Kane Cunningham: Northern Expression

Page 1


K ane Cunningham: Northern Expression

EXHIBITION & AUCTION

16 - 19 OCTOBER 2024

Selling with Dugglebys

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Kane Cunningham: Northern Expression

ARTWORK FROM HIS HOME & STUDIO

EXHIBITION & AUCTION

LIVE AUCTION: 11AM, SATURDAY 19 OCTOBER 2024

Explore the deeply evocative world of Kane Cunningham in this curated exhibition and auction featuring 100 handpicked pieces from his home and studio. A pioneer in contemporary expressionism, Cunningham’s work spans a diverse array of media, subjects, and series, reflecting his lifelong dedication to capturing the essence of the landscape.

This exclusive collection, drawn from some of Cunningham’s favourite works throughout his career to date, provides a unique opportunity to experience the depth and breadth of his artistic vision.

BID LIVE ONLINE AT DAVIDDUGGLEBY.COM NOW

EXHIBITION & AUCTION VIEWINGS

THE VINE STREET SALEROOMS, SCARBOROUGH, YO11 1XN

WEDNESDAY 16 OCTOBER | 9AM - 4:30PM

THURSDAY 17 OCTOBER | 9AM - 4:30PM

FRIDAY 18 OCTOBER | 9AM - 4:30PM

Buyers premium 25.0% +VAT (30.0% inc VAT)

Front cover illustration: Lot 1037 (detail)

ABOUT Kane Cunningham

Kane Cunningham is a Northern Expressionist landscape painter renowned for his ability to capture the essence of landscapes. He believes that while photographs can replicate the appearance of a landscape, expressionist painting better conveys its deeper nature by reflecting the artist’s emotional connection, a concept aligned with John Ruskin’s idea of the “emotional truth of mountains.” Inspired by Expressionist Die Brücke painters like Ernst Ludwig Kirchner, Cunningham’s work goes beyond simple depiction, exploring the complex relationship between the artist and the land.

Cunningham draws much of his inspiration from the landscapes of Northern England, especially the areas surrounding the Pennines. This rugged mountain range stretches from the gentle hills of the Peak District through the dramatic scenery of the Yorkshire Dales and North Pennines, reaching as far north as Northumberland and the Scottish Borders. It is a region characterised by glacial valleys, rolling hills, and ancient rock formations, sculpted over millennia by natural forces. These landscapes, rich in history and cultural traditions, have inspired artists, writers, and poets for centuries, including figures like William Wordsworth and John Ruskin, who sought to capture the region’s spirit in their work.

Born in Manchester in 1961 to an Irish immigrant father, Cunningham’s upbringing was rooted in the working-class culture of the North. His family lived in Salford, a place memorialised in the song Dirty Old Town His artistic journey began with a visit to Bury Art Gallery at the age of eight, where he was captivated by the paintings of J.M.W. Turner and others. This early exposure led him to study at Rochdale School of Art and later pursue Fine Art at Leeds Polytechnic. During his time in Leeds, Cunningham frequently travelled to the Yorkshire coast, sketching in Scarborough’s pubs and listening to tales of the sea.

In his early career, Cunningham balanced part-time teaching at Rochdale School of Art with his own practice, working from a studio in a Victorian cotton mill. His artistic influences included American colour field painters

like Barnett Newman, British artists such as John Piper, and the landscape painter Alfred Heaton Cooper. Over time, and particularly through visits to the Lake District, Cunningham developed a focus on landscape painting, drawn to the region’s vibrant colors and the immersive experience of its scenery.

In 1996, he moved to Scarborough, teaching at the Art School until 2017 before dedicating himself to painting full-time. His 2009 House Project, where he purchased a house on a cliff for £3,000 and transformed it into an artwork, gained international media attention before the house’s demolition in 2013. The project underscored his commitment to exploring the interplay between human structures and the natural world.

Cunningham’s work is held in the collections of several prominent North Yorkshire estates, including Castle Howard, Hovingham Hall, Sledmere House, and Scampston Hall. His ability to capture the spirit of the landscape has made his pieces a valued part of these historic collections, where his art resonates with the region’s cultural heritage.

In 2019, he held a solo exhibition at at Scarborough Art Gallery, showcasing his watercolours painted en plein air. That same year, he became co-director of the Big Ideas by the Sea festival, an event in Scarborough that addresses environmental and cultural themes. Currently, Cunningham is working on paintings inspired by climate change and the evolving landscapes along England’s coast, from Robin Hood’s Bay to St Bees, with a book of this new work set for publication in 2025.

He is also immersed in a 10-year project titled “13 Valleys of the Lakes,” which explores the Lake District’s valleys through their cultural, social, and poetic histories. This project includes large watercolour paintings and documentary photography, reflecting Cunningham’s deep engagement with the landscape. Through these efforts, he continues to celebrate and reinterpret the natural beauty and cultural richness of Northern England, firmly positioning himself within its artistic tradition.

INFORMATION FOR BUYERS AT AUCTION

1, Introduction, The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms, All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction, Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale can be found online at davidduggleby.com, Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out on our website carefully before bidding in the auction, If your bid is successful, you will be obliged to comply with our Terms of Sale.

2, Agency, As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed, If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3, Estimates, Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot, Estimates may change and should not be thought of as the sale price, The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price, Estimates do not include the buyer’s premium or VAT (where chargeable), Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot, They are not definitive.

4, Buyer’s Premium, The Terms of Sale oblige you to pay a buyer’s premium at 26.4% on the hammer price of each lot purchased, In addition, VAT is included in this premium (see below).

5, VAT, Items in our catalogue may be marked in the following ways:

a, (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium, VAT will be chargeable at the standard rate (presently 20%), This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme

or because VAT is due at 20% on importation into the UK.

b, (**) indicates that the lot has been imported from outside the European Union, [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)],

c, Lots which do not have either of the above symbols have no VAT payable on the hammer price, This is because such lots are sold using the Auctioneers’ Margin Scheme, The VAT included within the premium is not recoverable as input tax.

6, Inspection of goods by the buyer, As we act on behalf of the seller, we are dependent on information provided by the seller about their goods, We may inspect lots and will act reasonably in taking a general view about them, However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do, You will have ample opportunity to inspect the goods, You must inspect and investigate lots that you might wish to bid for,

Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7, Export of goods, If you intend to export goods you must find out:

a, whether an export licence is needed; and

b, if there is a prohibition on importing goods of that character e.g, because the goods contain prohibited materials such as ivory,

8, Bidding, Bidders will be required to register with us before the auction starts, We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid, If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks, Lots will be invoiced to the name and address on the registration form, You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require, Please enquire in advance about our arrangements for telephone or online bidding, Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

9, Commission bidding, You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding

the buyers’ premium and/or any applicable VAT), We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids, If two buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained) by extending this bid by one increment, Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/ email or via our website or online bidding platform,

10, Live Bidding, Please see clause 19 in Terms of Sale,

a, Any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price (collected by David Duggleby Ltd on behalf of the-saleroom.com).

b, Any lots purchased via DD Live auction service will be subject to an additional 2% commission charge plus VAT imposed on the hammer price.

11, Methods of Payment, These are cash (for which there is an upper limit of 15,000 euros equivalent), debit card, credit card (online payments only), BACS payment or cheque (any cheques will need to be cleared before you can take the goods away), Please discuss with our office in advance of the sale if you plan to use other methods of payment.

12, Collection and storage, Lots must be paid for and collected within five days following the sale, Please note what the Terms of Sale say about collection and storage, Any delay may involve you having to pay reminder fees and storage charges.

13, Droit De Suite, Please see clause 18 in Terms of Sale.

14, Attribution of Pictures (Quarterly Picture Sales only).

a, The forename(s) and the surname of the artist indicates in our opinion a work by the artist.

b, The initials of the forename and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

c, The surname of the artist indicates in our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

d, ‘Bears signature’ indicates in our opinion that this is not the signature of the artist.

e, All other terms are self explanatory.

f, Terms of Sale clause 12 also applies.

1000

Kane Cunningham (British 1961-): ‘Scarborough’, etching with aquatint signed titled and numbered 11/35 in pencil 25cm x 33cm

£100 - 200

1002

Kane Cunningham (British 1961-): ‘York PotashTeesside’, etching with aquatint signed titled and numbered 1/60 in pencil 30cm x 33cm

£80 - 120

1001

Kane Cunningham (British 1961-): ‘Towards Teesside’, etching with aquatint signed titled and numbered 1/60 in pencil 24cm x 33cm

£100 - 200

1003

Kane Cunningham (British 1961-): ‘Tunnel Construction’, etching with aquatint signed titled and numbered 1/60 in pencil 33cm x 30cm

£80 - 120

1004

Kane Cunningham (British 1961-): ‘Deep Shaft’, etching with aquatint signed titled and numbered 1/60 in pencil 33cm x 30cm

£80 - 120

1005

Kane Cunningham (British 1961-): ‘Exploration Drilling’, etching with aquatint signed titled and numbered 1/60 in pencil 30cm x 33cm

£80 - 120

1006

Kane Cunningham (British 1961-): ‘Discovery’, etching with aquatint signed titled and numbered 1/60 in pencil 24cm x 33cm

£70 - 100

1007

Kane Cunningham (British 1961-): ‘St Mark’s Square - Venice’, etching with aquatint signed titled and numbered 2/60 in pencil 30cm x 33cm

£80 - 120

1008

Kane Cunningham (British 1961-): ‘Reclining Nude’, etching with aquatint signed titled and numbered 1/60 in pencil 30cm x 33cm

£70 - 100

1009

Kane Cunningham (British 1961-): ‘Borrowdale’, suite of ten artist’s proof etchings with aquatint, in progressive states of completion, together with the first edition of the finished state, each signed titled and numbered in pencil 20cm x 38cm (11)

£200 - 400

1010

Kane Cunningham (British 1961-): Yorkshire Views, including Scarborough, Whitby, Staithes, York Potash, and Castle Howard, suite of twelve etchings with aquatint, variously signed titled and numbered in pencil (unframed)

£300 - 500

1011

Kane Cunningham (British 1961-): Puente Nuevo - Ronda Spain, ink and wash signed and dated ‘91, 65cm x 47cm (unframed)

£70 - 100

1012

Kane Cunningham (British 1961-): ‘Castle Howard’, pair etchings with aquatint signed titled and numbered 8/45 and 9/45 in pencil 23cm x 30cm (2) (unframed)

£80 - 120

1013

Kane Cunningham (British 1961-): ‘Castle Howard’, etching with aquatint signed titled and numbered 6/45 in pencil 23cm x 30cm (unframed)

£70 - 100

1014

Kane Cunningham (British 1961-): ‘Castle Howard’, oil on canvas signed and dated ‘06, titled verso 120cm x 149cm

£1,200 - 1,800

1015

Kane Cunningham (British 1961-): ‘Castle Howard’, oil on canvas signed and dated ‘06, titled verso 70cm x 70cm

£600 - 900

1016

Kane Cunningham (British 1961-): ‘Bedroom at Castle Howard’, oil on canvas signed and dated ‘06, titled verso 100cm x 100cm (unframed)

£800 - 1,200

1017

Kane Cunningham (British 1961-): ‘Castle Howard - View Across the Lake’, mixed media on paper signed and dated ‘06, titled verso 29cm x 42cm

£150 - 250

1018

Kane Cunningham (British 1961-): ‘Gates at Newby Hall’, watercolour and ink on Arches paper signed and dated ‘09, titled verso 76cm x 107cm

Provenance: exh. Walker Galleries, Harrogate, label verso

£700 - 1,200

1019

Kane Cunningham (British 1961-): ‘Scampston HallPalladian Bridge’, watercolour signed and dated 2009, titled verso 74cm x 105cm

£700 - 1,200

1020

Kane Cunningham (British 1961-): ‘LakeScampston Hall’, watercolour signed with initials and dated ‘10, titled verso 28cm x 38cm

£100 - 200

1021

Kane Cunningham (British 1961-): Deer at Sledmere House, watercolour and deer blood on Arches paper signed 105cm x 75cm (unframed)

£200 - 400

1022

Kane Cunningham (British 1961-): ‘Sledmere HouseThe Game Warden’, oil on canvas signed and dated ‘08, titled verso 119cm x 149cm

£1,500 - 2,500

1023

Kane Cunningham (British 1961-): Deer at ‘Sledmere’, double sided watercolour and deer blood on Arches paper signed 105cm x 75cm (unframed)

£200 - 400

1024

Kane Cunningham (British 1961-): ‘Hovingham HallTemple’, mixed media on paper signed and dated ‘06, titled verso 58cm x 76cm

£600 - 900

1025

Kane Cunningham (British 1961-): ‘Country House Series - Hovingham Hall’, oil on canvas signed and dated ‘07, titled verso 60cm x 80cm

£200 - 400

1026

Kane Cunningham (British 1961-): ‘Hovingham Hall’, watercolour and ink signed and dated ‘06, titled verso 76cm x 58cm

£600 - 900

1027

Kane Cunningham (British 1961-): ‘Country House Series - Hovingham Hall’, oil on canvas signed and dated ‘07, titled verso 60cm x 90cm (unframed)

£100 - 200

1028

Kane Cunningham (British 1961-): ‘Hovingham - Wath Walley’, oil on canvas signed and dated ‘07, titled verso 102cm x 153cm Provenance: exh. Walker Galleries, Harrogate, label verso

£2,000 - 3,000

1029

Kane Cunningham (British 1961-): ‘Hovingham Woods’, oil on canvas signed and dated ‘06, titled verso 120cm x 150cm

£700 - 1,200

1030

Kane Cunningham (British 1961-): Vale of Pickering, pair watercolours unsigned 19cm x 57cm (2) (unframed)

£100 - 200

1031

Kane Cunningham (British 1961-): ‘Farndale - Wettest Day of the Year’, watercolour and pastel signed dated 2010, titled verso 102cm x 153cm

£3,000 - 5,000

1032

Kane Cunningham (British 1961-): ‘Towards Rosedale from Northdale’, watercolour, signed and titled verso 19cm x 43cm

£80 - 120

1033

Kane Cunningham (British 1961-): ‘Rosedale’, oil on canvas, signed titled and dated ‘21 verso 120cm x 150cm (unframed)

£600 - 1,000

1035

Kane Cunningham (British 1961-): ‘Northdale towards Rosedale’, limonite on paper, signed and titled verso 19cm x 43cm

£70 - 100

1034

Kane Cunningham (British 1961-): ‘Rosedale’, oil on canvas, signed titled and dated ‘21 verso 50cm x 120cm (unframed)

£250 - 500

1036

Kane Cunningham (British 1961-): ‘Northdale - Birds Landing on Water’, oil on canvas, signed titled and dated ‘21 verso 50cm x 120cm)

£500 - 900

1037

Kane Cunningham (British 1961-): ‘Borrowdale - Castle Crag’, watercolour signed, titled and dated 2019 verso 101cm x 150cm

£3,000 - 5,000

1039

1038

Kane Cunningham (British 1961-): ‘Gordale Scar - Malham’, watercolour signed and dated ‘05, titled verso 56cm x 76cm

£500 - 800

Kane Cunningham (British 1961-): ‘Troutsdale Bridge’, oil on canvas signed and dated ‘08, titled verso 50cm x 60cm (unframed)

£150 - 300

1040

Kane Cunningham (British 1961-): ‘Troutsdale Valley Woods’, watercolour signed and dated ‘06, titled verso 105cm x 75cm

£700 - 1,200

1041

Kane Cunningham (British 1961-): ‘Troutsdale Bridge’, oil on canvas signed and dated ‘08, titled verso 50cm x 60cm (unframed)

£150 - 300

1042

Kane Cunningham (British 1961-): ‘Troutsdale’, watercolour signed, titled verso 38cm x 57cm

£150 - 300

1043

Kane Cunningham (British 1961-): ‘View over Troutsdale’, oil on canvas signed and dated ‘08, titled verso 50cm x 60cm (unframed)

£100 - 200

1044

Kane Cunningham (British 1961-): ‘Bridge at Staintondale’, oil on canvas signed and dated ‘08, titled verso 50cm x 60cm (unframed)

£150 - 300

1045

Kane Cunningham (British 1961-): Mowthorpe Bridge - ‘Forge Valley’, oil on canvas signed and dated ‘08, titled verso 50cm x 70cm (unframed)

£300 - 500

1048

Kane Cunningham (British 1961-): ‘Grosmont’, watercolour signed with initials, titled verso 19cm x 43cm

£80 - 120

1046

Kane Cunningham (British 1961-): Raincliffe Woods - Making Charcoal, watercolour signed and dated ‘08, 75cm x 105cm (unframed)

£300 - 500

1047

Kane Cunningham (British 1961-): Waterfall, watercolour signed and dated ‘07, 75cm x 105cm (unframed)

£200 - 400

1049

Kane Cunningham (British 1961-): Pheasants Taking Off on the North York Moors, mixed media on paper unsigned 58cm x 76cm (unframed)

£200 - 400

1050

Kane Cunningham (British 1961-): ‘Vale of Pickering’, watercolour signed and dated ‘06, titled verso 58cm x 77cm

£600 - 900

1051

Kane Cunningham (British 1961-): ‘Roseberry Topping’, oil on canvas signed and dated ‘08, titled verso 50cm x 60cm (unframed)

£150 - 300

1052

Kane Cunningham (British 1961-): ‘Glenridding from Bury Jubilee Centre’, watercolour and ink signed with initials, titled verso 20cm x 29cm

£120 - 180

1054

Kane Cunningham (British 1961-): ‘Ullswater - Lakes’, watercolour signed, titled and dated ‘17 verso 38cm x 76cm

£300 - 500

1053

Kane Cunningham (British 1961-): ‘Thirlmere - Lakes’, mixed media on paper, signed, titled verso 57cm x 76cm

£500 - 800

1055

Kane Cunningham (British 1961-): ‘Towards the Moors - Ravenscar’, watercolour signed with initials, titled verso 19cm x 43cm

£80 - 120

1056

Kane Cunningham (British 1961-): ‘Ravenscar’, watercolour signed and dated 2011, titled verso 103cm x 153cm

£2,500 - 3,500

1057

Kane Cunningham (British 1961-): ‘Robin Hood’s Bay from Ravenscar’, watercolour, signed and titled verso 19cm x 43cm

£80 - 120

1058

Kane Cunningham (British 1961-): ‘Scarborough’ Harbour, watercolour signed titled and dated 19-8-96, 55cm x 75cm (mounted)

£100 - 200

1059

Kane Cunningham (British 1961-): ‘Scarborough - Boats Rising on the Tide’, watercolour signed with initials, and titled verso 13cm x 41cm

£100 - 200

1060

Kane Cunningham (British 1961-): ‘Scarborough Harbour - Boats Rising on the Tide’, acrylic on canvas signed with initials, titled and dated 2018 verso 152cm x 183cm

£1,500 - 2,500

1061

Kane Cunningham (British 1961-): ‘South Bay Scarborough’, watercolour, signed and titled verso 57cm x 76cm

£600 - 900

1062

Kane Cunningham (British 1961-): Scarborough Spa and the Grand Hotel, watercolour and ink signed and dated 19.8.96, 56cm x 76cm (unframed)

£150 - 250

1063

Kane Cunningham (British 1961-): ‘Grand HotelTrawlers’ Scarborough, acrylic on paper signed and dated ‘06, titled verso 58cm x 77cm

£500 - 800

Kane Cunningham (British 1961-): ‘Boats in Harbour’ - Scarborough, oil on canvas, signed titled and dated c.2005 verso 149cm x 149cm

£1,200 - 1,800

Kane Cunningham (British 1961-): ‘Scarborough - Nudes on Beach’, oil on canvas signed, titled and dated 2015 verso 30cm x 100cm

£400 - 600

1064
1065

1066

Kane Cunningham (British 1961-): Scarborough Harbour, charcoal signed and dated ‘05, 60cm x 84cm (unframed)

£150 - 300

1067

Kane Cunningham (British 1961-): ‘Lovers’, oil on canvas signed and dated ‘07, 33cm x 41cm

£80 - 120

Kane Cunningham (British 1961-): ‘Whitby’, impasto oil on canvas, signed and titled verso 122cm x 151cm

Provenance: exh. Zillah Bell Gallery, Thirsk, label verso

£1,000 - 1,500

1068

1070

Kane Cunningham (British 1961-): ‘Whitby’, oil on canvas, signed titled and dated ‘21 verso 120cm x 150cm (unframed)

£700 - 1,200

1069

Kane Cunningham (British 1961-): ‘Whitby’, watercolour and ink signed and dated ‘05, titled verso 56cm x 76cm

£500 - 800

1071

Kane Cunningham (British 1961-): ‘Whitby’, watercolour signed with initials, titled verso 15cm x 61cm

£100 - 200

1072

Kane Cunningham (British 1961-): ‘Spurn Point’, watercolour signed and dated 2010, titled verso 102cm x 153cm

£3,000 - 5,000

1073

Kane Cunningham (British 1961-): Wilton from Seal Sands - Teesside, watercolour signed and dated 2010, 103cm x 152cm

£3,000 - 5,000

1074

Kane Cunningham (British 1961-): ‘Abstract Landscape’, watercolour and ink signed and dated ‘06, titled verso 58cm x 77cm

£150 - 250

1075

Kane Cunningham (British 1961-): ‘Bridlington - Snow Storm Approaching’, mixed media signed titled and dated 23 Dec 2010, further titled and dated verso 102cm x 150cm

£3,000 - 5,000

1076

Kane Cunningham (British 1961-): ‘Woodsmith Mine’, acrylic on canvas, signed and titled verso 99cm x 99cm

£400 - 600

1077

Kane Cunningham (British 1961-): ‘Robin Hood’s Bay’, oil on canvas, signed titled and dated 2014 verso 150cm x 120cm (unframed)

£500 - 800

1079

Kane Cunningham (British 1961-): ‘Dove Nest’, acrylic on board, signed and titled on label verso 45cm x 46cm

£200 - 400

1078

Kane Cunningham (British 1961-):Woodsmith Mine, oil on canvas, signed and dated 2014 verso 120cm x 150cm (unframed)

£400 - 600

1081

Kane Cunningham (British 1961-): ‘Dove Nest’, oil on board signed, titled verso 15cm x 62cm

£80 - 120

1080

Kane Cunningham (British 1961-): Woodsmith Mine, near pair mixed media on board signed 29cm x 26cm and 31cm x 29cm (2)

£200 - 300

1083

Kane Cunningham (British 1961): ‘Anglo American’, oil on canvas, signed and inscribed verso 120cm x 150cm (unframed)

£400 - 600

1082

Kane Cunningham (British 1961-): The Mine, mixed media on paper signed and dated ‘06, 56cm x 76cm

£150 - 250

1084

Kane Cunningham (British 1961-): ‘The House’, giclée print on canvas signed and dated 20.3.10, further signed by various participants 61cm x 71cm

£150 - 250

1085

Kane Cunningham (British 1961-): Cayton Bay - House Project, oil on canvas signed and dated ‘10, 90cm x 120cm

£600 - 900

1086

Kane Cunningham (British 1961-): ‘Cayton BayHouse Falling’, watercolour and acrylic on paper signed and dated ‘10, titled verso 31cm x 43cm

Provenance: exh. Zillah Bell Gallery, Thirsk, label verso

£200 - 400

1087

Kane Cunningham (British 1961-): ’The Crowd’, painted wooden A-frame 122cm x 61cm

£600 - 900

1088

Kane Cunningham (British 1961-): ‘Nude’, stone on painted pine signed, titled and dated 2000 verso 122cm x 48cm

£200 - 400

1089

Kane Cunningham (British 1961-): Figural Studies, five charcoal drawings signed, 84cm x 60cm (unframed)

£200 - 400

1090

Kane Cunningham (British 1961-): ‘War’, mixed media signed and dated ‘99, 83cm x 58cm

£200 - 400

1091

Kane Cunningham (British 1961-): ‘Whitby Regatta - Race Day’, screenprint and mixed media signed titled and numbered 1/1 in pencil 76cm x 102cm (unframed)

£200 - 400

1092

Kane Cunningham (British 1961-): ‘Scarborough Regatta’, watercolour signed 61cm x 86cm (unframed)

£70 - 100

1094

Kane Cunningham (British 1961-): ‘Scarborough - Regatta Day’, screenprint signed, titled on label verso 58cm x 76cm (unframed)

£70 - 100

1096

Kane Cunningham (British 1961-): ‘Three Figures’, digital print 28cm x 40cm

£50 - 80

1093

Kane Cunningham (British 1961-): ‘Global’, screenprint and mixed media signed titled and numbered 1/1 in pencil 72cm x 96cm (unframed)

£100 - 200

1095

Kane Cunningham (British 1961-): ‘Scarborough’, digital print 28cm x 40cm

£50 - 80

1097

Kane Cunningham (British 1961-): Figures and Flowers, digital print 28cm x 40cm

£50 - 80

1099

1098

Kane Cunningham (British 1961-): ‘Flash Bang Wallop!’, watercolour on Arches paper, signed and titled verso 103cm x 153cm

£700 - 1,200

‘Flash’ ‘Bang’ and ‘Wallop’, set of three fibreglass and plastic illuminated signs H80cm W135ch D18cm (3) Provenance: previously part of the Blackpool Illuminations. Purchased by Drew Pritchard on the first ever day of filming the television program Salvage Hunters in 2011, and featured in the opening sequence of the first series. Purchased by Kane in the second programme, and mounted on top of ‘The House’

£700 - 1,200

About Us

David Duggleby Auctioneers and Valuers is a family-owned business renowned for its exceptional results and dedication to customer service. Our dynamic team includes personable, expert valuers spanning 26 departments. With over 150 regular and specialist auctions annually, we are proud to be among the UK's fastest-growing auction houses.

Founded in 1996 by David and Jane Duggleby, the company began as a modest operation managed solely by the couple. It has since evolved into a formidable team with multiple locations across Yorkshire.

The heart of the operation is based in Scarborough, with the Head Office and Salerooms located on Vine Street. Recognising the growing need to enhance our accessibility and reach, we established a valuation office on Beverley's Wednesday Market in 2018. This addition was quickly followed by a collaboration with Stephensons, resulting in the inception of Duggleby Stephenson of York, further extending our footprint in the auctions world.

In 2023, our growth continued with the launch of a second valuation office located in the town

centre of Harrogate and, as business continues to grow, we look to new locations to bring our services closer to people across the region and beyond.

As business ventures expanded, we established The Duggleby Group. The group now manages and operates seven successful entities across auctions, valuations, removals, and storage. Our removals and storage businesses provide a strong foundation for our Auction Logistics service, providing national collection and delivery for items of any size.

We are committed to excellence in serving both buyers and sellers. Whether it be through our team of dedicated, friendly and highly knowledgeable valuers; our recently extended and modernised salerooms; our bespoke-built online bidding platform; or our state-of-the-art website that makes browsing our collections easier than ever, we are continually striving to enhance your experience with us.

Our aim is to make the future of auctions more accessible, developing our digital platforms and marketing efforts to connect buyers and sellers worldwide while maintaining the quality and personal service that define our brand.

David Duggleby Auctioneers & Valuers

Vine Street, Scarborough YO11 1XN 01723 507111

auctions@davidduggleby.com

Duggleby Stephenson of York York Auction Centre, Murton, York YO19 5GF 01904 393300 info@dugglebystephenson.com Harrogate Valuations Office 5 Raglan Street, Harrogate, HG1 1LE 01423 229311

beverley@davidduggleby.com

www.davidduggleby.com | www.dugglebystephenson.com

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