PGMF2024: CELEBRATING SUSTAINABILITY

PRINCESS GALYANI VADHANA

INTERNATIONAL MUSIC FESTIVAL 2024

5

TH

ANNIVERSARY CELEBRATING SUSTAINABILITY

25 MAY - 2 JUNE 2024

At Princess Galyani Vadhana Institute of Music

PRINCESS GALYANI VADHANA

INTERNATIONAL MUSIC FESTIVAL 2024

Welcome to the Princess Galyani Vadhana International Music Festival 2024! This year, we are thrilled to celebrate our 5th anniversary with a special edition titled "Celebrating Sustainability." Continuing our mission to honor Princess Galyani Vadhana's legacy of promoting classical music in Thailand and nurturing young talents, PGMF2024 introduces an innovative approach by integrating environmental awareness into the classical music experience. The festival spans four days, each with its unique theme.

On May 25, 2024, we showcase young artists addressing climate change through their performances. From May 31 to June 2, 2024, we explore the enduring relevance of classical music with themes such as "Rediscovering the Past," "Reimagining the Present," and "Continuing the Past to the Future," highlighting how classical music can evolve sustainably. In July, we will host the PGMF Business Model Competition Academy, featuring a three-day workshop. Participants will have the opportunity to compete for an open innovation fund to support projects developed during the workshop.

Thank you for joining us on this journey as we continue to honor Princess Galyani Vadhana's legacy, nurture young talents, and work towards a sustainable society.

Princess Galyani Vadhana Institute of Music

Princess Galyani Vadhana and Classical Music

Princess Galyani Vadhana International Music Festival

Festival Schedule

Residence Artist Performances

PHRA CHENDURIYANGA AT 140: FOLLOWING THE FOOTSTEPS

SCHOENBERG AT 150: ECHOES AND EVOLUTIONS

Artists Biography

Competitions

CallforArtistsCompetition

ShowcaseInformation

“ECOPHONICS” by SkyKYS

“THE UNEVEN SOULS, THE EARTH OF MAD HUMAN” by Time Soul Percussion Group

PRINCESS GALYANI VADHANA AND CLASSICAL MUSIC

Artist:PerapongKireewongse

“On ne peut atteindre ni à l'art ni à la sagesse si l’on ne s’est pas adonné à leur étude”

(One cannot attain art of wisdom if one has not devoted oneself to their study)

a quote by Democritus, was one of Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra's favourite quotes, which summarizes who she was.

Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra passed away in 2008, leaving behind a legacy that is still strongly felt in Thai society. Her lifelong learning philosophy focused on promoting education, social work, healthcare, liberal arts, and cultural activities. Her love of classical music was also evident, as she became Thailand's greatest supporter of classical music development.

Born in London on May 6, 1923, Princess Galyani Vadhana was the elder sister of two late kings of Thailand, King Ananthamahidon Phra Atthamaramathibodin and King Bhumibol the Great. She was exposed to classical music at a young age, which led to her deep understanding of the art form.

Her Royal Highness attended classical music performances to support classical musicians and organizations when she was able. In 2000, she donated her personal budget to support music learning for youth, which later became the Fund for Classical Music Promotion Under the Patronage of HRH Princess Galyani Vadhana. This funding has been instrumental in developing young Thai classical musicians who play important roles in raising the standard of Thai classical music today.

The Princess Galyani Vadhana Institute of Music was established to continue Her Royal Highness’ vision of promoting classical music and making it sustainable in the Thai context, as well as to pay tribute to her lifelong dedication to the arts and education.

In 2022, Her Royal Highness Princess Galyani Vadhana was honored by UNESCO as one of the most distinguished and influential people in the world, on the occasion of her 100th anniversary. She was recognized for her lifelong dedication to the arts and education, as well as her contribution to the development of classical music in Thailand. The Princess was also a strong advocate for social work, healthcare, and cultural activities, and her legacy continues to inspire the Thai people today.

PRINCESS GALYANI VADHANA INSTITUTE OF MUSIC

Princess Galyani Vadhana Institute of Music (PGVIM), now in its 12th year, continues to strongly uphold the vision and wishes of Her Royal Highness Princess Galyani Vadhana. With a steadfast commitment to excellence, the institute aims to expand its reach globally, making a significant impact in the field of music education and performance. By fostering collaborations and cultural exchanges with international institutions, PGVIM seeks to enrich its programs and provide students with opportunities to broaden their horizons. As an institution at the forefront of music education, PGVIM strives to nurture the next generation of musicians who possess a deep understanding of both classical traditions and the contemporary music landscape, preparing them for success in the global music community.

Founded in 2007 as a royal project commemorating Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra's 84th birthday, PGVIM continues to embody her vision of educating new audiences and establishing international standards for Thai musicians. The institute serves as a platform for students, musicians, professionals, and audiences to engage in musical experiences, foster dialogue, and share their passion for music.

Located near the iconic Rama VIII bridge and the historic Bang Yi Khan area, PGVIM not only leads in integrating music with other disciplines but also strives to preserve the rich history of traditional and classical music through community outreach and social projects.

Currently, PGVIM offers two innovative programs, Bachelor and Master of Music, where students are encouraged to interact and integrate existing tools to find creative solutions and innovations, promoting a deeper understanding of classical music in the contemporary global context.

PRINCESS GALYANI VADHANA INTERNATIONAL MUSIC FESTIVAL 2024

The Princess Galyani Vadhana International Music Festival (PGMF) was inaugurated in 2020 by the Princess Galyani Vadhana Institute of Music, embodying the motto "A Festival of Musical Celebration, Promoting New Generations, and Creating Sustainable Society." Its first edition, themed 'Classical Music Next Normal', aptly captured the challenges that classical musicians have faced during the COVID-19 pandemic and will continue to encounter in the post-pandemic era. Beyond being a platform to celebrate the beauty and power of classical music, the festival aims to inspire and support musicians as they navigate the new normal.

Among the highlights of the PGMF are the Residence Artist Performances, which not only entertain but also serve as a wellspring of inspiration for the Thai audience and the emerging generation of classical musicians. The festival also features the Call for Artists Competition, now known as the Performance and Promotion Competition, providing a platform for young classical musicians to showcase their artistry through creative performances while honing skills in project writing, public relations, and cultivating a fanbase.

In addition to the captivating performances, the PGMF hosts the "Business Model Pitching Competition" as part of its commitment to finding sustainable approaches that make classical music accessible in Thailand. Recognizing the significance of establishing a viable and sustainable classical music industry, this competition seeks innovative solutions to address these challenges and create a flourishing environment for classical music in the country. By integrating musical celebration, nurturing new generations, and fostering a sustainable society, the PGMF embodies the ethos of its motto, enriching the cultural landscape of Thailand.

The festival logo, inaugurated in 2021, is inspired by the iconic Rama VIII bridge, where Princess Galyani Vadhana Institute of Music is located, the hidden G-clef within the institute logo, and by Saeng Neung Kue Rung Ngam (

), a song about Her Royal Highness Princess Galyani Vadhana.The song compares the princess to an invisible light that brings out the hidden goodness and the beauty when reflected upon. Thus, the logo represents the festival’s aim, to be a place to support classical music and to be a platform to showcase the talents of the next generation musicians.

FESTIVAL SCHEDULE

25 MAY 2024

“Climate Change Awareness Through Creative Music”

1:30pm CallforArtistsShowcase#1 “ECOPHONICS”

3:30pm CallforArtistsShowcase#2

“THE UNEVEN SOULS, THE EARTH OF MAD HUMAN”

6:00pm CallforArtistsShowcase#3 “THE ATMOSPHERE LAYERS”

31 MAY 2024

“Rediscovering the Past”

7:00pm ResidenceArtistPerformance “BAROQUE EVENING”

1 JUNE 2024

“Reimagining the Present”

1:00pm ResidenceArtistPerformance “UPCYCLE MUSIC Inspired by Plastic Bottles and the Beautiful Sea” SupportedbyBritishCouncil

7:00pm ResidenceArtistPerformance “CLASSIC JEEB HUNGARY”

2 JUNE 2024

“Continuing the Past to Future”

1:00pm ResidenceArtistPerformance ”CELEBRATING 140 of PHRA CHENDURIYANGA”

6:00pm ResidenceArtistPerformance “SCHOENBERG’S 150TH: ECHOES AND EVOLUTIONS”

17 - 19 JULY 2024

PGMFBusinessModelCompetitionAcademy

All events are at Sangita Vadhana Hall, Princess Galyani Vadhana Institute of Music and will be live streamed on Princess Galyani Vadhana International Music Festival Facebook Page.

RESIDENCE ARTIST PERFORMANCES

“Havingculturalstabilityanddepthallowshumanstolivewithdignity and not be easily shaken by changes, both good and bad.”

Her Royal Highness Princess Galyani Vadhana (given on 8 November 1995)

This year's festival celebrates the remarkable talent and diversity within the world of classical music, featuring a captivating lineup of international artists over the course of three days.

Dr. Alan Choo, concertmaster of Apollo's Fire, will join the Thailand Historical Informed Performance Society (THIPS) Ensemble for an enchanting Baroque Evening. Renowned hornist and composer Richard Bissill from the Royal Opera House Covent Garden will premiere a new work inspired by climate change. On the final night, Christos Marantos and Johannes Fleischmann from The University of Music and Performing Arts, Vienna, will commemorate the 150th anniversary of Arnold Schoenberg, celebrating his enduring legacy. Additionally, this year marks the 140th anniversary of Phra Chenduriyanga, a pivotal figure in the development of classical music in Thailand.

The festival will also spotlight Thai musicians who are scholarship recipients from the Fund for Classical Music Promotion under the Royal Patronage of H.R.H Princess Galyani Vadhana and members of the Princess Galyani Vadhana Institute of Music showcasing their exceptional artistry throughout the event.

THAILAND HISTORICAL INFORMED PERFORMANCE SOCIETY

Akkra Yeunyonghattaporn1 Harpsichord/ Fortepiano Traverso

Wishwin Sureeratanakorn2 Cello

COLLABORATED ARTISTS

Alan Choo Baroque Violin

Puntwitt Asawadejmetakul3 Countertenor/Tenor

= Scholarship Recipients of Her Royal Highness Princess Galyani Vadhana

= Works under the Patronage of Her Royal Highness Princess Galyani Vadhana

= Collaborated Artist or Students from Princess Galyani Vadhana Institute of Music

BAROQUE EVENING

The PGMF2024 opening concert invites audiences to rediscover both rarely heard Baroque gems and the ever-evolving conversation between past and present, explored through three

The first topic delves into the vibrant world of Baroque music, with a focus on pieces that are seldom performed in Thailand. We begin with a trio sonata by the master himself, Johann Sebastian Bach, showcasing his genius for weaving together independent melodic lines. Next, we encounter a work by Heinrich Ignaz Franz Biber, a contemporary of Bach known for his innovative violin techniques. His "Mystery (Rosary) Sonata" is a deeply personal work, each movement reflecting a different aspect of the rosary prayer. Finally, we cross the English Channel to France with François Couperin's "La Françoise," a delightful suite that captures the essence of the French Baroque style.

The program takes a turn towards the early Romantic period with Franz Schubert's Lieder (German for "songs"). Lieder occupy a unique space in the musical landscape, offering intimate settings for poems that explore a wide range of emotions. This selection will delve into the complex themes of gender identity as expressed through Schubert's masterful compositions.

Our journey concludes with a return to the Baroque era, but with a twist. We will experience the art of improvisation, a cornerstone of Baroque performance practice.

REIMAGINING THE PRESENT

REIMAGINING THE PRESENT

UPCYCLE MUSIC

INSPIRED BY PLASTIC BOTTLES AND THE BEAUTIFUL SEA SUPPORTED BY BRITISH COUNCIL

SATURDAY 1 JUNE 2024 1:00 PM

Length: 60 minutes without intermission

PROGRAMME

MUSIC FOR HORNS, PIANO, AND PLASTIC BOTTLES

I. OHBEAUTIFULSEA(KD)

II. RAINYDAYS(RB)

III. WHENYOUWANTTOSUNBATHEBUTITDRIESUPYOURSHOESWAYTOOFAST(KD)

IV. RESTLESSSEA(RB)

V. MAKEVITAMINDGOODAGAIN(KD)

VI. THEEND(RB)

ARTISTS

Richard BIssill Horn

Komsun Dilokkunanant1 Horn and Plastic Bottles

Kansiree Chirawattanaphan1 Piano and Installation

STUDENT ARTISTS

Teetawat Muanggate3 Upcycled Instrument

Thanpapon Prinyakul3 Upcycled Instrument

Anurak Chokwasin3 Visual Design

1 = Scholarship Recipients of Her Royal Highness Princess Galyani Vadhana

2 = Works under the Patronage of Her Royal Highness Princess Galyani Vadhana

3 = Collaborated Artist or Students from Princess Galyani Vadhana Institute of Music

ADVISORS

Thunyawat Trakanrung, Upcycling

Worrawit Wonglek, Upcycling

Chanakorn Panmuan, Upcycle Instrument Making

Orapa Kaewfong Dilokkunanant, Upcycle Project Production and Designer of SOUPY

Hey there! I'm SOUPY, that's Sound Of UPcYcled, your reminder that music can come from some pretty unexpected places!

We're all about taking those plastic bottles, containers, and whatever else you might toss out, and turning them into instruments that make some seriously cool sounds.

Listen, I know plastic is everywhere, but what if we could reduce how much we use and then upcycle the rest into something awesome? That's the SOUPY way! So, next time you reach for a plastic bottle, think twice – you might just be holding your next musical masterpiece!

UPCYCLE MUSIC

Inspired by the growing problem of plastic pollution in our oceans, this concert premieres new works by composers Richard Bissill and Komsun Dilokkunanant,, a program where ordinary plastic bottles are reborn as instruments of artistic expression. The performance blends traditional instruments like horns and piano with an instrument crafted from recycled plastic bottles.

To deepen your experience, an installation by Kansiree Chirawattanaphan will visually transport you beneath the waves, creating a captivating interplay between sight and sound. Upcycle Music traces a narrative – the once vibrant sea, the growing threat of pollution, and a plea for restoration.

This unique and thought-provoking evening promises to be a powerful call to action. Witness the transformation of waste into something beautiful, raise awareness about plastic pollution, and celebrate the boundless creativity of music.

This performance is supported by the British Council's Connections Through Culture grant.

Used tires by

REIMAGINING THE PRESENT

CLASSIC JEEB HUNGARY

SATURDAY 1 JUNE 2024 7:00 PM

Length: 60 minutes without intermission

PROGRAMME

Franz Joseph Haydn

STRING QUARTET IN D MINOR, Op. 76, Erdödy, No. 2, Hob.III:76, "Quinten"

I. Allegro

II. Andanteopiùtostoallegretto

III. Menuetto.Allegromanontroppo

IV. Finale.Vivaceassai

Carl Goldmark

PIANO QUINTET NO.1, Op. 30

I. AllegroVivace

II. Adagio

III. Scherzo(AllegroConSpirito)

IV. AllegroVivace

ARTISTS

THAILAND HISTORICAL INFORMED PERFORMANCE SOCIETY JEEB ENSEMBLE

Chot Buasuwan2 Violin

Kanin Udommana1 Violin

Miti Wisuthumporn2 Viola

Panyapat Wongwechwiwat1,2 Cello

Dr. Christopher Janwong McKiggan Piano

1 = Scholarship Recipients of Her Royal Highness Princess Galyani Vadhana

2 = Works under the Patronage of Her Royal Highness Princess Galyani Vadhana

3 = Collaborated Artist or Students from Princess Galyani Vadhana Institute of Music

CELEBRATING SUSTAINABILITY

CLASSIC JEEB HUNGARY

Presented by the Jeeb Ensemble, "Classic Jeeb" is a series that embodies the spirit of bridging the gap between classical music and exciting new influences. Tonight, this bridge leads us to the vibrant heart of Hungary.

The program opens with Franz Joseph Haydn's String Quartet in D minor, Op. 76, No. 2, nicknamed "Quinten." Composed in the 1790s, it belongs to a set of eight quartets that Haydn wrote after his successful visits to London. These quartets marked Haydn's final word on the string quartet form and are considered to be among his greatest chamber music works.

Haydn, a renowned composer, wrote this quartet as part of a set commissioned by a Hungarian aristocrat, Count Erdödy. The piece showcases Haydn's innovative use of musical materials, but the program note highlights the finale's elements that might hint at Hungarian folk music.

These potential Hungarian influences include the use of syncopation, a rhythmic technique, and sustained harmonies. While the connection isn't definitive, it suggests Haydn's openness to incorporating new musical styles, possibly inspired by his association with the Hungarian count. Following this, we delve into the world of Hungarian composer Carl Goldmark with his Piano Quintet No. 1 in B-flat major, Op. 30. Goldmark, renowned for his masterful blend of Hungarian folk idioms with established Romantic forms, creates a work brimming with passion, lyricism, and a touch of Hungarian flair.

His First Piano Quintet, composed in 1879, exemplifies this fusion. The opening movement sets a sunny and optimistic tone, while the second movement features a gorgeous cello melody showcasing the Romantic style. The scherzo offers a stark contrast with its pounding rhythm, and the finale returns to the playful mood of the beginning.

"Classic Jeeb Hungary'' invites you on a journey to reimagine the present through the lens of these captivating pieces. This innovative approach celebrates the rich musical heritage shared by Austria and Hungary, while simultaneously challenging traditional perceptions of classical music. As the Jeeb Ensemble “courts'' Hungarian influences, they provide ways for a more inclusive and engaging future for classical music, communicating with audiences of all ages and backgrounds.

Siravith Kongbandalsuk Conductor

Jit Gavee Speaker

PGVIM BRASS BAND

CornetandFlugelhorn

Wansai Thongdeesri Sinthawee Chotchuang NattajakChamchoykulwat

Jaturaporn Phuangprasan Natchanon Kongnoon Surachai Audomrak

Kittipat Sinchouy

FrenchHornandAltoHorn

Worachat Wannikul

Saranrat saransombut Nattawut Panna

Thiptawan Phamti Warawut Thomburanawong

Theeratep Prasopsuk Naphat Nooiad

Euhonium,Baritone,andTuba

Manthanasin Kamonvarin Nuttana Maneechaisirichoke

Chanthaphat Chansiri Reeyapon Pathomsuriyaporn

Don Winyachai

Kasidet Somman Pinploy Punya

Sippakorn Kaewpatom Watcharaphon Ratsamiejaturong

PHRA CHENDURIYANGA AT 140

This commemorative concert celebrates the 140th birthday of Phra Chenduriyanga, a pioneering Thai composer who left an undeniable mark on his nation's music. Duriyang's unique style was shaped by his exposure to both Western and Thai musical traditions. The concert, presented through a brass band, will showcase how he masterfully blended these influences, creating a sound that bridged the gap between East and West.

Phra Chenduriyanga's compositions played a pivotal role in shaping the future of Thai classical music. By incorporating Western techniques and structures while staying true to Thai melodies and harmonies, he opened new avenues for musical expression within Thailand. This unique blend of influences continues to resonate with audiences today, and his legacy remains a vital part of the Thai musical landscape.

The concert opens with Edward Elgar's "Seven Suite for Brass Band," setting the stage for an exploration of Duriyang's musical journey. Following this opening piece, the program delves into Duriyang's own compositions, showcasing the innovative and captivating music that continues to inspire generations of Thai musicians and music lovers

ARTISTS

Christos Marantos Piano

Johannes Fleischmann Violin

Rhys Watkins Violin

Aekkalak Kheiykhao3 Viola

Smatya Wathawattana3 Cello

1 = Scholarship Recipients of Her Royal Highness Princess Galyani Vadhana

2 = Works under the Patronage of Her Royal Highness Princess Galyani Vadhana

3 = Collaborated Artist or Students from Princess Galyani Vadhana Institute of Music

SCHOENBERG AT 150

The final concert of PGMF2024 program celebrates the 150th anniversary of Arnold Schoenberg's birth by exploring the concept of "continuing the past to future" in music.

The evening opens with a rarely performed chamber work by Gustav Mahler, a late-Romantic giant who recognized Schoenberg's talent and deeply influenced Schoenberg's early development. Mahler's influence becomes a bridge, connecting the established traditions of the past to the innovative sounds Schoenberg would later pioneer. composed at 16, the Piano Quartet in A minor showcases his early talent. Though unfinished, the piece reveals mastery in melody, harmony, and emotional expression. A minor tonality casts a dark, dramatic mood, a hallmark of Mahler's later symphonies. The piano plays a central role, establishing the melancholic tone and driving intensity – elements that would become characteristic of his mature work. While influenced by Brahms and Schumann, Mahler's individuality shines through. This daringly beautiful piece is particularly significant as his only surviving chamber work without vocals.

Following Mahler's exploration of Romanticism's expressive potential, the program delves into the world of Anton Webern, a student of Schoenberg and a key figure in the Second Viennese School. Webern's three compositions – the Piano Quintet, Langsamer Satz, and Four Pieces for Violin and Piano – showcase his distinct approach, characterized by brevity, intricate textures, and a focus on individual notes. The Piano Quintet, composed in 1907, reflects Webern's early development with hints of Romanticism and Schoenberg's influence, while foreshadowing his later experiments with atonality. The Langsamer Satz, a standalone movement for string quartet, explores "Klangfarbenmelodie" (tone color melody), where instruments share the melodic line, creating a shimmering soundscape. Finally, the Four Pieces for Violin and Piano represent Webern's embrace of atonality, offering a glimpse into his aphoristic and highly concentrated musical statements. These three works by Webern demonstrate the evolution of musical language from Mahler's late Romanticism to the beginnings of atonality,

The final two repertoires focus on Schoenberg himself. Composed in 1949, his "Phantasy" for violin and piano prioritizes the melody of the violin. Despite its atonal foundation, the piece retains glimpses of traditional major/minor tonality and a single-movement sonata structure. Influenced by classical and neo-classical styles, the work features virtuosic writing and a variety of techniques like double-stopping and tremolos. This shift towards a more expressive and lyrical style hints at yet another evolution of Schoenberg's musical language.

The program concludes with a different kind of work from Schoenberg's earlier years. Though superficially resembling a standard march with its dotted rhythms and trills, Schoenberg's "Die Eiserne Brigade," composed during his military service, holds a unique place in his compositional journey. This seemingly straightforward march is laced with humor and subversion. The inclusion of an "animal concert" with musicians mimicking animal sounds, and the fragmented melody that resists forming a cohesive whole, create a sense of playful mockery. Despite these comedic elements, the march retains a catchy trio section and hints of traditional harmony, suggesting a layer of respect for the genre it parodies. Scholars believe the melody fragments might even reference folk songs familiar to the soldiers, adding another layer of playful interaction with established musical forms. "Die Eiserne Brigade" thus becomes significant for showcasing Schoenberg's early experimentation with humor and unconventional elements in composition. It reflects his evolving relationship with traditional forms like the march, where parody coexists with a subtle nod to the genre's conventions. This playful work offers a window into Schoenberg's personality beyond the seriousness associated with his later atonal compositions. This playful work offers a window into Schoenberg's personality beyond the seriousness associated with his later atonal compositions.

This program offers a unique opportunity to experience the lineage of atonal music, from its roots in the past to its lasting impact on the future.

ARTISTS BIOGRAPHY

THAILAND HISTORICAL INFORMED PERFORMANCE SOCIETY (THIPS) ENSEMBLE

Founded in 2022 by five early music specialists of Thailand, THIPS Ensemble is the country's leading independent early music group. The ensemble derived its title from “Thai Historically Informed Performance Society,” reflecting its mission to raise awareness amongst musicians in Thailand of authenticity in performing Western music before the mid-19th century and promoting the allure of early music through its engaging performances on period instruments to the general audience.

AKKRA YUENYONGHATTAPORN Harpsichord and Fortepiano

Hailedasamusicianwith"sensitivepianism"byTheStraitsTimesSingapore,AkkraYeunyonghattaporn is one of Thailand's most sought-after classical musicians. He endeavours to raise the artistic standards of classical music through his performances, compositions, and pedagogical philosophy.

Akkra's performing career has brought him to various countries in Asia, Europe, and North America. His performances and interviews have been featured on public radio stations in Thailand, Canada, and the United States of America. As an accomplished chamber musician, Akkra has collaborated with members of leading orchestras, such as London Symphony Orchestra, Orchestre Symphonique de Montréal, Baltimore Symphony Orchestra, and Israel Chamber Orchestra. His award-winning piano trio, Trio Phoenix, is known for its exploration of repertoire beyond the traditional, ranging from French baroque to contemporary compositions.

Akkra holds degrees from Yong Siew Toh Conservatory of Music, National University of Singapore (B.Mus. in piano performance), Peabody Conservatory of the Johns Hopkins University (M.Mus. in piano performance and GPD in chamber music), and Schulich School of Music, McGill University (D.Mus. in piano performance). His major mentors include harpsichordist Adam Pearl, fortepianist Tom Beghin, and modern pianists Eri Nakagawa, Thomas Hecht, Yong Hi Moon, and Stéphane Lemelin. He also worked in masterclasses and private coaching sessions with internationally acclaimed artists such as Leon Fleisher, Fou Ts'ong, Richard Goode, and Jiří Hlinka.

Akkra's passion for the arts of improvisation and composition has been a driving force throughout his musical journey. He began composing early in his career with the guidance and encouragement

of his childhood friend and composer, Morakot Cherdchoo-ngarm. This form of mentorship has continued throughout his career with other esteemed composers, including Kawai Shiu, Chen Zhangyi, Phang Kok Jun, and Wei Cui.

With over two decades of teaching experience, Akkra emphasizes student-centred learning in his pedagogical philosophy. His students have won top prizes in national and international piano competitions. Akkra was a Graduate Assistant in Music Theory and Keyboard Studies at Peabody Conservatory and a part-time lecturer at Schulich School of Music, McGill University.

Currently residing in Bangkok, Akkra actively performs, mentors aspiring musicians, and gives talks on music for both general and academic audiences at national conferences and leading universities.

THANIDA IAMSIRIKULMITR

Traverso

Thanida graduated from Chulalongkorn University, Faculty of Fine and Applied Arts, Department of Music Performance in Bangkok, Thailand.

To enrich her knowledge in flute playing, Thanida joined masterclasses with Robert Aitken, Julien Beaudiment and Trevor Wye. Thanida has participated in many ensembles, orchestras, competitions, and festivals both nationally and internationally, such as Siam Sinfonietta, Osaka International Music Competition 2013 and Utrecht Early Music Festival 2018.

In 2015, Thanida came to HKU Utrechts Conservatorium to study modern flute with Aldo Baerten, principal flute of Antwerp Symphony Orchestra.

In 2019, Thanida finished her Master's degree from HKU Utrechts Conservatorium, Department of Historical Performance, and studied historical flutes with Wilbert Hazelzet, principal flute of Amsterdam Baroque Orchestra, in the Netherlands.

WISHWIN SUREEATANAKORN

Cello

Winry Wishwin Sureeratanakorn began studying cello at the age of 5 under the tutelage of Apichai Leamthong. In 2008, he was awarded a music scholarship to study with Miss Panadda Permpamich in the Shrewsbury International School, Bangkok and simultaneously performed as the principal cellist with the Shrewsbury Symphony Orchestra.

He holds a bachelor’s degree in music performance from the Conservatory of Music. Rangsit University and excelling in his undergraduate studies has brought him to Konservatorium für Musik und dramatische Kunst Prayner Vienna, under the tutelage of Polish cellist Professor Agnieszka Kabut. During his time in Europe, he was also regularly taught by many renowned cellists from all over the world including Claudio Bohorquez (Hanns Eisler Berlin, Germany), Fred Sherry (Julliard, USA), Xenia Jankovic (Detmold, Germany), Raphael Wallfisch (London, UK), Florian Kitt (Graz, Austria) and Enrico Bronzi (Mozarteum Salzburg, Austria).

He has toured and performed with various orchestras nationwide and abroad in concerts and music festivals such as the Singapore National Youth Orchestra, Shrewsbury Symphony Orchestra, the Asian Youth Orchestra. under the baton of Maestro Richard Pontzious and Maestro James Judd. and the award-winning Siam Sinfonietta. Since performing with Siam Sinfonietta. He has landed the first prize at the Summa Cum Laude Music Festival at Musikverein Vienna; won the golden prize from the Los Angeles International Music Festival; performed in the Young Euro Classic concert at Konzerthaus Berlin; and the Sounds of Summer Music Festival in Carnegie Hall. In the span of his musical career, he has had the opportunity to perform as a soloist with nationally acclaimed orchestras where his repertoire includes Fauré's Elégie in C minor for Cello and Orchestra, Tchaikovsky's Variations on a Rococo Theme with Rangsit Philharmonic Orchestra and Dvořák's Cello Concerto in B minor with the Siam Sinfonietta under the baton of Maestro Trisdee na Patalung and again with the Thailand National Symphony Orchestra under the baton of Vanich Potavanich.

Wishwin currently plays a 1903 instrument by Léon Mortin, a French cello from Mirecourt workshop.

ALAN CHOO

Baroque Violin

“an intoxicating brew of poetry and dare-devilry…”

The Straits Times, Singapore

Singaporean violinist ALAN CHOO "was a dynamo, delivering lines with panache. He exemplified virtuosity” (Cleveland Plain Dealer). He is Concertmaster and Assistant Artistic Director of Apollo’s Fire, the Grammy Award-winning baroque orchestra in the United States, and made his solo debut with them at the Tanglewood and Ravinia Music Festivals in 2017. He is also Founder and Artistic Director of Red Dot Baroque, Singapore's first professional baroque orchestra and Ensemble-in-Residence at the Yong Siew Toh Conservatory. His solo album of the complete Biber’s Mystery Sonatas with Apollo’s Fire was released on AVIE Records in March 2024 and has won critical acclaim, charting at #2 on the Billboard Classical charts.

PUNTWITT ASAWADEJMETAKUL Countertenor/Tenor

Puntwitt Asawadejmetakul graduated with a Master’s degree in vocal performance from Chulalongkorn University under the supervision of Prof. Duangjai Thewtong and a bachelor's degree in vocal performance from the Conservatory of Music, Rangsit University, with a full scholarship, where he studied with Dr. Kittinant Chinsamran.

He had a chance to work with many great singers and teachers, such as Michael Chance, Daniel Taylor, Ian Partridge, Lynne Dawson, Paul Beier, Kyu Won Han, Sen Guo, Stacey Tappan, Damian Whitley and Joseph Calleja.

His awards in singing include the gold certificate from the Fifth Bangkok Opera Singing Competition 2013 and the Gold medal in the New York Sounds of Spring International Music Festival with Siam Sinfonietta.

He has performed a wide range of repertoire, including Bach's Magnificat in D, Vivaldi's Gloria in D major, Handel's Messiah, Rachmaninov's Vespers, Beethoven's Symphony No. 9, Carl Orff's Carmina Burana, Pergolesi's Stabat Mater, and Vivaldi's Stabat Mater. He collaborated with ensembles like Chulalongkorn University Chamber Orchestra and Concert Choir, Bangkok Combine Choir, Calliope Chamber Choir, Princess Galyani Vadhana Youth Orchestra, Siam Philharmonic Orchestra, and Princess Galyani Vadhana Institute of Music. Additionally, he premiered several works by Thai composer Anothai Nitibhon, including "Praise the King," "Song of the Earth," and "Jasmine."

Puntwitt has premiered many operatic roles, such as the roles of Page to Lord Yoshitsune from Sucharitkul's Dan no Ura and Mendicant’s Son / Grand Vizier from Bhuridat, Dukulaka from Suwana Sama and Matali from Nemiraj of Sucharitkul’s DASJATI opera cycle.

He is currently a Doctoral candidate at Chulalongkorn University and a faculty member at Princess Galyani Vadhana Institute of Music. He regularly gives recitals, concerts, and masterclasses to nourish and guide the next generation of singers and musicians.

RICHARD BISSILL Horn/Composer

“Best by a mile was Christmas Carnival, by Richard Bissill – full of syncopated buzz, ingeniously enjambed carols, stunning orchestration, and terrifically played. A palpable hit.”

Roderick Dunnett (The Independent)

Though widely known as a horn player, Richard has pursued an almost parallel career as an arranger and composer, creating works for the concert hall and the media. He has had works commissioned by the London Philharmonic Orchestra, BBC, London Brass, British Horn Society and London Symphony Orchestra. He has also written for television and film including Channel 5 and the BBC.

Richard was a member of the Leicestershire Schools Symphony Orchestra, the BBC Radio Leicester Big Band and the National Youth Jazz Orchestra. He studied horn and piano at the Royal Academy of Music before joining the London Symphony Orchestra aged 22. He was Principal Horn of the London Philharmonic Orchestra from 1984-2009 and Section Principal Horn of the Orchestra of the Royal Opera House, Covent Garden from 2009-2017. He has taught at London’s Guildhall School of Music and Drama since 1983 and been a member of London Brass since 1990. He was made a Fellow of the Royal Academy of Music in 2005 and a Fellow of the Guildhall School in 2018 when he also received the Conferment of Title of Professor.

As a freelance session player he has worked with the likes of Paul McCartney, Elton John, Robbie Williams, Joni Mitchell, Peter Gabriel and Quincy Jones, and can be heard playing on numerous film soundtracks including Return of the Jedi, Chicken Run, Gladiator, The Mummy, Shrek, Harry Potter, Lord of the Rings and James Bond.

He has performed Britten’s Serenade and Mozart’s 4th Horn Concerto with the London Philharmonic Orchestra at the Royal Festival Hall, and the concertos of Haydn, Telemann, Mozart and Strauss at the Queen Elizabeth Hall and the Barbican.

Richard Bissill’s composition and appearance at PGMF2024 is possible with the support of Connection Through Culture Grant by the British Council.

KOMSUN

DILOKKUNANANT

Horn

A multifaceted musician, Komsun Dilokkunanant is a versatile hornist, with a rich array of expertise spanning performing, teaching, arranging, and composing. His strong passion lies in chamber music, musician wellness, and innovative audience engagement.

Currently the Dean of the School of Music at Princess Galyani Vadhana Institute of Music (PGVIM), Komsun has been professionally performing since the age of 18. He appeared with the Malaysian Philharmonic Orchestra, Hong Kong Philharmonic Orchestra, and the Macao Orchestra, Thailand Philharmonic Orchestra, and Royal Bangkok Symphony Orchestra. He has appeared as a soloist with the Hong Kong Chamber Wind Philharmonia, and the Royal Bangkok Symphony Orchestra.

Since joining the Sawasdee Woodwind Quintet in 2009, Komsun and his colleagues have curated acclaimed programs like "Musical Tales and the Virtual Experience" and "Peter and His Wolf." Their international reach extends beyond Thailand, with performances in Russia, Singapore, and Macao. Notably, in 2022, they became the first Thai woodwind quintet at the International Double Reed Society conference (IDRS) held in the USA. Their collaborative spirit continued at IDRS2023 in Thailand, where they performed with the Pan Pacific Ensemble and the Philippines Philharmonic Orchestra Woodwind Quintet.

Komsun's compositions include music for the modern dance production "Nataya," which premiered at the da:ns festival 2021 presented by the Esplanade Singapore. He also has a passion for music education, evident in his collaboration with illustrators to create musical stories for children based on classical tales and composers, such as "Peter and the Wolf", "The Carnival of the Animals," and "The Three Little Pigs on the theme of Wolfgang Amadeus Mozart." He enjoys writing playful short sketches like "Chang à la Saint-Saëns" and "For Bluebird From Elise," designed for encores and lighthearted enjoyment. His "Echoe of Nora" will be premiered this August at the International Clarinet Association Symposium.

With the support of Connection Through Culture Grant by the British Council, Komsun collaborated with Richard Bissill for "Upcycle Music," which will be performed at the Princess Galyani Vadhana International Music Festival 2024.

A recipient of the Fund for Classical Music Promotion under the patronage of HRH Princess Galyani Vadhana, the Leverhulme Trust London, the Hong Kong Academy for Performing Arts and the Royal Thai Government, Komsun earned his degree from the Hong Kong Academy for Performing Arts, the Guildhall School of Music and Drama in London, UK, and the University of Iowa, supported by the Royal Thai Government Scholarship. His principal teachers include Jeffrey Agrell, Richard Bissill, Jeffrey Bryant, Hugh Seenan, Joe Kirtley, and Andrew Clark (natural horn).

KANSIREE CHIRAWATTANAPHAN

Piano/Installation

Kansiree Chirawattanaphan is a young talented pianist who earned a Bachelor of Music degree at the prestigious Princess Galyani Vadhana Institute of Music (PGVIM) as a scholarship student. She won the PYO Call for Soloist competition in 2019, performing Felix Mendelssohn's Piano Concerto No. 1 with the orchestra. In 2023, she was chosen to perform alongside students from Cefedem Auvergne Rhône-Alpes and Conservatoire National Supérieur Musique et Danse de Lyon (CNSMDL) during a special Centenary Celebration for Her Royal Highness Princess Galayani Vadhana in Lyon, France.

Additionally, Kansiree was chosen to participate in an inaugurated student exchange program at the School of Music, Cardiff University. This opportunity was made possible with the combined support of the Fund for Classical Music Promotion under the Royal Patronage of Her Royal Highness Princess Galyani Vadhana and the PGVIM Fund for Student Exchange program. Aside from being a sought-after collaborative pianist, Kansiree is deeply interested in the concept of Wabi-sabi, exploring how its principles of purpose and joy can be translated into the world of musical arts.

New generation of Thai musicians who have been making their names all over the world join force in a new exciting music project ai talents are specially selected to create an ensemble that will revolutionize classical music and make it fun, friendly, trendy, and at the same time making music at the international standard right in the heart of Bangkok. Our aim is not to make a new phenomenon to show the rest of the world, but to do our best.

CHOT BUASUWAN

Violin

Chot Buasuwan began his violin studies at the age of 7 with Nora-ath Chanklum. During Mr. Buasuwan's studies in Vajiravudh College, he was presented the Musical Talent Award from HRH Crown Prince Maha Vajiralongkorn. Mr. Buasuwan's studies extended beyond Thailand to New

JEEB ENSEMBLE

Zealand where he furthered his formal violin training and during the time where he was a member of the Manawatu Youth Orchestra and the Manawatu Sinfonia. Throughout his musical career, Mr. Buasuwan has studied with a number of acclaimed violinists such as Dr. Pratak Prateepasen, Tasana Nagavajara, Leo Phillips and Siripong Tiptan

Mr. Buasuwan is a founding member of the award-winning Siam Sinfonietta and since 2012, Mr. Buasuwan has held the position of concertmaster. As concertmaster he has led the orchestra on award-winning tours around the world and performed in Musikverein in Vienna, Konzerthaus Berlin, Disney Hall and Carnegie Hall. He has also been a guest concertmaster for the Siam Philharmonic Orchestra. Currently, he is Assistant Concertmaster of the Royal Bangkok Symphony Orchestra.

KANIN UDOMMANA Violin

Kanin started learning piano and music fundamentals at the age of five, then 4 years later began his violin lessons with Rear Admiral Veeraphan Vawklang at Bangkok Symphony Music school (BSS). In 1997-2003 he was a member of Thai Youth Orchestra and has been a member of Royal Bangkok Symphony Orchestra (RBSO) since 2002, considered to be the youngest member at that time. Currently he is acting as Co-Principal 2nd Violin for the orchestra. Kanin was given a scholarship from HRH Princess Galyani Vadhana Classical Music Funds to participate in the International Music Camp in Mannheim, Germany in 2003.

After graduating from Bangkok Christian College, Kanin continued his music studies at University of Music and Performing Arts Vienna, one of the oldest and the best music Universities in Europe. As the first Thai student there, Kanin has studied with Prof. Reiner Küchl, Wolfgang David, and Prof .Jela Spitkova. Thereafter, he pursued further studies in Master Degree Violin Performance at Music Academy Banska Bytrisca in Slovakia with Prof. Jela Spitkova and Viola Chamber music at University for music and performing arts Graz (KUG) with Prof. Stephan Goerner (Carmina Quartet)

He has been selected to attend many master classes with famous violinists and performed often together with World-class musicians such as Midori Goto, Alberto Lysy, Joshua Bell, Boris Belkin, Roman Nodel, Jose Carreras, Mikhail Pletnev, Su-mi Jo etc.

In 2006, he served as principal second violin of the Niederösterreich Jugendorchestra and has performed under many orchestras in Austria such as Webern Symphony Orchestra, Recreation Graz, Sinfonietta Baden, and Korean-Austrian Philharmonic Orchestra..

In 2018 Kanin was chosen by BMW Thailand to be in the BMW Stories campaign and worked with Maestro Zubin Mehta.

MITI WISUTHUMPORN Viola

Miti Wisuthumporn has established himself as one of Thailand's foremost violists, with a career that encompasses performances on international stages, the commissioning and recording of new works, and the mentorship of young musicians. Currently serving as the principal violist of the Royal Bangkok Symphony Orchestra, Miti has received accolades such as "Miti played the central section's exposed solo with admirable nerve and control" (Bangkok Post). He has appeared as a concert soloist with esteemed orchestras, including the Royal Bangkok Symphony Orchestra, Pro Musica, and the Chulalongkorn University String Orchestra. Additionally, Miti has collaborated with renowned musicians such as Andres Cardenes, Thomas Hampson, Clive Greensmith, Roeland Hendrikx, and many others, as a chamber musician, working with ensembles like Pro Musica and the Bangkok String Quartet.

Driven by his dedication to introducing classical music to a wider audience in Thailand, Miti co-founded the JEEB Ensemble with five fellow musicians. The ensemble aimed to present classical music repertoire in innovative and accessible ways, which resonated with a broader audience. Their success was evident through sold-out music festivals in 2013 and 2017, a China tour in 2018, the release of Thailand's first digitally-streamed classical music album distributed by Universal Music during the COVID-19 pandemic, and an upcoming third festival.

Miti's musical journey began with violin studies at the age of 14, and he transitioned to the viola at 15 under the guidance of Ajarn Chaiwat Buranamanas and National Artist Asst.Prof. Col. Choochart Pitaksakorn. He received a full scholarship to study at the Yong Siew Toh Conservatory of Music, National University of Singapore from 2004 to 2008, where he studied with Jiri Heger. He then pursued a master's degree at Carnegie Mellon University in Pittsburgh from 2008 to 2010, benefiting from the tutelage of renowned American violists Toby Appel, Joen Vasquez, and Maureen Gallargher. Later, he furthered his studies in Europe under the guidance of Matthias Maurar, former viola soloist of the Royal Concertgebouw Orchestra, at the University of Music and Performing Art Graz in Austria.

Currently, Miti serves as a viola lecturer at the Princess Galyani Vadhana Institute of Music, as well as the Faculty of Humanities at Kasetsart University and the Faculty of Fine and Applied Arts and the Faculty of Music Education at Chulalongkorn University.

PANYAPHAT WONGWECHWIWAT

Cello

Thai cellist, Panyaphat Wongwechwiwat, has performed in numerous renowned concert venues including Carnegie Hall in New York City, Royal Festival Hall and Wigmore Hall in London, Musikverein in Vienna, and Suntory Hall in Tokyo. He has had the opportunities to perform and work with conductors such as Valery Gergiev, Alan Gilbert, Leonard Slatkin, Bernard Haitink, Esa-Pekka Salonen, Edward Gardner, and Itzhak Perlman, and played in master classes for Frans Helmerson and Raphael Wallfisch. Having initially studied abroad at the famous Purcell School in London UK, in May 2016 he became the first Thai musician to have graduated with a Bachelor of Music degree from The Juilliard School in New York, one of the most prestigious and selective music conservatories in the world. Panyaphat is currently playing with the Royal Bangkok Symphony Orchestra as Assistant Principal Cellist. He had also worked with Thailand Philharmonic Orchestra, Siam Philharmonic Orchestra, and Pro Music, and is a member of the popular JEEB Bangkok Ensemble. As well as teaching at RBSS, Panyaphat is a cello tutor at Thai Youth Orchestra.

CHRISTOPHER JANWONG MCKIGGAN Piano

Dr. Christopher Janwong McKiggan is a highly acclaimed musician with a diverse range of talents. His playing has been called as “masterful, highly contrasted and sharply characterized” (Gramophone), and he has been hailed as having “astounding technique… startling poise and control” (Kansas City Star), “astonishing virtuosity and piano coloration” (The Citizen), being “commanding” (Limelight), “outstanding” (Bangkok Post) and “proving to be colossus, converting every piece into a virtuoso composition” (The Manila Times. He has won many awards, including the Gold Medal at the Seattle International Piano Competition and a top prize at the UNISA International Piano Competition. He is also the Co-Founder of Piano Academy of Bangkok where his students have combined hundreds of prizes from piano competitions around the world.

McKiggan is heavily involved with contemporary music and has premiered multiple modern compositions from renowned composers. He has commissioned works from other contemporary composers and has worked closely with them. He has performed at many renowned venues worldwide and has been a guest artist at multiple music festivals.

Aside from his classical music performances, McKiggan is also the CEO of Chris the Pianist Productions. He has directed and produced commercials, documentaries, music videos, and company promotional videos. He has created award-winning films, including the highly acclaimed

documentary "Pain of Silence” which has been awarded winning prizes at film festivals around the world and been selected as an official selection at several prestigious festivals.

McKiggan's appearance on the 2015 recording of Augusta Read Thomas's viola-piano duet "Cantos for Slava'' was hailed as "virtuosic and skilled," and his solo album "Paganimania" was mixed and mastered by Grammy-nominated sound engineer Ken Gorres. His has been referred to as "the best hope for a global music of the future" by Fanfare. He has also composed many works, with some of his compositions being distributed by Universal Music Thailand.

SIRAVITH KONGBANDALSUK

Trombone/PGVIM Brass Band Director

Siravith Kongbandalsuk is an artist based in Thailand, with a primary focus on exploring the diverse realm of sound. With a background as a music performer, Siravith pushes the boundaries of traditional and contemporary music practices, engaging in interdisciplinary, theatrical, improvisational, electronic/electroacoustic, and interactive multimedia performances. Additionally, Siravith possesses a deep curiosity for uncovering the possibilities of sound creation within the context of composition, music performance, instruments, and installation.

Siravith has been participating and performing at several music events, including International Computer Music Conference (ICMC) 2023, Cornell Council of Arts Biennial Project, Cornell University, Kultur Kontakt Austria, Tokyo Media Interaction, Asian Composers League, Princess Galyania Vadhana International Symposium, Thailand International Composition Festival and Thailand New Music and Arts Symposium. Besides, Siravith also participated in several projects funded by many organisations such as small grants by Japan Foundation Bangkok, CTC British Council grant, Music grant by Swiss Art Council, Pro Helvetia, and Contemporary Art Promotion Fund from Office of Contemporary Art and Culture (OCAC), Thailand. Siravith’s installations/ instruments have been presented in several places, such as Urban Ally-Bangkok Design Week 2024, My Allee – Seoul, Korea, Longgang Cultural Centre, Shenzhen, Bangkok Art and Culture Centre (BACC) and Princess Galyani Vadhana Institute of Music (PGVIM).

Since 2014, Siravith has been a member of Tacet(i) Contemporary Ensemble and has collaborated with several composers and artists, including Eleni Ralli, Peter Veale, Piyawat Louilarpprasert, Jason Thorpe Buchanan, Scott Wilson, Emily Koh, Anselm MacDonnell, Sergio Cote Barco, Christopher Miller, Christopher Adler, Anothai Nitibhon, Chung Shi Hoh, and Boon Hua Lien.

Siravith earned a Bachelor of Music in Music Performance (Classical Trombone) with Philip Brink at College of Music, Mahidol University, Thailand (B.M.) and a Master of Music in Music Performance (Trombone Performance) with Bart Claessens at Conservatorium Maastricht, Netherlands. He received an Excellence Scholarship from Zuyd University, Maastricht, and the

Fund for Classical Promotion Under the patronage of HRH Princess Galyani Vadhana for his Master’s Degree. Currently, Siravith is a vice-dean and full-time lecturer at the Princess Galyani Vadhana Institute of Music. Also, Siravith is a co-director of IntAct Festival in Bangkok, Thailand.

JIT GAVEE

Baritone/Guest Speaker

Jit Gavee began his music studies as a Euphonium player from Chiang Rai, Thailand, who possesses a deep passion for brass instruments, brass bands, and the rich history of classical music in his homeland.

Jit spent a significant portion of his academic career at the College of Music, Mahidol University. From the Young Artist Music Program to his Bachelor's degree in Music and Master's degree in Musicology, the university nurtured his talents. Even during his studies, Jit's keen research interests began to flourish, evident in his written music articles chosen for publication.

Jit's dedication to music education continued after graduation. From 2018 to 2022, he served as a full-time lecturer at the Faculty of Humanities and Social Sciences at Rajabhat Udon Thani University. During this time, a particularly significant discovery led him to the "Trae Wong (Thai style brass band) Baan Maak Kang." This experience likely informed his research, culminating in the publication of two books focusing on the fascinating history of Thai brass bands and their connection to Thailand's cultural landscape. Currently, Jit continues to share his knowledge and passion as a full-time lecturer at the Faculty of Humanities and Social Sciences at Rajabhat Chiang Mai University.

CHRISTOS MARANTOS

Piano

Christos Marantos, born in Athens in 1980 and currently residing in Vienna with his daughter, has built a distinguished career as a pianist from a young age. His early successes include winning the first prize at the national Youth Choir and Orchestra competition in Athens at the age of 15. Marantos's musical journey continued with studies under renowned mentors such as Georgios Planton and Max Hallecker at the University of Athens Ellinikon Odeon, where he graduated with distinction in 1999. Further honing his craft, he pursued Instrumental Music Education under Professor Harald Ossberger at the University of Music and Performing Arts in Vienna, earning both Bachelor's and Master's degrees with distinction.

Marantos's dedication to music education and scholarly pursuits is evident in his diverse academic endeavors. Notably, his Master's thesis delved into the music of Greek election campaigns in the 1980s and 1990s, showcasing his interdisciplinary approach to music studies. Throughout his academic journey, Marantos received recognition for his talent and dedication, including a scholarship from the Tokyo Foundation and participation in masterclasses with esteemed musicians such as Bruno Canino and Erik Tawaststjerna.

In addition to his academic pursuits, Marantos has made significant contributions to the musical landscape through various collaborations and performances. He formed a piano duo with his mentor Harald Ossberger, delighting audiences across Europe and Asia. His collaborations extend to projects featuring the works of renowned composers like Chopin and Haydn, as well as performances with esteemed artists such as opera singer Hans Peter Kammerer. Marantos's versatility as a musician is evident in his appearances at prestigious festivals in Greece and Austria, where he has showcased his talents as both a soloist and chamber musician.

Beyond his performances, Marantos is committed to nurturing the next generation of musicians through his teaching endeavors. He has conducted masterclasses internationally, employing innovative teaching methods developed with his piano duo partner, Ossberger. Since 2009, Marantos has imparted his expertise as a piano instructor at the J.S. Bach Music School in Vienna, shaping the musical journeys of aspiring pianists.

Christos Marantos's multifaceted career encompasses performance, education, and scholarly pursuits, embodying a deep passion for music and a commitment to artistic excellence. His contributions to the musical community continue to inspire and enrich audiences worldwide.

JOHANNES FLEISCHMANN Violin

photo by Lukas Beck

Born and raised in Vienna, Austria, Johannes Fleischmann epitomizes the young and aspiring artists of this vibrant city. As the “Viennese Violinist” he has developed a remarkable repertoire –consisting of hidden beauties and highly-valued treasures of varied eras. His versatility and passion for chamber music are evident in multiple collaborations with outstanding musicians like Julius Berger, Andreas Brantelid, André Cazalet, Nicolas Dautricourt, José Gallardo, Philippe Graffin, Eszter Haffner, André Heller, Christopher Hinterhuber, Andrej Jonica, Hyung-ki Joo, Sebastian Knauer, Johannes Meissl, Daniel Müller-Schott, Paul Neubauer, Sophie Pacini, Razvan Popovici, Michael Schade, Philipp Scheucher, Norman Shetler, Marianna Shirinyan, Torleif Thedéen, the Neue Wiener Concert Schrammeln, the Symphoniacs, and members of the Berlin and Vienna Philharmonic Orchestra

Appointed by the Austrian Ministry of Foreign Affairs as ambassador for the NASOM “New Austrian Sound of Music” program, Johannes Fleischmann undertook numerous concert tours worldwide.

Johannes Fleischmann is a founding member of the internationally based electro-classical project SYMPHONIACS and a member of the NEUE WIENER CONCERT SCHRAMMELN.

Johannes Fleischmann currently performs on a violin by Stephan von Baehr, anno 2016.

His information can be found at https://www.johannesfleischmann.at/

RHYS WATKINS

Welsh violinist Rhys Watkins has an established career as a soloist, recitalist and orchestral leader. Rhys graduated from the Royal Academy of Music in 2005 and became a member of the first violin section of the London Symphony Orchestra in 2009. He has since enjoyed performing in all of the world’s major concert halls and has represented the orchestra by giving recitals in embassies in Beijing, Tokyo, New York and throughout Europe.

At Abbey Road & Air Lyndhurst Studios, London, Rhys has recorded the music for many films including Harry Potter, Thor, Star Wars, The Twilight Saga : New Moon, The King’s Speech, Marvel’s The Avengers, Rise of the Guardians, Zero Dark Thirty, Brave, The Imitation Game, Cinderella, The Shape of Water, Coco before Chanel, Tamara Drewe, The Special Relationship, The Golden Compass, Superman and many more. He has also enjoyed working with acclaimed film directors Guillermo del Toro, George Clooney and Sir Kenneth Branagh.

Rhys has been a finalist and prize-winner in several major international competitions including the Jeunesses Musicales International Violin Competition (Belgrade) and the Paganini International Violin Competition (Moscow) and is currently a member of the award-winning Artea String Quartet with whom he has performed at the Wigmore Hall, Purcell Room and BBC Proms. The Artea Quartet have made numerous live broadcasts on BBC Radio 3 and have recorded several CDs of the Mendelssohn and Schubert quartets under the Champs Hill label to great critical acclaim. Alongside his classical concerts, Rhys has also shared the stage in performances with Paul McCartney, Bryan Adams, Queen, Elton John, Shirley Bassey, Eric Clapton, Phil Collins, Ray Davies, Tom Jones, Annie Lennox, Rod Stewart and Tony Bennett.

AEKKALAK KHEIYKHAO

Viola

Aekkalak Kheiykhao began his viola journey in 2011 and recently earned his Bachelor of Music degree from the Princess Galyani Vadhana Institute of Music, where he studied under Miti Wisuttiumporn and served as the Principal Viola for the Princess Galyani Vadhana Institute of Music Youth Orchestra (PYO).

Since 2018, Aekkalak has been a member of the Royal Bangkok Symphony Orchestra and joined the Bangkok Metropolitan Orchestra in 2023. Additionally, he is a dedicated tutor for the viola section of the Thai Youth Orchestra. Aekkalak's talents have been recognized internationally, having won prizes with Siam Sinfonietta at the International Alicante Youth Orchestra: FIJO in 2018 and 2019.

SMATYA WATHAWATHANA Cello

Dr. Smatya Wathawathana is a distinguished cellist, educator, and music therapist based in Thailand. With a rich academic background, she holds a doctoral degree in Development Administration from Suan Sunandha Rajabhat University, a master's degree in Music Therapy from Mahidol University, and a bachelor's degree from Chulalongkorn University's Faculty of Fine and Applied Arts.

Apart from being an in-demand cellist, Dr. Smatya also serves as a music therapist at Chulalongkorn Memorial Hospital, specializing in working with dementia patients. Her innovative approaches harness the therapeutic power of music to enhance the well-being and quality of life for individuals facing cognitive challenges.

In addition to her roles in academia and healthcare, Dr. Smatya is an esteemed member of the Thailand Philharmonic Orchestra, where her skillful cello performances captivate audiences and enrich cultural experiences.

Currently, Dr. Smatya shares her wealth of knowledge and experience as a lecturer at the Princess Galyani Vadhana Institute of Music, inspiring and mentoring the next generation of musicians and music therapists. Her dedication to both artistic expression and compassionate service exemplifies her commitment to using music as a tool for healing, education, and connection within her community and beyond.

COMPETITION

“ I wish you all to realize that the prize is a part of the reward gained from a competition, but the real reward you receive is the knowledge, experience, and skills that are of great value. I hope it will continue to be used to benefit society and the nation.”

Her Royal Highness Princess Galyani Vadhana (given on 9 December 2002)

As part of the festival’s objective to realize Her Royal Highness’ vision in promoting classical music to Thai society, the competitions aim to explore possibilities for making classical music sustainable for the current and future contexts in Thailand. In order to create a path for the future of classical music in Thailand, one might wonder what help might it need.

Classical music and its musicians in Thailand have been struggling long before the current pandemic begins. From not getting enough support or being seen as a genre requiring a deeper understanding with strict concert etiquette, the demand for classical music is not enough to support Thai classical musicians where many of them had sadly changed their careers. At the same time, classical musicians are only trained to perfect their performing skills which might not be enough for the fast-changing world.

To fulfill the goals, PGMF initiated two competitions which began in 2020; Call for Artists Competition and Business Model Competition.

The Call for Artists Competition (formerly known as Performance and Promotion Competition) is a platform for the next generation of classical musicians to showcase their artistry through creative performance as well as to raise their awareness in project writing, public relations, and creating a fanbase.

The Business Model Competition is a platform for finding business models that can make classical music in Thailand accessible and sustainable. This competition recognizes the importance of making classical music a viable and sustainable industry in Thailand, and seeks to find innovative solutions to these challenges.

CALL FOR ARTISTS COMPETITION

“Climate

Change Awareness Through Creative Music”

Introduction

Call for Artists Competition goal is to discover and support talented classical musicians and help them take their careers to the next level. This competition is an opportunity for classical musicians to develop their skills and knowledge and to ultimately help them realize their full potential and contribute to the continuation of Her Royal Highness Princess Galyani Vadhana's vision of promoting and supporting classical music in Thailand.

To achieve the above goal, the competition aim to be a platform for the next generation of classical musicians to showcase their artistry through creative performance, to raise their awareness in project writing, public relations, and creating a fanbase, and to celebrate an centenary of HRH Princess Galyani Vadhana who was the great supporter of Classical Music in Thailand.

Hosted and organized by Princess Galyani Vadhana Institute of Music with support from Connection Through Culture by British Council, this year's competition theme is "Climate Change Awareness Through Creative Music." Candidates will be required to submit their proposal in relation to the theme . It will be carefully selected by our distinguished experts where successful proposals will be invited to perform at PGMF2024 and earn a chance to receive prizes which includes Artists Support Prizes, Best Performance Prize, Best Creativity Prize, and Best Promotion Prize, as well as a chance to perform at Sala Sudasiri Sobha.

The artists that are invited to perform at the festival this year are Mahakit Mahaniranon and Friends in May, SkyKYS, and Time Soul Percussion Group.

Adjudicators

Prizes

PisaWaikwamdee

• Vice President, Operations at Bangkok's International Festival of Dance and Music

Dr.AkkrawatSrinarong

• Founder of VieMus International School of Music / Music Director of Thai Youth Orchestra

Łukasz Kurzydło

• Artistic Director & Manager, Sala Sudasiri Sobha

Artists Performance Support Prize

Best Creative Idea Priz

Best Performance Prize

Best Promotion Prize

15,000 THB

15,000 THB

15,000 THB

15,000 THB

An invitation to a performance at Sala Sudasiri Sobha

Schedule

Application Period

4 March 2024 - 28 April 2024

Proposal Round 1 May 2024

Building Your Audience Workshop 7 May 2024 & Schedule’s Draw

Showcases

25 May 2024

Award Ceremony 2 June 2024

For further guidelines and further information, please visit PGMF Facebook page.

SHOWCASE INFORMATION

“ECOPHONICS” by SkyKYS

Saturday 25 May 2024, 1:30 pm

“EcoPhonics” is a 40-minute audiovisual performance program comprising four premiere works created and written by Sippapas Thienwiwat and also a Thai premiere of a piece by Nattakon Lertwattanaruk.

To fit the theme of climate change awareness through creative music, various technological and digital mediums are utilized to craft four unique works with specific stories and visuals behind each piece. From “Noise Stories” which concerns noise pollution and industrial city life to “Dirge: For the Eroded” about the destruction of wildlife and wildlands, these works bring forth immersive auditory and visual contemporary storytelling that is more accessible to the general public. This performance also features a Thai premiere of the Thai composer Nattakon Lertwattanaruk’s work “to sink, slowly, into the silvery sea”, which discusses sea pollution.

As an artist, we ought to use our voice in calling for issues that need change. This performance will be one of the many performances that will continue raising awareness of climate change through artistic mediums, hoping to change and preserve the world for the better.

This performance is dedicated to Mother Earth and everybody who loves her.

PROGRAMME

Sippapas Thienwiwat as SKYKYS NOISE STORIES WHEN’S THE NEXT TRAIN?

Sippapas Thienwiwat ECOPHONICS

DIRGE: FOR THE ERODED Nattakon Lertwattanaruk TO SINK, SLOWLY, INTO THE SILVERY SEA

ARTISTS

Sippapas Thienwiwat, Electronics | piano | viola Jirapat Kongkittikun, Lighting Designer

Please scan the QR code for EcoPhonics' program booklet.

“THE UNEVEN SOULS, THE EARTH OF MAD HUMAN” by

Time Soul Percussion Group

Saturday 25 May 2024, 3:30 pm

"The Uneven Souls" delves into the complexities of the human psyche, examining the internal conflicts and imbalances that arise from diverse experiences, cultures, and environments. This exploration highlights the potential for these imbalances to lead to unsustainable actions and negative environmental consequences.

"The Earth of Mad Human" paints a stark picture of our planet grappling with the consequences of human behavior. Through this performance, we confront the reality of climate change, pollution, and other environmental challenges, recognizing the role of human actions in shaping these crises.

Together, these two pieces form a powerful commentary on the interconnectedness of human well-being and environmental health. The performance serves as a wake-up call, urging us to examine our own inner landscapes and the impact we have on the world around us.

Through a blend of music, visuals, and thought-provoking concepts, "The Uneven Souls" and "The Earth of Mad Human" invites us to confront uncomfortable truths and seek a path towards a more harmonious relationship with our planet.

PROGRAMME

Introduction

MARIMBICS by Markus Halt

Human & Nature

THE MIRROR by Tomasz Golinski

Greed

CONSTRUCTION NO. 2 by Tanasit Siripanichwattana

Warning

Music from Ludwig van Beethoven

Pollution

KYOTO by John Psathas

Disaster

THE WAVE by Keiko Abe

Human Awareness

Music from Antonin Dvorak

ARTISTS

Time Soul Percussion Group

Kasidet Somman

Don Winyachai

Pinploy Punya

Peerapat Srithandet

Jirawat Pattana

Channarong Pedprom

Paramee Muendet

Sippakorn Kaewpatom

Nattapong Thongsuk

Kunakorn Saekow

Maytee Homprasert

Watcharaphon Ratsameejaturong

“THE ATMOSPHERE LAYERS”

by Mahakit M. & Friends in May

Satursday 25 May 2024, 6:00 pm

"The Atmosphere Layers" is a musical composition inspired by Earth's five atmospheric layers. These layers serve as a metaphor for the changing conditions of our planet. The piece is divided into three movements, each presenting soundscapes that evoke the ambient sounds of a specific atmospheric layer. A recurring piano melody acts as a unifying thread throughout the movements. Additional instrumentation includes Thai instruments, electronic sounds from a modular synthesizer, and even everyday objects repurposed for sound creation through digital processing.

This unconventional approach aims to highlight the beauty often overlooked in the world around us. By transforming noise and forgotten objects into music, the performance encourages us to re-evaluate the value of things we might otherwise discard. It promotes resourcefulness and inspires us to see the potential for music in unexpected places.

PROGRAMME

Mahakit Mahaniranon

THE ATMOSPHERE LAYERS

I. Dance in chaos

II. Dark Atmosphere

III. Decomposition

ARTISTS

Mahakit Mahaniranon, Composer | Piano | Electronics | Objects

Worawan Worachat, Thai Woodwind

Roman Solodkov, Live-Visual Art

Vutthipol Phaotinanon, Sound Technician | Engineering

BUSINESS MODEL COMPETITION

“Music, Innovation, & Sustainability“

Introduction

Business Model Competition goal is to provide a platform for finding innovative and viable business models that can support the growth and sustainability of classical music in Thailand as well as to encourage and recognize creative and impactful ideas that can help to further the late HRH Princess Galyani Vadhana's vision of promoting classical music to Thai society and making it accessible and sustainable for future generations.

To achieve the above goal, the competition aims to find business models that can make classical music in Thailand accessible and sustainable. This competition recognizes the importance of making classical music a viable and sustainable industry in Thailand, and seeks to find innovative solutions to these challenges.

For its anniversary, the business model competition inaugurates Business Model Competition Academy for Classical Music with an intensive three-day of problem finding and look for constructive and creative solutions on the theme of "Music, Innovation, & Sustainability." Interested participants can apply, individually or as a team, for the academy without any fee from PGMF Facebook page where the selected candidate will earn a chance to win an Open Innovation fund of 60,000 Baht.

Prizes

ThunyawatTrakanrung

• CEO/Founder & Plant and Production Director, Thais Ecoleathers

WorrawitWonglek

• Business Strategy and Operations Advisor, Trash Lucky

KaminPakdurong

• Founder, DRIVEBOT Hardware Startup

• Artists, The Dai Dai (Genie Records)

Open Innovation Fund

Schedule

Application Period

60,000 THB

1 June 2024 - 7 July 2024 Academy 17 - 19 July 2024

PRINCESS GALYANI VADHANA INSTITUTE OF MUSIC BOARD OF COUNCIL

Honorary Advisor

Chairperson

Vice-Chairperson

Honorary Committee

Assoc. Prof. Naraporn Chan-o-cha

Assoc. Prof. Khunying Wongchan Phinainitisatra

Thapana Sirivadhanabhakdi

Clinical Prof. Piyasakol Sakolsatayadorn, M.D.

Dr. Chacorn Vipusanavanish

Prof. Dr. Narongrit Dhamabutra

Pongard Treekitvatanakul

Dr. Varaporn Seehanath

Vira Rojpojchanarat

Assoc. Prof. Soranit Siltharm, M.D.

H.E. Witchu Vejjajiva

Faculty Representative Tanasit Siripanichwattana

BOARD

OF ADMINISTRATION

Acting President

Assist. Prof. Dr. Anothai Nitibhon

Acting Vice President Dr. Apichai Chantanakajornfung

Assist. Prof. Dr. Suppabhorn Suwanpakdee

Dr. Tawanrat Mewongukote

Dean of School of Music

Dr. Komsun Dilokkunanant

Director of PGVIM Of昀椀ce Ponvilai Dejamornchai

Chairperson of Staff Senate Kotchaporn Boonsom

PGMF

2024 WORKING TEAM

Project Leader

Komsun Dilokkunanant

Project Coordinator Thitima Maneethip

Project Assistant Coordinator Areeya Nakarat

Posters and Booklets Design Krittin Teerawittayaart

FESTIVAL SUPPORTER

British Council Thailand

Hua Chang Heritage Hotel

Sala Sudasiri Sobha

FESTIVAL SUPPORTER

EISA by ThaiBev

Mae Fah Luang Foundation under Royal Patronage

ACKNOWLEDGEMENT

Saengthong Bike

Chanakorn Panmuan

Thunyawat Trakanrung

Thais Ecoleathers Co.,Ltd

Panu Chusaksaengthong

Worrawit Wonglek

Precious Plastic Bangkok Orapa Kaewfong Dilokkunanant

Staff, Lecturers, and Students of Princess Galyani Vadhana Institute of Music

PRINCESS GALYANI VADHANA INSTITUTE OF MUSIC

2010, Arun Amarin 36, Arun Amarin Road, Bang Yi Khan, Bang Phlat, Bangkok, 10700, THAILAND

Tel: 02-447-8597

Email: musicfestival@pgvim.ac.th

Website: https://pgmf.pgvim.ac.th Facebook: www.facebook.com/PGVIM.Festival/