Issue 8.23 - FOR WEB

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VOL. 8 • NUM 23

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Let’s Talk About It

This grass roots publication is the life source for a community that is not easily afforded viable access to diverse and accessible media. San Antonio and the surrounding counties have become accustomed to relevant news brought to them in both English and Spanish since 1913.

Let's Discuss False Accusations

By Yvette Tello

a white guy, I received no apology from her. So to add insult to injury, she made a false allegation and she clearly was racist. If she knew I was really hispanic, I am sure she would have apologized to me too. Some people have integrity, some people will jump the gun and make accusations and some will lie.

I am not sure what can really be done but God will be the judge in the end.”

Whether it's claims of domestic violence, racial issues where none exist, or Yvette Tello hate crimes unrelated to sexuality, Publisher these allegations can have profound y.tello@laprensatexas.com consequences not just for the accused, Ramon Chapa Jr. but for society as a whole. What do Community Liaison you think the purpose is behind making r.chapa@laprensatexas.com these false claims? Have any of you Roxanne Eguia ever faced a situation involving false Editor In Chief r.eguia@laprensatexas.com accusations? What was the outcome Jerry Pound: "Accused of lying. It ? What do you think should happen to was not true. I lost the love of my life.”

Nicodemus Gonzalez somebody who makes false allegations?

Jessica Medrano Let's talk about it…

Mr One in a Million: “I was accused Graphic Designers of a sustained 6 hour sexual assault and Dr. Ricardo Romo RS Gonzalez: “Well there's legal rape of a 4 year old at work. The Police Henrietta Hernandez Contributors remedies and criminal liability for sat on the accusation for twelve weeks, info@laprensatexas.com some of these behaviors which are carrying out no investigation into the José I. Franco defined by law. Then there's the rumors incident, then one day tore in, arrested Editor Español and lies that folks make-up and/or me (at work), and ripped my house Maria Cisneros spread, which can be damaging, but apart for evidence. I was then thrown Sales Representative have more of a moral code that bars or in a cell for 6 hours and denied access frowns upon that behavior. Regardless to a doctor (I am variably seriously or Sales Info: of what arena the behaviors arise in, chronically ill); then interviewed for Our Circulation there's foreseeable consequences. The 4 hours. At the end of this, bearing 45,000 Printed consequence is applied and defined by in mind they still have not given me And Distributed Weekly society, members of our community, any information beyond the charge English And Spanish Send Press Releases And boards, councils, commissions . . . US.” and the location, they finally read the work logs and discovered I was in Advertising Inquiries To: Info@LaPrensaTexas.com Richard Cortez: “Well in my work hospital 15 miles away on the day it 2 1 0 - 6 8 6 - 0 6 0 0 apartment maintenance, you'll have was supposed to have happened. This people say something was taken. was the third time the same woman had One incident happened where an made the identical accusation against African American lady claimed a ring me. At no point has she been charged was stolen. The day this supposedly with anything, not even wasting police occurred, my assistant ,an African time.”

American, and I completed her service request. We were accused of taking one of her rings. Of course, we got a little Bill Bash: “Bearing false witness…is defensive because the two tools I use in vogue, it seems today, especially in the most, channel lock pliers and an work settings…Any female under 30 eleven inch screwdriver, makes me way can get anyone over 55 fired simply by more money than that ring. What really discussing menstruation then accusing pissed me off was that lady found her a man of improper touching. No facts, ring and apologized to my assistant, an just accusations.”

African American. But since I look like

Steven McGlinn: “They may be minor to some but it goes on your permanent record as well. Had a case in our state where a girl accused a teacher of inappropriate touching, the department had to investigate the case despite having another teacher in the room plus a whole class witnessing the so-called offense. The troubling part is, she was attacked repeatedly a year earlier at another school. Because of this false report, her rapist got off in his trial. Apparently the repeated attacks unhinged her to an extent of any close proximity leading to flashbacks and hence false accusations. The problem was, she really believed them and to her the offenses did occur. It was not a malicious young troublemaker, rather a delusional victim of severe abuse.

Imagine the same teacher applying for a job elsewhere and his potential employer reads about an accusation of attempted rape. Would you employ them? Even if the charge is proven malicious or mistaken identity etc?

Guilty although proven innocent.”

Stewart Dean: “Yes, I’ve been falsely accused—and it’s devastating. My ex-wife, now running for mayor in my town, has made public, slanderous claims about me, including accusations of abuse and rape, without evidence.

These lies have resurfaced years of pain and threaten to affect my children. I’ve always had documentation to support the truth, and I’ve tried to handle it all privately and respectfully. But now that her campaign is built on harmful falsehoods, I’m speaking out. Truth matters—and I won’t let her rewrite our past unchecked.”

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New Exhibition Highlights the Connection Between Mexico’s Vaqueros and Hawaii’s Paniolo Culture Exhibition on View June 13 – September 1 Courtesy of Valerie H. Grant Cover Photo by Iván Méndez This summer, the Briscoe Western Art Museum invites visitors to explore an extraordinary chapter of the American West that spans the Pacific Ocean. Aloha Vaqueros, on view June 13 – September 1, highlights the unexpected yet powerful ties between Mexico’s legendary vaqueros and Hawaii’s storied paniolo cowboys.

Presented in conjunction with Museo del Vaquero de las Californias (MuVaCa), Aloha Vaqueros illustrates the far-reaching influence of Mexican vaqueros and the deep, abiding traditions they imparted on the American West.

“This exhibition beautifully illustrates the rich cultural exchange that helped shape the cowboy traditions of the Pacific,” said Liz Jackson, President and CEO of the Briscoe Western Art Museum. “It’s a compelling reminder that the spirit of the West is both diverse and far-reaching, stretching from the plains of Texas to the mountains of Maui.”

Through artwork, artifacts and immersive storytelling, Aloha Vaqueros explores how these two ranching cultures – separated by geography but united in purpose – share deep roots in horsemanship, resilience and community.

The exhibition celebrates both the historic impact and modern-day legacy of Paniolo life, highlighting the artistry, attire and music that Long before Hawaii embody this vibrant culture. became a U.S. state, Mexican vaqueros traveled across the Developed by the Museo sea in the early 19th century del Vaquero las Californias to teach cattle handling to (MuVaCa) in El Triunfo, Baja the islanders. These skilled California Sur, the exhibition horsemen introduced the challenges the traditional t e c h n i q u e s , t o o l s a n d geographic boundaries of the traditions of ranching that American West, expanding took root and flourished in and illustrating the influence Hawaii, giving rise to the of the vaquero way of life.

Paniolo – Hawaiian cowboy By tracing the vaquero’s – culture. A fascinating influence across the Pacific, fusion of cultures and styles Aloha Vaqueros broadens built from a shared passion the scope of what defines for working the land, Paniolo the West and emphasizes the culture is a unique blend of enduring legacy of vaquero island heritage and Western traditions. grit that continues to thrive today.

“The vaquero is the original cowboy, and the foundation of the American West as

we know it. Their skills, traditions and culture shaped ranching and horsemanship across the West and even r eached the shor es of Hawaii. It’s an honor to showcase the vaquero’s legacy and share how their influence continues to define the spirit of the West today,” said Jackson.

Accompanied by a handson educational area featuring the traditional arts and crafts of the island vaqueros, the exhibition will help visitors discover and celebrate this enduring testament to crosscultural collaboration and resilience.

See the West All Year Long at the Briscoe Located along the historic San Antonio River Walk, the Briscoe is open Thursday, 10 a.m. – 8 p.m., Friday through Monday, 10 a.m. – 5 p.m. and closed to the public on Tuesday and Wednesday.

Admission is free for children 12 and under and for active duty military. The museum grounds feature 35 sculptures portraying various aspects of Western life. The museum’s beautifully restored historic home inside the former San Antonio Public Library building includes 14 galleries, with special exhibitions, events and the Hendler Family Museum Store, providing art, culture, history and entertainment.

Museum hours, parking and admission details are available online.

Preserving and presenting the art, history and culture of the American West through engaging exhibitions, educational programs and public events reflective of the region’s rich traditions and shared heritage, the Briscoe Western Art Museum is located on the San Antonio River Walk at 210 W. Market Street in the beautifully restored 1930s former San

Antonio Public Library building. Named in honor of the late Texas Gov. Dolph Briscoe Jr. and his wife, Janey Slaughter Briscoe, the museum includes the threestory Jack Guenther Pavilion, used for event rentals and programs, and the outdoor McNutt Sculpture Garden.

Follow the Briscoe on social media, @BriscoeMuseum.

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Nicknames--An Integral Component of Our Mexican Culture

By J. Gilberto Quezada

Nicknames often reflect Onecimo "Onyx" Benavidez Jr. endearing quirks, physical traits, Arcadio "Kayo" Palacios Spanish nicknames, or apodos, S p a n i s h n i c k n a m e s a r e or even long-standing jokes within Ricardo "Flaco" López are woven into the fabric of deeply woven into our Mexican families and friend circles. In S e r g i o G e r a r d o " K e k o " Mexican culture, reflecting deepcultural identity and family many cases, a person’s nickname Benavides rooted traditions, familial bonds, bonds, often carrying with is more widely recognized than Carlos "Chale" García and even a touch of humor. them a lifetime of meaning their given name, reinforcing Sergio "Checo" Rodríguez They are not just playful labels; and sentiment. Unlike mere the idea that names are more Alonso Javier "Pilo" Olivarez they carry stories, personalities, casual or playful names, many than just formal identifiers. Josefina "China" Peña and connections that shape of these nicknames transcend This is particularly true in Armando "Buddy" Moreno our identities within our time, remaining attached to a Spanish-speaking communities, María L. "Lulu La Hermosa" communities. Whether passed person even in death. Obituaries, where affectionate names are Ramírez down through generations or memorials, and even headstones seen as expressions of warmth, José Luis "El Tiburon" Ramírez earned through life experiences, often include these affectionate connection, and familiarity. José Guadalupe "El Gallo" these nicknames embody our monikers, underscoring how When a person passes away, the Arroyo warmth, camaraderie, and the deeply embedded they are in nickname persists—not just in Lazaro "Lito" Flores unique way we express affection. a person's identity. For many written records but in the spoken José Luis "Nino" Valdez In every corner of Mexico, Spanish-speaking families, a stories shared by loved ones.

Elias "Jet" Flores from bustling cities to quiet nickname is not just a label but Francisco "La Furia" Alvarez pueblos, apodos continue to a representation of the person's Ultimately, Spanish nicknames Pedro "Pira" Vargas thrive, ensuring that our culture essence—how they were known serve as an extension of a person’s remains vibrant, personal, and and loved in their community. identity, living on long after they Spanish nicknames, or apodos, unmistakably ours.

The obituaries found in the are gone. They ensure that the are woven into the fabric of local newspapers serve as deceased remain vividly present our Mexican culture, reflecting P.S. "Family is a little world an excellent example of this in family history, remembered in deep-rooted traditions, familial created by love in a home where enduring tradition. As seen in the exact way they were known bonds, and even a touch of memories are made and are the obituary section, names are in life. Whether featured in humor. They are not just cherished for years to come." by often accompanied by cherished newspaper obituaries or recalled playful labels; they carry stories, J. Gilberto Quezada nicknames, reflecting the role in casual conversations, these personalities, and connections these names played in the person's names bridge the gap between that shape our identities within our P.P.S. As I get older, I am life. Whether it's Victor “La past and present, keeping communities. Whether passed hoping that one day I will be Perica” Vásquez or others, the personal histories alive within down through generations or able to say that I have realized inclusion of these names shows the hearts of those who cherish earned through life experiences, the potential that Almighty God how they remain an intrinsic them. these nicknames embody our put into me. May God bless part of the deceased's legacy. warmth, camaraderie, and the you always and fill you with an These names are not forgotten Here are some examples taken unique way we express affection. abundance of good health and because they carry history— from the obituary pages of the In every corner of South Texas, may God bless America. they connect family members local newspapers and funeral from bustling cities to quiet to memories, personalities, and homes: towns, apodos continue to P.P.P.S. "Do Not Be Afraid; shared moments of joy and thrive, ensuring that our culture Do Not Fear; And Do Not Worry, sorrow.

Victor M. "La Perica" Vásquez remains vibrant, personal, and God Is With Me and I am With Enedina "Nena" Botello unmistakably ours.

God." by J. Gilberto Quezada

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COMISIÓN DE CALIDAD AMBIENTAL DE TEXAS

EJEMPLO A AVISO DE SOLICITUD Y DECISIÓN PRELIMINAR PARA UN PERMISO DE CALIDAD DEL AIRE NÚMERO DE PERMISO PROPUESTO: 43833

SOLICITUD Y DECISIÓN PRELIMINAR. SOUTHWEST RESEARCH INSTITUTE, 6220 Camino Culebra, San Antonio, Condado de Bexar, Texas 78238, ha solicitado a la Comisión de Calidad Ambiental de Texas (TCEQ, por sus siglas en inglés) la emisión del Número de Permiso de Calidad del Aire Propuesto 43833, que autorizaría la construcción del un nuevo proceso de investigación del craqueador rotatorio de olefinas (ROC) y su antorcha asociada ubicado en 6220 Camino Culebra, San Antonio, Condado de Bexar, Texas 78238. Esta solicitud fue procesada de manera expedita, conforme a lo permitido por las reglas de la comisión en el Título 30 del Código Administrativo de Texas, Capítulo 101, Subcapítulo J. Esta solicitud se presentó a la TCEQ el 10 de octubre de 2024. La instalación propuesta emitirá los siguientes contaminantes: plomo, contaminantes peligrosos del aire, monóxido de carbono, óxidos de nitrógeno, compuestos orgánicos, material particulado, incluido material particulado con diámetros de 10 micrones o menos y 2.5 micrones o menos, sulfuro de hidrógeno y dióxido de azufre. El director ejecutivo ha completado la revisión técnica de la solicitud y ha preparado un proyecto de permiso que, de ser aprobado, establecería las condiciones en las que la instalación debe operar. El director ejecutivo ha tomado una decisión preliminar de emitir el permiso porque cumple con todas las reglas y regulaciones. La solic tud de permiso, la decisión preliminar del director ejecutivo y el bosquejo del permiso estarán disponibles para su visualización y copia en la oficina central de la TCEQ, la oficina regional de la TCEQ San Antonio y la Biblioteca Bazan, 2200 West Commerce Street, San Antonio, Condado de Bexar, Texas a partir del primer día de publicación de este aviso. El archivo de cumplimiento de la instalación, si existe alguno, está disponible para su revisión pública en la oficina regional San Antonio de la TCEQ, 14250 Camino Judson, San Antonio, Texas.

COMENTARIO PÚBLICO/REUNIÓN PÚBLICA. Puede enviar comentarios públicos o solicitar una reunión pública sobre esta solicitud. El propósito de una reunión pública es para brindar la oportunidad de enviar comentarios o hacer preguntas sobre la solicitud.

La TCEQ convocará una reunión pública si el director ejecutivo determina que existe un grado significativo de interés público en la solicitud o si lo solicita un legislador local. Una reunión pública no es una audiencia de caso impugnado. Puede enviar comentarios públicos adicionales por escrito dentro de los 30 días posteriores a la fecha de publicación de este aviso en el periódico de la manera establecida en el párrafo CONTACTOS E INFORMACIÓN DE LA AGENCIA a continuación.

RESPUESTA A LOS COMENTARIOS Y ACCIÓN DEL DIRECTOR EJECUTIVO. Después de la fecha límite para los comentarios públicos, el director ejecutivo considerará los comentarios y preparará una respuesta a todos los comentarios públicos relevantes y materiales o significativos. Debido a que no se han recibido solicitudes de audiencia oportunas, después de preparar la respuesta a los comentarios, el director ejecutivo puede emitir la aprobación final de la solicitud. La respuesta a los comentarios, junto con la decisión del director ejecutivo sobre la solicitud, se enviará por correo a todos los que hayan presentado comentarios públicos o estén en una lista de correo para esta solicitud, y se publicará electrónicamente en la Base de Datos Integrada de los Comisionados (CID, por sus siglas en inglés).

INFORMACIÓN DISPONIBLE EN LÍNEA. Cuando estén disponibles, la respuesta del director ejecutivo a los comentarios y la decisión final sobre esta solicitud podrán consultarse a través del sitio Web de la Comisión en www.tceq.texas.gov/goto/cid. Una vez que tenga acceso al CID utilizando el enlace anterior, ingrese el número de permiso para esta solicitud que se proporciona en la parte superior de este aviso. Este enlace a un mapa electrónico de la ubicación general del sitio o instalación se proporciona como cortesía pública y no como parte de la solicitud o aviso.Para conocer la ubicación exacta, consulte la solicitud. https://gisweb.tceq.texas.gov/LocationMapper/?marker=-98.61,29.452222&level=13.

LISTA DE CORREO. Puede solicitar ser colocado en una lista de correo para obtener información adicional sobre esta solicitud enviando una solicitud a la Oficina del Secretario Oficial a la dirección a continuación.

CONTACTOS E INFORMACIÓN DE LA AGENCIA. Los comentarios y solicitudes públicas deben enviarse electrónicamente a www14.tceq. texas.gov/epic/eComment/, o por escrito a la Texas Commission on Environmental Quality, Office of the Chief Clerk, MC-105, P.O. Box 13087, Austin, Texas 78711-3087. Si se comunica con la TCEQ electrónicamente, tenga en cuenta que su dirección de correo electrónico, al igual que su dirección postal física, se convertirá en parte del registro público de la agencia. Para obtener más información sobre esta solicitud de permiso o el proceso de permisos, llame al Programa de Educación Pública al número gratuito 1-800-687-4040. Si desea información en español, puede llamar al 1-800-687-4040.

También se puede obtener más información de la SOUTHWEST RESEARCH INSTITUTE en la dirección indicada anteriormente o llamando a Sra. Amber Chapman, Científica ambiental líder al (210) 522-3271.

Fecha de Emisión del Aviso: 15 de mayo de 2025

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SAFC Invita A Clínica Mixta Del Verano 2025 Por Franco Toda una gran oportunidad para que padres de familia puedan disfrutar del verano junto a sus hijos es la clínica de futbol soccer en este verano promovida y patrocinada por el equipo San Antonio FC (SAFC), propiedad de la empresa SS&E. Así como de Spurs Sports Academy, que con gran visión deportiva estarán

coordinados en la agenda de diversas actividades deportivas del soccer en nuestra deportiva ciudad de El Álamo.

Con técnicos de la alta escuela, se estará llevando adelante dicha academia profesional que proveerá alta calidad de entrenamiento, así como la promoción del amor por el balón pie y fuertes conexiones entre la

comunidad local del soccer.

En boletín oficial de prensa de la empresa SS&E, se convocó ha registrar a niños y niñas y adolescentes en las edades de 6-14 años para las sesiones del 23-26 de junio y julio 7-10, y 1417, con costo de $230.00 por jugador. Para su registro lo pueden hacer en línea en el sitio SpursSportsAcademy. com.

Las clínicas serán en el Ricos STAR Soccer Complex, ubicado en el domicilio del 5103 David Edwards Dr. (Sede del equipo SAFC).

Cada sesión será en los horarios del lunes a jueves a las 9am a 12pm.

“Este programa no será solo para entrenar soccer.

Sino una extensión de nuestro club en su misión

de invertir en el futuro del juego y construir lazos entre la juventud deportiva y sus familias. Estamos emocionados para inaugurar este campo de entrenamiento por lo que esperamos que en las próximas semanas se dé por inaugurado”, dijo Marco Ferruzzi, Sporting Director SAFC. (Fotos de cortesía).

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Jennifer Perez Master of Arts in Clinical Mental Health Counseling Texas A & M San Antonio

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Teresita R Gomez December 1, 1963 - May 26, 2025 Courtesy of Laura Muntean

Teresita R. Gomez, age 61 passed away peacefully on Monday, May 26, 2025 at home surrounded by her loving children.

She was born on December 1st 1963 in San Antonio, Tx to Arturo Davila Gomez and Teresita Morales Colmenero Terri is also preceded in death by her father Auturo, daughter Maria Luisa Gomez and two great grandchildren.

Terri is loved and will be missed by her mother Teresita Colmenero , 5 children Frank Arthur Gomez, John Michael Salazar, Emilio Christopher Villarreal, Noah Christian Villarreal and Ursula Christine Villarreal.

11 Grandchildren and numerous nieces, nephews and extended family and friends.

Terri is now with the lord and may she Rest In Peace.

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Latino Artists Are Influencing the New York City Art Scene

By Ricardo Romo PhD. I love New York City [NYC], a city with worldclass museums, brilliant theatre, opera and orchestra venues, fabulous art galleries, artists’ studios, and more than twenty-three thousand restaurants to delight and often surprise every taste.

What I love best about this great city is its growing population diversity. New York City has always been a city of immigrants. Over three million New Yorkers were born outside the United States, making up about 36– 37% of the city's population— one of the highest proportions of immigrants in the country.

The recent U.S. Census for New York City reports 39.8% Whites, which includes Jews, Irish, Italians, English and others who self-identify in this category. Whites are still the largest demographic group in the city. According to the latest Census report, Hispanics represented 28.9% of the city’s population. This category includes Mexican Americans and some Puerto Ricans and Dominicans who may also self-identify in this way. The Census counted 23.4% Blacks [which may include Haitians, Puerto Ricans, and Dominicans, as well as African-born and African-Americans who identify in this way]. Blacks and Hispanics combined make up half of the city’s population.

The Asian population [14.2%] has recorded the fastest non-White growth over the past decade. While Little Italy is nearly extinct, Chinatown and Latino communities keep growing.

The largest Latino groups in the city are Puerto Ricans, Dominicans, and Mexicans.

Black New Yorkers represent 23.4 percent of the city’s population with significant communities in Brooklyn, the Bronx, and Harlem.

One of the Latino communities that we delighted in visiting in New York City was Washington Heights in Upper Manhattan.

The “Heights,” often referred to as the "Little Dominican Republic" of New York City, is renowned for its vibrant diversity.

The Heights, popular for its Dominican and Latino cultures, directly inspired Lin Manuel Miranda’s first Broadway musical In the Heights. The show is a tribute to the Hispanic community of Upper Manhattan,

particularly Washington Heights, and draws heavily from Miranda’s personal experiences and the lives of those around him.

In the Heights, the Latino population is overwhelmingly of Dominican descent which comprises between 62% and 64% of residents. Black or African American residents in the Heights account for approximately 7–9% of the population. Harriett and I joined Dr. Marcus Burke of The Hispanic Society of America for a delightful lunch in an Upper Manhattan Washington Heights Dominican restaurant.

A cafeteria style array of Dominican dishes allowed us to choose a variety of delicious combinations.

Railroad entrepreneur Archer Milton Huntington (1870-1955) founded The Hispanic Society of America in 1904 with the object of establishing a free public museum and reference library for the study of the

art and culture of Spain, Portugal, Latin America, and the Philippines.

Dr. Burke, the prominent long-time curator of The Hispanic Society [now retired], told us that the museum holds more than 900 paintings and 6,000 watercolors and drawings.

The Hispanic Society offers a comprehensive survey of Spanish painting and drawing, including masterworks by Spain’s great painters El Greco, Velázquez, Goya, and Sorolla. We were awed by the magnificent Casta painting “De Mestizo, y de India Produce Coyote” by Mexican artist Juan Rodriguez Juarez

[1675-1728]. In addition, we marveled at the beautiful work of Mexican artist Jose Agustin Arrieta of an AfroMexican El Costeno ["The Young Man from the Coast”].

The Society’s collection of sculpture contains outstanding pieces from the first millennium B.C. to the early 20th century. On the first floor, we saw magnificent examples of ceramics, glass, furniture, textiles, ironwork, and jewelry– part of the more than 6,000 objects in the Society’s varied collections of decorative arts. A current exhibit by Brazilian artist Adriana Varejão titled Don’t Forget, We Come From

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every aspect of culture in Spain as well as a large part of Portugal and Latin America into the 20th century. More than 175,000 photographs from 1850 through the early 20th century document the art, culture and customs of Spain and Latin America.

the Tropics features new paintings from her renowned Plate series. These largescale fiberglass tondos are hand-sculpted and painted in oil featuring exuberant depictions of Amazonian flora and fauna. Varejão's works reflect on the Amazon rainforest as a vital nexus of ecology, art, and culture, stemming from Varejão’s two decades of research with the Yanomami people. The imagery explores themes of nature, femininity, rebirth, and the complex legacies of colonization and cultural exchange.

The Hispanic Society Library offers unrivaled resources for researchers interested in the history and

culture of Spain, Portugal, Latin America, and the Philippines, with more than 300,000 books and periodicals.

The collection includes 15,000 volumes printed before 1701, along with over 250,000 manuscripts, letters, and documents dating from the 11th century to the present.

Public Relations Director Mencía Figueroa informed us that among the works on paper, 15,000 prints afford a unique view into the graphic arts in Spain and Latin America from the seventeenth to the early 20th century.

The collections of the Hispanic Society are unparalleled in their scope and quality outside of Spain.

The Society addresses nearly

New York City has many great museums, and seeing them all would require a long stay. In addition to visiting the Hispanic Society of America, during our week in NYC we were able to explore the Metropolitan Museum of Art [MET], the Museum of Modern Art [MOMA], the Guggenheim Museum, the newly renovated Frick, The Whitney Museum, the International Center of Photography [near the Tenement Museum on the Lower Eastside], and the Museo del Barrio in Harlem.

We also visited the Gagosian gallery in Manhattan which featured the world famous Spanish artist Picasso and works from Picasso’s estate.

In Chelsea, the Gagosian Gallery featured the work of world famous contemporary artist William de Kooning which included large bronze sculptures and paintings representing different periods of his work.

While we were in New York City the New York Times featured Candida Alvarez in a full page story about her exhibit at the Museo del Barrio. Born in Brooklyn, her art career was shaped in her twenties by studio instruction at El Museo. Alvarez’s parents moved to New York from Puerto Rico and she identified as “Diasporican,” a term that reflects her Puerto Rican roots and upbringing in

the diaspora.

In my next essay I will share photos and information about iliana emilia garcia [she does not capitalize her name], a prominent DominicanAmerican artist, and provide insights into an interesting historic gallery that currently displays her work.

Photo Captions: Juan Rodriguez Juarez [1675-1728]. Casta painting “De Mestizo, y de India Produce Coyote.” Courtesy of the Hispanic Society of America.

The "Virgen de los Remedios" (Virgin of the Remedies) is a significant Marian devotion in Spanish and Latin American

Catholic tradition, often depicted in colonial art.

Courtesy of the Hispanic Society of America.

Times Square New York City is a major hub for Latino service workers. Photo by Ricardo Romo.

A major study on the Latino community of New York City

by Virginia E. Sanchez Korrol.

Collection of Ricardo Romo.

Candida Alvarez art at the Museo del Barrio. NYC. Photo

by Ricardo Romo.

Candida Alvarez art at the Museo del Barrio. NYC. Photo

by Ricardo Romo.

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Texas Mourns the Loss of Cindy Ramos-Davidson, a Trailblazer, Advocate, and Community Champion With heavy hearts and profound gratitude, the El Paso community and beyond honor the passing of Cindy Ramos-Davidson—a visionary leader whose unwavering dedication transformed the landscape for minorityowned businesses and underserved communities. For 27 years, she served as President and CEO of the El Paso Hispanic Chamber of Commerce, shaping it into a force for economic empowerment and opportunity.

In the early hours of June 1, 2025, Cindy passed away peacefully in her sleep, surrounded by the same love and compassion she so freely shared with others. Her departure marks the end of an era defined by tireless advocacy,

selfless leadership, and an unrelenting commitment to those striving to build a better future.

More than an executive, Cindy was a force of nature—equal parts grit and grace.

She was known for her tenacity, warmth, and boundless vision, uplifting entrepreneurs, families, and neighborhoods, particularly in historically marginalized communities. Whether walking the halls of the Capitol, mentoring a young business owner, or greeting a vendor by name at a ribbon cutting, she approached each moment with heart, humor, and humility.

Though she often shied away from recognition, her impact never went unnoticed.

Cindy played a pivotal role in shaping

economic mobility efforts, ensuring Hispanic voices were heard and centered.

She was a devoted wife, loving mother, proud daughter, and cherished friend.

of El Paso, Texas, and the national Hispanic business community.

Her work, passion, and unwavering belief in people will continue to resonate for generations to come.

Her absence leaves a n i m m e a s u r a b l e Per her wishes, a void, but her legacy Celebration of Life will remains indelible, be held this August, woven into the fabric where family, friends,

colleagues, and community members will gather to honor Cindy’s extraordinary legacy. The RamosDavidson family asks for continued prayers, support, and reflections as they prepare to celebrate a life lived with purpose, compassion, and an unstoppable drive to uplift others.

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Discovering Passion Through Music: Ana Castillo's Journey of Self-Discovery tutorials and a strong sense and a chance to participate passions. By doing so, she emphasizes the importance of curiosity. The challenges in talent shows. of learning to play by Ana believes that virtual of carving out time for ear were significant, but learning changed her life practice and personal her determination and by providing a tailored growth, which can lead resourcefulness helped educational experience to fulfilling experiences her navigate through that suited her needs. in music and beyond. She t h e m . S h e i m m e r s e d She expressed that the also states: “I give all the herself in various styles, flexibility allowed her glory to God because he from classical pieces to to focus more on her heard my prayers, and he contemporary pop and passions, particularly gave me this talent.”

Christian songs, building a m u s i c . T h e s t r u c t u r e Looking ahead, Ana diverse musical repertoire. of her online education envisions a future where A m o n g h e r enabled her to balance she continues to pursue performances, playing academics and practice, b o t h h e r p a s s i o n f o r at the K-12 graduation often using piano practice music and a career in stands out as a particularly as a therapeutic outlet real estate. Her dreams memorable experience. during stressful times. She include learning more This year, after graduating, found that the ability to instruments, traveling, Ana will be performing manage her own schedule and contributing to her once again at the afternoon led to improved academic community through music. ceremonies, making it performance and greater She actively participates in her church and special another moment to cherish. personal satisfaction. events, showcasing her Virtual education not Her musical influences s t e m f r o m n u m e r o u s o n l y b o l s t e r e d A n a ' s talent while fostering

By Yvette Tello orchestra class, eager to pianist YouTubers whose academic performance connections within her In today’s world, the learn the violin. However, covers have inspired her but also nurtured her community. journey of a musician circumstances led her to growth and encouraged personal and creative Ana Castillo's story often intertwines with explore a different path. A her to express herself development. She seized illustrates the profound personal growth and pivotal moment came when the opportunity to take impact of following one's through music. educational experiences. she witnessed a talented A n a ' s s w i t c h f r o m business classes, aspiring p a s s i o n s , w h e t h e r i n Ana Claudia Castillo, an pianist at her church, t r a d i t i o n a l p u b l i c to become a successful music or education. She emerging talent, shared inspiring her to take up s c h o o l i n g t o T e x a s real estate agent. This encourages her peers to her inspiring story of the piano. This newfound O n l i n e P r e p a r a t o r y blend of education and persevere, reminding them how she discovered her interest blossomed further School (TOPS) marked a passion for music has that practice makes perfect passion for music and the when she transitioned to significant turning point in equipped her with skills and that the journey of transformative impact of homeschooling, which her life. Initially excited that extend beyond the self-discovery through virtual education as she provided her with the time about the opportunities piano, fostering discipline music is both rewarding prepares to graduate this and freedom to practice and transformative. As she in orchestra, she quickly and self-motivation. year. and develop her skills. realized that the public For students feeling lost prepares to graduate and At the outset of her Ana's self-taught process s c h o o l e n v i r o n m e n t in traditional settings, perform at the ceremonies, m u s i c a l j o u r n e y , t h e was both methodical and w a s n ' t a f i t f o r h e r . Ana's advice is clear: her experience serves as a excitement of starting creative. With a keyboard Homeschooling opened seek alternatives like beacon of hope for those m i d d l e s c h o o l w a s in hand, she doors to better grades, h o m e s c h o o l i n g i f i t seeking their own paths. palpable for Ana. She began exploring each supportive friendships, aligns better with your envisioned herself in an note, guided by YouTube

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La Prensa Texas SAN ANTONIO

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Comisión de Calidad Ambiental de Texas

AVISO DE RECIBIMIENTO DE LA SOLICITUD E INTENCIÓN DE OBTENER UN PERMISO DE AIRE (NORI) NÚMERO DE PERMISO DE CALIDAD DEL AIRE PROPUESTO 180061

SOLICITUD Megaacrete AAC Plant, LLC ha solicitado a la Comisión de Calidad Ambiental de Texas (TCEQ, por sus siglas en inglés)

para: Emisión de Permiso 180061. Esta solicitud autorizaría la construcción de la fábrica de concreto celular autoclaveado ubicado en 310 Peterson Farm Road, Kerrville, Condado de Kerr, Texas 78028. Este enlace a un mapa electrónico de la ubicación general del sitio o instalación se proporciona como cortesía pública y no como parte de la solicitud o aviso. Para conocer la ubicación exacta, consulte la aplicación. https://gisweb.tceq.texas. gov/LocationMapper/?marker=-99.090145,29.98729&level=13. La instalación emitirá los siguientes contaminantes: monóxido de carbono, contaminantes peligrosos del aire, óxidos de nitrógeno, compuestos orgánicos, dióxido de azufre, y materia particulada, incluyendo materia particulada con un diámetro menor que 10 micrones y materia particulada con un diámetro menor que 2.5 micrones.

Esta solicitud se presentó a la TCEQ el 2 de mayo de 2025. La solicitud estará disponible para su visualización y copia en la oficina central de la TCEQ, la oficina regional de TCEQ en San Antonio y Biblioteca Memorial de Butts-Holdsworth, 505 Water Street, Kerrville, Condado de Kerr, Texas a partir del primer día de publicación de este aviso. El archivo de cumplimiento de la instalación, si existe alguno, está disponible para su revisión pública en la oficina regional de San Antonio de la TCEQ. La solicitud (cualquier actualización inclusive) está disponible electrónicamente en la siguiente página web: https://www.tceq.texas.gov/permitting/air/airpermit-applications-notices.

El director ejecutivo ha determinado que la solicitud está administrativamente completa y llevará a cabo una revisión técnica de la solicitud.

COMENTARIO PÚBLICO. Usted puede enviar comentarios públicos a la Oficina del Secretario Oficial en la dirección a continuación. La TCEQ considerará todos los comentarios públicos al desarrollar una decisión final sobre la solicitud y el director ejecutivo preparará una respuesta a esos comentarios.

REUNIÓN PÚBLICA. Puede solicitar una reunión pública a la Oficina del Secretario Oficial en la dirección a continuación. El propósito de una reunión pública es para brindar la oportunidad de enviar comentarios o hacer preguntas sobre la solicitud. Se llevará a cabo una reunión pública sobre la solicitud si lo solicita una persona interesada y el director ejecutivo determina que existe un grado significativo de interés público en la solicitud o si lo solicita un legislador local.

Una reunión pública no es una audiencia de caso impugnado.

Una vez completada la revisión técnica de la solicitud, el director ejecutivo puede preparar un bosquejo de permiso y emitirá una decisión preliminar sobre la solicitud. Si se prepara un bosquejo de Permiso de Calidad del Aire, se requiere un Aviso de Solicitud y Decisión Preliminar y luego se publicará y enviará por correo a aquellos que hicieron comentarios, presentaron solicitudes de audiencia o están en la lista de correo para esta solicitud y contendrá la fecha límite final para enviar comentarios públicos.

OPORTUNIDAD PARA UNA AUDIENCIA DE CASO IMPUGNADO. Puede solicitar una audiencia de caso impugnado si usted es una persona que puede verse afectada por las emisiones de contaminantes del aire de la instalación. Si solicita una audiencia de caso impugnado, debe presentar lo siguiente: (1) su nombre (o para un grupo o asociación, un representante oficial), dirección postal y número de teléfono diurno; (2) nombre y número de permiso del solicitante; 3) la declaración "[Yo/nosotros] solicitamos una audiencia de caso impugnado"; (4) una descripción específica de cómo se vería afectado negativamente por la aplicación y las emisiones atmosféricas de la instalación de una manera no común para el público en general; (5) la ubicación y distancia de su propiedad en relación con la instalación; (6) una descripción de cómo utiliza la propiedad que puede verse afectada por la instalación; y (7) una lista de todas las cuestiones de hecho en disputa que envíe durante el periodo de comentarios. Si la solicitud es hecha por un grupo o una asociación, uno o más miembros que tienen capacidad para solicitar una audiencia deben ser identificados por su nombre y dirección física. También deben identificarse los intereses que el grupo o asociación busca proteger. También puede presentar los ajustes propuestos a la solicitud / permiso que satisfagan sus inquietudes.

La fecha límite para presentar una solicitud para una audiencia de caso impugnado es de 30 días después de que se publique el aviso del periódico. Si una solicitud se presenta oportunamente, la fecha límite para solicitar una audiencia de caso impugnado se extenderá a 30 días después del envío de la respuesta a los comentarios. Si una solicitud de audiencia se presenta oportunamente, después del cierre de todos los períodos de comentarios y solicitudes aplicables, el Director Ejecutivo enviará la solicitud y cualquier solicitud de audiencia de caso impugnado a los Comisionados para su consideración en una reunión programada de la Comisión. La Comisión sólo podrá conceder una solicitud de audiencia de un asunto impugnado sobre cuestiones que el solicitante haya presentado en sus observaciones oportunas que no hayan sido retiradas posteriormente. Si se concede una audiencia, el tema de una audiencia se limitará a cuestiones de hecho en disputa o cuestiones mixtas de hecho y de derecho relacionadas con preocupaciones relevantes y materiales sobre la calidad del aire presentadas durante el periodo de comentarios. Cuestiones como los valores de las propiedades, el ruido, la seguridad del tráfico, y la zonificación están fuera de la jurisdicción de la Comisión para abordar en este procedimiento.

LISTA DE CORREO. Además de enviar comentarios públicos, puede solicitar ser colocado en una lista de correo para recibir futuros avisos públicos para esta solicitud específica enviando una solicitud por escrito a la Oficina del Secretario Oficial a la dirección a continuación.

CONTACTOS E INFORMACIÓN DE LA AGENCIA. Los comentarios y solicitudes del público deben enviarse electrónicamente a www14.tceq.texas.gov/ epic/eComment/, o por escrito Texas Commission on Environmental Quality, Office of Chief Clerk, MC-105, P.O. Box 13087, Austin, Texas 78711-3087. Tenga en cuenta que cualquier información de contacto que proporcione, incluido su nombre, número de teléfono, dirección de correo electrónico y dirección física, se convertirá en parte del registro público de la agencia. Para obtener más información sobre esta solicitud de permiso o el proceso de permisos, llame al Programa de Educación Pública al número gratuito 1-800-687-4040. Si desea información en español, puede llamar al 1-800-687-4040.

También se puede obtener más información de Megaacrete AAC Plant, LLC, 310 Peterson Farm Road, Kerrville, Texas 78028-2348 o llamando a Sr. Travis Knisley, Ingeniero Químico Sr., Terracon Consultants, Inc. al 763-489-3100.

Fecha de emisión del aviso: 8 de mayo de 2025

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Vamos a Vacunarnos Cuando se trata de las vacunas, es importante reconocer los datos. El Distrito de Salud Metropolitano de la Ciudad de San Antonio sabe que la vida no se detiene, y nadie quiere perderse un evento por estar enfermo. Las vacunas son seguras y ayudan al sistema inmunitario evitar enfermedades graves que pueden detener o cambiar sus planes.

Vamos a vacunarnos, porque cuando se trata de su salud, es tiempo de informarse sobre las vacunas y conocer los datos.

Para más información, visite SA.gov/Health

Escanee el código QR para encontrar la clínica emergente más cerca de ti.

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La Prensa Texas SAN ANTONIO

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Masters 50+ Segunda Vuelta Por Sendero Deportivo

va por la hazaña por derrotar cierre de la primera vuelta, el Abierta, Cardenales doblegó Zacatecas del artista Eloy

Esté domingo 8 de junio en a Yankees de Luis Velázquez clásico dominical fue ganado 4-2 a Cachorros, con victoria R o c h a y e l m a n a g e r y el campo 2 Potranco Stadium que por cuatro temporadas han por Rieleros con blanqueada para su lanzador estelar derecho jugador Víctor Mercedes (El con dos interesantes partidos ganado el título de campeón en ante Rangers con pizarra de Orlando Barroso y derrota Caminante), ganaron 12-2 arrancará la segunda vuelta los playoffs de forma invicta. de la temporada Masters 50+,

11-0 . La victoria en la lomita se para Josh Gill con relevo de a los Diablos. Leo Terán en

Rangers de Benito Martínez la llevó José “El Che” Cardona Gaspar Beltrán . Jorge Delgado seis episodios se adjudicó el

dedicada al Rielero Mayor, Juan “El Venado”, con su reforzada y la derrota fue para Hugo pegó jonrón con un compañero triunfo y el relevista estelar Sánchez, timonel y jugador del alineación tratará de ganar a Méndez con relevos de Ervey en base para ubicar el score Humberto García “Flaco”, se equipo Rieleros donde comparte Los Rojos de Jimmy Martínez Vela y Ruperto Ortega. En el 4-0. Y seguidamente Cristian adjudicó el salvamento. En las responsabilidades con el coach y los coaches Alacrán Galindo bateo destacaron Papo Garza Arzola con doblete remolcó a fotos aparecen José Cardona y jugador Servando Hernández. y Luis Rios.

Y las acciones son transmitidas

con 3-2, Jaime Rodríguez un compañero en base evitando “El Che” pitcher de Rieleros

R i e l e r o s d e s c a n s a r á n . (La Crema) de 2-2 y Chon la blanqueada.

por José Sánchez, compilador Resultados: Yankees 15 Los Rodriguez con 5-2 y dos oficial.

Rojos 5, con victoria para carreras anotadas. Por Rangers

En el horario de las 11am se Gilbert Salazar y derrota para destacó el primera base Johnny miden Astros y Yankees. A las Carlos Cerda “La Chiva”, que López, con efectiva defensiva 2pm Rangers vs Reds.

tuvo relevos de Abdon Orozco y ofensiva.

Astros de Pedro Espinoza, y Luis Rios. Para concluir el

En categoría dominical

y Johnny López primera base

E l c a m p e ó n P o t r o s d e de Rangers. (Fotos de Franco).

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NOTICE A TODAS LAS PERSONAS Y PARTES INTERESADAS:

SOUTHWEST RESEARCH INSTITUTE, ha solicitado a la Comisión de Calidad Ambiental del Estado de Texas (TCEQ, por sus siglas en inglés) una Enmienda al Permiso de Calidad del Aire Número 43833, la cual autorizaría una modificación en Southwest Research Institute ubicado en 6220 Culebra Road, San Antonio, Condado de Bexar, Texas 78238. Esta solicitud fue procesada de manera expedita, conforme a lo permitido por las reglas de la comisión en el Título 30 del Código Administrativo de Texas, Capítulo 101, Subcapítulo J. Información adicional sobre esta solicitud se encuentra en la sección de avisos públicos de este periódico.

LEGAL NOTICE Application has been made with the Texas Alcoholic Beverage Commission for a Retail Dealer’s On-Premise License (BE) to sell beer for on-premise consumption by Iron Wolf Games and Hobbies LLC to be located at 7122 San Pedro Avenue, Suite 106, San Antonio, Bexar County, Texas 78216.

Officers of said business is Jason Davis.

Miguel M Guerrero Jr. 2025 Graduate Memorial HS

08 de Junio de 2025

La Prensa Texas SAN ANTONIO

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Outstanding Hispanic/Latina of Texas: Salina Ramirez

By Cyndi Dominguez helping others feel seen back, love generously, truly change lives.

Hispanic and Latino With a heart full of and valued, or standing and serve with joy— voices are rising, leading, kindness and a passion up against bullying, wherever they are. Salina Let this story remind us serving, and inspiring for helping others, Salina she brings warmth and believes that through that across every corner with corazón. We are not Ramirez a 14-year-old encouragement wherever kindness, connection, of Texas — from small just part of the story — from Corpus Christi, she goes. Her dedication and community, we can towns to big cities — we are shaping it.

Texas, is a shining was recently honored example of love in with the 2025 LULAC action. As the reigning Y o u t h L e a d e r s h i p Jr. Teen United World Award, recognizing her 2025, Salina uses her unwavering commitment voice and platform to lift to leadership through others, always leading love and service. with compassion and care.

She also serves on the Be A Friend Project Teen A proud freshman honor Kindness Board and is a roll student at Roy Miller Be Strong Anti-Bullying High School, Salina Ambassador, where she balances her studies with speaks out for kindness a deep commitment to and inclusion. Her gentle serving her school and leadership helps others community. She is an feel safe, respected, and active member of the loved.

Varsity Cheer Team, F r e s h m a n C o u n c i l Salina is the proud h i s t o r i a n , S t u d e n t founder of “Be K.I.N.D C o u n c i l , T A M E – Kids Inspiring New Club, T.O.K.O. Club, Deeds”, a movement that Volleyball, and Choir. encourages young people She also shares her time to lead with kindness and and talents with the Junior to give from the heart.

Catholic Daughters of Through this platform, America and Girl Scouts, she invites others to always eager to be where join her in making the she is needed most. world a better, more compassionate place— S a l i n a ’ s h e a r t f o r one good deed at a time. service shines brightly t h r o u g h e v e r y t h i n g Her mission is simple she does. Whether b u t p o w e r f u l : t o volunteering locally, inspire others to give

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