THE WINTER ART SALE
FRIDAY 29 NOVEMBER | 11AM
Selling with Dugglebys
ENJOY THE BENEFITS...
• Experienced, friendly and approachable valuations team of fifteen specialist experts
• Complimentary auction valuations and advice
• Simple fee structure
• Over 170 regular and specialist auctions annually with a 92% sale success rate
ATTRACTING BUYERS
• Quality cataloguing with studio photography and free additional images
• Efficient in-house packing and delivery services
• Fast payment
• Dedicated marketing team, there to ensure your lots reach their target audience, through international, national and local digital and press advertising
• Leading web-based software and live internet bidding system, combined with a driven sales team to achieve market-leading results
• State-of-the-art website with easy search and browsing functionality, allowing you lots to reach the people looking for them
• Detailed condition reports and free additional images upon request
• Large mailing database, frequently utilised to reach new and regular buyers with registered interest
• Free catalogues for all prospective bidders
26 Specialist Departments
20 TH CENTURY & MODERN FURNISHINGS
ANTIQUE & FINE FURNISHINGS
ANTIQUES, COLLECTABLES & CERAMICS
BOOKS, MAPS & MANUSCRIPTS
CAMERAS & PHOTOGRAPHY
CLOCKS & BAROMETERS
MILITARIA & MEDALS
MOTOR VEHICLES, AUTOMOBILIA & CYCLES
MOUSEMAN & YORKSHIRE OAK
MUSICAL INSTRUMENTS
COINS & BANKNOTES
COLLECTORS TOYS & MODEL RAILWAY
COMMERCIAL & TRADE
ENTERTAINMENT & AUTOGRAPHS
FINE PAINTINGS & DRAWINGS
GARDEN & ARCHITECTURAL
JEWELLERY
MARITIME & SCIENTIFIC INSTRUMENTS
SCULPTURE & THREE-DIMENSIONAL ART SILVER
SPORTING GUNS & COUNTRY PURSUITS
THE STAITHES GROUP
STAMPS, POSTCARDS & PHILATELY
TAXIDERMY & NATURAL HISTORY
WATCHES
WHISKY, WINE, SPIRITS & CIGARS
Open for valuations, consignments & advice. Get in touch to book your free valuation and start selling with us now!
DAVIDDUGGLEBY.COM | MAIL@DUGGLEBYS.COM
David Duggleby
Auctioneers & Valuers
The Vine Street Salerooms, Scarborough YO11 1XN
Duggleby Stephenson of York
The Saleroom, York Auction Centre, Murton, York YO19 5GF
The Harrogate Valuation Office 5 Raglan Street, Harrogate HG1 1LE
The Beverley Valuation Office 14 Wednesday Market, Beverley HU17 0DH
Large Items & Collections
TOO BIG TO BRING IN? WE’VE GOT YOU COVERED
Whether it’s furniture, vehicles or large collections, it’s not always easy to get your items to us - but there’s no need to worry, we can arrange a free home visit to suit your needs.
our items to us - but eafreehomevisittosuit
One of our specialists will be able to provide you with an at-home valuation and sales advice, and answer any questions you may have, meaning you don’t have to do a thing.
Should you choose to sell at auction, our in-house collection service means we can arrange safe pick-up and storage of your items whilst they await sale. It’s that simple.
SPECIALIST COLLECTIONS
From paintings, sculpture and objets d’art to stamps, coins, toys, furniture & fashion - selling collections that have spanned a lifetime can often be a daunting prospect to approach.
Our valuers are experts in their field, and able to help with valuing specialist collections large and small.
As a member of the Society of Fine Art Auctioneers and Valuers, you are safe in the knowledge that our skills and expertise are of the highest standard.
We regularly host single-owner collections at auction. We will advise you regarding the best sale to enter your collection in to achieve the best result possible. Specialist single-owner auctions can be arranged for larger collections, meaning you’ll receive dedicated marketing and PR activity to support the sale of your items.
Meet our Experts
DAVID DUGGLEBY
Fine Art Consultant
CHARLIE WARD
Jewellery & Watches
THOMAS HOWARD
Fine Furniture, Mouseman & Yorkshire Oak
CORALIE THOMSON
Fine Art, Furniture & Estates
WILLIAM DUGGLEBY
Estates, Motor Vehicles & Commercial
DANNIELLE BLACKLEDGE
Ceramics & Glassware
IAN BEILBY
Musical Instruments, Clocks, Barometers & Pocket Watches
JESSICA TARVER
Taxidermy, Militaria, Weapons & Sporting Guns
CHLOE MCKENNA Silver, Maritime, Cameras & Photography
TOM FOURACRE REID Stamps, Coins & Banknotes Wine, Spirits & Whisky
DOMINIC COX
Fine Art, Maps & Furniture
ANDREW MCMILLAN Silver, Ceramics & Glassware
EMMA KNOTT
Antiquities & 20th Century Design
HOLLY HAMMOND
Fine Art & Decorative Objects
Locations
Scarborough
Our first saleroom and the home of Duggleby auctions, established by David & Jane Duggleby in 1996.
Our Scarborough salerooms have gone from strength to strength, with additional office space added in 2023 to make room for a growing team and a newly extended saleroom and mezzanine level to accommodate an increasing number of sales.
The Vine Street Salerooms, Scarborough, North Yorkshire YO11 1XN 01723 507 111 | auctions@davidduggleby.com
VALUATIONS
TUESDAYS Antiques & Collectors TUESDAYS Paintings & Sculpture
THURSDAYS Jewellery, Watches & Coins | Estate Gold & Silver
York
The home of Duggleby Stephenson, a partnership established in 2018.
To facilitate rapid business growth, we partnered with the reputable Boulton & Cooper Stephensons to bring antiques, interiors and fine art auctions to York. The launch of the purpose-built, modern showroom was a pivotal point for Dugglebys, allowing us to reach more customers across North Yorkshire.
The Saleroom, York Auction Centre, Murton, York YO19 5GF 01904 393 300 | info@dugglebystephenson.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings | Coins & Banknotes
TUESDAYS Jewellery, Watches & Coins | Estate Gold & Silver | Mouseman & Yorkshire Oak
Beverley
We opened our Beverley valuations office at the end of 2018, allowing us to facilitate a growing customer base in East Riding.
Our specialist valuers are available every Monday and Tuesday to provide expert advice and market valuations on a variety of antiques, works of art, jewellery & specialist items.
14 Wednesday Market, Beverley, East Riding of Yorkshire HU17 0DH 01482 453 708 | Beverley@davidduggleby.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings
TUESDAYS Jewellery, Watches & Coins | Estate Gold & Silver
Harrogate
The newest addition to the Duggleby family is our Harrogate valuations office, launched in 2023.
Allowing us to reach more people across North and West Yorkshire, the office is headed-up by expert valuer Melanie Saleem, a specialist in antique and modern jewellery, as well as general valuations.
5 Raglan Street, Harrogate, North Yorkshire HG1 1LE 01423 229 311 | harrogate@davidduggleby.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings | Jewellery & Watches
We also offer daily home visit appointments Monday-Friday. Please contact the team to find out more about booking your appointment.
INFORMATION FOR BUYERS AT AUCTION
1, Introduction, The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms, All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction, Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in our auction catalogues, Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.
Please make sure that you read our Terms of Sale, set out on our website or available at our salerooms, carefully before bidding in the auction, If your bid is successful, you will be obliged to comply with our Terms of Sale.
2, Agency, As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed, If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.
3, Estimates, Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot, Estimates may change and should not be thought of as the sale price, The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price, Estimates do not include the buyer’s premium or VAT (where chargeable), Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot, They are not definitive.
4, Buyer’s Premium, The Terms of Sale oblige you to pay a buyer’s premium at 25% on the hammer price of each lot purchased and 30% where VAT is included in this premium (see below).
5, VAT, Items in our catalogue may be marked in the following ways:
a, (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium, VAT will be chargeable at the standard rate (presently 20%), This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme
or because VAT is due at 20% on importation into the UK.
b, (**) indicates that the lot has been imported from outside the European Union, [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)],
c, Lots which do not have either of the above symbols have no VAT payable on the hammer price, This is because such lots are sold using the Auctioneers’ Margin Scheme, The VAT included within the premium is not recoverable as input tax.
6, Inspection of goods by the buyer, As we act on behalf of the seller, we are dependent on information provided by the seller about their goods, We may inspect lots and will act reasonably in taking a general view about them, However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do, You will have ample opportunity to inspect the goods, You must inspect and investigate lots that you might wish to bid for,
Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.
7, Export of goods, If you intend to export goods you must find out:
a, whether an export licence is needed; and
b, if there is a prohibition on importing goods of that character e.g, because the goods contain prohibited materials such as ivory,
8, Bidding, Bidders will be required to register with us before the auction starts, We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid, If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks, Lots will be invoiced to the name and address on the registration form, You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require, Please enquire in advance about our arrangements for telephone or online bidding, Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.
9, Commission bidding, You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding
the buyers’ premium and/or any applicable VAT), We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids, If two buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained) by extending this bid by one increment, Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/ email or via our website or online bidding platform,
10, Live Bidding, Please see clause 19 in Terms of Sale.
a, Any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price (collected by David Duggleby Ltd on behalf of the-saleroom.com).
b, Any lots purchased via DD Live auction service will be subject to an additional 2% commission charge plus VAT imposed on the hammer price.
11, Methods of Payment, These are cash (for which there is an upper limit of 15,000 euros equivalent), debit card, credit card (online payments only), BACS payment or cheque (any cheques will need to be cleared before you can take the goods away), Please discuss with our office in advance of the sale if you plan to use other methods of payment.
12, Collection and storage, Lots must be paid for and collected within five days following the sale, Please note what the Terms of Sale say about collection and storage, Any delay may involve you having to pay reminder fees and storage charges.
13, Droit De Suite, Please see clause 18 in Terms of Sale.
14, Attribution of Pictures (Quarterly Picture Sales only).
a, The forename(s) and the surname of the artist indicates in our opinion a work by the artist.
b, The initials of the forename and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.
c, The surname of the artist indicates in our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.
d, ‘Bears signature’ indicates in our opinion that this is not the signature of the artist.
e, All other terms are self explanatory.
f, Terms of Sale clause 12 also applies.
The Winter Art Sale
FRIDAY
29 NOVEMBER | 11AM
THE VINE STREET SALEROOMS, SCARBOROUGH, YO11 1XN
VIEWINGS
Tuesday 26 November | 9am - 4:30pm
Wednesday 27 November | 9am - 4:30pm
Thursday 28 November | 9am - 4:30pm
Friday 29 November | from 9am
Bid live on our website using our bespoke bidding platform, DD Live davidduggleby.com
Buyers premium 25.0% +VAT (30.0% inc VAT)
For buyers information please refer to our Terms of Sale at davidduggleby.com or ask a member of the team.
Front cover illustration: Lot 38 (detail)
Catalogue produced by Pardy & Son (Printers) Ltd
Ashton William 37
Atkinson John 99
Bagshawe Joseph Richard 110
Barlow Gordon Clifford 31
Battista Eric 175
Baumforth David 185
Bennett Frank Moss 55
Booth James William 100 101
Booty Frederick William 78 79 80
Both Andries 63
Both Jan Dircksz 63
Bourgeois Urbain 146
Bowen Owen 121 122 123 124 125
Boyce Kay 155 156
Brundrit Reginald Grange 35
Carter Henry Barlow 83 84
Collett Iris 128 138
Colombo Max
Constantine George Hamilton
Cooke Edward William
Cooper William Heaton
Cunningham
Czóbel Béla Adalbert 134
Dade Ernest
Day William Cave
De More Barry 182 183
Downie John Patrick 54
Dubuc Roland 159
Elwell Frederick William
Enjolras Delphin
Etty William
Fall George
Finlay John 192
Foster Myles Birket 60
Goodin Walter 22 23
Greaves William 36
Gresham Kip 165
Grimm Circle of Paul
Guilbert Narcisse
Hankey William Lee
Hardy Thomas Bush
Heath Adrian
Hedley Ralph
Hick Allanson
Hill Rowland Henry
Hirst Damien
Hume Edith
Jackson Frederick William 116
artists’ index
Kelsey Robert
Kompánek Vladimír
Lancaster Percy
Langley William
Lapish Peter
Lawson Fred
The Winter Art Sale
Friday 29 November 2024 at 11am
110
Joseph Richard Bagshawe (Staithes Group 1870-1909): Steam Tug bringing in Distressed Sailing Vessel Whitby Coble in the Foreground, watercolour heightened in white signed 52cm x 69cm
£1200 -1800
1
Jack Rigg (British 1927-2023): Prince’s Dock -Hull, oil on canvas board signed, further signed and dated 1987 verso 44cm x 64cm
Notes: illustrated on the front cover and page 35 of ‘Jack Rigg -Marine Artist, A Brush with Shipping’, by Michael Ulyatt and Jack Rigg, pub. 1995. Sold together with a copy of the book.
DDS - Artist’s resale rights may apply to this lot
£1000 -1500
2
Jack Rigg (British 1927-2023): ‘Whitby’, oil on canvas signed, titled and dated 1974 with artist’s Leeds address verso 50cm x 76cm
DDS - Artist’s resale rights may apply to this lot
£500 -800
3
Jack Rigg (British 1927-2023): ‘Home’, oil on board signed, titled and dated 1972 verso 45cm x 55cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
Jack Rigg (British 1927-2023): ‘Approaching Gale’, oil on canvas signed, titled and dated 1993 verso 34cm x 44cm
Provenance: with the Penny Hedge Gallery, Whitby, label verso
DDS - Artist’s resale rights may apply to this lot
£300 -500
5
Jack Rigg (British 1927-2023): ‘Home Run’, oil on board signed, titled and dated 1985 verso 35cm x 45cm
DDS - Artist’s resale rights may apply to this lot
£250 -400
6
Jack Rigg (British 1927-2023): ‘Iron Pot’, oil on canvas board signed, titled and dated 1983 verso 39cm x 49cm
DDS - Artist’s resale rights may apply to this lot
£250 -400
7
James Miller (British 1962-): ‘Mariska Tuiga and The Lady Anne -Les Voiles de Saint-Tropez’, oil on canvas signed, titled verso 48cm x 68cm
£300 -500
8
James Miller (British 1962-): ‘Tuiga and Mariquita off Saint-Tropez’, oil on canvas signed, titled verso 28cm x 42cm
£200 -400
9
Brian Mays (British 1938-2005): Racing Yacht ‘Charlatan’ passing the British Yacht Squadron Building, oil on canvas, signed and titled verso 76cm x 107cm (unframed)
Provenance: direct from the family of the artist
£300 -500
10
Brian Mays (British 1938-2005): ‘Americas Cup 1885 -Puritan Defeats Genesta’, oil on canvas signed, titled and dated ‘01 verso 71cm x 107cm (unframed)
Provenance: direct from the family of the artist
£300 -500
11
Brian Mays (British 1938-2005): ‘Defender
Defeats Valkyrie III 1895’, oil on canvas signed, titled verso 74cm x 94cm
Provenance: direct from the family of the artist.
£200 -400
12
Brian Mays (British 1938-2005): Training Ship
‘Sir Winston Churchill’, oil on canvas signed, titled and dated 1991 verso 29cm x 44cm
Provenance: direct from the family of the artist.
£150 -250
13
Brian Mays (British 1938-2005): ‘Sir Winston Churchill’ -Study of a Three Masted Topsail Schooner, oil on canvas signed, titled verso 49.5cm x 75cm
Provenance: direct from the family of the artist.
£150 -250
14
Brian Mays (British 1938-2005): ‘Marionette IX at the Point of Losing her Mast -Cowes Week 1986’, oil on board signed, titled verso 39cm x 29cm
Provenance: direct from the family of the artist.
£150 -250
15
Brian Mays (British 1938-2005): Yacht at Full Tilt in Choppy Waters, acrylic on board signed 29cm x 39cm
Provenance: direct from the family of the artist.
£150 -250
16
Allanson Hick (British 1898-1975): Ship in Dry Dock, watercolour, extensively inscribed and annotated in the artist’s hand 30cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
17
Neil Tyler (British 1945-): ‘Dawn -South Bay’ Scarborough, oil on board signed, titled verso 35.5cm x 54.5cm
£150 -250
18
Dame Ethel Walker DBE ARA (British 1861-1951): Seascape Study with Seagulls, oil on canvas laid on board unsigned, old attribution and title label verso along with Whitley Bay framer’s label 26cm x 39cm
Notes: probably a view at Robin Hood’s Bay, where Walker had a cottage.
£300 -500
19
Walter Linsley Meegan (British c1860-1944): Scarborough South Bay and Lighthouse, pair oils on canvas signed 24cm x 34cm (2)
£500 -800
20
Richard Marshall (British 1944-2006): Fishing Boats in Staithes Beck and Whitby Harbour, pair watercolours heightened in white signed 14cm x 20cm (2)
DDS - Artist’s resale rights may apply to this lot
£200 -400
21
Richard Marshall (British 1944-2006): Whitby Harbour, watercolour heightened in white signed 14cm x 24.5cm
DDS - Artist’s resale rights may apply to this lot £120 -180
22
Walter Goodin (British 1907-1992): North Landing Flamborough, oil on board signed 60cm x 74.5cm
DDS - Artist’s resale rights may apply to this lot
£700 -1000
23
Walter Goodin (British 1907-1992): ‘Traveller’s Rest’, oil on board signed and dated 1982, titled verso 47cm x 72cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
24
Bruce Kendall (British Contemporary): ‘The River Eden’, oil on board signed, titled verso 48cm x 74cm
£300 -500
25
Bruce Kendall (British Contemporary): ‘A Wooded Landscape’, oil on canvas signed, titled verso 49cm x 59cm
£200 -300
26
Peter Lapish (British 1937-): ‘Church and Pond -Brompton-by-Sawdon’, watercolour signed, titled verso 18cm x 25cm
£200 -300
27
Peter Lapish (British 1937-): ‘Canal HeadDriffield’, acrylic on paper signed, titled verso 25cm x 35cm
£300 -500
28
Peter Lapish (British 1937-): ‘Bolton Abbey from the Cliff’, acrylic on paper signed, titled verso 27cm x 36cm
£300 -500
29
Stephen Park (British 1962-): Salisbury Cathedral from the River, oil on canvas signed 45cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
30
Catherine Tyler (British 1949-): ‘Holm Oaks’, oil on board signed, titled verso 60cm x 75cm
£300 -500
31
Gordon Clifford Barlow (British 1913-2005):
‘Sunningdale Golf Club -7th Hole Old Course’, oil on canvas signed, titled verso 50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
32
Attrib. Charles McAuley (Irish 1910-1999): ‘A Walk in the Glens of Antrim’, oil on canvas bears signature, titled verso 44cm x 54cm
£200 -400
33
Stanley Royle (British 1888-1961): Harvesting with Cottages Beyond, oil on canvas unsigned 69cm x 90cm
DDS - Artist’s resale rights may apply to this lot
£1000 -1500
34
Herbert F Royle (British 1870-1958): River Landscape, oil on canvas board signed 25cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
35
Reginald Grange Brundrit RA ROI (British 1883-1960): Aerial View of the River Wharfe, oil on canvas signed, Royal Academy label verso 49cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
36
William Greaves (British 1852-1938): Children Playing in the River Wharfe, oil on canvas signed and dated 1910, 30cm x 40cm
£150 -250
37
William Ashton (British 1853-1927): The Hayfield, oil on board signed 28cm x 43cm
£120 -180
38
Bertram Priestman RA ROI NEAC (British 1868-1951): Cattle and Country Girls by the Riverside, oil on canvas signed and dated ‘19, 82cm x 135cm
£4000 -6000
39
William Charles Rushton (British 1860-1921): Yorkshire Landscape with Sheep and Town in the Distance, oil on panel signed 48cm x 74cm
£200 -400
40
Kershaw Schofield (British 1872-1941): Landscape with Grazing Sheep, oil on board signed 14cm x 23cm
£150 -250
41
Algernon Mayow Talmage (1871-1939): Horses
Ploughing, oil sketch on board signed 16cm x 23cm
£120 -180
42
Percy Lancaster (British 1878-1951): Haymaking, oil on board signed 23cm x 28cm
£200 -300
43
George Hamilton Constantine (British 1878-1967): Harvest Time, watercolour signed 17.5cm x 25cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
44
Arthur William Redgate (British 1856-1931): Harvest Time, oil on panel signed 24cm x 34cm
£300 -500
45
Arthur William Redgate (British 1856-1931):
Country Lane with Hens and Cattle, oil on panel signed 24cm x 35cm
Provenance: with Herbert Evans, Johannesburg, South Africa, label verso
£200 -400
46
Walter James Roberts (British 1907-1998): Landscape with Cottage and Bridge over a Stream, pair oils on board signed 14.5cm x 20.5cm (2)
DDS - Artist’s resale rights may apply to this lot
£150 -250
47
William Heaton Cooper RI (British 1903-1995): Derwentwater, watercolour signed 38cm x 54cm
DDS - Artist’s resale rights may apply to this lot
£700 -1000
48
William Lee Hankey (British 1869-1952):
Flatland Landscape, watercolour signed 25cm x 34cm
£120 -180
50
William Cave Day (British 1862-1924): Fisherman by a Woodland Stream, oil on canvas signed 75cm x 45cm
£200 -400
49
William Augustus Rixon (British 1880-1936): ‘Manorbier Castle -Tenby’ Wales, oil on board signed and dated ‘32, titled verso 49cm x 59cm
£200 -300
51
Frederick (Fred) Lawson (British 1888-1968): ‘The Old Church at Dordrecht’, watercolour signed and dated 1913, titled verso 55cm x 41cm (unframed)
DDS - Artist’s resale rights may apply to this lot
£150 -250
52
Archibald Kay RSA RSW (Scottish 1860-1935):
Stone Fountain in Castle Garden, oil on canvas signed 34cm x 45cm
Provenance: James McClure and Son, Wellington Street, Glasgow framer’s label verso
£200 -400
53
George Smith (Scottish 1870-1934): Shepherd and his Flock in the Forest, oil on board signed 40cm x 50cm
£120 -180
54
John Patrick Downie RSW (Scottish 1871-1945): Feeding Goats, oil on canvas signed 35cm x 45cm
£150 -250
55
Frank Moss Bennett (British 1874-1953): ‘The Wheelwright’s -Winterborne Stickland Dorset’, oil on canvas board signed, titled verso 24cm x 34cm
£200 -400
56
George Paice (British 1854-1925): Portrait of a Hunter in Stable Setting, oil on board signed 39cm x 49cm
£200 -400
57
William Henderson of Whitby (British 1844-1904): Pony and Spaniel, oil on canvas signed and indistinctly dated 60cm x 74cm
£400 -600
58
Graham Smith (British late 20th century): The Hunt, gouache signed 36cm x 54cm
£200 -400
59
Chris Mills (British 20th century): ‘Bramham Moor’ Hunt, watercolour signed titled and dated ‘90, 35cm x 43cm
£120 -180
60
Myles Birket Foster RWS (British 1825-1899): Riders on a Country Lane, watercolour signed with monogram 9cm x 13cm
£120 -180
61
George William Mote (British 1832-1909): ‘Coneyhurst Hill Surrey’ with cattle resting in the foreground, oil on canvas signed and dated 1886 75.5cm x 62cm
£400 -600
62
Aaron Edwin Penley (British 1806-1870): Haycart on a Wooded Track, oil on canvas signed and dated 1858, 55cm x 87cm
Provenance: with WH Patterson, London, label verso
£1000 -1500
63
Jan Dircksz Both (Dutch 1615/18-1652) and Andries Both (Dutch 1612/1613-1642): Shepherd and Wife within an Italian Landscape, oil on canvas attributed and titled on the mount 60cm x 50cm
Provenance: previously owned by the Countess Michalowski, Cork
Notes: this picture captures the typical golden Italian light and shadowy foreground that Both highlighted in many of his works from the 1630s and early 40s. It is likely the figures were executed by his elder brother Andries, who drowned in Venice 1642.
£4000 -6000
64
Peter de Wint OWS (British 1784-1849): Tranquil Harbour Scene, watercolour unsigned
36cm x 48cm
£500 -800
65
William Langley (British 1852-1922): Couple
Rowing in the Trossachs, oil on canvas signed
29cm x 49cm
£150 -250
66
English School (Mid 19th century): Unloading
Boats on the Shoreline, oil on board unsigned
20cm x 14.5cm
£200 -300
67
Alexander Webster (Scottish 1841-1913): Fraserburgh Harbour and Lighthouse, oil on panel unsigned 42cm x 52cm
£300 -500
68
Edward William Cooke ARA (British 1811-1880): Bringing in the Day’s Catch‘Scheveningen’ Den Hague, oil on canvas signed and dated 1857, inscribed verso 25cm x 40cm
£300 -500
69
Edith Hume (British 1843-1906): Girls on the Beach, oil on panel signed 14cm x 26cm
£200 -400
70
Walter Henry Sweet (British 1889-1943): Cobles at Runswick Bay, watercolour signed and dated 1907, 20cm x 61cm
£120 -180
71
James Ulric Walmsley (British 1860-1954): Robin Hood’s Bay, watercolour signed 25cm x 35cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
72
Alfred Worthington (British 1834-1927): Sail and Steam Vessels returning to Aberystwyth Harbour, oil on board unsigned 35cm x 60cm
£300 -500
73
John Falconar Slater (British 1857-1937): Bringing in the Day’s Catch, oil on canvas board signed 23cm x 71cm
£500 -800
74
Albert George Strange (British c.1855-1917): The Herring Fleet Off Scarborough, watercolour signed 15cm x 24cm
£200 -300
75
Thomas Bush Hardy RA RBA (British 1842-1897): ‘The Harbour -Littlehampton’, watercolour signed titled and dated 1897, 21cm x 70cm
£400 -600
76
Paul Marny (French/British 1829-1914): Continental Castle, watercolour signed 45cm x 31cm
£120 -180
77
George Fall (British 1845-1925): Marygate Tower and the Minster -York, circular watercolour signed dia. 18cm
£120 -180
78
Frederick William Booty (British 1840-1924): Bootham Bar -York, watercolour signed and dated 1918, 48cm x 38cm
£300 -500
79
Frederick William Booty (British 1840-1924): Whitby Piers in Stormy Seas, watercolour signed and dated 1915, 39cm x 60cm
£700 -1000
80
Frederick William Booty (British 1840-1924): Robin Hood’s Bay -Evening, watercolour signed and dated 1918, 24.5cm x 39.5cm
£200 -300
81
Francis Nicholson (British 1753-1844): ‘Robin Hood’s Bay -Yorkshire’, watercolour unsigned, titled in the artist’s hand verso 33cm x 50cm
£400 -600
82
Francis Nicholson (British 1753-1844): ‘Scarborough’ from White Nab, watercolour unsigned, titled in the artist’s hand verso 32cm x 49cm
£400 -600
83
Henry Barlow Carter (British 1804-1868): Scarborough South Bay from Cornelian, watercolour signed and dated 1868, 16cm x 23.5cm
£200 -300
84
Henry Barlow Carter (British 1803-1867): Off Whitby, watercolour with scratching out unsigned 16cm x 23cm
£200 -300
85
George Weatherill (British 1810-1890):
Choppy Seas off the Yorkshire Coast, oil on board signed with initials 11cm x 15cm
£400 -600
86
George Weatherill (British 1810-1890):
Fisherwomen beside Cottages at Runswick Bay, watercolour unsigned 9cm x 13cm
£300 -500
87
George Weatherill (British 1810-1890):
Iburndale Lane Sleights looking towards Blue Bank with the Moors beyond, watercolour signed 12.5cm x 21cm
Provenance: with Chris Beetles, St. James’s, London, label verso
£400 -600
88
George Weatherill (British 1810-1890): Figure on Horseback on the North York Moors, watercolour signed 24cm x 41.5cm
£600 -800
89
Mary Weatherill (British 1834-1913): Sheep Grazing in the Esk Valley, watercolour signed 13cm x 28cm
£120 -180
90
Rowland Henry Hill (Staithes Group 1873-1952): Sheep at Ellerby, watercolour signed 24cm x 34cm
£120 -180
91
Rowland Henry Hill (Staithes Group 1873-1952): The Hayfield under Heavy Clouds, watercolour and gouache signed and dated 1919 34.5cm x 44.5cm
£500 -800
92
Rowland Henry Hill (Staithes Group 1873-1952): The Summer Harvest Field near Ellerby with Children in the Foreground, watercolour signed and dated 1927, 23.5cm x 32.5cm
£300 -500
93
Paul Paul (Staithes Group 1865-1937): Cattle
Grazing in Pastoral Landscape, oil on canvas signed 49cm x 59cm
Provenance: from the artist’s studio collection
£500 -800
94
Paul Paul (Staithes Group 1865-1937): Trees at Sundown, oil on canvas unsigned 24cm x 41cm (unframed)
Provenance: from the collection of the artist’s great granddaughter
£120 -180
95
Hirst Walker (Staithes Group 1868-1957): ‘The Hills of Gay Gordon’, watercolour signed, titled verso 52cm x 74cm
Provenance: from the estate of Ian Hirst Walker, the artist’s great nephew.
DDS - Artist’s resale rights may apply to this lot
£200 -400
96
Hirst Walker (Staithes Group 1868-1957): Lake Scene, watercolour signed with initials 17cm x 22cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
97
William (Fred) Frederick Mayor (Staithes Group 1866-1916): ‘Whitchurch near Aylesbury’, watercolour signed, titled verso 31cm x 38cm
Provenance: private collection; David Duggleby, Scarborough 26th November 2021, Lot 56; with the Charles A Jackson Gallery, Police Street, Manchester, label verso dated March ‘44 -interestingly Charles Jackson was the brother of fellow Staithes Group artist Frederic William Jackson.
£120 -180
98
William (Fred) Frederick Mayor (Staithes Group 1866-1916): Shipping off the Coast, watercolour signed 25cm x 38cm
Provenance: with T B & R Jordan, exh. 3rd Harrogate Staithes Group Exhibition 2005; the artist’s family, certificate verso
£200 -400
99
John Atkinson (Staithes Group 1863-1924): Horses and Wagons in the Town Square, watercolour signed and dated ‘10, 20cm x 25cm
£200 -400
100
James William Booth (Staithes Group 1867-1953): Harvest Time, watercolour signed and dated 1913, 25.5cm x 40cm
£300 -500
101
James William Booth (Staithes Group 1867-1953): Boats on the Riverside, oil on canvas laid on to board signed 15cm x 24cm
£200 -400
102
Frederic Stuart Richardson (Staithes Group 1855-1934): Upon Horseback by the Canal Side, oil on canvas signed 26cm x 23cm
Provenance: exh. Phillips & Sons, Marlow, label verso
£300 -500
103
Frederic Stuart Richardson (Staithes Group 1855-1934): ‘Dutch Interior -Veere’, watercolour and gouache signed, titled in a later hand verso 25cm x 32cm
Provenance: private collection, purchased David Duggleby Ltd 14th September 2015 Lot 6 £200 -400
104
Ralph Hedley (Staithes Group 1851-1913): Painting Buoys at Runswick Bay, oil on canvas signed and dated 1891, 72cm x 50cm
£1200 -1800
105
Dame Laura Knight (Staithes Group 1877-1970): Fisherfolk on Staithes Quayside, pencil unsigned 21cm x 15cm
Provenance: from the artist’s sketchbook
DDS - Artist’s resale rights may apply to this lot
£200 -400
106
Frank Henry Mason (Staithes Group 1875-1965): Scotch Fishergirls Sorting the Catch on the ‘Fish Quay -Scarborough’, watercolour, signed and titled verso (within the frame) 14cm x 20cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
107
Frank Henry Mason (Staithes Group 1875-1965): Unloading Boats at ‘Scarborough’, watercolour signed, titled on the mount, original John Linn & Sons label verso 24cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
108
Frank Henry Mason (Staithes Group 1875-1965): ‘Picking up Survivors -North Bay ScarboroughSubmarine in Sight’, watercolour signed, titled on original Henry Whitley & Son label verso 20cm x 45cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
109
Frank Henry Mason (Staithes Group 1875-1965): ‘Evening’ -Scarborough Coble at Dusk, watercolour signed and dated 1901, 48cm x 74cm
Provenance: with Walker Galleries, Harrogate, label verso
DDS - Artist’s resale rights may apply to this lot
£800 -1200
110
Joseph Richard Bagshawe (Staithes Group 1870-1909): Steam Tug bringing in Distressed Sailing Vessel Whitby Coble in the Foreground, watercolour heightened in white signed 52cm x 69cm
£1200 -1800
111
Ernest Dade (Staithes Group 1864-1935): Cobles Moored at Penny Nab -Staithes, watercolour signed 34cm x 52cm
£200 -400
112
Robert Jobling (Staithes Group 1841-1923):
Coble at Staithes, watercolour signed and dated ‘Aug 1913’, 24cm x 32cm
£500 -800
113
Robert Jobling (Staithes Group 1841-1923):
Launching the Coble, watercolour signed 12cm x 18cm
£200 -400
114
Robert Jobling (Staithes Group 1841-1923): Young Girls and Cobles on Seaton Garth -Staithes, watercolour signed 25cm x 37cm
£700 -1000
115
Robert Jobling (Staithes Group 1841-1923): Two Girls Looking Out to Sea at Staithes, watercolour signed and dated ‘Xmas 1908’, inscribed verso 11cm x 8.5cm £600 -800
116
Frederick William Jackson (Staithes Group 1859-1918): Young Bathers on the Beach at Runswick Bay, oil on canvas laid on to panel unsigned 35cm x 47.5cm
Provenance: letter of authentication by Dr Peter Phillips (1934-2012) of Phillips & Sons, Marlow dated 14th September 1978 verso £1200 -1800
117
Frederick William Jackson (Staithes Group 1859-1918): ‘Venice’, watercolour signed, titled on label verso 19cm x 27cm
£300 -500
118
Frederick William Jackson (Staithes Group 1859-1918): Cattle Taking a Drink, oil on canvas laid on board unsigned 19cm x 31cm
Provenance: exh. Phillips & Sons Cookham, October 1988, label verso
£300 -500
119
Ernest Higgins Rigg (Staithes Group 1868-1947): Unloading a Salcombe Grain
Barge -Devon, oil on canvas signed 50cm x 67cm
£400 -600
120
Ernest Higgins Rigg (Staithes Group 1868-1947): Swaledale Landscape, oil on board signed 29cm x 46cm
£300 -500
121
Owen Bowen (Staithes Group 1873-1967): ‘Metcalf’s House and Garden by the River Wharfe -Scott Lane Wetherby’, watercolour signed, titled and dated 1930 on label verso 50cm x 35cm
Provenance: private collection; acquired from the artist’s daughter Betty McDougal (neé Bowen), authenticated on title label verso
DDS - Artist’s resale rights may apply to this lot
£150 -250
122
Owen Bowen (Staithes Group 1873-1967):
Young Girl Gathering Twigs at the Woodland Edge, oil on canvas signed and dated 1892, 90cm x 55cm
Provenance: private collection, purchased Morphets Harrogate 7th September 2000 Lot 592
DDS - Artist’s resale rights may apply to this lot
£800 -1200
123
Owen Bowen (Staithes Group 1873-1967): On the West Coast of Scotland, oil on canvas signed and dated ‘28, 30cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£250 -400
124
Owen Bowen (Staithes Group 1873-1967): ‘Lynmouth before the Floods’, oil on board signed, titled and dated ‘about 1935’ on label verso 23cm x 34cm
Provenance: private collection; acquired from the artist’s daughter Betty McDougal (neé Bowen), authenticated on label verso
DDS - Artist’s resale rights may apply to this lot
£200 -400
125
Owen Bowen (Staithes Group 1873-1967): Still Life of Purple Flowers, oil on canvas signed, with a further sketch of the River Wharfe verso
50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
126
Kershaw Schofield (British 1872-1941): Still Life of Yellow Flowers, oil on canvas laid on to panel signed 19.5cm x 24.5cm
£150 -250
127
Attrib. Sir William Nicholson (British 1872-1949): ‘Japanese Flower Piece’ -Spring Blossom Still Life, oil on canvas unsigned, various labels verso and loose 48cm x 38cm
Notes: exh. Beaux Arts Gallery, ‘Modern Masters’, 1939, No.11 (according to label, which states the work was executed in 1912).
£500 -800
128
Iris Collett (British 1938-): Still Life of Christmas Roses, oil on board signed 40cm x 34cm
Provenance: part of the artist’s studio collection
DDS - Artist’s resale rights may apply to this lot
£120 -180
129
Narcisse Guilbert (French 1878-1942): Still Life of Roses, oil on canvas laid on to board signed 37cm x 31cm
£300 -500
130
Robert Kelsey (Scottish 1949-): ‘Poppies in a Glass’, oil on canvas signed, titled verso 28cm x 28cm
Provenance: with Walker Galleries Harrogate, labels verso
DDS - Artist’s resale rights may apply to this lot
£300 -500
131
W H Jones (20th century): Still Life of Carnations, oil on canvas board signed 29cm x 34cm
Provenance: with James Starkey Galleries, Beverley, East Yorkshire £120 -180
132
Ellen Soar (Mid 20th century): ‘Yellow Roses’ still life in the Cubist style, oil on canvas signed, titled verso with artist’s address ‘77 Downs Hill, Beckenham, Kent’ 39cm x 29cm
Provenance: exh. Society of Women Artists at The Royal Institute, Piccadilly (1948-1969)
£120 -180
133
Frederick Boyd Waters (British 1879-1967): Still
Life of Daffodils in a Vase, oil on board signed 9cm x 11cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
134
Attrib. Béla Adalbert Czóbel (Hungarian 1883-1976): Still Life of Fruit, oil on canvas laid on board signed 54cm x 44cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
135
Neil Tyler (British 1945-): Still Life ‘Leeks and Swedes’, oil on canvas signed and dated 2001, titled verso 59.5cm x 79.5cm
£400 -600
136
John F Smith (British 1934-): Fruit and Wine Glass, oil on board signed 29cm x 40cm
Notes: Smith was employed by Royal Worcester as a fruit painter between 1950 and 1971.
DDS - Artist’s resale rights may apply to this lot
£200 -400
137
John F Smith (British 1934-): Still Life of Fruit, oil on canvas signed 20cm x 25cm
Notes: Smith was employed by Royal Worcester as a fruit painter between 1950 and 1971.
DDS - Artist’s resale rights may apply to this lot
£150 -250
138
Iris Collett (British 1938-): Christmas Teddy Bears, oil on board signed 31cm x 41cm
Provenance: part of the artist’s studio collection
DDS - Artist’s resale rights may apply to this lot
£120 -180
139
Attrib. William Elstob Marshall (British fl.1859-1880): ‘Jerry’s Comical Dogs’, original sketch on board for Charles Dickens’ Old Curiosity Shop unsigned, attributed and inscribed verso 14cm x 19cm
Provenance: in the possession of B Peacock
£120 -180
140
Archibald Thorburn (British 1860-1935): Grey Wagtails, watercolour signed and dated 1923, 18cm x 25cm
£4000 -6000
141
Richard Robjent (British 1937-): ‘Great Spotted Woodpecker’, watercolour signed, titled and dated 2000 verso 25cm x 18cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
142
English School (Early 20th century): Lady Seated by a Window, pastel on linen canvas possibly signed lower left 91cm x 65cm
£200 -300
143
Delphin Enjolras (French 1857-1945): Lady Warming by the Fireside, pastel signed 39cm x 29cm
£400 -600
144
Rowland Henry Hill (Staithes Group 1873-1952): Young Girl with Primroses, watercolour heightened in white signed and dated 1927, 26cm x 17.5cm
Provenance: exh. T B & R Jordan ‘Staithes Group Exhibition’, Pannett Gallery Whitby, July 2016, facsimile catalogue verso £200 -400
145
Leon Moran (American 1864-1941): ‘The Glow of Autumn’, oil on canvas signed 90cm x 44cm
£800 -1200
146
Urbain Bourgeois (French 1842-1911): The Crowning of Venus, oil on canvas signed 41cm x 32cm
Provenance: private collection, purchased Christie’s London 12th September 2013 Lot 156 £3000 -5000
147
Follower of William Etty RA (British 1787-1849): Female Nude, oil on canvas laid on board unsigned, 19th century 49cm x 29cm
£200 -400
148
Max Colombo (German 1877-1970): Portrait of a Lady, oil on oval panel, signed and dated 1943 verso 41cm x 35cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
149
Alfred Henry Taylor (British ?-c1868): Half Length Portrait of a Gentleman, oil on canvas signed and dated April 1833, 75cm x 63cm
£200 -400
150
Frank Albert Philips (British 1830-1905): ‘The Errant Pupil’, oil on panel signed 27cm x 20cm
Provenance: with Skinner Auctions Boston 5th March 2004 Lot 267; Christies London 6th September 1988 Lot 133 £300 -500
151
Attrib. Frederick (Fred) William Elwell RA (British 1870-1958): Portrait of an Elderly Lady, reputedly the Artist’s Mother, pastel unsigned 33cm x 25cm (unframed)
DDS - Artist’s resale rights may apply to this lot
£150 -250
152
Eugene Zak (Belarus 1884-1926): Profile of a Gentleman, pencil sketch signed with Studio Stamp 22cm x 18cm
£300 -500
153
Léopold Survage (French 1879-1968): Miners Working, charcoal signed in pencil and bearing studio stamp 29cm x 22cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
154
Dame Laura Knight (Staithes Group 1877-1970): ‘Gemini’, aquatint signed and titled in pencil, printed by David Strang 1932, 30cm x 25cm
DDS - Artist’s resale rights may apply to this lot
£500 -800
155
Kay Boyce (British Contemporary): ‘Anna’ by the Window, pastel signed and titled 26cm x 19cm
DDS - Artist’s resale rights may apply to this lot
£1000 -1500
156
Kay Boyce (British Contemporary): ‘Repose’, pastel signed 28cm x 21.5cm
DDS - Artist’s resale rights may apply to this lot
£1000 -1500
157
Constantin Andréevich Terechkovich (Moscow 1902-1978): Ladies with a Dog in Garden Setting, watercolour and gouache signed 62cm x 47cm
Provenance: with Galerie Paul Petrides, 53 Rue La Boetie, Paris, label verso.
DDS - Artist’s resale rights may apply to this lot
£300 -500
158
Philip Naviasky (British 1894-1983): ‘Tetuan Market’ -Madrid, gouache and pencil signed titled and dated ‘64, 38cm x 57cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
159
Roland Dubuc (French 1924-1998): Equestrian Circus Performer, mixed media on paper signed and dated 1960, 62cm x 47cm
Notes: Dubuc after having divorced, left for Le Havre where he met the painters Friboulet and Pailhes. He sold a few paintings at the HAMON gallery and lived from day to day doing a bit of everything to survive, including circus clown (which had been his father’s profession)
DDS - Artist’s resale rights may apply to this lot
£200 -400
160
Attrib. Vladimír Kompánek (Slovakian 1927-2011): ‘Vianocna Zima’ (Christmas), oil on panel signed and signed with monogram, titled signed and dated 2008 verso 49cm x 89cm
DDS - Artist’s resale rights may apply to this lot
£800 -1200
161
Damien Hirst (British 1965-): Circle Spin Painting 2009, acrylic on die-cut wove paper, with artist’s inkstamp signature and blindstamp verso, pub. Pinchuk Art Centre, Ukraine, dia. 52.1cm
DDS - Artist’s resale rights may apply to this lot £800 -1200
162
Damien Hirst (British 1965-): Star Spin Painting 2009, acrylic on die-cut wove paper, with artist’s inkstamp signature and blindstamp verso, pub. Pinchuk Art Centre, Ukraine, 52.5 x 55.3cm)
DDS - Artist’s resale rights may apply to this lot £800 -1200
163
Adrian Heath (British 1920-1992): Abstract in Salmon, mixed media unsigned 75cm x 58cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
164
Harold Voigt (South African 1939-2022): ‘African Landscape’, oil on canvas signed and dated ‘81, titled on gallery label verso 122cm x 91cm (unframed)
Provenance: with The Everard Read Gallery, Johannesburg, labels verso
DDS - Artist’s resale rights may apply to this lot
£400 -600
165
Kip Gresham (British 1951-2024): Abstract Blue and Yellow Circles, limited edition screenprint signed dated 1996 and numbered 15/20 in pencil, pub. Kip Gresham Editions 56cm x 41cm (unframed)
DDS - Artist’s resale rights may apply to this lot
£200 -300
167
166
Sir Eduardo Paolozzi KBE RA HRSA (Scottish 1924-2005): ‘Nine Heads’, limited edition screenprint signed dated 1995 and numbered 18/40 in pencil, pub. Kip Gresham Editions 58cm x 45cm (unframed)
DDS - Artist’s resale rights may apply to this lot
£200 -400
Scofield Thayer (American 1889-1982): ‘Living Art’ (Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and ten photographs after sculptures by Contemporary Artists), limited edition portfolio of 400 printed at Ganymed Press, Berlin, 1923
Notes: Scofield was an American Poet and Publisher and editor in chief of the Dial magazine. Living Art contains reproductions of what Thayer believed was the best in the art of the period, containing lithographs of works from his own collection by Pablo Picasso, Henri Matisse, Gaston Lachaise, Marc Chagall and Edvard Munch. All the works within the folio were owned by Thayer and bequeathed to the MET museum.
£600 -800
168
Peter Lapish (British 1937-): ‘Amorous Amorphism (Shades of Miró)’, acrylic on paper signed, titled verso 26cm x 36cm
£200 -300
169
Mackenzie Thorpe (British 1956-): Sheep, pastel on handmade paper signed with monogram and dated ‘91, 19cm x 19cm
Provenance: the vendor’s father attended Thorpe’s art school in Richmond and the two became firm friends; this painting was a gift from Thorpe to the former when he moved away from the area.
DDS - Artist’s resale rights may apply to this lot
£300 -500
170
Mackenzie Thorpe (British 1956-): ‘Self’, watercolour and ink signed with monogram and dated ‘91, further signed titled and dated ‘19th March 1991 2pm’ verso 29cm x 43cm
Provenance: the vendor’s father attended Thorpe’s art school in Richmond and the two became firm friends; this painting has never been on the open market before.
DDS - Artist’s resale rights may apply to this lot
£700 -1000
171
Mackenzie Thorpe (British 1956-): ‘Farther and Farther Away’, pastel signed with monogram and dated ‘93, titled verso 44cm x 61cm
Provenance: the vendor’s father attended Thorpe’s art school in Richmond and the two became firm friends; this painting has never been on the open market before.
DDS - Artist’s resale rights may apply to this lot
£800 -1200
172
Mackenzie Thorpe (British 1956-): ‘Up Higher than Before’, pastel signed with monogram and dated ‘91, titled verso 66cm x 47cm
Provenance: the vendor’s father attended Thorpe’s art school in Richmond and the two became firm friends; this painting has never been on the open market before.
DDS - Artist’s resale rights may apply to this lot
£800 -1200
173
After John Nash CBE RA (1893-1977): ‘The Cornfield’, print, original title label verso 47cm x 52cm
£200 -300
174
Circle of Paul Grimm (USA 1891-1974): Arid Landscape, oil on panel bears signature 29cm x 39cm
£200 -300
175
Eric Battista (French 1933-): ‘Regatta Trieux Brittany France’, oil on paper signed, titled verso 43cm x 51cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
176
James Doyle Penrose (Irish 1862-1932): City at Sunrise, oil on canvas signed and dated 1918, 29cm x 33.5cm
£200 -400
177
Byron Winston Warmby (Sheffield 1902-1978):
‘Baslow Bridge -Derbyshire’, oil on board signed, titled verso 34cm x 44cm
Provenance: private collection, purchased Phillips Leeds 19th November 1998 Lot 599; with Hibbert Brothers, Norfolk St., Sheffield, labels verso
DDS - Artist’s resale rights may apply to this lot
£150 -250
178
Michael (Mikhail) Nicolayevich Sokolov (Russian 1931-): ‘Bridge on the River FontankaLeningrad’, oil on board unsigned, titled and dated 1976 on exhibition label verso 23cm x 33cm
Provenance: with Roy Miles Gallery, 29 Bruton Street, London; the artist’s Studio, Moscow Stock No. 2099
DDS - Artist’s resale rights may apply to this lot
£200 -400
179
Steven Scholes (Northern British 1952-):
‘Ancoats -Manchester 1958’, oil on canvas signed, titled verso 39cm x 49cm
£200 -400
180
Steven Scholes (Northern British 1952-):
‘Shephard Market -Mayfair London 1938’, oil on canvas signed, titled verso 29cm x 19cm
£150 -250
181
Steven Scholes (Northern British 1952-): Ye Olde Cheshire Cheese -‘Fleet Street London 1958’, oil on canvas signed, titled verso 60cm x 45cm
£300 -500
182
Barry De More (Yorkshire 1948-2023): ‘Outside Bradford and Bingley’ Station, oil and impasto on canvas signed, inscribed and dated ‘06 verso 120cm x 152cm
£400 -600
183
Barry De More (Yorkshire 1948-2023): ‘Rooftops Halifax’, oil and impasto on board signed, inscribed and dated 2012 verso 38cm x 94cm
£300 -500
184
Barry De More (Yorkshire 1948-2023): ‘Street Scene -Guernsey’, oil and impasto on canvas signed, inscribed and dated 2021 verso 77cm x 68cm
£200 -300
185
David Baumforth (British 1945-): ‘Seagulls Hovering over Little Thornwick Bay Flamborough’, mixed media on paper, signed titled and dated ‘96 on label verso 68cm x 113cm
Provenance: with Walker Galleries, Harrogate, exhibition label verso
£400 -600
186
John Thornton (Northern British 1944-): ‘Wind Ease, Sky Breaks’, mixed media and collage signed with initials, titled and signed verso 80.5cm x 80cm
£400 -600
187
John Thornton (Northern British 1944-): ‘The Sea Meets the Stream, the Stream Meets the Sea’, mixed media and collage signed with initials, titled and signed verso 56cm x 54.5cm
£300 -500
188
John Thornton (Northern British 1944-):
‘Wave’, mixed media signed with initials, titled and signed verso 24cm x 23cm
£150 -250
189
John Thornton (Northern British 1944-): ‘Gales, Lots of Noise -Cornelian Bay Scarborough’, mixed media and collage signed with initials, titled and signed verso 41cm x 40.5cm
£200 -400
190
Kane Cunningham (British 1961-): ‘Farndale -Wettest Day of the Year’, watercolour and pastel signed dated 2010, titled verso 102cm x 153cm
£3000 -5000
191
Kane Cunningham (British 1961-): ‘Boats in Harbour’ -Scarborough, oil on canvas, signed titled and dated c.2005 verso 149cm x 149cm
£500 -800
192
Kane Cunningham (British 1961-): ‘Whitby’, oil on canvas, signed titled and dated ‘21 verso 120cm x 150cm (unframed)
£500 -800
193
Kane Cunningham (British 1961-): ‘Castle Howard’, oil on canvas signed and dated ‘06, titled verso 70cm x 70cm
£400 -600
194
FRAMES -Continental School (Early 20th century): The Gateway, watercolour signed, Berlin framer’s label verso in well carved acanthus leaf silvered frame, aperture 46cm x 56cm overall 57cm x 67cm
£200 -400
195
FRAMES -John Finlay (Late 19th century): Still Life of Flowers, oil on canvas laid on panel, attrib. verso in 18th/19th cent. carved limewood Florentine frame oval aperture 38cm x 32cm overall 64cm x 55cm
£200 -400
196
FRAMES - Victorian figured mahogany frame, with egg and dart edging and a gilt slip, containing a Berlin woolwork picture depicting Abraham and Isaac, H78cm W69.5cm
£120 - £180
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TERMS OF SALE
payable by a defaulting buyer under these Terms of Sale;
Trader”means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;
VAT”means Value Added Tax or any equivalent sales tax; and “Website”means our website available at https://www.davidduggleby.com
In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.
2 INFORMATION THAT WE ARE REQUIRED TO GIVE TO CONSUMERS
2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.
2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.
2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.
2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.
2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.
2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.
2.7 If you have any complaints, please send them to us directly at the address set out on our Website.
3 BIDDING PROCEDURES AND THE BUYER
3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.
3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.
3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained) by extending this bid by one increment.
3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will
be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.
3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.
3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.
3.7 We may refuse to accept any bid if it is reasonable for us to do so.
3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).
4 THE PURCHASE PRICE
As Buyer, you will pay:
a. the Hammer Price;
b. a premium of 25% of the Hammer Price;
c. any internet premiums payable on the sale of the Lot;
d. any artist’s resale right royalty payable on the sale of the Lot; and
e. any VAT due.
5 VAT
5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.
5.2 We will charge VAT at the current rate at the date of the auction.
6
THE CONTRACT BETWEEN YOU AND THE SELLER
6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.
6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.
6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.
6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).
7 PAYMENT
7.1 Immediately following your successful bid on a Lot you will:
7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and
7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.
7.2 If you owe us any money, we may use any payment made by you to repay these debts.
8 TITLE AND COLLECTION OF PURCHASES
8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.
8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either:
8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.
8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot.
8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.
8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot., We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.
9 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES
9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:
9.1.1 take action against you for damages for breach of contract;
9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;
9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;
9.1.4 remove, store and insure the Lot at your expense;
9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;
9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;
9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or
9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.
9.2 We will act reasonably when exercising our rights under Clause 9.1., We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.
10 HEALTH AND SAFETY
Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.
11 WARRANTIES
11.1 The Seller warrants to us and to you that:
11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and
11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.
11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.
11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.
11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.
11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be
implied or incorporated by statue, common law or otherwise are excluded.
12 DESCRIPTIONS AND CONDITION
12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).
12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.
12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.
12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.
13 DELIBERATE FORGERIES
13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 14 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.
13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:
13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or
13.2.2 you personally are not able to transfer good and marketable title in the Lot to us,
you will have no right to a refund under this Clause 13.2.
13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot., We will not be responsible for repaying any additional money you may have made from selling the Lot.
13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any
other right or remedy provided by law or by these Terms of Sale.
14 OUR LIABILITY TO YOU
14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.
14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.
14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.
14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:
14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);
14.4.2 fraudulent misrepresentation; or
14.4.3 any liability which cannot be excluded by law.
15 NOTICES
15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.
15.2 Any notice referred in Clause 15.1 may be given:
15.2.1 by delivering it by hand;
15.2.2 by first class pre-paid post or Recorded Delivery; or
15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.
15.3 Notices must be sent:
15.3.1 by hand or registered post:
a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and
b. to you, at the last postal address that you have given to us as your contact address in writing; or
15.3.2 by email:
a. to us, by sending the notice to both the following email addresses: William.duggleby@davidduggleby.com Auctions@davidduggleby.com
b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.
15.4 Notices will be deemed to have been received:
15.4.1 if delivered by hand, on the day of delivery;
15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or
15.4.3 if sent by email, at the time of
transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.
15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.
16 DATA PROTECTION
We will holddata in relation to you in accordance with our current privacy policy, a copy of which is available on our Website or on request.
17 GENERAL
17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.
17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.
17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.
17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.
17.5, We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.
17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically., Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale., Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.
17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.
18 DROIT DE SUITE ROYAL CHARGES
From 14th February 2006 all UK art market professionals (which includes but is not limited to auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists or artists who have died within the last 70 years. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000- the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK sterling exchange rate on the day of the sale in this regard and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in this catalogue that are marked with DDS are potentially qualifying items and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all the relevant buyers’ invoices and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’) no handling costs or additional fees with respect to these charges will be retained by the auctioneers.
Please note that the royalty charge is calculated in euros and applies to lots with hammer value over €1000 as follows:
0 to €50,000 - 4%
€50,000.01 to €200,000 - 3%
€200,000.01 to €350,000 - 1%
€350,000.01 to €500,000 - 0.5%
Exceeding €500,000 - 0.25% ARR is capped at €12,500. There is no VAT payable on this royalty charge.
19 ONLINE BIDDING
19.1 David Duggleby Ltd may offer an online bidding service via a third party for bidders who cannot attend the sale. Any lots purchased via the DD Live auction service will not be subject to an additional commission charge on the hammer price.
In completing the bidder registration on the third party website and providing your payment card details and unless alternative arrangements are agreed with David Duggleby Ltd you:
a) Authorise David Duggleby Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the third party, and
b) Confirm that you are authorised to provide these payment card details to David Duggleby Ltd through the third party and agree that David Duggleby Ltd are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.
Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price.
Our Conditions of Business are based upon recommended terms of sale by SOFAA
