Portfolio 2015

ANIKO HERBERT

PORTFOLIO

DIGITAL PORTFOLIO 2015

2015

WATERCOLOUR - INSTALLATION - FILM

HAPPINESS PLACES

WATER-COLOUR

Three things that really fascinate me and that give inspiration to much of my work are the light, the wind and the shadows borne of their inter-play.

In this particular case, I was waiting for the bus at the bus stop when the wind sneaked under the folds of my dotted dress. This is but a small detail of (my) life, which I have captured in a short and a long version as well.

Happiness Places 70Ă—100 cm, watercolour, paper 2014 animation: http://herbertanimations.blogspot.hu/2013/08/a-whiff-of-wind-came-it-came-and.html

DIGITAL PORTFOLIO 2015

HAPPINESS PLACES

WATER-COLOUR

Three things that really fascinate me and that give inspiration to much of my work are the light, the wind and the shadows borne of their inter-play.

In this particular case, I was waiting for the bus at the bus stop when the wind sneaked under the folds of my dotted dress. This is but a small detail of (my) life, which I have captured in a short and a long version as well.

Happiness Places 70Ă—100 cm, watercolour, paper 2014 animation: http://herbertanimations.blogspot.hu/2013/08/a-whiff-of-wind-came-it-came-and.html

DIGITAL PORTFOLIO 2015

HAPPINESS PLACES

WATER-COLOUR

Three things that really fascinate me and that give inspiration to much of my work are the light, the wind and the shadows borne of their inter-play.

In this particular case, I was waiting for the bus at the bus stop when the wind sneaked under the folds of my dotted dress. This is but a small detail of (my) life, which I have captured in a short and a long version as well.

Happiness Places 70Ă—100 cm, watercolour, paper 2014 animation: http://herbertanimations.blogspot.hu/2013/08/a-whiff-of-wind-came-it-came-and.html

DIGITAL PORTFOLIO 2015

HAPPINESS PLACES

WATER-COLOUR

Three things that really fascinate me and that give inspiration to much of my work are the light, the wind and the shadows borne of their inter-play.

In this particular case, I was waiting for the bus at the bus stop when the wind sneaked under the folds of my dotted dress. This is but a small detail of (my) life, which I have captured in a short and a long version as well.

Happiness Places 70Ă—100 cm, watercolour, paper 2014 animation: http://herbertanimations.blogspot.hu/2013/08/a-whiff-of-wind-came-it-came-and.html

DIGITAL PORTFOLIO 2015

HAPPINESS PLACES

WATER-COLOUR

Three things that really fascinate me and that give inspiration to much of my work are the light, the wind and the shadows borne of their inter-play.

In this particular case, I was waiting for the bus at the bus stop when the wind sneaked under the folds of my dotted dress. This is but a small detail of (my) life, which I have captured in a short and a long version as well.

Happiness Places 70Ă—100 cm, watercolour, paper 2014 animation: http://herbertanimations.blogspot.hu/2013/08/a-whiff-of-wind-came-it-came-and.html

DIGITAL PORTFOLIO 2015

PUBLICATION

WATER-COLOUR ONE Budapest, the city that I always feel ready to leave. Budapest, which for me,in fact, is Buda. It is The Bálint café in Házmán street, the Krisztinaváros, the Lánchíd street with Tandori Dezső and Heltai Jenő in Buda that Budapest means for me. My body belongs to Pest, yet the rest belongs to Buda.

Only the dull, the idle, the dumb and dense could hate me.

Ayhan Gökhan- Izsó Zita

50×70 cm mixed media, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR TWO I'm a blacktop haramina - foot odor selfie, a shadow unsealed, eviscerated koan, polish.

There are agreed appointments behind and blood-drenched metropolises ahead. I have no friends here. I am on a mission here.L LL

Magolcsay Nagy Gábor

*„I wanted to create a kind of female toughie. The repertoire is intended for bold and valiant but also neat, self-respecting, sophisticated ladies, hence the name "Haramina" has been given for the collection, because there is no female equivalent for the Hungarian word “haramia" (outlaw, bandit, brigand).

Zoltán Herczeg fashion desinger LLLLLLLLL

50×70 cm mixed media, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR THREE My shadow does not comprehend time.

He is trying to escape here. On Sundays I flatter him with the idea that he is the only feature of me which does not have any extension. He then calms down and says that he loves me. Though, I admit, it would really surprise me if he understood that at all.

Simon Mรกrton

50ร 70 cm mixed media, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR FOUR The Danube: span of 40 meters. Concrete melting into mush, shadow-play of leaves and a wing cracked grey. The shade of cutdown trees: Pest. Bridge in the mouth, ships on the moon. The memory of my father is a dim satellite picture, I jam it into the windowframe of my flat.

Szabó Imola Julianna

50×70 cm mixed media, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR FIVE Ever since I know that I could leave any time, it all has become tolerable. The possibility of experience and forgetting appeals to me so much, as if I was living here as a tourist temporarily for a lifetime. I do not have to stay. I choose to stay. In the mornings I set out after a multitude of pictures in you.

Like the sole of my feet, I need to be mindful and sensitive. I go, and the covered distance reaches round in me. The city repeats itself, so that something from its abundance sticks in its memory. Feet dragging and shuffling wear it down day in day out.

Gradually everything becomes interchangeable; bridges and men, facades and shades, our mutual acquaintances. Sometimes I stop, I go and then I stay, I am saying farewell to you.

Ughy Szabina

50Ă—70 cm mixed media, 2014

DIGITAL PORTFOLIO 2015

FILM

link: https://www.youtube.com/watch?v=9uGdYiHn4f4&feature=youtu.be

PUBLICATION

WATER-COLOUR One of the slipperiest areas in our life where we do not dare to take full responsibility is love. Love is the scariest place because here we are supposed to get into a „veracitytriangulation” with ourselves and the other. In essence, this is the theme behind my new exhibition Willful Blindness / L0VE. The governing principle that subtends these pieces is the issue of letting go. In six phrases: washing it off, hauling it off, taking it off, abandoning it, forgetting it, loving it.

The pieces in Willful Blindness / L0VE were made by using various techniques: water-colour, rice-paper, natural materials, paper installations and video. The use of these variegated techniques is an attempt at addressing the complexity of love.

To try, in effect, to abstract away from the subject to such an extent that ultimately, in the final analysis, its intimate proximity is lost. It's love.There is a figure of a woman on large-size papers who appears in different scenes, with flowers or other symbolic figures (sheep, fish, frogs, etc.).

The space is metaphorical as well: alluding to the country where we live.

I have used and reflected on contemporary literary works since the beginning of my career. This time the inspiration for the titles and conceptual themes for my pictures and installations comes from Szabó Imola Julianna's collection of poetry titled VARRATOK that was published last year. the palm of the rain's hand 190 × 150 cm, mixed media, paper, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR

beneath fairy-trails 200 × 150 cm, mixed media, paper, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR

landscape in glass 200 × 150 cm, mixed media, paper, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR

not to be fed, placid stillness 200 Ă— 150 cm, mixed media, paper, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR

pearl diver 200 × 150 cm, mixed media, paper, 2014

DIGITAL PORTFOLIO 2015

INSTALLATION

no flowers, no wind 30×9 cm, mixed media, 2014

DIGITAL PORTFOLIO 2015

INSTALLATION-FILM

it's been decomposing because of me 13 × 13 cm, mixed media, 2014

DIGITAL PORTFOLIO 2015

WATER-COLOUR

the sky closes 30× 30 cm, mixed media, 2014

DIGITAL PORTFOLIO 2015