The Residual Contents of Copgrove Hall by Amy Rushworth

The Residual Contents of Copgrove Hall

OFFERED FOR SALE BY THE GUY REED WILL TRUSTEES & A MEMBER OF THE REED FAMILY

Selling with Dugglebys

ENJOY THE BENEFITS...

• Experienced, friendly and approachable valuations team of fifteen specialist experts

• Complimentary auction valuations and advice

• Simple fee structure

• Over 170 regular and specialist auctions annually with a 92% sale success rate

ATTRACTING BUYERS

• Dedicated marketing team, there to ensure your lots reach their target audience, through international, national and local digital and press advertising

• Leading web-based software and live internet bidding system, combined with a driven sales team to achieve marketleading results

• Free catalogues for all prospective bidders

• Quality cataloguing with studio photography and free additional images

• Efficient in-house packing and delivery services

• Fast payment

• State-of-the-art website with easy search and browsing functionality, allowing your lots to reach the people looking for them

• Detailed condition reports and free additional images upon request

• Large mailing database, frequently utilised to reach new and regular buyers with registered interest

SPECIALISTS FOR THIS AUCTION

THOMAS HOWARD Head of Furniture

ANDREW MCMILLAN Senior Specialist Valuer Antiquities & Silver

KNOTT Specialist Valuer Decorative Objects

The Residual Contents of Copgrove Hall

OFFERED FOR SALE BY THE GUY REED WILL TRUSTEES & A MEMBER OF THE REED FAMILY

FRIDAY 18 OCTOBER | 11:00

BIDDING

Bid live online at dugglebystephenson.com now

Join us for the live auction at our Dugglebys Stephenson of York Salerooms on Friday 18 October at 11am or join the virtual saleroom to view the auction and bid online

VIEWINGS

Duggleby Stephenson of York, Murton, York, YO19 5GF

TUESDAY 15 OCTOBER | 9AM - 4:30PM

WEDNESDAY 16 OCTOBER | 9AM - 4:30PM

THURSDAY 17 OCTOBER | 9AM - 4:30PM

FRIDAY 18 OCTOBER | FROM 9AM

Copgrove Hall was built to its present Neoclassical form in 1821 for Thomas Duncombe, on a beautiful sloping site overlooking a lake. The landscape was designed by Thomas White, who also worked on other Yorkshire estates such as Harewood and Sledmere House. Climbing vines cover much of the exterior, blending the house seamlessly into its natural surroundings and strengthening its connection to the landscape.

Guy Reed 1921 -

2013

Early Life & Business Career

Guy Reed was born into a farming family in Yorkshire and grew up near Thirsk, in the village of Sandhutton. During and after World War II, he served in the Royal Air Force and by the age of eighteen he was stationed in France, tasked with refuelling and re-arming Spitfires.

Once demobilised, Reed acquired redundant airfields on whose runways he located poultry farming units, achieving remarkable success with companies like Buxted Chickens, Buxted Turkeys and Nitrovit Foodstuffs. Over the decades, Reed established himself as a key figure in the agricultural industry. He later diversified his business interests and achieved further success towards the end of his career with Reed Boardall Cold Storage.

Bloodstock Interests

Alongside his successful business ventures, Guy Reed embarked on breeding racehorses in 1968. He acquired Nidd Hall, a few miles distance from Copgrove, from Lord Mountgarret and transformed the land and buildings into a stud.

The following year, he purchased Copgrove Hall and its surrounding estate from Stuart Barr. Reed had regretted the missed opportunity in 1965 to buy Copgrove on the death of leading owner and breeder Major L B Holliday, and he lodged his interest with Stuart Barr should he decide to sell. Guy Reed was in London with his companion Susan Macintyre when he received a call from Barr saying if he could get to Copgrove by three o’clock that day he could buy it. Guy and Sue raced north and the deal was struck.

The estate offered ideal conditions – freedraining limestone land and rolling paddocks – for developing a racing school and nursery for young horses. Although he had been for many years a leading owner and breeder on the flat, Major Holliday kept relatively few horses at Copgrove, his main stud activities being based at Newmarket and in Ireland.

By 1987, Reed had sold the majority of the Nidd Hall stud to former trainer Ian Matthews, retaining only 80 acres to raise yearlings until

he had fully consolidated his operations at Copgrove, after which he sold the remaining Nidd land.

Racing Successes

Guy Reed's first horse was the foundation mare Ardneasken who was purchased on the advice of renowned Middleham trainer Sam Hall. Ardneasken’s first foal was Warpath, who won several races, including the Extel Handicap at Goodwood, and sired many winners.

Over fifty years, Reed enjoyed numerous racing successes with horses such as Dakota, April, Sweet And Lovely, Shotgun, Flossy, Pablo, La Cucaracha, Apache and Tiddliwinks. Dakota, a son of Ardneasken, notably won the Ebor at York in 1975. In 1988, Apache triumphed in the Chesterfield Cup at Goodwood – a victory celebrated in the oil painting by Roy Miller of Jimmy Bleasdale on Apache in Reed’s colours (lot 113). Another highlight came in 2003 when Pablo won the Freephone Stanley Lincoln Handicap at Doncaster – the race trophy is offered for sale in lot 29.

One of Guy Reed’s most memorable moments occurred in 2005 when his homebred filly, La Cucaracha, won the Group One Nunthorpe Stakes at York. Her portrait was painted on the lawn at Copgrove by Jacqueline Stanhope who also executed a detailed head of the horse. (lots 108 & 111).Reed’s easily recognisable colours, pink with black and gold checks, were a familiar sight at racecourses throughout the late 20th and early 21st centuries.

Legacy

Following Guy Reed's death in 2013, Copgrove Stud was transferred to the Guy Reed Will Trust, ensuring that its operations would continue in accordance with his wishes. Today, Copgrove operates as a premier commercial stud farm in Yorkshire, offering boarding services to horses owned by a prestigious global clientele. Reed’s blood lines continue to produce winners — most recently Economics, a descendant of Ardneasken, who won the 2024 Dante Stakes at York and the Irish Champion Stakes, Group 1.

INFORMATION FOR BUYERS AT AUCTION

1, Introduction, The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms, All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction, Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale can be found online at dugglebystephenson.com, Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out on our website carefully before bidding in the auction, If your bid is successful, you will be obliged to comply with our Terms of Sale.

2, Agency, As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed, If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3, Estimates, Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot, Estimates may change and should not be thought of as the sale price, The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price, Estimates do not include the buyer’s premium or VAT (where chargeable), Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot, They are not definitive.

4, Buyer’s Premium, The Terms of Sale oblige you to pay a buyer’s premium at 30% on the hammer price of each lot purchased, VAT is included in this premium (see below).

5, VAT, Items in our catalogue may be marked in the following ways:

a, (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in

the buyer’s premium, VAT will be chargeable at the standard rate (presently 20%), This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.

b, (**) indicates that the lot has been imported from outside the European Union, [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)|,

c, Lots which do not have either of the above symbols have no VAT payable on the hammer price, This is because such lots are sold using the Auctioneers’ Margin Scheme, The VAT included within the premium is not recoverable as input tax.

6, Inspection of goods by the buyer, As we act on behalf of the seller, we are dependent on information provided by the seller about their goods, We may inspect lots and will act reasonably in taking a general view about them, However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do, You will have ample opportunity to inspect the goods, You must inspect and investigate lots that you might wish to bid for,

Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7, Export of goods, If you intend to export goods you must find out:

a, whether an export licence is needed; and

b, if there is a prohibition on importing goods of that character e.g, because the goods contain prohibited materials such as ivory,

8, Bidding, Bidders will be required to register with us before the auction starts, We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid, If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks, Lots will be invoiced to the name and address on the registration form, You will need to

provide us with proof of your identity in a form acceptable to us and such other information as we may require, Please enquire in advance about our arrangements for telephone or online bidding, Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

9, Commission bidding, You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT), We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids, If two buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained) by extending this bid by one increment, Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/ email or via our website or online bidding platform,

10, Live Bidding, Please see clause 19 in Terms of Sale,

a, Any lots purchased via the-saleroom.com live auction service will be subject to an additional 4.7% commission charge + VAT, at the current rate, imposed on the hammer price (collected by Duggleby Stephenson on behalf of thesaleroom.com).

b, Any lots purchased via DS Live auction service will not be subject to any additional commission charge imposed on the hammer price.

11, Methods of Payment, These are cash (for which there is an upper limit of 15,000 euros equivalent), debit card, credit card (online payments only), BACS payment or cheque (any cheques will need to be cleared before you can take the goods away), Please discuss with our office in advance of the sale if you plan to use other methods of payment.

12, Collection and storage, Lots must be paid for and collected within five days following the sale, Please note what the Terms of Sale say about collection and storage, Any delay may involve you having to pay reminder fees and storage charges.

Victorian silver claret jug of baluster form, engraved with Greek dithyramb panels in honour of Dionysus, the spout with the mask of Pan, the scroll handle with birds foot terminal and with further engraved guilloche and other decoration, H36cm Sheffield 1864, Maker Roberts & Belk

£400 - 600

Edwardian silver circular fruit basket with flower head and scroll pierced border on a short pedestal foot, D25cm London 1908, Maker Josiah Williams & Co

£200 - 300

3

George V silver fruit service by William Hutton & Sons Ltd, comprising six mother of pearl plates, each mounted with three silver ball feet, together with six mother of pearl and silver fruit knives and forks, hallmarked Sheffield, 1911, 1917 and 1924, displayed in a silk and velvet fitted box, retailed by James R Ogdens & Sons, Harrogate, with original receipt label, shell W26cm, case W60cm

Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968.

£300 - 500

Suite of silver King’s pattern silver cutlery Sheffield 1971/2 and London 1968/9, comprising twelve silver-handled table knives, thirteen silver-handled dessert or cheese knives, twelve table forks, twelve dessert forks, twelve soup spoons, four table spoons, twelve teaspoons and four coffee spoons, Makers C J Vander and William Yates

£1,200 - 1,500

Silver christening mug with loop handle and engraved with initials, H13cm Sheffield 1996, Maker’s mark RAL

£100 - 150 6

Silver rectangular fruit dish with gadrooned and shell moulded border, scroll handles and short pedestal foot, W30cm, Sheffield 1985, Maker Asprey & Co. Ltd

£200 - 300

Late Victorian novelty silver candle snuffer in the form of a hunting horn with banded sections to the body L31cm, London 1895 Maker Sampson Mordan & Co

£80 - 120

Pair of silver goblets decorated with alternating silver and silver gilt banding with gilded interior on a pierced stem and circular dished foot, H14cm, London 1970 Makers mark HA

£150 - 200

Pair of Elizabeth II silver owl salt and pepper casters with gilded interiors, the naturalistically cast bodies with glass eyes, H7.5cm, London 2006 Maker Comyns of London

£700 - 1,000

Silver cylindrical tea caddy with moulded edge H11cm Sheffield

1927 Maker Atkin Bros.

£70 - 100

Pair of Victorian silver circular salts with blue glass liners, embossed floral decoration and claw and ball feet

London 1855 Maker William Robert Smily and a pair of George IV silver salt spoons with gilded shell bowls

£100 - 150

Pair of George III silver salts with later decoration London 1772 Maker Robert Hennell I, silver sugar caster Birmingham 1922, pair of 19th century silver sugar tongs and a silver-backed hand mirror

£100 - 150

Silver double condiment set comprising pair of salts, pair of pepperettes and pair of mustards with hinged lids all on shaped supports London 1937-40 marked for W Greenwood & Sons

£200 - 250

Aurum York Minster limited edition silver bowl with gilded handle and planished finish to the exterior, to commemorate the 500th anniversary of the completion of the Gothic Minster No.715/1000 designed by Hector Miller London 1972 with certificate and original case

£100 - 150

15

Links of London glass and silver mounted pedestal bowl, London 2006, D20.5cm, and a similar presentation glass bowl with silver mount, inscribed ‘At The Races’, maker W I Broadway & Co, D23cm

£100 - 150

16

Edwardian silver and tortoiseshell oval box with pique decoration W6cm Birmingham 1909, Maker Levi & Salaman, engine turned silver cigarette box, W16cm, London 1975 and a silver coaster D9.5cm Sheffield 2008

£70 - 100

‘Tennent Trophy presented by Tennent Caledonian Breweries, Scotland, Ayr 21st July 1975, won by Dakota owned and bred by Mr Guy Reed, trained by Sam Hall, ridden by A Barclay’ - A tall lidded tankard with scroll thumbpiece and handle, on a wooden plinth H35cm overall, London 1975 Maker Garrard & Co. Ltd

£300 - 500

‘Winner The Stanleybet Cammidge Trophy Doncaster 2nd April 2005’ - A square salver with indented corners raised on scroll feet, 30cm, Birmingham 1996 Maker Victoria Silverware Ltd

£200 - 300

‘Royal Caledonian Hunt Cup 1973 won by Shoshoni, owned and bred by Mr Guy Reed, trained by Sam Hall, ridden by B Connorton’ - A silver salver of lobed circular design on bracket feet, D30cm, London 1972 Maker William Comyns & Sons Ltd

£300 - 400

‘Keeneland Fred Archer Stakes, Newmarket July 1989’ - Set of four American silver julep cups by Mark Scearce, Shelbyville, Kentucky, with Ronald Reagan presidential mark for the second term of the Reagan presidency 1986-1989, each H10cm, in mahogany case

£500 - 700

22

21

Silver mounted glass claret jug inscribed ‘Newmarket Racecourse’ Birmingham 2001, glass bowl with silver base D20cm and another with silver foot rim inscribed ‘At the Races’, D23cm

£100 - 150

‘The VCBet Nunthorpe Stakes, York 18 August 2005’ - a silver circular shallow dish D26cm London 2005 Maker Theo Fennell

Notes: La Cucaracha secured The VCBet Nunthorpe Stakes, York 18 August 2005. Lot 108 & 111 feature portraits of La Cucaracha by Jacqueline Stanhope

£250 - 300

23

Silver trophy in the form of a cup and saucer ‘Brooke Bond Tea Cup, Ayr, May 1976 presented to the winning owner’ on wooden plinth Sheffield 1976 Maker Mappin & Webb and a silver spoon inscribed ‘Goodwood Racecourse’, L24cm

£100 - 150

Silver circular shallow dish engraved with a racehorse D23cm London 1982 Maker Wakely & Wheeler and another with inscription to Guy Reed, D20cm, London 1987 Maker Garrard & Co Ltd

£250 - 350

Three silver presentation dishes, two inscribed ‘Newmarket Racecourses, The Home of Racing’ and another mounted with a model of a racehorse with jockey up, Sheffield 2014, Britannia standard, Maker Laurence R Watson & Co, together with a silver plated dish inscribed ‘Haydock Park Winner 2002’

£100 - 200

Silver presentation quaiche with inscription D10cm Sheffield 2000 and a silver saucer dish embossed with the Yorkshire Rose, D12cm, London 1984

£100 - 150

27

‘The Northumberland Sprint Trophy, Gosforth Park’ - Silver oval shallow dish surmounted by a silver-plated figure of the Northumberland Lion 31cm x 17cm, London 1980 Maker Edward Barnard & Sons

£250 - 350

‘The Racal Chesterfield Cup, Goodwood 30th July 1988’Edwardian silver two-handled cup and cover with scroll handles and leaf decoration on wooden base, H52cm overall, Birmingham 1908 Maker Jones & Crompton

£300 - 500

‘The Freestone Stanley Lincoln Handicap Trophy, Doncaster Racecourse March 22nd 2003’ - Silver filled model of a racehorse H32cm x W42cm on a mahogany plinth with silver plaque Sheffield 2003 Maker Laurence R Watson & Co.; together with a framed photograph of Guy Reed receiving the trophy

£500 - 800

‘The Heathorn Stakes, Newmarket 1981’Silver model of a standing horse on ebonised plinth with silver plaque, H20cm x W18cm, London 1978 Maker Wakely & Wheeler

£200 - 300

Silver model of a racehorse with jockey up, filled, on a naturalistic rectangular base, 21cm x 26cm, Sheffield 1996 Maker Camelot Silverware Ltd

£200 - 300

‘The Scottish & Newcastle Breweries Handicap Sweepstakes 1972, Won by Warpath, Owned and Bred by Mr Guy Reed, Trained by S Hall, Ridden by A J Russell’ - Cast silver figure of a cavalier on horseback 25cm x 21cm on a mahogany plinth with silver plaque 38cm x 33cm overall, London 1969 Maker Edward Barnard & Son

£300 - 500

‘Tote Scoop 6 Stakes Haydock Park 3rd September 1999’ - Silver filled model of a horses head on a mahogany plinth H20cm x W18cm, Sheffield 1999 Maker Camelot Silverware Ltd

£50 - 100

‘The Northern Goldsmiths Sweepstakes 1975, Winner Aviator, Owner Guy Reed, Trainer Sam Hall’ - A silver trophy modelled as two fighting cockerels on an ebonised plinth with plaque, H24cm x W38cm, import mark and makers mark for Israel Freeman & Son

£500 - 800

‘The Ballyogan Stakes, Leopardstown 2005’ Bronze resin model by David Geenty of a racehorse with jockey up on wooden base, 26cm x 33cm

£50 - 80

‘Southwell, Winner 1995’ - bronzed resin trophy by David Geenty of a racehorse with jockey up on oval wooden base, signed, 30cm x 32cm

£50 - 80

‘Go Racing in Yorkshire Special Achievement Award, Guy Reed’ - Bronze resin figure of a racehorse with jockey up on wooden plinth 30cm x 35cm and another ‘Winning Owner Cadbury Cup July 2008 York Racecourse’ on wooden base, 30cm x 33cm

£50 - 100

‘The Weatherby’s Ireland Greenlands Stakes Gr3 Winner - The Curragh 26th May 2012’ - bronze resin group by Genesis Fine Art, Ireland with racehorse, jockey and lad on wooden base 34cm x 32cm and another of horse and jockey

£50 - 100

‘The Hearthstead Homes Stakes York 1996 won by Mr Guy Reed’s ‘Give me a Ring’ - Limited edition cold painted bronze by Cameron Sculptures of a racehorse with jockey up in Guy Reed’s racing colours, 20cm x 22cm

£50 - 100

Bronze resin horse racing trophy by Doris Lindsey in the form of horse’s head, two others by Robert Donaldson, various others and a number of plated challenge cups, variously engraved

£50 - 100

Halcyon Days rectangular box decorated with ‘Peach Trees in Colour’ after Van Gogh, the interior decorated with Guy Reed’s racing colours 8.5cm x 6.5cm and an oval enamel box by Toye, Kenning & Spencer with a horse racing scene, interior inscribed ‘Celebrating 25 years Timeform Charity Day’

£50 - 80

‘Winner Harp lager Handicap York 10th July 1976’ - Harp on a marble base H23cm, Royal Selangor trophy in the form of a jockey, pair of Royal Selangor horses head stirrup cups pair of York Races plated salvers, ‘Art in the City’ model of a racehorse, pair of Italian silvered metal horses and other similar items

£50 - 100

Horse Racing membership badges and passes for owners and trainers, mostly for York Racecourse from the 2000s

£40 - 60

Stella Reading - Ostrich egg painted with a view of Copgrove Hall with the stables and grounds and on a plated stand, signed and dated 1985, H16cm overall (images: various angles)

£50 - 80

‘Winner The Harworth Estates Handicap Stakes, Pontefract 8th July 2008’ - Bronzed resin horses head by Doris Lindsey on wooden base 21cm x 20cm , another ‘Tote Scoop6 6th November 1999, signed with initials ‘CD’ and two others

£50 - 100

Orrefors glass decanter ‘Sussex Stand 1990’, glass ships decanter with silver collar ‘Graham’s Vintage Port’, silver decanter label, boxed, French blue glass bowl on pewter stand ‘Deauville 2012, Atlantis Gulotta glass vase etched with a racehorse H21cm and other glass with racing connections

£50 - 100

‘Channel Four Trophy 1999 Flat Season’ - glass trophy on a wooden pl,inth won by ‘Flossy’, owned and bred by Guy Reed, Wedgwood black basalt vase ‘Ribero Stakes Doncaster 1978, other items with racing connections and a glass vase with silver collar

£50 - 100

Large plated quaiche with Ayr racecourse inscription D23cm, plated challenge cup and cover ‘Sandown Park’, and other plated items variously engraved

£50 - 80

Collection of glass to include two presentation cups inscribed ‘York Racecourse - Winning Owner’, Bohemian glass and ‘Lovers’ decanters, Edinburgh Crystal ice bucket, Murano Rooster and others

£50 - 100

Late 19th century Bohemian white overlaid cranberry glass pedestal bowl, with fancy scalloped rim and cut with oval and fleur de lis shaped panels, each enamelled with ‘Reynard the Fox’ anthropomorphic animals, after the illustrations by Wiilhem Von Kaulbach, within gold borders with gilt scrolling decoration, supported by a slice cut circular spreading foot with further gilt decoration, H28.5cm x W22.5cm

£400 - 600 51

Near pair of large 19th century cut glass table lamps, each of columnar form with diamond cut tapering stem and silver plated Corinthian capital, raised upon a circular faceted foot (one slightly smaller), the tallest - H71cm

£300 - 500

18th century Bilston enamel patch box, of circular form with pierced hinged cover decorated in polychrome enamel with a crown amongst floral sprigs, possibly made for the 1760 Coronation, D4.3cm

£70 - 100

Pair of late 19th century Austrian silver and enamel vases by Hermann Böhm, of baluster form, overall decorated the top depicting musical scenes and oratory with reclining figures in togas, the ovoid bodies painted with Dithyramb scenes portraying Dionysiac worshippers playing the cymbals, pan pipes and lyre, with a dancing Maenad bearing a Thyrsus beside, and surrounding figures consuming wine, the domed pedestal feet depicting the Greek gods observing from the clouds with Putti, and recovering a lost statue from ploughed fields, within foliate silver mounts, marked A for Vienna and maker’s mark HB, H21cm

£800 - 1,200

George III South Staffordshire enamel oval patch box, the slightly domed hinged cover painted with an oval portrait of a young girl and dove and inscribed ‘The Gift of a Friend’, within gilt and white beaded borders, raised upon a blue base, L5cm x H2.5cm

£50 - 100

Pair of 19th century Sevres pattern porcelain and ormolu six light candelabra, each with branches cast as lilies, carnations etc, the two handled vase shaped base with oval panels painted with cherubs amongst flowers on a bleu de ciel surround and raised on an ormolu foliate stem and circular base with scrolling bracket feet, H76cm

£500 - 1,000

19th century French Sevres style porcelain and gilt brass urn, the body painted with panels of exotic birds and floral sprays within gilt borders on a bleu celeste ground, the handles formed as two cherubs seated upon grasses, upon a laurel leaf cast pedestal base, H20.5cm

£150 - 250

19th century French Sevres style porcelain and gilt brass table top writing box, the fall front painted with three figures in a woodland landscape, within a gilt border on a bleu celeste ground, the side panels depicting floral sprays, the top with removable porcelain inkwell and pounce pot, beaded gilt metal border with four lion paw supports and pink velvet fitted interior, L28cm x H14cm

£300 - 500

19th century Sevres style porcelain and gilt brass casket, the fall front hinged cover painted with a courting couple in a landscape within raised gilt border on on a bleu celeste ground, the side panels depicting floral sprays and a further courting couple, within gilt brass scroll borders, L20cm x H12.5cm

£200 - 400

19th century Sevres style porcelain and gilt brass blotter, the rectangular plaque painted with three cherubs in various pursuits, within a gilt floral and scroll border, with four further panels painted with flowers, on a bleu celeste ground, within an engraved gilt brass border, 29cm x 22cm

£100 - 200

60

19th century porcelain and gilt brass mounted casket, of waisted rectangular form, the hinged cover painted with Georgiana, Duchess of Devonshire and her child Georgina Dorothy Cavendish, after Sir Joshua Reynolds, within a gilt border on green ground, the sides painted with panels of landscapes within acanthus moulded corners, Derby mark beneath, L14cm x H6cm

£70 - 100

Late Victorian Copeland Majolica pedestal, circa 1850 - 1870, the cylindrical column moulded in relief with a frieze of Classical figures in cream on a cobalt glazed ground, the borders with coloured flower garlands and tortoiseshell mottled top, H62cm x D35cm

£400 - 600

Pair of white porcelain candlesticks, originally candelabra, modelled as two cherubs holding a woven basket of flowers, perched before a tree trunk, possibly by Montreuil-sous-Bois, double crossed swords mark beneath and incised no. 1533, H23cm x W16.5cm

£100 - 150

Large early 20th century Royal Dux figure of a nude female bather, seated upon a rocky base, model no. 1379, applied triangle mark beneath, H49cm

£200 - 400

Zsolnay Pecs reticulated pedestal bowl, of goblet form, H10.5cm together with two Zsolnay style vases

£40 - 60

Large Italian composite nude figure of Aphrodite holding the cataclysmic golden apple of discord in her hand, on circular base, H65cm

£50 - 100

Pair of 19th century French porcelain jardinieres, in the style of Jacob Petit, each of square form, the body painted with panels of exotic birds and sprays of flowers, below a scroll and gilt moulded border, raised upon four swan feet and scroll base, unmarked, H34cm x W20cm

£80 - 120

Pair of Ernst Bohne Söhne flower-encrusted vases, of square section form, H19cm together with four Samson porcelain armorial vases

£40 - 60

Porcelain model of a bear and cubs, possibly Russian, bearing Gardener marks beneath, and a large pottery model of a parrot, indistinct impressed marks beneath, H35cm

£40 - 60

Ten Staffordshire models including pocket watch stands, flatbacks and figures, H36cm

£40 - 60

19th century Derby style porcelain model of a ram, stood before a bocage on scroll base, H15cm, pair of Faience candlesticks, another Faience candlestick, 19th century porcelain basket, hand painted with floral sprays, L18cm and a Royal Doulton jug designed by Frank Brangwyn etc

£70 - 100

Large Victorian Minton Lazy Susan decorated with red Willow pattern, D56cm

£50 - 100

Tuscan China dinner, tea and coffee service, decorated in the ‘Knightsbridge’ pattern no. F503, comprising thirteen dinner plates, twelve side plates, three graduated oval platters, four vegetable tureens, eight soup bowls & twelve saucers, pair of sauceboats & stands, twelve teacups & saucers, ten coffee cups & eleven saucers, twelve tea plates and a pair of sandwich plates

£50 - 100

74

Pair of 18th century Chinese Export blue and white parcel gilt lidded tureens, each of twin handled oval form, decorated with buildings and landscape scenes within geometric and cell borders, with fruit finials, L33cm x H26cm approx

£100 - 200

73

18th century Chinese Export blue and white part dinner service, comprising four soup bowls, four tea plates, sauceboat and stand, five dinner plates, D24cm, five bowls and a smaller plate, each decorated with pagodas and figures in a landscape, within foliate and cell borders, together with three matching 18th century Chinese Export rectangular platters, max L29cm

£400 - 600

Six 18th century Chinese Export blue and white platters, each of rectangular canted form decorated with various landscape scenes, within foliate borders, max L45cm

£400 - 600

Pair of 18th century Chinese Export famille rose porcelain dishes, enamelled with figures and children in a garden setting within an iron red quatrefoil border, D12cm, together with three famille rose plates, D23cm and two bowls

£100 - 150

Set of nine Chinese Qianlong famille rose plates, comprising two large circular serving plates centrally enamelled with a blossoming tree branch and bamboo, within a cell diaper border, D32cm, and seven side plates with matching decoration, D22.5cm

£300 - 500

Pair of 19th century Chinese blue and white sleeve vases, each of cylindrical form with flared rim, painted with exotic birds amongst foliate sprays, four character Kangxi mark beneath, H21cm

£100 - 200

19th century/early 20th century Chinese Canton blue and white bowl, centrally decorated with a landscape scene, within a famille rose enamelled border and scalloped rim, D26cm together with a Japanese Meiji Imari fluted bowl, decorated cranes, fans and scholar, D24cm

£40 - 60

Japanese Edo period, 18th century imari decorated vase, of octagonal form with flared rim, decorated with panels of birds amongst flowering branches and a vase of flowers, H42.5cm

£100 - 150

Japanese Meiji porcelain twin handled vase, the body decorated male and female figures in fenced gardens, in opposing panels, against a chrysanthemum and blossom ground, H36cm together with a Japanese Meiji Satsuma ‘Sack’ vase, the body of ovoid form, enamelled with sages amongst cherry blossom, H29cm

£70 - 100

Japanese Edo period, 18th century porcelain jar and cover, decorated in the imari palette with branches of chrysanthemums, H18cm x D13.5cm

£100 - 150

Japanese Meiji period porcelain double gourde vase, painted in blue with birds perched on a blossoming tree, within scroll and foliate borders, impressed seal mark beneath, H43.5cm

£70 - 100

After the Antique - Green patinated bronze modal of a rearing Tang horse on rectangular base, 46cm x 44cm

£300 - 500

Large Chinese Tang style model of a horse, H50cm together with an Attic style amphora vase, H29cm

£70 - 100

Herend porcelain group of a mare and foal painted in coral and white, L13cm

£80 - 120

Large Royal Worcester figure ‘Bali’, modelled as a Balinese Dancer, modelled by Agnes Pinder-Davis, dated 1959, model no. 3473, H44.5cm

£200 - 300

Two Halcyon Days limited edition enamel boxes after L S Lowry, comprising ‘Market Scene, Northern Town’, no. 108/200 and ‘Coming from the Mill’ no. 188/200, with certificates, L8.5cm

£70 - 100

Halcyon Days enamel clock in the form of a terrestrial globe, H10cm, together with a small Halcyon Days enamel pill box ‘Never economise on luxuries’

£40 - 60

Pair of Moser style ruby and gilt glass goblets, H22cm, Bohemian cranberry and clear glass vase, with hexagonal faceted stem, Victorian glass dump, large glass paperweight with bubble inclusions and a Caithness paperweight

£50 - 70

Dartington Ripple pattern fruit set comprising thirty bowls and serving bowl and a number of plain glass champagne saucers

£50 - 80

Set of King’s pattern silver plated table cutlery comprising eight soup spoons, nine table forks, nine dessert forks, ten table knives, ten cheese knives, three table spoons, carving set and a quantity of fish cutlery

£50 - 100

After Isidore Jules Bonheur (1827-1901): Large bronze equestrian group of Racehorse and Jockey on shaped naturalistic base, 57cm x 67cm

£800 - 1,200

After Isidore Jules Bonheur (1827-1901): Large bronze of a racehorse ‘Jongleur’ with his jockey Edgar Rolfe on naturalistic rectangular base, 56cm x 60cm

£600 - 800

After Pierre-Jules Mene (1810-1879) - ‘L’Accolade’ (The Embrace) a bronze group of two horses with their necks crossed standing on a shaped oval base signed ‘P J Mene’, H36cm x W51cm

£500 - 800

Bernard Winskill (d1980)‘Upsides on High Moor’ a bronze group of two horses and riders, signed, on wooden base, 45cm x 48cm

£700 - 1,000

20th century carved silvered wood crest of a lion holding a wreath, possibly a horse tether, on circular wooden plinth, H37cm

£70 - 100

Pair of 19th century French spelter figures

‘Eloquentia’ and ‘Prudentia’ on wooden bases, H52cm

£50 - 80

Pair of Art Deco onyx and bronzed spelter bookends modelled as two marching elephants with ivory tusks, H22cm. This item has been registered for sale under Section 10 of the APHA Ivory Act

£70 - 100

100

Early 20th century Cairoware brass charger with copper and white metal inlay D64cm, together with a large Eastern brass charger D97cm

£50 - 100

101

19th century Venetian carved wood classically draped standing female figure, polychrome decorated in blue and gilt and on a gilded base with a flower head and scrolls, H66cm

£300 - 400

102

Oak and brass banded fire bucket decorated with the Royal Coat of Arms with liner and rope twist handle H30cm, together with a Dunhill ‘The White Spot’ faceted mahogany tobacco jar and cover

£60 - 80

103

Two cases of six plated lobster picks by Garrards, pair of plated three light candelabra, Victorian plated coaster, plated salver and assorted cutlery

£50 - 80

104

Metal model of an 1883 Gatling gun, the brass barrel revolving when arming lever is turned with brass plate inscribed ‘Hartford, Conn.’ L36cm, together with a limber L39cm

£100 - 150

105

Miniature replica suit of armour and sword, of medieval English fashion, with articulated arms and visor, on square oak plinth, H64cm

£70 - 100

106

English School (Mid-19th century): Three Prize Pigs, oil on canvas unsigned inscribed ‘These three pigs took first prize at Birmingham ... 1860, pigs were bred by Sir G O Wombwell and sold for £39...’, undated c.1860, 54cm x 73cm

Notes: Sir George Orby Wombwell, 4th Baronet (1832-1913) (Newburgh Priory, Coxwold, York, North Yorkshire) fought in the Crimean War (1853-1856) and took part in the Charge of the Light Brigade, before inheriting his title in 1855, and in 1861 served as High Sheriff of Yorkshire.

£800 - 1,200

Harry Hall (British 1815-1882): ‘Adventurer’ a Dark Bay Racehorse Standing in a Farmyard, oil on canvas signed and dated 1882, 70cm x 90cm

Notes: Adventurer was one of Newminster’s sons and a well respected racehorse in the late 19th century; after retirement he became a successful stallion himself

£1,500 - 2,500

108

Jacqueline Stanhope (Scottish 1963-): ‘La Cucaracha’ a Bay Racehorse with Copgrove Hall Beyond, oil on canvas signed and dated 2005, 100cm x 136cm

Notes: La Cucaracha was owned by Guy Reed and bred at Copgrove Hall, she was a specialist sprinter trained at Lambourn by Barry Hills. La Cucaracha secured a Group One success in 2005 in the Nunthorpe Stakes at York

£500 - 800

109

Jacqueline Stanhope (Scottish 1963-): Winnebago, Flossy and Peggy Spencer with Foals in a Paddock, probably at Copgrove, oil on canvas signed, 49cm x 80cm

£300 - 500

110

Jacqueline Stanhope (Scottish 1963-): Winnebago - a Bay Racehorse and her Chestnut Yearling Resting in a paddock, probably at Copgrove, oil on canvas signed, 29cm x 44cm

£200 - 300

111

Jacqueline Stanhope (Scottish 1963): A Head Portrait of ‘La Cucaracha’ a Bay Racehorse, oil on canvas signed 30cm x 24cm, together with a similar signed print, 40cm x 51xm

£100 - 200

113

Roy Miller (British 1938-): ‘Apache’ a Dark Bay Racehorse with Jimmy Bleasdale Up in Guy Reed’s colours - Goodwood, oil on canvas signed and dated ‘88, inscribed verso 75cm x 100cm, together with a similar print signed by the artist and Lester Pigott,, 33cm x 27cm

Notes: Apache was owned and bred by Guy Reed at Nidd Hall Stud; in 1988, Apache triumphed in the Chesterfield Cup at Goodwood

£400 - 600

112

Roy Miller (British 1938-): ‘Croisette’ a Dark Bay Racehorse with Jimmy Bleasdale Up in Guy Reed’s colours - Ayr Racecourse, oil on canvas signed and dated ‘78, inscribed verso, 60cm x 75cm

Notes: Croisette was Jimmy Bleasdale’s first mount and victory, winning their first race in 1975 at Redcar

£300 - 500

114

Roy Miller (British 1938-): ‘Sweet and Lovely’ a Dark Bay Racehorse with Jimmy Bleasdale Up in Guy Reed’s coloursAscot, oil on canvas signed and dated ‘79, inscribed verso, 60cm x 75cm

Notes: Sweet and Lovely was owned and bred by Guy Reed at Nidd Hall Stud

£300 - 500

115

Minton (British Contemporary): Portrait of a Jockey in Guy Reed’s Colours - Probably Jimmy Bleasdale, oil and gouache on board signed and dated ‘02, 43cm x 33cm

£100 - 200

116

Margaret Barrett (British 1939-): Mares and Foals on a Lakeside Bank and Shire Horses Driving a Hay Wagon Across a River, pair oils on canvas signed, 50cm x 75cm

£100 - 200

117

William Norman Gaunt (British 1918-2001): Herd of Horses Being Driven Through a Street, oil on board signed, 75cm x 100cm

£300 - 500

118

William Norman Gaunt (British 1918-2001): Two Working Horses Going Home, oil on board signed, 60cm x 89cm

£100 - 200

120

119

William Norman Gaunt (British 1918-2001): Taking a Shire Horse to Water, oil on board signed, 60cm x 75cm

£100 - 200

121

William Norman Gaunt (British 1918-2001): ‘Lazy Day’ Leading Horses and ‘Gypsy Horses at Appleby Fair’, set 3 watercolours signed, max 25m x 36cm

£200 - 300

William Norman Gaunt (British 1918-2001): ‘A Pause in the Hunt - Lunesdale Harriers’ and Hunting by the Peaks, pair watercolours signed, 25cm x 36cm

£150 - 250

122

William Norman Gaunt (British 1918-2001): ‘Going to the Start’ and a Horse and Cart in ‘Ullswater’, pair watercolours signed, max 29m x 38cm

£150 - 250

123

William Norman Gaunt (British 1918-2001): Children Playing with Donkeys on the Beach, oil on board signed, 60cm x 90cm

£400 - 600

124

William Norman Gaunt (British 1918-2001): Children Riding Donkeys Across the Beach, oil on board signed, 75cm x 100cm

£400 - 600

125

William Norman Gaunt (British 1918-2001): Children Watching Punch and Judy and Children Playing with a Dalmatian on the Beach, pair oils on board signed, 50cm x 60cm

£400 - 600

126

William Norman Gaunt (British 1918-2001): A Woman in a White Hat Tending the Chickens, oil on board signed, 50cm x 60cm

£150 - 250

127

William Norman Gaunt (British 1918-2001): A Girl Minding Poultry in a Country Landscape, oil on board signed, 60cm x 75cm

£200 - 400

128

Percy Morton Teasdale (Staithes Group 1870-1961): Thatching Haystacks ‘By the River Bank’, oil on canvas signed, inscribed on artist’s address label verso, 62cm x 75cm

£400 - 600

129

Joseph Alfred Terry (Staithes Group 18721939): Sleights near Whitby, watercolour indistinctly signed, 26cm x 38cm

Provenance: probably bought from Christies

South Kensington at the Joseph Terry studio sale July 1986

£100 - 200

130

Joseph Alfred Terry (Staithes Group 18721939): Scottish Glen Landscape, watercolour indistinctly signed, 21cm x 27cm

Provenance: Probably bought from Christies

South Kensington at the Joseph Terry studio sale July 1986

£100 - 200

131

£400

Edward Henry Holder (British 1847-1922): Sheep Grazing in a Countryside Pasture, oil on canvas signed, 31cm x 84cm

- 600

132

J Insall (British 19th/20th century): ‘River Nidd’, pair oils on canvas signed and inscribed, in matching gilt and gesso foliate moulded frames, 40cm x 29cm

£150 - 250

134

James Millar Mackay (British 1863-1936): Horse Watering in a Duck Pond by a Thatched Cottage, watercolour signed and dated 1910, 19cm x 29cm

£100 - 200

136

Arthur Claude Strachan (Scottish 1865-1938): Feeding Chickens by the Thatched Cottage, watercolour signed, 34cm x 50cm

£200 - 300

133

Richard William Halfnight (British 1855-1925): Sunset over the River, oil on canvas signed, 59cm x 90cm

£80 - 120

135

Richard Henry Brock (British 1871-1943): Cows Watering in a River, watercolour signed and dated 1906, 25cm x 42cm

£50 - 80

137

Harold Lawes (British 1865-1940): ‘Autumn’, watercolour signed, 33cm x 48cm; Dorothy Livermore (British Early 20th century): Cottage Garden in Bloom, watercolour signed, 27cm x 38cm

£50 - 100

138

Scottish School (Early 20th century): Cottage by Highland Loch, watercolour unsigned 43cm x 61cm; G Scott (British Early 20th century): York Street Scene, watercolour signed, 35cm x 27cm

£40 - 60

139

EWH (British Early 20th century): Watering the Cows and Horses, pair watercolours signed with monogram, 33cm x 50cm

£100 - 200

140

Maria Gianni (Italian 1873-1956): The Bay of Naples with a Smoking Mount ‘Vesuvius’ Beyond, watercolour signed, inscribed on the mount, 30cm x 48cm

£200 - 300

143

G F Day (British 20th century): Interior Scene of a Collector’s Study, watercolour signed and dated 1962, 57cm x 38cm

£50 - 80

141

Edwin St John (British 18781961): ‘Lake Lugano’, watercolour signed, inscribed on the mount, 48cm x 29cm

£50 - 80

142

G Rovini (Italian Early 20th century): The Continental Flower Market, pair watercolours signed, 54cm x 35cm

£50 - 80

144

English School (Early 20th century): Edwardian Tavern Scenes, set four sanguine and black chalk on buff paper unsigned, 74cm x 46cm £400 - 600

145

Pamela Cornell (British 1928-1987): ‘The Party at Henley Regatta’, oil on canvas signed, inscribed and dated 1979 verso, 101cm x 126cm

£400 - 600

146

Pamela Cornell (British 1928-1987): ‘Jubilee Celebrations’ God Save the Queen 1837-1897, oil on canvas signed, inscribed and dated 1974 verso, 68cm x 89cm

£300 - 500

147

Pamela Cornell (British 1928-1987): ‘Music by the Sea’ - the Tiger’s Promenade, oil on canvas signed, inscribed and dated 1974 verso, 68cm x 88cm

£300 - 500

148

Pamela Cornell (British 1928-1987): ‘Gossiping’ at the Corner of Bell Lane and Sheep Street, oil on canvas signed, inscribed and dated 1978 verso, 59cm x 74cm

£200 - 300

149

Pamela Cornell (British 1928-1987): ‘Iolanthe’ Barge Scene, oil on canvas signed, inscribed and dated 1977 verso, 49cm x 75cm

£100 - 200

150

Pamela Cornell (British 1928-1987): A Harvest Lunch at ‘Noon’, oil on canvas signed, inscribed and dated 1978 verso, 65cm x 100cm

£100 - 200

151

Helen Bradley (British 19001979): The Four Seasons - ‘Spring’ ‘Summer’ ‘Autumn’ and ‘Winter’, set four limited edition colour prints signed in pencil with blindstamp, 25cm x 33cm

£100 - 200

152

Patrick Ciranna (French 1950-): The Musicians, pair oils on canvas signed, 54cm x 45cm

£100 - 200

153

Russian School (Mid-20th century): Children at the Playground, pair oils on board indistinctly signed A Mukhina or A Choukina inscribed and dated 1961 and 1963, 12cm x 18cm

£50 - 100

154

John Strevens AKA Frederic John Lloyd (British 1902-1990): ‘A Winter Walk’, oil on canvas signed, inscribed verso, 60cm x 75cm

£200 - 400

155

Gisèle Belleud (French 1921-2019): Portrait of ‘Anna Maria’ an Elegant Lady Holding an Umbrella, oil on canvas signed, titled and dated 1981 verso 53cm x 45cm

£50 - 100

156

John A Blakey (British 1952-): Half-Length Portrait of a Girl Wearing a Floral Shawl, watercolour signed and dated ‘90, 49cm x 39cm

£200 - 300

157

Lai Fong of Calcutta (Chinese fl. 1890-1910): Portrait of a Victorian Lady Wearing a Black Gown and Gold Brooch, oil on canvas signed and dated 1897, probably a member of the Reed family, 40cm x 32cm; together with the associated Victorian 9ct gold three stone citrine brooch as worn by the sitter

Notes: Lai Fong was a Chinese painter who was active in Calcutta from 1870-1900, who primarily painted ship’s portraits

£200 - 300

158

Richard Whittlestone (British 1963-): Highland Cattle with Copgrove Hall Beyond, acrylic on card signed and dated 1996, 51cm x 83cm

£50 - 100

160

159

Richard Whittlestone (British 1963-): Study of a Cockerel, acrylic on board signed, 24cm x 29cm

£50 - 100

Richard Whittlestone (British 1963-): ‘Siberian Tiger Portrait’ and Portrait of a Leopard, pair of acrylic on board signed and dated 2001, 38cm x 47cm

£200 - 300

161

David Shepherd (British 1931-2017): ‘Tiger in the Sun’, colour print signed and numbered 209/850 in pencil, 53cm, x 95cm

£100 - 150

162

David Allen (British 1945-): Still Life of a Teapot and Apples on a Table, pastel signed, 34cm x 46cm

£80 - 120

163

English School (19th century): ‘Alexander Apple’ ‘Queen Pine’ ‘Moorpark Apricot’ and ‘Brunswick Fig’, set four 19th century lithographs with hand-colouring pub. James Anderson ‘The New Practical Gardener’, 22cm x 16cm

£50 - 100

164

Chinese School (20th century): Geishas Feeding Birds from Window, pair reverse paintings on glass unsigned 47cm x 30cm; together with a Japanese Shibayama design lacquered panel decorated with birds and a modern Geisha portrait

£100 - 200

165

Terry Cryer (British 1934-2017) ‘Troy Game NSCD (Northern School of Contemporary Dance)’, gelatin silver print, signed titled and dated 1988 in pencil, 22cm x 27cm

£50 - 80

166

Anthony Mosley (British 20th century): Prize Bull, colour photograph signed in pen, 50cm x 76cm

£40 - 60

167

John Grant (British 20th century): ‘Warpath’ Winner at Goodwood 1972 with owner Guy Reed, colour photograph 25cm x 30cm; with set of four other similar horse racing photographs, depicting a jockey in Guy Reed’s colours on a dappled grey racehorse at Epsom Derby, and similar with a dark bay, max 39cm x 49cm

£50 - 80

168

Stevenard of Boulogne - an early 19th century French porcelain clock and matching plinth in the Rococo style, with a scrolling case incorporating floral decoration on a blue ground and two seated lovers in 18th century costume, white enamel dial, with roman numerals, minute track and steel moon hands, twin train 8-day countwheel movement with a silk suspension, striking the hours and half hours on a bell. Makers name on the dial and engraved on the movement backplate. With pendulum

H60cm L23cm D15cm

£300 - 400

169

French-mid 19th century 8-day gilt and porcelain mantle clock with a break front plinth raised on paw feet, with recessed rectangular porcelain panels depicting two lovers and floral decoration, drum cased movement with a porcelain dial supported on two matching scroll supports, surmounted with a tapered porcelain urn and gilt finial, dial with cartouche Roman numerals on a blue ground and a depiction of cupid to the dial centre, twin train rack striking movement, striking the hours and half hours on a bell. With Pendulum and key

H45cm L28cm D12cm

£50 - 80

170

Chevallier of Paris - An early 19th century French Louis XV style white marble and gilt mounted portico clock surmounted by a figure from classical antiquity, with a drum case supported on a pair of reeded and tapered supports with celestial finials raised on a rectangular plinth base, with a white enamel dial with Roman numerals, five minute Arabic’s, minute track and makers name, 8-day twin train countwheel movement with a silk suspension, striking the hours and half hours on a bell. With pendulum H60cm L40cm D17cm

£500 - 800

171

Two late 20th century brass cased carriage clocks - one with a quartz battery movement, circular enamel dial, gilt mask and pierced foliate decoration, the other with a rectangular enamel dial, 8-day single train spring driven movement and alarm

H12cm L8cm D7cm

£50 - 80

172

Sewills mahogany and brass cased ships type clock, with brass presentation plaque inscribed ‘Boroughbridge Cold Store Project 1997’, H24cm, Clevedon aneroid barometer, L57cm

£50 - 80

173

Mouseman - circa. 1920s adzed oak settle or bench, the cresting rail carved with inscription ‘Before Honour is Humility’, four panel back and plank seat on shaped end supports carved with grotesque masks terminals, carved with mouse signature, by Robert Thompson of Kilburn H104cm L125cm D56cm

£4,000 - 6,000

174

Mouseman - oak ashtray, rectangular form with canted and rounded corner, carved with mouse signature, by the workshop of Robert Thompson, Kilburn, 10cm x 7.5cm

£50 - 100

175

Mouseman - oak ashtray, rectangular form with canted and rounded corner, carved with mouse signature, by the workshop of Robert Thompson, Kilburn, 10cm x 7.5cm

£50 - 100

176

Mouseman - unusually large oak ashtray, rectangular form with canted and rounded corners, carved with mouse signature, possibly for a cigar, by the workshop of Robert Thompson, Kilburn, 15.5cm x 14cm

£100 - 150

177

Mouseman - unusually large oak ashtray, rectangular form with canted and rounded corners, carved with mouse signature, possibly for a cigar, by the workshop of Robert Thompson, Kilburn, 15.5cm x 14cm

£100 - 150

178

Mouseman - unusually large oak ashtray, rectangular form with canted and rounded corners, carved with mouse signature, possibly for a cigar, by the workshop of Robert Thompson, Kilburn, 15.5cm x 14cm

£100 - 150

179

Mouseman - unusually large oak ashtray, rectangular form with canted and rounded corners, carved with mouse signature, possibly for a cigar, by the workshop of Robert Thompson, Kilburn, 15.5cm x 14cm

£100 - 150

180

Mouseman - circular tooled oak fruit bowl, carved with mouse signature, by the workshop of Robert Thompson, Kilburn, D28.5cm

£200 - 300

Edwardian Adam Revival break-bowfront quadruple green-painted and parcel gilt wardrobe, the projecting acanthus leaf moulded cornice surmounted by urn with trailing flower heads, two central panelled doors enclosing linen slides, decorated with oval painted panels depicting maidens with flowers and scrolled acanthus leaves with floral festoons, two short and two long drawers below, flanked by full-height panelled doors enclosing hanging rails and hooks, foliate moulded plinth base

H245cm L245cm D76cm

£800 - 1,200

Edwardian Adam Revival green-painted and parcel gilt 5’ Kingsize four poster bedstead, acanthus leaf moulded canopy with curled feather finials, on four turned posts painted with acanthus leaves and draped festoons, shaped arch headboard with painted oval panel depicting maidens of love leading a chariot holding Eros, with craquelure finish, dressed in silk curtains decorated with floral bouquets H261cm L162cm D213cm

£800 - 1,200

Edwardian Adam Revival green-painted and parcel gilt kidney-shaped dressing table, raised triple mirror back with shaped cresting, leather inset top within a trailing floral painted band and foliate carved edge, fitted with five drawers decorated with urn and floral bouquets, on turned supports painted with acanthus leaves and draped festoons; together with matching stool with cane seat H152cm L113cm D53cm £300 - 500

184

Edwardian Adam Revival green-painted and parcel gilt bowfront chest, moulded and foliate carved top painted with trailing floral band, fitted with four drawers decorated with trailing floral festoons, ribbon ties and urns, oval handle plates with engraved decoration and bead cast handles, on turned supports decorated with acanthus leaves and draped festoons

H122cm L94cm D50cm

£300 - 500

186

Edwardian Adam Revival green-painted and parcel gilt bedside lamp table, break bowfront drop-leaf top with foliate carved edge, the top painted with oval panel depicting three putto celebrating the harvest with wheat sheaves and fruit, within trailing floral band, fitted with single drawer and double cupboard, on turned supports decorated with acanthus leaves and draped festoons

H97cm L65cm D52cm

£150 - 250

185

Pair of Edwardian Hepplewhite Revival greenpainted open armchairs, cane work shield back with central oval panel panted with putto set upon rocky landscape with water and trees, shaped and rolled arms enclosing cane work seat, on turned front supports decorated with acanthus leaves and draped festoons

H97cm L65cm D52cm

£300 - 500

187

Edwardian Adam Revival green-painted and parcel gilt kneehole desk or dressing table, kidney shaped form with foliate carved edge, fitted with three drawers painted with urn and fruiting laurel wreaths with ribbon ties, on acanthus leaf and draped festoon decorated turned supports

H79cm L114cm D53cm

£150 - 250

189

19th century gilt wood and gesso settee, upholstered in repeating floral pattern fabric, rolled arms decorated with trailing bead moulding and acanthus leaf, the seat rail with flower head band, on twist turned and foliate carved feet with brass castors

H77cm L162cm D72cm

£400 - 600

191

188

Pair of large bronzed resin figural table lamps, modelled as a young woman and cherub, issuing three naturalistic branches, entwined with flowering tendrils, with three frosted glass shades, on simulated marble base, H84cm

£80 - 120

190

James Shoolbred & Co. (London: 1814-1934)pair of late 19th century giltwood French design stools, shaped seat upholstered in floral pattern fabric, on shell carved cabriole supports with scrolled terminals, united by shaped X-frame stretchers, with ivorine maker’s label inscribed ‘Jas Shoolbred & Co.’

H45cm L47cm D47cm

£300 - 400

James Shoolbred & Co. (London: 18141934) - pair of late 19th century French design giltwood window seats, upholstered arms and seat in floral pattern fabric, on cartouche carved cabriole supports with scrolled terminals, with ivorine maker’s label inscribed ‘Jas Shoolbred & Co.’

H65cm L 78cm D45cm

£400 - 600

193

192

Pair of Lous XVI style ormolu three branch wall sconces, with scrolling foliate backplates and leaf-capped reeded scrolling branches, converted to electricity, H68cm L41cm

£150 - 250

Early 20th century French walnut bijouterie table, shaped serpentine form, hinged lid inlaid with scrolling leafy branches and shells, fabric-lined interior, on cabriole supports with silvered cast metal mounts depicting female mask with shells and scrolled foliate

H74cm L51cm D33cm

£100 - 150

194

Late 19th to early 20th century French Kingwood and gilt metal mounted vitrine display cabinet, red variegated marble top with raised gilt metal gallery, the frieze decorated with scrolling leafy branches, enclosed by single glazed door, fabric-lined interior fitted with two internal shelves, on cabriole feet

H139cm L67cm D34cm

£200 - 300

196

19th century inlaid walnut Italian Sorrento table, circular tilt-top with geometric star inlay and parquetry band decorated with stylised flowerheads, on turned column with three out splayed silhouette supports H74cm D71cm

£200 - 300

195

19th century Dutch marquetry cylinder bureau or desk, the cylinder roll inlaid with scrolling acanthus leaves and putti riding dolphins, hook scrolling border, the interior fitted with small drawers, pigeon holes and retractable writing surface, single drawer below inlaid with trailing foliate branches, on cabriole supports with gilt metal mounts

H102cm L97cm D47cm

£200 - 400

Late 19th century French gilt wood and gesso enclosed armchair, the cresting carved with floral bouquets over foliate moulding, upholstered in floral pattern fabric with repeating pattern, downswept arms with scrolled acanthus leaf terminals, on turned and fluted feet carved with foliage

H101cm L69cm D65cm

£300 - 500

199

198

Late 19th century Louis XVI design giltwood and gesso armchair, dished cresting rail decorated with trailing flower heads and foliage, moulded frame with ribbon twist and surmounted by turned finials, upholstered in floral pattern fabric with repeating pattern, on turned and fluted supports

H113cm L65cm D75cm

£300 - 500

George III mahogany wine cooler or cellarette, the pointed hinged lid with turned final, square tapering body with applied geometric mouldings, on gilt metal and foliate cast ball and claw feet, with metal liner

H57cm L31cm D31cm

£300 - 500

200

Edwardian hardwood-framed armchair, with rolled arms upholstered in red striped fabric, on square tapering front feet with brass and ceramic castors

H94cm L80cm D89cm

£150 - 250

201

19th century gilt metal mounted amboyna and rosewood collector’s cabinet on stand, the cabinet with projecting ebonised cornice with metal band over parquetry band, enclosed by two door with figured panels, shaped and pierced metal escutcheon plate and strap hinges with floral chased decoration, the interior fitted with a combination of small drawers, the rosewood stand fitted with single frieze drawer, on bulbous turned supports united by heavily turned stretchers, the stand bearing a marker’s label inscribed ‘Marsh, Jones, Cribb & Co. (image: closed and open view)

H169cm L102cm D57cm

£800 - 1,200

202

Pair of Victorian figured walnut tea tables, moulded serpentine fold-over top with quarter-matched veneers, on four shaped and moulded pillar supports with central finial terminating to out splayed supports, cartouche carved knees and scroll carved terminals, carved with curled foliate decoration, on brass and ceramic castors

H71cm L94cm D46cm

£1,000 - 2,000

Large early 20th century French gilt metal mounted vitrine, serpentine and bombe form, C-scroll pediment decorated with extending flower heads, shaped front enclosed by single glazed door and glazed with shaped glass panes with foliate cast edging, floral pattern silk lined interior fitted with two glass shelves and one lined shelf, hand painted with Vernis Martin design panels depicting garden courting scene and putti, on cabriole supports mounted by shell and C-scroll mounts

H243cm L162cm D55cm

£2,000 - 3,000

Victorian figured walnut breakfast or centre table, circular tilt-top with carved edge and quarter-matched veneers, turned pedestal with foliate carved baluster on three out splayed supports decorated with floral carvings and scrolled terminals, on brass castors

H72cm D137cm

£300 - 500

205

20th century Victorian design hardwoodframed nursing chair, spoon back over rolled arms upholstered in floral pattern gold silk fabric with pleated skirt, square tapering front feet on castors

H88cm L68cm D93cm

£500 - 800

206

19th century rosewood tripod table, circular tilt-top with gadroon carved edge, turned column with lobed bands and curled acanthus leaf carved baluster, three out-splayed supports with shell carved knees and scaled ball and claw feet

H72cm D65cm

Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968

£500 - 800

207

Elizabethan design oak 5’ Kingsize four-poster bed, the canopy with projecting moulded and gadrooned cornice over applied strapwork frieze, Ionic capital over tapering fluted posts with cup and cover balusters carved with gadroons and acanthus leaves, terminating to square supports with applied strapwork and split turnings, the panelled headboard carved with a coat of arms and inscribed ‘WJR’ dated ‘1857’, possibly for the Rawson Family who rebuilt Nidd Hall in 1825, with motto ‘Reddens Laudes Domino’, decorated with arcades and further applied strapwork, with floral and urn pattern chintz curtains and matching bedspread H232cm L171cm D220cm

Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968 £1,200 - 1,600

208

Edwardian chinoiserie decorated easel mirror, oval black lacquered and raised gilt work frame depicting figures within natural landscapes and wildlife, bevelled mirror plate, brass hinge on fabric lined back and shaped support (image: front & side view)

H83cm L55cm

£200 - 300

209

Pair of Venetian 18th century design figural polychrome painted console or torchère tables, green marbled demilune top with moulded scalloped edge, over a carved frieze in the form of white swags, the figural pedestal bearing a cornucopia, and dressed in a white turban and ostrich feather skirt over a down-scrolling acanthus support, standing upon a naturalistic rock carved base

H75cm L54cm D24cm

£300 - 500

210

Pair of Chinese table lamps, each of squat baluster form, decorated in the imari palette with panels of figures and blossoming flowers, with shades and hardwood bases, H47cm excluding fittings

£300 - 500

211

Howard & Son’s Ltd. - ‘Chaplin’ early 20th century hardwoodframed two-seat sofa, upholstered in floral pattern fabric decorated with palmettes, on square tapering feet with brass castors, each castor stamped ‘Howard & Sons Ltd. London’, the rear feet stamped ‘1516 4169’ ‘Howard & Sons Ltd. Berners St’ H86cm L250cm D103cm

£3,000 - 5,000

212

J. Maple & Co. (London: 1841-1988)Victorian black painted and parcel gilt twin pedestal desk, moulded rectangular top with rounded corners and cream leather writing surface, fitted with nine drawers, on moulded plinth base, stamped ‘J. Maple & Son’

H78cm L120cm D65cm

£300 - 500

214

Set of six Victorian walnut dining chairs, shaped balloon back carved with extending foliage over scrolled and pierced lower rail, upholstered in green fabric decorated with yellow dots, on cabriole supports; together with two similar Victorian chairs

H86cm L56cm D51cm

£100 - 150

213

Victorian mahogany frame settee, shaped cresting rail with fan carved cresting, upholstered in buttoned cream fabric with repeating floral pattern, low serpentine seat, shaped and pierced bracket feet, on brass castors

H76cm L110cm D61cm

£300 - 500

215

Large Victorian figured mahogany sideboard, raised rectangular back with moulded edge, breakfront top with gadroon carved edge and foliate carved corners, fitted with central drawer and flanking cupboards, cast lion mask and ring handles, on turned acanthus leaf and reed carved supports

H126cm L259cm D83cm

£300 - 500

217

216

Late 19th century French walnut bread safe or Panetière, shaped pediment with turned finials carved with central urn and extending foliate branches, enclosed by single door carved with ribbon tied wheat bunch and bird, spindle turned front and sides, the lower shaped apron carved with wheat stalks and central cartouche, on acanthus leaf and scrolled cabriole feet

H102cm L96cm D45cm

Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968

£200 - 400

19th century walnut dough bin, shaped and moulded hinged lid enclosing vacant interior, tapering rectangular form carved with central urn and extending leafy branches with flower heads, on trestle base with turned supports terminating to cabriole feet, united by shaped stretchers carved with floral decoration

H97cm L127cm D60cm

£300 - 500

218

Early 20th century mahogany cutlery stand, raised pierced handle over lidded compartment, on four out-splayed turned supports with brass cups and castors

H71cm L33cm D51cm

£50 - 100

219

Victorian rosewood prie dieu chair, the ears carved with curl leaves, upholstered in foliate pattern fabric, cabriole feet on brass castors

H112cm L51cm D62cm

£70 - 100

221

Pair of carved giltwood monopodiae console tables, rectangular Carrara white marble top on carved giltwood support, in the form of two C-scroll decorated with curled acanthus leaves and flower heads

H94cm L94cm D44cm

£400 - 600

220

Victorian walnut low stool, rectangular form with needlework cover, the frieze rails carved with trailing foliate decoration, on cabriole feet with scroll carved terminals

H34cm L120cm D83cm

£300 - 500

222

Mythically inspired ‘White Hart’ and glazed pedestal coffee table, rectangular glass top with rounded corners, raised on a figural pedestal in the form of a recumbent white and parcel-gilt painted stag, the upraised head and gold antlers supporting the top, with gilt mane and hooves

H46cm L130cm D72cm

£200 - 300

223

Grande Knole four-seat sofa, upholstered in geometric lozenge pattern cream fabric with burgundy and cream twist piping and fringe, on castors

H105cm L254cm D105cm

£500 - 800

224

Grande Knole four-seat sofa, upholstered in geometric lozenge pattern cream fabric with burgundy and cream twist piping and fringe, on castors

H105cm L254cm D105cm

£500 - 800

225

Pair of 19th/early 20th century brass standard oil lamps, the brass reservoir supported by an adjustable reeded column, upon a circular stepped base, on four shell feet, each with frosted glass shades, converted to electricity, H202cm

£300 - 500

227

E & S Gott (Pickering/Sawdon: 1979-present)pair of mahogany bedside lamp tables, moulded rectangular top over single cock-beaded drawer, fitted with brass swan neck handle, on square moulded supports with inner chamfer, the drawer stamped ‘Gott’s Pickering’

H72cm L61cm D46cm

£300 - 500

228

Edwardian mahogany revolving bookcase, square form with moulded top, two tiers with vertical moulded slats, on brass and ceramic castors

H81cm L54cm D54cm

£80 - 120

226

Victorian mahogany stretcher table, moulded rectangular top with rounded corners, on turned twin pillar supports united by turned and carved stretcher, on carved out splayed supports with brass and ceramic castors

H71cm L92cm D49cm

£50 - 80

230

229

Early Victorian figured mahogany reverse breakfront turret wardrobe, flanking triangular pediments over moulded cornice and figured frieze, seven graduating cock-beaded drawers to the centre, enclosed by two full height arch panelled doors with applied beading, on plinth base

H211cm L262cm D67cm

£300 - 500

232

231

Large Chinese baluster form table lamp, modelled as a vase and cover and painted with bamboo, flowers and rockwork, on hardwood base with shade, H54cm excluding fitting

£100 - 150

Early 19th century mahogany pole screen, moulded oval gilt wood frame enclosing needlework panel depicting a child, turned column terminating to three reed moulded and scroll supports, concaved platform on turned feet, H137cm

£50 - 100

Edwardian satinwood bow-front display cabinet, the frieze inlaid with ebony stringing and flanked by pierced architectural design galleries, the bowed glazed central doors flanked by astragal glazed panels with central star motif, enclosing two shaped shelves, raised on square tapering supports with pierced scrolling foliate brackets, united by a shaped under-tier, terminating to spade feet

H181cm L124cm D47cm

£80 - 120

233

James Shoolbred & Co. (London: 1814-1934)Edwardian mahogany washstand, rectangular white marble top over two frieze drawers with reed mouldings, on turned supports united by plain stretchers with brass and ceramic castors, the drawer stamped ‘Jas Shoolbred & Co.’

H74cm L122cm D57cm

£100 - 150

236

235

234

Pair of large Chinese blue and white baluster vases, decorated with flowers and leaves, on hardwood base, adapted as a lamps with shades, H69cm excluding fitting

£200 - 400

George III mahogany dressing cabinet, adapted to a drinks cabinet, figured book-matched top opening to reveal later fitted interior, the front inlaid with nine false drawers with brass handles, fitted with two small side drawers, on square tapering supports with brass cups and castors

H82cm L77cm D51cm

£200 - 300

William IV mahogany cellarette, the rectangular hinged sarcophagus top enclosing bottle dividers and metal liner, the front applied with flanking flat pilasters, fitted with pressed brass handle plates escutcheon, lower moulded edge over brass hairy paw feet

H55cm L53cm D49cm

£300 - 500

238

James Shoolbred & Co. (London: 1814-1934)

- late 19th century French design giltwood framed two-seat bergère settee, moulded frame with trailing twist ribbon and scrolled acanthus leaf pediment, reverse bow-fronted cane seat and cane sides, squab cushion upholstered in blue striped fabric, on turned and fluted supports

H96cm L105cm D72cm

£300 - 500

237

Carolean design walnut and oak wingback open armchair, the high wingback upholstered in light blue herringbone fabric, acanthus leaf carved arms with scrolled terminals and on scrolled supports, cane work seat with squab cushion and scatter cushion, the lower rail carved and pierced with putti holding crown surrounded by curled acanthus leaves, leaf carved S-scroll supports united by Scrolled X-framed stretchers

H142cm L82cm D85cm

£300 - 500

239

Large Victorian gilt wood overmantle mirror, shaped cresting rail with curled acanthus leaf pediment, the corners decorated with foliate C-scrolls and flower heads, curled foliage lower corner brackets, plain mirror plate

H270cm W216cm

£400 - 600

240

George II figured walnut escritoire, projecting moulded cornice over cavetto frieze with drawer, figured fall front revealing pigeonholes, a combination of drawers, central double cupboard and hidden drawers, fitted with two short and two long drawers, cast gilt metal escutcheons and drop handles, on turned feet

H169cm L131cm D52cm

£500 - 800

241

Edwardian inlaid mahogany reverse break bowfront desk, moulded satinwood banded top with inset leather writing surface, fitted with nine drawers, on square tapering feet with brass cups and castors

H75cm L107cm D59cm

£80 - 120

242

19th century Biedermeier figured mahogany cylinder bureau cabinet, the raised super structure with stepped pointed pediment over hidden cupboard and hinged fall front, the interior fitted with pigeonholes and secret drawers behind rusticated inlay, curved flanking cupboards fitted with internal drawers, the cylinder top opens to reveal small drawers, document divisions and secret compartments, sliding desk with central hinged writing surface, inlaid with satinwood bands and draped festoons, fitted with three long drawers, on bracket feet

H223cm L126cm D65cm

£300 - 500

243

Late 19th century giltwood and gesso bergère bedroom chair, curved back with ribbon twist upper rail and scrolled acanthus leaf pediment, cane seat, back and sides, upholstered squab cushion in blue striped fabric, ribbon twist frieze rail over turned and stop-fluted supports

H80cm L91cm D66cm

£200 - 300

244

Florentine design gilt wall mirror, bevelled oval mirror plate surrounded by scrolling and interlaced acanthus leaves, curled leaf pediment

H87cm W72cm

£80 - 120

245

Victorian mahogany loo or centre table, moulded oval tilt-top, turned pedestal on four out splayed carved supports with scrolled terminals, on brass and ceramic castors

H73cm L135cm D104cm

£50 - 100

246

Grande late 20th century three-seat sofa, in the Howard design ‘Chaplin’ shape, upholstered in cream fabric with scatter cushions and fringe, hardwood-framed, on square tapering feet

H82cm L247cm D95cm

£200 - 400

247

Grande late 20th century three-seat sofa, in the Howard design ‘Chaplin’ shape, upholstered in cream fabric with scatter cushions and fringe, hardwood-framed, on square tapering feet

H82cm L247cm D95cm

£200 - 400

248

Late 20th century hardwood-framed armchair, rolled back and arms upholstered in cream fabric with fringe, on square front feet

H79cm L90cm D101cm

£80 - 120

249

Set of six Georgian design mahogany framed dining chairs, upholstered in calico cover, on moulded square supports with foliate scroll carved brackets

H104cm L57cm D63cm

£200 - 300

250

Victorian mahogany breakfast centre table, circular tilt-top with figured segmented veneers, tapering octagonal column on concaved triangular platform, scrolled carved feet

H72cm D135cm

£100 - 150

251

18th century and later oak dresser, raised plate rack with moulded dentil cornice over three tiers, decorated with applied carved roundels, the base with breakfront top over seven drawers each with mahogany banding, enclosed by two panelled cupboards, on stile supports

H222cm L184cm D50cm

£300 - 500

252

18th century oak joint stool, moulded rectangular top over geometric carved and moulded frieze rails, on turned supports united by plain stretchers

H54cm L46cm D25cm

£80 - 120

254

Early 19th century oak house keeper’s press cupboard, the cupboard fitted with three slides and enclosed by two panelled doors, the lower section fitted with two short and two long drawers, on turned feet

H213cm L124cm D58cm

£300 - 500

253

19th century oak wall hanging delft rack, projecting moulded cornice over shaped frieze, fitted with three shelves

H107cm L135cm

£50 - 100

255

George III mahogany and hardwood-framed wingback armchair, shaped cresting rail over deep wingback and rolled arms, upholstered in gold silk fabric with floral pattern and decorated with stud bands, moulded front supports united by plain stretchers, on brass castors

H115cm L84cm D75cm

£200 - 400

256

Early 20th century Anglo-Indian hardwood tripod table, circular top profusely carved and pierced with trailing foliate branches, on column carved with twisted scaled snakelike creatures, on three out-splayed supports carved with masks

H71cm D70cm

£100 - 150

258

Early 20th century hardwood-framed armchair, shaped cresting over rolled arms, upholstered in floral pattern gold silk fabric with fringe, on turned front feet with recessed castors

H81cm L85cm D94cm

£100 - 150

257

Early 20th century inlaid hardwood Damascus easel mirror, shaped and pierced pediment, inlaid with mother of pearl and carved with trailing foliage, on cabriole feet

H148cm W69cm

£100 - 200

259

20th century hardwood-framed rectangular footstool with loose cushion, upholstered in floral pattern gold silk fabric with fringe, turned feet on brass castors

H50cm L80cm D65cm

£100 - 150

Victorian mahogany hall stand, central rectangular pillar supporting four projecting branches with turned hat and coat hooks, lower stick and umbrella stand on turned supports with metal drip tray, skirted base on compressed bun feet

H193cm L72cm D24cm

£150 - 250

261

Mid-to-late 20th century mahogany and gilt metal mounted corner cupboard, raised back with floral decoration surmounted by laurel leaf wreath, single hinged drawer decorated with floral festoons, enclosed by single door with Vernis Martin design panel, on out splayed feet with foliate mounts

H141cm L64cm

£50 - 100

262

Early 20th century Chinese lacquered elm storage or spice chest, rectangular top with moulded edge, fitted with an assortment of twenty-eight drawers with wrought metal fittings, the facias etched with faux panels and painted with Chinese characters primarily relating to various spices and herbs, on stile feet

H102cm L76cm D40cm

£80 - 120

263

Set of three late 20th century Chinese design black lacquered bedside cabinets, fitted with single drawer with raised Greek key band, single cupboard below decorated with bird on floral branch

H79cm L53cm D64cm

£100 - 200

265

264

Three Victorian walnut towel rails - one with shaped and pierced cresting rails with square supports and splayed feet, united by chamfered rails (H90cm), two turned examples

£50 - 100

George III mahogany table, fixed square top with moulded edge, fitted with single cock-beaded drawer, pierced corner brackets, on square tapering supports with spade feet

H71cm L81cm D81cm

£50 - 100

266

19th century oak and glazed bijouterie cabinet, hinged lid with moulded surround, fitted with single cock-beaded drawer, on square supports united by under tier

H82cm L35cm D35cm

£50 - 100

267

19th century gilt hardwood and wrought metalframed nursing chair, shaped cresting and upholstered in buttoned fabric, on cabriole feet (W56cm, H74cm); 20th century stained beech French design fauteuil armchair, upholstered in green floral pattern silk fabric, on cabriole supports (W57cm, H87cm)

£50 - 100

270

Late 19th to early 20th century mahogany octagonal centre table, moulded top over pierced arcade frieze rails and fretwork brackets, on eight cluster column supports terminating to turned feet, united by under tier with raised gallery

H70cm L80cm

£70 - 100

271

Victorian mahogany three-tier buffet, raised three-quarter gallery back with surmounted turned finials and moulded front edge, raised on turned supports and uprights terminating to castors

H118cm L122cm D48cm

£80 - 120

268

Pair of George III mahogany D-end or console tables, demi-lune top over a plain frieze, on square tapering supports with pull-out stay action (W122cm D57cm H71cm); together with a similar pair with a shaped frieze and hinged stays (W131cm D65cm H69cm)

£50 - 100

269

Pair of George III mahogany D-end or console tables, demi-lune top over banded and cross-banded frieze with satinwood stringing, raised on square tapering supports with ebony inlay (W103cm D52cm H73cm); together with another similar pair (W118cm D58cm H74cm)

£50 - 100

272

Victorian walnut bedroom chair, pierced and scroll carved pediment over spiral turned supports, upholstered in floral pattern fabric (W44cm, H110cm); early 20th century mahogany stool with upholstered drop-in seat (W71cm); Victorian figured walnut Sutherland table, rectangular drop-leaf top, gate-leg action base on turned supports (91cm x 91cm, H73cm); small walnut drop-leaf Sutherland table (W51cm)

£50 - 100

273

Set of three Edwardian mahogany dining chairs, fluted cresting rail over shaped and pierced vertical slats with foliate carved capitals, upholstered in mustard fabric, on square tapering supports (H89cm, W53cm); Edwardian satinwood inlaid mahogany open armchair, interlacing oval back over shaped arms, on square tapering supports with spade feet (W56cm, H91cm); 20th century pair of Hepplewhite Revival mahogany dining chairs (W52cm, H97cm)

£50 - 100

274

‘J.V.T. Ampleforth’ - teak garden bench, plain cresting rail with applied maker’s plaque over slatted back and seat, on square supports

H91cm L188cm D68cm

£500 - 1,000

275

‘J.V.T. Ampleforth’ - teak garden bench, plain cresting rail with applied maker’s plaque over slatted back and seat, on square supports

H91cm L188cm D68cm

£500 - 1,000

Notes

About Us

Duggleby Stephenson of York was founded in 2018, established through a strategic collaboration between David Duggleby Auctioneers & Valuers and Stephensons of York, bringing together two respected names in the auction industry.

This partnership brought together a wealth of expertise, resources, and a shared reputation for excellence, establishing a company renowned not only for its impressive results but also for its unwavering dedication to outstanding customer service.

Operating from our purpose-built salerooms in Murton, York, we provide the perfect setting for presenting fine art, furniture, antiques and collectibles to the public. These modern facilities, combined with our experienced team of expert valuers, allow us to offer both regular monthly auctions and specialist sales, showcasing a broad spectrum of items and providing an exciting array of opportunities for buyers and sellers alike.

With expertise spanning 26 specialised departments, our team is equipped to handle a diverse range of items, ensuring that each piece receives the attention it deserves. Our auction logistics are supported by Dugglebys’ established removals and storage services, allowing us to offer seamless national collection and delivery solutions, ensuring a professional and seamless experience from start to finish.

At Duggleby Stephenson, we are passionate about excellence in every aspect of our operations. Whether it be through our team of dedicated, friendly and knowledgeable valuers, our bespoke online bidding platform, or our cutting-edge website designed to make browsing our collections easier than ever, we are continually striving to enhance and elevate your experience.

Looking to the future, we are focused on making auctions more accessible than ever. Through continued investment in our digital platforms, marketing strategies, and innovative technologies, we are committed to connecting buyers and sellers worldwide, whilst maintaining the personalised service, quality, and care that are the cornerstones of our brand and reputation.