THE SUMMER ART SALE
FRIDAY 13 JUNE | 11AM
Selling wit h Dugglebys
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27 Specialist Departments
20 TH CENTURY & MODERN FURNISHINGS
ANTIQUE & FINE FURNITURE
ANTIQUES, COLLECTABLES & CERAMICS
BOOKS, MAPS & MANUSCRIPTS
CAMERAS & PHOTOGRAPHY
CLOCKS & BAROMETERS
MILITARIA & MEDALS
MOTOR VEHICLES, AUTOMOBILIA & CYCLES
MOUSEMAN & YORKSHIRE OAK
MUSICAL INSTRUMENTS
RUGS & CARPETS
SCULPTURE & THREE-DIMENSIONAL ART
COINS & BANKNOTES
COLLECTORS TOYS & MODEL RAILWAY
COMMERCIAL & TRADE
ENTERTAINMENT & AUTOGRAPHS
FINE PAINTINGS & DRAWINGS
GARDEN & ARCHITECTURAL
JEWELLERY
MARITIME & SCIENTIFIC INSTRUMENTS
SILVER
SPORTING GUNS & COUNTRY PURSUITS
THE STAITHES GROUP
STAMPS, POSTCARDS & PHILATELY
TAXIDERMY & NATURAL HISTORY
WATCHES
WHISKY, WINE, SPIRITS & CIGARS
Open for valuations, consignments & advice. Get in touch to book your free valuation and start selling with us now!
DAVIDDUGGLEBY.COM | MAIL@DUGGLEBYS.COM
David Duggleby
Auctioneers & Valuers
The Vine Street Salerooms, Scarborough YO11 1XN
Duggleby Stephenson of York
The Saleroom, York Auction Centre, Murton, York YO19 5GF
The Harrogate Valuation Office 5 Raglan Street, Harrogate HG1 1LE The Beverley Valuation Office 14 Wednesday Market, Beverley HU17 0DH
Large Items & Collections
TOO BIG TO BRING IN?
WE’VE GOT YOU COVERED
Whether it’s furniture, vehicles or large collections, it’s not always easy to get your items to us - but there’s no need to worry, we can arrange a free home visit to suit your needs.
our items to us - but eafreehomevisittosuit
One of our specialists will be able to provide you with an at-home valuation and sales advice, and answer any questions you may have, meaning you don’t have to do a thing.
Should you choose to sell at auction, our in-house collection service means we can arrange safe pick-up and storage of your items whilst they await sale. It’s that simple.
SPECIALIST COLLECTIONS
From paintings, sculpture and objets d’art to stamps, coins, toys, furniture & fashion - selling collections that have spanned a lifetime can often be a daunting prospect to approach.
Our valuers are experts in their field, and able to help with valuing specialist collections large and small.
As a member of the Society of Fine Art Auctioneers and Valuers, you are safe in the knowledge that our skills and expertise are of the highest standard.
We regularly host single-owner collections at auction. We will advise you regarding the best sale to enter your collection in to achieve the best result possible. Specialist single-owner auctions can be arranged for larger collections, meaning you’ll receive dedicated marketing and PR activity to support the sale of your items.
Meet our Experts
DAVID DUGGLEBY
Fine Art Consultant
WILLIAM DUGGLEBY
Estates, Motor Vehicles & Commercial
NICHOLAS COUTS
Fine Furniture, Mouseman & Yorkshire Oak
ANDREW MCMILLAN
Silver, Ceramics & Glassware
DOMINIC COX
CHARLIE WARD
Jewellery & Watches
Fine Art, Coins, Banknotes & Stamps
DANNIELLE BLACKLEDGE
Ceramics & Glassware
CORALIE THOMSON
Fine Art, Furniture & Estates
CHLOE MCKENNA
Silver, Toys & Models, Cameras & Photography
JESSICA TARVER
Taxidermy, Wine & Whisky, Militaria, Weapons & Sporting Guns
IAN BEILBY
Musical Instruments, Clocks, Barometers & Pocket Watches
EMMA KNOTT
Antiquities & 20th Century Design
HOLLY HAMMOND
Fine Art & Decorative Objects
Locations
Scarborough
Our first saleroom and the home of Duggleby auctions, established by David & Jane Duggleby in 1996.
Our Scarborough salerooms have gone from strength to strength, with additional office space added in 2023 to make room for a growing team, and a newly extended saleroom and mezzanine level to accommodate an increasing number of sales.
The Vine Street Salerooms, Scarborough, North Yorkshire YO11 1XN 01723 507 111 | auctions@davidduggleby.com
VALUATIONS
TUESDAYS Antiques & Collectors TUESDAYS Paintings & Sculpture
THURSDAYS Jewellery, Watches & Coins | Estate Gold & Silver
York
The home of Duggleby Stephenson, a partnership established in 2018.
To facilitate rapid business growth, we partnered with the reputable Boulton & Cooper Stephensons to bring antiques, interiors and fine art auctions to York. The launch of the purpose-built, modern showroom was a pivotal point for Dugglebys, allowing us to reach more customers across North Yorkshire.
The Saleroom, York Auction Centre, Murton, York YO19 5GF 01904 393 300 | info@dugglebystephenson.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings | Coins & Banknotes
TUESDAYS Jewellery, Watches & Coins | Estate Gold & Silver | Mouseman & Yorkshire Oak
Beverley
We opened our Beverley valuations office at the end of 2018, allowing us to facilitate a growing customer base in East Riding. Our specialist valuers are available every Monday and Tuesday to provide expert advice and market valuations on a variety of antiques, works of art, jewellery & specialist items.
14 Wednesday Market, Beverley, East Riding of Yorkshire HU17 0DH 01482 453 708 | Beverley@davidduggleby.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings
TUESDAYS Jewellery, Watches & Coins | Estate Gold & Silver
Harrogate
The newest addition to the Duggleby family is our Harrogate valuations office, launched in 2023.
The Harrogate office allows us to better serve clients across North and West Yorkshire, offering expert valuations on jewellery, art, decorative objects, collectors’ items and more.
The office is open every Monday, with home visits available through the week.
5 Raglan Street, Harrogate, North Yorkshire HG1 1LE 01423 229 311 | harrogate@davidduggleby.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings | Jewellery & Watches
We also offer daily home visit appointments Monday-Friday. Please contact the team to find out more about booking your appointment.
INFORMATION FOR BUYERS AT AUCTION
1, Introduction, The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms, All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction, Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in our auction catalogues, Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.
Please make sure that you read our Terms of Sale, set out on our website or available at our salerooms, carefully before bidding in the auction, If your bid is successful, you will be obliged to comply with our Terms of Sale.
2, Agency, As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed, If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.
3, Estimates, Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot, Estimates may change and should not be thought of as the sale price, The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price, Estimates do not include the buyer’s premium or VAT (where chargeable), Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot, They are not definitive.
4, Buyer’s Premium, The Terms of Sale oblige you to pay a buyer’s premium at 25% on the hammer price of each lot purchased and 30% where VAT is included in this premium (see below).
5, VAT, Items in our catalogue may be marked in the following ways:
a, (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium, VAT will be chargeable at the standard rate (presently 20%), This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.
b, (**) indicates that the lot has been imported from outside the European Union, [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)],
c, Lots which do not have either of the above symbols have no VAT payable on the hammer price, This is because such lots are sold using the Auctioneers’ Margin Scheme, The VAT included within the premium is not recoverable as input tax.
6, Inspection of goods by the buyer, As we act on behalf of the seller, we are dependent on information provided by the seller about their goods, We may inspect lots and will act reasonably in taking a general view about them, However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do, You will have ample opportunity to inspect the goods, You must inspect and investigate lots that you might wish to bid for,
Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.
7, Export of goods, If you intend to export goods you must find out:
a, whether an export licence is needed; and
b, if there is a prohibition on importing goods of that character e.g, because the goods contain prohibited materials such as ivory,
8, Bidding, Bidders will be required to register with us before the auction starts, We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid, If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks, Lots will be invoiced to the name and address on the registration form, You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require, Please enquire in advance about our arrangements for telephone or online bidding, Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.
9, Commission bidding, You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT), We will execute commission bids as cheaply as
possible having regard to the reserve (if any) and competing bids, If two buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained) by extending this bid by one increment, Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/ email or via our website or online bidding platform,
10, Live Bidding, Please see clause 19 in Terms of Sale.
a, Any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price (collected by David Duggleby Ltd on behalf of the-saleroom.com).
b, Any lots purchased via DD Live auction service will be subject to no additional commission charge for this service.
11, Methods of Payment, These are cash (for which there is an upper limit of 15,000 euros equivalent), debit card, credit card (online payments only), BACS payment or cheque (any cheques will need to be cleared before you can take the goods away), Please discuss with our office in advance of the sale if you plan to use other methods of payment.
12, Collection and storage, Lots must be paid for and collected within five days following the sale, Please note what the Terms of Sale say about collection and storage, Any delay may involve you having to pay reminder fees and storage charges.
13, Droit De Suite, Please see clause 18 in Terms of Sale.
14, Attribution of Pictures (Quarterly Picture Sales only).
a, The forename(s) and the surname of the artist indicates in our opinion a work by the artist.
b, The initials of the forename and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.
c, The surname of the artist indicates in our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.
d, ‘Bears signature’ indicates in our opinion that this is not the signature of the artist.
e, All other terms are self explanatory.
f, Terms of Sale clause 12 also applies.
The Summer Art Sale
FRIDAY 13 JUNE | 11AM
THE VINE STREET SALEROOMS, SCARBOROUGH, YO11 1XN
VIEWINGS
Tuesday 10 June | 9am - 4:30pm
Wednesday 11 June | 9am - 4:30pm
Thursday 12 June | 9am - 4:30pm
Friday 13 June | from 9am
Bid live on our website using our bespoke bidding platform, DD Live davidduggleby.com
+VAT
inc
Catalogue produced by Pardy & Son (Printers) Ltd Front cover illustration: Lot 116 For buyers information please refer to our Terms of Sale at davidduggleby.com or ask a member of the team.
Agostini, Max 295
Allder, Phillip 207
Allen, Harry Epworth 10, 11
Ambrose, John 296
Anderton, Tom 5
Ashton, William 169
Aspinall, Reginald 9
Atkinson, Sue 241
Bail, Joseph Claude 310
Balmford, Hurst 217
Bates, David 188
Baumforth, David 212
Beaume, Joseph 258
Benner, William Roger 291
Bennet, William Mineard 270
Bergen, Carl Von 259
Berty, Anne 220
BH 260
Birch, Samuel John 4
Black, Andrew 135
Boldini, Giovanni 253
Bone, Stephen 71
Bonnard, Manner of Pierre 78
Booth, James William 117
Booty, Frederick William 147, 148, 149
Bores, Francisco 80
Bowen, Owen 82, 83, 84, 85, 86, 87, 88, 89, 90, 91
Bowman, John 116
Boyce, Kay 244
Boyer, Emile 236
Brangwyn, Sir Frank 312
Brannan, Peter 301, 302
Branwhite, Charles Brooke 187
Brook, Peter 242
Brown, John Alfred Arnesby 6
Cadell, Francis Campbell Boileau 213
Callowhill, James Scott 193
Cammidge, George 204
Campbell, Colin Cairns Clinton 70
Carr, Henry Marvell 64
Carrick, William Arthur Laurie 123
Carter, Henry Barlow 141, 142, 143, 144, 145
Chalon, John James 194
Charles, James 268
Checa, José Luis 280
Conor, William 245
Constable, John 182
Continental School 264
Cooper, William Sidney 202
Corbiére, Roger de laCrealock, John Mansfield 214
Cree, Janet 69
Creswick, Thomas 203
Cundall, Charles Ernest 229
Curtis, David Jan 162, 163
Dade, Ernest 101, 102, 103, 104, 105, 106
Dade, Frederick 107
Davidson, Allan Douglas 249
Day, William Cave 168
Deller, Lawrence 257
Dudley, Thomas 150, 151
Dunlop, Ronald Ossory 292, 293
Elwell, Frederick William 272, 273
English School 32, 153, 205, 216, 218, 271
Enjolras, Delphin 250
Eves, Reginald Grenville 8
Fantin-Latour, Henri 60
Feith, Gustav 68
Ferrer, Diego 225
Fiaux, Roger 76
artists’ index
Fielding, Anthony Vandyke Copley 180 Finette, F 63
Fitton, Ruth 262
Fowler, A 251
Frazer, William Miller 131, 132 Gallop, Herbert Reginald 298 Gillchrest, Joan 79 Gilmour, James 134 Glasgow School 74
Gledstone, R 27 Glen, Keith 156
Goodin, Walter 274, 275, 276 Graham, George 39
Greaves, William 33, 34, 35, 36, 37, 38 Gribble, Bernard Finegan 171 Griffith, Frank 234
Hagedorn, Karl 199 Hague, Joshua Anderson 198 Hall, Clifford 215 Hall, Frederick 233 Hamilton, James Whitelaw 125 Hanley, John 239, 240 Hardy, Thomas Bush 139, 140, 138 Hay, Thomas Marjoribanks 137 Helps, Francis 235 Hill, Rowland Henry 118, 119
Holder, Edward Henry 189
Hollams, Frances Mabel 58
Hope, Robert 128, 129
Hough, William 62
Howard, Ken 279
Howey, John William 121
Howey, Robert Leslie 166, 167
Hughes-Stanton, Sir Herbert Edwin
Pelham 186
Hunter, Mary Ethel 248
Hunter, Mason 136
Jackson, Frederick William 92, 93, 94, 95, 96
Jamieson, Alexander 124
Jobling, Robert 98, 99, 100
Kendall, Bruce 208, 209
Kiærskou, Frederik Christian 190 Knight, Harold 267 Knight, Dame Laura 243
Krabbe, Maarten Hendrik 59 Kramer, Jacob 56, 57 Law, Andrew 126 Lawson, Frederick 40, 41, 42, 43 Lobley, James 269
Mackie, John 77, 283, 284, 285
Madgwick, Clive 228
Manners, William 200
Manson, James Bolivar 67
Marston, Freda 65
Mason, Frank Henry 108, 109, 110, 111, 112, 113, 114
McCall, Charles James 246
Meadows, James Edwin 192
Mellor, Joseph 196
Meryon, Charles 311
Monnington, Sir Walter Thomas 7
Moret, Henry 210
Muir, Anne Davidson 66
Murray, Sir David 133
Naviasky, Philip 53, 54, 55, 255, 286, 287
Neal, James 237, 238
Nessi-Valtat, Marie Lucie 294
Newlyn School 219
Nutt, Elizabeth Styring 172
Orpen, Sir William 247
Payne, Ben 305
Pechstein, Max 309
Penrose, James Doyle
28
Pethybridge, John Ley 221
Philips, Frank Albert 266
Plessis, Enslin Hercules Du 232
Pouchol, Paul 289
Priestman, Arnold 31
Priestman, Bertram 29, 30
Proudfoot, James 256
Radford, Gordon 281, 282
Rebeyrolle, Paul 297
Redmore, Henry 173
Reid, Robert Payton 127
Richardson, Frederic Stuart 120
Ridgewell, John 299
Rigg, Jack 164, 165
Rogers, Peter J 304
Rousse, Frank 152
Royle, Herbert F 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26
Royle, Stanley 12, 13, 14
Schofield, Kershaw 49, 50, 51, 52
SEM 252
Shackleton, William 1, 2
Sharp, Dorothea 222
Simone, Neil 300
Snr, Alfred Augustus Glendening 184
Somerville, Stuart Scott 61
Soper, Eileen Alice 75
Souter, John Bulloch 206
Spanish School 265
Stead, Frederick 44, 45, 46, 47
Stevens, Albert George 115
Stevens, William Capling 170
Strange, Albert George 201
Stubbs, Ralph Reuben 174, 175, 176, 177
Sutcliffe, Lester 48
Swan, Thompson 155
Symons, Mark Lancelot 261
Taylor, Elsa 73
Teasdale, Percy Morton 97 Thompson, Adrian 157
Thornley, William Anslow 178, 179
Thors, Joseph 197
Trevisani, Francesco 263
Tyler, Catherine 211, 226, 227
Tyler, Neil 81, 161, 277, 278
Veron, Alexandre René 183
Verrall, Nicholas 303
Voorden, August Willem Van 223
Walker, Dame Ethel 72
Wallis, Alfred 306, 307, 308 Walls, William 130
Walmsley, James Ulric 122
Wasley, Stephen Frank 290
Watmough, Amos 185 Watts, James Thomas 154
Weatherill, George 146
Whaley, Harold 3
Whitehand, Michael J 158, 159, 160
Whiting, Frederic 224
Williams, George Augustus 191
Williamson, Samuel 195
Wint, Peter de 181
Wood, Edgar 230, 231
Wyatt, Irene 254
The Summer Art Sale
Friday 13 June 2025 at 11am
101
Ernest Dade (Staithes Group 1864-1935): Scarborough Fishing Cobble SH57, watercolour signed 49cm x 67cm
Provenance: private collection, purchased David Duggleby Ltd 15th September 2014 Lot 195
Notes: when sold in 2014 this painting set the auction record for a work by Dade.
£2000 - 3000
1
William Shackleton (Bradford 1872-1933): Sunrise Over the Lambs, gouache signed and dated ‘14, 34cm x 44cm
£200 - 400
2
William Shackleton (Bradford 1872-1933): Shepherds and Lambs at Malham Cove, gouache signed and dated ‘22, 23cm x 34cm
£200 - 400
3
Harold Whaley (Isle of Man 1896-1976): Shepherd and Flock by a Viaduct, watercolour with scratching out signed and dated ‘21, 24cm x 19.5cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
Samuel John ‘Lamorna’ Birch (Newlyn School 1869-1955): Chickens Feeding in the Yard, watercolour signed 26cm x 35.5cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
5
Tom Anderton (British 1894-1956): Bridge
Over River and Distant Castle, oil on canvas signed, indistinctly titled and dated 192* verso, 31cm x 41cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
John Alfred Arnesby Brown (British 1866-1955): Clouds Gathering Over a Pasture, oil on canvas signed 29cm x 36.5cm
DDS - Artist’s resale rights may apply to this lot
£2000 - 3000
Attrib. Sir Walter Thomas Monnington (British 1902-1976): View Across the Hills, oil on panel unsigned, attributed verso 24cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
8
Reginald Grenville Eves (British 1876-1941): ‘Clouds in Spring - Yorkshire’, oil on panel signed, titled on Charles Henry West label verso 24cm x 34.5cm
£150 - 250
9
Reginald Aspinall (British 1858-1921): Sheep Grazing by a Stream, oil on canvas board signed and indistinctly dated, 29.5cm x 38.5cm
£150 - 250
10
Harry Epworth Allen (Northern British 1894-1958): ‘Jordanthorpe Farm - Sir Frances Chantrey’s Birthplace’, gouache and pastel signed, titled with artist’s address label verso 35cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£1200 - 1800
11
Harry Epworth Allen (Northern British 1894-1958): Stone Farmhouse with Bridge in the Foreground, gouache and pastel signed 23cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
12
Stanley Royle (British 1888-1961): ‘The Outing’ - Herding the Geese, watercolour and gouache signed and dated 1916, titled on printed label verso 25cm x 36cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
Stanley Royle (British 1888-1961): Hay Time, watercolour and gouache signed and dated 1911, 35cm x 53cm
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
14
Stanley Royle (British 1888-1961): Returning Home, watercolour signed and dated 1911, 31cm x 52cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
15
Herbert F Royle (British 1870-1958): View Across Burnsall, oil on board signed 31cm x 41cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
16
Herbert F Royle (British 1870-1958): Haymaking above Bolton Abbey, oil on panel signed 38cm x 46cm
DDS - Artist’s resale rights may apply to this lot
£500 - 800
17
Herbert F Royle (British 1870-1958): ‘Haymaking - Wharfedale’, oil on canvas signed, titled verso 50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£500 - 800
18
Herbert F Royle (British 1870-1958): Farmstead with Figures and Horses, oil on canvas signed 62cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
19
Herbert F Royle (British 1870-1958): Working Horses by a Wooded River, oil on canvas signed 50cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
20
Herbert F Royle (British 1870-1958): The Bluebell Wood, oil on board signed 28cm x 33cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
21
Herbert F Royle (British 1870-1958): Mother and Child Walking along a Country Path, oil on panel signed, partial remains of title label verso 18cm x 24cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
22
Herbert F Royle (British 1870-1958): Church in Winter, oil on panel signed, indistinctly inscribed verso 19cm x 24cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
23
F
(British 1870-1958):
DDS - Artist’s resale rights may apply to this lot
£400 - 600
24
Herbert F Royle (British 1870-1958): Ladies Loch Amhuinnsuidhe Harris - Scotland, oil on canvas signed, inscribed verso 49cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
Herbert
Royle
Outer Hebrides Lochside, oil on canvas signed 45cm x 60cm
Herbert F Royle (British 1870-1958): Steam and Sail Vessels at Sunset, oil on panel signed 25cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
26
Herbert F Royle (British 1870-1958): Pulling the Haycart, oil on canvas laid on to board signed and dated ‘33, 48cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£500 - 800
27
R Gledstone (British early 20th century): Horse and Foal, oil on canvas unsigned, attributed verso 45cm x 60cm
£200 - 400
28
James Doyle Penrose RHA JP (Irish 1862-1932): View across Ludlow, oil on panel signed 19cm x 28cm
£200 - 400
29
Bertram Priestman RA ROI NEAC (British 1868-1951): Dinham Bridge and Ludlow Castle, oil on canvas laid on to board signed with initials and dated ‘10, 37cm x 47cm
£200 - 400
30
Bertram Priestman RA ROI NEAC (British 1868-1951): Horse and Cart on a Country Lane, oil on canvas laid on board signed and dated ‘06, 25cm x 30cm
£200 - 400
31
Arnold Priestman (British 1854-1935): Farmstead with Sheep, oil on canvas laid on panel signed with initials , 19.5cm x 30cm
£150 - 250
32
English School (Mid 20th century): Shepherd with his Dog and the Flock, oil on board indistinctly signed and dated ‘49, 45cm x 55cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
33
William Greaves (British 1852-1938): ‘Orchard - Milnthorpe Westmorland’, oil on board signed, titled and dated 1906 verso 22cm x 29cm
£200 - 400
34
William Greaves (British 1852-1938): Sheep Grazing at Filey, oil on board signed and dated ‘94, 23.5cm x 43.5cm
£200 - 400
35
William Greaves (British 1852-1938): ‘Skipsea Church near Hornsea’ oil on board signed, titled verso 24cm x 33cm
£150 - 250
36
William Greaves (British 1852-1938): Couple Boating on a River - Possibly Knaresborough, oil on board signed, dated 1905 beneath mount verso 34cm x 24cm
£150 - 250
37
William Greaves (British 1852-1938): Chimney and Stream, oil on canvas signed 22cm x 39.5cm
£150 - 250
38
William Greaves (British 1852-1938): Farmer’s Wife Feeding a Calf in Stable setting, oil on canvas signed 39cm x 59cm
£200 - 400
39
George Graham (British 1881-1941): View over the River Wharfe, oil on canvas signed and dated 1914, partial remains of title label verso 39cm x 49cm
£200 - 400
40
Frederick (Fred) Lawson (British 1888-1968): Impression of Trees, oil on canvas signed and dated 1916, 29cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
41
Frederick (Fred) Lawson (British 1888-1968): Harbour Scene in the Netherlands, watercolour signed and dated 1913, 45cm x 55cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
42
Frederick (Fred) Lawson (British 1888-1968): Lincoln Cathedral, watercolour signed and dated 1919, 37cm x 44cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
43
Frederick (Fred) Lawson (British 1888-1968): ‘Palais Longchamps - Marseille’, watercolour signed titled and dated 1925, 30cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
44
Frederick (Fred) Stead (British 1863-1940): Ripley Mill - Killinghall near Harrogate, oil on canvas signed 49cm x 59cm £300 - 500
45
Frederick (Fred) Stead (British 1863-1940): View Across a Yorkshire Landscape, oil on canvas signed 34cm x 44.5cm
£300 - 500
46
Frederick (Fred) Stead (British 1863-1940): View Across the Dales in Autumn, oil on canvas signed 38.5cm x 49cm
£300 - 500
47
Frederick (Fred) Stead (British 1863-1940): Sunset over Godalming - Surrey, oil on canvas signed 34cm x 39cm
£200 - 400
48
Lester Sutcliffe (British 1848-1933): ‘Sketch at Grange-over-Sands’, oil on canvas signed and titled, 29cm x 43.5cm
£200 - 400
49
Kershaw Schofield (British 1872-1941): Windmill under Heavy Skies, oil on panel signed 29cm x 37cm
£150 - 250
50
Kershaw Schofield (British 1872-1941): Windmill under Cloudy Skies, oil on canvas signed 28cm x 43cm
£150 - 250
51
Kershaw Schofield (British 1872-1941): Dutch Bridge and Windmill, oil on panel signed 38cm x 51cm
£150 - 250
52
Kershaw Schofield (British 1872-1941): Blue Flowers in a Chinese Bowl, oil on panel signed 38.5cm x 49cm
£200 - 400
53
Philip Naviasky (Northern British 1894-1983): Still Life of Flowers in a Blue Jug, oil on canvas board signed 49.5cm x 39.5cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
54
Philip Naviasky (Northern British 1894-1983): Flowers in a Blue Jug, oil on canvas signed 40cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
55
Philip Naviasky (Northern British 1894-1983): Still Life of Flowers in a Jug (recto) and Market Scene (verso), two oils on board painted recto and verso, both signed 59cm x 49cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
56
Attrib. Jacob Kramer (Ukrainian/British 1892-1962): Still Life of Carnations, mixed media watercolour signed 37cm x 52cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
57
Jacob Kramer (Ukrainian/British 1892-1962):
Yorkshire Terrier, oil on canvas laid onto board signed and dated 1939, 35cm x 28cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
58
Frances Mabel Hollams (1877-1963): Portrait of a Spaniel, oil on canvas signed 50cm x 39cm
Provenance: Sale, Bonhams Knightsbridge 26th October 2006, Lot 335
DDS - Artist’s resale rights may apply to this lot
£500 - 800
59
Maarten Hendrik Krabbe (Dutch 1868-1931): Three Pekingese Puppy Dogs, watercolour signed and dated 1930, 28cm x 35cm
£300 - 500
60
Circle of Henri Fantin-Latour (French 1836-1904): Peonies in a Goblet, oil on canvas signed 42cm x 28cm
£200 - 400
61
Stuart Scott Somerville (British 1908-1983): Bouquet in a Campana Urn, oil on panel signed 36.5cm x 26.5cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
62
William Hough (British 1819-1897): Still Life of Pink Roses, watercolour signed 54cm x 41cm £150 - 250
63
F Finette (20th century): Still Life Flowers in a Toby Jug, oil on canvas indistinctly signed 60cm x 50cm
£150 - 250
64
Henry Marvell Carr (British 1894-1970): Still Life of Flowers in Blue and White Vase, oil on canvas signed and dated ‘46, 39.5cm x 34.5cm
£150 - 250
65
Freda Marston (British 1895-1949): Still Life of Flowers, pair oils on panel and canvas laid on to panel signed 44cm x 34cm (2)
£150 - 250
66
Anne Davidson Muir (Scottish 1875-1951): Still Life of Flowers in a Glass Vase, oil on canvas signed 54.5cm x 42cm
£150 - 250
James Bolivar Manson (British 1879-1945): ‘Sweet Sultans and Marigolds’, oil on canvas unsigned, titled and dated 1945 in the artist’s hand on label and on the stretcher verso, with James Bourlet & Sons label, 60cm x 50cm
Notes: this is probably the artist’s 1945 Royal Academy exhibit no.601, then titled ‘Cornflowers and Marigolds’ (sweet sultans being a variety of cornflower). The same jug depicted in the present picture can be seen in Manson’s 1940 Royal Academy exhibit no.262 ‘Tulips and Daffodils’.
£2000 - 3000
68
Gustav Feith (Austrian 1875-1951): Still Life of Daisies in Blue Vase, signed and dated 1925, 27cm x 18cm
£200 - 400
69
Janet Cree (British 1910-1992): ‘Still Life’ of Flowers and Teapot, oil on board signed and dated ‘66, titled on label verso 48cm x 57.5cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
70
Colin Cairns Clinton Campbell (Scottish 1894-1970): ‘Spring Flowers’, oil on board signed, titled on gallery label verso 49cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
71
Stephen Bone (British 1904-1958): Flowers in a White Jug, oil on canvas signed 60cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
72
Attrib. Dame Ethel Walker DBE ARA (British 1861-1951): ‘Mixed Bouquet’, oil on canvas unsigned, titled verso with various exhibition labels 75cm x 62cm
£200 - 400
73
Elsa Taylor (British 1943-): ‘Red Roses’, oil on canvas, signed, titled verso 29.5cm x 29.5cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
74
Glasgow School (Early 20th century): Roses in a Glass Vase, oil on canvas unsigned 52cm x 42cm
£200 - 400
75
Eileen Alice Soper (British 1905-1990): Still Life with Dahlias, oil on canvas signed 50cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
76
Roger Fiaux (French 1885-1963): Still Life with Loaf of Bread, oil on canvas signed with initials 44cm x 54cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
77
John Mackie (Scottish 1953-): Still Life of Blossoming Pink Daisies, pastel signed 57cm x 64cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
78
Manner of Pierre Bonnard (French 1867-1947): ‘Fleurs’ - Still Life, oil on board bearing signature, titled verso 37cm x 32cm
£200 - 400
79
Attrib. Joan Gillchrest (1918-2008): Still life on the Newlyn Coast, oil on board signed with monogram 19cm x 24cm
DDS - Artist’s resale rights may apply to this lot
£500 - 800
80
Francisco Bores (Spanish 1898 -1972): Still Life of Lemons, oil on board signed 23cm x 25cm
Provenance: with Pontrique-Encadrement, M Duccasse, 17 Pontrique, Bayonne (now Galerie Corsaires), Gallery stamp verso
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
81
Neil Tyler (British 1945-): Still Life of ‘Sunflower and Nicotiana’ in a Vase, oil on board signed and dated 1992, titled verso 43cm x 47cm
£200 - 400
82
Owen Bowen (Staithes Group 1873-1967): Still Life of a Spring Bouquet, oil on canvas signed, part Royal Institute of Oil Painters label and James Bourlet label verso, 47.5cm x 37.5cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
83
Owen Bowen (Staithes Group 1873-1967): Still Life of Red and Yellow Flowers, oil on canvas signed 59cm x 49cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
85
Owen
84
DDS - Artist’s resale rights may apply to this lot
£200 - 400
and
DDS - Artist’s resale rights may apply to this lot
£500 - 800
Owen Bowen (Staithes Group 1873-1967): Pink Roses in a Silver Bowl, oil on canvas signed 49cm x 39cm
Bowen (Staithes Group 1873-1967): ‘The Drinking Place’, oil on canvas signed
dated ‘27, titled and attributed on the mount, 44cm x 59.5cm
86
Owen Bowen (Staithes Group 1873-1967):
Working Horses and Chickens on a Farm, oil on canvas signed 41.5cm x 51.5cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
87
Owen Bowen (Staithes Group 1873-1967): Cattle Grazing, oil on canvas signed 26.5cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
88
Owen Bowen (Staithes Group 1873-1967): Ilkley from the Cow and Calf, oil on board signed, titled in a later hand verso 24cm x 34.5cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
89
Owen Bowen (Staithes Group 1873-1967): Dutch Harbour Scene, oil on canvas signed and dated 1909, 34cm x 44cm
Provenance: from the collection of the artists daughter, Betty McDougal
DDS - Artist’s resale rights may apply to this lot
£400 - 600
90
Owen Bowen (Staithes Group 1873-1967): Dutch Ladies by the Harbourside, oil on canvas signed and dated ‘09, 26.5cm x 36.5cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
91
Owen Bowen (Staithes Group 1873-1967): Rowing on a Dutch Waterway, oil on canvas signed 26cm x 36cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
92
Frederick William Jackson (Staithes Group 1859-1918): ‘Montreuil-sur-Mer’, oil on canvas signed, titled verso 60cm x 50cm
Notes: probably exh. Phillips & Sons, in a style of frame favoured by Peter Phillips. £700 - 1000
93
Frederick William Jackson (Staithes Group 1859-1918): Crossing a Stone Bridge, oil on canvas signed 24cm x 35cm
£200 - 400
94
Frederick William Jackson (Staithes Group 1859-1918): ‘Factory Land’, oil on panel, signed and titled verso 31cm x 38cm £200 - 400
Frederick William Jackson (Staithes Group 1859-1918): Riverside Farm at Hinderwell, oil on canvas signed 45cm x 73cm in fine carved giltwood frame
£3000 - 5000
96
Frederick William Jackson (Staithes Group 1859-1918): ‘Runswick Bay’, oil on board signed, titled verso 23cm x 33cm
£300 - 500
97
Percy Morton Teasdale (Staithes Group 1870-1961): Ravenscar near Scarborough, oil on canvas laid on to board signed 32cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£120 - 180
98
Robert Jobling (Staithes Group 1841-1923): Horse and Cart Waiting for the Boats on Seaton Garth - Staithes, watercolour signed 25cm x 35cm
£700 - 1000
99
Robert Jobling (Staithes Group 1841-1923): Coble off Staithes, watercolour signed and dated 30/7/13, 16cm x 22cm
£300 - 500
100
Robert Jobling (Staithes Group 1841-1923):
Line Fishing from a Rowing Boat, oil on canvas unsigned, provenance verso 29cm x 54cm
£600 - 900
101
Ernest Dade (Staithes Group 1864-1935): Scarborough Fishing Cobble SH57, watercolour signed 49cm x 67cm
Provenance: private collection, purchased David Duggleby Ltd 15th September 2014 Lot 195
Notes: when sold in 2014 this painting set the auction record for a work by Dade. £2000 - 3000
102
Ernest Dade (Staithes Group 1868-1934):
Scarborough Fishing Boat SH15 ‘Mary’ in Calm Waters, watercolour signed 39cm x 58cm
Provenance: private collection, purchased David Duggleby Ltd 23rd June 2017 Lot 136; with Phillips & Sons, Cookham, October 1985, label verso
£600 - 900
103
Ernest Dade (Staithes Group 1868-1935): ‘Yawls at Sea’, watercolour signed, titled on exhibition label verso 38cm x 54cm
Provenance: exh. ‘Maritime England Exhibition’, Crescent Art Gallery, Scarborough, June 1982, no. 48, label verso
£500 - 800
104
Ernest Dade (Staithes Group 1864-1935): ‘Scotch Herring Fleet Leaving Scarborough’, watercolour laid on to canvas signed titled and dated Oct 14 1907, 49cm x 75cm
£800 - 1200
105
Ernest Dade (Staithes Group 1864-1934):
Penzance Herring Fleet off Scarborough, watercolour signed and dated ‘97, 33cm x 50cm
Provenance: private collection, purchased David Duggleby Ltd 6th March 2020 Lot 6
£600 - 900
106
Ernest Dade (Staithes Group 1868-1935): Banff Sailing Boats at Sea, watercolour signed and dated ‘86, 33cm x 44cm
£120 - 180
107
Frederick (Fred) Dade (British 1874-1908): Shipping in the Humber Estuary, watercolour signed 23cm x 65cm
£200 - 400
108
Frank Henry Mason (Staithes Group 1875-1965): Unloading Boats at ‘Scarborough’, watercolour signed, titled on the mount, original John Linn & Sons label verso 24cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
109
Frank Henry Mason (Staithes Group 1875-1965): Ships Returning to Calais, watercolour heightened in white signed 15cm x 23cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
110
Frank Henry Mason (Staithes Group 1875-1965): Shipping off the Coast, possibly St Andrews, watercolour heightened in white signed 15cm x 23cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
111
Frank Henry Mason (Staithes Group 1875-1965): Unloading the Boats, watercolour signed 30cm x 44cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
112
Frank Henry Mason (Staithes Group 1875-1965): 'The Lower Pool - London', gouache signed 36cm x 51cm
Provenance: illustrated on the cover of 'Blue Peter: 'The Magazine of Sea Travel', December 1936; reproduced in Edward Yardley 'Frank Henry Mason: Marine Painter and Poster Artist' p.8
DDS - Artist’s resale rights may apply to this lot
£400 - 600
113
Frank Henry Mason (Staithes Group 1875-1965): Ships Portrait ‘Shell Welder’ off Dover Castle, oil on canvas signed 60cm x 90cm
Notes: the tanker Shell Welder was built for Shell-Mex & BP by Clelands Ltd, Willington Quay, Tyneside and launched Nov. 1954.
Broken up in 1991
DDS - Artist’s resale rights may apply to this lot
£500 - 800
114
Frank Henry Mason (Staithes Group 1875-1965): Ships Portrait ‘Petworth’ off the Coast, oil on canvas signed 60cm x 90cm
Notes: the tanker Petworth was built for Stephenson Clarke Ltd, by Clelands Ltd, Willington Quay, Tyneside and launched Nov. 1957. Broken up in 1988
DDS - Artist’s resale rights may apply to this lot
£400 - 600
115
Albert George Stevens (Staithes Group 1863-1925): Lower Harbour Whitby with the Marine Hotel and Jet Works, watercolour signed 24cm x 34cm
£300 - 500
116
John Bowman (Staithes Group 1872-1923): ‘The Ebbing Tide’Up River Esk Whitby, oil on board signed and dated 1908, original title label verso 33cm x 24cm £800 - 1200
117
James William Booth (Staithes Group 1867-1953): Driving Cattle past Ugthorpe Mill, watercolour signed and dated 1909, 59cm x 45cm
£200 - 400
118
Rowland Henry Hill (Staithes Group 1873-1952): Hanging out Washing at Ugthorpe Mill, watercolour signed 21cm x 26cm
£200 - 400
119
Rowland Henry Hill (Staithes Group 1873-1952): St Mark’s Square - Venice, watercolour and pencil heightened in white signed and dated 1912, 48cm x 36cm
£200 - 400
120
Frederic Stuart Richardson (Staithes Group 1855-1934): Mending Nets in the Dutch Sand Dunes, watercolour signed 48cm x 72cm
£200 - 400
121
John William Howey (Staithes Group 1873-1938): Farmstead - Cast Eden, oil on board signed 24cm x 29cm
£300 - 500
122
James Ulric Walmsley (British 1860-1954):
‘The Moors - Fylingdales’, oil on canvas signed, titled on artist’s address label verso 35cm x 60cm
£400 - 600
123
William Arthur Laurie Carrick (Scottish 1879-1964): ‘Frosty Morning - Uig Skye’, oil on canvas board signed, titled verso 24cm x 34cm DDS - Artist’s resale rights may apply to this lot
£200 - 400
124
Alexander Jamieson (Scottish 1873-1937): A Summer Farmyard, oil on panel signed and dated 1920, 50cm x 40cm
£500 - 800
125
James Whitelaw Hamilton RSA RSW (Scottish 1860-1932): Girl with Chickens in a Farmyard, oil on panel signed 25.5cm x 33cm
£300 - 500
126
Andrew Law (Scottish 1873-1967): ‘Law Castle - West Kilbride’, oil on panel signed, titled on Cyril Gerber Fine Art label verso 24.5cm x 32cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
127
Robert Payton Reid (Scottish 1859-1945): ‘A Cottage near Dartmoor - Lustleigh’, oil on board signed, titled verso 24cm x 35cm
Provenance: exh. Forrest McKay, Edinburgh, June 1990, label verso; from the artist’s daughter
£200 - 400
128
Robert Hope (Scottish 1869-1936): ‘The Tyne near Haddington’, oil panel signed, titled on Bourne Fine Art label verso 24.5cm x 34.5cm
£200 - 400
129
Robert Hope (Scottish 1869-1936): Cattle
Drinking in the Sunshine, oil on canvas laid onto panel signed 26cm x 36cm
£200 - 400
130
William Walls RSA RSW (Scottish 1860-1942): Cattle Grazing near the Coast, oil on canvas board signed 24cm x 34.5cm
£200 - 400
131
William Miller Frazer RSA (Scottish 1864-1961): ‘Pulborough’ Sussex, oil on canvas signed, titled and inscribed verso 24cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
132
William Miller Frazer RSA (Scottish 1864-1961): Sunlight on a Castle Ruin, oil on panel signed and dated ‘30, 38cm x 43cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
133
Sir David Murray (Scottish 1849-1933): The Fisherman, oil on panel unsigned, inscribed in a later hand verso 19cm x 27cm
£150 - 250
134
James Gilmour (Scottish 1885-1937): Kirkcaldy Boats in Harbour, oil on canvas signed and dated 1910, 43cm x 58cm
£700 - 1000
135
Andrew Black RSW (Scottish 1850-1916): Ayr Fishing Boat Rounding the Coast, oil on canvas signed 30cm x 45cm
£200 - 400
136
Mason Hunter ARSA RSW (Scottish 1854-1921): Harbour Scene, oil on canvas signed 24cm x 34cm
£200 - 400
137
Thomas Marjoribanks Hay (Scottish 1862-1921): Scottish Coastal Inlet, watercolour
signed 37cm x 55cm
£120 - 180
138
Thomas Bush Hardy RA RBA (British 1842-1897): ‘Off Scarborough’, watercolour signed titled and dated 1895, original John Linn & Sons label verso 22cm x 71cm
Provenance: private collection, purchased David Duggleby Ltd 23rd June 2017 Lot 1; Bonhams Chester 4th-6th December 2012 Lot 353
£400 - 600
139
Thomas Bush Hardy (British 1842-1897): ‘A Derelict being Towed into Great Yarmouth’, watercolour signed titled and dated 1892, 22cm x 70cm
£200 - 400
140
Thomas Bush Hardy (British 1842-1897): ‘The Mouth of the Harbour’, watercolour signed and titled 63cm x 98cm
£300 - 500
141
Henry Barlow Carter (British 1804-1868): ‘Edinburgh’, watercolour signed and dated 1859, 55cm x 77cm
£150 - 250
142
Henry Barlow Carter (British 1804-1868): Wreck off Flamborough Head, watercolour with scratching out signed and dated 1847, 30cm x 44cm
Provenance: from The Bell Hotel, Driffield; purchased Dee Atkinson & Harrison 14th September 2007 Lot 506
£200 - 400
143
Henry Barlow Carter (British 1803-1867): Whitehall and the Upper Harbour at Whitby, watercolour with scratching out unsigned 25cm x 33cm
£200 - 400
144
Henry Barlow Carter (British 1803-1867): ‘Alum Rock - Whitby’, watercolour with scratching out signed 29cm x 43cm
£200 - 400
145
Henry Barlow Carter (British 1803-1867): ‘Fishing Boats Running into Staithes’, watercolour unsigned 29cm x 43cm
£200 - 400
146
George Weatherill (British 1810-1890): Staithes, watercolour unsigned 8.5cm x 13cm
£500 - 800
147
Frederick William Booty (British 1840-1924): Whitby Piers in Stormy Seas, watercolour signed and dated 1915, 39cm x 60cm
£500 - 800
148
Frederick William Booty (British 1840-1924): Whitby Piers, watercolour signed and dated 1911, 20cm x 38cm
£200 - 400
149
Frederick William Booty (British 1840-1924): Bootham Bar - York, watercolour signed and dated 1918, 48cm x 38cm
£200 - 400
150
Thomas ‘Tom’ Dudley (British 1857-1935): Guildhall York, watercolour signed and titled 15cm x 24cm
£120 - 180
151
Thomas ‘Tom’ Dudley (British 1857-1935): ‘Runswick’, watercolour signed and titled 15cm x 24cm
£120 - 180
152
Frank Rousse (British fl.1897-1917): ‘Whitby Fish Market’ - Outside the Marine Hotel, watercolour signed and dated ‘98, 30cm x 45cm
Provenance: with Walker Galleries, Harrogate
£300 - 500
153
English School (Early 20th century):
‘The Laurel Inn’Robin Hood’s Bay, watercolour unsigned 54cm x 28cm
£200 - 400
154
James Thomas Watts (British 1853-1930): Tate Hill and the Spa Ladder - Whitby, watercolour signed 35cm x 59cm
£150 - 250
155
Thompson (Tom) Swan (British 1863-1947): Whitby Drifter WY14 ‘SS Wyburn’ Hauling the Nets, watercolour signed and titled 46cm x 71cm
£500 - 800
156
Keith Glen (British Contemporary): Screw Steamer ‘City of Baroda’ in Port, watercolour signed, titled verso 34cm x 43cm
DDS - Artist’s resale rights may apply to this lot
£120 - 180
157
Adrian Thompson (British 1960-): 'Melrose Abbey' and other Steam Vessels at Hull Docks, oil on canvas signed 50cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£400 - 600
158
Michael J Whitehand (British 1941-): The Wool Clipper ‘Red Jacket’, oil on canvas signed, titled verso 101cm x 75cm
Notes: ‘Red Jacket’ was one of the largest and fastest clippers ever built, and one of the first ships of the White Star Line, launched in 1853.
DDS - Artist’s resale rights may apply to this lot
£1000 - 1500
159
Michael J Whitehand (British 1941-): Racing Yachts off a Castle, oil on canvas signed 79cm x 99cm
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
160
Michael J Whitehand (British 1941-): Naval Battle, oil on canvas signed 75cm x 100cm
DDS - Artist’s resale rights may apply to this lot
£1000 - 1500
161
Neil Tyler (British 1945-): ‘Scarborough
Trawlers’, oil on board signed, titled verso 59cm x 74cm
£300 - 500
162
David Jan Curtis (British 1948-): Staithes Beck Bathed in Sun, oil on board signed 25cm x 25cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
163
David Jan Curtis (British 1948-): ‘The Thames at Strand on the Green’, oil on board signed and dated ‘00, titled on label verso 20cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
164
Jack Rigg (British 1927-2023): ‘Calm’ - Berwick on Tweed Fishing Boat in Harbour, oil on canvas board signed and dated 1975, titled on label verso 44cm x 54cm
Provenance: from The Bell Hotel, Driffield; purchased Dee Atkinson & Harrison 16th September 2005 Lot 697
DDS - Artist’s resale rights may apply to this lot
£200 - 400
165
Jack Rigg (British 1927-2023): 'Northern Harbour', oil on canvas signed and dated 1988, titled verso 39cm x 50cm
Provenance: from The Bell Hotel, Driffield; purchased Dee Atkinson & Harrison 15th
September 2006 Lot 501
DDS - Artist’s resale rights may apply to this lot
£300 - 500
166
Robert Leslie Howey (British 1900-1981): Family Walking on a Rainy Beach, oil on board signed 49cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
167
Robert Leslie Howey (British 1900-1981): Whitby Harbour Early Morning, watercolour and gouache heightened with white signed 27cm x 36cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
168
William Cave Day (British 1862-1924): ‘Whitby Sketch’ in Moonlight, oil on board, signed and titled verso 14cm x 20cm
£200 - 400
169
William Ashton (British 1853-1927): Low Tide Whitby Harbour, oil oil board signed 42cm x 29cm
£150 - 250
170
William Capling Stevens (British 1870-1911): Sandside from Scarborough West Pier, oil on canvas board signed and indistinctly dated 1903?, 32cm x 39cm
Notes: Stevens, an eccentric and reclusive Yorkshire artist, was born in Bradford but spent most of his short life in Saltaire. He died at the age of just 39, and at the time a rumour spread locally that he had died of starvation. A friend of Stevens, Mr Bertram Heaton of Shipley Glen, bought most of the artist’s finished paintings when they were auctioned shortly after his death, and in 1970 arranged a one-man show of his friend’s work at Bradford Central Library.
£150 - 250
171
Bernard Finegan Gribble (British 1873-1962): ‘Whitby’, oil on panel signed, titled and dated 1923 on gallery label verso 29cm x 39cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
172
Elizabeth Styring Nutt (British 1854-1940):
‘The Quayside - Whitby’, oil on board, signed and titled on label verso 50cm x 75cm
Provenance: from The Bell Hotel, Driffield
£500 - 800
173
Henry Redmore (British 1820-1887): Ship at the Cliff Foot, oil on board signed 22cm x 49cm
Provenance: from The Bell Hotel, Driffield
£200 - 400
174
Ralph Reuben Stubbs (British 1824-1879): Ship in Distress, oil on panel signed 38cm x 49cm
Provenance: from The Bell Hotel, Driffield
£400 - 600
175
Ralph Reuben Stubbs (British 1824-1879): The Return of the Boats, oil on canvas signed 59cm x 90cm
Provenance: from The Bell Hotel, Driffield
£500 - 800
176
Ralph Reuben Stubbs (British 1824-1879): Flamborough North Landing, oil on canvas signed and dated 1857, 59cm x 113cm
Provenance: from The Bell Hotel, Driffield; with Walker Galleries, Harrogate, label verso
£500 - 800
177
Ralph Reuben Stubbs (British 1824-1879): Shipping off the Coast, oil on canvas signed and dated 1858, 25cm x 40cm
Provenance: from The Bell Hotel, Driffield
£200 - 400
178
William Anslow Thornley (British
fl.1858-1898): Leaving the Harbour in Heavy Seas, oil on canvas signed ‘Thornbery’ 24.5cm x 34.5cm
£200 - 400
179
William Anslow Thornley (British fl.1858-1898): Shipping at Tynemouth, oil on canvas signed 35cm x 29cm
£500 - 800
180
Anthony Vandyke Copley Fielding (British 1787-1855): Sailboats Heading Towards the Shore, oil on board unsigned, attributed on the mount, 27cm x 39.5cm
£150 - 250
181
Peter de Wint OWS (British 1784-1849): Boats in an Estuary Landscape, watercolour unsigned 28cm x 43cm
£300 - 500
182
After John Constable RA (British 1776-1837): ‘A Boat Passing a Lock’, 19th century oil on canvas unsigned, Christie’s stencil verso 99cm x 124cm
Notes: Constable and his studio completed a number of versions of this scene, the most famous being in the collection of the Royal Academy.
£800 - 1200
183
Alexandre René Veron (French 1826-1897): Horse and Rider Watering on a Summer Day, oil on panel signed and dated ‘92, 25cm x 40cm
£200 - 400
184
Attrib. Alfred Augustus Glendening Snr (British 1840-1921): ‘Near Godalming’, oil on panel signed with initials, titled and dated 1887 verso, 19cm x 39cm
£150 - 250
185
Amos Watmough (British fl.1884-1912): ‘Homeward Bound’, oil on canvas signed, titled and with 1951 City of Bradford Cartwright Memorial Hall - Bradford Artists Exhibition label verso 23.5cm x 34.5cm
£150 - 250
186
Sir Herbert Edwin Pelham Hughes-Stanton RA RWS (British 1870-1937): Shepherdess on the Hillside, oil on canvas signed and dated 1914, 51cm x 66cm
£200 - 400
187
Charles Brooke Branwhite (British 1851-1929):
‘In the Doone Valley - Exmoor’, watercolour signed, titled on the mount 47cm x 72cm
£150 - 250
188
David Bates (British 1840-1921): ‘On the River Teme - Near Martley Worcestershire’, oil on board signed, titled in a later hand verso, 33cm x 51cm
Notes: Bates was a painter of porcelain for Royal Worcester between 1855 to 1880
£300 - 500
189
Edward Henry Holder (British c1848-1922): ‘The Brathay Bridge’, oil on board signed, titled verso 24cm x 34cm
£200 - 400
190
Frederik Christian Kiærskou (Dutch 1805-1891): Wooded Landscape with Deer and Stream, oil on canvas signed 48cm x 42cm
£150 - 250
191
George Augustus Williams (British 1814-1901):
Fishing on the Thames, oil on canvas, signed and titled on original label verso 30cm x 50cm
Provenance: private collection, purchased David Duggleby Ltd 6th December 2019 Lot 102
£600 - 900
192
James Edwin Meadows (British 1828-1888):
View of an English Village, pair oils on board signed 13cm x 21.5cm (2)
£150 - 250
193
James Scott Callowhill (British 1838-1917):
‘Capel Curig - North Wales’, oil on canvas signed and dated 1880, titled and inscribed ‘James Callowhill - Worcester’ verso 28.5cm x 44cm
£150 - 250
194
John James Chalon (British 1778-1854): Wooded Landscape with Lovers at a Gate, oil on panel 47.5cm x 37.5cm
Provenance: Sale, Christie’s, British and Continental pictures, March 14th 1980, Lot 146
£500 - 800
195
Samuel Williamson (British 1792-1840): Landscape with Goatherd, oil on panel signed and dated 1828, 13cm x 17cm
£150 - 250
Joseph Mellor (British 1850-1885): ‘Path through the Wood - Horsforth’, oil on canvas signed, titled verso 44cm x 34.5cm
£150 - 250
197
Joseph Thors (British 1863-1900): Farmstead and Stream, oil on canvas signed 23.5cm x 34cm
£200 - 400
196
198
Joshua Anderson Hague (British 1850-1916):
View towards the Lock, oil on canvas signed 40cm x 50cm
£150 - 250
199
Karl Hagedorn (German/British 1889-1969):
View Across a Valley, oil on canvas signed and dated 1934, 31cm x 49cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
200
William Manners (British 1860-1930): Heading Home on a Countryside Path at Dusk, oil on canvas signed and dated 1894, 29cm x 50cm
£150 - 250
201
Albert George Strange (British c1855-1917): Market Place - Sandwich in Kent, watercolour signed 24cm x 34cm
£150 - 250
202
William Sidney Cooper (British 1854-1927): Sheep Resting in a Wolds Landscape, watercolour signed and dated 1896, 20cm x 34cm
£120 - 180
203
Thomas Creswick (British 1811-1869): Hay Barge before Tintern Abbey, oil on canvas signed 60cm x 106cm
Provenance: from The Bell Hotel, Driffield
£300 - 500
204
George Cammidge (British 1846-1919): Study of Leaves, oil on canvas signed 33cm x 51cm
£300 500
205
English School (19th century): The Regency Hunting Party at Harlaxton Manor, oil on canvas unsigned 70cm x 90cm
Notes: the composition Country House appears to be copied from Samuel Reed’s ‘Prodigal Son’
£600 - 900
206
Attrib. John Bulloch Souter (Scottish 1890-1972): Geese by the Lakeside, oil on board unsigned, inscribed ‘Purchased from the studio sale in 1986 at Leeds’ verso 23cm x 31cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
207
Phillip Allder (British 1950-): ‘Red Squirrels’, gouache signed 53cm x 75cm
Provenance: from The Bell Hotel, Driffield
DDS - Artist’s resale rights may apply to this lot
£150 - 250
208
Bruce Kendall (British Contemporary):
‘Derwent Water’, oil on canvas board signed, titled verso 57cm x 81cm
£200 - 400
209
Bruce Kendall (British Contemporary):
‘Witches Wood’, oil on canvas board signed, titled verso 48cm x 74cm
£200 - 400
210
Circle of Henry Moret (French 1856-1913):
Sunlit Rocky Coastline, oil on canvas laid on to panel indistinctly signed l.l. 49cm x 64cm
£400 - 600
211
Catherine Tyler (British 1949-): ‘Staithes Cliffs’, oil on canvas signed, titled verso 49cm x 59cm
£200 - 400
212
David Baumforth (British 1945-): ‘Immensity’, mixed media on board signed, titled on label verso 28cm x 42cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
213
Circle of Francis Campbell Boileau Cadell (Scottish 1883-1937): ‘Iona’ Coastal Scene, oil on board bears signature, titled verso 29cm x 39cm
£150 - 250
214
John Mansfield Crealock (British/Irish 1871-1959): ‘The Seine near Meudon’, oil on canvas signed, titled and dated 1954 verso 49cm x 64cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
215
Clifford Hall (British 1904-1973): Yatch in the Harbour, oil on board signed 24cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
216
English School (Early 20th century): The Quayside, oil on canvas unsigned 54cm x 45cm
£200 - 400
217
Hurst Balmford (British 1871-1950): ‘PolperroThe Jetty and Boats’, oil on canvas board signed, original title label verso 54cm x 39cm
£150 - 250
218
English School (Early 20th century): Yachts in Harbour, oil on canvas laid on to board unsigned 24cm x 34cm
£150 - 250
219
Newlyn School (Early 20th century): Boats in Calm Waters, oil on canvas unsigned 40cm x 50cm
£250 - 400
220
Anne Berty (French early 20th century): Ostend Fishing Boats, oil on canvas signed 39cm x 47cm
£150 - 250
222
221
£200 - 400
DDS - Artist’s resale rights may apply to this lot
£700 - 1000
John Ley Pethybridge (British 1865-1905): Cornish Fishermen, oil on canvas signed 45cm x 35cm
Attrib. Dorothea Sharp (British 1874-1955): Sisters Picking Wildflowers, oil on canvas board signed 19cm x 25.5cm
223
August Willem Van Voorden (Dutch 1881-1921): Loading a Barge, oil on panel signed, indistinctly inscribed on labels verso 48cm x 69cm
£300 - 500
224
Frederic Whiting (British 1874-1962): ‘Study for Portrait’ King George V in Uniform on Horseback, oil on canvas signed and titled, 60cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
225
Diego Ferrer (Argentinian Contemporary): Gaucho and Three Horses, watercolour signed and dated ‘24, 67cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
226
Catherine Tyler (British 1949-): ‘Istanbul’, oil on canvas signed and dated ‘07, titled verso 29cm x 38cm
£150 - 250
227
Catherine Tyler (British 1949-): ‘Market DaySafranbolu Turkey’, oil on canvas signed, titled verso 30cm x 40cm
£150 - 250
228
Clive Madgwick (British 1939-2005): Horse and Tractor Show at ‘Hadleigh Show’, pair oils on canvas signed, titled on artist’s studio labels
verso 34cm x 55cm (2)
DDS - Artist’s resale rights may apply to this lot
£300 - 500
229
Charles Ernest Cundall RA RWS RP (British 1890-1971): ‘Statue to Watteau - Luxembourg Gardens Paris’, oil on canvas signed, titled verso with artist’s London studio label 33cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
230
Edgar Wood (British 1860-1935): Blossom Trees, oil on unstretched canvas signed and dated ‘19, 33cm x 32cm
£150 - 250
231
Edgar Wood (British 1860-1935): ‘Florence’, oil on canvas laid on board, signed titled and dated 1922, 26cm x 33.5cm
£150 - 250
232
Enslin Hercules Du Plessis (South African 1894-1978): ‘Fir Trees from Lynch Hill Lane’, oil on canvas signed, titled on the frame 48cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
233
Frederick ‘Fred’ Hall (British 1860-1948): ‘West Storrington - Sussex’, oil on canvas laid on to board, signed and titled verso 38cm x 55cm
£200 - 400
234
Frank Griffith (British 1889-1979): Riverside Trees, oil on board unsigned, artist’s studio stamp verso 39cm x 49cm
Notes: Griffith studied and associated some of the leading artists of his day, including Paul Signac, Walter Sickert, and Charles Ginner.
DDS - Artist’s resale rights may apply to this lot
£150 - 250
235
Francis Helps (British 1890-1972): ‘Kensington Gardens’, oil on board signed and dated ‘47, titled verso 22cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
236
Emile Boyer (French 1877-1948): City Scape, oil on canvas signed 21cm x 26cm
£200 - 400
237
James Neal (Northern British 1918-2011): ‘No. 7 (Second Version)’ - Warehouses, oil on board signed, titled on label verso 68cm x 73cm
Provenance: from The Bell Hotel, Driffield
DDS - Artist’s resale rights may apply to this lot
£400 - 600
238
James Neal (Northern British 1918-2011): ‘The Drain - Richmond Terrace’, oil on canvas laid on to board signed, titled on label verso 62cm x 85cm
Provenance: from The Bell Hotel, Driffield
DDS - Artist’s resale rights may apply to this lot
£300 - 500
239
John Hanley (Northern British 1947-): ‘A Northern Town’, oil mixed media and acrylic inks on canvas, signed and titled verso 100cm x 50cm (unframed)
£300 - 500
240
John Hanley (Northern British 1947-): ‘The Return Home’ VE Day, oil mixed media and acrylic inks on board, signed and titled verso 40cm x 50cm
£200 - 400
241
Sue Atkinson (Northern British 1949-2021): Busy London Street, oil on board signed 23cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
242
Peter Brook (Northern British 1927-2009): ‘Sunday’, oil on board signed and titled 39cm x 49cm
Provenance: West Yorkshire dec’d estate; the deceased was good friends with the artist.
DDS - Artist’s resale rights may apply to this lot
£700 - 1000
243
Dame Laura Knight (Staithes Group 1877-1970): Sketch of a Cat, ink on headed paper signed and inscribed 24cm x 19cm
Notes: Laura and Harold Knight began to rent 9 Langford Place around 1923; the house was later re-numbered 16. The pair purchased the house in 1937 and lived there until their death.
DDS - Artist’s resale rights may apply to this lot
£200 - 400
244
Kay Boyce (British Contemporary): ‘Anne-Marie’, pastel signed and titled 38cm x 67cm
DDS - Artist’s resale rights may apply to this lot
£1000 - 1500
245
William Conor OBE RHA PPRUA ROI (Northern Irish 1881-1968): Bust Portrait Study, charcoal signed 59cm x 45cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
246
Charles James McCall (Scottish 1907-1989): The Green Dress, oil on canvas signed with initials, with a further portrait study verso 44cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
247
Circle of Sir William Orpen (Irish 1878-1931):
Lady in a Shawl, oil on canvas laid on to board unsigned 58cm x 48cm
£200 - 400
248
Mary Ethel Hunter (British 1878-1936): The Blue Necklace, oil on canvas unsigned, excerpt from the artist’s obituary affixed verso 59cm x 49cm
£200 - 400
249
Allan Douglas Davidson (British 1873-1932): ‘Portrait of Miss Violet Kyrke-Smith’, oil on board signed and dated 1927, titled verso 29cm x 25cm
£300 - 500
250
Delphin Enjolras (French 1857-1945): Lady Warming by the Fireside, pastel signed 39cm x 29cm
£300 - 500
251
A* Fowler (Early 20th century): Portrait of a Young Woman, oil on canvas signed 75cm x 50cm
£400 - 600
252
SEM (British early 20th century): Art Deco
Portrait of a Lady, oil on canvas signed and dated 1934, 60cm x 50cm
£500 - 800
253
After Giovanni Boldini (Italian 1842-1931): The New Hat - Portrait of Lina Cavalieri, oil on canvas unsigned, James Bourlet & Sons label verso 59cm x 75cm
£300 - 500
254
Irene Wyatt (British 1903-1987): Lady with a Green Earring, believed to be Merula Salaman, oil on canvas signed 102cm x 76cm
Notes: this is possibly Wyatt’s painting shown at the New English Art Club in in 1932 no.101; Salaman was the first wife of Sir Alec Guinness.
DDS - Artist’s resale rights may apply to this lot
£300 - 500
255
Philip Naviasky (Northern British 1894-1983): Portrait of a Young Lady with Jade Drop Earrings, oil on canvas signed and dated 1928, 49.5cm x 39.5cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
256
James Proudfoot (Scottish 1908-1971): The Wedding Dress, oil on canvas signed and dated ‘34, 75cm x 62cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
257
Lawrence Deller (British 1889-1918): Portrait of a Victorian Lady Wearing a Lace Collar, oil on canvas signed 57cm x 41cm
Notes: Deller was a painter and conscientious objector during the First World War, producing a series of portraits of fellow inmates while imprisoned at Dartmoor under the Home Office Scheme. He died of influenza at 29 years old, shortly before the Armistice. £200 - 400
258
Joseph Beaume (French 1796-1885): Young Girl by a Forest Spring, oil on canvas signed 55cm x 45cm
Provenance: from The Bell Hotel, Driffield; purchased Dee Atkinson Harrison 11th February
2000 Lot 540
£700 - 1000
259
Carl Von Bergen (German 1853-1933): Sisters Caught in the Rain, oil on canvas signed and dated 1898, 54cm x 44cm
£200 - 400
260
BH (British late 19th century): Young Girl in a Straw Hat, oil on canvas laid on to board signed with initials and dated 1895, 43cm x 27cm
£300 - 500
261
Mark Lancelot Symons (British 1887-1935): A Tiring Day in the Garden, oil on canvas signed 29.5cm x 40cm
£500 - 800
262
Ruth Fitton (British 1985-): ‘Silent Glory’, oil on canvas signed and dated 2014, titled verso with artist’s studio labels 50cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£500 - 800
263
After Francesco Trevisani (Italian 1656-1749): The Madonna and Child, oil on canvas unsigned, inscribed ‘brought from Rome1856’, 40cm x 31cm
£150 - 250
Continental School (18th century): Portrait of a Baby, oil on canvas unsigned 55cm x 45cm
£800 - 1200
265
Spanish School (19th century): Mother Lacemaking beside her Baby’s Crib, oil on board unsigned 34cm x 43cm
£150 - 250
264
266
Frank Albert Philips (British 1830-1905): ‘The Errant Pupil’, oil on panel signed 27cm x 20cm
Provenance: with Skinner Auctions Boston 5th March 2004 Lot 267; Christies London 6th
September 1988 Lot 133
£200 - 400
267
Attrib. Harold Knight (Staithes Group 1874-1961): A Newlyn Fisherman, oil on canvas indistinctly signed and inscribed ‘sketch’ 28.5cm x 20.5cm (unframed)
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
268
Attrib. James Charles (British 1851-1906): The Thames Gondolier, oil on mahogany panel signed with monogram 26cm x 20cm (unframed)
£150 - 250
269
James Lobley (British 1828-1888): Boy Stood
Before the Tomb of a Knight, oil on canvas board signed 42cm x 32cm
£150 - 250
270
William Mineard Bennet (British 1778-1858): Portrait of William Routley, oil on canvas signed and dated 1852, 73cm x 61cm
Notes: William Routley was a London and Manchester hotelier born in 1817
£300 - 500
271
English School (19th century): Portrait of a Gentleman Wearing a Black Jacket, oil on canvas laid on to board unsigned 75cm x 61cm
Provenance: from The Bell Hotel, Driffield
£200 - 400
272
Frederick (Fred) William Elwell RA (British 1870-1958): ‘Portrait of Major Arthur Joseph Atkinson (1864-1959), oil on canvas laid on to panel signed, inscribed verso 66cm x 55cm
Provenance: from The Bell Hotel, Driffield; purchased Dee Atkinson & Harrison 21st
November 2006
DDS - Artist’s resale rights may apply to this lot
£1200 - 1800
273
Frederick (Fred) William Elwell RA (British 1870-1958): Portrait of a Moustachioed Gentleman with a Pint of Beer and a Cigarette, oil on board unsigned 89cm x 68cm
Provenance: from The Bell Hotel, Driffield; purchased Bonhams 20th January 2004 Lot 114
DDS - Artist’s resale rights may apply to this lot £1500 - 2500
274
Walter Goodin (British 1907-1992): North Landing Flamborough, oil on board signed 49cm x 64cm
DDS - Artist’s resale rights may apply to this lot
£700 - 1000
275
Walter Goodin (British 1907-1992): Extensive
Sky and Landscape Study, oil on board signed and dated ‘54, 61cm x 80cm
Provenance: from The Bell Hotel, Driffield
DDS - Artist’s resale rights may apply to this lot
£500 - 800
276
Walter Goodin (British 1907-1992): Gypsy
Encampment on Riverbank, oil on board signed and dated 1972, 60cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£500 - 800
277
Neil Tyler (British 1945-): ‘A Spot of Colour in the Black Country’, oil on board signed, titled verso 49cm x 59cm
£250 - 300
278
Neil Tyler (British 1945-): ‘The Georgian Tearooms - Bridlington’, oil on canvas signed, titled verso 50cm x 60cm
£400 - 600
279
Ken Howard RA (British 1932-2022): ‘Venice Campo dei Frari’ oil on board signed, titled verso with artist’s address 22cm x 14cm
DDS - Artist’s resale rights may apply to this lot
£700 - 1000
280
José Luis Checa (Spanish 1950-): Venetian Gondoliers, oil on board unsigned, attributed verso 50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
281
Gordon Radford (British 1936-2015): The Rialto Bridge - Venice, oil on board signed 45cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
282
Gordon Radford (British 1936-2015): View Across Venice, oil on board signed 44cm x 59.5cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
283
John Mackie (Scottish 1953-): ‘Venice - The Grand Canal at Night’, pastel signed and dated ‘14, titled verso 42cm x 57cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
284
John Mackie (Scottish 1953-): Amsterdam Canal, pastel signed and dated ‘96, 39cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
285
John Mackie (Scottish 1953-): ‘Tuscany’, pastel signed and dated ‘92, titled verso 30cm x 25cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
286
Philip Naviasky (Northern British 1894-1983): Mediterranean Street Scenes, pair oils on canvas laid on to board one signed 39cm x 47cm (2)
DDS - Artist’s resale rights may apply to this lot £300 - 500
287
Philip Naviasky (Northern British 1894-1983): Collioure Boats, pair watercolours signed 40cm x 55cm (2)
DDS - Artist’s resale rights may apply to this lot
£200 - 400
288
Roger de la Corbiére (French 1893-1974): ‘St
Jacut - Côte du Nord’, oil on canvas signed, titled on gallery labels verso 44cm x 53cm
Provenance: with E Stacy-Marks Ltd. (thrice), Eastbourne and Folkington, labels verso
DDS - Artist’s resale rights may apply to this lot
£200 - 400
289
Paul Pouchol (French 1903-1964): ‘Les Bateaux du Cinema’, oil on canvas signed, titled on labels verso 23cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
290
Stephen Frank Wasley (British 1848-1934): Mediterranean Boats, oil on canvas signed 19cm x 39cm
£200 - 400
291
William Roger Benner (British 1884-1964): ‘St Ives - Huntingdonshire’, oil on board signed, titled verso 54cm x 64cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
292
Ronald Ossory Dunlop RA (Irish 1894-1973):
‘Pulborough Landscape’, oil on panel unsigned, titled on catalogue excerpt verso 23cm x 32cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
293
Ronald Ossory Dunlop RA (Irish 1894-1973): Landscape with Stone Bridge, oil on canvas, bearing later signature 44cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
294
Marie Lucie Nessi-Valtat (French 1910-1990): Wooded River Landscape, oil on board signed 26cm x 79cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
295
Max Agostini (French 1914-1997): Young Woman in the Rose Garden, oil on canvas signed, inscribed verso 49cm x 60cm
Provenance: artist’s studio sale
Drouot-Richelieu, Paris 4th Oct.2024, Lot 171
DDS - Artist’s resale rights may apply to this lot
£500 - 800
296
John Ambrose (British 1931-2010): Figures on the Beach, oil on board signed 28cm x 38cm
Provenance: purchased Secrets Gallery, Port Isaac, April 2000, label verso
DDS - Artist’s resale rights may apply to this lot
£150 - 250
297
Paul Rebeyrolle (French 1926-2005): Abstract ‘Landscape’, oil on board signed and dated ‘53, 56cm x 91cm
Provenance: exh. Marlborough Fine Art, London, February - March 1954 no.21, label verso
DDS - Artist’s resale rights may apply to this lot
£800 - 1200
298
Herbert Reginald Gallop (Australian 1890-1958): ‘The Country Road’, oil on canvas laid on panel signed, titled verso 37cm x 45cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
299
John Ridgewell ARCA (British 1937-2004): ‘Beyond Wycoller’, oil on paper signed, titled on printed label verso 61cm x 49cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
300
Neil Simone (British 1947-): ‘Coastal Boundaries and Endless Dimensions’, oil on panel signed, titled verso 44cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
301
Peter Brannan (British 1926-1994): ‘A Day at the Seaside’, oil on board signed and dated ‘87, titled verso 29cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
302
Peter Brannan (British 1926-1994): Children at the Seaside, oil on board signed and dated ‘86, 14cm x 18cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
303
Nicholas Verrall RBA ROI (British 1945-) after Edgar Degas (French 1834-1917): ‘The Star’Rosita Mauri on Stage, oil on panel signed 53cm x 39cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
304
Peter J Rogers (British Contemporary): ‘Florence in the Snow’, watercolour signed 40cm x 40cm
Provenance: with DeMontfort Fine Art, label verso
DDS - Artist’s resale rights may apply to this lot
£200 - 400
305
Ben Payne (British 1975-): ‘Peace and Tranquility’, acrylic on canvas signed 50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 - 400
306
Circle of Alfred Wallis (British 1855-1942): Barque and a Buoy, oil on board unsigned 28cm x 34cm
£200 - 400
307
Circle of Alfred Wallis (British 1855-1942): Hauling the Net, oil on panel unsigned 45cm x 72cm (unframed)
£200 - 400
308
Attrib. Alfred Wallis (British 1855-1942): The Lighthouse, oil on circular wooden box signed, diameter 22cm height 11cm
£300 - 500
309
Attrib. Max Pechstein (German 1881-1955): Two Figures in an Interior, monochrome mixed media, with studio stamp 26cm x 18cm
DDS - Artist’s resale rights may apply to this lot
£300 - 500
310
Joseph Claude Bail (French 1862-1921): Figures in an Interior, oil on canvas signed, artist’s ink stamp verso 24.5cm x 33.5cm
Provenance: sale, Sotheby’s (Amsterdam) 16th Dec. 2003, Lot 202
£200 - 400
311
Charles Meryon (French 1821-1868): House with a Turret - ‘Rue de la Tixéranderie, Paris’, etching signed in the plate 24cm x 13cm
£200 - 400
312
Sir Frank Brangwyn (British 1867-1956): St Leonards Abbey - near Tours, etching signed in pencil 75cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£150 - 250
Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.
Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.
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1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning:
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Seller”means the persons who consign Lots for sale at our auctions;
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“Terms of Sale” means these terms of sale, as amended or updated from time to time;
Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges
TERMS OF SALE
payable by a defaulting buyer under these Terms of Sale;
“Trader”means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;
VAT”means Value Added Tax or any equivalent sales tax; and “Website”means our website available at https://www.davidduggleby.com
In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.
2 INFORMATION THAT WE ARE REQUIRED TO GIVE TO CONSUMERS
2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.
2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.
2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.
2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.
2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.
2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.
2.7 If you have any complaints, please send them to us directly at the address set out on our Website.
3 BIDDING PROCEDURES AND THE BUYER
3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.
3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.
3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained) by extending this bid by one increment.
3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will
be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.
3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.
3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.
3.7 We may refuse to accept any bid if it is reasonable for us to do so.
3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).
4 THE PURCHASE PRICE
As Buyer, you will pay:
a. the Hammer Price;
b. a premium of 25% of the Hammer Price;
c. any internet premiums payable on the sale of the Lot;
d. any artist’s resale right royalty payable on the sale of the Lot; and
e. any VAT due.
5 VAT
5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.
5.2 We will charge VAT at the current rate at the date of the auction.
6 THE CONTRACT BETWEEN YOU AND THE SELLER
6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.
6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.
6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.
6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).
7.1 Immediately following your successful bid on a Lot you will:
7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and
7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.
7.2 If you owe us any money, we may use any payment made by you to repay these debts.
8 TITLE AND COLLECTION OF PURCHASES
8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.
8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either:
8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.
8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot.
8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.
8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot., We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.
9 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES
9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:
9.1.1 take action against you for damages for breach of contract;
9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;
9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;
9.1.4 remove, store and insure the Lot at your expense;
9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;
9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;
9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or
9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.
9.2 We will act reasonably when exercising our rights under Clause 9.1., We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.
10 HEALTH AND SAFETY
Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.
11 WARRANTIES
11.1 The Seller warrants to us and to you that:
11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and
11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.
11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.
11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.
11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.
11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be
implied or incorporated by statue, common law or otherwise are excluded.
12 DESCRIPTIONS AND CONDITION
12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).
12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.
12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.
12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.
13 DELIBERATE FORGERIES
13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 14 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.
13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:
13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or
13.2.2 you personally are not able to transfer good and marketable title in the Lot to us,
you will have no right to a refund under this Clause 13.2.
13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot., We will not be responsible for repaying any additional money you may have made from selling the Lot.
13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any
other right or remedy provided by law or by these Terms of Sale.
14 OUR LIABILITY TO YOU
14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.
14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.
14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.
14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:
14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);
14.4.2 fraudulent misrepresentation; or
14.4.3 any liability which cannot be excluded by law.
15 NOTICES
15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.
15.2 Any notice referred in Clause 15.1 may be given:
15.2.1 by delivering it by hand;
15.2.2 by first class pre-paid post or Recorded Delivery; or
15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.
15.3 Notices must be sent:
15.3.1 by hand or registered post:
a to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b to you, at the last postal address that you have given to us as your contact address in writing; or
15.3.2 by email:
a to us, by sending the notice to both the following email addresses: William.duggleby@davidduggleby.com Auctions@davidduggleby.com
b to you, by sending the notice to any email address that you have given to us as your contact email address in writing.
15.4 Notices will be deemed to have been received:
15.4.1 if delivered by hand, on the day of delivery;
15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or
15.4.3 if sent by email, at the time of
transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.
15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.
16 DATA PROTECTION
We will holddata in relation to you in accordance with our current privacy policy, a copy of which is available on our Website or on request.
17 GENERAL
17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.
17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.
17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.
17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.
17.5, We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.
17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically., Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale., Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.
17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.
18 DROIT DE SUITE ROYAL CHARGES
From 14th February 2006 all UK art market professionals (which includes but is not limited to auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists or artists who have died within the last 70 years. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000- the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK sterling exchange rate on the day of the sale in this regard and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in this catalogue that are marked with DDS are potentially qualifying items and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all the relevant buyers’ invoices and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’) no handling costs or additional fees with respect to these charges will be retained by the auctioneers.
Please note that the royalty charge is calculated in euros and applies to lots with hammer value over €1000 as follows:
0 to €50,000 - 4%
€50,000.01 to €200,000 - 3%
€200,000.01 to €350,000 - 1%
€350,000.01 to €500,000 - 0.5%
Exceeding €500,000 - 0.25% ARR is capped at €12,500. There is no VAT payable on this royalty charge.
19 ONLINE BIDDING
19.1 David Duggleby Ltd may offer an online bidding service via a third party for bidders who cannot attend the sale. Any lots purchased via the DD Live auction service will not be subject to an additional commission charge on the hammer price.
In completing the bidder registration on the third party website and providing your payment card details and unless alternative arrangements are agreed with David Duggleby Ltd you:
a) Authorise David Duggleby Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the third party, and
b) Confirm that you are authorised to provide these payment card details to David Duggleby Ltd through the third party and agree that David Duggleby Ltd are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.
Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price.
Our Conditions of Business are based upon recommended terms of sale by SOFAA
