Trinity College Oriental Music Society Re-development Project 2022

TRINITY COLLEGE ORIENTAL MUSIC SOCIETY

RE-DEVELOPMENT PROJECT

OLD TRINITIANS’ ORIENTAL MUSIC ASSOCIATION

TRINITY COLLEGE ORIENTAL MUSIC SOCIETY

RE-DEVELOPMENT PROJECT

TRINITY COLLEGE ORIENTAL MUSIC SOCIETY RE-DEVELOPMENT PROJECT 2022

November 2022

Published in 2022

by Old Trinitians’ Oriental Music Association

274, Peradeniya Road, Kandy, Sri Lanka 20000, Sri Lanka.

© 2022 Old Trinitians’ Oriental Music Association

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing from the publishers.

Cover design & text formating by Rajitha Katugaha

Photo Credits - Trinity College Media Unit, Chethaka Athukorala, Manoj

Lanerolle, Niluka Amarasinghe, Lakmal Ranathunga & Rajitha Katugaha

Printed at Anim8 (pvt) ltd.

237, Thimbirigasyaya Road, Colombo 05, Sri Lanka.

ISBN 978-955-7695-22-8

“Yethereshallbeattheheartofus, TheSchoolwehandedon”

LIST OF FIGURES

ACKNOWLEDGMENTS

Oriental Music Re-Development Project was one of the most ambitious projects undertaken by the past members of the Oriental Music Society as a part of the T150 Sesquicentennial Anniversary of our Alma Mater. The OMS T150 Project was a part of the TCK Co-Curricular Enrichment Initiative which aims to upgrade aesthetic and cultural program at Trinity, which eventually would lead to the enculturation of a student in an attempt to prepare the student to become a professional. Hence, an array of development interventions were set in place for the Oriental Music Society, namely;

1. Relocation of the Music Room

2. Upgrading to a concept of an “Oriental Music Arena and Studio”

3. Much needed replenishment of musical instruments.

The past memebers of the Oriental Music Society with the aid of many well-wishers raised funds worth of LKR 7.2 Million in a record time in the spirit of acheiving the set goals.

This publication is a compilation of the entire OMS T150 Project from day one to the end. This publication aims to document and preserve information on the T150 Project for the benefit of future generations. Documentation of the project was considered an important part of the project by all parties involved in the project since such attempt is of great importance in nemours aspects.

My sincere gratitude to Rev. Fr. Araliya Jayasundara (Principal), Mr. Manoj Lanerolle, Dr. Suranjaya Dharmadasa, Mr. Sameera Senerath, Mr. Chamila Maddegoda and members of the OMS T150 Committee for their commitment and continuous helping hand rendered for the compilation of this publication.

Respice Finem

Rajitha Ishantha Katugaha

(On behalf of OMS T150 Committee)

ExtractedfromthespeechbyRev.Fr.AraliyaJayasundaraOSB (Principal-TrinityCollege,Kandy)

I love walking in the rain. On a partially overcast day in the month of December 2021, I took a walk up to what was known in our days as ‘Siberia’ – a name rarely used today. It was mostly to revisit those memorable experiences I had at the Oriental Music Society. When I was passing the Oriental Music room that evening, I was shocked to see the state of the music room. I was also aware of the state of aesthetics in general at Trinity College; Kandyan dancing, Western music, drama and Carnatic music. Following day, I met Chamila and shared my concerns with him. The first step was for Chamila to send me a list of instruments, as there was an urgent need to replenish the instruments. During the second week in January 2022, I got in touch with Manoj. My last interaction with him was fifteen years ago. As always Manoj was hyper interested with this initiative and the project was initiated with a letter from the principal to the past members of the OM society. Let me quote from my letter,

“May I wish all of you a very meaningful T150 Sesquicentennial Anniversary of our Alma Mater. As I have repeatedly mentioned in my recent public appearances, the Hallmark of Trinity College is the unique ability to form a responsible citizen and an erudite professional. This process of formation is a series of education interventions spanning over 14 years - a robust academic program, a co-curricular enrichment initiative that prepares the child for a future professional carrier and trademark Trinity Sports. During this anniversary year, we are taking every opportunity to upgrade aesthetic and cultural program as a part of the TCK Co-Curricular Enrichment Initiative.”

Figure 1. Rev. Fr. Araliya Jayasundara addressing the gathering

This project included multiple engagements, such as relocation of the music room and introducing the concept of an “Oriental Music Arena and Studio”, much needed replenishment of musical instruments, etc. With these interventions, we intend to house and manage a grand Eastern Orchestra and Classical Singing Group in this facility. Further, with this initiative we hope to assist the student to acquire professional qualifications in Eastern music.

From this point on the ever-dynamic Manoj Lanerolle, took charge of this project, in consultation with four or five others. With this, all members rallied together to see to the successful and grand completion of this noble endeavor. To my utter amazement, the scope of the project went further. Undoubtedly, in the 150 years of the history of Trinity College, this was the fastest fundraiser. Within the span of 28 days, the past musicians were able to collect 7.6 million, out of which approximately 4 million were spent on musical instruments. The passionate venture has now gifted Trinity with a fully functional Oriental Music Arena.

Respice Finem

January

Principal raise concern over aesthetic department at TCK. Initial discussion with MIC

20th MIC sends a request to Principal

21st Principal writes to past members of OMS

OMS T150 Committee formed

24th OMS T150 Committee meets Principal

February

March

April

May

29th OMS T150 Committee meets via Zoom for the first time

Flyer shared with OMS membership

11th Fund Raiser hits LKR 2.2 Million

13th Initial architectural design for the refurbishment of Upper-Ryde House is completed and presented

15th Fund Raiser hits LKR 3.5 Million

25th Fund Raiser commences Fund Raiser Progress

24th Fund Raiser hits LKR 5 Million

26th Principal & MIC meets the OMS membership

28th Purchase of musical instruments

3rd Initial site visit to Upper-Ryde Architectural design in progress

2nd Fund Raiser hits LKR 6.7 Million

7th Fund Raiser hits LKR 7 Million

Purchase of equipment

24th Commencement of refurbishment of Upper-Ryde

24th Completion of refurbishment of Upper-Ryde House

27th Handing Over of fully refurbished Upper-Ryde House as the New Oriental Music Arena & handing over of newly purchased instruments

“mrmqrl werUqu.” Musical evening organised by the Oriental Music Society

Construction in progress

NDB Bank PLC

OMS T150 Committee

-

Dharmadasa (Batch of 1991) General Practitioner at West Gippsland Medcial Clinic, Victoria, Australia

Amarasinghe (Batch of 1991)

Senior Banking Management and Academic

Professional Head of SME

Products & PartnershipsHNB Plc/ Senior Lecturer - Edith Cowen Uni

(Batch of 1999)

Senior Lectuer at University of

Archt. Rajitha Katugaha (Batch of 2012) Lecturer at University of Moratuwa/ Chartered Architect

Mr. Tharindu Kandewatte (Batch of 2006) Director Lakruwa (Pvt) Ltd.

Mr. Naleen Liyanagedara (Batch of 2001)

Rev. Fr. Araliya Jayasundara OSB Patron Principal Trinity College

Mr. Manoj Lanerolle (Batch of 1997) Convener Director

CF Global Lanka (Pvt) Ltd.

Dr. Suranjaya

Mr. Charudaththa Ilangasinghe

Visual & Performing Art

Mr. Lakmal Ranathunga (Batch of 1999) Owner of Lak Rubber

Mr. Sameera Senarath (Batch of 1999) Assistant Vice President Sales

Dr. Niluka

Figure 2. Members of the OMS T150 Committee

Chamila Meddegoda (Mr.)

Master In Charge - Oriental Music Trinity College, Kandy.

20.01.2022

Rev. Fr. Principal, Trinity College, Kandy.

Rev. Father Principal, Request of Musical Instruments and other facilities required to Oriental Music Room

I would be very much grateful if you could provide the following list of musical instruments and other facilities required for the subject of Oriental Music.

Herewith I have attached the list of requirements for your kind consideration.

Thank you. Yours faithfully,

Chamila Maddegoda

M I C - Oriental Music

Figure 3. Letter sent by Mr. Chamila Meddegoda (Mater in-charge OMS) to Principal, Rev. Fr. Araliya Jayasundara OSB

Figure 4. Letter sent to Past Members of Oriental Music Society and Well-Wishes by Rev. Fr. Araliya Jayasundara OSB (Principal)

FUND RAISER

The fund raiser was initiated with the aim of colecting LKR 5 Million. However, the ethusiastic past members and well-wishes were able to raise LKR 7,228,149.26 within 28 days maing it the fastest fund raiser project in the entire T150 Project as per Rev. Fr. Araliya Jayasundara OSB. The OMS T150 Committee developed a network by reaching out to Past Presidents who were office bearers of the Society during different time periods, in this attempt to reach out to all the past members of the Society. The donations were made directly to Principal Trinity College - OMS T150 Project.

The finances were mamanged by Mr. Sameera Senarath (OMS T150 Committee) and by Mr. Rukshan Galanga (Finance Manager - Trinity College).

As part of our 150Sesquicentennial Anniversary of our Alma Mater, The Principal Rev. Fr. Araliya Jayasundara has taken an initiative to upgrade the aesthetic and cultural programs An array of development activities have been planned for the Oriental Music Society, namely,

1. Relocation of Oriental Music Room

2. Much needed replenishment of musical instruments

3. Moving from the concept of a room into an “Oriental Music Arena and Studio”

Total cost for this program is estimated to be Five Million Rupees (Rs.5,000,000.00) and we as the organizing committee are reaching out to all Past Students of the Society and well wishes for their generous contribution for the benefit of present and future students of Trinity.

We greatly appreciate your support and kindly make your contribution to the following Account which is managed by Trinity College Kandy.

Account Name : The Principal Trinity College Kandy

Account Number : 1000388301

Bank : Commercial Bank, Branch - Kandy, SWIFT code - CCEYLKLX

It is mandatory to mention: “Oriental Music Development Fund” when depositing the money for internal accounting purposes and you are free to share the copy of your transfer / deposit slip with either one of the following personnel which would help the committee to reconcile with the Trinity College Finance Department.

Sameera Senarath: +94 77 7722040 or Manoj Lanerolle: +94 77 7911978

If any further clarification is needed, please feel free to contact any of the following personnel of the coordinating committee.

Suranjaya Dharmadasa: +61 413 031900 Niluka Amarasinghe: +94 77 784 0157

Sameera Senerath: +94-77 7722040 Charudaththa Illangasinghe: +94 77 7144642

Lakmal Ranatunga: +94 77 2073172 Nalin Liyanagedera: +94 77 7443276

Tharindu Kandawatta: +94 77 3598513 Rajitha Katugaha: +94 71 4858587

Manoj Lanerolle: +94 777 911978

Respice Finem!

Yours Sincerely, Manoj Lanerolle (On behalf of the coordinating committee) President – Oriental Music Society - 1997

Figure 5. Flyer shared with the membership

Estimate for relocation and upgrade of Oriental Music Society

Figure 6. Initial estimate

Figure 7. List of Donors

Statement of cash receipts

Figure 8. Statement of cash receipts and disbursments

Figure 9. Statement of cash receipts and disbursments

Figure 10. Statement of cash receipts and disbursments

Figure 11. Statement of cash receipts and disbursments

INSTRUMENTS

The OMS T150 project was initiated with intentions of purchasing new musical instruments for the Oriental Music Society, for which the Society and the Master in-charge Mr. Chamila Maddegoda were in dire need. Hence, the list of instruments was compiled and forwarded to the OMS T150 Committee from the College.

The Committee did an estimation for the requested instruments and was shared with the membership. As result of the generous donations from the Old Boys and well wishes, new musical instruments worth of LKR 4.6 million were donated.

In this process, it is worth noting the immense contribution rendered by Mr. Charudaththe Ilangasinghe, who is a Senior Lecturer at University of Visual & Performing Arts and also a member of the OMS T150 Committee, in preparing cost estimates and providing technical consultation to purchase the best instruments available.

Figure 12. Newly purchased instruments and cupboards

REFURBISHMENT OF UPPER-RYDE HOUSE NEW ORIENTAL MUSIC STUDIO ARENA

“The Story + A Studio”

The project was initiated as result of the need to relocate the Oriental Music room. The new location was decided as the Upper-Ryde House dormitory, located at the upper floor of Ryde House building, built during the early 1900s (Ryde House which is the third Senior Boarding House at Trinity, was started in 1911 and named after Principal Rev. R.W. Ryde.). The building has grand gesture with arched doorways and windows, with decorated columns.

The Principal and the T150 committee were determined to convert the location into a unique learning space that would be a breeding ground for professional level musicians; a studio capturing the authentic Sri Lankan identity and culture. However, the project also had to be completed within a comparatively low budget.

The design team proposed the concept “The Story + A Studio” in an attempt to preserve both intangible and tangible heritage value, yet at the same time to capture the vision put forward by the Principal and the T150 Committee.

Figure 13. Trinity College Oriental Orchestra during a practice session at the new Oriental Music arena

Marriage between cultures has been very much a Trinity tradition. It had been noted the Trinity culture itself is a ‘marriage between the local roots and what was best in the west’. In fact, the great Trinity Chapel stands exemplifying this very notion on which Trinity was found upon. Many of the buildings in Trinity belong to different eras yet stand in harmony.

Continuing the same tradition, the refurbishment project also attempted to bring union where the nostalgia and the pride of the Ryde house remains, in fact enhanced by design, while the functions of the Oriental Music Society which has relatively young history and music related activities occupy the same space. The project is yet another chapter in ‘The Trinity Story’. In fact, the project was titled as ‘Refurbishment of Upper-Ryde House_New Oriental Music Studio Arena’ in the spirit of acknowledging the heritage value and the historical transformation of the Ryde House.

The white walls, retouched timber floor and the king posts standing out in the space, showcase the majesty and the historic value which this century old domitary space inherits. The rear wall was made to a feature wall with historically significant monuments and artifacts displayed. The entire space itself is intended to be celebrated as a museum; a museum which not only preserves the monuments and artifacts, but also the memory of generations of Trinitians who had considered this place their home.

The measured drawings of the Ryde House building was also documented as part of the project and handed over to Trinity College Archives, as we attempt to preserve the long history of the College.

Figure 14. Reminising, celebrating and continueing the legacy - Feature wall with monuments and photographs of both Ryde House and Oriental Music Society

In an attempt to bring life to the vision put forward by the Principal and the OMS T150 Committee for the new Oriental Music Studio, the team embraced the idea to design ‘A Studio; building to build capacities’. Therefore, design decisions were taken with a deeper intellectual understanding of a learning environment. Hence, ‘what was not to be done’ was the foudation for ‘what was to be done’. The space was refurbished in such a manner, where the space has the capacity to absorb and facilitate a robust learning process and culture. The design allows the teachers and the students to engage in many activities varying from teaching, learning, orchestra and singing practices, artistic work and events. At the same time, the timber floor and cement finished floor with high wear and tear qualities allows the users to freely move around and engage in different activities where they retain certain autonomy within the space. It also accommodates mistakes and mischief of student life which are important aspects in a learning environment.

The partition walls were removed to allow natural light and cross ventilation. The walls (except the feature wall) and the ceiling were painted in white to brighten up the space. The old dark paints on timber work were removed revealing the original timber grain and the softness. These design decisions were aimed to create a pleasant learning environment for the students. An utility area with a sink and a worktop was added, projecting outwards from the building, which were identified as essential components of a studio learning environment which would accommodate the student activities. Even the ability to allow students to make a cup of tea has its utility and merit to a greater extent in addition to the modern facilities such as the smart board.

The cupboards for the storage of new musical instruments were a generous donation from Mr. Damitha Kalekorala of Techwood (Pvt) ltd which were specifically designed for the purpose. Both new and old furniture was moved in. The old Committee table and the chairs were made part of the design, since they are more than pieces of furniture, but important monuments and part of the memory of the Society (The Story) carrying names and tags of generations of Trinitians/ committees who had left behind their memory/ mark. New chairs also were bought with the donations raised. The design allows the room to have multiple furniture arrangements as needed from time to time to suite different activities.

The initial architectural proposal which had a seperate audio recording section (as Phase II) was revised due to financial limitation.

Project Manager – Mr. Manoj Lenerolle

Architect – Archt. Rajitha Katugaha & Archt. Neesha Silva

Quantity Surveyor - Mr. Lahiru Kulasekara

Project coordinator – Mr. Lakmal Ranatunga

Project Finance Manager – Mr. Sameera Senerath (OMS T150 Committee), Mr.Rukshan Galanga (Finance Manager, Trinity College)

Contractor – Thusitha Enterprises - Mr. Thusitha de Silva

Site Supervisor - Mr. Nuwan Wickramasinghe

Electrician – Mr. Ajith

Project Cost - LKR 2,196.854.80

Project Timeline – 4 weeks

Figure 15. Initial Architectural design proposal

Figure 16.

Architectural Drawings

Before Refurbishment

Figure 17. Condition of Upper-Ryde House before the refurbishment (04th February 2022)

Project in progress...

After Refurbishment

Figure 18. Condition after the refurbishment (27th May 2022)

Figure 19.

Society photographs

Figure 20. Utility area

Figure 21. Trinity College Oriental Orchestra during a practice session at the new Oriental Music arena

Handing Over Ceremony

The fully refurbished Oriental Musci Studio Arena was ceremoniously handed over on 27th May 2022 at 3.00 p.m., with the presence of the Principal and the Administrative and academic staff members of the College, Members of the OMS T150 Committee memebers of the OMS, and the Master in-charge and the committe of the Orietal Music Society. The arena was declared open by Mr. Hansana Pathirana, the President of the Society on the invitation of Rev. Fr. Araliya Jayasundara OSB, followed by the unveiling of the plaque by the Principal.

A special reunion dinner was held in the evening for the families of the past members of the Oriental Music Society, Trinity College administrative and academic staff at Hotel Grand Kandyan, which was sponsored by Mr. Manoj Lanerolle.

Figure 22. Memories from the Handing Over Ceremony

Figure 23.

Group Photograph taken at the Handing Over Ceremony

Figure 24. Senior Committee of Oriental Music Society 2022

The present students of the Oriental Music Society organized a felicitation event as a mark of gratitude to the Old Boys for their contribution to the Society. The event came into light as ‘‘mrmqrl werUqu’’, meaning ‘the Dawn of a New Generation’ which perfectly showcased a significant milestone in the history of the society.

The event was held on 27th May 2022 at the College Main Hall with the presence of the Principal, Rev. Fr. Araliya Jayasundara OSB, Vice Principal Mr. Krishanthan Anthony Daas , Co-Vice Principal Mr. Ananda Marasinghe, the Chaplain Rev. Shelton Samadana, headmasters/mistresses, academic staff, administrative staff, parents, old boys and well wishes. The event was telecasted live on Trinity College YouTube channel by the Media Unit of the College allowing many Old Boys who live overseas to witness the event.

The event started with lighting of the traditional oil lamp followed by a prayer by the College Chapain, Rev. Shelton Samadana. The guests were welcomed by the President of Oriental Music Society Mr. Hansana Pathirana.

The event included both vocal and instrumental items performed by the members of the Oriental Music Society. The music was provided by the main orchestra of the society as well as members from the Junior school Oriental Music Society. The music was directed by the Master in-charge of the Oriental Music Society, Mr. Chamila Maddegoda.

Many items were dedicated to the Old Boys as a gratitude for their contribution for the society, where they too joined the young lads on stage. In addition, two items were performed by the Old Boys; Mr. Manoj Lanerolle (Batch of 1997)[Guitar] and Mr. Charudaththe Ilangasinghe (Batch of 1999) [Flute] performed instrumental while Mr. Tharindu Kandewatte (Batch of 2006), Mr. Danushka Ramanayake (Batch of 2007), Mr. Vajira Wijethunga (Batch of 2004) and Mr. Udit Emitiyagoda (Batch of 2004) performed a vocal mashup. The academic staff of Trinity College also performed few items. The event was compered by Mrs. Jayanthi Wijekoon (Music teacher - Junior School).

The OMS T150 Committee along with all the past members who were present at the occasion presented a special memento to Rev. Fr. Araliya Jayasundara OSB (Principal), Mr. Chamila Meddegoda (MIC, OMS) and Mr. Hansana Pathirana (President OMS) as a symbolic gesture of handing over of the newly refurbished Oriental Music Studio Arena and the instruments to the Oriental Music Society.

Music Directed by - Mr. Chamila Meddegoda

(Master in-charge of Oriental Music Society/ Instructor

Senior Committee

President - Mr. P.H.D. Pathirana

Vice President - Mr. V.S. De Mel

Secretary - Mr. W.M.U.S. Samarasekara

Assistant Secretary - Mr. R. Fernando

Treasurer - Mr. W.M.D.B. Arambepola

Assistant Treasurer - Mr. A. Solomans

Orchestra Leader - Mr. A.H.A. Ghambeera

Singing Leader - Mr. K.J.P.U.P. de Silva

Committe Members - Mr. P.S.O. Jayasiri

Mr. N.Athukorala

Mr. I.G.D. Kirthisinghe

Mr. Augustine Nilukshan

Mr. S.T. Wijesinghe

Mr. M.T.N. Rajapakshe

Mr. I. Ekanayake

Mr. S. Bandaranayake

Mr. S.G.A.S. Wickramasinghe

Main Orchestra

Violins - Mr. Augustine Nilukshan

Mr. D.M.C.A.B. Dissanayake

Mr. A. Herath

Mr. Y.B. Wijesuriya

Mr. G.Y.B. Pethiyagoda

Mr. S.V. Munamalpe

Mr. Y.B.C.B. Jayathissa

Mr. S.B.Y. Semasinghe

Mr. J.N.C. Siriwardana

Mr. W.M.V.S. Samarasekara

Flute - Mr. D.T. Halahakoon

Ukulele - Mr. T.M. Tennakoom

Guitar - Mr. A.A. Solomons

Mr. A.H.A. Ghambeera

Mr. C.N. Ranathunga

Mr. W.M.D.B. Arambepola

Mr. E.M.I.V.B. Ekanayake

Mr. S.G.A.S. Wickramasinghe

Keyboard - Mr. A.A.D.A.V. Athuluduwa

Mr. T.C.D. Jayasinghe

Glockenspiel - Mr. S.M.H.D. Bandara

Mandolin - Mr. S.M.V.N.B. Sangakkara

Percussion - Mr. I.G.D. Kirthisinghe

Mr. A.G. Bandaranayake

Mr. S.V. Munamalpe

Mr. T.S. Thorandeniya

Mr. S.M. Bandara

Clarient - Mr. P.S.O. Jayasiri

Singing Group (Vocalists)

Mr. K.J.P.U.P. de Silva

Mr. S.T. Wijesinghe

Mr. V.S. De Mel

Mr. K.G. Rajanayake

Mr. K.J. Jenizekel

Mr. R.A. Ganegoda

Mr. S. Subasinghe

Mr. L.D. Weerasinghe

Mr. R. Fernando

Mr. P.H.D. Pathirana

Mr. W.M.U.S. Samarasekara

Mr. M.R.Y.C. Bandara

Mr. A.A. Kodituwakku

Mr. R.Ariyadasa

Mr. T.R.Dayaratne

Mr. D.C.B.Ranasinghe

Mr. S.H. de Arcthur

Mr. K.A.D. de Silva

Mr. K.G.T.S.B. Kosgolla

Mr. K.K. Yogaraj

Mr. Y.S. Bandara

Mr. P. Bandara

Mr. T. de Silva

Mr. C. Herath

Mr. J.M.M.Y.B. Jayasundara

Mr. W.W.M.R.R.S. Aluvihara

Guest Performances

Old Boys - Mr. Dhanushka Ramanayaka

Mr. Tharindu Kandewatta

Mr. Vajira Wijetunga

Mr. Uditha Embuldeniya

Staff - Mrs. Jayanthi Wijekoon

Mrs. Arosha Weerasinghe Menike

Mrs. Gayani Herath

Mrs. Carmen Harridge

Mrs. Lakmini Wijenayak

Mrs. Chandima Arambepola

Mrs. Nalika Senarathne

Mrs. Thilini Dias Sumanasekara

Mrs. Ridmi Weerasinghe

Mrs. Jayani Ranasinghe

Items Performed

1 iqkaorhss Wfoa

2 jk;,a yo ú,a ;,fha

3 ñkaid iqj|hs u,fia

4 we;sfoa we;s ieáfhka

5 wdcdf¾

6 jk isjqmdjqka jeks

7 wreKq /ila

8 Mashup by old boys

9 gx .dkd áx .dkd

10 merKs .S; - ñysl; k<j,d, fyda .d /,a, kef.a, jfrka ySka ief¾, nei iS;, ÕÕ=f,a, mS%;s mS%;s, fldls,hkaf.a - by staff members

11 os,aydkS ÿjks

12 iuk, /kla fia bÕs,s

13 Mere sapno ki rani (Instrumental)

14 Calypso - uqyqÿ /,a, iafia, uqyqfoa huq, lf<a Wl=f, ;shd,d, Wvrg ks<sh, uxf.da

Figure 25. Memorable moments captured from “mrmqrl werUqu”

Figure 26. Invitation for the special reunion dinner

Figure 27. Invitation for the musical evening

Welcome Speech by

Mr. Hansana Pathirana

(President - Oriental Music Society)

A very pleasant day for each and everyone of you. It is my beautiful privilege to welcome all of you to this colourful event. Thank you for being with us today. On behalf of our Oriental Music Society, I sincerely thank and acknowledge everyone of you who extended us help to making this event a grand success. I would like to extend a warm welcome to our Principal Rev. Fr. Araliya Jayasundara, the Vice Principal Mr. Krishanthan Anthony Daas, the Co-Vice Principal Mr. Ananda Marasinghe, Prefect of Games Mr. Shane de Silva, for the guidance and support given to us in numerous ways, to make this musical show ‘mrmqrl werUqu’ a reality.

We are fortunate to have such an enthusiastic, committed and talented Master in-charge to drive us towards making this event remarkable, Mr. Chamila Maddegoda; And my teachers, please accept our heartfelt gratitude and thank you for believing in us. It gives me immense pleasure to welcome the Old Boys who are here with us today to make this occasion more colourful by guiding us. The support and encouragement of the parents throughout the entire event was truly remarkable; they stood by us like rocks. I am more than happy to welcome you all to this wonderful evening. And I am delighted to welcome my fellow Trinitians to this occasion.

We are proud to present you, with ‘mrmqrl werUqu’ which is organised by the newly appointed committee. As we are all aware, events of this nature reduce stress and helps boost mental health. The Oriental Music Society believes that ‘mrmqrl werUqu’ is a great opportunity for you. The show also marks the reunion of our Society and appreciate the support given by the teachers and our parents. Thank you once again for being here with us and I hope you will enjoy the hard work of the students, children and my dear brothers had put into this program.

Figure 28. Mr. Hansana Pathirana delivering the Welcome Speech

Respice Finem

Speech by Mr. Manoj Lanerolle

(OMS T150 Committee - Convener)

It is with great privilege that I come before you today to address the Musical Extravaganza ‘mrmqrl werUqu’ organized by the Oriental Music Society to celebrate the commissioning of the new ‘Oriental Music Area’.

Early January, Rev. Fr. Araliya Jayasundara, approached the Past Students of the Oriental Music Society with a request from Mr. Chamila Meddegoda, (Master in Charge of Oriental Music Society) for help in purchasing much-needed Musical Instruments.

We embarked on this project immediately by taking estimates from suppliers and appointing members of our team for technical and professional assistance. The organizing committee spearheaded the fund collection. Initiated a robust program that made it possible for us to collect necessary funding within 28 days, a record in the 150-year history of our Alma Mater.

Despite all odds, with Sri Lanka going through its worst economic, political; and social unrest, with Schools being closed for over 2 years due to Covid 19 pandemic, the past students with unstinted support from the school administration were able to purchase instruments and commence the renovations of the new Arena.

I’m extremely humbled to inform you all that today marks a day to remember as we commission the New Oriental Music Area and Instruments to our Alma Mater.

To my dear students at Trinity, these Instruments and the facility are for you. We are confident that you, under the able guidance of Mr. Chamila Meddegoda will be able to take Oriental Music to the pinnacle at Trinity and obtain professionalism in Music and aesthetics.

Figure 29. Mr. Manoj Lanerolle addressing the gathering

I take this opportunity to thank Rev. Fr Principal, the administrative team, past students and their families, and well-wishers for their support in making this dream project a reality.

Last, but not least, on behalf of the past students of the Oriental Music Society, I would like to present this Memento to Rev. Fr. Arajiya Jayasundara to commemorate the commissioning of the “Oriental Music Arena”

Thank you, Ladies and Gentlemen

Figure 30. Past members of the Oriental Music Society presenting the memento symbolzing the commencement and handing over of the OMS T150 Project

ISBN 978-955-7695-22-8