No. 27 Agassi - English

nº 27

SEPTEMBER 2024

EXCLUSIVE INTERVIEW

4

25 - 28 JULY MUSIC FESTIVAL

COVER AGASSI ............................................................................... PAG 30

NEWS GENESIS ............................................................................... PAG 62

EXCLUSIVE INTERVIEWS RE PARRA ............................................................................ PAG 04 DJUMA ................................................................................. PAG 14 INTEGRAL BREAD ........................................................... PAG 48 ERTAN KOCULU ................................................................ PAG 76 REBRN ................................................................................ PAG 88 ROMNIE .............................................................................. PAG 98 DARK ................................................................................. PAG 108 PRESS: press@syncbeatmag.eu INFO: info@syncbeatmag.eu

RELEASES ERTAN KOCULU ......................................................................... PAG 24 HAKAN AKKUS .................................................................... PAG 25 KING AKA SAMPLEKING ................................................... PAG 26

LAURENT WOLF .............................................................. PAG 48 MACON ............................................................................... PAG 84 GET UP BITCH .................................................................. PAG 94 LIQUIDFIVE ....................................................................... PAG106

DIRECTION, DESIGN AND LAYOUT: MAY OUTEIRAL CONTENTS: JUANJO BLANCO, JUAN ALVAREZ, GABUELIELLA, BILLY Y MAY OUTEIRAL

- INTERVIEW - RE PARRA -

Chilean DJ and Producer, Re Parra: “Everything that inspires me is based on my experience with the world”

By Gabueliella

At 17, Re Parra began DJing… The

From that moment, bright colors

day we did the interview, Facebook

became part of her stage presence.

reminded her that she has been

She has performed on renowned

in Chile’s electronic scene for 12

stages, such as Montemapu, where

years, delivering vibrant moments

she has been invited as a Stage

through sounds and colors. Her

Manager and curates the lineup.

great love is psytrance, but her

Inspired by Madonna, one of the

passion for techno has led her to

artists who drew her to electronic

perform at many renowned parties

music, and Britney Spears, pop led

in the country. “I have two projects:

her to one of her milestones when

Re Parra is for techno, and Renacer

she played the track “Acid Britney”a

is for psytrance,” she explains. It all

remix of “Toxic” at the Love Parade

started when she met DJ Pishi from

2022.

Venezuela, one of the first women Renata Parra heard playing, and from that moment, she was inspired to start a career she doesn’t plan to end.

I had to interview her for Sync Beat because she’s one of those artists that, when I hear her play, I approach her and tell her how much I enjoyed dancing to her music. Here’s Re Parra, in her own words:

- INTERVIEW - RE PARRA -

- INTERVIEW - RE PARRA Tell me about your beginnings…

- Everything was more masculine

What was the national scene like 12 years ago?

compared to now. After seeing DJ

- The spaces were very limited for

Pishi perform, I fell in love with it and

the first styles I played—psytrance

thought, “I want to try this.” One day,

and drum and bass. So, I thought,

I met another artist, Dani Mach, who

“How can I play more?” That’s when

was very friendly and willing to help.

I realized techno was making its

He told me, “Come to my studio one

way, and that’s how Re Parra was

day and see if you can spin the vinyl.”

born. Techno is political, cachai? It’s

I understood the sensitivity much

like going against everything.

better after that. I later got to know more technological equipment and began evolving with the machines.

At first, my main project was Drum and Bass. The producers of these events always wanted more women playing, so I had a lot of support from my colleagues at the time to start DJing.

Re Parra did things the other way around first analog, then machines.

She started DJing when she was underage, which gave her a bit of adrenaline when she was invited to play at underground spaces. Her current work started as a game that now has all her attention and passion.

What’s your reflection on the scene we have today?

- Here, there are still genres that exclude women. Sometimes, there’s only one woman on the lineup.

Honestly, I’ve seen the electronic scene grow, die, divide, and unite.

I’ve seen it in so many forms, but as it stands today, I think it’s not much different from 12 years ago.

I do feel there’s been some change, but it’s not a big enough shift for me to say, “Now there are many more women.” Yes, there are more of us, and I have many more female colleagues now, but we’re still few.

- INTERVIEW - RE PARRA -

- INTERVIEW - RE PARRA Today, more women dare to try

gigs dropped, but the cost of

to take up space. In the end, it’s

living remained the same or even

about claiming what belongs to us.

more expensive. So, my life was

Chile is still part of the third world;

interrupted, but at the same time,

we’re still chasing our tails, and

it wasn’t because it gave me space

that unfortunately depends a lot

for an internal process—to become

on the old school, which still has a

a producer, to be more creative. It

monopoly. I think that, in terms of

was like living a residency during

production, there could be a more

the pandemic.

equitable rise between men and women, and also in terms of causes.

The Experience with the World - With a political focus when creating art, Re Parra (or Renacer, at times) began producing during the pandemic and the long quarantines we had in Chile. The first EP she participated in, along with other Chilean artists, dedicated its first track to this global moment that

It’s always something that happens to me at the moment… I produced “Madre Electra,” a song dedicated to

the

anti-transphobes.

I

also

produced “I Need to Feel Love,” a song I dedicated to an ex-partner who

committed

suicide.

I

was

deeply hurt by his loss. In fact, he was still my partner at the time, but I now call him my ex because much time has passed.

changed many lives. Often using

I made this song for all the people

her voice as an instrument, she also

left with soul wounds from the

brings her hybrid sets to the dance

decisions of those who have left this

floors.

planet. So, everything that inspires

I wanted to make a track about the pandemic, which is called “Proceso Interrumpido”

(“Interrupted

Process”), which is basically how I felt… like this process I was going through

was

broken

because

me is based on my experience with the world.

- INTERVIEW - RE PARRA -

- INTERVIEW - RE PARRA In December, I plan to release an EP that I’ve been working on all year. It will have six songs.

I’m collaborating with well-known artists from the Chilean scene because my idea is to empower ourselves as Chileans both women (since there are very few female producers) and men who truly have feminine sensitivity.

Part of the party scene in Chile has been overshadowed by narco culture… criminal acts in spaces where electronic music should only bring happiness have taken over part of the media narrative, demonizing an environment meant to be a space of relaxation for many lovers of dance.

In reality, I am very passionate. I love music, and I love being able to share it. Mixing and choosing songs that are positive for the soul… Sometimes people prefer to party hard, and that’s why I feel like in Chile, musicians aren’t valued much, even when they release a track. There’s a lack of real support for Chilean art, more than just support for partying and escaping the week.

If you liked the DJ, give them a like and share their music, not just the party. That’s my vision.

It’s not that I want everyone to be like that.

Ideally, it would be beautiful because I don’t live off applause; I live off the gratitude of the dancers.

- INTERVIEW - RE PARRA -

- INTERVIEW - DJUMA SOUNDSYSTEM -

by @perlanegradj

You’re originally from Norway;

genre. What inspired you so much

where do you live today?

about African culture?

- On paper, I’m based in Copenhagen,

- Yeah, it might seem strange that

Denmark. But in reality, you can

I’ve been such an ambassador for

count on two hands the days I’m

that sound, especially considering

actually home. It might sound like

I’m not African. For me, it’s just a

I’m constantly touring, but that’s

“short

only half the truth. I often live for

easiest way to describe my style.

months in one part of the world and

I’ve always been fascinated by all

tour from that base before moving

kinds of rhythms and never really

on. I’ve been living a very nomadic

understood why most electronic

lifestyle for many years now.

music sticks to the same beat,

Your music is usually described as Afro House, and you were one of the first European artists to embrace and popularize this 14

pitch”—the

quickest

and

when there are so many more interesting possibilities. Technically, I play house music in the sense that it has a steady 4/4 kick, but I rarely use a snare or clap on 2 and 4, or an

- INTERVIEW - DJUMA SOUNDSYSTEM -

15

- INTERVIEW - DJUMA SOUNDSYSTEM “off” hi-hat in between, which is the

Can you share some of your major

standard. The so-called “Afro House”

musical

genre is where I fit best in that

they’ve shaped your approach to

sense. My inspiration comes from

production and DJing?

everywhere—Africa, Asia (especially India), and Latin countries.

influences

and

how

- My biggest musical inspiration when I was young was Prince. I’m

Are you happy with Afro House

not sure how that directly influences

gaining

my DJing, but his live performances

such

widespread

popularity now?

might have had an impact. He was

- It’s actually a bittersweet feeling, to be completely honest. I spent a lot of time touring and promoting this sound long before it was recognized as a genre on Beatport or became widely known. It was a fun but

a master at creating alternative versions of his songs live, building tension by lowering intensity before bringing it back up for a full release.

He also had a way of capturing the audience’s attention completely.

challenging journey. Of course, it’s

Your

gratifying to see it gaining a bigger

captivating both festival crowds

audience and to see talented DJs

and intimate club settings. How

and producers from Africa getting

do you adapt your performances

the

to suit different audiences and

recognition

they

deserve

music

is

known

for

worldwide.

environments?

But on the flip side, I feel it’s starting

- I usually plan halfway. I have some

to get watered down. The influx of

new tracks I want to play and a

generic remakes of ‘90s hits with

rough idea of where I want to take

2-3 piano chords doesn’t inspire me

the crowd, but I’m not rigid with

much. I guess this happens with

the plan. I like to arrive at least an

any new genre it feels fresh and

hour before I play to feel the vibe

exciting until it becomes formulaic.

and observe the crowd. In a club,

Maybe it’s time for me to explore

I start by giving them more of

new directions.

what they seem to respond well

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- INTERVIEW - DJUMA SOUNDSYSTEM -

17

- INTERVIEW - DJUMA SOUNDSYSTEM to, and once I’ve earned their trust,

What does a typical day in the

I take them into more unfamiliar

studio look like for you? Do you

territory. People don’t always enjoy

have any rituals or routines that

being fed “what they want.” A truly

inspire your creativity?

great night often leaves you with a sense of a new experience. I usually avoid playing tracks people have heard before. At larger festivals, the approach is different—it’s more of an act, so I might start with something unexpected and tell my own story, independent of the previous performance.

Do you have any tips for up-andcoming DJs?

- Since I travel a lot, I don’t have many routines, so I have to be flexible. When making music with others, I like to spend a lot of time just listening to music—not only house music, but all kinds. It’s not just for inspiration, but also to create a common language, as musical terms can be very subjective.

This might seem counterintuitive time-wise, but it saves a lot of time

- Loud isn’t always better. Nothing

later in the process. Making music

sounds good in the red, and the

today is all about making choices,

sound engineer will hate you for it.

and if you already know where you

Don’t worry; it will still sound loud,

want to go, you’ll get there much

as the venue usually has a limiter

faster.

that pumps it up to max. It’s easy to pile on, but if you master the art of creating tension by subtracting, you’ll do great.

Also, keep a “giving mindset.” The crowd isn’t there to praise you; you’re being paid to serve them. This can be hard to understand in a world where narcissism has become the norm through social media.

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How has the creative process evolved for you since transitioning from a duo to a solo artist, and how does it influence your music today?

- I see music as a language, which is inherently social, so I prefer to create music with others. That way, I learn a lot in every session, as

- INTERVIEW - DJUMA SOUNDSYSTEM -

19

- INTERVIEW - DJUMA SOUNDSYSTEM everyone has their own approach.

“Les Djinns” was a breakout hit for

Sometimes I feel I have something

you. Looking back, how did that

I want to express and it might be

success shape your career, and

quicker to do it myself, but I try to

what lessons did you learn from

avoid spending too much time in

it?

solitude in front of a screen—it’s not good for me.

“Les

Djinns”

really

put

us

on

the map. It was a crossover hit,

Among your releases like “Koma

commercially huge, and respected

Kobache,” “Osuga,” “Manlaton,”

in the underground. We, as a duo

“Small Fries,” and “Oloro Nyager,”

back then, got big, well-paid gigs,

do you have a favorite track or

including playing for around a

project that holds a special place

million people on New Year’s Eve

in your heart? What makes it

in Rio de Janeiro. But many of the

memorable for you?

gigs had commercial audiences

When I’m in the process, the track feels like it’s mine. But once it’s finished, it takes on a life of its own, and I don’t feel as attached to it.

Sometimes, a track might come out

who expected pop music, as that’s how they heard “Les Djinns” on the radio. We had to decide whether to become a more pop-oriented act or stay in the underground.

a year later, and by then, I’ve moved

Looking back, I’m glad I chose the

on so much that it doesn’t even

latter. Even though it was hard to

feel like I made it. It can be hard to

turn down those big gigs, I don’t

generate enthusiasm for promoting

think my career would have lasted

it because of that. But the thrill of

if I hadn’t stayed true to what I

playing a new track for the first time

believed in.

and seeing people’s reactions never gets old.

How have you seen the electronic music

scene

evolve

over

the

years, and what do you think are the biggest challenges and opportunities for artists today?

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- INTERVIEW - DJUMA SOUNDSYSTEM -

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- INTERVIEW - DJUMA SOUNDSYSTEM - I’m not nostalgic, so I don’t buy

- I tour more or less constantly and

into the “everything was better

try to cover most of the world each

before” mindset. I think there’s

year. I minimize flying by staying for

a lot of amazing and creative

extended periods in each region.

music coming out today. One big

This summer will mainly be the USA

difference is that it’s much easier to

and Europe, in the fall I’ll head to the

make music now, so you need less

Middle East, India, and Asia, and I’ll

skill or financial investment to do it. I

end the year in South America, with

love this democratization of music—

North America following early next

it means a kid with just a laptop can

year. I focus on supporting my label,

create something amazing.

Iziki, with new releases. I recently

The downside is that every great idea gets copied quickly and watered down. Another big change is the focus on social media. Marketing has always been part of the music

released “Esigia” with King Ayisoba from Ghana, an amazing vocalist and kologo player. I also host the Iziki radio show every second Thursday on Ibiza Live Radio.

industry, but now it seems you have

If you want to stay updated on what’s

to brand yourself more than ever,

happening in my world or hear the

which can be exhausting. I try to

latest Afro House, tune in live or

minimize my time on it, but ignoring

catch it later on my SoundCloud. I’m

it would be career suicide—I learned

also working on expanding the Iziki

that the hard way by staying off it

community and hosting more Iziki

for a while!

parties in new places. We’ve already

What can fans expect from Djuma Soundsystem in the near future?

Any upcoming projects, tours, or new sounds on the horizon?

thrown them in around 30 locations globally, and hopefully, this is just the beginning.

- INTERVIEW - DJUMA SOUNDSYSTEM -

23

- RELEASES -

Track ID : Alone Artist: Ertan Koculu Catalog No : Row 042 Genre : Melodic House and Techno Label : Row Record ( Canada ) Artist Instagram : ertankoculu.ofc We begin to analyze the first track in

with female vocals that sigh about

these September 2024 reviews fully

loneliness. An intense and well-

dedicated to the Canadian-based

paced track that is specifically

label, Row Records. This track is one

designed to be a big hit at festivals

of the most recent ones produced

and clubs.

by the Turkish artist, Ertan Koculu, full of Melodic House and Techno 24

- RELEASES -

Track ID : Joera Artist: Hakan Akkus Catalog No : Row101 Genre : Afro House Label : Row Record ( Canada ) Artist Instagram : @hakanakkus.official This second review selected from

and very important one to be traced

the recent new upcoming releases

in the artists´sets who normally

Row

play this so popular genre, lately in

Records

label

catalogue

belongs to the Turkish artist Hakan

these times in electronic music.

Akkus and is a track full of ethnic melodies very characteristic of the Afro sound. A true reference track 25

- RELEASES -

Track ID : Day & Night Catalog No: Row 069 Genre : Indie Dance Label : Row Records (Canada) Artist Instagram : @kingakasampleking The last of these September 2024

that merge with analog sounds

reviews dedicated to the Canadian-

very characteristic of this genre. It

based label, Row Records, is about

is undoubtedly another good work

a solo track produced by the well-

by this Spanish artist who mainly

known Spanish artist, King a.k.a

navigates, both in his productions

Sampleking, who delves into the

and in his sets, between Afro,

Indie Dance landmarks. A very

Organic, Melodic and Indie Dance.

powerful

and

energetic

track

designed for the dance floor in which you can find Arabic elements 26

- COVER -

First of all, we must remind our

has taken a great qualitative and

readers that Agassi was with us

quantitative leap forward…Thanks

a few months ago at Syncbeat

again Agassi for being with us!

Magazine with an interview close to his professional figure. On this

By King a.k.a Sampleking

occasion we focus on the recent edition of “Trip Festival 2024” which

Before starting the interview with

personally sightseeing how it has

this great artist and personal friend,

evolved from its beginnings to

I have to inform the entire audience

the present times, that’s why I feel

that, personally and professionally,

especially happy to see how Agassi

I feel very connected to this place

has worked hard to reach this

that we will talk about, “Embargo

moment…

Villa”, since I first arrived there in the late 2000s, where I have performed and I perform regularly and I have

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- COVER -

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- COVER Here is the first question: Although

- I have loved and continue loving

we asked you a few months

House music. Despite the different

ago in your first appearance in

Deep or Tech trends, I am now

our magazine, we would like

experimenting

you to remind us how long you

Organic. I have always been a great

have been in electronic music

lover of sound experimentation and

as a professional and what you

I have flirted with multiple styles

currently represent in the Eastern

throughout all these years. During

European electronic scene…

all my years as a professional I have

- I have been working in the electronic music industry for more than 25 years. I am currently a DJ, artist and producer under the “Agassi” pseudonym and, in several

with

Afro

and

always been in constant progression, of course, but as I have told you, the predominant elements in my music and my sets are Afro-House and Organic.

projects, as an organizer/promoter

In

in the Russian Federation. One of

talked about how you are the

them is the famous “Trip Festival”. I

“leader” of a huge and powerful

am also the “ideologist” of one of the

ship that has been sailing steadily

big clubs in the country, “Embargo”,

like “Embargo Villa” (Rostov Na

which is celebrating 20 years on the

Donu) for quite some time. If you

scene…

look back, what can you tell us

What electronic music styles have you

been

experimenting

with

the

previous

interview

we

about the great evolution that the club has had until today?

during all the years you have been

- Yes, that’s right, I am fully involved

a professional? Have you changed

in one of the biggest clubs in the

your musical register from your

country “Embargo Villa”. During

beginnings to the present?

the 20 years of this club lives and, in general, of all the clubs in the country, many things have changed.

Generations

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and

trends

have

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- COVER changed. We are going through this

excellent reviews among the people

evolution that the entire Clubbing

who come to our space. We see

Culture is now experiencing and

some smiles and joy in people, we

we are also growing our events that

see how the relationship between

have already become huge festivals.

us, promoters and organizers, is

We have multiple dance floors in

growing up. We try to surprise

our multi-leisure space “Embargo”

every year with new projects, new

although in the past we started -

festivals and spaces. There is always

like everyone else - with only one

some kind of construction going

small dance floor.

on at the location. We evolve year

“Embargo Villa” is not only an electronic music club or a summer club where festivals are held, but it is also one of the best technically and

technologically

prepared

locations in the country, but now we are going to focus on what you

after year, all the time, to everyone’s satisfaction... Embargo Villa is also a “Summer Club” with a swimming pool opened all days during the summer period (except when we are doing maintenance on the facilities).

say is “your great pretty pearl”,“Trip

This year, the “Trip Festival” 2024

Festival”. This summer, the 2024

edition was held and, of course,

edition was held, in which both

every year the public attendance

attendance and the level of artists

was

have improved significantly. What

linked to the level of the artists. I

can you tell us about this great

can only say one thing: every year

success?

we try not only to surprise, we also

- Yes, that’s right... my great pretty pearl! Embargo Villa is a large multispace that includes a club, hotel and a concert area so all kinds of big events can be held. There are

34

directly

and

proportionally

put more emphasis on spectacular lighting and on improving every technical aspect. These are part of the success and popularity of the festival. We are already starting to think about a new show for 2025,

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- COVER about the new locations that will be

What has been the impact on

created for it and, of course, about a

the audience that has attended

new big show. We must not forget,

the festival and what are you

of course, the people, as they are

preparing - and can you tell us in

the essential part in participating

advance - about the 2025 edition?

and interacting in all this.

We

have

that

personally

technological

infrastructure, services

and

seen quality,

personalized more

As I said before, next year 2025

will be the Embargo Villa 20th Anniversary,

but

also

the

“Trip

Festival” will celebrate its “mini

additional

anniversary” -the fifth one-, in which

aspects have been part of the

there will be additional activities and

improvements of this 2024 edition

it will be expanded from 3 to 5 days

compared to last year. What could

because the first 2 days will be an

you highlight about all this that

electronic music conference called

we are discussing?

“Trip Music Session”. It will be not

- There has been a great improvement in this 2024 compared to the previous year. Of course, we bear this in mind and we worked on it. I

only a festival, but also a “business meeting point” for those who have something to do with and in the scene.

also wanted to highlight the great

“Trip Music Session” will be held from

work we have done on the main

22 to 24 July 2025. Under the TMS

stage, in all our facilities and also

abbreviation, the most innovative

we highlight our fully active pool

and creative of the electronic music

area during the daytime parties,

ecosystem

which is what gives our festival a

industry in Russia will be united.

unique atmosphere among similar projects carried out in our country.

Our goal is to continue growing and developing all these things.

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and

entertainment

- COVER -

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- COVER knowing that this summer has “TMS”

been spectacular?

is

an

annual

summer

gathering

for

music

business

- It is still very early because we will

participants. Over the course of three

see this as time is going by. We will

days, there will be many business

start working on it right now. We will

meetings,

keep you informed! Sure we will!…

educational

seminars,

brand activations, broadcasts and expert panels.

Agassi... thank you very much again

for

your

kindness.

For

Our goal will be to bring together

finishing, we would like you to

industry leaders to discuss, create

add something that you have

or strengthen connections, develop

not told our audience during this

mutual understanding and expand

interview and that you would like

opportunities.

to emphasize...

On the other hand, it is important

- I would like to say to finish: Thank

to add that the atmosphere and

you very much for the interview

the audience in our festival will be

in Syncbeat Magazine and all the

one of the main strengths of the

readers for wanting to know more

new edition we are preparing to.

about me and the festival. On the

We invite absolutely everyone to

other hand, I think I have covered

join us on our journey towards “Trip

all the most important things that

Festival 2025”, which will take place

I wanted to mention here. See you

from July 24th to 27th, which will

at the “Trip Music Session” and the

open with a very special Opening

“Trip Festival” in July 2025!

Party…There will be a lot of surprises!

(Laughs) Finally, we would like to ask you... what have you prepared at Embargo Villa for this new season that starts in just a month, 40

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- RELEASES -

French producer Laurent Wolf’s

“For me this collaboration with

2003

Ahoona has resulted in the best

Ritmo

Dynamic

classic,

‘Calinda’, gets a giant remake for

remake

2024, as he joins forces with fresh

original, it has a great Afro deep

talent Ahoona to deliver a breath-

atmosphere. We were on the same

taking new Afro House version.

frequencies producing this new

Transporting this much-loved song

version and the magic happened!

into a whole new dimension, the trio

Since we are in tune in our musical

inject powerful percussive Afro-tech

production’s

beats, captivating synthscapes, and

definitely be collaborating more in

beautiful

the future” - Laurent Wolf.

melancholy-drenched

piano melodies to create the perfect emotive storm for the dance floors this summer!

of

‘Calinda’

since

perspectives,

the

we’ll

Parisian native, now Californian resident, Laurent Wolf is one of France’s most booked DJ’s in the world alongside the likes of Bob Sinclar and David Guetta. Boasting

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a career for several decades, he was the original resident at Paris’ legendary club, The Queen, for 10 years back in the early 90’s, before becoming an international DJ success and consistently touring the globe. As a producer, Laurent is well known for his global hits such as ‘Saxo’, ‘Calinda’, ‘Sunshine Paradise’, ‘Another Brick’, ‘Happy TV’ and ‘No Stress’, and is inspired by many African, Latin, Arab, European and American grooves. He’s released 5 albums to date, including the worldwide smash albums, ‘Wash My World’ and ‘Harmony’.

Up and coming French Afro House DJ / production duo, Ahoona, have been friends for many years and have a great affinity when it comes to producing powerful and melodic music together.

Since their debut release, ‘Revolt’ (KIDS Records Foundation) last year, the pair have gone on to release on MoBlack Records, LW Recordings, Ancestral Nights and more, quickly gaining support from DJ’s such as Nitefreak, Kryder, Cedric Gervais, MoBlack, to name a few.

46

- RELEASES -

47

- INTERVIEW - INTEGRAL BREAD -

We chatted with Integral Bread,

was a flamenco guitarist, so I also

label manager of the fantastic and

had the opportunity to experiment

prestigious Spanish digital label

with the guitar, cajón, flute, and

Univack, where we also delved into

other instruments, almost always in

the past, present and future of this

a self-taught way. I liked to invent

Spanish artist.

my own melodies, but there came

Hello,

Integral

Bread!

It’s

a

pleasure to have you on Sync Beat Magazine. How did you start your love affair with electronic music and who were your first influences within it?

- My interest in music began when I was very young, when I was 8 years old when I was given my first keyboard, a Casio MT210, with which I spent hours experimenting, creating songs, trying out rhythms, chords... In addition, my grandfather 48

a point where I felt limited by not having training in music theory.

Almost in the mid-90s I began to be interested in songs by electronic bands, such as Orbital, Prodigy, The Chemical

Brothers,

Underworld,

Massive Attack...

I was attracted to those rhythms and sounds that I did not identify with any traditional instrument, and that generated emotions in me that until then I had not felt with other styles that I consumed more, such as Pop

- INTERVIEW - INTEGRAL BREAD -

49

- INTERVIEW - INTEGRAL BREAD or Rock. My passion for computers

I think that electronic music is now

gave me the opportunity to discover

totally widespread throughout the

Trackers, with which I managed

world, and that to a certain extent

to understand the methodology

it has lost a bit of the avant-garde

with which this type of music was

character that it had a couple

created. In 1996, accompanied by my

of decades ago, when it really

uncle, I went to my first electronic

exploded, a time when so many

music party, where I could feel all

new styles appeared, and where

the power of that music on a great

experimentation by producers and

sound system, watching a DJ mix

creators was constant. Obviously,

and making a dance floor full of

electronic music continues to evolve,

an audience 100% devoted to the

and to integrate itself into the rest of

music vibrate. That atmosphere

the more traditional musical genres,

captivated me, and it was then that

partly thanks to technological and

I had it clear. I wanted to be that

social

creative person behind the songs

the Internet and social networks

that the DJ played. I began to delve

have made it easier for there to be

deeper into that aspect, buying my

less and less difference between

first synthesizers, drum machines,

the scenes in different countries.

samplers, etc., with which I produced

In almost all countries, any style

my works, and also performed my

of electronic music is consumed,

live performances. Almost 30 years

although some are more successful

later, here I am, in love with this

than others. I also think that the

beautiful and magical passion.

consumption

First of all, we would like to know what similarities and differences you

could

highlight

the

Spanish

and

electronic

music

between

international scenes

and

where you think electronic music is going…

50

advances.

of

Globalization,

certain

styles

depends a lot on the age range. As a general rule, the most danceable, most energetic and least complex styles are the ones that the youngest public will consume the most. In short, I think that electronic music will continue to be implemented

- INTERVIEW - INTEGRAL BREAD -

51

- INTERVIEW - INTEGRAL BREAD among all traditional or popular

Fortunately, to a greater or lesser

genres, and that at the same time

extent I am still active in these

it will be fed back by other genres

three profiles, although for a couple

that are of more interest to the new

of years now the one I feel most

generations, such as all current

comfortable with and the one that

urban music. Despite everything, the

takes up practically all my time is

most traditional styles of electronic

that of manager of my label Univack.

music will always continue to be

The growth and success of Univack

maintained, consumed mainly by

is very motivating and brings me a

an increasingly older audience.

lot of satisfaction.

What generates the most doubt and

I have always thought that the DJ

expectation in me about music today

profile does not have to be linked

is imagining how far the impact

to that of producer, although as

of increasingly integrated Artificial

the music scene has evolved, both

Intelligence will go. I hope and wish

profiles have been forced to be

that all future creators know how

closely linked. From the point of

to use these new technologies and

view of a label manager and A&R,

tools that are emerging to create a

it will always be positive to have

true revolution in music, which can

experience as a DJ and producer,

allow us to enjoy totally new genres,

which will give you the necessary

works and experiences.

knowledge to know what the public

You are a “multi-functional” artist who works as a DJ, producer and label manager at Univack. Which role do you feel most comfortable with? Or, on the contrary, do you think that these three aspects have to be united with?

52

will like, what has quality both creatively and in terms of sound, and in general what will contribute something positive and novel to the industry and the scene.

- INTERVIEW - INTEGRAL BREAD -

53

- INTERVIEW - INTEGRAL BREAD What

does

Univack

bring

to

Basically,

I

treat

each

Univack

the electronic scene? Who are

release with all my love, dedication

the most relevant artists that

and enthusiasm, as if they had been

are taking part of the Univack

created by myself, and that is why

“family”?

I also try to make the artists feel

I like to think that Univack brings something really positive and a little

involved in most of the decisions that each release entails.

different to the music scene within

As for artists, I always try to have

the genres we work with (club

a balance in our family, between

and dance music, with a marked

established producers and others

melodic and progressive character),

not so well known. It is an honor

encompassing an artistic identity

to have in our catalog the top

that transcends the musical. Our

producers of the genres we work

philosophy is to provide musical

with, but really what excites me

works that can be enjoyed dancing

the most is discovering and giving

with the body and the mind, and

visibility to new talents, and that

that generate beautiful, energetic

Univack serves as a great platform

and positive emotions. At the same

to make their music known.

time, we want Univack to be a home for a multitude of artists, who feel supported and loved, and who receive the best possible treatment for their works.

For me, the most important thing, apart from their quality or whether they are known or not, is that the artists feel excited and motivated by the releases we create. And the

As a producer, I know the time, effort

truly rewarding thing about my job

and passion that must be invested

as Univack manager is the beautiful

when creating any work, and that

relationships,

is why I always try to give my best

that are generated throughout this

so that these works have the best

process.

results, and can be enjoyed by the greatest number of people possible.

54

often

friendships,

- INTERVIEW - INTEGRAL BREAD -

55

- INTERVIEW - INTEGRAL BREAD Let’s talk about your music. How

since from the beginning, in my

would you define it? Do you like to

performances I have been faithful to

be pigeonholed into a certain style

the LIVE format, and I have always

or not? What is your inspiration

shown only tracks created by me.

when it comes to creating your

It is something that I have always

own tracks?

given a lot of importance to, since I

From a producer’s point of view, I think defining your own style is often very complex. I started

believe that it is what really makes me identify and show myself to the public as an artist and creator.

composing Electro and Breakbeat,

We also know on first-hand that

then I started experimenting with

apart

from

your

House and Techno. I’ve always tried

you

have

recently

developed

to make my music very danceable,

educational

cultural

days

but also with a lot of melodic

electronic music together with

and harmonic content. For years

government institutions. Tell us

my sound could be classified as

how this extraordinary initiative

Progressive House and Progressive

came about…

Techno, although I think that in many cases it is difficult to even put my works in those genres.

artistic

side, on

The profile of promoter and event organizer is perhaps the one I have developed the least in my

I have never liked to pigeonhole

experience with music, although in

myself, I have always tried to create

recent years I have participated in

music with a timeless character,

the production of events and parties,

and that can be enjoyed by lovers

especially under the Univack brand,

of different genres, and I think that

and always surrounded by more

this versatility is the basis of my style

colleagues and collaborators.

both when producing and when performing my sets.

I am currently participating as an organizer of ‘Electronic Living

As for my performances, I have

Center’, developed in collaboration

never really felt like a DJ as such,

between the Badajoz Provincial

56

- INTERVIEW - INTEGRAL BREAD -

57

- INTERVIEW - INTEGRAL BREAD Council, Musicians in Movement,

Let’s talk about Integral Bread

and Univack Records. This is a

outside of the professional sphere.

program of cultural events around

What do you like to do when you’re

electronic and avant-garde music,

not in the studio, at Univack or in

which have been held in Badajoz

the booth?

since last May 2024 and will end at the beginning of 2025. They are monthly events, with training activities,

children’s

workshops,

exhibitions, performances and DJ sets. Each training day will focus on a specific topic, such as: DJing, Production, VJ / Video Mapping, Sound

Synthesis,

Scratching

/

Turntablism, and Music Distribution and Promotion... all of them taught by professionals from each sector.

I

have

always

when you’re working on something you’re so passionate about, I think it’s something necessary and very important. Currently I try to lead a quiet life, mainly with my partner, and also with my family and friends, taking

advantage

whenever

possible to enjoy travel, nature and new

activities

and

experiences

that make me feel alive and active.

Personally I try to take care of my

that

physical and mental health. I spend

electronic music transcends the

time every day stretching and

idle nature in which it has normally

going to the gym. I also spend time

been pigeonholed, and this project

learning languages and subjects

makes visible the cultural, avant-

related to physics, astrophysics and

garde,

philosophy.

and

believed

Although it’s difficult to disconnect

professional

nature

of it, in addition to serving as a starting point for the development of new creators, artists and other professional profiles.

Finally, we would like to thank you for your time and congratulate you on the work you do day after day both at Univack and as an artist.

On a professional level, what can you tell us in terms of planning for the near future?

58

- INTERVIEW - INTEGRAL BREAD On a professional level, my priority in the short and long term will continue to be to work as Manager of Univack Records, to continue growing as a label and as a brand, as well as to make it compatible with my artistic projects as Integral Bread, both as a producer and as a Live performer.

Thanks

to

Juanjo

(King

a.k.a

Sampleking) and all the Syncbeat Magazine team for the opportunity to present my artistic and professional side, and congratulations for the great work you do.

59

- NEWS -

The Evolution of Electronic Music in Valencia: A Journey Through “Génesis”

By Billy Aldea-Martinez & Julián Márquez Rodríguez In an exclusive interview for Sync Beat Magazine, Billy Aldea-Martinez and Julián Márquez spoke with Pablo Ferrer and Alberto Sola, two prominent figures in Valencia’s electronic music scene. They talked about the creation of their book “Génesis” and the record label “Genesis Music”. These projects not only document the evolution of electronic music in Valencia but also aim to connect generations and pay tribute to the pioneers who shaped this vibrant scene.

62

- NEWS -

63

- NEWS The Origin of “Génesis” and the

had a unique evolution due to the

Inspiration Behind the Book

“bakalao” phenomenon, a style that

- The idea for the book was proposed by Alberto Sola, a DJ and producer from Valencia, who had been part of the Sincopat label for several years alongside DJ and producer AFFKT. Alberto identified the need to document a forgotten and little-explored stage in the history of electronic music in Valencia. He invited Pablo Ferrer, a journalist, writer, and author of La Santísima Trinidad: El sonido del pop electrónico de masas—a book documenting the influence of Depeche Mode, New Order, and Pet Shop Boys. Pablo, also a promoter and electronic music enthusiast, teamed up with Alberto to combine

dominated the local scene between 1993 and 1996 before giving way to an explosion of new styles like house, techno, and ambient.

The Era of Bakalao and Its Impact - Bakalao is a genre of electronic music that originated in Valencia, Spain, in the early 1990s and peaked during the first half of that decade.

This style, exclusively known in Spain, started by blending different sounds such as techno, gabba, and hardcore,

completely

replacing

the diverse sounds of the late 80s, including rock, industrial, gothic, synth-pop,

and

electronic

body

music (EBM).

their knowledge and information

Characterized by fast, repetitive

on the history of electronic music

rhythms

in Spain. Initially skeptical of the

voices

and

topic’s relevance, Pablo was won

often

included

over by Alberto’s passion.

tributes to contemporary themes

Alberto

Sola,

DJ

and

music

producer, explains that electronic club music had reached a point where this history needed to be recorded. Valencia, in particular, 64

along

with

edited

sounds,

bakalao

and

characters,

drum

machines,

parodies

and

employing samplers,

and

synthesizers like other electronic styles.

- NEWS -

65

- NEWS This shift in musical consumption

central theme of the book Génesis:

was driven by the arrival of new,

Escena Clubber Posbakalao en la

more chemical drugs that required

Comunitat Valenciana. 1996-2010,

higher BPMs.

which documents this fascinating

The

“ruta

del

bakalao”

was

a

period.

phenomenon in the 90s where

The Creation of the Book, the

clubbers from across Spain would

Methodology, and the Challenges

visit various iconic clubs in the Valencian region, such as Chocolate, Espiral, The Face, NOD, Barraca, A.C.T.V., Spook, Puzzle, and Heaven, enjoying non-stop electronic music sessions for up to 72 hours.

The creation of the book was an arduous and meticulous process, as it is one of the few works documenting the oral history of Valencian culture in relation to electronic

music.

Between

the

This style left a deep mark on the

summer of 2022 and the summer of

decade, becoming the favorite of an

2023, Pablo and Alberto conducted

entire generation. The dominance

over 40 interviews, which they then

of

years

carefully transcribed and selected to

was so complete that, as Alberto

construct a coherent narrative. They

recalls, vinyl records of new genres

also incorporated well-researched

available in Valencia’s record stores

introductions in each chapter to

were

prices.

place the reader in the context of

Though considered repetitive and

European and Spanish electronic

of questionable quality by some,

music at the time.

bakalao

sold

during

at

those

clearance

bakalao acted as a “blockage” that prevented new trends from arriving in Valencia. However, when it began to fade, it opened the door to a flood of new sounds that captivated electronic music fans in the city. This rapid and massive transition is the 66

The book Génesis covers the period from 1996 to 2010, following the peak of the Valencian bakalao, during which new global electronic music influences such as drum & bass, trance,

minimal,

electro,

house,

- NEWS -

67

- NEWS and techno began to establish

figures from the Valencian electronic

themselves in the Valencia region,

scene and new players from the

leading to a renewed and vibrant

current scene.

club scene. This evolution was driven by both the major clubs, which allowed DJs to gradually introduce new genres to the saturated bakalao

Genesis Music: The Next Step and a Tribute to Pioneers - Connecting Generations

sound, especially house, and by

Genesis Music is a new record

entrepreneurs and promoters who

label created to honor the roots of

focused on dance nights centered

Valencian electronic music, pay

around these innovative sounds.

tribute to its pioneers, and connect

However, genres like trance and techno took longer to establish themselves in Valencia, as, even though

bakalao

was

losing

popularity, the preference for fast rhythms remained strong. Alberto mentions, “The book is about how all these styles landed in Valencia, who were the pioneers, who were the promoters that bet on these styles,

different generations of producers and audiences with a contemporary vision of the scene. The goal of this record label is to build a bridge between DJs and producers from different eras, allowing younger generations to learn from and be inspired by those who laid the foundation for electronic music in Valencia.

who were the first DJs in Valencia

This connection is strengthened

to support them, and who were the

through events, parties and talks

first of our DJs to go beyond our

that

borders.”

electronic music while looking to

The book was finally published in November 2023 by the Spanish publisher Sargantana, accompanied by several release events where the authors invited both historical 68

celebrate

the

history

of

the future. Pablo comments, “The programming we have at Genesis x Oven is very similar to what we do with the record label, it’s a permanent tribute to different generations, in this case, DJs who

- NEWS -

69

- NEWS have been spinning in Valencia all their lives.”

The label focuses on high-quality melodic productions without limiting itself to specific genres or fast rhythms. The label debuts with a release highlighting Julio Nexus, a key figure in the history of Valencia’s electronic scene, remixed by Finalversion3, a prominent producer from the new generation and resident of Club Gordo.

Reflecting on the current state of electronic music in Valencia, Pablo and Alberto discuss how the “Remember” trend—a phenomenon reviving commercial electronic music from the 90’s—is blocking the arrival of new trends, similar to how bakalao once did. The audience for these events is usually people who enjoyed electronic music in the 90s, now in their 40s or 50s, who nostalgically remember these now-classic tracks, but which the next generation never got to experience.

This situation is viewed with some sadness, as it limits the potential of current electronic music in the city, considering Valencia’s legacy as a pioneer of the European electronic scene in the 80s. However, today Valencia boasts a vibrant and constantly evolving scene, with a wide variety of clubs, promoters, DJs, and producers of excellent caliber, and a new generation of artists and audiences open to new experiences, influences, and formats.

Final Reflections: A Lasting Legacy The conversation concluded with a reflection on Valencia’s legacy in electronic music. Despite current challenges, both Pablo and Alberto are optimistic about the future. They are convinced that their work on Génesis and Genesis Music will help preserve and celebrate the rich history of electronic music in Valencia while fostering the growth of new trends and talent.

In summary, “Génesis” is not just a book or a record label; it is a cultural project aimed at documenting, educating, and connecting. It is a testament 70

- NEWS -

71

- NEWS to the love of two electronic music enthusiasts and their desire to keep alive a story that deserves to be told and celebrated.

The first event organized by Alberto and Pablo will be their Genesis event series at the Valencian club Oven, where they will host local DJs like Danny Fiddo, Víctor Polo, and Jorge Cardona, for October 5 and 19, 2024.

About de Billy Aldea-Martinez Billy has been in the electronic music industry since discovering techno at 19, evolving his career as a DJ, record label producer, record label executive producer and working the SaaS as global commercial director. As a journalist he has lived in New York as a photojournalist for Australia’s top financial newspaper. Today, he continues his passion for music while investing in technology and media companies as an entrepreneur, with his focus at the intersection of music, media, technology, and entrepreneurship.

About de Julian Márquez Julián is a lawyer with extensive experience advising cultural and musical projects. After nearly a decade working for government organizations in tourism and cinema, he recently graduated from the Master’s Program in Global Entertainment and Music Business at Berklee College of Music, with a focus on record labels, A&R and artist development in electronic music. He is currently based in Valencia, Spain.

72

- NEWS -

73

- NEWS -

74

- NEWS -

75

- INTERVIEW -

Ertan Koculu is an International

Ertan Koculu likes to navigate into

Dj & Producer from Turkey) that

the Melodic House & Techno, Afro

has released at top labels like Row

House, Organic House, Downtempo

Records,

Exx

& Indie Dance in his production

Muzik, Univack Records. Radio Host

and live dj sets, capturing dance

& author of his own radio show

floors all over world. His tracks get

on Radio 2020. Owner and co-

in many Popular Dj’s playlists such

founder of the label, Row Records.

as Korolova, Tiesto or Hakan Akkus,

Talented music producer, author of

and played worldwide at more than

a huge number of top tracks and

70 countries. We think It´s time to

remixes, he was many times stayed

know more directly about him…

Exx

Underground,

into the BeatPort Top 100 charts.

Hi Ertan! Welcome! It’s a big

& spring months In Russia. Talking

pleasure to have you with us for

about the turkish scene, before

answering this interview. You’re

we had really so much talented

originally from Turkey, a country

producers like Murat Uncuoglu,

that nowadays is a reference in

Hakan Unsal, Sezer Unsal or Mahmut

the electronic music scene… Does

Orhan. These worldwide producers

it was the same situation in the

are around 20 years in this industry

past?

but in the last 5 years in Turkey a lot

- Yes. i am From Turkey but last 7 years i am living in Winter & Autumn months in Thailand and in summer 76

of Iranian producers started living there…

- INTERVIEW -

77

- INTERVIEW Can you share some moments or

tastes that you were into lots

experiences what inspired you to

of other different sounds and

develop your career as artist?

scenes before. What were some

- More than 25 years i am interested in Electronic Music. When i was

key formative moments in your musical evolution?

in the university i was booking

- I love to use Ethnic melodies.

worldwide

preparing

Sometimes hearing only a voice,

events in Istanbul. When COVID

it can be an elephant scream or

-19 quarantine started, i started to

an ocean wave or a beat, I start

be more focused to producing and

thinking how it can be inside a track.

developing myself in producing my

Sometimes, I am not producing

own music.

anything for days and suddenly, I

How

have

Dj´s

and

these

experiences

influenced you in shaping your sound and approaching to DJing?

- From the 18 years, I was listening house music. First, started with Acid but when Faithless came to Istanbul for an event I was only 19 years old and I felt in love with House music and decided to be a Dj

can wake up at 4:00 am and what I heard in my dream, I am drawing in Studio FL and during the morning track is ready!

We pretty know that you are the owner, co-founder and label manager of Row Records, a digital label based in Canada. Why did you decide to create it there?

and got addicted to music. During

- After my 19th release I understood

many years I developed also myself

that

and understood more what about

experience about labeling. And also

my taste. Last years, I am more

I was hearing that many producers

Interested in Melodic Techno and

were making releases but cannot

House, Indie Dance and Afro House.

receive the payments from labels,

Tell us about your roots into the production. It sounds from your 78

I

had

already

enough

or not receiving the right amount.

I decided -with my best friend Hakan Akkus- to open a label and

- INTERVIEW -

79

- INTERVIEW help producers for release and let

- We mostly be together but even we

them earn and receive what they

make it alone, we listen and make

have to receive. Also, because our

finishing

distributer is from Canada and the

I cannot see the right touch for

taxes are lowest in Canada. (small

finishing but he can see or he needs

wink)

a final touch and I see it.

What does Row Records bring to

What’s the secret behind your

the electronic scene? Who are

ability to connect with the audience

the most relevant artists that are

meanwhile your performances?

taking part at Row Records?

together.

Sometimes

- I feel so much the music, all my

- Row Records a new label -almost

tracks have a meaning, Some tracks,

3 months- but already have around

i wrote to my kids, when i got upset

100 tracks released and now iit

or when i fall in love or when i have

has many tracks in the Beatport

a broke. That is why all tracks come

Charts. Me and after Hakan Akkus,

from my soul. That is why when i

King

play, i fell what i play and give my all

a.k.a

Sampleking,

Bugra

Yilmaz, Nursultan Kun, Onur Ensert, Neo-P9, Tuny, Mark Lennon are the producers who are always staying in TOP 100 Charts.

dynamic

between

alone

while

you

-when

working

with

your friend Hakan Akkus- in the studio? Do you have strengths and weaknesses and distribute the work according to that? Or do you (or both) just fly with the moment?

80

How do you go about curating your sets and tracks to create this unique atmosphere?

According yo this, what is the or

concentration.

First of all I give big attention to my sets. Before performance I spend min 2 hours to prepare. I make the list with maximum dynamic formules. And also the place and playing hours is very important for choose of tracks.

- INTERVIEW -

81

- INTERVIEW And what are you up to currently?

My first advice. learn how to lay with

What are your targets for the next

dynamics and formules. Don´t play

2025?

what you “Shazamed” or only heard

- For the next his year my biggest aim is make growing Row Records.

I want to see minimum 5 tracks up in top 10 in the same week. I have already 40 tracks and want to make 60 until end of 2025. I want to hear my tracks to be played worldwide in all digital platforms.

in radio. Follow the Top 100 charts every week, Make groups for sets from genres and keys. Each set has to be a planning. You cannot play Key D major track after a D Minor key track. It drops the mood. But if you don’t know what is D Minor or how you learn, than mention it on your Instagram profile “I am a Dj”.

How do you see Electronic Music evolving in the upcoming years?

Thanks a lot again for having time to be with us, Ertan…Would

- Technology is developing and the

you tell something directly to our

quality is better every year. Only

readers?

what I see is a lot of people taking Dj lessons and thinking that they are Dj´s. But their only aim is to make a good post or story in the social media platforms. I think this is now only “fashion” to be a Dj .

And for ending this interview…

First…what kind of advice would you give to aspiring DJs and musicians who are looking to be

into

the

electronic

music

industry? Second…Would like to add one more topic we were not talked during the interview?

82

- Techno is passion. Music is the biggest therapy. Never take out music from your life. Thanks for this interview!

- INTERVIEW -

83

- RELEASES -

Berlin-based

producer

amplifying its energy with pulsating

Macon returns with his latest release

beats and intense rave production.

‘Bulletproof’

DJ on

and the

esteemed

Spinnin’ Records and Crash Your Sound

labels.

This

new

single

reimagines La Roux’s 2009 synthpop hit, infusing it with Macon’s signature high-energy sound that blends elements of Eurodance and hard house.

‘Bulletproof’

Fans of Macon, La Roux and dance music alike will find ‘Bulletproof’ a thrilling fusion of nostalgic pop and cutting-edge club sounds. Macon has rapidly risen through the ranks of

the

electronic

music

scene,

earning acclaim for his pioneering work in the hyper-techno genre.

Macon’s

His remixes have garnered millions

ability to breathe new life into iconic

of streams, with standout tracks

tracks, a talent that has become his

including reworks of Lady Gaga,

hallmark. The track maintains the

Jason Derulo, and more. Macon’s

catchy essence of the original while

production skills have earned him

84

showcases

- RELEASES -

85

- RELEASES -

a Grammy nomination for his work on the Kx5 album track ‘Avalanche,’ and he has worked with industry titans such as Oliver Heldens, Sander van Doorn, and Tiësto.

With ‘Bulletproof,’ Macon continues to push the boundaries of electronic music, offering a fresh take on a beloved classic. This summer release on the respected Spinnin’ and the prolific Crash Your Sound promises to further cement Macon’s reputation as an innovative force in the global dance music landscape.

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- RELEASES -

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- INTERVIEW - REBRN -

Rebrn is an artist who is revolutionizing internationally the scene with his track “Contigo” and he has many interesting topics to talk with us in this interview. He recently performed at one of the most important festivals in Eastern Europe, the “Trip Festival 2024”, where he “literally blew up” the dance floor. Sync Beat Magazine was able to see it personally and certify it…

You’re from TelAviv (Israel) and

me to the front of the stage, I know I

coming

city

miss things along the way because

in electronic music… have you

it’s important to mix but this is my

encountered unique challenges,

life and I’m happy about it :)

from

opportunities

a

or

“special”

dares

on

it

there? How do you navigate and contribute to the diversity of the genre you are in?

I think one of the most important things for me as an artist is to do what I like first, if the audience likes it will be a bonus for me. I don’t try

- Tel Aviv is completely a city of non-

to follow what most of the city and

stop nightlife. One of my challenges

producers do and I try to make my

personally is that I’m not one to hang

sound stamp accessible in every

out and mingle with party producers

track.

and club owners on a daily basis, I chose family life and thank God I have 2 babies and a wife at home. I let my music do its thing and bring 88

- INTERVIEW - REBRN -

89

- INTERVIEW - REBRN Your journey in the music industry

just happened together with the

has

support of many world-class DJs.

been

quite

remarkable,

long

amounts

of

performing

at

amassing

a

streams

and

prestigious events. Can you share some insights into what inspired you to pursue a career in music and how you’ve reached this level of success nowadays?

- I think what always inspired me and gave me the strength to continue my musical career was first of all the unceasing support of my parents (even though they never understood what I was doing in my small room with a pair of monitors and a sound card) and in addition that I really wanted to do what I love. I couldn’t find myself working any other day job as an employee, I would always try to escape to music.

Sometimes in order to make a living

You’ve played at some of top festivals like “Trip Festival 2024” and filled club rooms, national & internationally. What’s the secret behind your ability to connect with the audience and create such high-energy performances?

- During my career as a DJ I experienced

different

types

of

venues and played a wide variety of genres, this is something that taught me a lot about reading an audience and understanding that music is psychology and I need to know what “medicine” to give people on the dance floor. So the big “secret” is simply to play and experience as many different stages and types of audiences as possible.

from music I also did things that I

The electronic music has a rich

less wanted to do but I preferred

history… How have this history

to engage in them than to engage

influences in shaping your sound

in other things, I knew that a day

and approaching to DJing?

would come when I could only do what I want and loved. Success comes with continuous action. I sat in the studio, made a lot of music and released it to the world. The rest 90

- The history of electronic music influenced me mainly as a producer, at the beginning of my journey I would listen to a lot of music that

- INTERVIEW - REBRN -

91

I like and try to re-produce it for

about what will suit me to play and

training purposes. It’s something

what I don’t want to miss, I don’t

that gave me a lot of understanding

like to determine in advance 100%

to know how to get the results I

what I’m going to play because as I

want and what kind of sound and

answered in question 3, you always

tone I like.

have to read the audience and react

You’ve performed at a variety of

events.

Could

you

share

some memorable moments or experiences that stand out in your career so far?

-

At

every

event

I

gain

new

experiences, but I think one of the special events I attended was in Brazil at the Park Art club. The audience was really warm and responded to the music in an amazing way and it was a way to realize that my music and sound work very well on big stages You’ve shared stages with top artists and performed beside them.

What were these experiences like, and how do you prepare for such significant performances?

according to the situation. So in principle

self-reinforcement

and

reminding yourself that you are good and not just that you are on stage right now.

Your famous track “Contigo” has received a massive support from a big amount of artists/audience and

described

as

perfect

for

setting aa a real party vibe. How do you go about curating your sets and tracks to create this unique atmosphere?

- When I produced “Contigo” I tried to think of a track for a central hour and something that could be a hit, because this vocal is very catchy and needs a track with a very energetic and kicking character. I’ve always been very attracted to energetic

- It’s always fun to share the stage

music, so most of my sets bring a

with great artists. Sometimes when

more “party” energy.

there are very important sets I make sure to sit before and think 92

What can we expect from REBRN in the future? Are there any exciting projects, collaborations, or tracks that you can share with us?

- I can say that by the beginning of 2025 there are 2 tracks that will be released on a very big and respected label in the world. Beyond that,

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- RELEASES -

Måneskin bassist Victoria signs with electronic music label noted. Records for her DJ solo project, reaffirming her creativity and music versatility Victoria partners with Brazilian superstar Anitta for feverish club banger, ‘GET UP BITCH! Shake ya ass’! noted.

Records,

the

electronic

‘GET UP BITCH! Shake ya ass’ marks a

imprint of Sony Music Entertainment

heavy-hitting start for Victoria on her

(SME) Germany, in collaboration

newly found home at noted. Records.

with Sony Music Italy, is thrilled to

The jarring techno cut catapults

announce the exciting signing of

the senses with a quickening pace,

Victoria de Angelis, aka Victoria,

primed for emboldened techno

the renowned bass player from

stompers, whilst Victoria’s decision

Måneskin, who releases her debut

to pair up with Brazilian sensation

single ‘GET UP BITCH! Shake ya ass’

Anitta, freeing her up to unleash

on the label, in collaboration with

gnarly topline vocals filled with

Brazilian superstar Anitta.

rage, sees her journey through her inspirations of baile funk to the

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- RELEASES -

95

- RELEASES grittier edge of bouncy techno. Much

and aesthetic, creating a fusion that

like her persona, Victoria’s breed of

translates into sweaty and hyper-

electronica is both uncompromising

energetic clubbing experiences.

and utterly enthralling.

Speaking on the project, Victoria

Victoria is known as the charismatic

stated: “My new musical project

bass player of the Italian rock band

comes

Måneskin. The band has achieved

soundscape that blends elements

global fame since its breakthrough

of club culture with Baile Funk,

in May 2021 and has been rebooting

electronic, Latin club, and techno.

a new generation of rock ‘n’ roll

As a DJ and producer, I love breaking

listeners ever since. Transitioning

away from convention by pushing

from the realm of live rock concerts

boundaries

to the electronic scenes of Milan,

with fresh sounds, a vibe that runs

Berlin

Victoria

through both my sets and my first

discovered an inherent connection

track. The sound I’m into is all about

between the groove of her bass

layers and crossovers. I’ve never

and the kick drums of the club.

really fit into predefined boxes,

She blends these influences with

and this DJ journey is no different.

the sassiness and aesthetic of the

For me, it’s all about exploring and

early 2000s, creating a fusion that

merging different styles, bringing a

translates into a sweaty and hyper-

raw, sweaty, and pulsating energy

energetic clubbing experience.

to the dance floor.”

Her first DJ tour kicked off in March

A

2024, and to date, she has taken in

world, often called the “Queen of

gigs in New York, Chicago, Leeds,

Brazilian Pop,” Anitta is an artist

Manchester,

Barcelona,

on the cusp of global domination.

and in Ibiza’s Circoloco at DC10. In

With a legion of fans, over 8.3 billion

these settings, Victoria can blend

YouTube views, and 65 million

her underground music roots and

Instagram

influences with her natural sassiness

received numerous accolades to

96

and

New

York,

Berlin,

from

my

and

love

for

a

experimenting

meteoric pop star in the Latin

followers,

Anitta

has

- RELEASES -

date, including four Latin American

Headquartered in Berlin, noted.

Music Awards, eight Latin Grammy

Records

Award

label

nominations,

eight

MTV

is

a

globally

committed

to

focused

cultivating

Europe Music Awards, and in 2022

underground

made history as the first solo Latin

and culture. In collaboration with

artist to reach #1 on the global Spotify

Sony Music Italy, Victoria’s arrival

chart. Last year, she was nominated

on the label, with her passion and

for Best New Artist at The Grammys,

expression for youthful rebellion,

the first Brazilian artist to do so in 57

signifies an exciting new artist for

years.

the underground scene and the

electronic

music

noted. Records family at large.

97

- INTERVIEW - ROMNIE -

Romnie,

your

music

is

a

We know your mother played

fascinating fusion of influences.

Mozart’s music while you were in

If you could describe your sound

her womb. How do you think that

as a combination of three culinary

influenced your love for music and

ingredients, what would they be

your production style?

and why?

- Oregano, honey, and garlic.

Even though each one is excellent in its respective field, I, as a DJ, handle a variety of styles within the different genres of electronic music. Just like those ingredients, I adapt my music depending on the place and the people around me. I always strive to find the most effective formula to ensure enjoyment for both myself and those on the dance floor.

I understand that each genre and style has its time and place, just like ingredients in cooking; but when used correctly, they can yield incredible results.

98

- I grew up in an environment where my parents had opposite musical tastes. My mother leaned towards European, experimental, and abstract music, listening to everything from classical music, and Celtic, to rock ballads, jazz, and raga.

On the other hand, my father was into tropical music, with merengue, perico ripiao, bachata, salsa, and son.

Growing up between two such opposing poles allowed me to appreciate a wide range of music and develop a deep love for good music.

- INTERVIEW - ROMNIE -

99

- INTERVIEW - ROMNIE Thanks to that, when it comes to

your music to the world. With Corti

creativity, I can combine essences

Music, artists have a starting point

of different musical styles in my

and something to showcase to the

productions, something I always try

world. If it’s the artist’s first time going

to do when producing a track.

through this process, I personally

What is the most peculiar thing you’ve experienced during one of your performances?

guide them until everything is in order.

Corti Music Edu was created with

- Well, peculiar... this scene, in general, is very peculiar, so honestly, it’s almost impossible for me to answer this question. But I would say the most peculiar thing is the people on the dance floor. Seeing such a variety of styles always reminds me how, despite being so unique and different, we can all unite for the same cause, in my case, music.

the intention of being a source of information about the music scene in general, a place where you can get informed and form a community. It also seeks to teach the art of DJing and music production because I believe that beyond teaching, it’s important to instill a positive mindset of collaboration and unity. That’s why I talk to my students about the scene and its weak points. I firmly believe that if newcomers arrive

Tell us about your projects: Corti

with a mindset of collaboration,

Music and Corti Music Edu.

instead of the competition that

- Corti Music was born with the idea of offering a local record label for

beginners.

From

personal

has generally existed in the past, eventually, this scene can advance and grow.

experience, I know how difficult it is

My main purpose with Corti Music

to know how to approach a record

Edu is to share my knowledge and

label, how to set up your profiles on

contribute everything I can to the

streaming platforms correctly, and

growth and benefit of the scene. As

everything that goes into bringing

I always tell everyone: Corti Music

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- INTERVIEW - ROMNIE -

101

- INTERVIEW - ROMNIE Edu is not just mine, it belongs to

the importance of an opening set,

everyone. We are all Corti Music Edu

and although they might not have

because the scene is all of us.

understood it technically, they did

Do you have any ritual before going on stage that helps you connect with your audience and your music?

- I try to arrive before my set time.

I like to connect with the energy of the place, analyze what the previous DJ is doing, see what’s missing or

mentally and energetically. It was simply unforgettable. As proof, that set is one of the most played on my SoundCloud.

In your opinion, what makes the minimalist and peculiar sound of your music resonate so much with the audience?

what’s too much, and also have

- The DJ connects with the audience

time to relax before starting. Yes, I

through music, but it’s how the DJ

still get nervous.

organizes and transitions from one

If you had to choose one of your tracks to be the soundtrack of a movie, which one would it be and what kind of movie would it be?

track to another that makes the difference. Music without order is simply a sequence without meaning.

I know the audience connects with me through how I present the

- Romnie - Corti’s Dream. It would

session, how I tell them a story, how

be a fantasy movie.

we move from one place to another

What’s

the

most

memorable

experience you have of playing alongside

artists

like

Chus

in a subtle yet unpredictable way.

That’s the mastery of being a DJ.

&

How do the rhythms of merengue

Ceballos or Mario Ochoa? Any fun

and salsa influence your minimal

or inspiring anecdotes?

production? Is there any specific

- The opening set I enjoyed the most was Mario Ochoa’s. Since the crowd arrived early, I was able to show 102

technique or element that you take from these genres?

- INTERVIEW - ROMNIE -

103

- INTERVIEW - ROMNIE -

The biggest influence is the groove. You will always find rhythm and movement in my tracks. I like the elements to play with each other and dance with one another.

Besides music, do you have any other passion or hobby that creatively inspires your work as a DJ and producer?

Listening to other types of music inspires me, gives me options to experiment and create. Flying drones has given me the opportunity to film landscapes, which allows me to create music that could be used specifically for videos of that context.

Creating music of other genres opens new musical doors for me and lets me discover elements and sounds that I could probably integrate into my other productions.

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- INTERVIEW - ROMNIE -

105

- RELEASES -

The release of the track “Northern

electronic

dance

Light”,

profound

emotional

a

collaboration

between

energy lyrics.

with The

liquidfive and Justin J. Moore, is

track delves into themes of love

scheduled for August 30, 2024. This

and longing, using the metaphor of

song, released under the Balkan

chasing the elusive northern lights,

Electro

label

symbolizing someone or something

South

Eastern

106

of

Warner

Europe,

Music merges

that

illuminates

the

darkness.

- RELEASES -

Liquidfive’s powerful production

Liquidfive,

blends effortlessly with Justin J.

German producer with a growing

Moore’s emotive vocals, creating

presence on Spotify, and Justin

a song that is perfect for both

J. Moore, a renowned Canadian

dancefloors and introspective

singer-songwriter with a large

moments.

social media following, have

a

well-established

built high anticipation for this release.

107

- INTERVIEW -

Moving from Lisbon to Holland

Your

must have been a big change how

Underground Knights Rotterdam

do the vibes of these two cities

must have been a huge milestone.

influence the music you create

What did that moment mean to

today?

you personally and professionally?

- Both cities are very multicultural,

- Professionally, it was an honor

which provides a rich source of

to play at a club where world-

inspiration for my studio sessions.

renowned DJs perform. Personally,

You

started

DJing

in

2020,

right before the world changed dramatically. How did that impact your approach to building your sound and your career?

- With the Netherlands being in lockdown at the time, I took the opportunity to hone my DJ skills and focus on music production. It was challenging to choose the best

debut

at

Toffler

during

it was special because a close friend was there, and it was a place I used to visit—now I’ve had the chance to play there several times.

With

influences

like

High

Soundsystem and Chris Stussy, how

do

you

balance

paying

homage to these artists while creating

something

uniquely

yours?

path forward, as the uncertainty

- I incorporate elements that I

made it difficult to predict what the

admire from these DJs—like using

future of the music industry would

vocals similar to those of High

look like.

Soundsystem and crafting synths reminiscent of Chris Stussy’s style.

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- INTERVIEW -

109

- INTERVIEW They are both great inspirations, and

What was it like releasing your

I aim to honor their influence while

first track on the German label

still creating something uniquely

“Likeminded”?

mine.

experience

If you had to pick one track that embodies

your

journey

How

shape

did

your

that future

projects?

from

- Releasing my first track was

Lisbon to Rotterdam, which one

exciting, but I had to learn a lot

would it be and why?

because I was unfamiliar with the

- The track “Work Out” by DeMarzo.

This song resonates with my journey because it represents the hard work and perseverance that helped me

process of working with a label.

That experience made everything smoother and faster for future projects.

overcome challenges like language

Rotterdam has a vibrant music

barriers and cultural differences it

scene. How do the city’s culture

always worked out in the end.

and

energy

live

performances

Your

music

features

groovy

basslines, rave anthems, and 90s

influence and

your studio

sessions?

house melodies. If you had to

- I love the passion that Rotterdam

describe your sound as a journey,

brings to its parties, and I try to

where does it start, and where

channel

does it take your listeners?

performances. At the same time, I

- I describe my sound as a reflection of my love for house music. It all began at Toffler, where I played

that

energy

into

my

strive to be different and unique in my sound so that I stand out among other DJs in the city.

years later. I aim to bring this passion

You’ve been releasing music on

to my listeners and take them on a

various labels. What do you look

journey that mirrors my own love

for in a label, and how do you

for the music.

decide where your tracks will find their home?

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- INTERVIEW -

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- INTERVIEW -

- First, I see if I like the label’s existing music and whether my tracks are compatible with their sound. I also try to add a unique twist while staying within the genre that the label represents.

You’ve played in clubs like MONO and Reverse what’s the most unforgettable moment you’ve had during a live set, and how did it shape your connection with your audience?

-

I haven’t had that unforgettable

moment yet, but I strive to create unforgettable nights for my audience.

During my sets, I focus on interacting with the crowd and making sure they have a great time.

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- INTERVIEW -

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