Waiting for Last Year E2N “Archives Actives”
“ Place Saint-Lambert Investigations”
18.09 → 05.11.1985 Underground of Place Saint-Lambert, Liège
VILMOUTH Jean-Luc, “Piliers”, 1985. Pillars, shelves, potted plants and neon lights
OPIE Julian, “Welcome to my office”, 1984. Oil on metal
OPIE Julian, “Satellite”, 1984. Oil on metal
MOFFARTS Michel, “Entre-deux”, 1985. Clay, pigment and rusty steel
MOL Pieter Laurens, “La récolte”, 1985. Cone, hay and wax head
BIJL Guillaume, Installation “Abri antiatomique”, 1985. Metal cupboards, beds, tables, chairs, cans, clock, basins, lamps and various objects
COPERS Léo, “Trap”, 1985. Red carpet
VAN SEVEREN Dan, “Zonder titel”, 1985. Russian tufa, Algerian onyx and black Tournai limestone
BREIVIK Bard, “Untitled”, ca. 1980. Metal
CHARLIER Jacques, “La voie de garage”, 1985. Advertising posters
LIZÈNE Jacques, “Peinture à la matière fécale, mur des défécations”, 1985 Faecal matter on canvas
LIZÈNE Jacques, “Tableau extrêmement réaliste (tableau extrêmement médiocre), sur fond de nouvelle abstraction nulle et figure néo-rupestre”, 1985. Acrylic and pigment on tarp
MERZ Mario, “Près de la table”, 1980. Mixed media
MOL Pieter Laurens, “Le témoignage anonyme”, 1976–1985. Tiles, zinc frame and photograph
JANSSENS Ann Veronica & DROSTE Monica, “Investigations, Place Saint-Lambert”, 1985. Broken mirrors and concrete
GEYS Jef, “Catacombes”, 1985. Lamps, paintings, stools, armchairs, chairs and wallpaper
MESMAEKER Jacqueline, “Les immigrés”, 1984. Model ship, earth and pigment
ALLINGTON Edward, “Cairn”, “Between the horns of a snail”, “Cube city”, ca. 1985. Mixed media
VAN SEVEREN Dan, “Zonder titel”, 1985. Charcoal on concrete
BOULANGER Michel, ““Des chemins – et non pas des œuvres” —Heidegger”, 1947–1985. Ink, tarp, paper, graphite, wood, tar and various objects
MUYLE Johan, “Le regard Atlantide”, 1985. Reconstitution of an attack, bus, slide projector and various objects
MUYLE Johan, “Le regard Atlantide” (detail), 1985
MESMAEKER Jacqueline, “Conversation au bord de la Seine”, 1984. Aquarium, water, wood, nuts schell, cigarette buts, wax, fabrics and stone fireplace
VAN SNICK Philippe, “2 fois 10 jours / 10 nuits”, 1985. Acrylic on cardboard
DELEU Luc, “Schaal en perspectiefe”, 1985. Motorway pylons
ONTANI Luigi, “Bon appétit toujours” (detail), 1985. Chalk, paint, porcelain and candles
DEACON Richard, “For Those Who Have Eyes”, 1983. Stainless steel
ONTANI Luigi, “Bon appétit toujours”, 1985. Set of 33 plates. Chalk, paint, porcelain and candles
SAYTOUR Patrick, “Sans titre”, 1985. Tent and bricks
D’HONDT Ivan, “Sans titre”, 1985. Plaster and metronome
GUDMUNDSSON Sigurdur, “Untitled”, 1985. Stone, glass, metal and various objects
PAOLINI Giulio, “Mimésis”, 1967. Plaster
PANAMARENKO, “Das Flugzeug”, 1967. Aluminium, cables, strap, bicycle wheels, saddle, pedals, polystyrene foam and fabric
PANAMARENKO, “Groene Rugzak”, 1984. Mixed media FRANCOIS Michel, “Sculpture aveugle II”, 1985. Acrylic and earth
LOHAUS Bernd, “Zonder titel”, 1985. Paper adhesive tape
ANGELI Marc, “Ensemble de 5 fresques (environnement)”, 1985. Lime, sand, water, pigments and limestone
LOHAUS Bernd, “Zonder titel”, 1985. Pastel and charcoal on paper
BIEN Waldo, “Untitled”, 1985. Various objects
FRANCOIS Michel, “Sans titre”, 1985. Acrylic and ash on wood
KANDILAPTIS Babis, “Sans titre”, 1984. Oil on tarp
FRANCIS Filip, “Champs de vision périphérique”, 1985. Acrylic painted simultaneously with the left hand and the right hand while looking at the central axis on concrete
ANTAL Sandro, “St Revier 37”, 1985. Metal and electrical installation
GEES Paul, “Vers une sculpture autonome”, 1985. Wood, brick and stone
“ Pierre Dartevelle – 50 Years of Collecting Art of
Aerial view of Place Saint-Lambert, 1985
View of the exhibition “Pierre Dartevelle : 50 Years of Collecting Art of the Congo” / Ngbaka figure / Hemba figure
Suku mask, “Kakungu” Nkisi dog figure, Kongo
View of the exhibition “Pierre Dartevelle : 50 Years of Collecting Art of the Congo” / Songye Fetish
View of the exhibition “Pierre Dartevelle : 50 Years of Collecting Art of the Congo” / Kongo Fetish
GUDMUNDSSON Sigurdur, “Park”, “Bild im Park”, “Am Park”, 1986. Engravings
MESMAEKER Jacqueline, “St-Jean”, 1985. Cloth, slide, wood, water and porcelain
FRANCOIS Michel, “Cannfight”, 1986. Wood and metal HAPPART Éli, “Autoportrait”, 1986. Photography
ZWERVER Ton, “Sculptuur bij Jan Grosveld”, “Huiskamersculptuur bij Moritz Ebingen”, 1984–1986. Photographs
VILMOUTH Jean-Luc, “Piliers pour une pièce”, 1986 Wood and metal THOMAS Philippe, “Sujet à discrétion”, 1985. Photographs
CAZAL Philippe, “Avec les compliments de”, 1986. Photographs
LIZÈNE Jacques, “Projet de sculpture nulle sonore, Projet 1975–1980”, “Fragment de peinture néo-rupestre nul, Projet 1966–1985”, “Projet de sculpture nulle avec fumigène, Projet 1980”, 1986. Acrylic and felt-tip on cardboard
SAYTOUR Patrick, “Sans titre”, 1986. Chair, fibreglass and metal
DE GOBERT Philippe, “Marcel Duchamp”, 1980. Wood, metal and glass
COPERS Léo, “Vêtement minimum composé d’ailes de papillons”, 1979. Cotton and butterfly wings
DUYCKAERTS Éric, “La nuit transfigurée”, 1986. Notebook of 36 handwritten sheets enhanced with ink and watercolour
JANSSENS Ann Veronica, “Portraits de Scène à l’île-aux-phoques”, 1986. Metal, ladder and wire
DROSTE Monica, “A step in setting in “the transit””, 1985. Metal TORDOIR Narcisse, “Zonder titel”, 1984. Acrylic on wood
“Couronne d’épines”, 1982.
BOULANGER Michel, “Sans titre”, various dates. Set of drawings. Indian ink and charcoal on paper
BIEN Waldo, “Untitled”, 1985. Steel board, photograph, glass, flint arrowheads, bamboo, string, cloth bags and whale fat PANAMARENKO, “Model II Luchtkussen toestel met periphere jet en aanzuigoren”, 1981. Pencil and lavis on paper / “Das Flugzeug B”, 1980. Pencil on paper
I.F.P. (Information Fiction Publicité), “Ciel (détail n°1)”, “Ciel (détail n°2)”, 1986. Light boxes
FAVIER Philippe, “Sieste”, 1985. Painted glass / “Gondolo”, 1985. Metal box and painted glass / “Akegange(s)”, 1985. Painted glass
ROMBOUTS Guy, “Grazie mille per essere venuto qui e per leggere questo”, 1986. Paper cut-outs
HUSTINX Damien, “Ecce homo”, 1985. Photographs
“ Résurgences”
25.11.2017 → 24.02.2018 Espace 251 Nord, Liège
MOL Pieter Laurens, “Solitude (meridianen der eenzaamheid)”, 1980. Fingernails drawing on rusty metal “Black Box”, 1980. Zinc box, tar and painted wooden base
SAYTOUR Patrick, “Ecrivez donc comme vous parlez”, 1986. Wood, frame, glass, aluminium, linoleum and canvas
TERLINDEN Christophe, “Peter Pan, Neverland… still alive”, 2014. Bronze and enamel Bactrian Stone, Iran-Afghanistan REUZÉ Sébastien, “Soleil IMG_7422”, 2017. RC print
FRANCOIS Michel, “Le cadeau”, 2016. Metal and magnets Lake Titicaca Boat Model. Bolivia / Peru
DE LEPELEIRE Damien, “Wonderful Ifé”, 2012. Oil on canvas JACOB Roger, “Sans titre”, ca. 1960. Stone
DEGUISLAGE Delphine, “Grotte célibataire”, 2013. Plaster, wire and Indian ink. JACOB Roger, “Sans titre”, 1974–1975. Painted steel / Yoni linga, Mysore Karnataka, 1400–1700 India
View of the exhibition “Résurgences”, Espace 251 Nord, Liège
Millstone, Neolithic, Sahara / ANGELI Marc, “Albâtre voltera”, 2009–2016. Paint and pencil on alabaster / Bactrian Stone, Iran-Afghanistan
KENIS Anne-Catherine, “Orphans”, 2017. Terracotta archeological fragments / REUZÉ Sébastien, “Soleil IMG_7422”, 2017. RC print
PLATÉUS Benoît, “Sans titre”, 1997. Digital print
ANGELI Marc, “Bir Zeit”, 2012. Pencil, olive oil and Palestine wine on olive wood / “Bloc blanc volterra”, 2014. Pigments, milk and rabbit skin glue on alabaster
EYNON Douglas, “Total reel”, 2017. Bronze, iron and moulding sand JACOB Roger, “Sans titre”, 1974–1975. Painted steel DUYCKAERTS Éric, “Peindre une forêt”, 1988. Watercolour on canvas
BOUBOLIS Sofia, “Ether, paysage 3”, 2017. Pastel and charcoal on paper / PLATÉUS Benoît, “Sans titre”, 1997. Digital print / KENIS Anne-Catherine, “Orphans”, 2017. Terracotta archeological fragments
Venus, Neolithic, Sahara / ANGELI Marc, “Carré alabastro pollen”, 2008. Pigments, pollen, milk and rabbit skin glue on alabaster
KENIS Anne-Catherine, “Orphans”, 2017. Terracotta archeological fragments
Sidamo Stele, ca. 11th century, South Ethiopia BERLANGER Marcel, “Mars” (detail), 2009. Acrylic and oil on fibreglass
Human figure (Tiki). stone, Marquesas Islands DUYCKAERTS Éric, “Peindre une forêt”, 1988. Watercolour on canvas
View of the exhibition “Résurgences” at Espace 251 Nord, Liège / front, left : CAILLARD Sarah, “Le Voyeur”, 2016. Reinforced concrete, pebbles, pastel and varnish
REGOUT Patrick, “Dessins minéraux”, 2017. Inkjet print
FRANCOIS Michel, “Le cadeau”, 2016. Metal and magnets / VOSTELL Wolf, “La dépression endogène” (fragment), 1985. Concrete
DEGUISLAGE Delphine, “Fantasme (bleu)”, 2015. Plaster, pigments and dry oil
LIZÈNE Jacques, “Sculpture génétique culturelle, Buste royal”, 2016. Acrylic on plaster, wooden mask and various materials
Dream stone (table screen), Ming Dynasty, China PLATÉUS Benoît, “Samuel”, 2017. Oil and pastel on cotton Scholar stone, Qing, 19th century. China
ESTÈVE Lionel, “Poussières urbaines et sculptures plates” (fragment), 2016. Stone, pigment and various materials FRANCOIS Michel, “Martyr”, 2017. Blue stone / location: Brasserie Haecht
BERLANGER Marcel, “Mars”, 2009. Acrylic and oil on fibreglass VOSTELL Wolf, “La dépression endogène” (fragment), 1985. Concrete
Nordprojet&Co with anonymous, private artification gesture
Japanese flag, ca. 1945 / SARION Loup & MARY Xavier, “Feelings Investment”, 2016. Tar, soot, plastic jar and lacquered steel
MILNIUS Gijs & OUSHOORN Gauthier, “Les souvenirs précieux de l’ère cambrienne”, 2017. Plastic, ceramic, velvet, nails, clay and papier-mâché
MUTLU Selçuk, “Nature(s) morte(s) – Bloody lemons”, 2017. Blood on canvas boards
VULPIAN Noémie, “Plome”. Asphalt coating / “Leeward”, 2014. Ceramic
BEAUDRY Charlotte, “Coupe anatomique : paupières”, 2016. Porcelain
MARY Xavier, “Teardrop on the fire”, 2016. Lead
GÉRARD Pierre, “D’après un plâtre de Rodin photographié par Laurent Jacob (image volée)”, 2017. Oil on cardboard
BOULANGER Michel, “Sans titre”, various dates. Indian
DANS Michael, “Étude pour un grand dessin intitulé La Tempète”, 2010. Indian ink on paper
BERLANGER Marcel, “Pierrot”, 2016. Acrylic and oil on fibreglass
VILMOUTH Jean-Luc, “Piliers pour une pièce”, 1986. Wood and metal / I.F.P. (Information Fiction Publicité), “Ciel (detail n°1)”, “Ciel (detail n°2)”, 1986. Light boxes
THOMAS Philippe, “Sujet à discrétion”, 1985. Photographics
LIZÈNE Jacques, “Peinture néo-rupestre”, 1985. Marker pen on paper
COPERS Léo, “Matériel pour visiter des expositions”, 1977. Cane, phosphorescent paint, sunglasses, case and black velvet
SAYTOUR Patrick, “Sans titre”, 1986. Chair, fibreglass and metal
DE GOBERT Philippe, “Artist Room : Tony Cragg”, 1986. Wood, plaster and various objects
MUYLE Johan, “L’homme aux mains de femme”, 1986 Wax, fabrics, plaster, wood, metal, cane, camera and mirror
DE GOBERT Philippe, “Les époux Arnolfini”, 1983. Wood, fabric, metal and glass
GEYS Jef, “L’artiste et son modèle”, 1973. Photographs
ZWERVER Ton, “Huiskamersculptuur bij Moritz Ebingen”, 1984–1986. Photographs
GEYS Jef, “L’artiste et son modèle”, 1973. Oil on canvas
HUSTINX Damien, “Nature morte”, 1986. Cement and various objects
CAZAL Philippe, “Avec les compliments de”, 1986. Table, champagne bottle, glasses and photographs
SAYTOUR Patrick, “Ecrivez donc comme vous parlez”, 1986. Wood, frame, glass, aluminium, linoleum and canvas
MUYLE Johan, “Le rat de Venise”, 1986. Text, Candelabrum, candles, fencing mask, metal trap, chains, butterfly screw and glass cover
DUYCKAERTS Éric, “La nuit transfigurée”, 1986. Notebook of 36 handwritten sheets enhanced with ink and watercolour
GHEERARDIJN Jean-Marie, “Tableau expérimental”, 1982–1984. Flies, velvet, plexiglass and gilded frame
BIEN Waldo, “Untitled”, 1985. Steel board, photograph, glass, flint arrowheads, bamboo, string, cloth bags and whale fat
DE GOBERT Philippe, “Peter Blake”, 1980. Wood, metal, glass and various objects
LOHAUS Bernd, “Espace Nord”, 1986. Azobé Wood
FRANCOIS Michel, “Sans titre”, 1985. Stone
JANSSENS Ann Veronica, “Portraits de Scène à l’île-aux-phoques”, 1986. Metal, ladder and wire
VAN SEVEREN Dan, “Zonder titel (project voor sculptuur)”, 1985. Charcoal on paper DROSTE Monica, “A step in setting in “the transit””, 1985. Metal
ROMBOUTS Guy & DROSTE Monica, “Regular Polygons”, 1986. Metal and blackboard paint
KANDILAPTIS Babis, “Mnêmê”, 1986. Stones, bones, acrylic, pastel and pencil on paper
BOULANGER Michel, “Sans titre”, 1984–1985. Indian ink on tarp, acrylic on kraft paper and ink on paper
MESMAEKER Jacqueline, “L’Androgyne (Navire en détresse)”, 1986. Mixed media
MESMAEKER Jacqueline, “St-Jean”, 1985. Cloth, slide, water and porcelain
ROMBOUTS Guy, “Grazie mille per essere venuto qui e per leggere questo”, 1986. Paper cut-outs
ROMBOUTS Guy, “CYXY, Réouverture d’un passage”, 1986. Numbered bricks FRANCOIS Michel, “Sans titre”, 1986. Plaster and string
MESMAEKER Jacqueline, “St-Jean”, 1985. Cloth, slide, wood, water and porcelain
JANSSENS Ann Veronica, “Portraits de Scène”, 1986. Metal and wire
DROSTE Monica, “Marcel Duchamp”, 1986. Coloured glass
“ Harold Ancart / Michel François / Gabriel Kuri”
La Comète, Liège
La Comète, Liège, 2017
FRANCOIS Michel, “Théâtre des opérations”, 2017. Wall drawing with mason wire, 128 wood martyrs and fruits / KURI Gabriel, “B2, B3, B4, B5, B6, B7 C, C1, C2^C3, C4, C5, C6, C7, D, D1, D2, D3, D4, D5, D6 E, E1, E2, E3^E4^E5, E6, F, F1^F2^F3, F4, F5, F6^F7, F8, G, G1^G2, H, H1, H2^H3^H4, I^I1, I2, I3, I4, I5, I6^I7, J^J1, J2, J3, J4, J5^J6, J7^J8, U1, U1´, U2^v, U3, U4, V1, V2, W1, W2^W3, W4, W5, X1. X^2^´, X3, X4, Y1^Y2, Y3, Z1´, Z2´^Z3´, Z4´^Z5, 1, 2^3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16^17, 18^19, 20^21, 22, 23, 24, 25^26, 27”, 2017. Remains of the colonnade of St-Hubert church Liège) lottery grids and scratch games / ANCART Harold, “Untitled”, 2017. Mural in oil stick
GHEERARDIJN Jean-Marie, “Le dieu des mouches”, 1986. Crucifix, flies, glass and gold-coloured frame
DC Franky, “Sans titre”, 1986. Acrylic on Belgian flag
MESMAEKER Jacqueline, “L’Androgyne (Avion en phase d’approche)”, 1986. Mixed media
ANGELI Marc, “Quadriptyque”, 1981–1985. Indian ink, pigments and and rabbit skin glue on canvas
DROSTE Monica, “Untitled”, 1987. Safety pins
GHEERARDIJN Jean-Marie, “Distributeur de cadavres” / “Tableau expérimental”, 1982–1984. Flies, velvet, plexiglass and gilded frame
GEYS Jef, “208. Poupée rouge”, 1967. Painted wood / “348. Cœurs en bois”, 1966. Wood
Jef Geys at Luk Darras residence/ GEYS Jef, “Fruitsculptuur”, ca. 1987. Resin GEYS Jef, “348. Cœurs en bois”, 1966. Painted wood
PANAMARENKO, “Trompetjet”, 1985. Epoxy air ducts, resin, aluminium, felt, adhesive tape and engine pots
View of the exhibition “Arte in Situazione – Belgica – Situazione dell’Arte”, Académie de France, Villa Medicis: PANAMARENKO, GEYS Jef, BROODTHAERS Marcel, MAGRITTE René, ENSOR James, MARIËN Marcel
CHARLIER Jacques, “Plinthure is Pleintur”, 1978. Oil and acrylic on canvas GEYS Jef, “Lea De Luxe”, 1968–1969. Photographs / “Petunia Hybrida Pendula”, 1979. Watercolour, gouache and pastel on paper BROODTHAERS Marcel, “Cinéma modèle”, 1970. Acrylonitrile styrene acrylate
Jacques, “Entassement de toiles nulles”, “Fragment de fresque, petite usine avec fumée”, 1987. Acrylic on canvas
MUYLE Johan, “L’homme aux mains de femme”, 1986. Wax, fabrics, plaster, wood, metal, cane, camera and mirror
MUYLE Johan, “Le second martyr de la pietà”, 1987. Stuffed goat and wheelchair
MAGRITTE René, “Le petit journal illustré ou La Géante”, undated. Gouache on paper “A la recherche de l’Absolu”, undated. Oil on canvas / GEYS Jef, “Poupée blanche”, 1967 Painted wood / MARIËN Marcel, “Sans titre”, ca. 1966. Metal (Courtesy Gallery Brachot, Brussels
MAGRITTE René, “La Forêt”, 1927. Oil on canvas PANAMARENKO, “Flying Cigar Called Flying Tiger”, 1981. Lithography
ENSOR James, “La vengeance de Hop-Frog”, 1898. Etching and watercolour / “Le langage des fleurs”, undated. Oil on canvas / “Les masques scandalisés”, 1895. Etching and watercolour
FRANCIS Filip, “Sans titre (champ visuel périphérique)”, 1986. Acrylic on canvases
Galleria
VAN SNICK Philippe, “10 jours / 10 nuits”, 1985. Vinyl painting on canvas mounted on cardboard
FRANCOIS Michel, “Sans titre”, 1987. Hammers and nails FRANCOIS Michel, “1781”, 1987. Cut stone, various stones and plastic moulding
SWENNEN Walter, “Untitled”, “Untitled”, 1986. Oil and lacquer on canvas
FRÈRE Michel, “Untitled”, “Untitled”, ca. 1985. Oil on canvas
PANAMARENKO, “Hofkes”, 1967. Fibreglass, polyester, felt, wire and tin
VAN SEVEREN Dan, “Zonder titel (Project voor sculptuur)”, 1985 Charcoal on paper
JANSSENS Ann Veronica, “Belgica – Art en Situation, Situation de l’Art”, 1987. Glass
TORDOIR Narcisse, “Zonder titel”, 1985. Plaster, pigments and oil on canvas
GASPAROTTO Paolo, “Untitled”, 1987. Acrylic on canvas.
BOULANGER Michel, “Sans titre”, 1984–1985. Indian ink on tarp, acrylic on kraft paper and ink on paper
KANDILAPTIS Babis, “Mnêmê”, 1987. Stones, acrylic and Indian ink on paper
Regout
18.03 → 29.04.2017 Espace 251 Nord, Liège
Patrick
“ Dessins minéraux”
REGOUT Patrick, “Dessins minéraux”, 2015. Inkjet print
Villa Médicis, Rome
REGOUT Patrick, “Dessins minéraux”, 2015. Inkjet print
REGOUT Patrick, “Dessins minéraux”, 2015. Inkjet print
FRANCOIS Michel, “Un coup de dés”, 1988. Wood, dice and chairs
JANSSENS Ann Veronica, “Belgicisme – Objet dard”, 1988. Glass sheets
PACQUÉE Ria, “The girl who was never asked to marry”, 1988. Wedding dress, photograph, photo album, gloves, satchel and silk
MULKERS Urbain, “Wockx-Explorer”, 1988. Archive cases, photographs and zinc base
CARLIER Jan, “L’illumination”, 1988. Wardrobe, gold-coloured cushion, dagger and chandelier
SWENNEN Walter, “Shopenhauer’s loneliness”, 1988. Oil and enamel on panel / “ZT 01”, 1988. Oil and enamel on canvas
DC Franky, “Zonder titel”, 1986. Acrylic on Belgian flag
LIZÈNE Jacques, “Projet de sculpture nulle avec fumigène, Projet 1980”, 1988. Pastel on sheet metal
HAUTMAN Bruna S., “Dinner will be served at eight o’clock sharp”, 1988. Acrylic on tarp
SWEIJD Frank, “Elegant young men with a rotating ball”, 1985. Turntable, photographs, ping pong ball and strobe lighting
LIZÈNE Jacques, “Cassettophone à roulettes”, 1974. Cassette player, chain and rollerskates / “Body-art minimal”, 1971. Photographs
DROSTE Monica, “Marcel Duchamp”, 1986. Coloured glass
COPERS Léo, “Zonder titel”, 1988. Butch knife, wire, electric motor and chair GARCET Robert, “L’Épée à deux tranchants”, ca. 1988. Oil on glass
MUYLE Johan, Work in progress. Goose eggs, hair, plant
CHARLIER Jacques, “Chanson triste”, 1987. Photograph, frame, tambourine, cigarette case and various objects / “Impôt sur la raison”, 1981. Plastic ham and swift
MUYLE Johan, “L’homme aux mains de femme”, 1986. Wax, fabrics, plaster, wood, metal, cane, camera and mirror
KANDILAPTIS Babis, “Pieds”, 1985–1986. Set of oil on tarp and cardboard / “Sans titre”, 1988. Marne stone and mine glass “Mnêmê”, 1985. Acrylic on photograph mounted on cardboard
GEYS Jef, “Passeports de vaches”, 1967–1988. Photographs, colour pencils and watercolour on paper
ROMBOUTS Guy, “Alphabet Azart”, 1988. Murano glass
VAN SOOM Luk, “La plus grande erreur de l’humanité”, 1986. Plaster and metal PANAMARENKO, “Arrivée”, 1988. Airman’s uniform, photograph and string
JANSSENS Ann Veronica, “Belgicisme – Objet dard”, 1988. Glass sheets
Damien De Lepeleire “ Huiles sur toiles (1987–2015)”
22.02 → 18.03.2017
La Comète, Liège
DE LEPELEIRE Damien, “WWWG #1”, “WWWG #2”, “WWWG #3”, “WWWG #4”, 2000–2001. Oil on canvas
Casa Frollo, Giudecca, Venice, 1986
DE LEPELEIRE Damien, “Ne rêve pas”, 1994. Oil on canvas
DE LEPELEIRE Damien, “Le salon vide”, 1988. Oil and lacquer on canvas
DE LEPELEIRE Damien, “WWWG #1”, “WWWG #2”, “WWWG #3”, “WWWG #4”, 2000–2001. Oil on canvas
DE LEPELEIRE Damien, “Hi-Fi Double Chinese Landscape”, 2009. Oil and lacquer on canvas / “Brooklyn Corot”, 1998. “Imperial Dragon”, 2003. Oil on canvas
DE LEPELEIRE Damien, “Wonderful Ifé #1” / “Wonderful Ifé #2” / “Wonderful Ifé #3” / “Wonderful Ifé #4”, 2012. Oil on canvas
DE LEPELEIRE Damien, “Mer de Chine”, 2003. Oil on canvas / “Chinese Landscape”, 2008. Oil and lacquer on canvas / “Chinese Landscape”, 2009. Oil and lacquer on canvas
FRANCOIS Michel, “Prune / Table des matières”, 1989. Mixed media
JANSSENS Ann Veronica, “Het Latijnse Noorden in Vier Scenes”, 1989. Chipboard panels
KANDILPATIS Babis, “Iconostase”, 1989. Fluorescent light, acrylic and paper on wall
MUYLE Johan, “Les reines mortes”, 1988. Stuffed sow, rock, goose eggs, hair, mill, candles and bathtub on wheels
Lionel Estève
urbaines et sculptures plates”
ESTÈVE Lionel, “Poussières urbaines et sculptures plates”, 2016. Mixed media
Provinciaal museum, Hasselt (now Z33)
Laurent Jacob and Albert Vandervelden in the exhibition “Poussières ubraines et sculptures plates” à La Comète, Liège
ESTÈVE Lionel, “Poussières urbaines”, 2016. Mixed media
ESTÈVE Lionel, “Sculptures plates”, 2016. Mixed media
ESTÈVE Lionel, “Le jardin”, 2016. Mixed media
BROODTHAERS Marcel, “In Zuid-Limburg”, 1967–1970. Photographs
CARLIER Jan, “Les visages complémentaires”, 1990. Pool table, cushions, cues, chains and light bulbs
EERDEKENS Fred, “What to express ?”, 1990. Light boxes, stone and paraffin
GILISSEN Maria, “Peter Schermuly”, 1982 / “James Lee Byars at Montin’s”, 1985 / “Prof. Rieff at Garrick Club”, 1985 / “Mara and Matthew Spender”, 1979 Photographs
GEYS Jef, “F.C. Wallonie-Flandres : 100 peintures modèles, 100 tableaux”, 1990. Paintings from stores of Musée de l’art Wallon in Liège and paintings of Jef Geys
CIRQUE DIVERS, “Le grand jardinier du paradoxe et du mensonge universel – Fautocopie conforme”, 1990. Photocopies and original objects
VIRNICH Thomas, “P. S. L. Kisten” (detail), 1990. Walls of the crypt of the Cathedral Saint-Lambert in Liège, metal and wood
FRANCOIS Michel, “Prune / Table des matières”, 1989. Mixed media
ROBBE Wolfgang, “Über Gestern und Morgen”, 1990. Table, chairs, motor and light bulb
CHARLIER Jacques, “Himmelsweg” (detail), 1987. Photographs, stool, chains and books
BANDAU Joachim, “Bleiskulpturen”, 1992. Metal, castors and ship model
CHARLIER Jacques, “Himmelsweg” (detail), 1987. Photographs, stool, chains and books
GARCET Robert, “Les hommes, il y a 70 millions d’années”, 1989. Oil on wood
GARCET Robert, “Eben-Ezer Tower”, 1965.
BEERENS Rudy, “Cinque passi verso il cielo”, 1984. Acrylic on tarp
CORILLON Patrick, “Hommage à François D., aquarelliste liégeois”, 1990. Mixed media
Jacques Lizène
“ Rotation des stocks 1984–2016 / Rétrospective des productions E2N”
05.03 → 07.05 → 18.06.2016
Espace 251 Nord, Liège
LIZÈNE Jacques, “Sculpture génétique culturelle : Léopold II”, 2016. Plaster, Lega Congo) wooden mask and rubber doll
Courtyard of Espace 251 Nord, Liège
LIZÈNE Jacques, “Tableau extrême réaliste (tableau extrêmement médiocre), sur fond de nouvelle abstraction nulle et figure néo-rupestre”, 1985. Acrylic and pigments on truck tarp
View of the exhibition “Jacques Lizène : Rotation des stocks (1984–2016)”, Espace 251 Nord
Jacques, “Sculpture génétique culturelle, Richelieu masqué sur diable à roulettes”, 2000. Wood, rope, hand cart, padlock and acrylic on plaster / “Art du nul en vitrine, 1971–1997, interrogation génétique en sculpture génétique, petit maître croisé Picasso avec cuvette de toilettes”, 1997. Acrylic and felt tip on inkjet print
“Contraindre
LIZÈNE
LIZÈNE Jacques, “Peinture néo-rupestre sur fond de nouvelle abstraction nulle”, 1984. Acrylic and pigments on truck tarp
LIZÈNE
LIZÈNE Jacques, “Sexe marionnette”, 1993. Video, hats and scissors
View of the exhibition “Jacques Lizène : Rotation des stocks (1984–2016)”, Espace 251 Nord
LIZÈNE Jacques, “Placard à tableaux, projet de 1970, entassement de toiles nulles”, 1989. Acrylic on wood panels
Jacques Lizène posing astride “Art nul, toile extrême médiocre”, 1985. Acrylic and pigments on truck tarp and plant
LIZÈNE Jacques, “Sculpture dangereuse, 6000 billes au sol”, 1988. Glass balls and projectors / “Petit personnage ithyphallique, sur outil de plafonnage à roulettes”, ca. 1988. Trowel, castors, metal, toilet paper and glue
LIZÈNE Jacques, “Cadre de cadres”, 1993. Acrylic on cardboard and frames / “Bords de corps”, 1992. Video / “Bords d’œuvres, portrait de femme du xiv siècle”, 2016. Photocopy, cut-out and annotated photocopy / “Art nul, toile extrême médiocre”, 1985. Acrylic and pigments on truck tarp and plant
MUYLE Johan, “Derviche tourneur”, ca. 1991. Motor, tobacco box, dummy, textile and cymbals
LIZÈNE Jacques, “Réécrire à l’envers tout Chopin, Mozart, Satie et les autres, 1979, remake 1996. Musique doublement à l’envers : faire interpréter à l’envers une participation réécrite elle aussi à l’envers”, 1997. Video, plastic skeletons, little piano, african wooden mask, paper and photograph
JANSSENS Ann Veronica, “Le Jardin de la Vierge”, 1993. Mirrors
RAYNAUD Jean-Pierre, “Projet de Rosace pour l’Abbaye de Noirlac”, 1978. Acrylic on canvas
GHEERARDIJN Jean-Marie, “Untitled”, 1993. Piano and wax
HORN Rebecca, “Das Schlangenklavier”, 1989. Wood, glass, steel, rubber, mercury and motor
GHEERARDIJN Jean-Marie, “Brancard”, 1993. Bench, stretcher and wax / “Buste en cire sur pied”, 1991. Bust, metal and wax
BEUYS Joseph, “Plight Element”, 1985. Felt / THERRIEN Robert, “Blue Chapel”, 1986–1992. Enamel on plastic
“Untitled”, 1986. Canvas, stones and blue pigment
MERZ Mario, “Il Sasso”, 1959. Oil on canvas
LEROY Eugène, “Finie”, 1990. Oil on canvas
ZORIO Gilberto, “Compasso”, 1986. Javelin, compass and crucible/ “Letto”, 1966. Metal tubes, rubber and lead sheet
LOHAUS Bernd, “Villeneuve”, 1988. Wood
BLOSSFELDT Karl, “Cucurbita”, ca. 1915 / “Aconitum”, ca. 1915 / “Geum Rivale”, ca. 1920 / “Phacela Tanacetifolia”, ca. 1920 / “Adiantum Pedatum”, ca. 1920. Photographs
VAN VELDE Bram, “Composition”, 1949. Oil on canvas / BEUYS Joseph, “Coyote – I like America and America likes me”, 1977. Photographs
ANGELI Marc, “Installation 6 Peintures”, 1988–1993. Pigments, pollen, rabbit skin glue, beeswax, honey and olive oil on wood
LEHMBRUCK Wilhelm, “Geneigter Frauenkopf”, 1911. Terracotta LEHMBRUCK Wilhelm, “Skizze für Ruckblickende”, 1914–1915. Bronze
VAN VELDE Bram, “Sans titre”, 1961. Oil on canvas / BEUYS Joseph, “Coyote – I like America and America likes me”, 1977. Photographs
RYMAN Robert, “Trial Proofs”, 1990. Aquatints on paper and glass plates
ANSELMO Giovanni, “Untitled”, 1968. Stainless steel, water and cotton ANGELI Marc, “Installation 6 Peintures”, 1988–1993. Pigments, pollen, rabbit skin glue, beeswax, honey and olive oil on wood
BEUYS Joseph, 1953–1957. Set of drawings. Pencil and watercolour on paper
FLANAGAN Barry, “Hare on Ball and Claw”, 1989–1990. Bronze
MESMAEKER Jacqueline, “St-Jean”, 1985. Cloth, slide, water and porcelain
FLANAGAN Barry, “4 Rahsb 4’67”, 1967. Hessian, resin and sand
KANDILAPTIS Babis, “Jardin des pierres”, 1986. Acrylic and Indian ink on stones
PENONE Giuseppe, “Souffle 6”, 1978. Terracotta KANDILAPTIS Babis, “Aniconique”, 1992. Posters mounted on canvas
MC CRACKEN John, “Untitled”, 1988. Painted steel and polished steel
PALERMO Blinky, “Blaues Dreieck”, 1969. Mural
BOETTI Alighiero, “Catasta”, 1967. Eternit
KAWARA On, “Date Painting (Nov 3, 1986)”, “Date Painting (Oct 26, 1988)”, “Date Painting (May 3, 1990)”. Oil on canvas
OPALKA Roman, “Opalka 1965/ 1 - ∞ / Détail 4602214–4625127”, 1965. Acrylic on canvas / “Opalka 1965 / 1 - ∞ /Detail 1958223”, “Opalka 1965 / 1 - ∞ /Detail 4489711”, 1965. Photographs
FULTON Hamish, “Cader Idris”, 1987 / “Owl River Valley”, 1988. Photographs
KLEIN Yves, “Corps feu”, 1962. Fire on cardboard / “IKB 240”, 1957–1962. Oil on canvas
JANSSENS Ann Veronica, “Portraits de Scène à l’île-aux-phoques”, 1986. Metal, ladder and wire
LONG Richard, “White Carrera Line”, 1987. Marble
RODIN Auguste, “Tête de la muse tragique”, 1895. Bronze SERRANO Andres, “The Morgue, Hacked to death II”, 1992. Photograph
BOULANGER Michel, “Caisse et un son”, 1971–1973. Wood, polyester, tar, light and sound
BOULANGER Michel, “Sans titre”, 1985–1993. Bronze and Indian ink on paper
MOLDER Jorge, “The Secret Agent”, 1992. Photograph
MOL Pieter Laurens, “Domain”, 1978–1980 / “Privilege in profil”, 1981 / “Untitled (semper autumnus)”, 1977. Photographs
163 GALLACCIO Anya, “Red on green”, 1992. 10,000 red roses / SERRANO Andres, “Rat poison suicide”, 1992. Photograph
MICHAUX Henri, “Sans titre”, “Sans titre”, ca. 1970. Ink on paper
GILBERT & GEORGE, “Bent Shit Cunt”, 1977. Mixed media / LIZÈNE Jacques, “Peinture nulle remake 1993. Vasectomie youppie. Art d’attitude 1965. Subir volontairement la stérilisation par vasectomie, sculpture interne 1970”, 1993. Acrylic and felt-tip on canvas / “Peinture à la matière fécale, mur des défécations”, 1977. Faecal matter and felt tip on canvas “Sexe marionnette”, 1993. Video
MANZONI Piero, “Merda d’artista”, 1961. Tin can and excrement
CADERE André, “Barre de bois rond”, 1977. Painted wood BIEN Waldo, “For my young friend Mikel swallowed by the Atlantic Ocean”, 1985. Wooden board, wire, cloth bag, flint arrowhead, bamboo and cord
RODTCHENKO Alexander, “Construction in space” (edition), 1920. Wood / ANDRE Carl, “25 cedar solid”, 1992. Wood
SERRA Richard, “China Girl”, 1972. Video
GASIOROWSKI Gérard, “Les Symptômes – Cosom’s”, 1983. Acrylic on canvas
KLOSSOWSKI Pierre, “L’auberge de la Comète”, 1983. Colour pencils on paper / “la récupération de la plus-value II”, 1970. Pencil on paper
FRANCOIS Michel, “Casablanca, Essaouira, New-York, Poet-Celard, Bruxelles”, 1993. Video
SHUNK Harry, “Yves Klein, le peintre de l’espace se jetant dans le vide (23 octobre 1960)”. Silver gelatin print BURKHARD Balthasar, “L’origine du monde”, 1988 / “Faucon”, 1993. Photographs
PIRENNE Maurice, “La pipe”, ca. 1964. Pastel on cardboard PIRENNE Maurice, “La fenêtre”, 1965. Pastel on cardboard
Luigi, “CuFuoco, Bali-Indonesia”, 1981. Painted wood mask / “Pineallissima”, 1981. Painted wooden masks “Priapesco”, 1970. Photograph / “PinochiosOntano, Stri Lanka”, 1990. Painted wooden mask
Fang statue, Gabon
Ramu mask, New Guinea
Ramu mask and figurine, New Guinea / Barombo harp / Nbaka Statue / Nyamwezi stick, Congo / Magar masks, Nepal
GIACOMETTI Alberto, “Diego (tête au col roulé)”, ca. 1954. Bronze / Ramu mask and figurine, New Guinea / Barombo harp / Nbaka Statue / Nyamwezi stick Congo Magar masks Nepal
TRIVIER Marc, “Le toit du monde, Aurillac”, 1992 / “Août, Haut-le-Wastia.”, 1989 / “Annonciation. Bruxelles”, 1989 / “André Masson, Aix en Provence”, 1981 “William Hayter, Paris”, 1983 / “Abattoir, Bruxelles”, 1981 / “Abattoir, Hannut”, 1981 / “Tadeus Kantor, Cracovie”, 1986 / “Arbre, Leuze”, 1987 “L’enfant au loup, Haut-le-Wastia.” 1991. Photographs
BAUMGARTEN Lothar, “Ohne Titel”, 1972. Wood, feathers and pigments
Three Lega ancestors heads in ivory Congo Pahouin/Fang reliquary Gabon Kota reliquary, Gabon three Lega beard masks, Congo
TRIVIER Marc, “Bram van velde, Grimaud”, 1981 / “Janvier, Haut-le-Wastia”, 1991 / “Abattoir, Bruxelles”, 1990 / “François, Manage”, 1984 / “Coup de bâton, Bruxelles”, 1991 / “Abattoir, Hannut”, 1981 / “Arbre fou, Londres”, 1987 / “Roger H., Liège”, 1984 / “Cochon aveugle, Haut-le-Wastia”, 1980 / “Abattoir, Bruxelles”, 1983. Photographs
NAUMAN Bruce, “Butt to Butt (Small)”, 1989. Polyurethane foam and iron wire
RUCKRIEM Ulrich, “Installation”, 1975. Wood
PANAMARENKO, “Kip”, 1989 / “Magnetische Botten en Kepi”, 1966. Mixed medias
PANAMARENKO,
PASCALI Pino, “Meridiana”, 1968. Metal fibres, wood and foam
KOUNELLIS Jannis, “Untitled”, 1968. Wood and wool
Espace 251 Nord, Liège
Facade of former Old England Est., Brussels
Walkingsticks collection. Southern Ethiopia / VULPIAN Noémie, “Sans titre (scatter)”, 2015. Asphalt
GIGANTE Roberta, “A real camera in my hands”, “Flying Blind without Instruments”, 2014. Plaster, plasticine, rubber elastics and steel
FRANCOIS Michel, “Untitled”, 2012. Salt blocks
Rice field guardian, 19th century. Stone. Luzon island (Philippines) / BERLANGER Marcel, “Uranophane”, 2001. Acrylic on fibreglass
Konso wooden funerary posts, 19th century Ethiopia
Nomoli statue, Sierra Leone / Djenné snake, 1400–1700, Mali / Circumcision shell, 19th century. Fiji Islands / VULPIAN Noémie, “Untitled (beware of artists with a golden tongue)”, 2013. Earth with golden leaf / Djenné statue with pustules. Mali
SWENNEN Walter, “Le grand serpent”, 2001. Mixed media
FRANCOIS Michel, “Frozen Eagle Melting on the Theatre of Operations”, 2015. Poster
Dioptase, Congo / Stone head, 18th century. West Africa / Jukun terracotta, 17th-18th centuries. Nigeria / Gargoyle. England JACOB Roger, “Gustave”, ca. 1958. Earth / Metallic meteorite stone. Argentina
KANDILAPTIS Babis, “Mnêmê”, 2015. Acrylic and Indian ink on stone, photograph mounted on dibond
GARCET Robert, “L’homme de la Thébah”, ca. 1990. Oil on wood Flint figurine (model for the painting)
KISWANSON Tarik, “Fieldworks”, 2014. Brass
VAN SEVEREN Dan, “Zonder titel”, 1999. Pencil on paper Pre-Dogon sculpture (female idol), Mali
View of the exhibition “Les mains libres”, Espace 251 Nord
View of the exhibition “Les mains libres”, Espace 251 Nord
BOULANGER Michel, “Amblève”, 2003. Indian ink on paper Pikes, neolithic. Sahara, Algeria
Pre-Dogon sculpture (female idol), Mali / ANGELI Marc, “Rouge vin “MZ””, 2004 / “Rouge Aretino”, 2012. Pigments, red wine and rabbit skin glue on canvas mounted on wood
Views of
exhibition “Les mains libres”, Espace 251 Nord
Root, Vietnam
TOSCANI Oliviero, “Pinocchio”, 1991 / “Murder”, 1994. Posters
TOSCANI Oliviero, “Handcuffs”, 1989. Poster
TOSCANI Oliviero, “Electric Chair”, “Interview”, 1992. Posters
TOSCANI Oliviero, “Miners”, 1989 / “Cemetery”, 1991 / “Leaves in oil”, 1991. Posters
TOSCANI Oliviero, “Newborn Baby”, 1991. Poster
TOSCANI Oliviero, “HIV-Positive”, 1993 / “Blanket”, 1990. Posters
TOSCANI Oliviero, “Room of the sexes”, 1993. Photographs mounted on dibond
“Art berbère, regards sur une collection” 19.09 → 01.11.2015 Espace 251 Nord and La Comète, Liège
View of the exhibition of carpets handwoven by Berber women in La Comète
TOSCANI Oliviero, “Tongues”, 1991. Billboard, Place Royale, Brussels
Views of the exhibition of carpets handwoven by Berber women in La Comète
Decorated white-wooden door, Anti-Atlas / Decorated door in pine or cypress wood, High Atlas /Balcony pilaster decorated on 4 sides, Haut Atlas
Ridge beam in carved and engraved wood/ Wooden column decorated on 4 sides with decorated capitals, High Atlas
RUTAULT Claude, “Le rêve de Van Meegeren”, 1982. Box and canvas in the format of Vermeer authenticated paintings
BUREN Daniel, “La cabane éclatée n°10”, 1984–1985. Wood and fabric
to the original concept of Cabanes Éclatées to project the cut-out fragments horizontally
199 WÉRY Marthe, “Untitled”, 1990. Acrylic on wood panels
BARRY Robert, “Window Piece”, 1982. Vinyl on glass
GRAHAM Dan, “Two cubes, one cube rotated 45°”, 1986. Aluminium, glass and two-way mirror
WEINER Lawrence, “Opus 15”, 1968. Vinyl on glass
GENZKEN Isa, “Blick”, 1987. Cement and steel
WEST Franz, “Bemerkung”, 1986. Papier-mâché, plaster and gold-coloured paint
MERCIER Pierre, “Nord / Sud”, 1988. Polished iron and graphite wax
VERCRUYSSE Jan, “o. T.”, 1986. Wood and frames
ART & LANGUAGE, “Untitled Painting”, 1965. Mirrors on wood
VERMEIREN Didier, “Untitled”, 1986. Plaster, steel and castors
203 BEN Vautier, “Ça change, ça change pas”, 1982. Acrylic on plywood/ “Tableau repeint”, 1985. Oil and acrylic on anonymous painting / “Petit Ben”, 1986. Acrylic on canvas / “Et si l’art n’existait pas ?”, 1984. Acrylic on canvas
CHARLIER Jacques, “À la pointe de l’art”, 1983. Mixed media / “Peinture de club”, 1992. Acrylic on wood / “À la pointe du monde”, 1983. Mixed medias
HERS François, “Untitled”, 1980. Photographs
DIETMAN Erik, “Signé en haut de Cologne”, 1979. Acrylic on canvas and various objects / “Quelques mètres et centimètres de sparadraps”, 1963. Wood, cardboard, glass and plasters / “Tableau malade”, 1960. Wood and gauze bandage
TROCKEL Rosemarie, “Untitled”, 1991. Electric plates on white enamelled steel sheet / KNIGHT John, “Untitled (Mirror) #1”, “Untitled (Mirror) #2”, 1986. Wood and mirror
ACCONCI Vito, “Adjustable Wall Bra”, 1990. Plaster, metal, canvas, cables, monitor, light and sound
LAVIER Bertrand, “Théodore Caruelle d’Aligny”, 1983. Oil on canvas / “Or not to be”, 1979. Acrylic on bronze
TORONI Niele, “Empreintes de pinceau n°50 répétées à intervalles réguliers de 30 cm”, 1988. Acrylic on canvas and battens
MORELLET François, “La brouette”, 1986. Acrylic on canvas mounted on wood / RAYNAUD Jean-Pierre, “Mur aux deux anneaux”, 1969. Acrylic on PVC
KNOEBEL Imi, “Figure II-6”, 1988. Acrylic on wood and hardboard
LEWITT Sol, “Five Open Geometric Structures and their Combinations”, 1978–1979. Acrylic on wood
MOSSET Olivier, “Sans titre”, 1966–1972. Oil on canvas / MULLICAN Matt, “Untitled (World Frame)”, 1986. Pastel and gouache on paper
FEDERLE Helmut, “Bowery Painting”, 1982. Acrylic on canvas / NEMOURS Aurélie, “Quatuor JF”, 1988. Oil on canvas
SCOTT Michael, “Untitled”, 1989. Enamel on aluminium
RAYNAUD Jean-Pierre, “Mur aux deux anneaux”, 1969. Acrylic on PVC
BUSTAMANTE Jean-Marc, “Paysage”, 1989. Wood and Japanese paper
MORTENSEN Richard, “Lieurey”, 1955. Oil on canvas
BIETH Jean-Sylvain, “La vingt-neuvième table”, 1984. Lead sheets mounted on wood, varnished steel, table, container, stone
ARMLEDER John, “Furniture sculpture”, 1981. Acrylic on sofa
PANAMARENKO, “Verti-vortex”, 1981. Iron, rubber and permanent magnet / VILLIGER Hannah, “Block XXIV”, 1990. Photographs
KLINGELHÖLLER Harald, “Untitled”, 1986. Cardboard, steel and mirror
WALL Jeff, “Steve’s Farm, Steveston”, 1980–1985. Light box
BOLTANSKI Christian, “Les 62 membres du Club Mickey en 1955”, 1972. Photographs
NAUMAN Bruce, “Good boy / Bad boy”, 1985. Videos
BRECHT George, “Ten event glasses”, 1984. Metal and engraved glass
PISTOLETTO Michelangelo, “Tenda di lampadine a muro”, 1967. Power cords and lamps
VILLEGLÉ Jacques, “AP 27 – Picasso-la-Pagode”, 1971 / “G.P. – Rue du Temple”, 1968 / “AP 47 – Rue de la Perle”, 1975 / “AP 91 – Métro Arts et Métiers (Bingham)”, 1984 “AP 87 – 80 Rue Quincampoix”, 1983 / “AP 16 – Rue Saint Sauveur”, 1965. Lacerated posters on canvas / RICHTER Gerhard, “Athen”, 1985. Oil on canvas
HAINS Raymond, “Untitled”, 1952 / “Alvin Alley”, 1969. Lacerated poster on canvas
RUTHENBECK Reiner, “Bodenrahmen”, 1971. Metal and fabric
RUTHENBECK Reiner, “Bodenrahmen”, 1971. Metal and fabric
DIBENEDETTO Steve, “Surfing the Text”, 1991. Acrylic on canvas
PAOLINI Giulio, “Hercule et Lichas”, 1981. Plaster, fabric and wooden base
RICHTER Gerhard, “Athen”, 1985. Oil on canvas
LOHAUS Bernd, “Nichts”, “Nicht”, 1979. Pigment on canvas
HAACKE Hans, “Blue Sail”, 1965. Blue chiffon sail and fan
HYBER Fabrice, “Ciment bouilli”, 1992. Various objects
FILLIOU Robert, “Sun Book”, 1972–1973. Various materials
PARSONS Laurie, “Stuff”, 1989. Various objects
SPOERRI Daniel, “Triple multiplicateur d’art”, 1969–1971. Mixed media
OPPENHEIM Dennis, “Polarities”, 1972. Photocopy, photograph, text and drawing on cardboard
FABRO Luciano, “Latin lover”, 1972. Crystal, lead and iron
MC CASLIN Matthew, “Revolution”, 1991. Electric cables, fans, clocks and light bulbs
ANSELMO Giovanni, “Le paysage avec une main qui le montre tandis qu’au nord les gris s’estompent”, 1982. Pencil on paper, Piedmont granite and steel
KOUNELLIS Jannis, “Untitled”, 1985. Gas cylinder, pipes and shoes / ZORIO Gilberto, “Sculpture pour purifier la parole”, 1978. Terracotta and steel
STEIR Pat, “Untitled”, 1985. Gouache, chalk and charcoal on paper
LÜTHI Urs, “Just another Story about Leaving – Sequences n° 3 and n° 7”, 1974. Emulsified canvas prints mounted on frames
LAIB Wolfgang, “Pierre de lait”, 1978. Marble and milk / JOSEPH Peter, “Raw sienna/burnt umber/cad orange/white, border Perm rose/raw sienna/ox of chrome green/black/ lemon yellow/ultra cad red/white”, center, 1977. Acrylic on canvas
BAUMGARTEN Lothar, “Moustiques”, 1969. Buns and pigeon feathers
RÜCKRIEM Ulrich, “Dolomit”, 1977. Dolomite stones
RAINER Arnulf, “Vang Gogh als Blinder”, 1977–1980 / “Van Gogh als…”, 1977–1980 / “Van Gogh als Adler”, 1977–1980 / “Van Gogh stellt sich Fechkrorbmaske Cezanne vor”, 1977–1980. Oil on photograph
ZORIO Gilberto, “Sculpture pour purifier la parole”, 1978. Terracotta and steel
BOETTI Alighiero, “Mettere al mondo il mondo”, 1972–1976. Ballpoint pen on paper mounted on canvas
CALZOLARI Pier Paolo, “Piombo rosa”, 1968. Acrylic on lead sheet / SPALLETTI Ettore, “Coupe”, 1982. Pigment on plaster / “Amphore”, 1982. Pigment on wood
LOCHER Thomas, “Ohne Titel”, 1988. Astralon on wood
JUDD Donald, “Untitled”, 1985. Painted aluminium
RABINOWITCH Royden, “4th Lesson of Emanuel Feuermann”, 1988. Steel
PEREIRE Emmanuel, “Leçons de peinture (n°11, 12, 17, 20)”, 1976. Acrylic, marble powder, graphite and universal glue on cardboard mounted on wood
KNIGHT John, “Untitled (Mirror) #1” / “Untitled (Mirror) #2”, 1986. Wood and mirrors
LONG Richard, “Cercle de pierres”, 1980. Onyx
WALLACE Joan, “Portrait of Andy Warhol (A Surgical Incision)”, 1989. Latex on canvas, wood, stainless steel and light bulb
View of the exhibition “Le Canal / Het Kanaal”, at Extra City, Antwerp
VAN WOLPUTTE Philippe, “T.P.E.S. 8”, 2014. Photograph and acrylic on plastic tarp / BOSMANS Kasper, “Kanarie”, 2014. Sand, pigment and wood
DE WINTER Jonathan, “Road Warrior”, 2013. Painted wood, tyres and speakers
GRØDAL Thomas, “Untiteld Monuments”, 2014. Stone and copper / “Land series”, 2014. Watercolour on paper
EERAERTS Elise, “Immersion”, 2014. Polyester
DE WINTER Jonathan, “Guitare Automate”, 2014. Electric guitar, amplifier, buttons and cables
GRØDAL Thomas, “Untiteld Monuments”, 2014. Stone and copper / “Land series”, 2014. Watercolour on paper
DE WINTER Jonathan, “Drum Box Drummer Saul #4”, 2014. OSB, willow, buckets, snare drum, motor and fan / “Drum Box Drummer #5”, 2014. OSB, PVC, tom-tom, drums, motor and fan
ROUWETTE Fabian, “#103”, 2014. Digital print
VAN WOLPUTTE Philippe, “T.P.E.S. 8”, 2014. Photograph and acrylic on plastic tarp
VAN IMPE Antoine, “Captive Breeding”, 2014. Wood, metal, fabric, casters and camera
BOSMANS Kasper, “Hirondelle”, “Perroquet”, 2014. Sand, pigment and wood
MARY Xavier, “Petrolatum #2”, “Petrolatum #3”, 2012. Paraffin / “Iron MX”, 2012. Steel / “MX bulbs”, 2005. Aluminium and light bulbs
FRANCOIS Michel, “L. à l’atterrissage des avions”, 1999. Posters
Ann Veronica Janssens / Michel François
Belgian Pavilion, Giardini, Venice / JANSSENS Ann Veronica, “Liquid Crystal”, 1999. Benches covered with liquid crystal
FRANCOIS Michel, “Retenue d’eau”, 1999. Plastic bags, nylon and water / “Tour”, 1999. Poster / JANSSENS Ann Veronica, “Horror Vacui”, 1999. Artificial fog and sound
FRANCOIS Michel, “Planning”, 1999. Silkscreen printing on plexiglass, neon, aluminium, paper and steel / JANSSENS Ann Veronica, “Horror Vacui”, 1999. Artificial fog and sound
JANSSENS Ann Veronica, “100.000 lires”, 1999. 1,000 coins of 100 lire engraved on one side. Performance at la Scuola Grande di San Rocco, Venice
JANSSENS Ann Veronica & NORDPROJET&Cie, “Danaé”, 1999. 12 circular mirrors installed on the floor of la Scuola Grande di San Rocco, Venice
JANSSENS Ann Veronica, “Liquid Crystal”, 1999. Bench covered with liquid crystal / FRANCOIS Michel, “Arbre de pluie”, 1999. Misting of water in a tree
FRANÇOIS Michel, “Le cracheur de feu”, 1999. Silkscreen printing on polyester flag (Edition by World Wild Flags – Daniel Dutrieux)
ALŸS Francis & D’O Honoré, “Duett”, 1999. Performance
LOPEZ-MENCHERO Émilio, “Vu’cumpra ?”, 1999. Performance
LIZENE Jacques, “Lizène croisé Harald Szeeman”, 1999. Performance
LOPES Laone Boaz, “Orpheo ou Dolce Delecce”, 1999. Performance
FOURRÉ Pierre-Etienne, “Dommages collatéraux”, 1999. Performance
LOPEZ-MENCHERO Émilio, “Vu’cumpra ?”, 1999. Performance for the projects “No milk today”, by Lino Polegato (Flux-news) and for the Off project “ En attendant l’année dernière ”, curated by Laurent Jacob (Espace 251 Nord
EVERAERT Patrick, “Sans titre ”, 2008. Lambda print on dibond
EVERAERT Patrick, “Sans titre ”, 2004. Lambda print on dibond
EVERAERT Patrick, “Sans titre ”, “Sans titre”, 2004. Lambda prints on dibond
EVERAERT Patrick, “Sans titre”, 2011 / “Sans titre”, 2010. Lambda prints on dibond
EVERAERT Patrick, “Sans titre”, 2010 / “Sans titre”, 2011. Lambda prints on dibond
EVERAERT Patrick, “Sans titre ”, 2013. Lambda print on dibond
EVERAERT Patrick, “Sans titre ”, 2008 / “Sans titre ”, 2011. Lambda prints on dibond
EVERAERT Patrick, “Sans titre ”, 2008 / “Sans titre”, 2011. Lambda prints on dibond
EVERAERT Patrick, “Sans titre ”, 2011 / “Sans titre”, 2013. Lambda prints on dibond
Espace 251 Nord, Liège
La trahison des images (Portraits de scène)”
COLLATERAL 49th Venice Biennale
07.06 → 09.09.2001
Palazzo Franchetti – Istituto Veneto di Scienze, Lettere ed Arti
Palazzo Franchetti, Venice, 2001
LIZÈNE Jacques, “Sculptures génétiques culturelles”, 1971 (remake 2000). Wood and plaster / “Tentative d’échapper à la surveillance d’une caméra”, 1971. Video
BERLANGER Marcel, “Salix Alba “tristis””, 2000. Lacquer on fibreglass FRANÇOIS Michel, “Autoportrait contre-nature”, 2001. Video
DANS Michael, “Looping”, 2000. Wood
EVERAERT Patrick, “Sans titre”, 2001. Lambda print on dibond
EVERAERT Patrick, “Sans titre”, 2000 / “Sans titre”, 1998. Lambda prints on dibond EVERAERT Patrick, “Sans titre”, 1997. Lambda print on dibond
CURLET François, “Stand-by (Wallpaper Rorschach)”, 2000. Wallpaper
CURLET François, “Homeless is more”, 1992. Acrylic on wood
BERLANGER Marcel, “Uranophane”, 2001. Acrylic on fibreglass “Fumée / Cheval”, 2000. Oil on canvas
Detail of wall of Palazzo Franchetti, Venice
ROUSSEL Benoît, “Love Hotel”, 2000. Model
MUYLE Johan, “Sans titre (Patrick Everaert)”, 2001. Printing on tarp
PLATÉUS Benoît, “Camera Obscura”, 2001. Mixed media / “Sans titre”, 1996 / “Sans titre”, 1999. Digital print
DEKYNDT Edith, “Worthlessness (to follow plastic bags)”, 1997–1998. Video installation
GHEERARDIJN Jean-Marie, “Mariage de Foxy et d’Hélène, Brux., 1972”, 2001. Photographs
DANS Michael, “Abraracourcix”, 2001. Photograph
GUNS Patrick, “Trapped within the museum”, 2001. Videos and sound BERLANGER Marcel, “Optotype Rorschach”, 1999. Acrylic on fibreglass
DUYCKAERTS Éric, “RDFD (Rêver, danser, filmer, dessiner / Dream, dance, film, draw)”, 1997. Video
DUYCKAERTS Éric & KHAZEM Jean-Pierre, “The Dummy’s Lesson. Next Appointment”, 2000. Puppets, easel, slide projector, electrical components, drawing on plexiglass and steel
MUYLE Johan, “Nous ne le connaissons ni d’Eve ni d’Eden”, 1998. Mixed media
MUYLE Johan, “Nous ne le connaissons ni d’Eve ni d’Eden”, 1998. Mixed media
DEKYNDT Edith, “Worthlessness (to follow plastic bags)”, 1997–1998. Video installation
DEKYNDT Edith, “Alone at Home”, 2001. Video installation
DE WINTER Jonathan, MEURANT & BERNATOWIEZ, LOCHT Jonas, BOSSUROY Anne, BOURGEOIS Jean-Daniel, “Duck you sucker!”, 2013. Mixed media
Di. Va. (DANS Michael & MUTLU Selçuk), “Nail Polish Fetish”, “Roar”, 2012. Digital prints
BEAUDRY Charlotte, “Sans titre”, 2012. Oil on canvas
TERLINDEN Christophe, “Te huur – te koop”, 2012. Digital print
BEAUDRY Charlotte, “Sans titre”, 2012. Oil on canvas
MARY Xavier, “Highway ring”, 2008. Safety guard rails made of galvanised steel and steel channels / “TNL I”, 2013. Metallic aluminium reflector and extruded aluminium channels
MARY Xavier, “Highway ring”, 2008. Safety guard rails made of galvanised steel and steel channels / “Highway Rotor II”, 2008. Highway lamps, reflector and prismatic methacrylate refractor
PLATÉUS Frédéric, “Hyperfuse”, 2013. Composite panels, aluminium, plexiglass and fluorescent tubes
BALLEUX Stéphan, “Paintopia”, 2008 / “Profil 01”, 2006. Oil on canvas
Résidences Ateliers Vivegnis International (RAVI), Liège
POBITZER Klaus, “Visitor”, 2001. Printing on tarp
STÉVENART Olivier, “460 rouleaux, 15 septembre 01”, 2001. Lawn rollers
Tour & Taxis’ roof before the exhibition “Ici et maintenant – Hier & nu”, Brussels, 2001
LIZÈNE Jacques, “Sculptures génétiques culturelles en remake d’installation, Projet 1964 – 1971 – 1984)”, 2001. Acrylic, plaster and wood / “Sculpture génétique, Lizène jeune croisé Mie jeune”, 2001. Inkjet print
VERMEIR Katleen & HEIREMANS Ronny Collaboration, “Tableaux-vivants (Construction Models)”, 2001. Installation on Tour & Taxis roof and video 30 minutes)
GHEERARDIJN Jean-Marie, “Psychose I Love You ou Icare-Wash”, 2001. Stuffed raptor and wax
PINAULT Régis, “CLIC”, 2001. Light boxes / CHARLIER Jacques, “Peinture utilitaire et hygiénique”, 2001. Floor painting
LUNTUMBUE Toma Muteba, “Parks”, 2001. Flowers, crate, gravel, fence, sand and children’s bikes
LOHAUS Bernd, “Zonder titel”, 2001. Wood
MISTIAEN Carlo, “Gommeke”, 2001. Model, erasers, clothes, paper bag and red pencil
MESMAEKER Jacqueline, “RECTO VERSO * 32”, 2001. Pigments and torches
GERONNEZ Alain, “Bruxelles, ville d’ouvertures”, 2000–2001. Map of Brussels and invitation cards
FLAVIEN Jean-Pascal, “Proposition pour vivre avec soi-même”, 2001. Painting on plaster bricks
GIRAUD Guy, “Sans titre”, 2001. Polypropylene bags
VANGRUNDERBEEK Dimitri, “Magasin”, 2001. Various furniture and chipboard panels
DAGONNIER Ronald, “Assouan, Le Caire”, 2001. Digital print
DE BRUYN Goele, “Villa Doorsparen”, 1991. Acrylic on canvas, fabrics and various objects
DELTOUR Daniel, “16 jours sans la femme automatique (112 instants du temps de la commune besogne)”, 2001. Paint on wood
DOWNSBROUGH Peter, “Et”, 2001. Metal pipes and adhesive tape
URRA HERNANDEZ Ulises, “La Muerte del Placer”, 2001. Various materials
BIJL Guillaume, “Installation : “Musée de cabines de vote””, 2000. Wood and fabrics
TERLINDEN Christophe, “Une horloge pour Tour et Taxis”, 2001. Digital facade clock
STEIJL Jean & BIESMANS Frédéric, “Wild natural sanctuary”, 2001. Plastic tarp and traffic lights
STEIJL Jean, “Wild natural sanctuary”, 2001. Photograph
MEESSEN Vincent, “Interzone, section TNG”, 2001. Photograph
JACOBS Henri, “Paysage façade”, 2001. Painted wood
GILOT Stéphane, “Unité de transformation génétique pour la colonisation de Mars”, 2001. Mixed media
LÉONARDI Michel, ““Mur” peinture probable”, 2001. Acrylic and varnish on wood
ANGENOT Éric, “Un bonheur abordable”, 2001. Acrylic on canvas
“Atlas”, 2001. Mural
TATU Pierre, “Mobile (Black)”, 2001. Plexiglass and nylon thread / “News… Dues (Setting sun)”, 2001. Lambda print on Diasec
TOUZOT Christophe, “Prototype 2”, 2001. Resin
MAES Annemie, “People Database”, 2001. Office of the public art project People Database moved to Tour & Taxis
MERTENS Nathalie, “Les bananes”, 2001. Lettering on crates of organic faire trade bananas and stickers
MANNAERTS Valérie, “Sans titre (Projet pour terrain vague, Tour & Taxis)”, 2001. Poster on board
VANDENABEELE Lukas, “Écrire”, 2001. Table, notebook, pencil and cane
THEYS Koen, “Études médiatiques d’après Heinrich Hoffman”, 2001. Video
ANGENOT Éric, “Police”, 1997. Acrylic on canvas
COPERS Léo, “Zonder titel”, 2001. Facsimile of Rodin’s The Thinker plaster and wall
COUTURIER Michel, “Les camions”, 2001. Video installation
THIRION Dominique, “La Fanfare – Après plus d’un siècle de présence, l’Administration des douanes et accises quitte le complexe de Tour et Taxi en concert”, 27 september 2001. Concert
GAILLARD Frédéric, “Sans titre”, 2001. Greenhouse, body of water, sprinklers and pipes
DERIDDER Jean-Paul, “Album”, 1997–2001. Slide projector
BREY Ricardo, “Sixth Mass Extinction”, 2001. Iron and glass showcase, collage, acrylic, sand, horse hair, Japanese prayer books, cowry shells, tiger teeth, dried flowers, glass bottle, dice, buffalo horns, iron, buttons; oil on prints, charcoal and wall-drawing of white clay on vinyl
VENLET Richard, “Sans titre”, 2001. Ping-pong table, rackets, bag and ping-pong balls. THEYS Hans, “Tout sur le ping-pong”, 2001. Text
WÉRY Marthe, “Sans titre”, 2001. Pigments on aluminium
BRAECKMAN Dirk, “T.B.S.A. 97”, 1997. Photograph
SWENNEN Walter, “Une combine à Bruxelles”, 2001. Mixed media on paper
BRAECKMAN Dirk. “V.R.-P.A. (2) – 96”, 1999. Video
GUNS Patrick, “Surprise ! (milk + cacao)”, 2001. Video and acrylic on resin
DE COCK Jan, “Randschade Fig. 6”, 2001. Wood BORNAIN Alain, “Ce qu’il en reste…”, 2001. Various objects
GUNS Patrick, “Trapped within the museum”, 2001. Videos and sound
DECOUX Didier, “Treasure Island”, 1998–2001. Shelves, slide projectors and sound
CARLIER Jan, “Mission impossible”, 2001. Floor painting, bazooka, high chair and lamp
CARLIER Jan, “The Twins”, 2001. Glass and oil
DESCHUYMER Johan, “No man’s land”, 2001. UV neon, wood and glass
MACIAS-DIAZ Sylvie, “Une cage dans une cage”, 2001. Plastic giraffe and saucer
PALESTINE Charlemagne, “Parachutists D-day / P-day”, 2000. Soft toys, fabrics and various objects
BARREA Olivier, “Dreamigration”, 2001. Wood, grill, luggage and video
TAYOU Pascale Marthine, “Les Pépites d’Or”, 2001. Shelves, plastic footballs and videos
ROBERTS Perry, “Monochrome”, 2001. Metal
LEGRAND Jozef, “Le futur proche”, 2001. Projectors on wheels and signs
KANDILPATIS Babis & FOURE Pierre-Étienne, “Sans titre (Villa Ciao)”, 1995. Acrylic and poster on wood panels
RADELSCU Claudia, “Ring of Fire”, 2000. Steel, sand and methane
“Living”, 2001. Video
ARTHUIS Isabelle, “Feu à Tour et Taxis”, 15 septembre 2001. Action
PANAMARENKO, “Flying Carpet”, 1979. Stainless steel, wood, aluminium, Makrolon, motors and battery
WHETTNALL Sophie, “Contre-basse”, 2001. Video
Xavier, “Phénomènes”, 2001. Mixed media
PIERART Pol, “Sens”, 1995 / “Revenir”, 1999. Acrylic on canvas
VERSCHUEREN Piki, “Principia”, 2001. Wax
MOUFFE Michel, “The Fourteen Stations”, 2001. Oil on canvas and wood
FOULON Olivier, “Des photos stratifiées”, 1998. Photographs
EVRARD David, “Poster d21”, 2001. Signs and newspaper clippings
ISRAEL Christian, “Idéat”, 2001. Concrete
JADE Manfred, “Portraits”, 2001. Photographs
FRANÇOIS Michel, “Autoportrait contre-nature”, 2001. Video
TILMAN, “Sans titre (un dialogue spatial)”, 2001. Acrylic on wood
BERLANGER Marcel, “Gitan”, “Salix Alba “tristis””, 2001. Lacquer on fibreglass
COUDERC Laura, “Cache-cache”, 2001. Video on sail bands
PLATÉUS Benoît, “1/12,5”, 2001. Inkjet print
ANGELI Marc, “Fresque monochrome”, 2001. Mural (lime, pigments, water and sand
DANS Michael, “That’s all folks”, 2001. 70 mechanical birds
Liège Center aisle, Tour & Taxis / ROMBOUTS Guy, “Entre X et Y”, 2001. Swing
Espace 251 Nord, Liège
BEAUDRY Charlotte, “Doigts”, “Magnolia”, 2012. Oil on canvas
BEAUDRY Charlotte, “Postiche blond”, 2012. Oil on canvas
BEAUDRY Charlotte, “Le peignoir”, “Doigt”, “Magnolia”, 2012. Oil on canvas
BEAUDRY Charlotte, “Anne”, 2012. Video
FRANÇOIS Michel, “Déjà-vu (Hallu)”, 2003. Video
FRANÇOIS Michel, “Le poulpe”, 2004. Indian ink on poster
BEAUDRY Charlotte, “Perles”, 2012. Oil on canvas
BEAUDRY Charlotte, “La Dionée”, 2012. Oil on canvas
BEAUDRY Charlotte, “Robe de cérémonie”, 2012. Oil on canvas
MTHETHWA Zwellethu, “Sacred Homes”, 1999. Photograph / CUNNINGHAM Chris, “Afrika Shox”, 1998. Video
CURLET François, “Djellabas (Nike, Fila, Addidas)”, 1998. Silkscreen printing on fabrics and tailor’s dummies GEERS Kendell, “T.W. (Exported)”, 1999. Bags of sand, metal and barbed wire / “Failed to Bind, Bruce Nauman”, 2003. Neon
LUNTUMBUE Toma Muteba, “Sans titre”, 2004. Mural and light box
GEERS Kendell, “T.W. (Exported)”, 1999. Bags of sand, metal and barbed wire / “Failed to Bind, Bruce Nauman”, 2003. Neon
BIDJOCKA Bili, “Le principe de la faim”, 1997. Photographs GABA Meschac, “Chicken Mortuary”, 1997. Fridge, lettering and ceramics
TOSCANI Oliviero, “Bone”, 1993. Poster / CURLET François, “Djellabas (Nike, Fila, Addidas)”, 1998. Silkscreen printing on fabrics and tailor’s dummies GEERS Kendell, “T.W. (Exported)”, 1999. Bags of sand, metal and barbed wire / SCURTI Franck, “Les Plantes”, 2003. Painting on artificial plants, clay balls and aluminium
BODO Pierre, “Sans titre”, 2002. Acrylic on canvas
CAZAL Philippe, “On ne remarque pas l’absence d’un inconnu”, 2004. Painted lettering
BIJL Guillaume, “Sorry”, 1988. Various objects
MOKÉ, “Nganda Moké (1)”, 1992. Oil on canvas
MUYLE Johan, “L’impossibilité de régner”, 1991. Acrylic on resin, motor and wheels
SHONIBARE Yinka, “Diary of a Victorian Dandy” (detail n° 3), 1998. Photographs
TAYOU Pascale Marthine, “Les Pépites d’Or”, 2001. Shelves, plastic balls and videos
EL BAZ Mohammed, “Bricoler l’incurable/Niquer la mort/Love Supreme”, 2004. Videos and various materials / PEINADO Bruno, “The Big One World”, 2000. Palette, polystyrene foam, resin and polyurethane paint
MOKÉ, “Nganda Tika Muana (1)”, 1992 / “Nganda Tika Muana (2)”, 1992 / “Nganda Moké (1)”, 1992 / “Nganda Moké (2)”, 1993. Oil on canvas
FATMI Mounir, “Obstacles (X)”, 2003–2004. Wood and metal “Week-end Painting”, 2004. Acrylic on canvas
GABA Meschac, “Chicken Mortuary” (detail), 1997. Fridge, lettering and ceramics
GABA Meschac, “Chicken Mortuary”, 1997. Fridge, lettering and ceramics
GHEERARDIJN Jean-Marie, “L’art me ment comptant po rin”, 2000. Stool, tailor’s dummy, leather, wax and cameras / “Traits péniblement”, 2002–2003. Oil on photograph mounted on canvas, nails and pins / “Mondo Candido”, 2000. Wood, glass, flies / “Panoplie”, 2003 “Dans un sens, ça ne peut pas faire du tort !!”, 1999. Wooden crate, cardboard, glass bottles, flies, padlocks and wax
SAMBA Chéri, “Je suis le même, mais… je ne suis plus le même”, 2003. Acrylic on canvas
LIZÈNE Jacques, “Art de derrière le décor, Projet 1964 – 1971 – 1984”, 2004. Acrylic, plaster, wood, marker pen and various objects
SAMBA Chéri, “La vraie église, ce n’est pas…”, 2000. Acrylic on canvas
PEINADO Bruno, “The Big One World”, 2000. Polystyrene foam, resin, polyurethane paint and pallet
LIZÈNE Jacques, “Art de derrière le décor, Projet 1964 – 1971 – 1984”, 2004. Acrylic, plaster, wood, marker pen and various objects / SCURTI Franck, “Black Box”, 2004. Painted wardrobe and hangers
GUNS Patrick, “Surprise ! (milk + cacao)”, 2001. Video and acrylic on resin
GUNS Patrick, “Surprise ! (milk + cacao)”, 2001. Video and acrylic on resin
KINGELEZ Isek Bodys, “Tokyo yéyé”, 1993 / “Miss Hôtel Bruxelles”, 1992 / “Dynamic”, 1992 / “Sistina”, 1992. Paper, cardboard, plastic and various materials
JAAR Alfredo, “Épilogue”, 1998. Video
HAMMONS David, “Phat Free”, 1995. Video and sound
BOUSCHET Gast & HILBERT Nadine, “This space between us…”, 2000. Slide projectors, sound, metal bases and synchroniser
Ann Veronica Janssens
Comète, Liège
Tri Postal, Lille
La Comète, Liège
JANSSENS Ann Veronica, “La Comète”, 2012. Artificial fog
DANS Michael, “Upside Down”, 2006. Posters
GEYS Jef, “Ambassade van Vlaanderen”, 2006. Black stone and brass
GEYS Jef, “Untitled”, 2006. Posters
FOURÉ Pierre-Étienne, “I never went to Las Palmas”, 2006. Deckchairs
FOURÉ Pierre-Étienne, “I never went to Las Palmas”, 2006. Deckchairs PERSONAL CINEMA, “The making of Balkan Wars: The Game”, 2006. Video game
MACSAI Gyuri, “Flags”, 2006. Flags
CURLET François, “Download (In situ)”, 2006. Adhesives on wood panels
CURLET François, “Download (In situ)”, 2006. Adhesives on wood panels
ROBERT Jimmy, “Untitled”, 2005. Printing on tarp
PLATÉUS Benoît, “WTC”, 2006. Printing on paper
COUTURIER Michel, “Shadow Peace”, 2006. Mesh of synthetic thread
KANDILAPTIS Babis, “Iconostase publique”, 2006. Stickers
ARTHUIS Isabelle, “La bataille de l’ange rebelle”, 2006. Printing on paper
BERLANGER Marcel, “Qui en rajoute ?”, 2006. Acrylic on fibreglass
Place du Tivoli, façade of Palais
GEERS Kendell, “Fucking Heart”, 2006. Printing on tarp
ARTHUIS Isabelle, “La bataille de l’ange rebelle”, 2006. Printing on paper
LOPEZ-MENCHERO Emilio, “Certains l’aiment chaud”, 2006. Printing on tarp and sound
ANTONOV Mladen (Agence France Presse), “Mémoire d’un instant”, 1999. Printing on tarp
FRANÇOIS Michel, “Speaker’s corner project”, 2006. Ice cube and megaphone
BIJL Guillaume, “Cultural Tourism”, 2006. Sticker ZAOURAR Hocine (Agence France Presse), “La madone de Benthala”, 1997. Printing on tarp
MUTLU Selçuk, “Eros Veneziano”, 2006. Perfomance on FRANÇOIS Michel, “Speaker’s corner project”, 2006. Ice cube
TAYOU Pascale Marthine, “A.U. International”, 2006. Flags
MUTLU Selçuk, “Eros Veneziano”, 2006. Panels. Printing on board FRANÇOIS Michel, “Speaker’s corner project”, 2006. Poster
FRANÇOIS Michel, “Mexico City”, 2006. Printing on tarp
KASIMIR Marin, “Tourne-fou”, 2006. Printing on PVC
MAHÉO Erwan, “Untitled”, 2006. Printing on paper
Les Vestibules du Ciel”
26.05 → 06.10.2012 Espace 251 Nord, Liège
Benoit Platéus
KOZAKIS Nicolas, “Grotte : Nativité”, 2006. Mural
Espace 251 Nord, Liège
PLATÉUS Benoît, “OUAAA”, 2007. Digital print / “Kodak Flexicolor”, 2011. Urethane / “Snoqualmie (Orchid)”, 2008. Photograph
PLATÉUS Benoît, “Kodak Flexicolor”, 2011. Urethane / “Sunset”, 2011. Digital print
PLATÉUS Benoît, “Kodak Flexicolor”, 2011. Urethane / “Snoqualmie (Wallpaper)”, 2008. Photograph
PLATÉUS Benoît, “Stéréo”, 2012. Inkjet print
PLATÉUS Benoît, “Dossier X”, 2006. Digital print
PLATÉUS Benoît, “Page 21”, 2007. Digital print
MACSAI Gyuri, “Les carnets noirs”, 2006. Felt-tip on paper / “Masque de Carnaval”, 2005. Paper mask, collage and elastic bands
MESSIEURS DELMOTTE, “Meat Artist”, 1992. Photograph / CHARLIER Jacques, “Himmelsweg”, 1987. Photographs, harness, chains and books under glass
DÜRER Albrecht, “L’adoration de l’agneau”, ca. 1496–1498 / “Apocalypsis cum Figuris”, ca. 1496–1498 / “Le martyr de Saint-Jean”, ca. 1496–1498. Etchings
Tête de Jivaro, Brazil
MESSIEURS DELMOTTE, “Meat Artist”, 1992. Photograph FRANÇOIS Michel, “Léone”, 1991. Graphite on plaster
GEYS Jef, “Passeport de vache : Pietra”, 1967–1988. Photograph, felt-tip and watercolour on paper
BOULANGER Michel, “Les pieds de Pauline”, 1984. Bronze and wood
WIERTZ Antoine, “La Confidence”, undated. Oil on wood DEVRIENDT Robert, “Triptyque”, 2006. Oil on canvas
Melanesian plastered skull (Art collections of the University of Liège)
LIZÈNE Jacques, “Sculpture génétique culturelle”, 2000. Antic bust and congolese mask / DEL COUR Jean, “Vierge à l’enfant”, 17th century. Wood
FRANÇOIS Michel, “Tongue print”, 1991. Cement and plaster
DOLS Jean, “Les masques”, undated. Etching LIZÈNE Jacques, “Le musicien jazz croisé fétiche du Cameroun”, 2000. Wood and plaster
JACOB Roger, “L’œil de la matrix”, 1974. Marble
GHEERARDIJN Jean-Marie, “Je silicone donc je suis”, 2006. Christ, cartridges, belts, silicone tubes and camera / “Le dernier Starky et Hutch et le chasseur de prime-time”, 2006. Pheasant and hair / “L’Aéro Nasal ou Voir Jonfosse et mourir”, 2006. Plastic aircraft and hair / “Le prédateur artistique”, 2006. Wader, hair, splint and plastic planes / “Les copains d’Aborderline”, 2006. Masked bust of Christ, fox fur and earplugs / “Zoro-tolérance”, 2006. Bottle, metal and hair
COPERS Léo, “Untitled”, 1969. Metal box and rainbow / “Boîtes hermétiques avec contenu”, 1969. Black boxes
COPERS Léo, “Petit âne, étends-toi !”, 1983. Papier-mâché and gold leaves / “Arrête, Tout le monde riche !”, 2001. Polyester and gold leaves / “Prototype de lingot d’or en fer”, 1976. Iron
GILISSEN Maria, “Marcel Broodthaers et René Magritte ”, Photographs
CARLIER Jan, “Voodoo”, 1996. Mixed media
CURLET François, “Étude pour Homeless is more”, 1992. Felt-tip on paper
Anonymous, “Judith and Holopherne”, 1526. Oil on wood (Art collections of the University of Liège)
Yaka helmet mask / Suku, Congo / Grimacing head in tuffeau stone, 19th century, Liège GÉRARD Pierre, “han han”, 2006 / Ngbaka Mask, Congo / Statue of colonist GÉRARD Pierre, “agglomérat”, 2006 / Woyo proverbs box, Congo / GÉRARD Pierre, “soft wax”, “plâtre”, “laque marron”, 2006 / Kuba bipod cup, Congo Stone phallus, Gallo-Roman era / Whip
JACOB Roger, “Tête”, ca. 1955. Blue stone
DUYCKAERTS Éric, “Sans titre”, 1991. Wooden brooms
Head of Jivaro, Brazil
Reproductions of flowers, 19th century (Scientific collections of the University of Liège) / DE WITTE Adrien, “La femme au corset rouge”, 1880. Oil on canvas
Stuffed two-headed calf (Scientific collections of the University of Liège)
Anonymous, “Satirical diptych”, 1501–1510. Oil on wood (Art collections of the University of Liège)
GHEERARDIJN Jean-Marie, “Le panamareine-claude”, 2005–2006. Stuffed bird and space shuttle model
Five sorcery dolls, 18th century. Fabric, paper, pins and wax
KINOSHITA Suchan, “Untitled (clock)”, 2006. Glass, oil and syrup
NORDPROJET&Cie, “Piano à queue”, 2006. Whale phallus and piano
LIZÈNE Jacques, “Sculpture génétique culturelle”, 2004. Acrylic on plaster and wood / TOPOR Roland, “Sans titre”, undated. Lithography
Natural sponge / DANS Michael, “Between us”, 2006. Wood / Trichobezoar, matted clumps of hair occasionally found in the rumen of calves
DAGONNIER Ronald, “One day on earth”, 2004. Video anamorphosis (chrome cylinder on VHS Loop cathode-ray screen)
KASIMIR Marin, “Tondo Liège”, 2006. Forex print
Corals Indian Ocean / COPERS Léo, “Médicatus artibus”, “Médicatus artibus fortis”, 1991. Bottles and labels / Natural sponge
DANS Michael, “Between us”, 2006. Wood/ PLATÉUS Benoît, “Ombres d’hommes bâclés à la six-quatre-deux (maquette)”, 2006. Mixed media
Representation of a glass eye / Tetraodo stellatus, Stuffed fish
DE WITTE Adrien, “Le modèle”, 1882. Oil on canvas / COUTURIER Michel, “Sans titre”, 1994. Stainless steel cherry branches BERLANGER Marcel, “Fleur”, 2006. Acrylic on fibreglass
Berlanger
Comète, Liège
Musée d’Ansembourg, Liège
BERLANGER Marcel, “Zabriskie”, 2010. Acrylic and oil on fibreglass / “Glaukopos”, 2008. Acrylic on fibreglass
“Texas
“Glaukopos”,
“G.
View of the exhibition “Fig. Painting – Marcel Berlanger” at La Comète, Liège
View of the exhibition “Fig. Painting – Marcel Berlanger” at La Comète, Liège
BERLANGER Marcel, “Zabriskie”, 2010. Acrylic and oil on fibreglass / “Glaukopos”, 2008. Acrylic on fibreglass/ “Aérolite”, 2010. Acrylic on fibreglass / “Texas découpé”, 2010. Acrylic on fibreglass on aluminium frame / “G. D.”, 2008. Acrylic on fibreglass and light box
BERLANGER Marcel, “Zabriskie”, 2010. Acrylic and oil on fibreglass
découpé”, 2010. Acrylic on fibreglass on aluminium frame
2008. Acrylic on fibreglass
D.”, 2008. Acrylic on fibreglass and light box
BERLANGER Marcel, “Aérolite”, 2010. Acrylic on fibreglass “Texas découpé”, 2010. Acrylic on fibreglass on aluminium frame
DUYCKAERTS Éric, “La nuit transfigurée”, 1986–2007. Facsimile
DUYCKAERTS Éric, “La nuit transfigurée”, 1986–2007. Edition of facsimile free distribution of 1000 copies in the Giardini, Venice)
DUYCKAERTS Éric, “Palais des Glaces et de la Découverte”, 2007. Glass labyrinth and video / MUTLU Selçuk, “Seven Short Stories”, 2007. Performance
MUTLU Selçuk, “Seven Short Stories”, 2007. Performance
MUTLU Selçuk, “Seven Short Stories”, 2007. Performance
MACSAI Gyuri, “Y a pas de quoi pavoiser !”, 2007. Flags
MACSAI Gyuri, “Y a pas de quoi pavoiser !”, 2007. Flags
“ Wintertuin”
Moderne meesterwerken uit het Museum voor Hedendaagse Kunst Luik
18.03 → 19.06.2011
Bonnefantenmuseum, Maastricht
Belgian Pavilion, Giardini, Venice, 2007
Bonnefantenmuseum, Maastricht, 2011
ARP Hans, “Constellation”, 1953. Oil on wood / VAN RYSSELBERGHE, “Les sœurs du peintre Schlobach”, 1884. Oil on canvas
JEANNERET Charles-Édouard (Le Corbusier), “Violon, verre et bouteille”, 1925. Oil on canvas / LÉGER Fernand, “Le profil au vase”, 1927. Oil on canvas
JEANNERET Charles-Édouard (Le Corbusier), “Violon, verre et bouteille”, 1925. Oil on canvas / LÉGER Fernand, “Le profil au vase”, 1927. Oil on canvas
GAUGUIN Paul, “Le sorcier d’Hiva Oa”, 1902. Oil on canvas
PICASSO Pablo, “La famille Soler”, 1903. Oil on canvas / VAN RYSSELBERGHE Théo, “Les sœurs du peintre Schlobach”, 1884. Oil on canvas
EVENEPOEL Henri, “Le bébé”, 1893. Oil on canvas / MAGRITTE René, “La Forêt”, 1927. Oil on canvas ENSOR James, “Coquillages”, 1931 / “La mort et les masques”, 1897 / “L’Hôtel de ville de Bruxelles”, 1885. Oil on canvas
WOUTERS Rik, “Femme à la mantille”, 1913 / “Après-midi à Amsterdam”, 1915 / “Femme au bord du lit (Après-midi à Boisfort)”, 1912 / “L’homme au chapeau de paille”, 1913. Oil on canvas
STEVENS Alfred, “La parisienne japonaise”, 1872. Oil on canvas / WIERTZ Antoine-Joseph, “Rosine à sa toilette”, undated. Oil on canvas
EVENEPOEL Henri, “Promenade du dimanche au bois de Boulogne”, 1899. Oil on canvas / ENSOR James, “Coquillages”, 1931. Oil on canvas
GHEERARDIJN Jean-Marie, “100 images dans la ville”, 1985–2009. Poster campaign
Jean-Marie Gheerardijn
“ Jardin d’hiver” Œuvres maîtresses contemporaines du Bonnefantenmuseum de Maastricht
26.11.2010 → 27.02.2011
Musée d’Art moderne et d’Art contemporain, Liège
GHEERARDIJN Jean-Marie, “100 images dans la ville”, 1985–2009. Poster campaign
Musée d’Art moderne et d’Art contemporain, Liège
MERZ Mario, “8 – 5 – 3”, 1985. Metal, glass, twigs and neon lights
SIGNER Roman, “Nachtfahrt”, 1999. Vespacar and projection / “Super-8 films selectie”, 1975–1989. Videos
LEWITT Sol, “Complex Forms n°8”, 1988. Acrylic on wood
DE WIT Bas, “Toontje lager (monument to…)”, 2009. Mixed media DE WIT Bas, “Toontje lager”, 2008. Mixed media
BROODTHAERS Marcel, “M.B.”, “M.B.”, 1970–1971. Acrylonitrile styrene acrylate / “In Zuid-Limburg”, 1967–1970. Photographs
CHAN Paul, “Sade for Sade’s Sake”, 2009. Projection
KREBBER Michael, “Flaggs (against Nature)”, 2003. Various fabrics
CHAN Paul, “Sade for Sade’s Sake”, 2009. Projection
MERZ Mario, “Lezione di anatomia”, 1979. Charcoal and pigment on canvas
Espace 251 Nord: 35 Years of Exhibition Images (Or Itinerary of an
This is not (only) a book of images.
This is not (only) an anthology or compendium.
The publication of this retrospective work relating the many years of activity of a contemporary Arts’ Centre is no mean feat.
It aims to present the archives of Espace 251 Nord which, during its 35 years of existence, has not only welcomed a large number of artists, but has also helped to introduce them to the world by participating, even initiating artistic events in Belgium and internationally.
Unable to quote them all, they are revealed in the course of the pages and chapters.
Some launched their careers at Espace 251 Nord, in the 80s, and are now world famous. Others, as young emerging talent, are in the process of earning such a reputation.
Espace 251 Nord, inseparable from its director and founder, has been by their side during international events and has also encouraged a positive welcome and assisted the artists’ mobility with exchanges and exhibitions in coproduction.
Wallonie-Bruxelles International supports the publication of this reference work, which provides an overview of contemporary creation in the Wallonia-Brussels Federation.
Allowing readers, whether they be professionally involved in artistic creation or simply curious amateurs, to (re)discover artists and their work promoted in this book, but above all inside Espace 251 Nord and beyond, in both personal and collective exhibitions.
Pascale DELCOMMINETTE
General Administrator
Wallonie-Bruxelles International
An art school cannot be an enclosed space. It must be very open to the world and more specifically open to the world of art. The Academy of Liège has always ensured it remains in touch with societal developments and with the state of creation in its most lively form, if only by the profile of teachers who work there and by their professional activities outside of their of teaching responsibilities.
In the same vein, the Academy has always maintained connections with cultural operators: museums, art centres, galleries, theatres, publishing houses and so on. The objective is notably to involve personalities outside of the school environment in the training processes of our students and make the latter aware of the realities of artistic work. But not only that. It is also a way to support them after their studies by setting up co-productions, whether it is publications, exhibitions or plays.
The list of artists trained at the Academy who, have worked with Laurent Jacob since the mid1980s is long. The selection of their works in exhibitions like Place Saint-Lambert Investigations in 1985, Portraits de scène à l’île aux phoques on the sidelines of the Venice Biennale the following year or Le Jardin de la Vierge at the former Old England Establishments in Brussels in 1993, testifies to the relevance of their studies. Several generations have succeeded each other on the picture rails of Espace 251 Nord, from Jacques Lizène, Michel Boulanger and Jean-Pierre Ransonnet to Charles-Henri Sommelette as well as Marc Angeli, Babis Kandilaptis and many others. The present work provides a complete history and, at the same time, demonstrates the vitality and influence of the visual arts in Liège.
Daniel SLUSE
Director
The School of Arts of the City of Liège
A foundation dedicated to arts and culture in the Liège province
birth of a foundation
In 2017 the Liège Province Foundation for Art and Culture, chaired by Paul-Émile Mottard, came into being. This foundation, mainly dedicated to the visual arts, is now a vector of cultural dynamism and development in the Liège Province.
Initiated by Guy Vandeloise and Juliette Rousseff, a pair of Liège artists wishing to bequeath their heritage to the Liège Province, this officially recognised non-profit foundation concludes an alliance between the Provincial Institution, the two artists and the visual arts.
several funds tailored to different philosophies
Both the origins and functioning of the Foundation are quite unique.
In addition to the Vandeloise / Rousseff fund, still subject to growth, the Foundation has created other segregated funds that showcase different philosophies and aesthetics of art through their collection.
its missions
Safeguard the artistic heritage of the Liège Province and fight against dismantling the collections; prospecting for patrons; acquire works, conserve them and carry out a scientific study on them; make a collection of works and objects available to museums or communities that provide a different perspective on donor artists; create a comprehensive annotated catalogue of the acquired works available for any researcher or institution via the Internet, etc.
In order to bring visibility to artists throughout their lives and beyond, the Foundation offers various activities such as the organisation of exhibitions and meetings and offers a framework for reflection, analysis and actions on the issue of artists and art. It works to promote other initiatives with similar goals and to create a collection of catalogues and works of reflection highlighting its missions and the artists it promotes.
Attentive to cultural diversity, the Foundation is open to all artists, both young and old alike. However, a selection committee endeavours to analyse the relevance and coherence of applications so as to respect the general philosophy that led to its creation.
The Liège Province Foundation for Art and Culture: a place of conservation, study, meetings, debates and research relating to the arts.
Paul-Emile MOTTARD
Chair
Liège Province Foundation – Art and Culture
The non-profit organisation Espace 251 Nord (E2N) was created in Liège in 1984. Laurent Jacob invited a few close associates to join his executive board, including the visual artist Johan Muyle. The association immediately began its activities in the Quartier Nord area, at 251, rue Vivegnis, in a classified industrial building: the former headquarters of the Bonne-Espérance, Batterie, Bonne-Fin and Violette coalmines, built at the end of the 19th century. Still marked by the spirit of revolution of the 1960s and 1970s, the ‘Fervent city’ continued to be a multicultural melting pot. However, it was falling apart, lodged in economic and institutional failure indicating that the old ways of doing things were over. A void was created, which would be filled by the dynamism of the local association network.
From the mid-1980s, Laurent Jacob expressed a desire to remove Belgian community barriers and to work on extending the visibility of the French-language scene on an international level. In 1984, he organised Peintres de Flandre following the idea that you must be able to host before you export. A year later, the first major proposal took place in Liège: Place Saint-Lambert Investigations which defined the positioning of Espace 251 Nord as a centre of production for exhibitions understood as artistic practices. Co-organised with Johan Muyle, the project brought together Belgian artists from the south and the north of the country in the basements of the city centre; but above all, it opened other horizons thanks to the presence of foreign artists and through the support of both institutional and private European operators.
The operations in Italy began at the same time, with a first exhibition in 1986 at the Sala Uno, in Rome, and participation in the fringe at the Venice Biennale. Portraits de scène à l’Île aux Phoques at Casa Frollo presented an international selection as a reaction to the territorial nature of the pavilions in the Giardini; many observers recognised an expatriation strategy when Jan Hoet, seeking a leadership position, organised Chambres d’amis in Ghent. Through relations with Luk Darras, the then attaché at the Belgian Embassy, it was possible to set up Arte in Situazione – Belgica – Situazione dell’Arte in Rome the following year: the selection included 40 artists in 21 locations, involving 13 galleries, five collectors’ houses, the Belgian Academy and the French Academy at Villa Medici, where a historical event was staged, L’Inimmaginario belga, curated by Achille Bonito Oliva. The following events reveal links that shed light on the stakes and positioning of E2N in the geography of contemporary art. In 1988, Belgicisme – Objet dard was displayed at Casa Frollo. And further proposals followed for ensuing editions of the Biennale. The most notable ones took place in 1999 with the Horror Vacui (Ann Veronica Janssens and Michel François) in the Belgian Pavilion, attributed to the French Community, and En attendant l’année dernière in a fringe event involving 15 interventions. In 2001, E2N participated again with La trahison des images at Palazzo Franchetti in the museum district, together with Johan Muyle’s solo exhibition at the Serra dei Giardini in Castello. As a way of commenting on the event, the exhibition Le colloque des chiens was presented in Liège and Paris; Laurent Jacob conceived it in an effort to understand the relationships between the official event and the fringe event which, for him, is a breeding ground for both experimentation and visibility: “Espace 251 Nord’s proposals for Venice have always been conceptualised with maximum creativity in mind. This can be seen in the fringe ‘actions’, such as the distribution of the facsimile of La nuit transfigurée by Éric Duyckaerts in 2007 or the 100 images dans la ville collage in 2009. For the 2012 edition, I proposed a project called Résurgences de l’enfoui to the Wallonia-Brussels Federation, which was to be presented as a side-event at the Accademia; following its selection, the Ministry of Culture didn’t see fit to grant this operation the necessary budget, even though it didn’t exceed the usual sum allocated to such an event. The possibility of too great a success was fatal to this awkward exhibition!”
The story of Espace 251 Nord reveals a multitude of stakes. The events organised in Brussels at the former Old England department store (the current Musée des Instruments de Musique) raised questions concerning the possibility of setting up a permanent French-speaking structure in the Belgian capital, specifically dedicated to contemporary art. Le jardin de la Vierge (1993), Toscani Al Muro (1994) and Les fragments du désir (1995) developed as collections on show according to a specific approach to each event: the first one was treated as a private collection; the second one was associated with pieces produced for advertising campaigns; and the third was based on the institutional segment. These projects opened up opportunities for reflection on theoretical and practical subjects, in particular the exhibition of artworks in non-museum contexts. In Brussels once again, E2N used the former Entrepôt Royal Tour & Taxis: the first time within the framework of Brussels 2000 (Métamorphoses) but, above all, with Ici & maintenant / Hier & nu – Belgian System (2001), which involved a hundred or so artists and welcomed over 50,000 visitors in just two months. Following this success, the promoters of Lille 2004 entrusted Laurent Jacob with a prospecting mission and then with the position of curator of Afriques at Tri Postal; the exhibition was presented in the fringe at the Venice Bienniale professional days in 2005, in the form of a book (Black Box. Les Afriques) whose impact helped to establish an African pavilion at the Arsenale in 2007.
Alongside these operations, Espace 251 Nord conducted smaller but equally significant projects. For instance, there is the network of relations in the Euregio and especially in Flanders; exchanges were organised in collaboration with NICC, Air Antwerpen and Extra-City. There was also support for artists in the medium and long term. With Liège as the foundation stone, fundamental work was carried out on the production, exhibition and distribution of works by very different personalities from the French-speaking scene. “It’s difficult to establish an order”, explains Laurent Jacob. “There are ‘older artists’ like Alain D’Hooghe, who participated in the 9th Paris Biennale in 1975, Jacques Charlier, Michel Boulanger, Michel Antaki and especially Jacques Lizène. Boulanger plays a special role because of the visibility offered him through his participation in Natures de l’espace in the Belgian Pavilion at the Venice Biennale in 1978. Then there is my generation. For instance, Éric Duyckaerts, Babis Kandilaptis, Marc Angeli, Jean-Marie Gheerardijn and Johan Muyle. Then come the younger artists like Michaël Dans, Messieurs Delmotte, Benoît Platéus, Charlotte Beaudry and Pierre-Étienne Fourré. I became attached to this ‘Liège School’. For me, it is defined by an inclination to disrupt the limits of art and life. Most of these artists are into everything: painting, drawing, sculpture, performance, video, writing. There is a climate of emulation, a lot of joy, enthusiasm. There are also those from Brussels, some of whom I already frequented during my studies at La Cambre in the late 1970s. For instance, Ann Veronica Janssens, Daniel Deltour, Patrick Regout. There’s also Jean Glibert, Angel Vergara, Marcel Berlanger and Michel François whom I met in 1985.”
Besides the interest of exhibitions like Jardin d’hiver (2011), Batterie (2013), Les mains libres (2015) and Résurgences (2018), the past years have revealed a desire to organise a centre for contemporary visual arts in Liège, in the Quartier Nord area. Using a large-scale operation (Images publiques, 2006) as his basis, Laurent Jacob studied how to associate spaces for exhibitions, mediation, creation, residency, support and theoretical research. The result was the integration of the historical installations of Espace 251 Nord, Résidences-Ateliers Vivegnis International, SPACE Collection, the former Haecht Brewery and La Comète; in the past ten years, works by Marcel Berlanger (2010), Ann Veronica Janssens (2012), Lionel Estève (2017), Damien De Lepeleire (2018), Aurélie Gravas (2018), Michel François (2018), Gabriel Kuri (2018) and Harold Ancart (2018) have been presented in this repurposed cinema.
Pierre HENRION
403 Paolo Gasparotto Liège ..............................................................................................................................................
Etienne Wéry, Peinture Liège
Jean-Marie Gheerardijn Liège.....................................................................................................................................
Walter Verdin, Videorythmics Liège Jacques Lizène, Le minable music-hall et son chanteur en dessous de tout Liège Eric Duyckaerts, Il y a des événements tellement bien programmés qu’ils sont inoubliables avant même d’avoir eu lieu, Liège
404 Rencontre / Peintres de Flandres Liège Week-end vidéo, Liège Mythologies Individuelles ? Liège
405 La première chauviniste Antwerp Nord-Investigations, Liège
406 Musée de voyage Liège, 1984 / Maastricht, 1985
407 La Nouvelle Vidéo Flamande Liège...............................................................................................................................
Cinq Peintres liégeois, Brussels Images du son, Liège
409 Place Saint-Lambert Investigations, Liège
410............... Jacques Meuris THE SPACE AS A WORK OF ART
413............... Wim Van Mulders A CONCRETE MAZE IN LIÈGE
420............... Laurent Jacob EDITORIAL
422 Wolf Vostell, Liège
423 Michel Boulanger / Monika Droste / Michel François / Ann Veronica Janssens / Babis Kandilaptis Rome.......................................
424 ’t Bassin Maastricht Portraits de scène à l’île aux phoques OFF Venice
425 ............... Anne Dagbert WHAT IF THIS STORY WAS MADE UP?
426 ............... Carmelo Virone IN SEARCH OF A CITY’S IMAGE
427 ............... Eugène Savitzkaya REPORT (AT TIMES AFTER THE MANNER OF SEI SHÔNAGON)
428 ............... Francine Landrain JUST VENICE
429 ............... Michel Baudson A POSTSCRIPT TO CASA FROLLO
430 ............... Nadine Descendre CASA FROLLO, ON THE ISLAND OF GIUDECCA, LOOKS OUT ONTO VENICE
432 ............... Summary of a conversation between Laurent Jacob and Éric Duyckaerts
433 Portraits de scène, Liège
434 ............... Françoise-Claire Prodhon PORTRAITS DE SCÈNE ESPACE 251 NORD, LIÈGE Jef Geys, ABC École de Paris / Sommaire Liège, 1986–87
Waldo Bien / Johan J.A.G. Muyle, Paris
Arte in Situazione – Belgica – Situazione dell’Arte, Rome
436 ............... Achille Bonito Oliva THE BELGIAN INIMAGINATION
439 ............... Luk Darras, René Debanterlé, Laurent Jacob PREFACE
440 ............... COMMENTS BY ACHILLE BONITO OLIVA FROM AN INTERVIEW WITH LAURENT JACOB AND LUK DARRAS, 1987
441 ............... Carolyn Christov-Bakargiev BELGICA Waldo Bien Liège
443 Waldo Bien, Views From the Cordillera Darwin, Brussels Eurégionale 2 Hasselt
Atelier de production : Guillaume Bijl / Jacques Lizène Liège...................................................................................................
444 Atelier de production : Babis Kandilaptis / Jan Carlier Leander, Liège
445 Belgicisme – Objet dard OFF Venice Laurent Jacob et Carmelo Virone OBJETS DARDS & BELGICISMES
446 États limites – Archives des passions, Liège
447 Johan J.A.G Muyle, Les Reines Mortes Brussels Babis Kandilaptis, Iconomachie comme Guerre Civile, Brussels.................................................................................................
448 Jean-Marie Gheerardijn, Dictateur artistique Brussels
Jean Glibert / Laurent Jacob, Place Saint-Lambert “ Inventaire d’intervention n°14 ” Liège Het Latijnse Noorden in Vier Scenes Hasselt
449 ............... Marie-Ange Brayer DISPARATES
450 Eurégionale IV – Le merveilleux et la périphérie Liège ......................................................................................................
451 ............... Carmelo Virone THE FORCES OF REMAINS, THE REMAINS OF FORMS
Angel Vergara Santiago, Maison de Bonne Espérance, Batterie, Bonne Fin et Violette à Liège Liège......................................................
455 La Norme et le Caprice – Quartiers d’hiver Liège, 1991–92
François Curlet, Homeless is more Liège ............................................................................................................................
Club RM, L’Objet du Débat Liège
456 Quartiers d’hiver/Atelier 92–93 Liège...........................................................................................................................
457 Jacques Lizène / Jean-Marie Gheerardijn / Frédéric Tolmatcheff / Monsieur Delmotte Liège
458 Le Jardin de la Vierge, Brussels
459 ............... Jacques Meuris IN AN EVER VIRGIN GARDEN, PERHAPS
461 La tentation de l’image Lisbon
462 Maurice Pirenne, Un choix d’œuvres, Braine-l’Alleud / Liège ........................................................................................................
463 Toscani Al Muro, Débat de Rue – Les images Benetton, 1990–1994 Brussels
463 ............... Interview by Jean-Michel Botquin and Stéphane Penxten with Oliviero Toscani BETWEEN LIES AND TRUTHS
465
466 ............... Jean-Michel Botquin 1983–1993, THE
468 ............... Raoul Vaneigem L’EXPLOITATION PAR L’IMAGE
470 Jacques Charlier, L’Art à Contretemps Liège
Monsieur Delmotte, Le Môde de la Mônde Liège
471 Marc Angeli / Michel Boulanger Liège ...................................................................................................................... 1995 Foul Cable Video Liège
Les Fragments du désir – Collections en exposition : œuvres du Fonds régional d’Art contemporain Nord-Pas-de-Calais Brussels
473 ............... unknown author, THE WALLS OF THE GARDEN OF DESIRES
474 L’oeuvre d’art, sa médiation, seminar, Brussels
475 Les yeux d’un monde Liège
Monsieur Delmotte, L’Afrique du blanc / Le siècle du xx e sexe Liège
Le monde devient rêve, le rêve devient monde Lille ........................................................................................................ 1996
476 Elément feu Liège
477 UEO / Collections en exposition : œuvres du FRAC Nord-Pas-de-Calais, Brussels.................................................................. 1997 ARTBrussels / Privé-Public, Brussels
Bernd Lohaus, Liège
478 Jacques Lizène, Sculptures génétiques / Fun Fichier / Genetische Sculpturen Liège
Michel François, En rue Liège / Belgrade / Tatihou
Jean-Marie Gheerardijn, Dictateur artistique, Liège
479 Ecole liégeoise et spécialités belges Liège
Harold Barreiro, L’Entonnoir Extraverti Liège.................................................................................................................. 1998 ArtBrussels /Archives Actives : images d’exposition 1983–1998 Brussels
480 Michael Dans,Veux-tu faire partie du fan club de Michael Dans ? Liège
Strange Fruits Liège.............................................................................................................................................. 1999
481 Daniel Fourneau, En route pour la décharge Liège ARTBrussels Brussels
482 Ann Veronica Janssens / Michel François, Horror Vacui IN Venicee
483 ............... Christine Jamart FROM ‘APERTO’ TO ‘DAPPERTUTTO’ Mieke Bal EXCERPTS FROM MICHEL FRANÇOIS – ANN VERONICA JANSSENS, VENICE BIENNALE, 1999
489 En attendant l’année dernière, OFF Venice
Johan Muyle, Quand les jours meilleurs se font attendre Liège
490 Pièces à Conviction Brussels / Liège ........................................................................................................................... 2000
491 Espace Nord à Marres Maastricht Mo(u)vements – Kunstenaarsbewegingen in België van 1880 tot 2000, Antwerp Métamorphoses / metamorfosen – Brussels 2000, European capital of culture
492 Benoît Platéus Liège............................................................................................................................................. 2001
493 La Trahison des Images COLLATERAL Venice ............... Christine Jamart THE TREACHERY OF IMAGES – STAGE PORTRAITS 2001 Entretien avec Laurent JACOB réalisé par Christine Jamart THE INSPIRED RUMINATION OF A CRAFTSMAN-DIRECTOR
496 ............... Denis Gielen THE AESTHETICS OF WIDESPREAD DOUBT
497 ............... Pierre-Olivier Rollin VENICE BIENNALE: NATIONAL CONTRIBUTIONS AND INDIVIDUAL RADIANCE
499 ............... Bernard Marcelis FROM THE PLATEAU OF HUMANKIND TO STAGE PORTRAITS
500 ............... Cécilia Bezzan VIEWS FROM THE INSIDE … REFLECTIONS ON THE TREACHERY OF IMAGES – STAGE PORTRAITS
501 Ici & maintenant / Hier & nu – Belgian System Brussels
502 ............... Cécilia Bezzan and Laurent Jacob ICI ET MAINTENANT – BELGIAN SYSTEM
504 Jacques Lizène, Sculptures génétiques / Atelier Nomade Kassel ............................................................................................
Le minable music-hall et le chanteur en-dessous de tout. 1970–1981 / Remake 2002 Liège Le Colloque des Chiens / OFF Collection, Biennale di Venezia Liège
505 OFF Les heures joyeuses / Archives Actives : expositions et rencontres d’une certaine gaieté, Liège Archives Actives : les Archives du Cirque Divers 1977–1999 et de Vidéographie, Liège.............................................................
506 Stéphane Gilot, Foire d’empoigne Liège Le colloque des chiens Paris Collection Vidéographie 1976–1986 / Une rétroprospective 2003–2004 OFF Venice
507 ............... PRESENTATION TEXT
508 Les Afriques Lille 2004, European capital of culture..............................................................................................................
Inès Chapron-Somarriba LES AFRIQUES: PERSPECTIVES ON CONTEMPORARY AFRICAN ART IN LILLE
Black Box – Les Afriques, OFF Venice..........................................................................................................................
511 Images publiques – 1ère Triennale d’Art public, Liège .............................................................................................................
512 ............... PRESENTATION TEXT
514 After Cage – 24 collections en mouvement, Aachen / Hasselt / Maastricht / Liège Potlach & Gambit – Trésors cachés cabinet of curiosities, Liège
515 ............... Jean-Michel Botquin NOT WHAT JOHN CAGE WOULD WANT
517 Jim Sumkay, Murages Liège
Selçuk Mutlu, Une Peinture, Liège ...............................................................................................................................
Patrick Regout, Histoires naturelles Brussels
518 Jacques Lizène, Sculptures génétiques/ Rotation des stocks, Brussels L’âne et Gheerardijn, Brussels
519 Éric Duyckaerts / Gyuri Macsai / Selçuk Mutlu OFF Venice Éric Duyckaerts TODAY Éric Duyckaerts “LA NUIT TRANSFIGURÉE” Foreword
520 ............... Jean-Michel Botquin ESPACE 251 NORD, LIÈGE AND VENISE
522 ............... Pierre-Olivier Rollin SCÈNES DE FORTE SENSIBILITÉ : PORTRAIT DE L’ARTISTE EN CURATEUR
526 Jean-Marie Gheerardijn / Jacques Lizène / Selçuk Mutlu Liège
527 Selçuk Mutlu, Epilêpsia Liège Regards Projetés Liège
Marc Angeli, De nature organique, Brussels, 2007 / Liège ..........................................................................................................
Quartiers d’Hiver, Liège
528 Archives Actives Brussels No Connection Brussels Wilmes & Mascaux, Fictions Liège
529 Faux Jumeaux Ghent................................................................................................................................................
ARTBrussels / Œuvres et Images, Brussels
531 Jean-Marie Gheerardijn, 100 images dans la ville OFF Venice ...............An interview with Laurent Jacob by Cécilia Bezzan
533 La collection RTBF / De Canvascollectie Liège ................................................................................................................
534 Carnets de voyages – Edmond Dartevelle, un valeureux explorateur africain Sarran
535 Regards projetés, Nice, 2009 / Jette, 2010 / Strasbourg Aquarium d’artistes, Liège Jardin d’hiver – Œuvres maîtresses contemporaines du Bonnefantenmuseum de Maastricht Liège (36.)
536 Wintertuin – Moderne meesterwerken uit het Museum voor Hedendaagse Kunst Luik Maastricht (34.)
Jean Pierre Hupkens CULTIVATING THE CULTURAL GARDENS OF THE EUROGION .............. Laurent Jacob A TRIP OVER THE WATER
537 ............... PRESENTATION OF THE LIEGE-MAASTRICHT EXCHANGE
538 Marcel Berlanger, Fig. painting and Fig. 2, Liège Florent Delval LA COMÈTE, PERIPHERAL ORBIT
540 Selçuk Mutlu Walls project Liège
Selçuk Mutlu Current works, Liège Magda Amarioarei Liège
Nous Nous Cajolions Liège
541 La Collection RTBF / De Canvascollectie Liège / Brussels
Benoit Platéus, Les Vestibules du Ciel Liège
542 Ann Veronica Janssens, La Comète Liège
543 Charlotte Beaudry Liège ............................................................................................................................................
BATTERIE Liège
Christophe Terlinden, STOCK Liège
544 Christophe Terlinden, Peter Pan, Neverland … still alive Brussels
Michael Dans, What’s now is now Liège ............................................................................................................................
545 Patrick Everaert, Evermore, Liège
546 Vincent Ubags, Quantum Collapse, Liège
547 Jean Glibert, PEINTURE Liège
Le Canal / Het Kanaal Antwerp, 2014 / Liège LE CANAL / HET KANAAL – SUMMARY
549 Pierre Gérard, Images volées / Peintures et objets 1995–2015 Liège Les mains libres Liège ...............................................................................................................................................
Thomas Mariman VISITOR GUIDE
550 Art berbère, regards sur une collection Liège .............. Lucien Viola BERBER ART / PERSPECTIVES ON A COLLECTION – SUMMARY
552 Jacques Lizène, Rotation des stocks 1984–2016 Liège ............................................................................................................
Vinciane Despret LIZÈNE IS AN ANIMAL, BUT UNLIKE ANY OTHER
556 Charles-Henri Sommelette, Tracés de l’absence, Liège
557 Lionel Estève, Poussières urbaines et sculptures plates Liège An interview with Lionel Estève by Pierre Henrion
559 ............... Lionel Estève POUSSIÈRES URBAINES & SCULPTURES PLATES
560 Damien De Lepeleire, Huiles sur toiles (1987–2015) Liège .......................................................................................................
Hans Theys ALL ABOUT PORTRAITS
562 Patrick Regout, Dessins minéraux Liège Harold Ancart / Michel François / Gabriel Kuri Liège
563 Résurgences Liège
564 Aurélie Gravas, Inner Landscape Liège ..............................................................................................................................
565 Pierre Dartevelle – 50 Years of Collecting Art of the Congo Brussels ............... Claude-Henri Pirat PIERRE DARTEVELLE, LE COLLECTIONNEUR
568 Lionel Estève, Rétrospective Venice Lionel Estève, Poussières urbaines et sculptures plates Brussels
570 Sofia Boubolis, Si le paysage n’avait pas de nom, il serait un cataclysme intergalactique Liège 1984–2018. Babis Kandilaptis. Le temps arythmique Book
571 En Piste! 2018 – Jef Geys, Liège
Carmelo Virone Excerpt from the exhibition catalogue LE
573 Selçuk Mutlu, Stilllife, Artist residency E2N at 4th floor of the Brasserie Haecht for an exhibition at the Galerie des Beaux-Arts Liège .................................. 2019 37th edition Art Brussels, Book Launch@Le Salon – 26.04.2019, Brussels
574 E2N Archives Actives /Published, Troc / Exchange Sessions, Venice Preview Action, Venice
576 WIELS Art Book Fair, Brussels
En Piste ! 2019 En attendant l’année dernière E2N Archives Actives “Troc/Exchange Sessions”, Liège
577 Le temps des commissaires, La Châtaigneraie, Flémalle
578 En attendant l’année dernière –Focus on Benoit Platéus”, Liège ...........................................................................................
Virginie Devillez, BENOIT PLATÉUS
579 Jean-Paul Brohez, DE VISU, Un printemps en résidence, Brasserie Haecht, Liège
580 Stéphane Gilot, PAVPILLON, Cycles I, II & III, La Comète, Liège
583 En attendant l’année dernière, E2N Archives Actives, Espace 251 Nord, Liège
586 En Piste ! 2020 – Jean-Marie Gheerardijn 100 images dans la ville, Liège
587 Yann Freichels, Da-Sein, La Comète, Liège
Sofia Boubolis
“Si le paysage n’avait pas de nom, il serait un cataclysme intergalactique”
14.03 → 30.06.2018: production residency Brasserie Haecht, Liège
15.09 → 27.10.2018: exhibition Espace 251 Nord, Liège
“All I can say is that drawing is the best way – and the most readily-available means – to project and express an experience. In a somewhat undefined landscape, pastel and charcoal are applied to the support in powder form. The first one by rubbing, the second one with a brush. And although they extend right to the edge, nothing or almost nothing fills the surface of the drawing, albeit a horizon line and a few very light strokes. Just like a painting, the drawings have preserved the frame and the border. For other drawings, a branch of charred willow allows me to build up and saturate the space with various black strokes, to then remove a few pieces of ash and perhaps evoke a starry sky. The drawings in the series entitled Éther paysage are based on views by NASA artists such as the revised landing target for Mars Rover Curiosity, used for the invitation card.” (excerpt from the text by Sofia Boubolis, in the visitor’s guide, 2018)
production: Espace 251 Nord
curator: Laurent JACOB
coordination: Maxime MOINET
mediation: Philippe CLOES / Emel GURKAN / Laura NEFONTAINE
event management: Ibrahim ALI HASSAN / Antoine CAMMERERI
photography: Marjorie GOFFART / Marc PRÉVOT
with the backing of the Wallonia-Brussels Federation and Wallonia
Bibliography – Claude Lorent, “Le paysage au-delà de lui même”, in Arts Libre, October 2018.
“1984–2018. Babis Kandilaptis. Le temps arythmique”
12.2018
co-edition: Espace 251 Nord / The School of Arts of the City of Liège
conception: Laurent JACOB / Babis KANDILAPTIS
documentation: E2N Archives Actives / Babis Kandilaptis personal archives
coordination: Morgane OTT
assistant: Maxime MOINET
trainee: Jeanne CUBELIER
graphics: Signes du quotidien
texts: Eric AMOUROUX Cécilia BEZZAN
Achille BONITO OLIVA, Anne-Marie
BOSQUÉE Jean-Michel BOTQUIN Marie-Ange
BRAYER, René DEBANTERLÉ Jo DUSTIN
Éric DUYCKAERTS Karel GEIRLANDT
Danièlle GILLEMON, Laurent JACOB Babis
KANDILAPTIS Théodora ILIOPOULOU
ROGAN Thomas MARIMAN Eveline
MASSART Jacques MEURIS, Jacques-Louis
NYST Philippé PÉTRÉ, Françoise-Claire
PRODHON Marie-Christine ROYEN Eugène
SAVITZKAYA, Daniel SLUSE, Yoann VAN
PARYS Carmelo VIRONE
acknowledgements: Pauline BASTIN
Sabine BROOS Ronald DAGONNIER
Pierre HENRION Ariane KANDILAPTIS
Françoise NEURAY, Marc RENWART, Daniel SLUSE with the backing of the Wallonia-Brussels Federation – FPS Culture – Visual Arts Department –and Wallonia
“En Piste!” 2018– Jef Geys
07.09 → 09.09.2018
As part of “En Piste !” 2018 in La Boverie, Liège For the fourth consecutive year, the galleries and art centers in Liège joined forces to exhibit their artists. In 2018, La Boverie hosted 33 of them.
“By exhuming an inconceivable number of paintings from the reserves of the Wallon Art Museum to cover an entire wall of the exhibition space, Jef Geys uses his customary irony to direct the viewer towards his own perception of the works and their meaning. Poor quality paintings, historical residues, old-fashioned paintings, little-known masterpieces? How can we tell? Are these paintings worth less than the others on permanent display? Are they worth less than the series of paintings that Geys himself has had made by a manufacturer, upon which are the same repeated motifs of a house next to where a gigantic spade has been planted? What do we judge: the work or its product?”
(Carmelo Virone, 1991. Excerpt from the exhibition catalogue “Le merveilleux et la périphérie”, 1990)
production: Espace 251 Nord direction: Laurent JACOB coordination: Maxime MOINET mediation: Morgane OTTE, Selçuk MUTLU, Cécile SACCINO installation: Ibrahim ALI HASSAN / Antoine CAMMERERI
BOUBOLIS Sofia, Au jardin 2017. Charcoal and watercolour on paper
BOUBOLIS Sofia, Puis vinrent les coraux, les éponges et les anémones 2018. Pastel and charcoal on paper
La Boverie
GEYS Jef, 100 peintures modèles / F.C. Wallonie-Flandres 1990; installed at Musée d’art Wallon as part of Le merveilleux et la périphérie Exhibition Euregionale, Liège, 1990-91. Detail
Installation views En Piste ! 2018
Selçuk Mutlu
Artist residency E2N on 4th floor of the Brasserie Haecht, Liège
18.02 → 27.04.2019: artist residency
04.05 → 17.05.2019: exhibition
From the 4th to the 17th of May, Galerie des Beaux-Arts showed the work of Liege-based artist and performer Selçuk Mutlu. The exhibition, entitled Stillllife, was organized with the support of Espace 251 Nord. A collection of Mutlu’s poetic notes, entitled Alone, filled with skies and air (a second probability) was also presented.
37th edition Art Brussels –Book Launch – 26.04.2019
25.04 → 28.04.2019
37th edition Art Brussels Tour & Taxis, Brussels, Belgium
– Art Brussels
Art Brussels is one of the most established art fairs in Europe. With a stellar line-up of participants for its 37th edition, it maintains an international profile bringing together 148 selected galleries from 32 countries across three sections; 99 in ‘Prime’, 38 in ‘Discovery’ and 13 in ‘Rediscovery’ and one sub-section with 23 solo presentations. On top of the selected galleries, Art Brussels has launched a new ‘Invited’ section comprised of 9 emerging galleries or art spaces that transcend the typical gallery format.
– Book Launch
On the occasion of Art Brussels 2019, a book launch was organized on the premises of the fair itself to show the first presentation sheets fresh from the printers to the Belgian and international public, and to communicate the next scheduled book presentations to be held in Belgium and France at the start of the 2019 academic year.
mediation: Eva KEIFENS Amandine DEBRAS Maxime MOINET
Poster Jef Geys, ABC Ecole de Paris, Sommaire 1986
GEYS Jef, Women's questions (Vrouwenvragen–German version, Hindi version, English version), 1964-2007
Poster Le Merveilleux et la périphérie 1990
Brasserie Haecht
MUTLU Selçuk, Oh les beaux jours 2019 Blood on canvas, 24 x 18cm
Galerie des Beaux-Arts
06.05 → 11.05.2019
OFF 58th Venice Biennale
IN 58th Venice Biennale
May You Live in Interesting Times
11.05 → 24.12.2019
chief curator: Ralph RUGOFF
Belgian Pavilion
commissioner: Fédération Wallonie-Bruxelles
curator: Anne-Claire SCHMITZ
Mondo Cane
artists: Jos DE GRUYTER & Harald THYS
To reach out to cultural and artistic participators from all over the world, Espace 251 Nord was present at the Venice Biennale during the first three professional opening days from the 8th to the 10th of May 2019. Based at Latteria Moderna, on Via Garibaldi, between the Giardini and the Arsenale, the Espace 251 Nord team (increased in number for this occasion) offered nearly 450 copies of a preview edition of the 392-page book
‘E2N Active Archives’. Each copy of the book was handed over in exchange for an international professional contact detail. With the aim of making professionals aware of the work of Espace 251 Nord (and, thus, in turn, the work of numerous artists from the Wallonia-Brussels Federation as well), this successful promotional action was highly supported by Wallonia-Brussels International.
Book
editors: Laurent JACOB, Luc DERYCKE
design & lay-out: Luc DERYCKE, Jeroen WILLE, Viktor VAN DEN BRAEMBUSSCHE
lithography: Olivier Dengis, Mistral
proof-reading: Françoise Neuray & Pierre Henrion
printing and binding: Trehout
publisher: Espace 251 Nord – Archives Actives with the help of: La Comète s.c., Liège
co-publisher: MER B&L, Ghent
Venice Preview Action
production: Espace 251 Nord
direction: Laurent JACOB
coordination: Maxime MOINET
mediation: Amy HILTON, Philippe BRAEM, Victoire KARERA, with the help of five curator students
with the support of: Fédération WallonieBruxelles & Wallonie-Bruxelles International, Ministère de la Culture, Ministère de l’enseignement supérieur, de la recherche et des médias; École supérieure des Arts de la Ville de Liège; La fondation Province de Liège – Art et Culture // Province de Liège–Culture thanks to: Pauline BASTIN Christine BRACHOT, Edoardo CIMADORO, Caroline DAVID Maurice DELWAIDE Jean-Pierre DÉSIRON, Pascale EBEN Alexis EWBANK, Emmanuelle LAMBERT, Bernard MARCELIS Eveline MASSART Joel MATHIEU Marino SOLDAN, Daniel SLUSE
Latteria Moderna, Via Garibaldi, Venice. Works exhibited by Christophe TERLINDEN Michel FRANÇOIS, Jacques LIZÈNE Eli HAPPART Thomas CHABLE and François CURLET
Philippe BRAEM Victoire KARERA
Amy HILTON Maxime MOINET
Moderna, Via Garibaldi, Venice
Center: Pascale DELCOMMINETTE (director WBI) and right: Laurent JACOB (E2N)
(Off program Brussels Gallery Weekend)
07.09 → 08.09.2019
WIELS, Bruxelles
Over the weekend of 7th and 8th of September 2019, WIELS welcomed independent art publishers to present their work. Free and open to the public, this annual event allowed book lovers, collectors, artists and art professionals to discover a wide variety of printed productions, from zines and artist books, to art catalogues and artist editions.
Participants: Christophe Daviet-Thery Livres et Editions (FR), 5X Letterpress (IT),AFTERALL & M HKA (BE), Akmar (NL), Almine Rech Editions (BE/ UK/USA), Animal Press (BE),Another Language (FR/JP), Archive Books (DE), artKitchen/deCultClub (NL), atnoonbooks (KR), Beam Editions (UK), BOYCOTT (NL), Ceremony Press (UK), Corraini Edizioni (IT), Dalpine (ES), dienacht Publishing (DE), ÉDITIONS B42 (FR), EDITIONS LOCO (FR), Editions Premier (BE), Empire Books (FR), Espace 251 Nord (BE), Fremok (BE), From Me To You Publications (BE), Fucking Good Art (NL), Gabriele Amor (FR), GAGARIN a Journal of Artists writings (BE), Girls Like Us (BE), Good Neighbour (NL), Gouilly/Kurdi (FR), Ines Claus Books (BE), InOtherWords (UK), Jap Sam Books (NL), Les commissaires anonymes (FR), Les Fugitives (UK), Libri Finti Clandestini (IT), Long Distance Press (SCT), Louis M Schmidt (USA), Membrilla (IT), MER. (BE), Meraki Agency (NL), MISAKO & ROSEN & YUKIS (JP/NL), Noviki (PL), NXS World (NL), Onomatopee Projects (NL), pantingo (BE), Posture Editions (BE), Really Simple Syndication Press (DK), Revue Les Saisons (FR), Risotop (DE), Rubiero da Reixirà & Phenicusa Press (BE), SEMIOSE (FR), Sombres torrents (FR), Surfaces Utiles & Good Surface (BE), the (m) éditions/ IBASHO (FR/BE), Tombolo Presses (FR), Triangle Books (BE), Valiz (NL), Varamo Press (BE), Vleeshal (NL), WIELS Bookshop & Residency Artists Publications, WS (FR/TW), XRIVISTA (IT), Zeug (FR), Zolo PRESS (MX)
A side programme of talks, book signings, readings and performances made this weekend a unique moment devoted to publishing and artbook culture.
07.09.2019, 12h00: Presentation of Archives Actives by Luc Derycke et Laurent Jacob.
Published by Espace 251 Nord et MER. B&L Active Archives 35 years of exhibition organized by Belgian contemporary art center Espace 251 Nord. [FR, 1h]
“En Piste !” 2019 “En attendant l’année dernière E2N Archives Actives”
“Troc/Exchange Sessions”
24.10 → 28.10.2019 La Boverie, Liège
The monograph presented at En Piste is based on the idea of “Active Archives” as established by Espace 251 Nord since its inception. Laurent Jacob was intent upon preserving as much information and documentation as possible to form a concise inventory; each project leaving a trace as an available creative tool for future use.
The archive comes together as an ‘image album’. It follows the history of Espace 251 Nord's activities over the years, and documents exhibitions selected for their representations. The book takes us back through to 36 specific projects from the approximate 190 projects in E2N’s history. Its ‘folded’ layout design allows us to alternate between two timelines: one chronological and the other a-chronological, so that the oldest exhibition can be associated with the most recent and so on and so forth. Breaking the fixed structure of a common linear narrative, this ‘laced’ configuration reveals relationships
and associations over a long period of time. Any alternative presentation structure used would not allow for the same clever cross-referencing. And above all, this specific and unique book design corresponds to the retrospective dynamic that underlies the evolution of Espace 251 Nord. Placed in chronological order, the history constitutes an exhaustive catalogue of the events organized from 1983 to the present day. For each entry, it includes the original colophon down to the details of the team and supporters; and where appropriate, an anthology of images and texts is included. This information can be read as a raw material open to hermeneutics.
Particular attention has been paid to the illustration of the book. The album reproduces images from a conception of exhibition photography in which the focus is on the works rather than on the context surrounding them; they allow (re) discovery of the 36 selected events. On the other hand, the history gives pride of place to ‘collateral’ iconography : invitation cards, posters, views of the sites, prospecting activities, artist portraits, moments of assembly and dismantling, views of places frequented during visiting hours, exhibition openings, etc. Captions are deliberately reduced to basic information.
An index at the end of the book completes the work; in addition to its value as a tool, it reveals the lasting relations between Espace 251 Nord and a considerable number of artists.
Un panorama des arts plastiques au Pays de Liège de 1980 à 2000
“Le
temps des commissaires”
For the 40th anniversary of La Châtaigneraie
15.11 → 11.12.2019
07.01 → 19.01.2020
Under Marc Renwart, the CWAC continues the work of highlighting Pays de Liège’s contemporary creations by publishing the rest of “Libres échanges” (1938-1980). The task led by the active exhibition curators in the period from 1980 to 2000.
La Châtaigneraie is managed by Marie-Hélène Joiret, Flémalle, Belgium
“By exhuming an inconceivable number of paintings from the reserves of the Wallon Art Museum to cover an entire wall of the exhibition space, Jef Geys uses his customary irony to direct the viewer towards his own perception of the works and their meaning. Poor quality paintings, historical residues, old-fashioned paintings, little-known masterpieces? How can we tell? Are these paintings worth less than the others on permanent display? Are they worth less than the series of paintings that Geys himself has had made by a manufacturer, upon which are the same repeated motifs of a house next to where a gigantic spade has been planted? What do we judge: the work or its product?” (Pierre Henrion)
E2N booth. Jacques LIZENE flag on the wall. Mediation : Maxime MOINET Philippe BRAEM Neijma BEN BRAHIM
En attendant l’année dernière. E2N Archives Actives book presentation moderated by Jean-Michel BOTQUIN.
From left to right : Luc DERYCKE, Laurent JACOB, Philippe BRAEM, Ann Veronica JANSSENS, Michel FRANCOIS, Selçuk MUTLU.
Front: E2N presentation stand manned by Bérénice GILLOT. Back, from left to right, works by Nicolas KOZAKIS, Michel BOULANGER, Marc ANGELI, Selçuk MUTLU, Babis KANDILAPTIS, Jacques LIZENE, Babis KANDILAPTIS, Marc ANGELI, Charles-Henri SOMELETTE
Exhibition view
“En attendant l’année dernière –
Focus on Benoit Platéus”
20.01 → 20.02.2020
Brasserie Haecht, Liège, Belgium
“Benoît Platéus's photographs are full of visual effects that can evoke elements of science-fiction, possessing a programmatic aspect and revealing issues inherent in his work. The effects of light are omnipresent: overexposures, light spots, reflections, projections, concentric shapes... A photograph plays with the sun on a geographical map with visible folds; a woman appears from behind an ordinary chair who seems to merge with the object itself; elsewhere a window acts as a screen or reflecting mirror... The shots are sometimes grainy and what is often off-camera takes a central place. Each photograph evokes the reverse side, the possibility of another image, another reality, another discourse.” (Virginie Devillez, 2001)
27.04 -> 30.05.2001
Espace 251 Nord, Liège, Belgium
07.06 -> 09.09.2001
La trahison des images – Portraits de scène
COLLATERAL 49th Venice Biennale
Palazzo Franchetti – Instituto Veneto di Scienze, Lettere ed Arti, Venice, Italy
Jean-Paul Brohez
“DE VISU, Un printemps en résidence”
01.03 → 27.06.2020
Brasserie Haecht, Liège, Belgium
After 30 years of absence Jean-Paul Brohez returned to Liege. Following his recent residency at Brasserie Haecht, his exhibition “De Visu” is a presentation of 24 photographs taken during moments of ‘liberation’ throughout the recent official lockdown period. The photos are presented chronologically from March to May 2020 and highlight extracts from his 'photo diary' — capturing various moods, lights, places and atmospheres.
www.voyonsvoir.be
PLATEUS Benoit, Sans titre 2001. C-print, 33 x 48 cm, ed. of 5 Commisioned by E251 Nord for La trahison des images Venice, 2001
PLATEUS Benoit, Sans titre 1999. C-print , 33 x 48 cm, ed. of 5
PLATEUS Benoit, Sans titre 1997. C-print , 54 x 80 cm, ed. of 5
PLATEUS Benoit, Mobile home, 2001. C-print, 33 x 48 cm, ed. of 5
PLATEUS Benoit, Sans titre 2001. C-print 54 x 80 cm, ed. of 5 Commisioned by E251 Nord for La trahison des images Venice, 2001
Espace 251 Nord
(…) Painting is a means of research (both human and historical), a means of expression ... a dramatic art.
Its culmination is the meeting point between emotion, sensitivity, concrete reflection and plastic.
The images are tinged with a sense of melancholy, and the desire for idealization. Perhaps a need to embellish and cover the past, to depict scenes that depict the human condition. My work is an anthropological study, which allows me to represent what I am living, that is to say, to paint the viewpoint of the now.”
production: Espace 251 Nord direction: Laurent JACOB assistant: Xavier VANI technician: Ibrahim ALI-HASSAN
interns: Danh Bao KYNDT, Céline STREVELER
FREICHELS Yann, Sans titre 2020. Oil on canvas, 180 x 200 x 6,5 cm
FREICHELS Yann, Sans titre 2019. Oil on canvas, 170 x 200 x 5 cm
Vito ACCONCI 205, 472, 480
Oladélé AJIBOYÉ BAMGBOYÉ 508
Chantal AKERMAN 436, 494
Edward ALLINGTON 17, 409
Pawel ALTHAMER & Artur ZMIEJEWSKI
535, 537
Fernando ALVIM 508
Francis ALŸS 247, 475, 477, 479, 481, 489, 490, 494, 504, 506, 514, 521, 531
Magda AMARIOAREI 401, 540, 541
Harold ANCART 7, 75, 76, 397, 401, 562
Carl ANDRE 165, 458, 472, 480
Jacques ANDRÉ 501
Marc ANGELI 25, 46, 48, 51, 78, 148, 150, 185, 304, 395, 397, 400, 401, 406, 407, 409, 436, 456, 458, 471, 475, 479, 480, 501, 517, 527, 549, 563, 576, 581, 583
Éric ANGENOT 280, 287, 458, 466, 475, 493, 501, 504
Giovanni ANSELMO 147, 150, 220, 458, 472, 480
Sandro ANTAL 26, 409, 480
Michel ANTAKI 397, 450, 489, 504, 505, 506, 511, 514, 533, 540
John ARMLEDER 211, 471, 472
Hans ARP 379, 536
ART & LANGUAGE 200, 472, 480
Isabelle ARTHUIS 297, 341, 343, 490, 491, 501, 503, 504, 511, 512, 557, 564
Marco BADOT 406
Stephan BALLEUX 266, 543
Joachim BANDAU 130, 443, 450, 453, 480
Pascal BARBE 476
Olivier BARREA 295, 501, 503
Harold BARREIRO 400, 479
Robert BARRY 199, 472, 480
Laurent BAUDOUX 456, 480, 501
Lothar BAUMGARTEN 171, 222, 458, 472, 480
Charlotte BEAUDRY 7, 59, 264, 265, 307, 308, 309, 310, 397, 401, 543, 563
Carlos BECERRA 403, 406
Bernd & Hilla BECHER 472, 477
Vincent BEECKMAN 511, 527
Rudy BEERENS 132, 406, 407, 450, 456, 480
BEN 203, 472, 477, 480, 507, 540, 555
Marcel BERLANGER 7, 53, 54, 58, 178, 255, 257, 259, 302, 340, 366, 369, 370, 371, 397, 401, 458, 475, 493, 496, 499, 501, 504, 511, 514, 524, 528, 529, 538, 539, 549, 563, 582, 585
Pascal BERNIER 480
Philippe BERTELS 456
Joseph BEUYS 144, 149, 150, 151, 458, 471, 472, 473, 475, 479, 496, 499
Bili BIDJOCKA 312, 508
Waldo BIEN 24, 40, 67, 162, 399, 409, 424, 427, 433, 434, 442, 443, 447, 458, 476, 480, 504
Fred BIESMANS 278, 501
Jean-Sylvain BIETH 208, 472
Guillaume BIJL 10, 87, 279, 314, 345, 399, 409, 436, 441, 442, 443, 445, 447, 480, 491, 501, 508, 511, 520, 521, 528, 540, 547, 548
Daphnée BLANCHERIE 501
Maurice BLAUSSYLD 458
Philippe BLONDEZ 456, 480
Karl BLOSSFELDT 149, 458
BODO 315, 508
Alighiero e BOETTI 157, 224, 458, 472, 480
Marinus BOEZEM 472
Christian BOLTANSKI 213, 472
Elke Andreas BOON 480
Gèr BOOSTEN 450, 452
Alain BORNAIN 293, 501
O BORREMANS 471
Kasper BOSMANS 231, 234, 547, 548, 562
Anne BOSSUROY 262, 543
Zoulikha BOUABDELLAH 508
Sofia BOUBOLIS 51, 401, 563, 570
Michel BOULANGER 16, 41, 59, 71, 90, 160, 161, 182, 355, 395, 397, 399, 400, 405, 406, 409, 423, 424, 426, 433, 434, 436, 458, 471, 475, 479, 480, 504, 549, 563, 565, 576, 582, 583, 586
Jean-Daniel BOURGEOIS 262, 543
Gast BOUSCHET 326, 508
Philippe BOUTTENS 404, 406
Dirk BRAECKMAN 290, 501
Herbert BRANDL 472
George BRECHT 212, 472
Bård BREIVIK 13, 409, 414
Charles BRESMAL 479
Ricardo BREY 288, 501
Lisa BRICE 318, 508
Jean-Paul BROHEZ 475, 476, 479, 579, 583, 586
Marcel BROODTHAERS 82, 83, 127, 389, 436, 438, 439, 440, 441, 450, 452, 480, 494, 496, 500, 521, 535, 537
Stanley BROUWN 458, 472
Frédéric BRULY BOUABRÉ 508
Günter BRUS 458, 472, 477
Jan BRUSSELMANS 536
Daniele BUETTI 480
Jan BULTHEEL 407
Chris BURDEN 458
Daniel BUREN 196, 430, 465, 471, 472, 480
Victor BURGIN 477
Balthasar BURKHARD 166, 458
Jean-Marc BUSTAMANTE 208, 472, 477
Andre CADERE 162, 458
Sarah CAILLARD 53, 563
Pier Paolo CALZOLARI 227, 458, 472
Guy CARDOSO 501
Jan CARLIER LEANDER 99, 127, 292, 359, 399, 444, 447, 450, 453, 456, 475, 476, 480, 501, 514, 520
Henri CARTIER-BRESSON 472, 477
First CASK 501
Ingrid CASTELEIN 404
Frank CASTELYNS 501
Wim CATRYSSE 501
Philippe CAZAL 36, 65, 314, 424, 426, 431, 433, 434, 480, 504, 508, 520
Thomas CHABLE 433, 445, 563, 574
Marc CHAGALL 536
Laurent CHAMBERT 456, 480
Paul CHAN 388, 535, 537
Jacques CHARLIER 13, 83, 104, 130, 203, 272, 352, 397, 400, 406, 409, 413, 436, 438, 439, 440, 441, 445, 447, 450, 452, 453, 470, 472, 475, 477, 479, 480, 501, 504, 506, 514, 521, 531
Ferdinand CHEVALIER 475
Benoît CHRISTIAENS 476, 480
CIRQUE DIVERS 129, 400, 450, 453, 455, 479, 480, 505, 540
Brigitte CLOSSET 475, 479
Luc COECKELBERGHS 405
Jeanine COHEN 501
Leo COPERS 10, 39, 40, 41, 63, 102, 287, 356, 367, 405, 409, 415, 424, 431, 433, 434, 436, 445, 447, 475, 480, 501, 514, 520, 521
James COLEMAN 472
Gérard COLLIN-THIEBAUT 472, 477
Patrick CORILLON 132, 450, 451, 461, 479, 480, 521, 540
Laura COUDERC 305, 501
Sylvain COURBOIS 508, 549
Michel COUTURIER 286, 366, 388, 424, 456, 501, 511, 514, 517, 527
Jeanne CUNILL 479
Chris CUNNINGHAM 313, 508, 510
François CURLET 254, 257, 313, 315, 336, 359, 399, 455, 475, 476, 477, 480, 481, 489, 490, 491, 492, 493, 494, 497, 499, 500, 504, 505, 506, 508, 511, 514, 528, 529, 531, 540, 549, 563, 574, 583
Jean-Robert CUTTAÏA 480
Walter DAEMS 456
Ronald DAGONNIER 277, 364, 471, 501, 514, 517, 527, 535, 552
Michael DANS 58, 255, 259, 265, 304, 333, 365, 367, 397, 400, 401, 476, 480, 481, 489, 490, 491, 492, 493, 495, 497, 501, 505, 506, 511, 514, 517, 521, 524, 528, 529, 531, 540, 543, 544, 549, 563, 584
Hanne DARBOVEN 472
Moniek DARGE 407
Frédéric DARRAS 527, 535
Richard DEACON 21, 409, 421, 434
Hugo DEBAERE 390, 535, 537
Alec DE BUSSCHERE 456, 480
Goele DE BRUYN 277, 501
Alain DE CLERCK 476, 479, 489
Jan DE COCK 293, 501
Franky D.C 79, 98, 404, 406, 436, 439, 445, 447, 480, 501
Didier DECOUX 292, 501
Léonard DEFRANCE 514
Philippe DE GOBERT 39, 62, 63, 66, 424, 425, 433, 434, 436, 480, 501
Delphine DEGUISLAGE 55, 563
Edith DEKYNDT 256, 260, 297, 476, 493, 496, 497, 499, 501, 505
Jean DEL COUR 354, 514
Luc DELEU 18, 409, 434, 480
Damien DE LEPELEIRE 7, 47, 109, 110, 111, 112, 113, 397, 401, 560, 561, 563
Monsieur – Messieurs DELMOTTE 352, 397, 399, 400, 457, 470, 475, 476, 477, 479, 480, 508, 514, 521, 543, 584
Jean DELOUVROY 501
Daniel DELTOUR 276, 397, 405, 501
André DELVAUX 436
T DELVIGNE 471
Simona DENICOLAI & Ivo PROVOOST
501, 503
Jean-Paul DERIDDER 288, 500 Johan DESCHUYMER 292, 501
Christine DETHIER 405
Thierry DEVILLERS 405
Robert DEVRIENDT 355, 514
Jonathan DE WINTER 230, 232, 233, 262, 263, 543, 547, 548
Bas DE WIT 386, 535
Ivan D’HONDT 20, 409
Alain D’HOOGHE 397, 514, 540
Steve DI BENEDETTO 214, 472
Erik DIETMAN 202, 472, 477
Martin DISLER 472
Honoré d’O 247, 489, 506, 509, 521, 535
Robert DOISNEAU 472, 477
Jean DOLS 354, 514
A. DOS SANTOS 471
Laone DOS SANTOS LOPES 247, 287, 481, 482, 489, 490, 492, 506, 528
Peter DOWNSBROUGH 276, 472, 501 Guillaume DREUMONT 476
Robert DRAGOT 528
Monica DROSTE 14, 38, 68, 72, 78, 103, 399, 405, 409, 423, 424, 433, 434, 436, 441, 445, 447, 480, 521
Marcel DUCHAMP 453, 454, 458, 473, 500
Lise DUCLAUX 501
Emmanuel DUNDIC 540
Laurent DUPONT-GARITTE 527, 535 Albrecht DÜRER 353, 514
M DUTRY 471
Éric DUYCKAERTS 6, 39, 48, 53, 64, 258, 358, 372, 373, 396, 397, 399, 401, 403, 405, 407, 424, 431, 432, 433, 436, 445, 447, 455, 458, 475, 477, 480, 493, 494, 495, 499, 501, 504, 505, 506, 514, 517, 519, 520, 521, 522, 525, 528, 531, 532, 540, 563, 570
Max EASTLEY 407, 408 Elise EERAERTS 233, 547, 548
Fred EERDEKENS 126, 405, 445, 447, 450, 453, 456, 475, 480, 501 F EGGEN 471
Mohamed EL BAZ 321, 508
James ENSOR 82, 84, 378, 381, 436, 437, 439, 440, 441, 496, 514, 521, 536
Lionel ESTÈVE 7, 54, 121, 122, 123, 124, 397, 401, 501, 557, 559, 560, 563, 568, 569
Henri EVENEPOEL 378, 381, 536, 537
Patrick EVERAERT 7, 248, 249, 250, 251, 254, 303, 401, 493, 494, 496, 499, 501, 505, 524, 545
David ÉVRARD 301, 475, 476, 501
Aniceto EXPOSITO LÓPEZ 456, 475, 479
Sylvie EYBERG 501, 506, 521
Douglas EYNON 48, 563
Luciano FABRO 221, 472
Mounir FATMI 320, 508, 509
Jean FAUTRIER 536
Philippe FAVIER 43, 424, 425, 434
Helmut FEDERLE 209, 472
Robert FILLIOU 219, 453, 472, 514, 516, 528, 540
A FIRQUET 471
G FIRRINCIELI 471
Barry FLANAGAN 153, 458, 480
Jean-Pascal FLAVIEN 274, 501
Dan FLAVIN 471, 472
P FOHNEN 471
Olivier FOULON 301, 501
Daniel FOURNEAU 400, 479, 481
Pierre-Étienne FOURRÉ / P E FOUR / PE4 246, 294, 334, 335, 397, 455, 456, 475,
E2N Archives Actives Published
Published at the occasion of the 35th anniversary of Espace 251 Nord
Director: Laurent Jacob
Production: Espace 251 Nord
Editors: Luc Derycke, Laurent Jacob
Coordination: Maxime Moinet
Assistant: Xavier Vani
Text: Pascale Delcomminette, Pierre Henrion, Paul-Emile Mottard, Daniel Sluse
Translations: Anthéa Langages, Alice Cameron
Proofreading: Pierre Henrion, Françoise Neuray (French); Catherine Gardy, Amy Hilton (English)
Graphic design: Luc Derycke; Jeroen Wille, Viktor Van den Braembussche, Studio Luc Derycke
Photography: Isabelle Arthuis, Ludovic Beillard, Benoît Califice, Thomas Chable, Pieter Cox, Philippe de Gobert, Philippe de Formanoir, Mark Devos, Lionel Estève, Michel François, Marjorie Goffart, Marc Guillaume, Eli Happart, Gregory Henrard, Pierre Houcmant, Damien Hustinx, Caroline Jacob, Manfred Jade, Alain Janssens, André Jasinski, Alain Kazinierakis, David Lucas, Gyuri Macsai, Elio Montanari, Patrick Regout, Wim Robbrechts, Serge Rovenne, Pascal Schyns, Marc Verpoorten, Marc Wathieu, Alexander Weiss, Philippe Zimmermann
Lithography: Olivier Dengis, Mistral
Archival research: Morgane Ott
E2N communication: Amandine Debras , Eva Keifens
Printing & binding: Snel Graphics, Liège
With the collaboration of: La Comète s.c., Liège
With the support of: la Fédération Wallonie-Bruxelles : Wallonie-Bruxelles International // Ministère de la Culture // Ministère de l’Enseignement supérieur, de l’Enseignement de Promotion sociale, de la Recherche et des Médias, l’École supérieure des Arts de la Ville de Liège, la Fondation Province de Liège – Art et Culture // Province de Liège – Culture
Special acknowledgements
Pauline Bastin, Christine Brachot, Edoardo Cimadori, Caroline David, Maurice Delwaide, Jean-Pierre Désiron, Pascale Eben, Alexis Ewbank, Emmanuelle Lambert, Bernard Marcelis, Eveline Massart, Joel Mathieu et Daniel Sluse.
Publishers:
Espace 251 Nord – Archives Actives, Liège et MER. Borgerhoff & Lamberigts, Ghent
Espace 251 Nord asbl Rue Vivegnis, 251, B-4000 Liège
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aMER. Borgerhoff & Lamberigts Burgstraat 18 K, B-9000 Ghe,t T +32 (0)9 268 26 02 www.merbooks.be
ISBN 9789463932851
D2020/11.089/101 NUR 640
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