THE SPRING ART SALE
FRIDAY 14 MARCH | 11AM
• Packing and unpacking • Specialist packing • Boxes & materials for self-packing • Furniture dismantling and rebuilding • Auction & valuation services
• Long & short-term secure storage • Cleaning & disposal services
• Always complete support
Selling with Dugglebys
ENJOY THE BENEFITS...
• Experienced, friendly and approachable valuations team of fifteen specialist experts
• Complimentary auction valuations and advice
• Simple fee structure
• Over 170 regular and specialist auctions annually with a 92% sale success rate
• Quality cataloguing with studio photography and free additional images
• Efficient in-house packing and delivery services
• Fast payment
ATTRACTING BUYERS
• Dedicated marketing team, there to ensure your lots reach their target audience, through international, national and local digital and press advertising
• Leading web-based software and live internet bidding system, combined with a driven sales team to achieve market-leading results
• State-of-the-art website with easy search and browsing functionality, allowing you lots to reach the people looking for them
• Detailed condition reports and free additional images upon request
• Large mailing database, frequently utilised to reach new and regular buyers with registered interest
• Free catalogues for all prospective bidders
26 Specialist Departments
20 TH CENTURY & MODERN FURNISHINGS
ANTIQUE & FINE FURNISHINGS
ANTIQUES, COLLECTABLES & CERAMICS
BOOKS, MAPS & MANUSCRIPTS
CAMERAS & PHOTOGRAPHY
CLOCKS & BAROMETERS
MILITARIA & MEDALS
MOTOR VEHICLES, AUTOMOBILIA & CYCLES
MOUSEMAN & YORKSHIRE OAK
MUSICAL INSTRUMENTS
COINS & BANKNOTES
COLLECTORS TOYS & MODEL RAILWAY
COMMERCIAL & TRADE
ENTERTAINMENT & AUTOGRAPHS
FINE PAINTINGS & DRAWINGS
GARDEN & ARCHITECTURAL
JEWELLERY
MARITIME & SCIENTIFIC INSTRUMENTS
SCULPTURE & THREE-DIMENSIONAL ART SILVER
SPORTING GUNS & COUNTRY PURSUITS
THE STAITHES GROUP
STAMPS, POSTCARDS & PHILATELY
TAXIDERMY & NATURAL HISTORY
WATCHES
WHISKY, WINE, SPIRITS & CIGARS
Open for valuations, consignments & advice. Get in touch to book your free valuation and start selling with us now!
DAVIDDUGGLEBY.COM | MAIL@DUGGLEBYS.COM
David Duggleby Auctioneers & Valuers
The Vine Street Salerooms, Scarborough YO11 1XN
Duggleby Stephenson of York
The Saleroom, York Auction Centre, Murton, York YO19 5GF
The Harrogate Valuation Office 5 Raglan Street, Harrogate HG1 1LE The Beverley Valuation Office 14 Wednesday Market, Beverley HU17 0DH
Large Items & Collections
TOO BIG TO BRING IN? WE’VE GOT YOU COVERED
Whether it’s furniture, vehicles or large collections, it’s not always easy to get your items to us - but there’s no need to worry, we can arrange a free home visit to suit your needs.
our items to us - but eafreehomevisittosuit
One of our specialists will be able to provide you with an at-home valuation and sales advice, and answer any questions you may have, meaning you don’t have to do a thing.
Should you choose to sell at auction, our in-house collection service means we can arrange safe pick-up and storage of your items whilst they await sale. It’s that simple.
SPECIALIST COLLECTIONS
From paintings, sculpture and objets d’art to stamps, coins, toys, furniture & fashion - selling collections that have spanned a lifetime can often be a daunting prospect to approach.
Our valuers are experts in their field, and able to help with valuing specialist collections large and small.
As a member of the Society of Fine Art Auctioneers and Valuers, you are safe in the knowledge that our skills and expertise are of the highest standard.
We regularly host single-owner collections at auction. We will advise you regarding the best sale to enter your collection in to achieve the best result possible. Specialist single-owner auctions can be arranged for larger collections, meaning you’ll receive dedicated marketing and PR activity to support the sale of your items.
Locations
Scarborough
Our first saleroom and the home of Duggleby auctions, established by David & Jane Duggleby in 1996.
Our Scarborough salerooms have gone from strength to strength, with additional office space added in 2023 to make room for a growing team and a newly extended saleroom and mezzanine level to accommodate an increasing number of sales.
The Vine Street Salerooms, Scarborough, North Yorkshire YO11 1XN 01723 507 111 | auctions@davidduggleby.com
VALUATIONS
TUESDAYS Antiques & Collectors TUESDAYS Paintings & Sculpture
THURSDAYS Jewellery, Watches & Coins | Estate Gold & Silver
York
The home of Duggleby Stephenson, a partnership established in 2018.
To facilitate rapid business growth, we partnered with the reputable Boulton & Cooper Stephensons to bring antiques, interiors and fine art auctions to York. The launch of the purpose-built, modern showroom was a pivotal point for Dugglebys, allowing us to reach more customers across North Yorkshire.
The Saleroom, York Auction Centre, Murton, York YO19 5GF 01904 393 300 | info@dugglebystephenson.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings | Coins & Banknotes
TUESDAYS Jewellery, Watches & Coins | Estate Gold & Silver | Mouseman & Yorkshire Oak
Beverley
We opened our Beverley valuations office at the end of 2018, allowing us to facilitate a growing customer base in East Riding. Our specialist valuers are available every Monday and Tuesday to provide expert advice and market valuations on a variety of antiques, works of art, jewellery & specialist items.
14 Wednesday Market, Beverley, East Riding of Yorkshire HU17 0DH 01482 453 708 | Beverley@davidduggleby.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings
TUESDAYS Jewellery, Watches & Coins | Estate Gold & Silver
Harrogate
The newest addition to the Duggleby family is our Harrogate valuations office, launched in 2023.
Allowing us to reach more people across North and West Yorkshire, the office is headed-up by expert valuer Melanie Saleem, a specialist in antique and modern jewellery, as well as general valuations.
5 Raglan Street, Harrogate, North Yorkshire HG1 1LE 01423 229 311 | harrogate@davidduggleby.com
VALUATIONS
MONDAYS Antiques, Collectors & Paintings | Jewellery & Watches
We also offer daily home visit appointments Monday-Friday. Please contact the team to find out more about booking your appointment.
Meet our Experts
DAVID DUGGLEBY
Fine Art Consultant
CHARLIE WARD
Jewellery & Watches
THOMAS HOWARD
Fine Furniture, Mouseman & Yorkshire Oak
CORALIE THOMSON
Fine Art, Furniture & Estates
WILLIAM DUGGLEBY
Estates, Motor Vehicles & Commercial
DANNIELLE BLACKLEDGE
Ceramics & Glassware
IAN BEILBY
Musical Instruments, Clocks, Barometers & Pocket Watches
JESSICA TARVER
Taxidermy, Militaria, Weapons & Sporting Guns
CHLOE MCKENNA
Silver, Toys & Models, Cameras & Photography
TOM FOURACRE REID Stamps, Coins & Banknotes Wine, Spirits & Whisky
DOMINIC COX
Fine Art, Maps & Furniture
ANDREW MCMILLAN Silver, Ceramics & Glassware
EMMA KNOTT
Antiquities & 20th Century Design
HOLLY HAMMOND
Fine Art & Decorative Objects
INFORMATION FOR BUYERS AT AUCTION
1, Introduction, The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms, All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction, Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in our auction catalogues, Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.
Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction, If your bid is successful, you will be obliged to comply with our Terms of Sale.
2, Agency, As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed, If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.
3, Estimates, Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot, Estimates may change and should not be thought of as the sale price, The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price, Estimates do not include the buyer’s premium or VAT (where chargeable), Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot, They are not definitive.
4, Buyer’s Premium, The Terms of Sale oblige you to pay a buyer’s premium at 30% on the hammer price of each lot purchased, In addition, VAT is included in this premium (see below).
5, VAT, Items in our catalogue may be marked in the following ways:
a, (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium, VAT will be chargeable at the standard rate (presently 20%), This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.
b, (**) indicates that the lot has been imported from outside the European Union, [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)],
c, Lots which do not have either of the above symbols have no VAT payable on the hammer price, This is because such lots are sold using the Auctioneers’ Margin Scheme, The VAT included within the premium is not recoverable as input tax.
6, Inspection of goods by the buyer, As we act on behalf of the seller, we are dependent on information provided by the seller about their goods, We may inspect lots and will act reasonably in taking a general view about them, However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do, You will have ample opportunity to inspect the goods, You must inspect and investigate lots that you might wish to bid for,
Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.
7, Export of goods, If you intend to export goods you must find out:
a, whether an export licence is needed; and
b, if there is a prohibition on importing goods of that character e.g, because the goods contain prohibited materials such as ivory,
8, Bidding, Bidders will be required to register with us before the auction starts, We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid, If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks, Lots will be invoiced to the name and address on the registration form, You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require, Please enquire in advance about our arrangements for telephone or online bidding, Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.
9, Commission bidding, You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT), We will execute commission bids as cheaply as possible having regard to the reserve
(if any) and competing bids, If two buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained) by extending this bid by one increment, Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our website or online bidding platform,
10, Live Bidding, Please see clause 19 in Terms of Sale,
a, Any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge inc. VAT, at the current rate, imposed on the hammer price (collected by David Duggleby Ltd on behalf of the-saleroom.com)..
b, Any lots purchased via the DD Live auction service will not be subject to an additional commission charge on the hammer price..
11, Methods of Payment, These are cash (for which there is an upper limit of 15,000 euros equivalent), debit card, credit card (online payments only), BACS payment or cheque (any cheques will need to be cleared before you can take the goods away), Please discuss with our office in advance of the sale if you plan to use other methods of payment.
12, Collection and storage, Lots must be paid for and collected within five days following the sale, Please note what the Terms of Sale say about collection and storage, Any delay may involve you having to pay reminder fees and storage charges.
13, Droit De Suite, Please see clause 18 in Terms of Sale.
14, Attribution of Pictures (Quarterly Picture Sales only).
a, The forename(s) and the surname of the artist indicates in our opinion a work by the artist.
b, The initials of the forename and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.
c, The surname of the artist indicates in our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.
d, ‘Bears signature’ indicates in our opinion that this is not the signature of the artist.
e, All other terms are self explanatory.
f, Terms of Sale clause 12 also applies.
The Spring Art Sale
FRIDAY 14 MARCH | 11AM
THE VINE STREET SALEROOMS, SCARBOROUGH, YO11 1XN
VIEWINGS
Tuesday 11 March | 9am - 4:30pm
Wednesday 12 March | 9am - 4:30pm
Thursday 13 March | 9am - 4:30pm
Friday 14 March | from 9am
Bid live on our website using our bespoke bidding platform, DD Live davidduggleby.com
Buyers premium 25.0% +VAT (30.0% inc VAT)
For buyers information please refer to our Terms of Sale at davidduggleby.com or ask a member of the team.
Front cover illustration: Lot 60 (detail)
Catalogue produced by Pardy & Son (Printers) Ltd
Armstrong, Francis Abel William Taylor 126
Ashcroft, Michael John 257
Atkinson, John 61, 62
Bancroft, Elias Mollineaux 142
Baumforth, David 206, 207, 208
Birch, Samuel John ‘Lamorna’ 10
Black, Andrew 24
Boddington, Edwin Henry 129
Booth, James William 57, 58, 59, 60
Booty, Frederick William 144, 145, 146
Bothams, Walter 124
Bourne, John 36
Bowen, Owen 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79
Boyce, Kay 245, 246
Brabazon, Hercules Brabazon 91
Brooks of Hull, Thomas 236
Brown, Graham Kingsley 247, 248, 249, 250, 251
Brown, Hugh Boycott 221
Brundrit, Reginald Grange 15
Bundy, Edgar 237
Carrick, William Arthur Laurie 22
Chambers Jnr., George 160
Clare, Vincent 114
Clark Snr., Albert 118, 119
Clausen, Sir George 134
Coates, Thomas John 233
Cooper, John Albert 220
Cooper, William Heaton 170, 171
Cooper, William Sidney 122
Cotman, John Sell 140
Courant, Maurice 215
Cunningham, Kane 195, 196
Dade, Ernest 37, 38
Douglas, Andrew 20
D’oyly John, Cecil Rochfort 86, 87
Dunlop, Ronald Ossory 185
Durrant, Roy Turner 205
Emanuel, John 231
English School, 174, 240, 241
Enness, Augustus William 14
Fern, 200, 201, 202
Firth, Richard M 32
Fisher, William Mark 19
Friedenson, Arthur A 67
Gilbert, Albert 106
Gilchrist, Philip Thomson 219
Goncharova, Natalia 229
Goodin, Walter 256
Gore, William Henry 125
Grant, Duncan 232
Greaves, William 7, 8, 9
Hagarty, Parker 127
Hankey, William Lee 216, 217
Hanley, John 181, 182
Hansen, Broder Heinrich 35 Harper, Anthony 108
Hedley, Ralph 65
Hern, Charles Edward 159
Hill, Douglas 255
Hill, Rowland Henry 42, 43, 44, 45 Hirst, Damien 203, 204
Hold, Benjamin 113
Houston, George 25
Houston, John Rennie McKenzie 239
Howey, Robert Leslie 254
Isabey, Eugène 141
Issupoff, Alessio 116
Jackson, Frederick William 48, 49, 50, 51, 52, 53
Jagger, David 234
Jamieson, Alexander 26, 27
Jobling, Isabella 66
Jobling, Robert 54, 55, 56
Keating, Tom 243, 244 Kendall, Bruce 190, 191
Kennington, Thomas Benjamin 235
Kilpack, Sarah Louisa 166
Kirkness, Edward Reginald 175
Laing, Tomson 21
Lapish, Pete 193, 194
Latter, Ruth 101
Le Roy, Jules Gustave 115
Legros, Alphonse 136
Linfield, John 242
Lucchesi, Giorgio 131
Ludvigsen, Malcolm 192
M, J E 117
Maccabe, Gladys 227
Mackie, John 93, 94, 95
MacLaurin, Pat 97
Mann, William J 107
Marny, Paul 138, 139 Martin, David 23
Mason, Frank Henry 40, 41
Meegan, Walter Linsley 177
Mellor, William 167, 168, 169 Miller, James 33, 34
Modern British, 228 Moor, Christian de 98
Mostyn, Thomas Edwin 133
Mote, George William 123
Naviasky, Philip 81, 82, 83, 84, 85 Neal, Arthur 224
Newberry, John 222
Nisbet, Noel Laura 102
O’Hara, Helen 163
Paterson, James 96
Pearce, Edward Holroyd 252
Piper, John Egerton Christmas 198
Pratt, Wyatt 238
Priestman, Bertram 16, 17
Procktor, Patrick
225
Procter, Ernest 172, 173
Puller, John Anthony 120
Redmore, Henry 165
Rhodes, John A 100
Richards, J B Garner 105
Richardson, Frederic Stuart 46
Richter, Herbert Davis 109, 110, 111
Rigg, Ernest Higgins 63, 64
Rigg, Jack 28, 29, 30, 31
Robertson, David Thomas 18
Rodmell, Harry Hudson 197
Roelofs, Willem 135
Rogers, Raymond M 88
Rousse, Frank 143
Rowbotham, Charles Edmund 89
Royle, Herbert F 1, 2, 3, 4, 5
Royle, Stanley 6
Scarborough, Frederick William 162
Schofield, Kershaw 13, 103
Scholes, Steven 178, 179, 180
Spence, Thomas Ralph 214
Spooner, Arthur 130
St Ives School, 104 Stead, Frederick 11, 12, 80
Strange, Albert George 39
Stubley, Trevor Hugh 183, 184
Suddaby, Rowland 186
Taylor, James 189
Taylor, Turner 161
Taylor, Walter 218
Taylor of Oxford, Joseph 137
Terry, Joseph Alfred 47
Thornley, William Anslow 164
Thornton, John 209, 210, 211, 212
Tilson, Joe 199
Toplis, William Arthur 128
Turner, Charles Eddowes 176
Tyler, Catherine 187
Tyler, Neil 188
Vasin, Viktor Fedorovich 230
Vorauer, Anton 99
Walton, Allan 213
Wasley, Stephen Frank 92
Weatherill, George 147, 148, 149, 150, 151, 152, 153
Weatherill, Richard 154, 155, 156, 157
Weatherill, Sarah Ellen 158
Welter, Henri 112
Wesson, Edward 253
Western, Charles 132
Whistler, James Abbott McNeill 223 Wood, Edgar 90
Wouwerman, Philips 121
Zinkeisen, Anna Katrina 226
The Spring Art Sale
Friday 14 March 2025 at 11am
£2000 -3000
167
William Mellor (British 1851-1931): Bolton Abbey, oil on canvas signed 59cm x 90cm
1
Herbert F Royle (British 1870-1958): Pastoral River Valley with Sheep and Horses Grazing, oil on canvas signed 50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£800 -1200
2
Herbert F Royle (British 1870-1958): Farmstead with Figures and Horses, oil on canvas signed 62cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£500 -700
3
Herbert F Royle (British 1870-1958): Hilltop Barn with Sheep Grazing, oil on canvas signed 45cm x 45cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
4
Herbert F Royle (British 1870-1958): Steam and Sail Vessels at Sunset, oil on panel signed 25cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£700 -1000
5
Herbert F Royle (British 1870-1958): Richmond from the West, oil on board signed 29cm x 39cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
6
Stanley Royle (British 1888-1961): Summer Haymaking, watercolour heightened with white signed and dated 1916, 54cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
William Greaves (British 1852-1938): Country Farmstead in Summer, oil on canvas signed and dated 1925, 45cm x 60cm
£150 -250
8
William Greaves (British 1852-1938): Filling the Haycart, oil on canvas signed 24cm x 35cm
£120 -180
9
William Greaves (British 1852-1938): ‘Aberdovey’ -Wales, oil on canvas signed, titled verso 24cm x 34cm
£150 -250
10
Samuel John ‘Lamorna’ Birch (Newlyn School 1869-1955): ‘St Mawes’ -Cornwall, watercolour signed titled and dated 1903, 21cm x 13cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
11
Frederick (Fred) Stead (British 1863-1940): Green Bridge and Richmond Castle, oil on canvas signed 50cm x 60cm
Provenance: exh. Cartwright Memorial Hall, Bradford, label verso £1200 -1800
12
Frederick (Fred) Stead (British 1863-1940): Sunset over Godalming -Surrey, oil on canvas signed 34cm x 39cm
£500 -800
13
Kershaw Schofield (British 1872-1941): Windmill by the River, oil on canvas signed 29cm x 44cm
£150 -250
Augustus William Enness (British 1876-1948): Highland River, oil on panel signed 24cm x 34cm
£150 -250
15
Reginald Grange Brundrit RA ROI (British 1883-1960): Yorkshire Dales Stream, oil on canvas signed 49cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
16
Bertram Priestman RA ROI NEAC (British 1868-1951): The Ferryman, oil on canvas signed 39cm x 59cm
£300 -500
17
Bertram Priestman RA ROI NEAC (British 1868-1951): Cattle and Country Girls by the Riverside, oil on canvas signed and dated ’19, 82cm x 135cm
£3000 -5000
18
David Thomas Robertson (British 1879-1952): Bowtop Caravans on the Road, oil on canvas signed 44cm x 60cm
£200 -400
19
William Mark Fisher RA (American/British 1841-1923): Milking Time in the Cow Pasture, oil on canvas signed 24cm x 31cm
£300 -500
20
Andrew Douglas RSA (Scottish 1870-1935): Milking Time, oil on canvas signed ‘André Douglas’ and dated 1902, 26cm x 37cm
£300 -500
21
Tomson Laing (Scottish fl.1890-1904): Stirling Castle, oil on artist’s board signed 25cm x 39cm
Provenance: with Calton Gallery, Roal Terrace, Edinburgh Spring Exhibition 1994, label verso
£150 -250
22
William Arthur Laurie Carrick (Scottish 1879-1964): View over Stonehaven Harbour, oil on board signed 34cm x 55cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
23
David Martin (Scottish fl.1884-1935): Fishing Boats Moored on the Coast of Scotland, oil on canvas signed 29cm x 39cm
£200 -300
24
Andrew Black RSW (Scottish 1850-1916): Ayr Fishing Boat off the Coast of Scotland, oil on canvas signed 30cm x 45cm
£150 -250
25
George Houston RSA RI RSW (Scottish 1869-1947): ‘Ardchonnel Castle (Innis Chonnel) Loch Awe’, oil on board signed, inscribed verso 29cm x 44cm
£300 -500
Alexander Jamieson (Scottish 1873-1937): ‘Palermo Harbour’, oil sketch on panel, inscribed and titled verso 37cm x 46cm (unframed)
£200 -300
27
Alexander Jamieson (Scottish 1873-1937): ‘Scarborough Castle and Harbour’, oil on canvas signed, titled on exhibition label with ‘Aylesbury’ address label and James Bourlet label verso 70cm x 90cm
£800 -1200
28
Jack Rigg (British 1927-2023): ‘Yorkshire Harbour’ -Scarborough, oil on canvas board signed and dated 1989, titled verso 44cm x 64cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
29
Jack Rigg (British 1927-2023): ‘Morning Calm’, oil on canvas signed and dated 1983, titled and dated 1984 verso 45cm x 65cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
Jack Rigg (British 1927-2023): ‘Shipping’, oil on canvas signed, titled and dated 1983 50cm x 76cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
31
Jack Rigg (British 1927-2023): ST ‘Winston Churchill’, oil on canvas board signed and dated 1987, titled verso 25cm x 35cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
32
Richard M Firth (British 1971-): ‘Westwood and Britannia Racing off the Royal Yacht SquadronCowes’, oil on canvas laid on to board signed, titled on gallery label verso 29cm x 39cm
Provenance: with James Starkey, Beverley, label verso
DDS - Artist’s resale rights may apply to this lot
£2000 -3000
33
James Miller (British 1962-): ‘Hispania D5 Tuiga D3 and The Lady Anne D10 -Semana Clásica de Puerto Sherry 2012’, oil on canvas signed, titled verso 75cm x 100cm
£700 -1000
34
James Miller (British 1962-): ‘Tuiga and Mariquita off Saint-Tropez’, oil on canvas signed, titled verso 28cm x 42cm
£150 -250
35
Broder Heinrich Hansen (Danish/German c.1811-1851): ‘Lillias of Stockton -Thomas Robinson Commander’ Ship’s Portrait, oil on canvas signed titled and dated 1852, 52cm x 76cm
£200 -400
John Bourne (British 1861-1935): Aberdeen
Steam Trawler A475, pair oils on board signed 17cm x 29cm (2)
£200 -400
37
Ernest Dade (Staithes Group 1868-1934):
Lowestoft Herring Boats at Sea, gouache signed 43.5cm x 64cm
Provenance: by direct descent through the artist’s family, never previously been on the market.
£300 -500
38
Ernest Dade (Staithes Group 1868-1934):
Lowestoft Herring Boats followed by Gulls, gouache signed 43cm x 63cm
Provenance: by direct descent through the artist’s family, never previously been on the market.
£300 -500
39
Albert George Strange (British c1855-1917):
Fishing Boats outside Scarborough Harbour, watercolour signed 17cm x 24cm
Notes: this is view prior to the start of the construction of the Marine Drive in 1897. Strange had taught at South Kensington and Liverpool Art Schools before being appointed Head of the newly founded Scarborough Art School in 1882, an appointment he held until 1916. An outstanding teacher, among his many pupils was Frank Henry Mason.
£200 -300
40
Frank Henry Mason (Staithes Group 1875-1965): ‘The Fishing Moon’, oil on board signed, titled on the mount 24cm x 46cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
41
Frank Henry Mason (Staithes Group 1875-1965): ‘Venice -Study from Nature’, watercolour signed, titled verso 22cm x 15cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
42
Rowland Henry Hill (Staithes Group 1873-1952): Gondoliers on the Grand CanalVenice, watercolour signed and dated 1912, 36cm x 44cm
£200 -300
43
Rowland Henry Hill (Staithes Group 1873-1952): Cattle near Goathland, watercolour signed and dated 1926, 19cm x 28cm
£150 -250
44
Rowland Henry Hill (Staithes Group 1873-1952): The Hayfield under Heavy Clouds, watercolour and gouache signed and dated 1919 34.5cm x 44.5cm
£300 -500
45
Rowland Henry Hill (Staithes Group 1873-1952): Ox Drawn Cart in Flatland Landscape, oil on canvas signed and dated ’02, 76cm x 50cm
£700 -1000
46
Frederic Stuart Richardson (Staithes Group 1855-1934): Upon Horseback by the Canal Side, oil on canvas signed 26cm x 23cm
Provenance: exh. Phillips & Sons, Marlow, label
verso
£150 -250
47
Joseph Alfred Terry (Staithes Group 1872-1939): ‘The Old School’, oil on card, titled and signed verso 26cm x 31cm
£150 -250
Frederick William Jackson (Staithes Group 1859-1918): View Through the Trees
oil on canvas signed 35cm x 43cm
£500 -800
Frederick William Jackson (Staithes Group 1859-1918): Farmer with Scythe in the Hayfield, watercolour signed 26cm x 35cm
£200 -400
Frederick William Jackson (Staithes Group 1859-1918): Castle Ruin by the Riverside, watercolour signed 20cm x 24cm
£150 -250
48
-Runswick Bay,
50
49
51
Frederick William Jackson (Staithes Group 1859-1918): San Cipriano -Corsica, watercolour signed 29cm x 46cm
£150 -250
52
Frederick William Jackson (Staithes Group 1859-1918): Cattle Taking a Drink, oil on canvas laid on board unsigned 19cm x 31cm
Provenance: exh. Phillips & Sons Cookham, October 1988, label verso
£150 -250
53
Frederick William Jackson (Staithes Group 1859-1918): ‘The Harvest of the Sea’, oil on canvas board signed and dated 1887, original title label verso with artist’s Oldham address 24cm x 32cm
£500 -800
Robert Jobling (Staithes Group 1841-1923): Girls on
canvas signed and dated ’10, 39cm x 29cm £1200 -1800
the Steps at Cowbar -Staithes, oil on
55
Robert Jobling (Staithes Group 1841-1923): Preparing to Launch a Coble at Staithes, watercolour signed and dated ’11, 23cm x 33cm
£700 -1000
56
Robert Jobling (Staithes Group 1841-1923): Cobles leaving Staithes, watercolour unsigned 24cm x 35cm
£300 -500
57
James William Booth (Staithes Group 1867-1953): Cobles at Staithes with Horse and Cart on the Beckside, watercolour signed 24cm x 36cm
£700 -1000
58
James William Booth (Staithes Group 1867-1953): ‘The Equestrian Shepherd’Runswick Bay, watercolour signed and dated 1911, titled verso 26cm x 35cm
£200 -400
59
James William Booth (Staithes Group 1867-1953): Haymaking, pastel signed 24cm x 32cm
£200 -400
£3000 -5000
James William Booth (Staithes Group 1867-1953): Ponies and Chickens in the Farmyard, oil on canvas signed 75cm x 94cm
61
John Atkinson (Staithes Group 1863-1924):
Loading the Haycart, oil on board signed 32cm x 24cm
£400 -600
62
John Atkinson (Staithes Group 1863-1924):
Show Horses, watercolour heightened in white signed 21cm x 31cm
£150 -250
63
£700 -1000
Ernest Higgins Rigg (Staithes Group 1868-1947): Young Boy in a Straw Hat, oil on canvas signed 30cm x 35cm
64
Attrib. Ernest Higgins Rigg (Staithes Group 1868-1947): ‘A Yorkshire Moor -Evening’, oil on canvas unsigned, inscribed verso 35cm x 60cm
£400 -600
65
Ralph Hedley (Staithes Group 1851-1913): An Alphabet Lesson in the Garden, oil on canvas signed and dated 1898, 34cm x 29cm
£1000 -1500
66
Isabella ‘Isa’ Jobling (neé Thompson) (Staithes Group 1851-1926): Cattle by an Abbey Ruin, watercolour signed with initials 25cm x 35cm
£150 -250
67
Arthur A Friedenson (Staithes Group 1872-1955): ‘On the Road to Exeter’, gouache signed and dated ’98, original title label verso 30cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
68
Owen Bowen (Staithes Group 1873-1967): Sheep Grazing at ‘Collingham Bank near Wetherby’, oil on canvas signed, titled and dated 1908 on label verso 38cm x 59cm
Provenance: private collection; acquired from the artist’s daughter Betty McDougal (neé Bowen), authenticated on label verso
DDS - Artist’s resale rights may apply to this lot
£500 -800
69
Owen Bowen (Staithes Group 1873-1967):
Cattle Watering in a Woodland Clearing, oil on canvas signed 27cm x 37cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
70
Owen Bowen (Staithes Group 1873-1967):
‘The Old Barn’, oil on canvas board signed, titled on gallery label verso 24cm x 35cm
Provenance: with Walker Galleries, Harrogate, label verso
DDS - Artist’s resale rights may apply to this lot
£150 -250
71
Owen Bowen (Staithes Group 1873-1967):
‘Old Barn Interior -Wentworth Woodhouse’, oil on board signed, original title label verso 40cm x 30cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
72
Owen Bowen (Staithes Group 1873-1967): The Cottage Door, oil on panel signed 24cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
73
Owen Bowen (Staithes Group 1873-1967):
Beacholme -Robin Hood’s Bay, watercolour signed and dated 1930, 26cm x 36cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
74
Owen Bowen (Staithes Group 1873-1967):
Pansies in a Glass Vase, oil on canvas signed and indistinctly dated 1920?, with a further landscape study verso 29cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
75
Owen Bowen (Staithes Group 1873-1967): ‘Still Life -Flowers in a Bowl on a Table’, oil on canvas signed, titled on artist’s studio label verso 49cm x 59cm
Provenance: private collection; acquired from the artist’s daughter Betty McDougal (neé Bowen)
DDS - Artist’s resale rights may apply to this lot
£300 -500
76
Owen Bowen (Staithes Group 1873-1967): Still Life of Anemones in a Vase, oil on canvas board signed 36cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
77
Owen Bowen (Staithes Group 1873-1967): Still
Life of Flowers, oil on canvas signed 70cm x 90cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
78
Owen Bowen (Staithes Group 1873-1967): Still Life of Red and White Roses in a Jug, oil on canvas signed 45cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
79
Owen Bowen (Staithes Group 1873-1967): Still Life of Roses in a Jug, oil on canvas signed 60cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
80
Frederick (Fred) Stead (British 1863-1940): Still Life of Poppies and Mixed Flowers, oil on canvas signed 60cm x 50cm
£300 -500
81
Philip Naviasky (Northern British 1894-1983): ‘Flower Piece’ -Chrysanthemums, oil on canvas signed, titled on exhibition label verso 75cm x 63cm
Provenance: exh. Atkinson Art Gallery, Southport, and Cartwright Memorial Hall, Bradford, labels verso
DDS - Artist’s resale rights may apply to this lot
£400 -600
82
Philip Naviasky (Northern British 1894-1983): Still life Vase of Flowers, oil on canvas signed 75cm x 55cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
83
Philip Naviasky (Northern British 1894-1983): Still Life of Flowers in a Vase (recto) and Portrait of a Girl with a Bow in Her Hair (verso), two oils on board painted recto and verso, the former signed in pen 56cm x 41cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
84
Philip Naviasky (Northern British 1894-1983): Portrait of a Young Woman with Tulips, oil on canvas unsigned 75cm x 55cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
85
Philip Naviasky (Northern British 1894-1983):
Continental Fishing Village, oil on canvas signed 50cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
86
Cecil Rochfort D’oyly John (British 1906-1993): ‘Along the Spanish Coast’, oil on canvas signed, titled on gallery label verso 25cm x 35cm
Provenance: exh. Frost & Reed, Worthing, label verso
DDS - Artist’s resale rights may apply to this lot
£300 -500
87
Cecil Rochfort D’oyly John (British 1906-1993): ‘St Tropez -South of France’, oil on board signed, titled verso 40cm x 50cm
DDS - Artist’s resale rights may apply to this lot
£500 -800
88
Raymond M Rogers (British 1958-2011): Venice, oil on panel signed 34cm x 45cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
89
Charles Edmund Rowbotham (British 1856-1921): ‘Vietri -Gulf of Salerno’, watercolour heightened in white signed, titled on the mount 17cm x 31cm
£120 -180
90
Edgar Wood (British 1860-1935): ‘Venice’, watercolour signed titled and dated 1912, 27cm x 34cm
£150 -250
91
Hercules Brabazon Brabazon NEAC (British 1821-1906): The Rialto Bridge -Venice, watercolour and charcoal signed with initials 15cm x 19cm
£120 -180
92
Stephen Frank Wasley (1848-1934): Ruins of Carthage from the River, watercolour signed 24cm x 43cm
£150 -250
93
John Mackie (Scottish 1953-): Venice by Night, pastel signed and dated 2013, 57cm x 77cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
94
John Mackie (Scottish 1953-): ‘Fishing BoatsEastbourne’, oil on board signed and dated ’92, titled verso 45cm x 59cm
DDS - Artist’s resale rights may apply to this lot
£150 -200
95
John Mackie (Scottish 1953-): Still Life of Pink Daisies, pastel signed 23cm x 34cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
96
James Paterson (Scottish 1854-1932): Still Life of White Roses, watercolour signed 1929, 37cm x 26cm
£200 -400
97
Pat MacLaurin (British 1933-2022): Still Life of Blossom on a Ledge, oil on board signed 30cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
98
Christian de Moor (Dutch 1899-1981): Still Life of Tulips and other Flowers, oil on canvas laid on panel signed and dated 1945, 50cm x 39cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
99
Anton Vorauer (Austrian 1905-1985): Still Life of Flowers in a Vase, oil on canvas signed and dated ’50, 80cm x 62cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
100
John A Rhodes (British 20th century): Still Life of Spring Flowers, oil on canvas laid on panel unsigned, inscribed and dated 1937 verso 59cm x 49cm
£120 -180
101
Ruth Latter (British 1869-1949): ‘Flowers in a Vase’, oil on canvas signed, titled on label verso 42cm x 33cm
£150 -250
102
Noel Laura Nisbet (British 1887-1956): Still Life of Flowers, oil on paper, inscribed and dedicated verso 31cm x 24cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
103
Kershaw Schofield (British 1872-1941): Still Life of Red and White Flowers in a Bowl, oil on board signed 58cm x 68cm
£200 -300
104
St Ives School (Early 20th century): Still LifeFlowers in a Jug, oil on canvas unsigned, with ‘James Lanham, Artist’s Colourman, St Ives Cornwall’ metal label to stretcher 44cm x 60cm
£200 -400
105
J B Garner Richards (British exh.1928-1939): Still Life of Flowers, oil on canvas signed and dated 1939, 59cm x 49cm
£120 -180
106
Albert Gilbert (British 1854-1934): ‘Roses’ Still Life, oil on canvas signed, title verso on artist’s ‘Bedford Park, London’ address label 54cm x 45cm
£120 -180
107
William J Mann (Scarborough early 20th century): The Breakfast Table, oil on board signed 47cm x 59cm
Notes: Mann was a member of the Fylingdales Group of Artists and lived in Newby, Scarborough. £200 -400
108
Anthony Harper (British mid 20th century):
Flowers and Staffordshire Figure, oil on canvas
board signed and dated 1953, 58cm x 47cm, in fine swept gilt gesso frame, 84cm x 74cm
overall
£200 -400
109
Herbert Davis Richter (British 1874-1955):
‘Larkspur’, oil on canvas signed 52cm x 42cm
Provenance: with Pearson & Westergaard Ltd., Glasgow, label verso
DDS - Artist’s resale rights may apply to this lot
£300 -500
110
Herbert Davis Richter (British 1874-1955):
‘Festival’ -Still Life of Centrepiece and Flowers, oil on canvas signed, inscribed verso 63cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
111
Herbert Davis Richter (British 1874-1955):
Flowers in an Interior, oil on canvas signed 50cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
112
Henri Welter (Dutch 1886-1948): Bird Berry and Bottle, oil on canvas signed with pseudonym ‘H Endlich’ 17cm x 23cm
£120 -180
113
Benjamin Hold (British 1847-1917): Scottish Red Grouse, pair oils on canvas signed and dated 1898, 42cm x 52cm (2)
£300 -500
114
Vincent Clare (British 1855-1930): ‘Apple
Blossom Primroses and Bird Nest with Eggs’, oil on canvas signed, titled on gallery label verso 22cm x 30cm
Provenance: with E Stacy-Marks Ltd., Eastbourne, label verso
£200 -300
115
Jules Gustave Le Roy (French 1856-1921): Kittens in a Basket of Flowers on the beach, oil on canvas signed 32cm x 40cm
£300 -500
116
Alessio Issupoff (Russian 1889-1957): Horses and Figures in Yard setting, oil on canvas laid on board signed 49cm x 69cm
DDS - Artist’s resale rights may apply to this lot
£500 -700
117
J E M (Early 20th century): Portrait of a Bay Hunter in Stable setting, oil on canvas signed with initials on the water bucket 72cm x 82cm
£700 -1,000
118
Albert Clark Snr. (British 1821-1909) and Albert James Clark (fl.1890-1943): ‘Elford Captain’ Portrait of a Shire Horse in Landscape, oil on canvas signed ‘Albert Clark and Son’ and dated 1895, 50cm x 60cm
£700 -1,000
119
Albert Clark Snr. (British 1821-1909) and Albert James Clark (fl.1890-1943): ‘Royal Sandy’ Portrait of a Shire Horse in Landscape, oil on canvas signed ‘Albert Clark and Son’ and dated 1895, original artist’s visiting card verso 50cm x 60cm
£700 -1,000
120
John Anthony Puller (British 1799-1886): The Stubborn Donkey outside ‘S Brown’s Greengrocer’, oil on canvas signed 19cm x 24cm
£300 -500
121
After Philips Wouwerman (Dutch 1619-1668): Peasants in the Fields -The Hay Harvest, oil on panel unsigned, stencil mark verso 40cm x 35cm
£200 -400
122
William Sidney Cooper (British 1854-1923): Cattle Watering Beside a Bridge, oil on canvas signed and dated 1902, 50cm x 75cm
£400 -600
123
George William Mote (British 1832-1909): ‘Coneyhurst Hill Surrey’ with cattle resting in the foreground, oil on canvas signed and dated 1886 75.5cm x 62cm
£300 -500
124
Walter Bothams (British 1850-1914): ‘Winter Quarters’, watercolour signed 26cm x 36cm
£200 -300
125
William Henry Gore (British 1857-1942): ‘Berkshire Uplands’ -Herding Sheep, oil on panel signed, titled on original label verso 29cm x 39cm
£150 -250
126
Francis Abel William Taylor Armstrong (British 1849-1920): Landscape overlooking a Distant Town, oil on canvas signed and dated ’94, 34cm x 52cm
£200 -300
127
Parker Hagarty RCA (Canadian/British 1859-1934): Children Fishing from the Bridge, oil on canvas signed 35cm x 52cm
£150 -250
128
William Arthur Toplis (British 1857-1942): Girl at the Gate, oil on canvas signed and dated 1875, indistinctly titled on label verso, 44cm x 59cm
£800 -1200
129
Edwin Henry Boddington (British 1836-1905):
Figures by a Highland Mill, oil on canvas signed 22cm x 34cm
£150 -250
130
Arthur Spooner RBA (British 1873-1961):
Casting a Line on the River Bend, oil on canvasboard signed 34cm x 42cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
131
Giorgio Lucchesi (Italian 1855-1941): Figures
Crossing a River in Wooded Landscape, oil on panel signed 32cm x 45cm
£300 -500
132
Charles Western (British 1856-1901): Off to Work, oil on canvas signed, partial title label with artist’s London address ‘3 Terretts Place’ verso 40cm x 55cm
£200 -400
133
Thomas (Tom) Edwin Mostyn ROI RWA RCA (British 1864-1930): Wooded Upland Landscape, oil on canvas signed 24cm x 34cm
£200 -400
134
Sir George Clausen RA (British 1852-1944):
Tree Lined Street, oil on panel signed and indistinctly titled 24cm x 36cm
Provenance: West Yorkshire dec’d estate, in the same ownership for over 20 years.
£500 -800
135 Willem Roelofs (Dutch 1822-1897):
‘Korenveld’ -The Cornfield, oil on panel signed, titled on label verso 15cm x 35cm
£300 -500
136
Alphonse Legros (French/British 1837-1911):
Figure Digging Vegetables near a Hillsde Cottage, watercolour wash over pencil unsigned, attributed on James Bourlet label verso 23cm x 32cm
Provenance: Christies stencil mark verso
Notes: Legros was a French painter, etcher, sculptor, and medallist. He moved to London in 1863 and later was naturalized as British. He was important as a teacher in the British etching revival. A friend of James Abbot McNeil Whistler, in 1864 he married Frances Rosetta Hodgson. At first he lived by his own etching and then became teacher of etching at the South Kensington School of Art
£200 -300
137
Joseph Taylor of Oxford (British fl.1847-1867):
‘The Broad Walk’ -Christ Church Meadow, oil on panel titled, signed and further titled with artist’s address ‘1 Oriel Street’ verso 30cm x 22cm
£150 -250
138
Paul Marny (French/British 1829-1914): French Town Scenes, pair watercolours signed beneath the mounts, indistinctly titled on original John Horsley labels verso 45cm x 29cm (2)
£200 -400
139
Paul Marny (French/British 1829-1914):
Continental Quayside, watercolour signed 31cm x 46cm
£200 -300
140
John Sell Cotman (British 1782-1842): Figures Gathered Outside a Church, watercolour signed 19.5cm x 16cm
£120 -180
141
Eugène Isabey (French 1803-1886): Pathway at Dusk, watercolour and ink heightened with white signed indistinctly titled and dated ’55, 19cm x 26cm
£150 -250
142
Elias Mollineaux Bancroft (British 1846-1924): ‘Arguments Yard -Old Whitby’, watercolour and gouache signed titled and dated 1883, further titled signed and dated with artist’s address ‘30 Plymouth Grove Manchester’ verso 76cm x 55cm £800 -1200
143
Frank Rousse (British fl.1897-1917): Whitby
Market Place, watercolour signed 36cm x 26cm
£250 -400
144
Frederick William Booty (British 1840-1924):
‘Old Bar -Scarborough’, watercolour signed and dated 1915, titled on original Henry Whitley & Son label verso 68cm x 53cm
£300 -500
145
Frederick William Booty (British 1840-1924): Scarborough from the Italian Gardens, watercolour signed and dated 1919, 49cm x 74cm
£300 -500
146
Frederick William Booty (British 1840-1924): View over Runswick Bay, watercolour signed and dated 1908, 32.5cm x 49cm
£200 -400
147
George Weatherill (British 1810-1890): Sail and Steam Vessels off Whitby, watercolour unsigned 9.5cm x 14cm
Provenance: with Walker Galleries, Harrogate, label verso £500 -800
148
George Weatherill (British 1810-1890): View over Staithes, watercolour heightened in white unsigned 10cm x 14cm
£700 -1000
149
George Weatherill (British 1810-1890): Unloading the Catch at Staithes, watercolour signed 15cm x 25cm
£800 -1200
150
George Weatherill (British 1810-1890): Coble on Penny Steel looking towards Cowbar NabStaithes, watercolour unsigned 10.5cm x 17cm
£500 -800
151
George Weatherill (British 1810-1890): ‘Shipping off Staithes’, monochrome watercolour signed with initials, titled on gallery label verso 12.5cm x 20cm
Provenance: with Walker Galleries, Harrogate, labels verso
£600 -800
152
George Weatherill (British 1810-1890): ‘The Esk at Ruswarp near Whitby’, watercolour signed, titled on gallery label verso 8.5cm x 13.5cm
Provenance: with Walker Galleries, Harrogate, label verso
£500 -800
153
George Weatherill (British 1810-1890): ‘Roseberry Topping & Cook’s Monument’, watercolour unsigned, original title on the mount 13cm x 24.5cm (unframed)
£120 -180
154
Richard Weatherill (British 1844-1913): Sheep on the North York Moors, watercolour signed 15cm x 25cm
£120 -180
155
Richard Weatherill (British 1844-1913): Ship and Coble near Saltwick Nab, watercolour signed 15cm x 25cm
£200 -400
156
Richard Weatherill (British 1844-1913): Barque Leaving Whitby, oil on board signed 20cm x 14cm
£700 -1000
157
Richard Weatherill (British 1844-1913): Ships at Anchor in Whitby Harbour, oil on board signed 28cm x 45cm
£1500 -2500
158
Sarah Ellen Weatherill (British 1836-1920): Dock End Whitby, watercolour and gouache signed with initials 17cm x 24cm
£300 -500
159
Charles Edward Hern (British 1848-1894): ‘Fish Pier -Old Town Whitby’, watercolour signed and dated 1886, titled on exhibition label verso 35cm x 53cm
Provenance: private collection, purchased David Duggleby Ltd 3rd September 2012 Lot 94; exh. Royal Institute of Painters in Water Colours, label verso
£1200 -1800
160
George Chambers Jnr. (British 1829-1878): Brig in Distress off Whitby, watercolour signed and dated ’72, 36cm x 54cm
£400 -600
161
Turner Taylor (British exh.1886-1888): ‘Fishing Boats in Whitby Harbour’, oil on canvas signed and dated 1865, titled verso 29cm x 44cm
Notes: Taylor is recorded as exhibiting at the Yorkshire Union of Artists in 1888, from an address in Otley.
£200 -400
162
Frederick William Scarborough (British 1860-1939): Pool of London with St Paul’s in the Background, watercolour signed 34cm x 74cm
£800 -1200
163
Helen O’Hara (Irish 1846-1920): Yacht at Sea, watercolour signed with monogram 23cm x 35cm
£200 -400
164
William Anslow Thornley (British fl.1858-1898): Shipping at Sea, oil on canvas signed 24cm x 44cm
£300 -500
165
Henry Redmore (British 1820-1887): Sailing Ship and Steamer on Rough Seas, oil on board signed and dated 1884, 34cm x 52cm
£700 -1000
166
Sarah Louisa Kilpack (British 1839-1909): Collecting Seaweed on the ‘Guernsey’ Coast, oil on canvas signed, titled verso 50cm x 75cm
£300 -500
£2000 -3000
£2000 -3000
167
William Mellor (British 1851-1931): Bolton Abbey, oil on canvas signed 59cm x 90cm
168
William Mellor (British 1851-1931): Rydal Water, oil on canvas signed 59cm x 90cm
169
William Mellor (British 1851-1931): ‘Posforth
Ghyll Bolton Woods Yorkshire’, oil on canvas signed, titled verso 50cm x 75cm
£400 -600
170
William Heaton Cooper RI (British 1903-1995): ‘Steel Fell Tarn’, watercolour over pencil signed and titled 24cm x 35cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
171
William Heaton Cooper RI (British 1903-1995): ‘Grasmere -Early Morning’, watercolour signed, titled and dated ‘Summer 1949’ verso 28cm x 39cm
Provenance: purchased by the vendor’s family in August 1949, in the same family ownership since.
DDS - Artist’s resale rights may apply to this lot
£200 -400
172
Ernest Procter (British 1886-1935): Horse and Cart in Landscape, watercolour signed and dated ’09, 19cm x 28cm
£200 -400
173
Ernest Procter (British 1886-1935): Distant Cathedral, watercolour signed 26cm x 36cm
£200 -400
174
English School (Early 20th century): La Rue Notre Dame and the Quai Duquesne -Dieppe, oil on canvas indistinctly signed 35cm x 30cm
£200 -400
175
Edward Reginald Kirkness (British 1900-1979):
‘Albion Place Leeds’ in Winter, oil on board signed and dated ’71, 60cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
176
Charles Eddowes Turner (British 1885-1965):
‘Fowey from Bodinnick’ Cornwall, oil on canvas signed, titled verso 37cm x 49cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
177
Walter Linsley Meegan (British c1860-1944): Leeds Street by Nightfall, oil on canvas signed 34cm x 49cm
Provenance: private collection, purchased Sotheby’s 14th May 1997 Lot 314
£600 -900
178
Steven Scholes (Northern British 1952-): ‘A Wet Day -Manchester 1958’, oil on canvas signed, titled verso 39cm x 49cm
£300 -500
179
Steven Scholes (Northern British 1952-): ‘The Flask Inn -Flask Walk Hampstead London 1962’, oil on canvas signed, titled verso 39cm x 29cm
£200 -400
180
Steven Scholes (Northern British 1952-): ‘The Fatted Calf -Market Street Manchester 1958’, oil on canvas signed, titled verso 29cm x 19cm
£150 -250
181
John Hanley (Northern British 1947-): ‘He’s Late Again!’, oil and mixed media on canvas, signed and titled verso 40cm x 50cm
£200 -400
182
John Hanley (Northern British 1947-): ‘A Simple Man -Nearly a Lowry’, oil and acrylic ink on canvas, signed titled and dated 2017 verso
59cm x 41cm
£200 -400
183
Trevor Hugh Stubley (British 1932-2010): ‘Britannia Mill Milnsbridge Huddersfield’, watercolour signed 57cm x 76cm
DDS - Artist’s resale rights may apply to this lot
£200 -300
184
Trevor Hugh Stubley (British 1932-2010): Snowy Fields Beyond a Window, triptych of watercolours signed 58cm x 78cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
185
Ronald Ossory Dunlop (British 1894-1973): French Farm Scene, oil on canvas signed 49cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£500 -800
186
Rowland Suddaby (British 1912-1972):
‘Landscape near East Bergholt’, oil on canvas signed and dated ’51, titled verso 50cm x 60cm
Provenance: private collection, purchased Bonhams Knowle 6th September 2011 Lot 154
DDS - Artist’s resale rights may apply to this lot
£500 -800
187
Catherine Tyler (British 1949-): ‘Staithes Cliffs’, oil on canvas signed, titled verso 49cm x 59cm
£300 -500
188
Neil Tyler (British 1945-): ‘Betws-y-Coed’, oil on canvas signed, titled verso 49cm x 69cm
£300 -500
189
James Taylor (British 1925-2000): ‘Kentish Landscape’, pair oils on panel signed 24cm x 39cm (2)
Provenance: with The Lefevre Gallery, Bruton St., London, labels verso
DDS - Artist’s resale rights may apply to this lot
£200 -300
190
Bruce Kendall (British Contemporary): ‘The River Eden’, oil on board signed, titled verso 48cm x 74cm
£200 -300
191
Bruce Kendall (British Contemporary): ‘A Wooded Landscape’, oil on canvas signed, titled verso 49cm x 59cm
£150 -250
192
Malcolm Ludvigsen (British 1946-): ‘Whitby’ East Cliff, oil on canvas signed, titled and dated March 31 (Easter) 2013 verso 60cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
193
Pete Lapish (British 1937-): ‘Grand Hotel and Beach -Scarborough’, acrylic on paper signed, titled verso 27cm x 36cm
£400 -600
194
Pete Lapish (British 1937-): ‘Freight Proceeding through Gothland -North York Moors Railway’, acrylic on paper signed, titled verso 18cm x 27cm
£200 -400
195
Kane Cunningham (British 1961-): Wilton from Seal Sands -Teesside, watercolour signed and dated 2010, 103cm x 152cm
£2500 -3500
196
Kane Cunningham (British 1961-): ‘Scarborough Harbour -Boats Rising on the Tide’, acrylic on canvas signed with initials, titled and dated 2018 verso 152cm x 183cm
£800 -1200
197
Harry Hudson Rodmell (British 1896-1984): ‘Beverley Minster’, oil on board signed, titled and dated 1971 verso 40cm x 50cm
£200 -300
198
John Egerton Christmas Piper CH (British 1903-1992): ‘Teffont Evias’ (Levinson 404), coloured etching on wove signed and numbered 27/70 in pencil, printed by Kelpra Studio, London, pub. Marlborough Fine Art, London 1988, 53cm x 40cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
199
Joe Tilson (British 1928-2023): ‘Four Elements -Mudra’, artist’s proof screenprint and collage signed in pencil 51cm x 60.5cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
200
Fern (British 1996-): ‘Hearts are Made to be Broken’, acrylic on canvas, signed verso 150cm x 100cm
Provenance: private collection, purchased from the Yield Gallery, London
DDS - Artist’s resale rights may apply to this lot
£2000 -3000
201
Fern (British 1996-): ‘Something Tells Me I’m Going to Love You Forever’, acrylic on canvas unsigned 150cm x 100cm
Provenance: private collection, purchased from the Yield Gallery, London
DDS - Artist’s resale rights may apply to this lot
£2000 -3000
202
Fern (British 1996-): ‘How to Marry a Millionaire’, acrylic on canvas, signed verso 150cm x 100cm
Provenance: private collection, purchased from the Yield Gallery, London
DDS - Artist’s resale rights may apply to this lot
£2000 -3000
203
Damien Hirst (British 1965-): ‘Saturn Spin
Painting 2009’, acrylic on paper, with inkstamp signature verso and artist’s blindstamp, pub. Pinchuk Art Centre, Ukraine. 37 cm × 87 cm
DDS - Artist’s resale rights may apply to this lot
£800 -1200
204
Damien Hirst (British 1965-): ‘Rocket Ship Spin
Painting 2009’, acrylic on die-cut wove paper, with inkstamp signature verso and artist’s blindstamp, pub. Pinchuk Art Centre, Ukraine 69cm x 46cm
DDS - Artist’s resale rights may apply to this lot
£800 -1200
205
Roy Turner Durrant (British 1925-1998): ‘Composition Blue’, oil on board signed and dated ’61, titled verso 30cm x 16.5cm
Provenance: private collection, purchased Peter Wilson 27th November 2013 Lot 548
DDS - Artist’s resale rights may apply to this lot
£400 -600
206
David Baumforth (British 1945-): ‘Beach Deserted at Dawn -Whitby’, mixed media signed and titled, further titled on label verso 24cm x 71cm
DDS - Artist’s resale rights may apply to this lot
£400 -600
207
David Baumforth (British 1945-): ‘The Hole of Horcum in Heavy Snow’, mixed media signed, titled on label verso 19cm x 47cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
208
David Baumforth (British 1945-): ‘Immensity’, mixed media on board signed, titled on label verso 28cm x 42cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
209
John Thornton (Northern British 1944-): ‘Clouds and Sunshine Cornelian Bay’ Scarborough, mixed media signed with initials, titled and signed verso 56cm x 54cm £200 -400
210
John Thornton (Northern British 1944-): ‘Light at the Edge of the Wood’, mixed media on card signed with initials, titled and signed verso 25cm x 25cm
£150 -250
211
John Thornton (Northern British 1944-): ‘Old Gorse Hedge’, mixed media signed with initials, titled and signed verso 46cm x 46cm
£200 -400
212
John Thornton (Northern British 1944-):
‘Gorse Hedge’, mixed media signed with initials in handmade paper, titled and signed verso 15cm x 21cm
£150 -250
213
Allan Walton (British 1891-1948): ‘Yacht at Anchor’, oil on panel unsigned, titled and attributed on gallery label verso 26cm x 34cm
Provenance: exh. Beaux Arts Gallery, Bruton Place, London, label verso
£400 -600
214
Thomas Ralph Spence (British 1855-1903):
‘The Bay of Phalerum and the Saronic GulfNear Athens’, oil on panel unsigned, titled and extensively inscribed verso 24cm x 34cm
£150 -250
215
Maurice Courant (French 1847-1925): Sail Boats Off the French Coast, oil on board signed and dated 1923, 23cm x 33cm
£200 -300
216
William Lee Hankey (British 1869-1952): ‘Boats at Honfleur’ and ‘Ready for the Sea’, pair oils on canvas signed, titled verso 35cm x 40cm (2)
£300 -500
217
William Lee Hankey (British 1869-1952):
‘French Market Place’, oil on panel signed, titled verso 21cm x 26cm
£200 -300
218
Walter Taylor (British 1860-1943): Boats on the River, oil on canvas signed and indistinctly dated ’00?, 34cm x cm
£150 -250
219
Philip Thomson Gilchrist (British 1865-1956):
Sailing Boat off the Coast, oil on panel signed with initials 29cm x 39cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
220
John Albert Cooper (British 1894-1943):
‘Knaresborough’, oil on canvas signed, later inscriptions verso 39cm x 29cm
£300 -500
221
Hugh Boycott Brown (British 1909-1990):
‘Middle Temple Lane’ -London, oil on board signed with initials, titled verso 40cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
222
John Newberry RWS (British 1934-): Chinese Temples, pair watercolours signed in pencil 20cm x 30cm (2)
Notes: Newberry read Architecture at Cambridge, but changed courses, moving to Newcastle where under Lawrence Gowing and Victor Pasmore he graduated in Fine Art in 1960. He taught at the Ruskin School of Drawing 1963-1989. Exh. Chris Beetles
DDS - Artist’s resale rights may apply to this lot
£150 -250
223
James Abbott McNeill Whistler PRBA (American 1834-1903): ‘Alderney Street’, drypoint etching signed in the plate with butterfly monogram 20cm x 13cm; ‘Study’Standing Figure, facsimile lithograph, after the original in the Metropolitan Museum of Art 23cm x 15cm (2)
£150 -250
224
Arthur Neal (British 1951-): ‘Villagers’, impasto oil on board signed 46cm x 51cm
Provenance: purchased by the vendor from the artist’s studio in 2015.
DDS - Artist’s resale rights may apply to this lot
£200 -400
225
Patrick Procktor (British 1936-2003): ‘Rimbaud and Verlaine -First Meeting’, watercolour signed and dated ’69, titled on label verso 24cm x 34cm
Provenance: purchased from The Redfearn Gallery, London, May 1972
DDS - Artist’s resale rights may apply to this lot
£500 -800
226
Anna Katrina Zinkeisen (Scottish 1901-1976): ‘Black and Red’ -Edward VII and Lillie Langtry, oil on canvas unsigned, titled and indistinctly inscribed verso 50cm x 39cm
DDS - Artist’s resale rights may apply to this lot
£300 -500
227
Gladys Maccabe MBE ROI (Northern Irish 1918-2018): Phoenix Park Racecourse -Dublin, gouache and wash signed 21cm x 36cm
DDS - Artist’s resale rights may apply to this lot
£500 -800
228
Modern British (Mid 20th century): The Seasons, two watercolours over pencil on paper unsigned, mounted as one on mahogany panel overall 22cm x 28cm
Provenance: by the same hand as ‘A Design for a Student’s Common Room’ sold by David Duggleby Ltd 17th June 2022, Lot 214; ‘Sketch Design for a Mural Decoration of an 18th century Country House’, David Duggleby Ltd 17th March 2023, Lot 76 and ‘Design for an Altarpiece in a Church’, triptych gouache David Duggleby Ltd 21st June 2024, Lot 227
£200 -300
229
Circle of Natalia Goncharova (Russian 1881-1962): ‘Un Danseur’, oil on panel with initials N.g. and Cyrillic monogram 31cm x 25cm
DDS - Artist’s resale rights may apply to this lot
£500 -1000
230
Viktor Fedorovich Vasin (Russian 1919-1997): Sailor and Young Lady Looking out to Sea and Workers Eating Watermelon, double-sided oil on board signed 46cm x 52cm (unframed)
DDS - Artist’s resale rights may apply to this lot
£200 -400
231
John Emanuel (British 1930-2024): ‘Standing Figure’, oil on board signed, titled verso 71cm x 28cm
Provenance: private collection, purchased Derwent-Wye 25th October 2014 Lot 86
DDS - Artist’s resale rights may apply to this lot
£200 -400
232
Attrib. Duncan Grant (Scottish 1885-1978): Reclining Nude, watercolour signed and dated ’51, 34cm x 54cm
DDS - Artist’s resale rights may apply to this lot
£700 -1000
233
Thomas John Coates (British 1941-2023): Reclining Figure, oil on canvas board signed with monogram 24cm x 33cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
234
Attrib. David Jagger RP ROI (British 1891-1958): Male Nude Hanging Drapery, oil on canvas laid on board unsigned, partial original title label and with later inscriptions verso 74cm x 33cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
235
Thomas Benjamin Kennington (British 1856-1916): Lady in a Red Turban, oval oil on board unsigned, attributed verso 18cm x 13cm
£150 -250
236
Thomas Brooks of Hull (British 1818-1891): Spanish Fruit Seller, oil on canvas signed and dated 1869, 75cm x 60cm
£800 -1200
237
Edgar Bundy (British 1862-1922): ‘Waiting for the Coach’, watercolour signed, titled on the mount 27cm x 38cm
£200 -400
238
Wyatt Pratt (British early 19th century):
‘Portrait of Marie Benson née Scott’, Wearing a Black Gown with Lace Bonnet and Collar, oil on canvas unsigned, inscribed and dated 1835 on label verso 75cm x 62cm
Provenance: bequeathed to Colonel Sackville
Hamilton
£200 -400
239
John Rennie McKenzie Houston RSW (Scottish 1856-1932): Old Scotsman Smoking a Pipe, watercolour signed 29cm x 24cm
£200 -300
240
English School (19th century): ‘The Vegetable Stall -Dovecot Street Stockton’, oil on canvas unsigned, titled verso 44cm x 34cm
£200 -400
241
English School (Early/mid 20th century): Portrait of a Lady in the Artist’s Studio, oil on board unsigned 60cm x 50cm
£150 -250
242
John Linfield ARCE NEAC (British 1930-2008):
‘The Young Julia’ -Portrait of the artist’s granddaughter, oil on canvas signed and dated 1989, 39cm x 29cm
Provenance: with Richard Hagen Fine Paintings, Broadway, England. Sold with original receipt and 1989 exhibition catalogue
DDS - Artist’s resale rights may apply to this lot
£200 -400
243
Tom Keating (British 1917-1984): Self Portrait as Samuel Palmer, oil on canvas signed with initials 75cm x 60cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
244
Tom Keating (British 1917-1984) after Pablo Picasso (Spanish 1881-1973): Lady in a Wide Brimmed Hat, watercolour and acrylic on board signed, 46cm x 33cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
245
Kay Boyce (British Contemporary): ‘Anna’ by the Window, pastel signed and titled 26cm x 19cm
DDS - Artist’s resale rights may apply to this lot
£700 -1000
246
Kay Boyce (British Contemporary): ‘Repose’, pastel signed 28cm x 21.5cm
DDS - Artist’s resale rights may apply to this lot
£700 -1000
247
Graham Kingsley Brown (British 1932-2011):
‘Still Life in Landscape’, enamel paint on board, signed titled and dated 1982 verso, 28cm x 40cm
Notes: A rare enamel painting, of a phase in the early 1980’s which included ‘Harbour Moon’ sold these rooms
21st June 2024 Lot 211; this is the only remaining example available.
£300 -500
248
Graham Kingsley Brown (British 1932-2011):
‘Siren Rock’, oil on board, signed titled and dated 1985 verso, 59.5cm x 65cm
Notes: This is a very rare, one-off, larger work, which employs clear abstract forms of in a style of the mid 1980s which followed the surrealist pieces. The ‘Siren Rock’ refers to the Greek myth of the Sirens of Homer’s Odyssey, female humanlike beings with alluring voices who lured sailors to their death.
£400 -600
249
Graham Kingsley Brown (British 1932-2011):
‘Riverside House’, acrylic on board c.1991, signed and titled verso, 29.5cm x 22cm
Notes: A larger example of the artist’s ‘decorative landscape’ style of painting from the early 1990s, and the one remaining piece of this kind still available. This piece was a gift from Graham to his wife Elizabeth Brown, which is now offered for auction.
£200 -300
250
Graham Kingsley Brown (British 1932-2011):
‘City by the Sea 21’, acrylic on board, signed titled and dated ’05 verso, 22.5cm x 27.5cm (unframed)
Notes: one of the artist’s painterly, textured, and expressive ‘City by the Sea’ series painted between 1998 and 2007. This is number 21 of 31 and is distinctive in featuring larger buildings as well as a figure in the foreground. Some of the work was created using finger painting, as well as palette knife and brushes.
£200 -300
251
Graham Kingsley Brown (British 1932-2011):
Woman Paddling along a Rocky Shore, acrylic on board, signed and dated ’05 verso, 20cm x 29cm
£200 -300
252
Edward Holroyd Pearce (British 1901-1990):
Boats on the Horizon, oil on canvas board signed with initials and inscribed ‘to Mr & Mrs Rood’ 25cm x 29cm
Notes: Edward Pearce, though best known as a distinguished Law Lord & Privy Counsellor, was also a talented artist. He first took up painting in 1932 when as a young barrister he was recovering from tuberculosis. He was the son in law of Bertram Priestman, and a friend of Edward Seago. Together they made a number of painting tours to the Continent, travelling in Seago’s Austin Seven.
DDS - Artist’s resale rights may apply to this lot
£150 -250
253
Edward Wesson (British 1910-1983): A Sussex Backwater, watercolour and ink signed 27cm x 75cm
DDS - Artist’s resale rights may apply to this lot
£120 -180
254
Robert Leslie Howey (British 1900-1981): ‘Windermere and Wansfell’, oil on board signed, titled and dated 1973 on gallery label verso 50cm x 60cm
Provenance: exh. Hawkshead Gallery, Ambleside, label verso
DDS - Artist’s resale rights may apply to this lot
£150 -250
255
Douglas Hill (British 1953-): ‘St Ives in Winter’, oil on canvas signed, titled verso 24cm x 29cm
DDS - Artist’s resale rights may apply to this lot
£150 -250
256
Walter Goodin (British 1907-1992): Looking South towards Bridlington, oil on board signed and dated 1990, 60cm x 90cm
DDS - Artist’s resale rights may apply to this lot
£200 -400
257
Michael John Ashcroft (British 1969-): ‘Solway/Galloway Coast -Scotland’, oil on board signed 60cm x 60cm
Provenance: private collection, purchased Peter Wilson 18th February 2015 Lot 441
DDS - Artist’s resale rights may apply to this lot
£400 -600
Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.
Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.
Please note that these Terms of Sale relate to auctions held at our premises only., We have separate terms for online only auctions.
1 DEFINITIONS AND INTERPRETATION
1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning:
“Auctioneer”means David Duggleby Auctioneers and Valuers, a partnership or company registered in England and Wales with registration number 4434386 and whose registered office is located at The Saleroom, Vine Street, Scarborough, North Yorkshire, YO11 1XN or its authorised auctioneer, as appropriate;
“Bidder” means a person participating in bidding at the auction;
Buyer”means the person who makes the highest bid for a Lot accepted by the Auctioneer;
Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;
“Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; Lot(s)” means the goods that we offer for sale at our auctions;
“Premium”means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4;
“Reserve”means the minimum hammer price at which a Lot may be sold; Sale Proceeds”means the net amount due to the Seller;
“Seller”means the persons who consign Lots for sale at our auctions;
Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers;
Terms of Sale” means these terms of sale, as amended or updated from time to time;
“Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges
TERMS OF SALE
payable by a defaulting buyer under these Terms of Sale;
“Trader”means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;
“VAT”means Value Added Tax or any equivalent sales tax; and Website”means our website available at https://www.davidduggleby.com
In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.
2 INFORMATION THAT WE ARE REQUIRED TO GIVE TO CONSUMERS
2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.
2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.
2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.
2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.
2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.
2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.
2.7 If you have any complaints, please send them to us directly at the address set out on our Website.
3 BIDDING PROCEDURES AND THE BUYER
3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.
3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.
3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained) by extending this bid by one increment.
3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will
be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.
3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.
3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.
3.7 We may refuse to accept any bid if it is reasonable for us to do so.
3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).
4 THE PURCHASE PRICE
As Buyer, you will pay:
a. the Hammer Price;
b. a premium of 25% of the Hammer Price;
c. any internet premiums payable on the sale of the Lot;
d. any artist’s resale right royalty payable on the sale of the Lot; and
e. any VAT due.
5 VAT
5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.
5.2 We will charge VAT at the current rate at the date of the auction.
6 THE CONTRACT BETWEEN YOU AND THE SELLER
6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.
6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.
6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.
6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).
7 PAYMENT
7.1 Immediately following your successful bid on a Lot you will:
7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and
7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.
7.2 If you owe us any money, we may use any payment made by you to repay these debts.
8 TITLE AND COLLECTION OF PURCHASES
8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.
8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either:
8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.
8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot.
8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.
8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot., We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.
9 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES
9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:
9.1.1 take action against you for damages for breach of contract;
9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;
9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;
9.1.4 remove, store and insure the Lot at your expense;
9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;
9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;
9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or
9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.
9.2 We will act reasonably when exercising our rights under Clause 9.1., We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.
10 HEALTH AND SAFETY
Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.
11 WARRANTIES
11.1 The Seller warrants to us and to you that:
11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and
11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.
11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.
11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.
11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.
11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be
implied or incorporated by statue, common law or otherwise are excluded.
12 DESCRIPTIONS AND CONDITION
12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).
12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.
12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.
12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.
13 DELIBERATE FORGERIES
13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 14 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.
13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:
13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or
13.2.2 you personally are not able to transfer good and marketable title in the Lot to us,
you will have no right to a refund under this Clause 13.2.
13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot., We will not be responsible for repaying any additional money you may have made from selling the Lot.
13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any
other right or remedy provided by law or by these Terms of Sale.
14 OUR LIABILITY TO YOU
14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.
14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.
14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.
14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:
14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);
14.4.2 fraudulent misrepresentation; or
14.4.3 any liability which cannot be excluded by law.
15 NOTICES
15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.
15.2 Any notice referred in Clause 15.1 may be given:
15.2.1 by delivering it by hand;
15.2.2 by first class pre-paid post or Recorded Delivery; or
15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.
15.3 Notices must be sent:
15.3.1 by hand or registered post:
a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or
15.3.2 by email:
a. to us, by sending the notice to both the following email addresses: William.duggleby@davidduggleby.com Auctions@davidduggleby.com
b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.
15.4 Notices will be deemed to have been received:
15.4.1 if delivered by hand, on the day of delivery;
15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or
15.4.3 if sent by email, at the time of
transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.
15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.
16 DATA PROTECTION
We will holddata in relation to you in accordance with our current privacy policy, a copy of which is available on our Website or on request.
17 GENERAL
17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.
17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.
17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.
17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.
17.5, We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.
17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically., Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale., Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.
17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.
18
DROIT DE SUITE ROYAL CHARGES
From 14th February 2006 all UK art market professionals (which includes but is not limited to auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists or artists who have died within the last 70 years. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000- the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK sterling exchange rate on the day of the sale in this regard and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in this catalogue that are marked with DDS are potentially qualifying items and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all the relevant buyers’ invoices and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’) no handling costs or additional fees with respect to these charges will be retained by the auctioneers.
Please note that the royalty charge is calculated in euros and applies to lots with hammer value over €1000 as follows:
0 to €50,000 - 4%
€50,000.01 to €200,000 - 3%
€200,000.01 to €350,000 - 1%
€350,000.01 to €500,000 - 0.5%
Exceeding €500,000 - 0.25% ARR is capped at €12,500. There is no VAT payable on this royalty charge.
19 ONLINE BIDDING
19.1 David Duggleby Ltd may offer an online bidding service via a third party for bidders who cannot attend the sale. Any lots purchased via the DD Live auction service will not be subject to an additional commission charge on the hammer price.
In completing the bidder registration on the third party website and providing your payment card details and unless alternative arrangements are agreed with David Duggleby Ltd you:
a) Authorise David Duggleby Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the third party, and
b) Confirm that you are authorised to provide these payment card details to David Duggleby Ltd through the third party and agree that David Duggleby Ltd are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.
Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge inc. VAT, at the current rate, imposed on the hammer price.
Our Conditions of Business are based upon recommended terms of sale by SOFAA
