PORTFOLIO 2023 - PAULA ROLDÁN PÉREZ

PAULA ROLDÁN PÉREZ

SELECTED PROJECTS

2016 - 2023

ABOUT ME

Passionate about art and design, aware of the world around us, committed to society, and an advocate of innovation and sustainability as fundamental aspects of architecture. As a recent architecture graduate I can bring my creativity, open-mindedness and willingness to learn and work.

I consider myself an ambitious person, who always gives the best version of herself, eager to learn and get out of her comfort zone. Creative, perfectionist and with great sensitivity. Resilient, responsible and hard-working. Confident and used to working collaboratively in a dynamic and international environment.

EDUCATION EXPERIENCE

2022 - 2023

ETSAM , Master’s Degree in Architecture

2016 - 2022

ETSAM , Degree in Architecture

February, 2020

Universidad Iberoamericana, Puebla, México , Urban Living Lab International Workshop

2014 - 2016

International Mirabal School, technological baccalaureate

June. 2021 - August. 2021

Architecture Office Espacio A2 / Draughtsperson

2017 - 2023

Private classes

August. 2017, 2018, 2019, 2020, 2021, 2022

TOCOM, Call Center / Telephone operator

November. 2016 - August. 2021

Best Way, Congresos y Azafatas / Hostess

September. 2016 - September. 2019

Malaki Shop, jewellery e-commerce / Co-Founder

PUBLICATIONS SKILLS

2020

“Límite y horizonte” (With Honors) , Architectural Projects Department Archive.

2019

“Centro de investigación” , Architectural Projects Department Archive.

2018

“Mariposario” (With Honors) , Architectural Projects Department Archive.

Rhinoceros

Autocad

Grasshopper

Photoshop

InDesign

Sketch Up

Revit

Lumion

Cype

BRIDGE BETWEEN SANTA CRUZ AND LA MARINA

Final Master’s Thesis - ETSAM Tutor_Guillermo Sevillano

February 2022 - January 2023

SITE ANALYSIS

A global city, where you can enjoy a wide cultural variety, impressive natural landscapes, green areas and a warm climate. A city that receives more than 500 cruise ships a year and in the last few seasons has had more than one million cruise passengers. A city on an island and like any island, the sea has marked its history, its tradition, conditioning to a large extent its functioning; however, being the sea such a protagonist element, it seems to have been forgotten by the way in which the city has been developing over the last 70 years. A city that has been marked by industrial use.

Nowadays, the entire coastline is inhabited by port and industrial areas, most of which are almost unused. This problem has led to the city’s distance from the sea. The city has focused more on what is happening inside than outside.

Analysing the structure of the city in more depth, it can be said that 3 strata can be clearly differentiated: the city, the promenade and the port. Each stratum is situated at a different level, which makes it even more difficult to join them together.

This is why the project aims to create a link that takes up the link that existed at the beginning of the last century, bringing the sea closer to the city and vice versa, establishing a connecting element that unites both worlds, the land and the sea. It aims to provide both the inhabitants of Santa Cruz and tourists arriving by ferry with direct access from one area to the other.

We are approaching the marina of Puerto de Santa Cruz, where the opportunity to connect it to one of the most singular points of the city, the Plaza de España, is being contemplated.

This project forms part of a series of public spaces such as the García Sanabria Park, the Plaza de la Candelaria and the Plaza de España. However, this is the only one close to the sea, and where city and port are integrated, so it will become a new focal point of the city, a new leisure and sports centre, which will attract both the inhabitants of Santa Cruz and tourists.

In order to generate a more sustainable life and make changes, not only in the architectural models, but also in the social ones, the urbanistic gesture of connecting and extending the city towards the sea is proposed, avoiding the obstacles that appear from the breakwater of the port to the Plaza de España.

3 DIFFERENT SPACES

VIEW FROM THE PROMENADE

VIEW FROM THE INSIDE PUBLIC SPACE

In this layer, the city extends over the undulating surface, over the wave that colonises the land, giving rise to a public space with rest areas, an amphitheatre, green areas and a skatepark. The surface is supported by the interstitial spaces between the different circulations. And it is on these supports that access to the public space from street level takes place. The last layer houses the ferry terminal, and a shopping and restaurant area that serves both the terminus and the terminal. The last layer houses the ferry terminal, and a commercial and

catering area serving both the terminus and the ferry termi nal will also be equipped to handle more commercial, tourist and passenger traffic than the current terminal in the north. It will also be prepared to contain a greater capacity for commercial, tourist and passenger traffic than the current terminal to the north. It is a horizontal volume, on large arches. Due to Tenerife’s meteorology, it was decided to divide this layer into two areas, one completely closed, which in turn houses service spaces for the upper area, and the other open to the outside.

VIEW FROM THE INSIDE

On the one hand, the interstitial space between the arches and the terminal slab is used as a technical floor, with server spaces for the terminal. This has an external enclosure, which is placed between the slab and the arches.

And on the other hand, the upper floor, the terminal floor, where 3 different spaces are arranged according to their permeability, closed spaces, semi-permeable spaces and permeable spaces, from inside to outside.

The enclosed spaces are located along the central axis of the broken tablet, including commercial areas, restaurants and offices, followed by semi-permeable spaces, rest areas and waiting areas, and on the outside, a completely open perimeter, as if it were a loggia, only covered by a large spatial mesh, which provides shade to these spaces.

MUSEUM LIMIT AND HORIZON

Projects 6 _ Unit. Martínez Santa-María

Professor_Alfonso Cano Pintos

September 2020 - December 2020

SITE ANALYSIS

A unique place within an equally exceptional metropolis. A location with a much more complex and profound context than that captured at first glance. Two worlds that coexist and collide, separated by a river that divides these two realities. The natural, the organic, the living and changing that rises within the so-called Casa de Campo, the home of the natural and the spontaneous. On the other side, the centre of Madrid, a city just as lively but very different in its conformation. Orthogonal blocks, blocks of buildings with sharp edges, singular works that rise up between them.

CONTAINER / ARCHITECTURE - CONTENT / NATURE

From the natural, the tree. The basic unit. From the city, the cube, the box, the purest geometry that generates the metropolis and the element where things are kept. One of the main objectives of the project is to bring out these fundamental qualities, founding ideas that are capable of generating spaces and satisfying different uses and needs, however diverse they may be, while maintaining a common conceptual foundation between them.

The “container of life” is a lightweight glass lattice, which allows light to pass through in its entirety. It is supported by an aportic structure, as are the vertical communication and the modules of the museum’s rooms. The vertical communication, as well as being perimetral, has some walkways that cross the space. Therefore, people are part of the interior space and can walk through it. Two modules are placed on each floor, except on the first floor, and each floor would be dedicated to a different artist.

STRUCTURE + EFTE ENCLOSURE

The structural system consists of a main metal structure, which is located in the contour of the volume. This is made up of 4 trusses per height, 4 vertical trusses at the vertices and 4 crown trusses larger than the rest.

PROYECTO CONSTRUCTIVO

CONTENIDO: SECCIÓN A-A'

E: 1:100

The façade, a triangulated EFTE envelope, has a metal substructure, composed of metal tubes joined together by a single metal piece at each joint. These irregularly shaped pieces are bolted to the main structure of the project.

These joints, like the tubes of the substructure, have metal profiles to which the different pieces of EFTE are attached.

La estructura principal es una estructura metálica de pórticos, en la cual se apoyan las rampas y escaleras, y los módulos de las salas del museo. Se trata de una estructura de acero, de nudos articulados. Esta a su vez, al no encontrarse arriostrada, se apoya en la estructura de la envolvente que si cuenta con arriostramiento.

In addition, another secondary structure, also metallic, is projected inside the volume, in order to support the load of the smaller pieces, which is supported by the main structure. This is made up of IPE profile metal beams.

PROYECTO

ASIGNATURA: CONSTRUCCIÓN III

CURSO: 2020-2021

La estructura principal es una estructura metálica de pórticos, en la cual se apoyan las rampas y escaleras, y los módulos de las salas del museo. Se trata de una estructura de acero, de nudos articulados. Esta a su vez, al no encontrarse arriostrada, se apoya en la estructura de la envolvente que si cuenta con arriostramiento.

LUGAR: ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA

AUTORAS: XINYU LU Y PAULA ROLDÁN PÉREZ

PROYECTO CONSTRUCTIVO

CONTENIDO: ESTRUCTURA PLANTA 1

ESTRUCTURA PLANTA 1

ASIGNATURA: CONSTRUCCIÓN III

CURSO: 2020-2021

CURSO: 2020-2021

LUGAR: ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA

LUGAR:

AUTORAS: XINYU LU Y PAULA ROLDÁN PÉREZ

En este plano se ve representada la estructura de la envolvente, que como ya se ha explicado anteriormente, está formada por vigas metálicas de perfil IPE, cerchas trianguladas Pratt en la parte superior y en los laterales que arriostran la estructura de la envolvente y la del edificio. Además esta estructura se apoya en una zapata corrida.

CERCHAS TRIANGULARES

PROYECTO CONSTRUCTIVO

CONTENIDO: AXONOMETRÍA ESTRUCTURA ENVOLVENTE

E: 1:200

ASIGNATURA: CONSTRUCCIÓN III

CURSO: 2020-2021

LUGAR: ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA

AUTORAS: XINYU LU Y PAULA ROLDÁN PÉREZ

PROYECTO CONSTRUCTIVO E:

ASIGNATURA: CONSTRUCCIÓN III

DETALLE UNION PERFILES ETFE

CURSO: 2020-2021

PAULA ROLDÁN PÉREZ

PORTFOLIO 2023

AXONOMETRÍC SECTIONS OF THE STRUCTURE

PROYECTO CONSTRUCTIVO

CONTENIDO: ALZADADO 2

DETAILS OF JOINTS BETWEEN PROFILES

Legend:

DETAIL A:

1. metal pillar HEB 200

2. Anchor plate

3. Screws

4. Concrete wall

DETAIL B:

5. Welding

6. Metallic beam HEB 200 or IPE 160

7. Metallic beam HEB 200 or IPE 160

DETAIL C:

8. Metal pillar HEB 200

9. Metal beam HEB 200 or IPE 160

CONTENIDO: DETALLES CONSTRUCTIVOS 3D

La

principal es una estructura metálica de pórticos, en la cual se apoyan las rampas y escaleras, y los módulos de las salas del museo. Se trata de una estructura de acero, de nudos articulados. Esta a su vez, al no encontrarse arriostrada, se apoya en la estructura de la envolvente que si cuenta con arriostramiento.

EXPLOITED AXONOMETRY OF THE SHOW-

LUGAR: ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA

The volumes of the spaces for the exhibition halls are supported on the secondary metal structure. These spaces are enclosed on all sides, with composite sheet metal floor slabs and polycarbonate side enclosures.

PROYECTO CONSTRUCTIVO

COEXISTENCE BETWEEN NATURE AND ARCHITECTURE

It is a “container of nature”, in which architecture and vegetation coexist. As explained above, it is a volume whose interior has been invaded by vegetation. In order to be able to observe this spectacular space, not only a perimeter route is designed, but also connections are added that cross the centre of the space to be able to appreciate it from different points of view.

EL OLIVAR

Project

Professors

February 2021 - May 2021

SITE ANALYSIS

Cinco Casas. A municipality in the province of Ciudad Real. A village in a rural area where there is a perfect plain for cultivation. In this case, it is decided to plant an olive grove, on the basis of which an urban structure will be developed, with the aim of creating an olive oil factory, in order to improve the economy of the area. The project includes both industrial and office areas, but also spaces on a second level to house the workers, thus increasing the number of inhabitants of the town and its economy. All these spaces are developed around a circulation of channels, in order to make the best use of them, thus becoming a self-sufficient building.

URBAN STRUCTURE IN CINCO CASAS

7 _ Unit. Ramos

_ Luis Palacios and Luis Basabe

KITCHEN AND DINNING ROOM

HOUSING

LONGITUDINAL SECTION

LONGITUDINAL ELEVATION

CONSTRUCTIVE DETAILS

The structure of this project is made up of two parts, a metal frame structure, with double height in the areas where the dwellings for the day labourers are located, and gabion walls, which allow light to enter the interior of the factory in a controlled manner. In addition, the housing modules have hinged EFTE enclosures to ventilate the interior.

LA MURALLA

Projects 5 _ Unit. Emilio Tuñón

Professors _ José María Sánchez and Ara González

February 2020 - May 2020

FIRST FLOOR

PROJECT DEVELOPMENT

SECOND FLOOR

Soria. The hillside overlooking the Duero River. A place with exceptional views, where the ruins of the wall are still preserved today. A place between the urban, the city of Soria and the natural, the banks of the river Duero and the mountain of Santa Ana.

The project is arranged as a boundary between these two areas, as if it were a wall. It consists of 3 sections, thus differentiating the 3 uses, the student residence, social housing and the hotel.

MODULE OF SOCIAL HOUSING

This module is divided into two modules, the upper one would be for families of 1 or 2 people, and the lower one would be for families of 3 to 4 people, as it has larger spaces and a greater number of rooms. larger spaces and a greater number of rooms. The dwellings are accessed from the first floor of the module, through the corridor that connects the whole building.

MODULE OF THE RESIDENCE

This module is similar to the social housing, but has a smaller surface area. It is also made up of two modules accessed from the first floor. The upper module has 2 rooms and the lower module has 3 rooms.

MODULE OF THE HOTEL

This module no longer has a central courtyard, but the composition is similar to that of the previous modules, two L-shaped volumes, which are linked together. In place of the central courtyard, in this case, the staircase remains, which connects the different spaces, as there are double-height spaces, allowing the living area, or perhaps the work area, to be separated from the rest area.