Textile Design Portfolio

Page 1


TEXTILE DESIGN

STUDENT PORTFOLIO

Table of Contents

FTD 104

Avant-Garde Models

Circle Skirts

Line Project

FTD 200

Course Overview

T-Shirt Project

Upcycled Collections

FTD 201

Print Project

Knitting Project

Weaving Project

FTD 373

Yarn Design Studio

FTD 374

FTD 375

Woven Samples Final Woven Goods

Kaftan Project Interior Spaces FTD 376

Knitted Textile Design Studio FTD 475

Woven Textile Design Studio II FTD 476

Knitted Textile Design Studio II FTD 479

Senior Textile Design Studio

FTD 104: AVANT-GARDE MODELS

Fashion and textile design students spend their first year mastering the fundamentals: color, line and form.

For their final fall semester project in first-year studio, students create avant-garde garments in half scale.

Designers had to incorporate 10 different shapes, as well as surface design and texture elements, into their final product.

Sophie Clark
Abby Galbo
Bailey Sigmon

FTD 104: AVANT-GARDE MODELS

Kate Ergenzinger
Tessa Dionne

FTD 104: CIRCLE SKIRTS

For the color project, students create surface designs based on a photograph of their choosing. The designs, which must center around the interaction between colors, are then translated to a 3D design software called Clo to simulate how the pattern would look on a draped circle skirt.

Amelia Boys
Amelia Boys

FTD 104: CIRCLE SKIRTS

Jamie Piraino
Jamie Piraino

FTD 104: LINE PROJECT

For the line project, students develop a portfolio of 25 pieces. Five subjects are each drawn or painted in five different styles of art.

Amelia Boys

FTD 104: LINE PROJECT

Bailey Sigmon Harper Wilcox

FTD 200

In this course, students produce multiple textile products such as accessories and garments. They begin each project by gathering inspiration and information on their target customer, and each project concludes with a critique. Students learn how to design clothing and other sewn textile products, gain experience with new studio equipment and also explore digital repeat pattern design. Below are two examples of projects that may change from year to year.

Beasley and her classmates designed their own print patterns and then incorporated that print fabric into a product of their choice. Beasley designed the lining fabric of her skirt.

For this project, students were tasked with elevating tote bags. They had to use two different surface manipulation techniques, such as pleating and embroidery.

Beasley Gordon Abby Galbo

FTD 200: T-SHIRT PROJECT

For this project students are tasked with modifying a tshirt sewing pattern into their own unique design. These garments are a culmination of what the students have learned thus far in the course, from pattern manipulation techniques to garment construction.

Bella Cybulski
Amelia Boys

FTD 200: UPCYCLED COLLECTIONS

First-year fashion and textile design students in studio course FTD 200 are tasked with creating three-look collections with at least 75% upcycled materials. They collaborate in groups of three to make a cohesive collection and learn more about the sustainable design process.

Students typically approach projects by sketching and then selecting a textile, but for this project many students had to overcome the challenge of selecting their textile first.

Amelia Boys, Clara Jelenevsky, Hope Faircloth

FTD 200: UPCYCLED COLLECTIONS

Kate Ergenzinger, Ethan Sadler, Lucy Dewolf

FTD 201: PRINT PROJECT

For this project, sophomore fashion and textile design students learn about color perception and reduction, develop color palettes, and explore repeats and motifs. They apply this knowledge to design a digital print collection using computer-aided design (CAD) software. They then develop textile samples and use texture mapping to show how they would be applied as products.

Anna Oliver
Eliza Sweeney

FTD 201: PRINT PROJECT

Bella Cybulski
Lauren Jones

FTD 201: KNITTING PROJECT

For this assignment, students use trend forecasting websites to select an inspiration of their choice. They then blend this trend data with their personal aesthetic to create two marketable knit textiles, either for an apparel or furnishing end-use.

Beasley Gordon
Morgan Eastling Bailey Sigmon

FTD 201: WEAVING PROJECT

In addition to learning print and knit design, students in FTD 201 are also exposed to jacquard weaving. For this project, students complete simulation workshops on technical logistics, the effect of filling color and presentation techniques. Using this information, students design digital weaving patterns that are then woven by the college’s Jacquard loom.

Julia McNamara

FTD 201: WE

FTD 373: YARN DESIGN

In this course students learn how to differentiate fibers and their applications. They begin by spinning and designing their own yarn and then using that yarn for apparel and home interior end uses. Students also build a library of skills such as spinning, dyeing, braiding, weaving and knitting. Students then apply their favorite techniques they learned in this class to the interior spaces they design in FTD 374.

FTD 373: YARN DESIGN

FTD 374: KAFTAN PROJECT

Second-year textile design students create surface designs by hand and through software. Their designs are then printed on silk habotai and sewn into kaftans.

Beasley Gordon Brenna Buzzacco
Cadee Gafford
Mary Mac Lyons

FTD 374: KAFTAN PROJECT

Julia McNamara
Hollis Faulkner
Tessa Dionne

FTD 374: FINAL PROJECT

Utilizing the techniques learned in FTD 373, students in groups of four collaborate to design all aspects of a living space. From furniture and pillows to wallpaper and lampshades, students must consider every detail to fulfill the needs of their selected target market.

Kate Ergenzinger, Eliza Sweeney, Anna Oliver, Morgan Eastling

FTD 374: FINAL PROJECT

Julia McNamara, Hollis Faulkner, Beasley Gordon

FTD 375: WOVEN SAMPLES

In this class, textile design students learn about color, texture and structure in woven fabrics and weave three sets of samples as well as a final project. They also begin to learn about computer-integrated design for woven products.

Grace Avery
Julia McNamara
Morgan Eastling
Lilly Carl Richards

FTD 375: WOVEN FINALS

Beasley Gordon
Mary Mac Lyons

FTD 375: WOVEN FINALS

Tessa Dionne Alexa Karrenbauer

FTD 376: KNITTED TEXTILE DESIGN STUDIO

Lilly Carl Richards

FTD 475: WOVEN TEXTILE DESIGN STUDIO II

This course focuses on Jacquard design for diverse end uses, from art fabrics to unique specialty products. Students will explore advanced weaving structures, color and textural effects. They design wovens through electronic production methods and expand their knowledge of computer-integrated design systems and exposure to industrial processes.

Jaymie Googins
Alaina Withers

FTD 475: WOVEN TEXTILE DESIGN STUDIO II

Andrea Hunnicutt
Chloe Belton

FTD 476: KNITTED TEXTILE DESIGN STUDIO II

In this course students further develop their knit design capabilities by learning about different knit structures and their product applications. Students create knit products through hand and machine production methods, including advanced methods of utilizing computer-integrated design system for both technical structures of knits and designing of garments.

Leeman Smith
Alexa Karrenbauer

FTD 476: KNITTED TEXTILE DESIGN STUDIO II

Brianne Haas

FTD 479: SENIOR TEXILE DESIGN STUDIO

During the second semester of their senior year, students create a living space as a culmination of all they have learned over the past four years. Students get the opportunity to explore new techniques and continue to master the ones they have learned in previous years to create a immersive rooms that are presented to the public at the Emerging Designers Showcase.

Cadee Gafford

FTD 479: SENIOR TEXILE DESIGN STUDIO

FTD 479: SENIOR TEXILE DESIGN STUDIO

Chase Woodson

SENIOR TEXILE DESIGN STUDIO

FTD 479: SENIOR TEXILE DESIGN STUDIO

Chloe Belton

TT 630: INDEPENDENT STUDY

Textile design student Alaina Withers created a clothing collection with original textiles that she also designed. She presented the line at the Wilson College’s Threads fashion show.

TT 630: WEAVING INDEPENDENT STUDY

Students further explored hand weaving techniques.

Lilly Carl Richards
Chase Woodson

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