KRYSTLE LINA
BY DANNY GARCIA
TEAM
EDITOR-IN-CHIEF
EDITORIAL PRODUCERs
JOSE-MARIA
JIMENEZ
YASMINE KATEB
KRYSTLE LINA
AREZOO JALALI
DARIA VALIGURAS
JESSE GANT
YVES BRIGHT
MATTHEW SEIFNIA
LETTER FROM THE EDITOR
Dear readers,
FASHION EDITOR
CONTENT CREATORS retouchers
HILLARY STREITBERGER
CLAUDIA LOMBARDO
SHARON JANE
KUCHMA OKSANA
BLUEMODE CREATIVE STUDIO
As summer heats up, we bring you a sizzling June issue of QP FASHION MAGAZINE , packed with the kind of inspiration that will elevate your style, wanderlust, and curiosity.
On the cover this month, we’re thrilled to feature the multi-talented KRYSTLE LINA – an iconic former model and now a renowned GUESS photographer. Her journey from front of the camera to behind the lens has been a beautiful evolution of creativity, and we dive deep into her story in this issue.
We also have exclusive interviews with two incredible women whose stories reflect strength, grace, and authenticity. Fashion innovator DEVANGANA MISHRA shares her thoughts on pushing boundaries in design, while actress JULIA REILLY talks about her breakout roles and what’s next for her on-screen journey.
For those dreaming of an escape, we take you to the breathtaking SONEVA FUSHI in the MALDIVES – a place where luxury meets sustainability and the stunning beauty of the INDIAN OCEAN can be felt at every turn. It’s a destination that embodies relaxation and indulgence in its purest form.
As the season of sun and fun approaches, we’ve also got your style covered. Our fashion article “Statement Accessories for Summer” will help you elevate any outfit with standout pieces that bring personality to your look. And for the ultimate summer wardrobe refresh, our shopping guide “From Pool to Party: Swimwear That Doubles as Streetwear” will show you how to seamlessly transition from beach to brunch – no change of clothes required.
This issue is a celebration of the women who inspire us, the places that spark our imagination, and the fashion that keeps us moving forward. We hope you enjoy the journey inside these pages as much as we’ve enjoyed bringing it to you.
Happy summer ahead!
JOSE-MARIA JIMENEZ Editor-in-Chief // QPmag
8-15| 16-23| 24-33| 34-51| 52-63| 64-83| 84-85| 86-97| 98-102| 104-111| 112-119| 120-127| 128-129| 130-141|
IN THIS ISSUE
EDITORIAL: SHORE MUSE
EDITORIAL: SOFTLY SPOKEN
INTERVIEW: DEVANGANA MISHRA
EDITORIAL: AS FREE AS THE WIND
COVER: KRYSTLE LINA
EDITORIAL: SIMPLE THINGS
FASHION: STATEMENT ACCESSORIES FOR SUMMER
EDITORIAL: AMBER FIELDS
TRAVEL: SONEVA FUSHI, MALDIVES
NEW FACE: DAISY CARDONA
INTERVIEW: JULIA REILLY
EDITORIAL: WHISPER MY NAME
SHOPPING GUIDE: FROM POOL TO PARTY
EDITORIAL: CASTAWAY
TALENT: KRYSTLE LINA @krystlelina
PHOTOGRAPHER: DANNY GARCIA @dblaze____
MAKEUP ARTIST: VANESSA HARO @makeupbynessa
SHORE MUSE
PHOTOGRAPHER: ALESSANDRA FIORINI @alessandrafioriniphotography
MODEL: AVA HILMARSDÓTTIR @avahilmars
AGENCY: FREEDOM MODELS MIAMI @freedommodelsmia
WARDROBE STYLIST: MICHELLE PRICE @ladyfied_style
HAIR & MAKEUP ARTIST: NINA ALCANTARA @nina.hair.makeup
RETOUCHER: RUSSEL DENNIS @russeldennis.postproduction
Set SANDRO X LOUISE BOURGEOIS
Sunglasses TIFFANY & CO
Denim jacket STELLA MCCARTNEY
Denim jacket & jeans
STELLA MCCARTNEY
Sunglasses BURBERRY
Sunglasses VERSACE
Denim Trim Jacket & Shorts MAJE
Strapless cutout coated-denim mini dress
RICK OWENS
Earrings ALEXIS BITTAR
Spiral asymmetric
denim coat ALAÏA
Asymmetric wide-leg
jeans ALAÏA
Sunglasses GUCCI
Sydney pant CULT GAIA
Earrings ALEXIS BITTAR
Bodysuit ZARA Jacket
SOFTLY SPOKEN
PHOTOGRAPHER: JONAS JENSEN @jonasjphotography
MODEL: MONIQUE HANSEN @_moniquehansen_
AGENCY: AGENCIA MODELS @agenciamodels_athens
HAIR & Makeup Artist: ROZELLE PARRY @rozelleparrymakeup
HMUA AGENCY: LE MANAGEMENT @lemanagement
Bodysuit ZARA
Bodysuit MAGASIN DU NORD
Jacket ZARA
DU NORD
Jacket ZARA
Bodysuit MAGASIN DU NORD
Jacket ZARA
DEVANGANA MISHRA WHERE POETRY BECOMES PURPOSE
Interview by JOSE-MARIA JIMENEZ
In a world increasingly driven by immediacy, Devangana Mishra is an artist of deliberate intensity. A poet, educator, and founder of the nonprofit Brain Bristle , her creative voice traverses continents and classrooms alike— drawing together the lyrical with the lived, the political with the profoundly personal. From the haunting intimacy of her poetry book Desierto Florido , born in the stillness of global lockdowns, to the sensory world-building in 26, Kamala Nehru Ridge , her work is both an offering and an invitation: to feel, to question, to remember.
In this conversation with QP , Mishra speaks candidly about the cities that have shaped her, the radical empathy that informs her educational mission, and the quiet power of fashion as personal truth. Her style—both literary and sartorial—is as unmistakable as her ethos: bold, intuitive, and unapologetically original. Whether designing alternate curricula or crafting black-and-white verse, Mishra blurs no lines between art and advocacy— she insists they be lived as one.
Your poetry book Desierto Florido is both haunting and intimate. What led you to choose a poetry format to tell this particular story?
Desierto Florido was my first attempt at going independent as a writer. I’d dabbled with a lot of fiction, children’s texts, academic and curricular writing until then, so Desierto Florido was my attempt at poetry/ prose written during COVID. It was inspired by the darkness of that time globally, the movies I’d watched, the news I was reading, pop culture, music, fiction I read and the world I imagined as I spent two years creating during lockdown. It was also the time indoors then that gave birth to my non-profit Brain Bristle that works to include, educate and give access to students on the autism spectrum. How did your time writing 26, Kamala Nehru Ridge, Civil Lines, Delhi shape your sense of place and language as a poet?
Your next book, May I Bombay, blends prose, poetry, and art. Can you share how Mumbai as a city influenced this multidisciplinary approach?
“ my non-profit
Brain
Bristle works to include, educate and give access to students on the autism spectrum. ”
All true writing is truly insideout. Poetry and verses are best felt when known from the tiniest details, the shape of the incebelli, the sound of the doorbell, the colour of the gulmohar, how the house help speaks a certain diction that the Malliks don’t . I chose Delhi as a place to draw partition stories from because it was the epicenter of stories of partition and choosing a singular house, a singular family, a market today most known as a busy place back then a space of central governance, a religion- Mussalmanthey knew in their core, Zara Mallik’s grace, love and obstinance were all very helpful in crafting the verses I wrote in the verse novel. It was forty verses of art and poetry, but it couldn’t have been longer, it was all it asked. That’s what poetry does, it commands, it teaches, and you create.
I moved to India a few years ago, after a decade away. I chose Mumbai as a city because I wanted to build my own independent life, much of my family is in Delhi/ Jaipur . It took me a few years of living in Mumbai to love this city how I do today, so May I Bombay , served multiple philosophical, artistic, and literary purposes for me, it served as a way for me to know the city and its history more, it served as a way for me to write stories of the city that must’ve got washed out from the 1980s and 90s, it served as a way to write it, paint it, tell it the best I knew to. My hope is for all those who read May I Bombay , they know the story of a young suburban girl, Savitri Dhavale from the 1980s and her life they otherwise wouldn’t know. Do you consider your poetry political? Or do you resist that label entirely?
All poetry is political, even if it doesn’t explicitly say it. I write in verses and poetry to keep our imagination alive, vibrant and bubbling, keep it open to interpretation, I keep it political, because it takes sides, it takes stories untold to eyes and knows, it is how art should be, even May I Bombay is such.
How do fashion and aesthetics show up in your written or visual work—either consciously or subconsciously?
Fashion is a cup of golden maple syrup that the fashionable don’t restrict to pouring over just pancakes and waffles but drizzle it in everything they do. Everything I write or paint or create has a flavour of that maple syrup, some like it, some don’t, some find it how hilariously me, I am, some imitate it, some aspire, some get influenced by it and some wouldn't care, but that’s what the fashionable do well, they slather or soak their
syrup in everything and let bees or ants or butterflies flock to it or let sweepers come wipe it clean.
Brain Bristle is a radical concept: working with autism support in low-income schools. What inspired you to create it?
Honestly, the potential in it and the lack of anyone really doing anything, just thinking they are.
You’ve written alternate curricula for diverse contexts. What, in your opinion, is the biggest misconception people have about inclusion in education?
A penguin can only fly to a certain distance and height, but humans are not penguins. Those on the spectrum of autism, those with learning disabilities, those with other high needs are all capable of being extended, of learning, doing, growing, attempting a lot more than we think possible for them- I’ve seen minds calm down, behaviours diminish, silhouettes of god appear when we’ve done this early and well. Curricula that fit the child and are eternal, rather than curriculum that fits the school and ends where my neck begins.
Can you walk us through a day in your life running Brain Bristle—from boardroom to classroom to studio?
I live a manic life- I drink a very strong cup of coffee with some nuts of figs to start my day, reading/ going over my emails, then I visit the schools we work at, seeing the work going on, I’m a manic, hilarious, self-deprecating, very authentic perfectionist so I try to keep that side of me only a little unleashed because that side can be exhausting for my team. I check in with my manager, Samruddhi , she and I are always head-butting because my expectations are always mind-boggling to her. I struggle with fundraising, because I take hours and days to make a presentation that investors usually need,
it’s not because I’m incapable but because my perfectionism and flow gets the better of me, so I rely on my dad for that and I spend time writing and painting in the afternoons when I’ve spent my caffeinated energy everywhere else. I work out each evening before I get cozy with the family, get dinner organized, fuss over meals, and watch some TV show or a book before calling it a night by 11 pm with an early start again.
From New York to Jakarta to Mumbai, you’ve worked globally. What was the most profound lesson you’ve carried with you across continents?
Openness to the world- the more deeply you live, across places, cultures, continents, accents and ways, the more you open to human diversity- I love that diversity and I’d now get suffocated if I were put in a homogeneous space where I didn’t have that platter of everyone doing everything!
How do you see the relationship between empathy, education, and creative expression in your work?
It’s so deeply tied with each other- empathy is a sense of knowing how someone else feels, until I don’t feel what they feel I wouldn’t know how to educate them, what to educate them in, what to expand their knowledge in, what to expose them to, what to give them access to and how to help them express in the world. It’s the same for me, teachers who have loved me, empathized with me, have been my best teachers and have taken me on creative journeys beyond my knowledge and imagination.
You represented at Davos 2020—a space of immense visibility. Did that moment change how you view your role as a writer or activist?
Not really, it just felt like a deserved space of being, I’d worked very hard for the last decade and a half and spoken at multiple avenues,
“I’m a manic, hilarious, self-deprecating, very authentic perfectionist so I try to keep that side of me only a little unleashed. ”
conferences, summits- so this was a moment of achievement, like a pat on my back and caviar on my lips. I was at the same parties as Mark Zuckerburg and Tony Blair and the likes. What have been some of the internal negotiations you’ve had to make between global recognition and local impact?
Global recognition has to be a by-product of local impact, until your local impact isn’t at its maximum, your global fanfare or recognition will end up with imposter syndrome. You have to know within yourself, is this the best I could’ve done locally, and if hand on your heart, you think yes, then global recognition is deserved and must be applauded, otherwise stay at home, work hard, do your work, the time will come.
How do you protect your inner creative voice amidst all the organizational, academic, and global work you do?
That's a fabulous question- by knowing my voice, my work, my originality, I’ve been a writer/ artist since I was very little so the moment it’s taken away from me or gets lost or mixed up in the everything, I feel breathless and know I need to find my own voice again, creatively, intellectually, artistically- all artists know ‘mine’, there’s no losing or drifting from it too far.
Was there a single moment or conversation that made you realize writing and advocacy weren’t separate paths—but deeply entwined?
I've tried to do roles or speak for causes that I didn’t know much about but my job demanded it, even though it paid me a lot of money, I quit because of the same reason, I didn’t know the authentic ground, I couldn’t write it well so I couldn't speak it/ advocate for it. There’s a lot of speakers these days, but if they can’t write
it to their most accurate last full stop, and semicolon, they shouldn’t speak it.
Do you feel women writers in India today are being heard on their own terms, or are they still navigating through a curated lens?
Women in India are finding their paths, they’re finding their liberated voices in a westernized world- so even their voice is finding chords and vocals they’re experimenting with, which is all great because people are listening, they’ve got eyeballs and attention but how are they using those eyeballs and attention is a journey they’re navigating through generations of patriarchy, cultural dogmas, familial roles and positions they’ve held in kitchens, homes and offices.
You describe yourself as a writer and an artist. How would you describe your personal style— and how does it speak to the way you present yourself in the world?
I’ve answered this before, it’s authentic, it’s what matters to me, it’s relatable and what speaks to me so truly, it must speak to anyone else who’s like me.
You’ve used black-and-white imagery and minimalist formats in your books. Is that choice an aesthetic one, a political one—or both?
I think that’s more aesthetics and mood. What role do you think fashion can or should play in education spaces, especially for neurodiverse children and teens?
Fashion is the most visible form of expression. Fashion dictates, Jonathan Anderson taking over Maria Grazia Chiuri made global news just as cricket or an earthquake would, that's what fashion does well, it pervades into everything, politicians are fashionable, artists are fashionable, school staff is fashionable,
“Women in India are finding their paths, they’re finding their liberated voices in a westernized world . ”
people who work large multimillion dollar business or small startup founders, they're all fashionable- this fashion can help children and teens early on find their own style and being, even for the neurodiverse. There’s a lot written about fashion, but finding your own sense of what would you like to wear, be, do, accessorize with can be very defining for someone, it’s very interior, fashion.
If you could design a uniform for the future— of schools, of writers, of change-makers—what would it look like?
Originality, of all the influence and teaching you have, what rides your boat, is it a stiff saree with a blouse to your elbows, is it a gunjee
with jeans, is it perfectly fitted jeans with a shirt, is it ‘what’s at the top of my closet’, is it, ‘I’m usually lazy, I wear whatever’, is it ‘what that star is wearing, I love that’, this asking of oneself and knowing oneself is the uniform they must wear.
What’s something you’re writing now that you haven’t told anyone about yet?
Nothing new, maybe Brain Bristle ’s journey, maybe the 5000 texts I write daily and send to this guy, maybe writing with the knowledge that most writers don’t write to earn money from it, their purposes are their own, maybe just writing and finding my own!
“There’s a lot written about fashion, but finding your own sense of what would you like to wear, be, do, accessorize with can be very defining for someone. ”
Suit blazer TATA PR ARCHIVE
Suit pants MAGDA BUTRYM
Earrings NATIA X LAKO
Shoes FEMME
LOS ANGELES
Black dress
ZETAYE
POLENE PARIS
Shoes
CELINE
Bag
AS FREE AS THE WIND
PHOTOGRAPHER: TONY BOWEN @tonybeephoto
MODEL: SHAVONNE BOGGS @yesimshay_
FASHION STYLIST: JAMES C. @jvmes.iv
STYLIST ASSISTANT: DEANDRE JACKSON @devndrejvckson
MAKEUP ARTIST: MARK QUIRIMIT @markquirimit
HAIR STYLIST: MARVIN ALEXANDER @marvinalexanderbeauty wardrobe provided by TATA PR LOS ANGELES @tata__la
Suit blazer
Earrings NATIA X LAKO
Suit blazer TATA PR ARCHIVE
Suit pants MAGDA BUTRYM
Earrings NATIA X LAKO
Shoes FEMME
LOS ANGELES
Suit blazer TATA PR ARCHIVE
Suit pants MAGDA BUTRYM
Earrings NATIA X LAKO
Shoes FEMME
LOS ANGELES
Jacket VASSIA KOSTARA
LIMITED COLLECTIONS
Earrings NATIA X LAKO
Shoes FEMME LOS ANGELES
Jacket VASSIA KOSTARA
LIMITED COLLECTIONS
Earrings NATIA X LAKO
Shoes FEMME
LOS ANGELES
3 piece suede set RIGASH
COLLECTIONS
Tie VASSIA KOSTARA
3 piece suede set RIGASH Bag TATA PR ARCHIVE
COLLECTIONS
Tie VASSIA KOSTARA LIMITED
3
piece suede set RIGASH
VASSIA KOSTARA
Dress
SIMONE ROCHA
Dress SIMONE ROCHA
KRYSTLE LINA
OWNING THE FRAME
Interview by JOSE-MARIA JIMENEZ
Krystle Lina ’s career reads like a masterclass in reinvention. From the glitz of modeling for Maxim and Sports Illustrated to commanding the set as a sought-after fashion photographer, Krystle has carved out a space where sensuality meets strength—and where the subject and the storyteller are often one and the same. Her journey, which began in front of the lens, took a decisive and empowering turn in her twenties when a spontaneous investment in a camera sparked a passion that led her to shoot for major brands like GUESS and publications across the globe.
In this exclusive interview, Krystle opens up about navigating a maledominated industry, the creative discipline behind her refined visual style, and how her past as a model deeply informs her photographic process today. Through candid reflections and hard-won insights, she reveals what it takes to thrive as both artist and entrepreneur—while staying grounded, authentic, and unapologetically herself.
TALENT: KRYSTLE LINA @krystlelina
PHOTOGRAPHER: DANNY GARCIA @dblaze____
MAKEUP ARTIST: VANESSA HARO @makeupbynessa
VINTAGE CAR PROVIDED BY DAVIE LEE
Burgundy dress FASHION NOVA Boots ARIAT
Yellow dress OH POLLY Boots ARIAT
Krystle, your journey from model to fashion photographer is inspiring. At what moment did you realize the camera belonged in your hands instead of in front of you?
Growing up, I always dreamed of being an actress and model—I never really thought about photography. But in my twenties, while studying acting, I decided to try photography to make some extra money. I jumped in, bought a camera, lights, and Photoshop . Within a year, I was shooting Playboy models on the Playboy Morning Show , getting published in Maxim and FHM , and eventually shooting for GUESS . It all happened fast, and I’m really grateful for the opportunities that came from taking the camera into my own hands.
You’ve shot for iconic brands like GUESS. What did working in their studio environment teach you about the creative process?
Working at GUESS Studio taught me the power of teamwork and organization. It pushed me to shoot more efficiently and deepened my understanding of storytelling through images
Having appeared in publications like Maxim and Sports Illustrated, how does your past experience as a model inform your approach behind the lens today?
“
and seen. It also taught me the importance of angles, lighting, and storytelling, which I now apply instinctively when I’m behind the lens.
Your photography has a signature sensual-yetrefined aesthetic. How did you develop your visual style?
Thank you! I just shoot what I love. Loving what you do is key to keeping that passion and developing your own unique style.
I’m very intentional about posing direction, energy on set, and making sure the talent feels confident and seen. ”
Modeling for publications like Maxim and Sports Illustrated gave me an inside look at what it feels like to be directed, styled, and photographed — especially under pressure. That experience helps me create a more collaborative and comfortable environment for the people I shoot. I know how vulnerable it can feel in front of the camera, so I’m very intentional about posing direction, energy on set, and making sure the talent feels confident
What was the biggest creative challenge you faced when transitioning from modeling to photography?
The biggest challenge was shifting from being the subject to being fully responsible for the vision. As a model, you focus on your performance — but as a photographer, you’re managing lighting, composition, direction, and storytelling all at once. It took time to build confidence in my creative choices and technical skills, but once I found my rhythm, it became incredibly empowering.
Let’s talk about your early days— how did studying at Lesly Kahn and The Second City shape your confidence and storytelling in both visual and verbal mediums?
Acting and improv taught me how to own a room, trust my gut, and tell stories without saying a word — all skills I use constantly as a photographer and director.
You’ve also produced and funded web series. What did that experience teach you about leadership and collaboration in creative industries?
Producing and funding my own web series taught me how to wear a lot of hats — fast. I had to lead a team, problem-solve in real time, and stay true to my creative vision while staying on budget. It made me a better collaborator and a more decisive leader.
Social media has been a major part of your journey, dating back to Myspace. How do you maintain authenticity while cultivating such a large online following?
Social media has evolved so much since the Myspace days, but what’s stayed consistent for me is showing up as myself. I don’t post just to perform—I post to connect. I think people can sense when you’re being real versus curated for clicks. I’ve learned that staying authentic means knowing your values, honoring your voice, and not being afraid to grow in public.
What are the advantages and challenges of being both the subject and the creator in fashion imagery?
One of the biggest advantages is creative control—I get to shape the full vision from concept to execution, which makes the work feel more personal and intentional. But being both in front of and behind the camera is also a mental and physical juggle. You’re directing while performing, which can be exhausting. Still, that dual role allows for a kind of intimacy and storytelling that’s hard to replicate any other way.
You often work with models who are just starting out. What advice do you give them about confidence, body language, and longevity in this industry?
I tell them to be professional, stay safe, and treat people well. Confidence comes with time—just focus on being present. The ones who last are the ones who are kind, consistent, and real. Can you share a favorite behind-the-scenes moment from a GUESS shoot or one of your personal projects that left a lasting impression on you?
Having the opportunity to work with GUESS
and celebrity clients has been an experience that I will always be grateful for and I will never forget. I’m grateful for all of it.
As a woman in a male-dominated field like fashion photography, what barriers have you had to break—and how did you do it?
In the beginning, a lot of men gave me a hard time for not knowing the technical side of photography. They’d talk down to me, throw around jargon, or say I only got work because of how I looked. But the truth is, sometimes my looks and age actually worked against me. Clients don’t care what you look like—they care if you’re good and if you can keep up. I proved myself by doing the work, staying curious, and showing up with results.
Do you approach photographing women differently than men? What is your process in making subjects feel empowered and comfortable?
I don’t overthink gender—I focus on the person. With women, I’m especially mindful of making them feel safe and seen. I keep things collaborative, give clear direction, and create a vibe that lets them relax and feel empowered.
What is your creative process like when preparing for a shoot? Do you storyboard, freestyle, or combine both?
I usually combine both. I start with a clear vision and mood board to set the direction— colors, poses, lighting, vibes—so everyone’s on the same page. But once the shoot starts, I stay flexible and let the moment guide me. Sometimes the best shots come from spontaneous ideas or unexpected energy on set. So it’s really about balancing planning with room for creativity to flow naturally.
“Having the opportunity to work with GUESS and celebrity clients has been an experience that I will always be grateful for and I will never forget. ”
Blue dress
OH POLLY Boots ARIAT
Blue purse GUCCI
Yellow dress
OH POLLY
Boots ARIAT
Burgundy dress
FASHION NOVA
With your skills spanning photography, modeling, acting, producing, and hosting— how do you define creativity in your own life?
Creativity for me is about connection and authentic expression. It’s not just making things look good, but sharing real stories and emotions. Whether I’m shooting, modeling, or producing, it’s about staying curious and fearless—always pushing boundaries.
Are there any photographers or artists—past or present—who you consider personal influences or creative north stars?
I’m less influenced by specific photographers or artists and more inspired by time periods, movies, music, and the glamour of Old Hollywood. Those worlds shape the mood and storytelling in my work far more than any
individual creator.
You’ve built an empire with over 5.5 million followers. How do you stay grounded amidst such visibility?
I don’t focus on the number of followers—I’m just focused on reaching my next goal. Staying humble comes from knowing there’s so much talent out there, and I’m grateful to be part of that creative community.
What’s next for Krystle Lina? Any dream collaborations or untold creative aspirations you’re finally ready to explore?
I have some exciting projects in the works, but I’m a bit superstitious about talking details— so I’d rather just let the work speak for itself when the time comes.
“I’m less influenced by specific photographers or artists and more inspired by time periods, movies, music, and the glamour of Old Hollywood. ”
PHOTOGRAPHER: KENT AVERY @kentaveryphoto
MODEL: CAITLYN MWENIFUMBO @bby_cai
AGENCY: THE INDUSTRY MODEL MANAGEMENT LA @theindustryla
wardrobe STYLIST: HANNAH KERRI @hannahkerrri
HAIR AND Makeup ARTIST: KESHA @keshabyme
LOCATION: DECLAN @5thletter
Black dress
LOVESHACKFANCY
Boots ARIAT
Flowers
DAISY CARDONA
Burgundy dress FASHION NOVA
SIMPLE THINGS EMBRACE THE
IN LIFE
Denim set
FREE PEOPLE
PHOTOGRAPHER: BETH STUDENBERG @bethstudenberg
MODEL: EMILIE WATERS @emiliewaters
AGENCY: NEXT MANAGEMENT MIAMI @nextmiami
FASHION STYLIST: BETH STUDENBERG @bethstudenberg
HAIR AND MAKEUP ARTIST: OLIVIA @oliveskies
Dress FREE PEOPLE
Total look FREE PEOPLE
FASHION
STATEMENT ACCESSORIES FOR SUMMER THE MUST-HAVE ACCESSORIES OF THE SEASON
Summer is the season to go bold, and accessories are the perfect way to elevate your outfit without going over the top. From oversized hats to chunky jewelry, this summer is all about making a statement. Here’s a breakdown of the top statement accessories you can’t miss, and how to wear them for a killer summer look.
OVERSIZED HATS: THE ULTIMATE SUMMER STATEMENT
A large, wide-brimmed hat can instantly elevate any look, whether you're at the beach, a summer wedding, or just strolling around town. They add an air of elegance and can protect you from the sun while keeping you stylish. Look for straw hats with wide brims and exaggerated shapes for maximum impact. How to Style: Pair an oversized hat with a flowy, boho-inspired sundress or a sleek, monochrome swimsuit for a luxurious beach look.
COLORFUL SUNGLASSES
Sunglasses are always essential for summer, but this season it's all about fun shapes and bold colors. Think oversized, geometric, or aviator styles in vibrant hues like neon pink, bright yellow, and even lavender. These pieces aren’t just functional—they’re fashion-forward. How to Style: Wear them with minimalistic clothing or a monochromatic ensemble to let the sunglasses stand out. Pair a pair of oversized neon sunglasses with a simple white tank and denim shorts for a relaxed yet chic vibe.
STATEMENT BAGS
This summer, it’s all about carrying bags that stand out. Think bold textures, unique shapes, and fun colors. Whether it’s a brightly colored clutch, a sculptural crossbody, or a fringe-laden handbag, these pieces will take your outfit from simple to striking. How to Style: If you’re wearing a neutral outfit, a bold bag can be your statement piece. Go for a brightly colored handbag to add a fun pop to a black or white outfit.
CHUNKY BELTS
ISHAOR ASYMMETRICAL WAIST BELT
The chunky belt is a major accessory trend this summer, often adorned with statement buckles and made from materials like leather, braided straw, or even plastic. This accessory can cinch a flowy dress or make a pair of high-waisted shorts look more polished. How to Style: Use a statement belt to define your waist over a loose-fitting dress or to add edge to a tailored suit. Pair a wide leather belt with a maxi dress for an effortless boho look.
BOLD STATEMENT EARRINGS
This season, oversized earrings are a must-have. Think chunky hoops, dangly tassels, or bejeweled designs that add drama and flair. Whether they’re vibrant and colorful or metallic and sculptural, bold earrings will take your outfit to new heights.
How to Style: Balance your statement earrings with a simple, clean outfit like a fitted white tee or a sleek jumpsuit.
STATEMENT NECKLACES
From chunky chains to oversized pendants, necklaces are making a major comeback this summer. Bold pieces can add a personal touch to any outfit, whether it’s a chunky gold chain or a statement pendant that makes you stand out. How to Style: Layer your necklaces for a more bohemian vibe, or keep it simple with a single bold piece to complement a scoop-neck dress. A chunky gold chain works well with a flowy white shirt and denim.
GUCCI MARINA CHAIN NECKLACE
ISABEL MARANT FRINGED SHOULDER BAG
White dress ELISABETHA FRANCHI
AMBER FIELDS
PHOTOGRAPHER: KRYSTLE LINA @krystlelina
MODEL: ANNA BIZOVA @anna.bizova
MAKEUP ARTIST: ASHLEY PEACHES @peachglam_
White
Dress
HOUSE OF CB
White dress
ELISABETHA FRANCHI
White dress
ELISABETHA FRANCHI
Dress
HOUSE OF CB
White dress
ELISABETHA FRANCHI
SONEVA FUSHI MALDIVES
BAREFOOT GLAMOUR
In a world driven by noise, deadlines, and digital overstimulation, Soneva Fushi is a whisper of paradise—a hidden island where barefoot luxury is not just encouraged but required. Tucked away in the heart of the Baa Atoll UNESCO Biosphere Reserve , this private island resort in the Maldives offers the ultimate slow-fashion-meets-slowliving escape for the discerning traveler.
by JOSE-MARIA JIMENEZ
THE MOOD: CASTAWAY CHIC
Upon arrival by seaplane, shoes are removed and tucked into a canvas bag with the inscription: “No News, No Shoes.” It’s the unofficial dress code at Soneva Fushi—one that inspires the fashion-minded to shed fast trends and embrace intentional, sensual styling that flows with the sea breeze and catches the glow of island sunsets. Think: linen wide-leg trousers, handwoven sarongs, breezy organic cotton sets, crochet swimwear, and accessories carved from mother-of-pearl or sustainable wood. It’s not about looking effortless— it’s about being effortless.
WHERE FASHION MEETS SUSTAINABILITY
Soneva Fushi doesn’t just lead in luxury—it pioneers in eco-conscious living. Villas are constructed from local, renewable materials, and the island's "Eco Centro" recycles over 90% of its waste. Here, fashion with a conscience is more than welcome; it's essential. Opt for pieces from designers who embrace slow fashion, like Stella McCartney , Casa Raki , or Matteau —elegant silhouettes crafted with sustainability at their core. Pair a diaphanous silk kaftan with barefoot ankles and a wide-brim raffia hat for your bicycle ride to breakfast. Slip into a zero-waste swimwear set for an early morning dive with manta rays. Or, float into the open-air Cinema Paradiso in a flowing organic cotton dress, wind-tousled hair, and skin kissed by nothing but mineral sunscreen and ocean spray.
PHOTO: HANEEN @HANEENSIDDIQ FOR SONEVAI
PHOTO: STELLA MCCARTNEY
WHERE TO STAY: VILLAS THAT DISAPPEAR INTO THE LANDSCAPE
The villas at Soneva Fushi aren’t built on top of nature—they’re built within it. Constructed from sustainably sourced wood, each residence is tucked into the jungle with direct beach access, open-air bathrooms, and thatched roofs that peek through palm canopies. For ultimate privacy, book a Sunset Reserve with its own waterslide, private pool, and open-plan design meant for fashion photography or uninterrupted naps.
PHOTO: SO PRIMITIVE DINING EXPERIENCE WITH CHEF SOBAH BY HANEEN @HANEENSIDDIQ FOR SONEVA
WHAT TO DO: SLOWNESS AS A LUXURY
Despite the temptation to do absolutely nothing (and look chic doing it), Soneva offers some of the most exclusive, thoughtful experiences in the Maldives:
* Snorkel with manta rays at Hanifaru Bay, one of the world’s top marine sanctuaries. A once-in-a-lifetime moment best paired with an ocean-hued swimsuit and reef-safe sunscreen.
* Stargaze at the Observatory, where a professional astronomer will guide you across constellations while you sip a coconut cocktail.
* Dine in the trees at "Fresh in the Garden"—an openair organic restaurant set above the jungle canopy.
* Glassblowing Studio – Try your hand at transforming recycled glass into art. Style tip: linen overalls and tied silk scarf for an off-duty artist look.
* Sandbank Sunset Dinner – Accessible only by boat, this private dining experience under a canopy of stars is ideal for flowing gowns and minimal sandals. Fashion here is an extension of the moment.
BY JULIA NEESON FOR SONEVA
PHOTO: BIOLUMINESCENCE ON THE BEACH
PHOTO: FRESH IN THE GARDEN
WELLNESS THAT FEELS LIKE REBIRTH
At Soneva Soul, the resort’s integrative wellness center, treatments range from Ayurvedic massages to cuttingedge ozone therapy. Begin your morning with yoga on the sunrise deck, then indulge in a Maldivian sand exfoliation and cold plunge ritual before breakfast under the banyan trees.
BEFORE YOU LEAVE
Savor one final moment at The Den, a massive open-air treehouse playground that includes a music room, recording studio, and even a secret bar for grownups. It’s a place that reminds you—luxury doesn’t have to shout. It can whisper, laugh, or hum a tune in the breeze. And as you slip back into your shoes, your skin sun-kissed and your soul reset, you’ll carry with you more than photos—you’ll carry a rhythm, a texture, a memory of what fashion feels like when it truly lives in harmony with the world around it.
PHOTO: SONEVA FUSHI - ISLAND AERIAL BY JULIA NEESON @JULESANDBEYOND FOR SONEVA
NEW FACE
DAISY CARDONA
PHOTOGRAPHER: KRYSTLE LINA @krystlelina
MODEL: DAISY CARDONA @ddaiiissyyy
JULIA REILLY THE HEARTBEAT OF COUNTY RESCUE
Interview by JOSE-MARIA JIMENEZ
In the heart-pounding world of County Rescue , actress Julia Reilly brings Dani Miller to life—an EMT with unwavering strength and a deep sense of responsibility. With the release of Season 2, fans are in for a ride as Dani ’s character grows and faces new challenges.
Julia sat down with us to share her journey from intense rescues to heartfelt moments, revealing how she balances the grit and glamour of Dani , the impact of her diverse training, and what it’s like to portray a real-life hero. Plus, we get an inside look at Julia ’s personal style and fitness routine as she juggles the demands of her career.
TALENT: JULIA REILLY @juliagracereilly
PHOTOGRAPHER: TOMMY FLANAGAN @tommy_flanagan
Welcome back to the spotlight! Dani Miller is such a powerful character in County Rescue. What can fans expect from her in Season 2? How has she evolved from Season 1?
Thank you so much for having me! All of season 2 is out now, so for anyone who wants to see it, good news, you can binge all the episodes on Great American Pureflix ! There is a noticeable difference in Dani ’s confidence in her EMT work as she has been at the job longer now. Also along those lines, you will see a lot more depth and closeness in her relationships as she has had the opportunity to spend more time with her newfound family at the station. However, her faith is still tested which will present challenges for Dani .
Your portrayal of Dani is both gritty and glamorous. How do you balance those two sides of the character, especially in a high-pressure role like an EMT/paramedic?
I love the challenge of finding balance between the two and that we get to see multiple sides of Dani . I try to figure out what kind of energy and demeanor Dani exudes based off what scene we are filming in a given moment. For instance, a rescue scene is going to show Dani in work mode in the midst of high intensity, life or death circumstances at times. Whereas on a day with her family, she can let her hair down (literally), relax, and have more of a lightness to her. I just have to really know where we’re at in the storyline when we’re filming a given scene and do my homework to know what scenes previously happened in the script because we typically shoot completely out of order!
standpoint, there’s a scene in season 2 where Dani accuses another character of something under false pretenses. It was a heavy moment and one I had to shake off after we finished filming it and share a laugh with my cast. From a physical standpoint, in season 1 episode 1, we did a rescue scene outside at a lumber yard. It was a long day in the heat, so it was a challenge to keep energy up, hydrate, and try not get a sunburn. The scene turned out awesome though, so it was all worth it!
As an actress, you’ve tackled a wide range of roles from Stranger Things to County Rescue. How do you approach each character differently?
I like to see what aspects of a character I find in myself naturally, and then build off of that to incorporate the character’s differences from myself. I feel like this allows me to portray roles as organically and authentically as possible! It’s a constant collaboration with the director and the other actors you’re working with. I try to show up as prepared as possible so we can relax, play, and discover once the cameras start to roll.
“Doing live shows and theatre taught me how to think on my feet and improvise. ”
You grew up in Atlanta, where you started dancing at age 3. How has your background in dance and theatre influenced your acting style today?
The show is known for its intense action and emotional depth. What has been the most challenging scene for you to film so far?
That’s a great question. From an emotional
I’m so grateful to have grown up dancing and performing in musicals! All my acting training and performing experience thus far has helped me tremendously. Doing live shows and theatre taught me how to think on my feet and improvise because things can always go differently than planned when you have one live performance in front of an audience. I think it also allowed me to grow my confidence as a performer because it is not only vulnerable to stand on a stage with an audience right in front of you staring back, but also nerve-wracking and exciting all at the same time. There’s nothing like the energy of live theatre. Even though film/tv is a different medium, I apply so many of those skills to my work now.
We know you trained at several prestigious institutions. Can you share how these experiences shaped your career and prepared you for the role of Dani?
I’m so thankful for all the coaches, teachers, and professors who have poured into me throughout my life. I’ve taken so many valuable bits and pieces from each of them and formed my own personal toolbox of tips and techniques that I continually apply to my work now. I incorporate skills I learned at 7 years old and new ones I learned last week in acting class. There’s always more to learn and new people to meet- that’s one thing I love about this industry.
The love triangle in County Rescue adds a fascinating layer to the drama. How do you think Dani’s personal relationships impact her work as an EMT?
The love triangle was such a fun element to play with. However, I think Dani knows that work is work and when a call comes in, she’s able to separate her personal life and “leave it at the door” to focus on the task at hand. It’s the in between moments and her time away from the station that we get to see her interactions and deeper thoughts and feelings about these relationships.
You’re always on the go with filming and training. What does your daily fitness and wellness routine look like to keep up with the demands of your roles?
It is all about balance in my opinion! For instance, my favorite foods are pizza and salmon. Fitness is a very important part of my routine from both a physical and mental standpoint. It helps my mental health tremendously. I recently got certified to teach Lagree, a high intensity, low impact workout done on a mega reformer! I love it. I take those
classes multiple times a week and also love a good walk with my dog. I’m big on skincare too! It’s an evolving process of finding what works as our skin is constantly changing, but I love a good skincare routine.
You’ve worked on a variety of projects, from action-packed series to heartwarming films. Is there a genre or type of role you’ve always wanted to explore but haven’t yet?
I think it would be so much fun to do a musical movie at some point, and I also love the idea of a comedic television show. I do think drama is my niche and my favorite so far, but I would love to tap more into those other genres as well!
With the fast-paced nature of County Rescue, how do you unwind and recharge in between shooting intense scenes?
It varies! Sometimes it’s a quick 10 min power nap or joking around with my cast mates. Water and coffee also help.
Your dedication to growing as an actress is clear from your diverse training. What role has been the most personally rewarding for you so far?
Playing Dani on County Rescue ! I’ve learned more from this role and show both as an actress and in my personal life. There’s no better training than being on set day in and day out. This period of time has held the highest highs and lowest lows I’ve experienced in life thus far. I’m grateful for this crew and especially this cast. I say this about them all the time, but they truly are my second family.
What’s one beauty secret or wellness tip you swear by, especially considering the hectic schedule of a working actress?
On set, I’m big into Aquaphor, ice rolling my face, and under-eye patches in the mornings on my drive to set! My favorites ones are from Peter
“I think it would be so much fun to do a musical movie at some point, and I also love the idea of a comedic television show.”
Thomas Roth. Our makeup artist, Ms. Pam, used them on me in season 1 and now they’re a staple in my Sephora orders when I run out.
Your character Dani is always making lifeor-death decisions. What’s the most inspiring aspect of portraying a real-life hero like an EMT on screen?
I know I speak for our entire cast and crew when I say that we have the utmost respect and admiration for our first responders. We had EMT consults on set so we could be as realistic as possible, but we had a script to follow and knew exactly how the scene would play out. It takes a special person to be a first responder and go into fluid, life and death situations. They are saving real lives and doing the work that makes the biggest difference. They are true heroes and angels on earth, and it has been an honor to meet and work with so many incredible EMTs throughout the filming process.
How would you describe your personal style, and do you draw any inspiration from your roles for your everyday wardrobe?
Tammy Thompson in Stranger Things had the most stunning 80s get up, however, that might be a bit much for me to go to the grocery store. Some of what Dani wears in County Rescue I would also wear in real life. In fact, some of my personal wardrobe items made appearances in the show, and I may have snuck a few things from set home with me. Don’t tell Ciciley , our costume designer. I also loved a lot of the pieces I wore playing Amy March in A Little Women’s Christmas . I think my personal style has become pretty simple! I typically pair a baggy jean with a neutral top and a cute sneaker or heel depending on where I’m going. I’ve been loving Abercrombie and Reformation a lot lately. I’ve found some cute dresses at Reformation to throw on for dinner or press for this show! Pair it with a cute shoe, and you’re good to go!
Fashion and fitness often go hand-in-hand, especially for a role like Dani. Do you have any go-to brands or designers you love to wear when you’re off set, or do you prefer something more casual and functional?
I mentioned a couple stores above that I love, but I definitely dress more casual off set. I just love to be comfy. I love a matching sweat set and also live day-to-day in leggings or athleisure wear. Free People Movement has some super cute comfy day-to-day outfits. When filming A Little Women’s Christmas, I would show up to set in pajamas basically while Jen Lilley, Laura Osnes, and Jillian Murray always looked so cute and put together. I adore them. I could take a page from their books.
Looking ahead, do you have any dream projects or collaborations in mind that you’d love to be a part of?
I do! I have one project idea for a film I would love to get off the ground and am talking to some people about it now! Trusting that if God wants it to happen, it will! There are so many talented and cool people in this industry, and I’m excited to see who else I’ll get the opportunity to work with down the line.
Finally, for fans who may be aspiring actors themselves, what advice would you give them based on your journey from theatre to television and film?
Don’t compare your journey to becoming an actor to anyone else. Everyone gets there differently and if a role is meant for you, nothing will get in the way of that. Never stop training and try to be a sponge and absorb as much as you can, then apply what works best for you! Have fun and don’t take anything too seriously. There’s so much more to life than the work we do so take time to love on and laugh and create memories with the people you care about.
“
They are true heroes and angels on earth, and it has been an honor to meet and work with so many incredible EMTs throughout the filming process. ”
THE SILENCE HITS FIRST. THE EYES DO THE JOB. NAMES ARE BETTER WHISPERED AROUND WOMEN LIKE THIS.
Leather pant set
LBLC THE LABEL
Silver heels
ALEXANDRE BIRMAN
WHISPER MY NAME
PHOTOGRAPHER: VERONICA ESTRELLA @veronicaestrella.photo
MODEL: ROMANA MENEGONI @yogabyromilove
CREATIVE DIRECTOR & FASHION STYLIST: VERONICA ESTRELLA @veronicaestrella
HAIR: HIGH SOCIETY SALON @nina.hair.makeup
MAKEUP ARTIST: ARTISTRY BY GISELLE @artistrybygiselle
Silver
ALEXANDRE BIRMAN
Navy blue blazer
RALPH LAUREN
Lace bodysuit
BEBE
Pants CAROLINA
FLARE PANTS
Navy blue blazer
RALPH LAUREN
Lace bodysuit
BEBE
Pants CAROLINA
FLARE PANTS
Gown MARCIANO Gold heels
GIUSEPPE ZANOTTI
Leather pant set
LBLC THE LABEL
Silver heels
ALEXANDRE BIRMAN
Leather pant set
LBLC THE LABEL
SHOPPING GUIDE FROM POOL TO PARTY
SWIMWEAR THAT DOUBLES AS STREETWEAR
Why pack a change of clothes when your swimwear can do it all? This summer, the hottest looks aren’t just made for the beach — they’re made for everywhere. Think sleek one-pieces that double as bodysuits, metallic bikinis paired with low-rise denim, and sheer mesh cover-ups that glide effortlessly from poolside lounging to rooftop dancing. Whether you’re heading to a beach club in Ibiza or a backyard bash in Malibu , these versatile pieces are designed to turn heads day and night.
ONE‑PIECES AS BODYSUITS
Fashion experts recommend one-pieces styled as bodysuits—with denim or tailored trousers—as a sleek, season- transcending approach.
METALLIC MAGIC FOR NIGHT‑OUTS
Sequins, chrome, and foil bikinis are dominating summer 2025 runways—perfect for pool parties that turn into club nights.
MESH & CROCHET COVER‑UPS
Sheer layers keep things breezy for beach- to - bar transitions—wear over swimwear or as tops over cycling shorts.
LUXE COVER‑UP TUNICS
Long mesh tunics serve dual duty as beach coverups and evening overlays—stylish over bikinis or skinny jeans.
SUMMER STYLE
Logo-emblazoned sporty one-pieces—like the beach-to-street trend—are easily styled as tops.
MIXING TEXTURES & METALLICS
Combine metallic swim pieces with matte or distressed denim for a modern party-ready silhouette.
Swimwear
CARLOS SAN JUAN
Cowboy boots
ETRO
CASTAWAY
PHOTOGRAPHER: ANTOINE VERGLAS @antoineverglas
MODEL: MARTA ÁLAMO @martalopezalamo
AGENCY: ELEVEN TALENT @eleve11_talent
photographer´s assistant: MICHAEL PUSHKARSKIY @pushkarskiy_dp
PRODUCER: LERA LOEB @leraloebfilms
Black dress
YVONE THE LABEL
Cowboy hat HURRICAINE LAB
Black dress
YVONE THE LABEL Cowboy hat
HURRICAINE LAB Cowboy boots ETRO
Swimwear
CABANE
CABANE
Cowboy hat HURRICAINE LAB
Lingerie LAVARICE
ALEXANDRA MIRÓ
Photo DANIELLE GREEN
AVA HILMARSDÓTTIR
BY ALESSANDRA FIORINI