Junlong Portfolio

Page 1

Junlong Shao

P O R T F O L I O

Selected architectural works 2019- 2022

01 Building Surveying and Reconstruction Church to Boarding house Scales Checked Drawn Plot Date: Project No. Drawing No. Revision Title Project Approved For © KIM JONES ARCHITECTS PTY LTD TRADING AS JSA STUDIO. ALL RIGHTS RESERVED. THIS WORK IS COPYRIGHT AND CANNOT BE REPRODUCED OR COPIED IN ANY FORM OR BY ANY MEANS WITHOUT THE WRITTEN PERMISSION OF JSA STUDIO. ANY LICENSE TO USE THIS DOCUMENT, WHETHER EXPRESSED OR IMPLIED, IS RESTRICTED TO THE TERMS OF THE AGREEMENT OR IMPLIED AGREEMENT BETWEEN JSA STUDIO AND THE INSTRUCTING PARTY. ALL DIMENSIONS IN MILLIMETRES UNLESS OTHERWISE SHOWN. USE FIGURED DIMENSIONS ONLY. DO NOT SCALE FROM DRAWINGS. CHECK ALL DIMENSIONS ON SITE PRIOR TO CONSTRUCTION. REPORT ANY DISCREPANCIES TO JSA STUDIO. TO BE READ IN CONJUNCTION WITH ALL OTHER DOCUMENTS. NSW ARCHITECTS REGISTRATION BOARD REGISTERED ARCHITECTS: KIM JONES Registration No. 6460 @ A3 16/12/2022 2:16:44 PM B Visualisation 220501 Premier Hotel Redevelopment George Thomas Hotels Pty Ltd RJ JH DA9.01 KJ 6460 1-3 Brunker Road, Broadmeadow PRELIMINARY Rev. Revision Description Chk.Date AIssued for Information 30.11.2022 BIssued for Information 14.12.2022 1. View looking south-west at the intersection of Brunker Road & Chatham Street 02 Old Tavern Redevelopment Re-introduction of the prominent corner 03 Architecture Detail Drafting
04 THEATRE OF VITALITY ARCHITECTURE IN TRANSFORMATION 05 Bamboo;Rattan Pavilion 06 Tactile Journey In Ocean inspired by glass sponge

01

Historic Building Surveying and Reconstruction

Church to Co-living house (Boarding house)

The project is a surveying and renovation of a historic building, converting a church into a co-living (proposed student accommodation) by preserving the façade and demolishing the interior of the building wall.

The project process: currently in the process of preparing DA documents.

Surveying ,3D Modeling , Plan Drawings

JSA Studio / 2022- 2023 Revit

Perspective View. Site: 10 Charles St, Petersham NSW 2049

Exsiting
Exsiting Elevation Demolished Plan
New Constructed Co-living House Ground Plan

New Constructed Co-living House First Floor Plan

New Constructed Co-living house Perspective View (Proposed)

Old Tavern Renovation

Re-introduction

of the prominent corner

Reinstating a prominent corner element to address Nine Ways and form a gateway to Brunker Road. The corner element could be either a faithful reconstruction of the original building or a modern interpretation of it, although we recommend the latter. The new building at the rear of the site forms a backdrop to the corner element, which retains the original tavern function of the building, adds hotels and residential facilities. The project process: currently in the process of preparing DA documents. JSA Studio / 2022-

Scales Plot Date: Project No. Drawing No. Title Project For KIM JONES ARCHITECTS PTY LTD TRADING AS JSA STUDIO. ALL RIGHTS RESERVED. THIS WORK IS COPYRIGHT AND CANNOT BE REPRODUCED OR COPIED IN ANY FORM OR BY ANY MEANS WITHOUT THE WRITTEN PERMISSION OF JSA STUDIO. ANY LICENSE TO USE THIS DOCUMENT, WHETHER EXPRESSED OR IMPLIED, IS RESTRICTED TO THE TERMS OF THE AGREEMENT OR IMPLIED AGREEMENT BETWEEN JSA STUDIO AND THE INSTRUCTING PARTY. ALL DIMENSIONS IN MILLIMETRES UNLESS OTHERWISE SHOWN. USE FIGURED DIMENSIONS ONLY. DO NOT SCALE FROM DRAWINGS. CHECK ALL DIMENSIONS ON SITE PRIOR TO CONSTRUCTION. REPORT ANY DISCREPANCIES TO JSA STUDIO. TO BE READ IN CONJUNCTION WITH ALL OTHER DOCUMENTS. NSW ARCHITECTS REGISTRATION BOARD REGISTERED ARCHITECTS: KIM JONES Registration No. 6460 @ A3 16/12/2022 2:16:44 PM Visualisation 220501 Premier Hotel Redevelopment George Thomas Hotels Pty Ltd DA9.01 1-3 Brunker Road, Broadmeadow Rev. Revision Description Chk.Date AIssued for Information 30.11.2022 BIssued for Information 14.12.2022 1. View looking south-west at the intersection of Brunker Road & Chatham Street
02
3D
View looking south-west at the intersection of Brunker Road& Chatham Street Bar Hotel Residential
Revit
Modeling , Plan Drawings(assist with Senior architect)
Renderings

The building constructed during the 1930s addressed Nine Ways with a prominent building form and height greater than current height plane. The built form created an identity for the hotel.

The current building occupying the site lacks identity and fails to address the prominent Nine Ways intersection.

Second Rendering view First Rendering view

Behind the building, a solid form with an open garden is used to alleviate the "corner" form of the whole building.

No.1 Landscape Rendering(Lumion)

No.2 Entrance Fence Rendering(Lumion)

The lattice fence both ensures sufficient sunlight and privacy inside the residence. At the same time, the Beer garden on the first floor has visual communication with the Chatham street.

03 Architecture Detail

Drafting

In CC's documents, I am responsible for drawing standard detail, including wall, corner, roof to wall, floor to wall detail, and some fundamental electrical plan.

The project process: currently in the process of preparing CC documents.

Section detail Drawings(assist with Senior architect)

JSA Studio / 2023- Revit

Bar

Site: Bomaderry Village. Bedroom wall: 116mm(13mm cladding, 90mm Insulation, 13mm plasterboard)

Wall Section

61.285 8° 1 : 50 Wall Section 7 1 1 : 50 Wall Section 8A, 8B 2

Lintel to engineer's details RL

Metal roof sheeting Timber battens with roof blanket type 1 Timber rafters to engineer's details Roof blanket type 3 Timber framed wall with thermal insulation type 1 Aluminium framed sliding door Timber framed floor to structural engineer's details

Carpet floor Materials & Finishes Key

BED 3 BALCONY 50 © KIM JONES ARCHITECTS PTY LTD TRADING AS JSA STUDIO. ALL RIGHTS RESERVED. THIS WORK IS COPYRIGHT AND CANNOT BE REPRODUCED OR COPIED IN ANY FORM OR BY ANY MEANS WITHOUT THE WRITTEN PERMISSION OF JSA STUDIO. ANY LICENSE TO USE THIS DOCUMENT, WHETHER EXPRESSED OR IMPLIED, IS RESTRICTED TO THE TERMS OF THE AGREEMENT OR IMPLIED AGREEMENT BETWEEN JSA STUDIO AND THE INSTRUCTING PARTY.

BRF1 PT30 PT30 Title Project S u e 2 L e v e 1 5 0 5 B a m a n R d

Balustrade Type 1. BRF1 Face Bricks Type 1. PT30 Paint Type 30. TLVF1Fixed Timber Louvres Type 1.

BAL1

Timber stud wall with wall insulation type 1 0

FCL 56.430 GARAGE 250 500 1250 2500

Concrete pavers on Versipave spacers Wolfin waterproofing membrane to fibre cement sheet to fall Overflow 3000 Scale 1: Scales Checked

3 A10.05 Drawn Project No.

blanket insulation type 3 to balcony floor J S A S T U D O 1 50 @ A3 170401 Bomaderry Village PG KJ BLOCK 3

NOT FOR CONSTRUCTION Rev. Revision Description Chk.Date

WITH CALLOUT
BUILDING
FFL 53.830 Ground Floor .. B FFL 56.830 Level 1.. BRF1 LIVING BED 1 W15 W14 W06 BAL1 BRF1 PT30 PT30 Metal capping to party wall 8° RL 61.285 Eaves gutter Downpipe Timber fascia Fibre cement board soffit Metal roof sheeting Timber battens with roof blanket type 1 Timber rafters to structural engineer's details Roof blanket type 3 Aluminium framed sliding door Face brick (Bowral blue) Framed glass balustrade Concrete pavers on Versipave spacers Wolfin waterproofing membrane on fibre cement sheating Carpet floor Timber framed floor to engineer's details Thermal insulation blanket type 3 to balcony floor Aluminium framed sliding door Tiled floor RL 53.700 Patio paving Lintel to structural engineer's details TLVF1 Timber brise soleil shading FCL 59.530 FCL 56.495 3000 1000 REPLACE
FROM
SECTION
FFL 53.780 Ground Floor.
F FFL 56.780 Level 1. FFL 53.670
Metal party wall capping Face brick (Bowral blue) Eaves gutter Face brick veneer (Boeral blue) Roof
Metal capping to balcony parapet wall 1000 Garage roller door Concrete slab with epoxy paint finish

Floor; Wall Section Details

Glass balustrade fixed walls to engineer's details

Concrete Pavers Height adjustable support (Elmich Versipave or similar)

Liquid membrane

Screed laid to fall to rainwater outlet

Wolfin membrane

Roof Insulation Type 3.

Flashing

Structural Steel Beam to Structural Engineer's Details

Brick with weep holes at 1200mm maximum spacing

COURTYARD

7

Mastic Sealant Aluminium Framed Sliding Glass Door

Architrave Timber Ling

BED 1 LIVING

Aluminium Framed Sliding Glass Door

Wolfin waterstop Carpet

Structural polywood

Liquid Membrane

Wolfin Membrane

Floor Insulation Type 1 Plasterboard Lining Cornice

FFL 56.830 Level 1..

Wall insulation Type 1. Waterproof Plasterboard Skirting Carpet Structure polywood

Vapour Permeable Membrane Fibre Cement Cladding

Timber Framed Floor to Structural Engineer's Details

Plasterboard Ceiling

Timber Framed Floor to structure Engineer's Details

Flashing

15 7

Soffit

Vapour Permeable Membrane Structural Steel beam to structure engineer's details

Floor Insulation Type 2. 430 B

1 10 Section E -Callout 1 -Callout 1 1

FFL 56.780 Level 1.

FFL 56.630 Level 1

Lining Cornice Plasterboard Lining Architrave Plasterboard Ceiling

FFL 56.780 Level 1. FFL 56.830 Level 1.. BED 1 DINING

Metal Tophat Section Plasterboard Ceiling

Aluminium Framed Sliding Glass balustrade fixed walls to engineer's details Concrete Pavers Height adjustable support (Elmich versipave or similar) Liquid membrane Screed laid to fall to rainwater outlet Structural steel beam to structural engineer's details Wolfin membrane Plasterboard Lining

Plasterboard Lining

Waterproof plasterboard

Skirting

1 : 10 Wall Section 4 -Callout 1 4 1 10 Wall Section 5 -Callout 1 5 1 : 10 Wall Section 6 -Callout 2 6

Rev. Revision Description Chk.Date

Carpet Structure Polywood Floor insulation Type 2 Timber Framed Floor to structure Engineer's Details Suspended Plasterboard Ceiling Wall Tiling Waterproof Plasterboard

D FFL 56.780 Level 1. FFL 56.830 Level 1.. BED 2 LDY 01

FFL 56.630

Wall insulation Type 1. Vapour Permeable Membrane Fibre Cement Cladding Flashing

264 0

Soffit lining 10

Wall Insulation Type 1. Timber Stud Frame

Vapour Permeable Membrane

100 © KIM JONES ARCHITECTS PTY LTD TRADING AS JSA STUDIO. ALL RIGHTS RESERVED. THIS WORK IS COPYRIGHT AND CANNOT BE REPRODUCED OR COPIED IN ANY FORM OR BY ANY MEANS WITHOUT THE WRITTEN PERMISSION OF JSA STUDIO. ANY LICENSE TO USE THIS DOCUMENT, WHETHER EXPRESSED OR IMPLIED, IS RESTRICTED TO THE TERMS OF THE AGREEMENT OR IMPLIED AGREEMENT BETWEEN JSA STUDIO AND THE INSTRUCTING PARTY. ALL DIMENSIONS IN MILLIMETRES UNLESS OTHERWISE SHOWN. USE FIGURED DIMENSIONS ONLY. DO NOT SCALE FROM DRAWINGS. CHECK ALL DIMENSIONS ON SITE PRIOR TO CONSTRUCTION. REPORT ANY DISCREPANCIES TO JSA STUDIO. TO BE READ IN CONJUNCTION WITH ALL OTHER DOCUMENTS. NSW ARCHITECTS REGISTRATION BOARD REGISTERED ARCHITECTS: KIM JONES Registration No. 6460

Scale 1: Scales Checked

500 1000 2500 5000

Title Project Approved P O B o x 4 8 3

S u t e 2 L e v e 1 5 0 5 B a m a n R d L y f e d N S W R o z e e N S W 2 0 3 9 p h o n e 02 9555 7464 a x 02 9555 7436 For

Drawn Project No. Drawing No. Revision

J S A S T U D I O 1 10 @ A3 Details 170401 Bomaderry Village SABRA COMPANY PTY LTD

Author Checker A10.04 Approver 315 Princes Highway, Bomaderry

B
Structural steel beam to structural engineer's details A
Aluminium Framed Sliding Glass Door
BED 1 BALCONY DINING 7 Glass Door Carpet Structural polywood Wolfin waterstop Floor Insulation type 1. Timber Framed Floor to Structural Engineer's Details Plasterboard Ceiling Cornice Structural steel beams to structural engineer's Details

THEATRE OF VITALITY

ARCHITECTURE IN TRANSFORMATION

The theme of the competition is that due to failed planning or lack of planning on the urban fringe, parts of satellite cities as well as suburbs these areas are often fragmented and in urgent need of reconstruction.We design theme is how to revitalize a satellite city that was previously a heavy industry.

After the industrial boom of the late 20th century in China, left behind many abandoned factories in suburb. These factories are facing a difficult situation - transformation. How do we deal with these abandoned factories? My solution was to build buildings on the abandoned sites and transform the abandoned factories into public cultural buildings to give new vitality to the suburb. All the new buildings there are done in a new way, no longer as factories, but as cultural longevity.

04
UIA-HYP CUP 2019 International Student Competition in Architectural Design- Rhino Modeling, Renderings,Diagrams Location: TongXiang China Bank View

The road network in the selected area is precise. It is accurate and allows easy identification of entrances and exits.The entire site is surrounded by town main roads and collector street.

Inside the selected area, are old or abandoned factories.The location is also near the residantial and agricultural district.

The analysis diagram shows that there are almost no public buildings in the entire town of Tongxiang.The area includes 20% agricultural land, 65% of industrial land and 15% of residential land.

An important mode of transportation in this rural industrial town.The industry in this village is the canal.The back of the building is what was once the largest canal in Chinese history, so incorporating a water-friendly landscape is also important to consider, as well as flood control.

1945s 1 2 3 4 5 6 7 1: Abandoned Wachtower 2: Chimney 3: Old Concret Steel Bridge 4: Excavator 5: Sand Carrier 6: Drum (Storage bucket) 7: Truck 1978s 2003s 1860s Westernization Movement The Third Industrial Revolution Reform and Opening-up Full Industrialization Timeline of Modern Chinese Industry
Main Road Collector Street Metalwork Factories Factory Zone Agriculture Old Dwelling New Residential Agricultural Land Industrial Land Dwelling Land BeiJing-HangZhou Canal Landscapes of water Branches of canal

The main building block has been designated be bounded by a old industrial building line .

In consideration of the height of the surrounding buildings, biggest building block will be created the on the ground floor.

The main theatre structure be positioned on the bottom block, and maintained a volume that was not too enormous.

Arranging the pedestrian flow arround the building onto the platform by using an L-from ladder.

ShiWanRoad DongGao Bridge 1F 2F 3F 3F 4F Auditorium Main stage Classroom Rehearsal room Secondary stage Ground Floor 1F 2F 3F 4F Axonometic
Site Plan BeiJing-HangZhouCanal
Diagram

Ground Floor Plan

1.Main Stage

2.Secondary Stage 3.Rehearsal Hall

4.Auditorium

5.Dressing Room

6.Waiting Room

7.Dance Classroom

8.Music Classroom

9.Office

10.Rest Room

The staggered blocks form several outdoor spaces that provide good views, similar to the watchtowers of the north.These amazing spaces create more opportunities for people to interact with the environment and to better understand the history of the Beijing-Hangzhou Grand Canal next to the theater.

Along the red line (pedestrian line), there are landscapes providing abundant space for space for pedestrian traffic. The area also offers a variety of event spaces to visitors.and connects the chimneys maintained by the original factory and watchtower.

The pedestrian system is separated from the vehicle system by a parking lot with a car entrance. There is also an entrance to the south and a pedestrian entrance to the east.

In consideration of the low water line in the location, an altitude structure has been built to connect the bank closer to water. In addition, several slopes around the building connect to the high levels of that structure.

11.Ticket Office 12.Bag Keeping 13.Rehearsal Hall 14.Restaurant 15.Kitchen Room

View Diagram Surrounding Spaces Diagram Guideline Diagram Flood Protection Diagram North Pedestrian Vehicle
RL 3.200 RL 2.100 RL 2.600
Vehicle Circulation 1-1
West Elevation 1-1 Section
View
East Elevation
Lobby

BAMBOO; RATTAN PAVILION

Bamboo has been used in people planting and using bamboo for thousands of years, from the raft to construction to indoor potted plants. In addition, the sustainability of bamboo can reduce the pollution of traditional building materials.

Furthermore, the bamboo structure cover with local rattan plants, twining is the characteristic of this vegetation. Because the rattan can be firmly wound to the bamboo structure, and even after the bamboo structure is corroded or destroyed, the original space can bestill maintained by rattan. Therefore, the purpose of our pavilion is to use bamboo as the initial material of the pavilion, then rattan can replace the original bamboo structure after the bamboo structure has been deconstructed for several years to design a sustainable pavilion.

The dot size represents the growth conditions of the bamboo. The smaller the spot represents the local environment is the less sutiable for bamboo growth. Conversely , the larger spot,means that the environment is more suitable for growth. Green represents the distribution of bamboo in the world. Rattan native from blue circle .Consequently, we consider the overlap area can be pavilion location.

05
Parametric Modeling, Renderings , Animation,Analysis Diagrams,Skteches MARC5020 Architecture Studio 2 / 2021- Grasshopper The University of Sydney

Parameters of Pavilion Form

Tension Tension Tension Tension Tension Pavilion Form Finding - Hanging Chain Gravity Experiment Anti-gravity Hypothesis Tension 1 2 3 4 Tension Sort the sequence of edges Classificate Anchor points and Lath Length Define the final form of the pavilion 1 2 3 4 5 1 2 3 According to Funicular-Hanging Chain Experiment which we did, we have interpreted this parameter into Grasshopper. We recognise that most of parameters are in the plan. This is because lath size will be likely to contribute our pavilion form. Then we plan to vary these parameters to create a good internal spaces for public.
1 Perimeter Shape(Pavilion Plan) 2 Perimeter Anchor Point Position 3 Perimeter Lath Length(Red circle: Entrance) 4 Vertical Force(Create Arch Form) 5 Internal Anchor Points (Anchor Point= Gravity) 6 Internal Anchor Point Position (Load Direction)

Interior Sketches

North Entrance

Interior Woven Bamboo Structure

The interior of the pavilion provides enough public rest space for local residents.And The entire Canopy built by larger span Bamboo. On the other hands, rattan covered the entire canopy to create a shelter space.

Outside stage Rest area Cortile Woven Bamboo Structure Ground Plan 1:150 Stone foundation Pavilion Ground Plan 1-1

Axonometic View

Bamboo pavilion can accommodate about 20 people at same time. In addition, an outdoor stage provides for local residents on the west side of the pavilion to celebrate the local cultural festivals.

Pavilion Section

Renderings

East Section1-1 1:100

Different height of roof can create more spatial experiences.

The sultry environment in Southeast Asia requires a good ventilation system for the pavilion space.

Climbing Rattan cover on the weaved bamboo structure can proof small stormrain.

An outside stage build up for providing an entertainment place for local residents.

Pavilion Interior (rattan started growing) Pavilion Interior (After 1 years, rattan gradually covered the entire pavilion)
Animation Link: https://www.youtube.com/watch?v=lUiycXzCKA4

Tactile Journey In Ocean

The ocean is more mysterious to those who are visually impaired,and their perception of the world mostly comes from the senses of hearing and touch. This project investigates how to help people with low vision and the blind to perceive the ocean by touch.

The beautiful creatures of the ocean depths, with their particular patterns, can be perceived by sighted humans through photographs and images of these wonderful structures. At the same time, blind people cannot reach them. This project aims to present these beautiful creatures from the depths of the sea in their breath, their strength and their natural seeds to these visually impaired people.

06
inspired by glass sponge MARC 5010 Architecture Studio 2 / 2021- Grasshopper The University of Sydney Renderings , Analysis Diagrams,Skteches, Digital print The majority of low-vision individuals have a low ability to distinguish color and live in a black and white world. Hence the work will be presented mostly in black and white.

Iteration of Ocean Geometry

depth of interception

The result of triming

Trim the sponge geometry

Sponges are among the strangest and oldest animals on Earth.And glass sponges are probably the most mysterious and oldest sponges.The oldest sponges. Strictly speaking, they are animals; they lack many of the basic features and have no structured organization. They have no organs. and no respiratory system, digestive system, or nervous system either. Therefore, in order to help blind people better understand marine life, we scanned a sponge model and then matched it to a more regular digital model (gyroid) for trimming to get the final one.

These figures show fragments in different sizes are trimed in different depths.

Scanning model Digital model(gyroid surface) Glass sponge Glass sponge

This stripe pattern concept comes from the geometric lines characteristic of whale skin, allowing the blind to touch the regular stripes to understand the large creatures of the ocean and the vitality of the ocean.

3D
Whale's skin pattern Fur-Development—Stripe pattern(Vitality)
Digital Model
Print
1. Select the area which generates the
2. Divide surface to generate the edges as reference of final geometries. 3. Divide curves to points 4. Calculate the
points to reference
5. Offset points according to the
data 6. Create interpolate curves through the
of points 7. Curves to surfaces 8. Surfaces to
Ocean Creature- Whale
line shape.
distance of
points as basic data.
previous
set
geometries.

Digital Model 3D

ThisH hole pattern concept is to simulate the geometric lines characteristic of Sponge. At the same time the hole size in the pattern is randomized to more authentically simulate the characteristics of marine creatures.

Sponge Fur-Development—Hole pattern(Breath)
Print
Ocean Creature- Sponge 1.Divide the basic surface of geometries by triangle shapes. 2. Select every triangle surface center. 3. Calculate the distances of centers to reference points as basic data. 4. Offset the nake edges of every triangle surface 5. Create a line between the corners of the each offset triangle and the each centers. 6. Create middle point of this lines. 7. Generate the hole according to the lines

The parasitic relationship in the ocean is demonstrated by representing the barnacles growing on the surface of the whale's skin through the raised geometry on the prototype.

1.Divide the basic surface of geometries by triangle shapes.

Filter these triangles and choose the areas close to boundaries.

Randomly pick some triangles. 4. Create centers of these triangles. 5. Calculate the distances of centers to reference points as basic data. 6. Offset the nake edges of every triangle surface through the basic data. 7. Loft these triangle curves to create geometries.

3D
Barnacles Fur-Development—Rising pattern
Parasitism/Symbiosis
) Digital Model
Print
Ocean Creature- Barnacle
2.
3.

Combination

Whale-Stripe Sponge-Hole Barnacle- Rising 3D Print

Work Process of Robotic

x2

Tactile Chair

Select some features of the prototype and pre-formulate the pattern by the Robotic.

The final project we would like to present is a chair that combines 3D printing and wood working. In order to give a good tactile sensation to the blind, we carved the pattern "WAVES"characteristic of marine life by means of a robotic arm KUKA prc, facilitating their perception of the ocean through touch.

The visitors can also access the different ocean-creature skins by the 3d print model on the top of chairs. Additionally, Brailes used to explain the topic are implemented on this chair by inserting some metal protrusions.

Draw Pattern with robotic arm Carved Pattern with robotic arm Robotic arm operation simulation Robotic milling 3D print Adding Braille pattern in plan Tactile plan with 3d print Barnacle Sponge Whale

Capability- Rendering

JSA STUDIO

In the preparation of the DA documentation, I was mainly responsible for assisting the senior architect with the rendering process. Also, in order to better express the relationship with the surrounding buildings, the model is often combined with the field site to show the building materials and the surrounding architectural style.

Rendering Software: V-ray, Enscape, Lumion,D5 Render

JSA Studio / 2022
The rendering is for reporting to client, using the software V-ray.

The rendering is for DA, using the software Lumion.

The rendering is for DA, using the software Enscape.

THANK YOU

My heart is full of thank for my parents for supporting me in completing my postgraduate degree in architecture. Also grateful to my friends and JSA for helping me with my studies and learning work, it was overwhelming to have your guys support, sincerely.

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