate Kramitz at kkramitz@gablestage.org 17

Diary of a Production: The Lehman Trilogy January 29 - March 18 (Virtual + In-person) Teacher: John A. Dalton

From script analysis to casting, designing to directing, this class takes adult learners deep into the artistic process of bringing a production to life. In-person classes include 3 rehearsal visits: initial read through, blocking and tech rehearsals.

All other classes on Zoom.

Cost for class:

$120 non-subscribers $80 Subscribers $60 30 years and under

In-person visit dates:

Initial Read Through - February 6th (time TBD) Blocking Rehearsal - February 14th or 15th (time TBD) Tech Rehearsal - March 9th or 10th 1st class - January 29 Last class - March 18 Register here: https://www.gablestage.org/diary-of-a-production/

John A. Dalton & Nature Expeditions International present a JOURNEY THROUGH LONDON & SCOTLAND

August 14 – 25, 2024

Join Diary of a Production’s John Dalton on a Fantastic Journey through London’s Museums, Sites, Castles & Wimbledon and see West End Productions before traveling by train to Edinburgh, Scotland for the World-Famous Edinburgh Fringe Festival & Military Tattoo, visit St Andrews Links, Castle & Cathedral.Venture into the Scottish Highlands to see Castles, Loch Lomond and other Scottish Highland Treasures then on to the city of Glasgow & its Museum.

FOR FURTHER DETAILS PLEASE CONTACT: John A. Dalton – Tour Host E-mail: DaltonJohnA@gmail.com Nature Expeditions International – Tour Operator E-mail: info@naturexp.com Phone: 954-693-8852 18

2023/2024 BOARD OF TRUSTEES

The 25th Season is made possible in part through support from GableStage’s Board of Trustees. GableStage is grateful for their generous support.

President Roz Stuzin Chairperson David Coulson Secretary George Haj Vice President, Finance Rick Toren Marc Abrams Mitchell Bierman Jessica Fishfeld Jill Gaffin Ivan Garces Allison Hockman Richard Jacobs Nedra Kalish Nilza Kallos Chaim Katzman Ruth Orevba Gene Sulzberger Aizik Wolf Producing Artistic Director Bari Newport Standing Committees Executive Finance Development INTERESTED IN JOINING THE BOARD? If you have an interest in serving on a committee for the board of trustees, please email: kkramitz@gablestage.org 19

2022-2023 ANNUAL DONORS & FUNDERS 2022-2023 ANNUAL DONORS & FUNDERS The Board of Directors and staff of GableStage applaud our supporters whose generosity enables us to deliver theatre of artistic excellence to the community.

Donors to the Joseph Adler Legacy Campaign are recognized immediately following Annual Donors.

Rhoda Levitt PNC Bank Rick & Myrna Toren

$10,000+ Ann Anthony Selma Ankist Family Trust, Andrea Nobil, Trustee Louis J. Appignani Foundation The Children's Trust The Dosal Family Foundation Easton Family Foundation Donations listed were received Funding Arts Network between September 1, 2022 Ivan & Lourdes Garces September 11, 2023 Nedra Kalish Chaim & Shelly Katzman We apologize for any errors in spelling or Charles N & Eleanor Knight Leigh recognition. Please email advancement@ Foundation Inc gablestage.org or call (305) 446-1116, Ext.307 if we have inadvertently left you out or Susan & Richard Lampen Dr. Aizik L. Wolf, Miami Neuroscience incorrectly listed your information.

Center $250,000+ $5,000+ the John S. and James L. Knight Foundation Betty & Michael Wohl Miami-Dade County Department of Mitchell & Ana Bierman Cultural Affairs Larry & Fran Blum Caballero Fierman Llerena + Garcia, $100,000+ LLP Henry Muñoz III Susan & Steven Caller The Jorge M. Pérez Family Foundation at City of Coral Gables Cultural Affairs The Miami Foundation David Coulson & Jeannie Etter Lil & Yorke Doliner Charitable $25,000+ Foundation, Trustee, Allison Hockman Cornelia T. Bailey Foundation Jessica & Jordan Fishfeld Florida Department of State/Division of Carolynn & Michael Friedman Cultural Affairs Jill & Hal Gaffin Green Family Foundation Trust Greenberg Traurig, P.A. Grove Bank & Trust George & Jenna Haj Al & Jane Nahmad Foundation Lydia Harrison Bari Newport & Magnus Stark Richard & Judie Jacobs Peacock Foundation Inc. Dr. Nilza Kallos The Shubert Foundation Ezra & Tati Katz Charles & Rosalyn Stuzin Janet & Gerald Kelfer Jessie Wolfson & Lawrence Kron Miami Salon Group, Inc. The Sue and Leonard Miller Center $15,000+ for Contemporary Judaic Studies The Bernstein Family in memory of Jayusia University of Miami Bernstein Nedra & Mark Oren Jeff Davis & Michael Miller Ruth Orevba Cuong Do & Lori Rickles Dorothy & Aaron Podhurst Marc & Robyn Abrams The Annette Urso Rickel Foundation The Kirk Foundation 20

2022-2023 ANNUAL DONORS & FUNDERS Kaufman Rossin Charles & Linda Sands The Shepard Broad Foundation Howard & Sharon Socol Sara Solomon Gene C. Sulzberger Michael & Debbie Troner Michael Weintraub of the Joseph Weintraub Family Foundation Betty & Michael Wohl Ray Ellen & Allan Yarkin

Weiss Serota Helfman Cole & Bierman, P.L. Ronald & Miriam Hinds Corleen & James Iannazzi David Ichel in Honor of David Coulson & Jeannie Etter Mary Ingram-Schatz Florence & Bernard Jacobson Fred Jonas Nelson & Talma Keshen Al & Priscilla Klomparens Dale & Stephen Kulvin in Honor of Roz Stuzin and Jill Gaffin $2,500+ David Kwiat & Barbara Sloan Baptist Health Of South Florida Shirley & William Lehman Jr. Coral Gables Community Foundation Barbara Levin LLoyd & Helen Dilworth Foundation Renee & David Lieberman Jane Hurt Norman & Nancy Lipoff Eric & Gayle Jacobs Bruce Marmar Dr. Susan & Larry Jay Gail S. Meyers in Honor of Roz Stuzin William & Patricia Kleh Ann & Don Morrison Alan & Barbara Pareira Luis & Andrea O'Naghten Claudia & Jerry Perles Lynn & Linda Newport Publix Super Markets Charities Patricia Papper Brooke Roberts Michael & Mary Ellen Peyton Joseph H. & Florence A. Roblee Luis Ramirez Foundation Julio & Onelia Rojas Joel & Adele Sandberg The Sager Family Charitable Fund, Wendy Sheila Terens Sager Pomerantz, Richard Sager, Steven Dorothy Terrell Pomerantz, Jason Pomerantz theatre works!

Brenda Shapiro Sheila Wagner Maggie Silverstein Ms. Sandra Simon $1,000+ Ellen & Norton Small Elizabeth & Richard Battaglia Traeger Brothers & Associates, Inc. Cindy & David Berger Sydney S. Traum & Judith Rood Donald & Rosetta Bierman The Walmart Spark Fund for Charities at Jeb & Columba Bush Family Fund at CAF America The Miami Foundation Bruce Wolf Mark Cooper Andrew Elisburg $500+ Evensky & Katz/Foldes Wealth Georgina & Francisco Angones Management Michael & Sheila Berke Dr. Alfred & Susan Feingold Ronald Canizares Gail P. Fels Andre Chabanel Firestone Family Foundation Louis & Ofelia Chiavacci Robert R. Brinker & Nancy S. Robert Dinerstein Fleischman Bob Feldman & Barbara Bonilla Michael McKenzie & Kari Floren The Foyo Family in Honor of Roz Stuzin The Zelda and John Schwebel Family Gabriel Garcia in Memory of Luis Garcia Foundation at The Miami Foundation Planchart Audrey & John Frank Denise Glasser & Larry Parnes Renee Gross Katherine Goodman 21

2022-2023 ANNUAL DONORS & FUNDERS Neil & Karen Goodman Veronica Iovan Paulette Johnson in Penny Praig's name Jack & Shirley Kaplan Henry Klein & Lisa Sloat Alan Kluger & Amy Dean Stuart & Debby Koenigsberg in Honor of Bari Newport Neil & Dorothy Koreman Iva Kosovic Lawrence & Zachary Kron Wendy Lapidus David & Bobbie Lawrence Martin & Barbara Liebling Carol & Richard Massington in Honor of Roz Stuzin Dr. Neil & Madelyn Messinger Don & Eneida Michelson James Mooney Donald & Ann Morrison Michael & Irene Nachwalter Lee & Iris Osiason Edmund & Elizabeth Parnes Carol Pawley & Ed Martins Marc & Stella Powers Judith Ratzan Lewis & Esta Ress Sylvan & Sandra Seidenman Joseph Serota Fred & Bonnie Shapiro Michelle Sherry Barbara & Ed Sirkin Mark Steinberg & Dennis Edwards Suzanne & Richard Steinbook Emilio Vazquez & Cynthia Wolffe Vazquez Nikisha Williams on Behalf of Commissioner Raquel Regalado

Cheryl Dunn Bychek Anthony Calenda Michael A. & Mary A. Carpenter Karen Clark Jerry Cody Anne & Joe Cresci Laurey Cruz Dr. Philip & Rebecca Curtis Dr. Alfred & Leatrice Damus Liede & Frank Devaldivielso Marcia Dunn Arlene Easley in Honor of Joe Adler David & Roberta Ehrenreich Donna & Gordon Fales Roy & Lori Fabry Emilio Faroy Michael Froomkin & Caroline Bradley Thomas & Marti Gammon Gail Garrisan Nancy & Ron Gelles Arthur & Stephanie Gilbert Ricardo Gomez Maureen & Larry Gragg Bonnie & Sheldon Guren Michel Hausmann in Honor of Bari!

Gregg & Nika Hinds Shelley & Bruce Hornik Bernard & Marilyn Horowitz Maria Jaudenes in Honor of Nedra Kalish Marlene Josefsberg in Honor of Roz Stuzin James Kaufman Alice & Norman Klein Sheila Kuhl Howard Kurzweil Charitable Fund at Our Fund David Lawrence $250+ Shellie & Peter Levin Jay Abbott Sabina & Michael Lorion The Advertising Specialists Stuart M. & Michael M. in Memory of Jean-Pierre Altier Patrice Bailey Frances Aronovitz Bonnie & Stuart Maisel JoAnne Bander Carlos Malamud Maria Banda on Behalf of Giancarlo Rodaz David & Kathy Martin Diane & Richard Berkowitz Serge & Margaret Martin Marlene Berlow Josie Mendoza Barry & Caryn Boren Ulrich & Carole Merten Paula Bosler Lynn Meyer in Honor of Donna Urban Dr. Walter Bradley & Jeanne Baker Miami Jewish Film Festival Mark & Marjorie Buchbinder Michael's Genuine Food & Drink Harvey Burstein Dr. Jean & Jere Miles 22

2022-2023 ANNUAL DONORS & FUNDERS Marilyn Milstein & Ed Preston Aisha Nasser Mandy Newport Dorothy Norton Dr. & Mrs. Francisco Oliva Joyce Peterson Joseph Polito & Lisa Beal Thom & Genessa Proctor Bette Quiat Juan Quinones Philip Ragona Gladys Ramirez Bixie Renick David & Marian Rocker Raul R. Rodriguez Victoria Rogers Robin Rollnick Ugo Di Roma Randi & Len Rothenberg Jill & Jonathan Rubin Dr. & Mrs. Richard Sandrow Samuel Schrager & Terry Gellin Ruth & Rudy Schwartz Doctors Eleni & George Sfakianakis Helenann & Jeffrey Shapiro Madeleine Shirkey Lawrence & Arline Silver Myra Silverstein Bernard Silver & Susan Werth In Memory of Joe Adler Julie & Gary Simon Yiris Castro Smith Joan Peven Smith Lana Stern Lynne & Alan Stein The Blair H. & Lee D. Temkin Family Donor Fund of The JCF Dr. Leonard & Janis Toonkel Robert & Cynthia Trescott Katherine & Arthur Trotman Mark A. Trowbridge In Honor of Bari Newport Ursula Ungaro Donna Urban David & Alison Vogel Bonnie Webman Marvin Weinstein Susan Westfall Lucille Zanghi Dr. & Mrs Jason Zellner M.D. Barry & Judy Zisook Marlene Zuckerman

Oliver Zurbel $100+ Cecilia de Almeida Diane Barkow & Richard Dorn Rachel Blechman Leonard & Marcia Brod Lee & Peter Brooke John Byrne Teo Castellanos Carmen Castillo Olga J. Cerna Bryce Clark Bobbie & Bill Cohen Hector Ivan & Sylvia Crespo Richard & Sally Duncan Laura K. Emack Susi Westfall & Alan Fein Merle Frank Liebe & Seth Gadinsky Peter W. Galman Allan Hall & Lori Gold Robert & JoAnn Gottlieb Cibeles Hernandez Cami Green Hofstadter Carmen V. Irizarry & Family Lopez Irizarry Dr. & Mrs. Geoffrey & Linda James Andres Clavijo & Glenn Kaufhold Barbara Klearman Bisno Andrea Koonin Kimberly Lay Howard Lubel Joan & Ed Mahler Dale Moses Alana & Jason Peck David Reinhard M.D. Jay Sakalo Andrea & Greg Sharp Suzanne & Henry Stolar Beverley & Eugene Sulzberger Nadine Asin & Thomas van Straaten Clara Vertes Paul Dunham & Ron Webb Lenore & Stanley Weinstein

23

JOE ADLER LEGACY CAMPAIGN GableStage is proud to recognize the generosity of the following donors who have contributed to the campaign to support a thriving South Florida theatre community in Joe’s name.

Legacy donations listed here were Pledged or received by September 8, 2023. $100,000+ GableStage Board of Trustees

Winston & Strawn, LLC Jessie Wolfson

$50,000+ The Jorge M. Pérez Family Foundation at the Miami Foundation Charles & Rosalyn Stuzin

$2,500+ Ann Anthony Nanci & Harold Deutsch From Frank Flynn In Memory Broadway Gail Denise Glasser David Kwiat & Barbara Sloan Carol Von Arx, The Roblee Foundation

$25000+ Alan & Jayusia Bernstein $10,000+ Dr.Aizik L. Wolf, Miami Neuroscience Center Larry & Fran Blum Easton Family Foundation Nedra Kalish Chaim & Shelly Katzman James & Fortuna Stuzin Ray Ellen & Allan Yarkin $5,000+ Marc & Robyn Abrams Michael & Judy Adler Louis J. Appignani Foundation Mitchell & Ana Bierman David A. Coulson & Jeannie Etter Jessica & Jordan Fishfeld Greenberg Traurig, P.A. George & Jenna Haj Richard & Judith Jacobs Dr. Nilza Kallos Selma Ankist Family Trust, Andrea Nobil, Trustee Brooke Roberts-Webb Kaufman Rossin Gene C. Sulzberger Rick & Myrna Toren Debbie & Michael Troner in Honor of Bari Newport Michael Weintraub of the Joseph Weintraub Family Foundation 24

$1000+ JoAnne Bander Richard & Margaret Brodsky Custom Laser Engraving Alfred & Susan Feingold The Foyo Family in Honor of Roz Stuzin Jill & Harold Gaffin Lil & Yorke Doliner Charitable Foundation, Trustee Allison Hockman Michel Hausmann Jack & Shirley Kaplan Michael Mckenzie & Kari Floren, The McKenzie Artists and Animals Fund Bari Newport & Magnus Stark Linda & Lynn Newport In Honor of Bari Newport Sylvan & Sandy Seidenman Sandra Simon Stillman Family Foundation Linda Weitz/The Dr. Jack Widrich Foundation Steve Zack, Zack Family Foundation $500+ Robert Adler, Michele & David Friedlander Walter Bradley Michael & Irma Goldstein Ricardo Moran Suzy & Sadek Wahba

JOE ADLER LEGACY CAMPAIGN $250+ Donald & Rosetta Bierman Ms. Rachel Blechman Gail Garrisan Naomi & Burt Honig Shelley & Bruce Hornik Sally Levin James Mooney Marj O’Neill-Butler Dr. Lawrence & Barbara Stein H. Allan Tucker Donna Urban Howard Simon & Beth Wilson $100+ Al Alschuler David Drucker & Lynn Atkinson Sylvia & Hector I. Crespo Susan Doucha Arlene Easley Joanne Gruber Louis Hafken

Michel Hausmann Carmen Irizarry In Honor of Angie Garcia Deborah Kondelik Margery Lowe Dan Lundberg Thomas & Linda Mann Toba Meiselman Margot Moreland Yan Narayanan Michael Peskoe Phyllis Resnick Amanda Rivera Leslie & Bernice Roth Phyllis & Richard Sandrow Ruth & Rudy Schwartz Shirley Spear Katherine & Arthur Trotman for Ruth & Rudy’s 65th Anniversary Paul Dunham and Ron Webb Lillie Wheeler Steven Wisotsky

SPEAKER SERIES at The Hub

The Frankel Family Performing Arts Center The Hub, 5950 N. Kendall Drive, Pinecrest, FL 33156

Old Wicked Songs: The Play I Had to Write A conversation with playwright Jon Marans and Bari Newport Monday, January 8, 2024 at 7pm - The Hub at Temple Beth Am

From Carol Burnett to Michael Douglas, Jon Marans has written for the biggest stars on the biggest stages. Join producing artistic director Bari Newport in an intimate conversation with Marans, a Pulitzer Finalist and Guggenheim Fellow.

Shalom Ya’ll: Southern Jews and the Cotton Economy

Dr. Josh Parshall, director of history at the Institute of Southern Jewish Life Tuesday, March 26, 2024 at 7pm - The Hub at Temple Beth Am

Explore how Jewish migrants found their way to emerging U.S. market hubs, became active in various aspects of cotton production and processing, and (in many cases) occupied prominent positions in social and civic life in the South.

Sponsored by Steve & Susan Caller 25

SPECIAL EVENTS October 28, 12pm – 3pm – Dog Costume Contest and Trick or Treat

presented by GableStage and Coral Gables Magazine at the INFINITY Car Dealership in Coral Gables.

December 4, 7pm – A staged playreading at GableStage of an

autobiographical new work by Zoetic Stage Artistic Director, Stuart Meltzer, The Principles of Flight.

January 8, 7pm – Old Wicked Songs: The Play I Had to Write. An intimate

conversation with Jon Marans, playwright/director of Old Wicked Songs and Bari Newport at The Hub at Temple Beth Am.

January 21 & January 22, 7pm – GableStage Gone Solo! Straight from

the Edinburgh and Atlanta Fringe Festivals, local playwright/performers Luis Herrera and Brandon Urrutia perform two solo performance pieces that are each as comic as they are poignant.

March 24, 8pm – Public performance of Macbeth, our Shakespeare-in-theSchools touring production, at GableStage.

March 26, 7pm – Shalom Y'all: Southern Jews and the Cotton Economy with Dr. Josh Parshall, director of history at the Institute of Southern Jewish Life at The Hub at Temple Beth Am.

...and more!

• • • As we begin this milestone 25th Anniversary season, we look back on the lives of the many remarkable people who have played the most important role in the lifeblood of this theatre company: the audience.

Please help us gather the names, stories and pictures of community members we have previously lost, so that we can celebrate them throughout this season.

Email: foreverapatron@gablestage.org Special Thanks!

Scenic Solutions Custom Laser Engraving 26

SPONSORSHIP OPPORTUNITIES Our Corporate and Individual Sponsors represent community leaders and theatregoers whose support demonstrates a commitment to the community, an appreciation for theatrical excellence, and the passion for growing our region through the arts.

Above the Line and Below the Line sponsorships are available starting at $5,000.

Corporate Sponsorship Benefits - Celebrate your brand • • • • • • • • •

Top billing as presenting sponsor in print and digital materials Dedicated spotlight in GableStage Digital Newsletter Acknowledgement in curtain speeches Opportunity to distribute branded merchandise at all performances Your logo on the production postcard, poster and website Full Color/Black and White Ad(s) in the season’s Playbill Tickets to Opening Night, receptions, limited engagements and special events Complimentary Tickets to use during the season Invitations to rehearsals and table reads

Individual Sponsorship Benefits - Play a Leading Role • • • • • • • • • • •

Top billing in print and digital materials Your name on the production postcard, poster and GableStage website Acknowledgement in curtain speeches Full Color/Black and White Ads in the Playbill during the season Tickets to Opening Night, receptions, limited engagements and special events Named Sponsorship opportunities for the Opening Night Celebration Named Sponsorship opportunities to bring GableStage’s Shakespeare-in-the-Schools to a Miami-Dade School of your choice

FOR MORE INFORMATION, CONTACT OUR DEVELOPMENT TEAM

kkramitz@gablestage.org 305-446-1119 ext 307 27

EDUCATION & OUTREACH PROGRAMS

Actors Brendan Powers and Rachel Burttram at Coral Reef High School, 2023

Impacting Lives

Under the leadership of Producing Artistic Director Bari Newport, GableStage has strived to strengthen appreciation for the role theatre plays in the community Miamiinitiatives.

Dade students arrive to for aa matinee, by prioritizing the development of its educational Thanks cadre of2023 generous corporate, foundation and individual sponsors, GableStage continues to expand and reimagine opportunities for inspiring optimism and imaginative problem solving for our community. Each season, 6,500 Miami-Dade students and hundreds of adult learners have opportunity to Engage with the Stage at the theatre, at their school, on-line and at community centers near and far.

FOR ADULTS: Pre-Show Talks | Starting 30-min before every performance, audience members are invited to deep-dive into the production at hand by joining member of artistic team in the "cafe" in front of the theatre.

Post-Show Talk Backs | Immediately following the first Sunday and all Wednesday matinees, please stay for a robust conversation with cast and artistic team.

Speaker Series at The Hub Old Wicked Songs: The Play I Had to Write – Monday, January 8 – 7pm A conversation with playwright Jon Marans and Bari Newport Shalom Ya’ll – Southern Jews and the Cotton Economy – Tuesday, March 26 – 7pm Dr. Josh Parshall, director of history at the Institute of Southern Jewish Life Diary of a Production Join us this season for Diary of a Production: The Lehman Trilogy a deep-dive through the artistic process of creating a production taught by teaching artist, John A Dalton. From script analysis to casting, designing to directing, this class takes adult learners deep into the artistic process of bringing a production to life. In-person classes include 3 rehearsal visits: Initial Read Through, Blocking, and Tech Rehearsals. All other classes are on Zoom. January 29 – March 18 (Virtual + In-person) $80 for subscribers; $120 non-subscribers; $60 for 30yrs and under.

Limited Availability. Sign up online or by calling the box office.

28

EDUCATION & OUTREACH PROGRAMS

FOR STUDENTS: Shakespeare-in-the-Schools For the 11th year, GableStage brings an abridged, contemporary adaptation of a Shakespearian classic to 20+ Miami-Dade Public Schools. With a focus on bullying, the 23/24 production is Macbeth directed by FIU professor Michael Yawney. This partnership with FIU will tour during the month of March 2024 and include two public performances at FIU on February 23 at 7pm and February 24 at 2pm. Audiences are invited public performance at GableStage on March 24 at 8pm.

Mainstage Student Matinees These special, morning performances introduce high school students to professional, high-quality theatre productions. Miami-Dade public schools are welcome to register through the Miami-Dade Cultural Passport Program. Student matinees for 2023-2024 will be offered for How I Learned What I Learned on October 6, October 12 and October 13 at 10:30am, The Thanksgiving Play on December 1 and December 7 at 10:30am, and Laughs in Spanish on May 24 at 10:30am.

Ignite Ignite the ambitions of the next generation of theatre artists with this powerful, new initiative. In addition to receiving tickets to all five productions, nominated partner high-schools with serious theatre students, read and study all productions and receive season-long access to GableStage artists and company members.This season we continue our partnership with Coral Reef High School and are excited to partner with Florida Memorial University (FMU) for a special mini-Ignite.

Want to learn more? education@gablestage.org 29

AUDIENCE SERVICES Box Office Hours

Tuesday – Friday 12:00 p.m. – 5:00 p.m.

Also 3 hours before showtime on Saturday & Sunday performances. boxoffice@gablestage.org (305) 445-1119

Performance Days & Showtimes

Wednesday 2:00 p.m. & 7:00 p.m.

Thursday 8:00 p.m.

Friday 8:00 p.m.

Saturday 2:00 p.m. (On closing weekends only) Saturday 8:00 p.m.

Sunday 2:00 p.m.

Concessions are open 30 minutes before showtime.

Accessibility

Accessible seating is available.

Assistive listening devices are available for all performances on a first-come basis. Please visit the box office.

Large print playbills available.

Accessible bathroom is located outside the theatre, across the driveway under the breezeway.

Discounts

Available for students, teachers, artists, Biltmore members, military families, and groups.

RUSH TICKETS Students and Biltmore staff may fill any unsold seat, free-of-charge by arriving 1 hour prior to performance times.

GROUPS Bring a group of 8 or more and save 20-30% on regular ticket prices.

Engagement

WINDOW ON THE WORK | Deep-dive into the production with a member of the artistic team. Pre-show talks begin 30 min before every performance in the theatre “cafe” outside (except opening nights).

AFTER WORDS | Stay for a robust Q & A with the cast immediately following the first Sunday and all Wednesday matinees.

YOUNG PROFESSIONALS NETWORK Join a growing group of active, young arts enthusiasts with diverse backgrounds and careers. Enjoy drinks and appetizers before experiencing a night at the theatre. Secret location revealed after every opening.

gablestage.org | (305) 445-1119 30

MARIO’S WE SUPPORT THE STAGE!

31

HOW I LEARNED WHAT I LEARNED

PRODUCTION SUPPORT Assistant Stage Manager Amanda Hernandez Costume Coordinator Marialexia Hernandez Scenic Paint Charge Ruby Goldstein Scenic Construction Luis Diaz Paola Esteras Raul Hernandez Lissette Lendeborg Mario Mendez Gabriel Perez Stephanie Vazquez General Electrics Victor Ernesto Pinto Quintero Alexander Ortiz Tech Audio Engineer Clarissa Rodriguez

GABLESTAGE STAFF

Advancement Dir. of Institutional Advancement Kate Kramitz Grants Manager Andrea Dougherty O'Naghten Marketing & Communications Marketing Manager Magnus Stark Public Relations Haj Media Digital Marketing Specialist Forest Hill Consulting Services Social Media Specialist Diana Garle Business & Audience Services Business Manager Corleen Iannazzi Box Office Manager Dennis Vasta Box Office Associate Luis Diaz Box Office Associate & Group Sales Stephanie Vazquez

Streaming Artistic Film Streaming Director Producing Artistic Director Alexandru Gherman Bari Newport Video Camera Operator Director of Artistic Programming & Lucian Alexandrescu Education Magnus Stark Tyla Palmer Editor Resident Dramaturg Alexandru Gherman Karina Batchelor Production Director of Operations Katie Ellison Technical Director & Assistant Production Manager Victoria Murawski Master Electrician Art Garcia Production Intern Krizia Youn 32

Contact information GableStage 1200 Anastasia Avenue, Suite 230 Coral Gables, FL 33134 Box Office: (305) 445-1119 boxoffice@gablestage.com Media Contact: media@gablestage.org

IN-KIND SUPPORT WISH LIST There are many ways to support our theatre: you can donate anything from rehearsal/warehouse space to flowers and plants. Donations are tax deductible!

Vehicles VAN: In addition to being able to bring our work to more locations within our community, having our own van will allow us to transport sets, props and costume pieces from storage to the theatre in no time.

CARS: Out-of-town artists need to be able to get around. At the very least, they need to travel from artist housing to the theatre and the grocery store. Having vehicles of our own would eliminate the need to rent a fleet of cars. Help!

Housing Have a guest house, vacation house or Airbnb? Housing with kitchens are needed for out-of-town artists staying two weeks or more.

Rehearsal Space Have a large rec room? We need a mid-size space – 800 sq. ft. or more – to rehearse a play while another production is performing at the theatre.

Warehouse Space Our theatre is intimate. Outside and inside. Extra warehouse space will help us store furniture, props and other materials used in the productions.

Airline Miles Help bring out-of-town artists and playwrights to the productions.

Food & Hospitality Gift Cards Support our artists! Meals are appreciated.

Flowers & Plants Help beautify the entrance to GableStage! Plants and flowers in planters are welcome!

Ready to donate?

Contact us at kkramitz@gablestage.org 33

NON-PROFIT PRODUCTION PARTNER GableStage continues its partnerships with area non-profits through “Non-Profit Nights” for each production. Organizations have the opportunity to utilize the production's final dress rehearsal as a fundraising event for their non-profit.

The Non-Profit Production Partner for How I Learned What I Learned is:

YWCA South Florida is dedicated to eliminating racism, empowering women and promoting peace, justice, freedom, and dignity for all. Since 1920,YWCA South Florida has been at the forefront of some of South Florida’s most significant social issues and has worked to improve the lives of more than 3.1 million adults and children. We combine programming and advocacy in order to generate institutional change across four key areas: racial justice and civil rights; empowerment and economic advancement of women and girls; early education; and health and safety of women and girls.

To become a non-profit partner for the 2023-24 season, please contact Tyla Palmer at tpalmer@gablestage.org

34

35

SAVE THE DATE April 20, 2024

SILVER SEASON GALA Celebrate 25 Seasons of artistic, education and outreach legacy and an adventurous vision for the future.

To learn more, please contact Kate Kramitz at kkramitz@gablestage.org

36

Vintage & Antique Jewelry

Tuesdays - Saturdays 11am - 6pm 237 Miracle Mile 305-443-7724 jaesjewelers.com 37

A NEWSLETTER ALL ABOUT MIAMI, DELIVERED DAILY TO YOUR INBOX

SCAN TO SUBSCRIBE

38

Join GableStage on NOVEMBER 16TH for The Miami Foundation's 24-hour annual fundraiser

Give Miami Day to support our milestone 25th Anniversary season and set the stage for the next 25 years!

Early donation opportunities begin

NOVEMBER 13th.

The Miami Foundation hosts this annual online initiative as part of its mission to increase local philanthropy and provide community engagement opportunities for every Miamian.

Support GableStage on Give Miami Day

39

From Palm Beach to Key West, the most trusted source of news, information and entertainment in South Florida’s diverse community.

Made possible with corporate and listener support.

To learn how your business can connect with WLRN go to WLRN.org/Underwriting.

40

41

THE RELATED GROUP IS PROUD TO SUPPORT GABLESTAGE AND COMMENDS ITS OUTSTANDING WORK IN PROMOTING THE ARTS IN SOUTH FLORIDA.

RELATEDGROUP.COM | 2850 TIGERTAIL AVE, 8TH FLOOR, MIAMI, FL 33133 | 305.460.9900 The Related Group® is a trade name for a group of companies and partnerships that develope distinctive real estate projects. Each particular real estate development project that uses the name or logo of "Related Group” or “The Related Group" is developed by a separate, single purpose entity each of which uses the Related Group trade name and logo by license agreement.

42

2023-2024 SEASON SUBSCRIBE NOW!

Pro rated subscriptions available REASONS TO SUBSCRIBE Get the BEST seats at the BEST prices SAVE up to 35% FLEXIBILITY

Use your tickets for one performance or all season productions.

BRING YOUR FRIENDS

Receive two bonus tickets with each subscription!

SUBSCRIBER DISCOUNTS

Get $5 off additional tickets for you and your friends.

FREE EXCHANGES

Change your tickets up to 24 hours prior to the scheduled performance.

AVOID FEES

Fee free transactions (up to $10 in savings).

STREAMING Watch available productions from the best seats in your house!

January 12 - February 4

A Miami Premiere a deeply satisfying play with music

September 29 - October 22

November 17 - December 10

March 15 - April 14

May 17 - June 9 A Regional Premiere a hilarious snapshot of Art Basel and Wynwood

A Miami Premiere a heartfelt theatrical memoir

A Regional Premiere an American epic

A Regional Premiere an uproarious and clever new comedy

Box Office (305) 445-1119 - www.gablestage.org 43

44