Martial Arts Magazine Budo International 471 – March 1 fortnight – 2023 by Budo International Martial Arts Magazine

In this second volume corresponding to the intermediate level, GM Licesio Prieto presents the forms (Palamas) 9 to 13, the Punch Counters 7-10, Grab Counters 7-10, Knife Counters 7-10, Club Counters 7-10, Kick Counters 6-10 that are not included in the original art of Kajukenbo, as well as the continuation of the work of Drills 7-10 and Counters 7-10, typical of the EKKA. Kajukenbo continues to grow day by day and more than ever there is a demand for teaching forms updated to our times, and the EKKA responds with this series of 2 volumes on the intermediate level, so as to cover the basic techniques of the program from white belt to black belt. All martial arts must evolve and adapt to the times without losing their traditions and roots, everything evolves, and with the arts of Hawaii is the same, evolution despite whoever it may concern, but keeping the principles that make them work.

All DVDs, wichi is produced by Budo International, si provided and alone in the formats DVD-5 or MPEG-2, in VCD, DivX or the like is however neves offered with a special holograma sticker. Besides our DVD is characteristed coverings by the hig quality in pressure and material. If this DVD and/or the DVD covering do not corespond to the requirements specified above, it concerns illegal pirat copy.

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More than a century ago, in our cities, men of different social classes still resorted to sword and saber duels to settle their disputes and in the streets one could meet thugs and muggers ready to use a knife. Times when it was common for a gentleman to leave the house with his cane, often animated, i.e. equipped with a hidden blade. Starting from the treatise of Master G. Martinelli (1908) "Trattato di scherma con bastone da passeggio" interpreted and integrated according to the methodology of the Nova Scrimia, masters Chiaramonte, Galvani, Girlanda and Proietti present a complete work on the use of the cane, which even today can be extremely valid and effective. For cane fencing, Martinelli draws inspiration from the Italian school of saber, with a classical approach, as well as boxing as a means of selfdefense: guard, strikes, parries, feints, spinning and circling steps, jumps, strong blows to the hand, arm, groin and terrifying jabs to the face. The stick placed in good hands is as good as a saber. Of course, it does not cut or pierce, it does not kill, but it brings to reason and, if necessary, brings even the fiercest offender to his knees.

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"To reject communications from beyond the grave implies rejecting the most powerful means of instruction, which results from initiation into the knowledge of life."

Allan Kardec

"When death rushes upon man, the mortal part is extinguished; but the immortal principle withdraws and departs safe and sound."

Plato

"Men not having been able to remedy death, misery and ignorance have imagined, in order to be happy, not to think of them at all."

Blaise Pascal

Castaneda spoke in his books about the residual energy after death. He called it "the shadow", he referred to it as a set of energetic structures that after death remain on this plane and that generally found in the people close to the deceased, shelter and continuity. Thus, it was not unusual that if the grandmother sewed, suddenly one of the granddaughters began to sew obsessively, or that some other gesture or custom found perpetuation in this strange way.

According to scholars of the world of the dead in the most varied cultures, after death, the spirit separates from its material body, leaving behind the functional receptacle that animated with its presence. After the separation, always according to its energetic and evolutionary nature, it will place itself in the frequential and vibratory planes according to its condition. In its new state as energy, it possesses a certain coherence and consciousness is maintained, but the spirit has to relearn to "breathe" and move in a completely new environment, an immaterial environment.

The most evolved ones adapt early to their condition and continue their learning and work coupled to the related energetic spheres, an energetic universe, hierarchically organized.

Spirits of lower vibration remain chained to this much denser plane, in a state of total or semi-consciousness, trapped in places, or around people, with whom they share an energetic affinity. The drinker frequents the bars, the whoremonger, the brothel, the murderer, his horrors.

My experiences with spirits, partially described in my book "Oginau. My experiences with the spirits of Japanese shamanism" have been of various kinds and always very varied and intense over the last 12 years. In them I have had the opportunity to learn and verify, both in myself and in many other people, undeniable phenomena of the relationship with that energetic dimension that we can qualify as the world of the spirits.

Communication with these entities has left us proof of the existence of consciousnesses capable of establishing contact and bringing information out of the ordinary and even interacting through the body of a medium, performing extraordinary interventions on the material plane.

My critical spirit has never abandoned me in these matters. As a natural skeptic, I have nevertheless followed the preestablished patterns that I have been taught to establish a lucid relationship in an experimentally complex and swampy terrain.

When we prepare the medium's environment and body to bring in a specific type of spirit, we never warn the medium beforehand, so that he or she cannot preconceive his or her reactions or attitudes and responses. However, I have invariably found that, for example, if I call a "plumber" the one who comes will be a "plumber" and not a "butcher or a fishmonger".

These verifications, together with many others, make me understand that the fields and dimensions that cross in these ceremonies, have an explicit coherence, which indicates that indeed one can have "the telephone number" of the caller and that it will be him and not another person who will "pick up the phone".

I have had such experiences with people initiated in spiritual paths, but also with people who are not initiated, but who possess what we could call "spiritual sensitivity".

However, and beyond explicit ceremonies, the phenomenon of communication between dimensions is much more frequent than people think, much more common, and does not always require specific conditioning or rituals to take place. Many times the ideas that come to our head, for better or for worse, are foreign, however, and as it is logical, we only decode them within the parameters that our mind is capable of appreciating, that is, as our own ideas, intuitions, occurrences, etc...

The receptive state necessary for such communication to take place, happens in the most varied ways. An artist, when creating his work, "opens himself to the muses", a writer, when putting his thoughts in black and white, is also a particularly accessible target. Over the years, I myself have perceived, through my writing, the different idiosyncrasies of those who approach me every time I have to write an editorial, to such an extent that I never know for sure what the subject I am going to deal with will be.

At the beginning, my attitude bothered me a little and, conscientious as I am, I even considered it to be lackadaisical, but as time went by, I began to give in to it with greater ease, which brought me serenity and even a kind of strange pleasure and satisfaction.

Not infrequently I would come to write about things I didn't really know; I simply tried to accommodate it and make it coherent with the focus of my mind. The words, like right now, flowed like water, which without worrying about its certain destination, the sea, do not bother with the continuous accommodation they must give to the innumerable meanders and bends of the road. At the end of the text, everything was coherent and sometimes even literary beautiful.

The phenomenon of communication with other dimensions is one of the most exciting and intriguing subjects of human knowledge. Contrary to what people think, there is an order to it all, a raison d'être, so that it can be treated with coherent criteria and has nothing to do with mysticism, religion, or good intentions.

The universe possesses an order and a coherence; the fact that its postulates or manifestations escape our understanding does not imply the existence of chaos, it simply indicates our inability, with the tools and postulates in use, to glimpse the keys to its hidden interweaving. To call this order god and remain so comfortable is not only unambitious, but functionally ignorant.

It is true, as Castaneda said, that there is the known, the unknown and what cannot be known, because it simply transcends the tool and capacity of the human, but we have always been able to extend those limits a little further: "Citius, altius, fortius", as in the physical plane, in the spiritual, human beings are made of an extremely plastic paste and we can go much further than we could have ever imagined. I, at least, and on this spiritual plane, am a witness of this. If you find my experience worthwhile, it is at your disposal, if you do not, I am sorry... You do not know what you are missing! In the end we will all end up leaving behind our material clothing, because the only certainty of any future for a human, is that there is an end and curiously the only way to decode the mystery, as always is in its opposite, so the secret of life, my friends is in death ... if you have not done so, it is time to give the subject a thought ...

"We human beings are made of extremely plastic dough and can go much further than we could ever have imagined."

Fencing with the walking stick

Edited by the Circle of the Table, Nova Scrimia

"One might as well consider as one of the branches of the Art the play of the cane and the walking stick."

Maestro Alberto Marchionni - 1847

To make any technique of the Italian martial tradition contemporary is always reductive.

The history and tradition of fencing is so vast and linked to the history of the country that it cannot be actualized in our time without incurring inconsistencies.

That said, throughout history, real schools of instruction and training have sprung up around gyms rather than weapons rooms. These taking their cue from the concepts of self-defense and thanks to the masters of the various schools that have arisen in different areas, have developed and handed down in a written manner the techniques that have come down to us starting from bare-handed (or free) fencing to stick fencing to sword, saber and foil.

with the walking

Fencing with

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the walking stick

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with the walking stick

with the walking stick Nova Nova

Fencing

The Walking Stick, on the other hand, soon disappeared from costume as well, returning to being simply an object instead of the essential complement and part of men's clothing as it had been until the early 1900s.

Starting from Maestro Giannino Martinelli's (1908) treatise "Trattato di schermae col bastone da passeggio" interpreted and integrated according to the Nova Scrimia methodology, its use is re-proposed in this perspective that can still be extremely valid and effective in our days.

Scrimia Scrimia

Edited by the Table Circle

Edited by the Table Circle

Fencing with the walking stick Fencing with the walking stick

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Giannino Martinelli was a master of fencing and gymnastics, this already says a lot about his academic training, unquestionably martial, but already a child of the "belle epoque" therefore open to the world and discovery. A training full of concrete experiences in disciplines such as: boxing, Greco-Roman wrestling, savate and Ju Jutsu, as well as the fashion of the time dictated. Empirical eclecticism.

The Master selects from them for use different principles and techniques that are easy to identify, for example in the section of his manual devoted to "Boxing and Self-Defense Rules," his "free hand" method of selfdefense.

The manual, titled "Treatise on Fencing with the Walking Stick," was given to the press in 1908 in Milan at the Poligrafia Italiana (Società anonima).

Scrimia Scrimia

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"Starting from M° Giannino Martinelli's (1908) treatise "Trattato di schermae col bastone da passeggio" interpreted and integrated according to the Nova Scrimia methodology, its use is re-proposed in this perspective that can still be extremely valid and effective in our days."

Fencing with the walking stick

Nova Nova

In the preface, the Master reveals how the desire to write his "very modest treatise" came about, from the conviction that his work would succeed in being useful to all armed bodies called upon to enforce the law. A work, according to him, equally beneficial to any citizen who found himself in the position of having to defend himself from an evildoer or to rush to the aid of the weakest.

It is worth remembering what the situation was in Italy at the time when Maestro Martinelli lived and taught.

Exactly 120 years ago in our country, in our cities, men from different walks of life still resorted to sword and saber dueling to settle disparate disputes.

Difficult times, we would be inclined to think, if in the streets of cities such as Rome, Milan, Turin, and Palermo one happened to run into brawlers and street robbers ready to use a knife for robbery or futile reasons. Times when it was usual for a gentleman to leave the house with his walking stick, often animated, that is, equipped with a concealed blade.

Thus was built his view of reality: not formal and theoretical, but practical and operational. Guided by the desire to do something useful, an important value for a teacher who wishes to spread and share his knowledge.

Martinelli, for walking-stick fencing, takes full rein from the Italian saber school, an extraordinary reality made great by unparalleled masters. Here, then, is the whole classical setting: the guard, strikes, parries, feints, invitations, bindings, jokes and stick holds. All the actions of classical fencing, simple to assemble in sturdy strategic, rigorous and geometric fabric that allows the master to teach with perfect didactics for both private citizens and men in uniform.

The Master reminds us: how important stick fencing and boxing are practically as means of self-defense. Why stick fencing from a means of recreational confrontation with other "armed" equal fencers can become by necessity conservative fencing against the unknown.

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Fencing with the walking stick Fencing with the walking stick

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Turning and sidestepping steps, jumping back and forth, whirling eddies on the various lines, sharp blows to the hand, arm, groin, and terrifying jabs to the face. A substantial additional, unconventional arsenal essential for defending oneself against aggression.

For this dual significance: gymnastic activity and self-defense, Martinelli's work comes close to Master Giovanni Ceselli's fine manual and the one-handed stick, but that's another chapter...

Their work, once again, allows us to understand what martial fencing has demonstrated for centuries in fact: the principle of "adaptability" and "shaping." From the deep structure it is, yesterday as today, always possible to adapt the teachings to the present time. The Art is not based in the air, but on scientific principles and concepts that are always replicable and true.

Martinelli and Ceselli believe that their exercise proposal develops in students the best aptitudes: feeling strong, energetic, powerful and armed with that dignity proper to the gentleman of every age. In this we recognize them Masters of crystalline morality and values, those same ones that exude in the many treaties of arms of every period.

Masters with an aptitude for conveying through techniques, models of selfimprovement, a philosophy of life well summarized in the Latin motto: fortes creantur fortibus.

"To get an idea of that past warrior spirit of that time from the open fields of European battles into the narrow streets of our toruosa city, it is enough to take a look at the sticks of our fathers: sticks that have been lying dusty and forgotten for

Scrimia Scrimia

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Fencing with the walking stick Fencing with the walking stick

forty years in some corner of some old house; sticks of ash or of the most formidable dogwood, with ivory knobs as big as marbles and long iron tips. In that way that the two-handed swords used by cataphracts, found in some dusty armory, give us an idea of the fierce customs of the Middle Ages; so these sticks teach us without speaking the history of forty years ago."

Giuseppe Rovani, One Hundred Years, Milan 1868-69

"When one knows how to use a stick, cannot he defend himself against anyone, and against swords, sabers and knives? Especially since a stick is easily found and in any place it can be procured, what is never of other weapons..."

Maestro Francesco Cajol - 1865

In Milan, in Martinelli's school the walking stick placed in good hands is as good as a saber. Of course it does not cut and pierce, it does not kill, but it does make reason and if necessary it puts down even the most fierce thug.

It is the schooling that makes the tool great, it is the skill of the fencer that makes the technique truly effective.

The Nova Scrimia movement, founded by the Artifices of the Circolo della Tavola, Galvani, Girlanda, Proietti and Chiaramonte was born in about 1995 and gave birth to training sessions that were entirely extemporaneous for the historical period, with the aim of probing the probable regarding the use of the stick both as a counter weapon and as a weapon/instrument of sporting confrontation.

The experimental phase necessarily lasted until 1997, when our work was presented to the public. The setting of rare beauty, the castle of Bardi in the province of Parma, collimated perfectly with the hundred or so participants in the stick fencing seminar who came all the way to the inner square of the fortress. It was an epic day: the staff at the center of attention, theories and disquisitions on time, on measurement and on the staff as a means and as a tool, until it became an instrument of science and the overthe-top knowledge of fencing.

There followed a long journey that brought the group's investigation - which became Nova Scrimia - deeper and

Scrimia Scrimia

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Fencing with the walking stick Fencing with the walking stick

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deeper into things fencing, and from 1997 to 2021 there followed with relentless pace, instructor training, sporting competitions and a series of recreational activities, including the production of many books and DVDs, some translated into several languages.

Today, in the third millennium, the quartet of experts can still be seen in vogue willing to chart new paths and implement new projects. This video is but the latest in a work on walking stick fencing, the flagship discipline of Masters Roberto Chiaramonte, Graziano Galvani, Roberto Girlanda and Giovanni Proietti.

"But what everyone must appreciate in the handling of the stick is that it serves as a ladder to the fencing of saber and point..."

Maestro Giuseppe Cerri -

1854

Scrimia Scrimia

Edited by the Table Circle Edited by the Table Circle The Table Circle-Nova Scrimia

"When one knows how to use a stick, cannot he defend himself against anyone, and against swords, sabers and knives? Especially since a stick is easily found and in any place it can be procured, what is never of other weapons..."

Fencing with the walking stick Fencing with the walking stick

Nova Nova

Scrimia Scrimia

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Minimal note on current criminal law

A dutiful, though unnecessary, brief note suggested by the use of the walking stick.

According to the provisions of Article 4 of Law 110 of 1975: "The following are not weapons, but tools: knives of any kind and size, bows, crossbows, spear guns, scissors, awls, martial arts sports equipment, etc." .

Even the walking stick, therefore, while a tool that can potentially injure, when used/used as a sporting tool of a martial art, in this case stick fencing, is not a weapon in the proper sense.

it is well established that the use of the walking stick, employed in this manual to teach the art of fencing, is to be traced back to the sport of fencing practiced - precisely - with the walking stick: the stick is the implement most similar to the 'blades' used in the modern discipline of sport fencing.

The exercises and techniques are those of fencing or 'scrimia' (making screen - defense): the art of walking stick fencing is therefore preparatory to the defense practiced with the stick.

To know the art of walking stick fencing is to know and learn a particular sport discipline, which teaches 'scrimia' or making screen, defense.

Nova Nova

Fencing with the walking stick Fencing with the walking stick

As with self-defense in the strict sense, even for walking stick fencing, the general principles of the penal system remain valid: in point of legitimate defense according to which, in coming to situations of actual (concrete) danger of unjust offense, the defense (possibly exercised with the walking stick) must be proportionate to the offense (art. 52 C.P.) in order to be considered legitimate.

It remains always and for all duty, having a way of escape (the so-called 'commodus discessus'), that the choice between defense (with the walking stick, rather than with any other means- improper weapon-or weapon, as long as legitimately possessed) and flight or removal, the choice of flight/removal must take precedence over reaction/defense, to be resorted to (only) in the absence of escape.

Not wanting to bore further, just keep, always and well in mind that walking stick fencing is a sporting activity of a martial art...the Italian one!

Advocate Morena Maria Sambugaro

Scrimia Scrimia

Edited by the Table Circle Edited by the Table Circle

The Kajukenbo continues to grow day by day and more than ever are demanded forms of teaching updated to our times and the EKKA responds with this series of 2 volumes corresponding to the intermediate level, and thus cover the basic techniques of the program of white belt, to black belt. In this new work, logical evolution of his previous work Basic Kajukenbo, GM Licesio Prieto shows us the forms (Palamas) 3 to 8, the Punch Counters 3-6, Grab Counters 3-6, Knife Counters 3-6, Club Counters 3-6, Kick Counters 1-5 that do not appear in the original art of Kajukenbo, as well as a work of Drills and Counters, typical of the EKKA. All martial arts must evolve and adapt to the times without losing their traditions and roots, everything evolves, and with the arts of Hawaii is the same, evolution despite whoever it may concern, but keeping the principles that make them work.

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Budo international.com ORDERS:

Salvatore OLIVA is a recognized authority worldwide, as well as a reputable expert in various areas of martial arts. His extreme passion for martial arts and combat sports, specifically in the area of self-defense for law enforcement officers, inspired him to develop the Oliva Combat System. An ultimate and effective combat system, based on 3 fundamentals: simplicity, effectiveness, functionality, consisting of 3 different operating systems: P.D.S. (Progressive Defense System), P.L.E.T. (Professional Law Enforcement Tactics) and C.A.T. (Cobra Assault System), developed as part of a specific program for police, judicial officers, government agencies, military and personal security. Through its realistic training methods and defense techniques, as well as effective self-defense and training modules, Salvatore OLIVA's system has caused an international sensation. In this first volume we will see gun disarm, Explosive Straight Blast, Rapid Safe Tools (finger Jab, Slapping Hand, knees, kicks, Hammer Strike, ...), Mass Attack, functional Trapping, Lethal Tools (head, knees, elbows), flashlight defense, Ground & Pound survival and Advanced Ground Combat. Simple tools, attribute development and their training ways to take our selfdefense skills to the next level.

Ref.: •OCS1 Ref.: •OCS1

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Tommy Joe Moore, British boxer, self-defense instructor and martial historian presents in this first work, Defendu (All in Fighting, Gutterfighting), one of the first mixed martial arts, and defense system for the Allied Special Forces in World War II, developed by the celebrated W. E Fairbairn. After his career in the Marines, Fairbairn worked with the Shanghai Municipal Police (SMP), an international police force composed of Western, Indian, Japanese and Chinese officers, one of the world's first SWATstyle forces. This melting pot nature allowed him access to an enormous wealth of martial knowledge from East and West and thus to study Judo and Ju Jitsu, Gung Fu, the Lathi (Indian baton), Western Boxing, Savate, Wrestling and Bayonet. During WWII, he trained commandos and SOE personnel, as well as men and women of all specialties, perhaps mechanics, librarians and typists before the war, and in a few hours, help them "toughen up" enough to face armed enemies with a few proven techniques, mental toughness and the determination to be, and remain, free.

In this first volume, Tommy Joe Moore focuses on the use of the Fairbairn combat knife, the principles of fighting, main objectives, elimination of sentries, other application scenarios, knife defense, and the Chin Jab, Jab to the chin, one of the simplest and most effective techniques in the system.

Ref.: •DefeNDU-1 Ref.: •DefeNDU-1

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LOCKS IN FMA

The lock is a part of the program I offer under SCS (Stroeven Combat System) also of course in Filipino Martial arts using waves is normal to think of your Locks with a stick, knife, and unarmed. With locks, I always must think of the story of my friend who is an avid practitioner of Brazilian jujitsu and is a doorman at a nightclub in Germany.

In a fight, he brought someone to the ground and put him in an arm lock the man could do nothing and tapped out as happens in judo and BJJ at that moment my friend let go of the lock as he was used to in his training and stood up thinking the fight is over but it wasn't so suddenly the man hit him full in the face and the fight started all over again. There

we should not confuse sports with reality and train ourselves so that we are always ready to act when necessary to protect our family or other people. Think of it, you are training thousands of hours for a fight for only a few seconds or minutes so train hard and make sure you are always ready.

LEARNING LOCKS

Learning and deploying Locks begins with training with the stick because from the principles of the stick, we also learn how to set locks against an armed or unarmed opponent, In my system, we work with a flow which means you learn a series of locks and then move from one lock to another Lock and flow through, technically and calmly so that you know the lock is right and from there you can keep an overview for any multiple attackers. Once you have mastered the locks technically you can work on your counters for each lock you make one or more attacks that can be a stab to the eye or a blow to the head and from there you can set a lock. The locks are especially painful and must be executable from different positions.

First Category of Locks

In combat eskrima, we use 3 different types of locks. Locks where you try to get your opponent under control without injuring him or causing serious damage, are mainly for government agencies such as police and other institutions where violence occurs regularly. Getting aggressive people under control is not that easy and for that reason, the locks should be simple and easy to apply in all situations. It is also easier to install locks when there are two of you, in principle, you need to use less force, but unfortunately, you often see that two or more police officers have great difficulty getting a man under control. One of the reasons for this is simple, there is not enough training.

Second Category of Locks

These are the locks that we are alone, and we must get our opponent under control. Now we also make use of punches, elbows, and knees by giving the opponent pain he will also fight back at that moment it is important to keep an overview and place aggressive attacks so that you can set a clamp. This can be an arm clamp or shoulder clamp, and or head clamp (with a head clamp you must always keep control because some head clamps can be dangerous. But also, finger-wrist clamps can be very effective. With a clamp, you keep someone under control until help arrives but in serious combat situations, you can also break someone's limb because at that moment you have no other choice.

Third Category of Locks

These locks are more developed for the art and are often complicated and only performable by advanced students and teachers. I use these locks because you go deeper into the techniques and must assess each situation differently with weapons and unarmed. What I always observe in my seminars is that I rarely see anyone who performs these locks perfectly. Especially the Espada Y Daga (stick knife) locks are a good example. It is precisely the complexity of the locks that attracts me to use the more technical aspect and the tactical thinking behind it.

ATTACKS BEFORE - DURING AND AFTER THE LOCKS

Before the lock you give your opponent pain, targeted attacks that can be by punches, elbows, knees, headbutts, or by using weapons, also during the lock you can still place attacks so that he is even better in the lock, to think by using your stick e.g. a stab to the eyes or a ponjo (back of the stick) in his face or a combination of both knee against his thigh and after that place a stick attack as soon as he reacts and gives away an opening you put a lock-in. But even to the lock, you can still place attacks. Yes of course there will be people who don't think this is normal and always disapprove of violence, but I would like to see when the thugs come into your house and bedroom to rob you or even worse kill you.

Locks against knife attacks

Imagine this scenario someone attacks you with a knife fleeing or grabbing another weapon is no longer possible the attacks are aimed at your abdomen and usually after two stabs to the abdomen the attack is continued with a punch to the neck or face. Disarming is now not going to work and now it is time to stop the stabbing and put on a lock. The best thing to do is to place a counter to his eyes and at the same time turn on a lock and make sure you get the knife under control as quickly as possible and then counter hard and aggressively with knees to his crotch only this way you will survive this attempt on your life. At this moment no time and do not think but fall back on your training hours where you have trained in these situations but unfortunately this is only the case in a few schools.

Training methods

Training methods are the most important part of training now you are going to try to turn on the locks when the opponent fights back. Of course, with weapons that are dangerous, and you do have to keep an overview and not really injure anyone. The idea is that you can use locks from any position even against knife attacks and for that, you have to train a lot because more and more people carry knives but what I have always said in my previous articles we assume that everyone is armed and in this way you cannot be surprised if suddenly a knife is drawn I want to end this article with these words.

For more information contact us: info@scseskrima.com or www.scseskrima.com

A PHILIPPINE GREAT MASTER ONCE SAID:

“LOVE IS THE HIGHEST FORM OF SELF-DEFENSE”

But I wonder if he would say the same when a big knife enters his body, or a gun is put to his head.

A place of well-being for all children... The Stéphane Denis Academy

Within the International Organization I.M.A.D.S., the opening of the Stéphane Denis Academy, has allowed to multiply the hours of courses to the great happiness of the practitioners. This multiplication allows us to offer a good number of specific and well-targeted courses. Seniors, men, women, teenagers, children, nobody is forgotten.

Let's dwell a little on our children's sections, which to our great satisfaction are a success. Indeed, the section named "Juniors" has been divided in a well thought out way, based on the learning capacities according to age.

Previously, within the I.M.A.D.S. Organization, the "Juniors" were grouped from the age of 8 to 13/14. The fact that "Juniors and Adults" were never grouped together in the same group was already a key point in the serious formation of the teaching structure. Nevertheless, given the growing number of motivated children, reorganizing and proposing even more precise age categories was an obvious choice. This was done with the constant concern to give the most attention to the children because we know that it is when we are young that we store up our potential for our future. It is important to us to specify that physical activity and sports are an integral part of the psychomotor learning of a child. It promotes muscle development, balance, coordination and precision.

Krav Maga

"The United Nations Educational, Scientific and Cultural Organization (UNESCO) has revealed that a child who gets into the habit of practicing a sport activity will keep it as he or she grows up."

Sports & martial arts practiced between 8 and 13 years old, what should we know?

From the age of 8, the child is able to coordinate his movements and to dissociate them. Coordination and opposition sports, individual or collective, can be practiced. Martial arts are one of them. Endurance sports can be practiced from the age of 9.

Around 10 years old, the child is able to practice combat sports as well as team sports. Sport is fun!

From the age of 13, the child is able to choose a sport by passion and can invest body and soul. He has become a teenager who will choose by himself a collective sport, a martial art or a combat sport, which will help him to assert himself, to channel his energy and even his possible aggressiveness felt in this chaotic period that is adolescence.

With this knowledge of this part of the age pyramid, the Academy proposes two age groups, from 8 to 10/11 and 11/12 to 13/14. It favors the well-being of the child. Each child is different and has his own learning rhythm. Each child is different and has his or her own rhythm of learning, so they can move on to the different groups when they feel ready to move on. During this period of change, the instructors are also there to support each child and guide them as best they can.

Krav Maga

Krav Maga

I.M.A.D.S. Experience and adaptation...

For the children, the passage to the next level, whether it be academic or athletic, can be a source of stress. Therefore, within the Academy, the change of group or level must be done in the most natural way possible. Coming back to the starting point is not a failure. It is an experience that will allow you to start again. I.M.A.D.S instructors instill this from the beginning of the learning process. My 30 years of teaching experience give credit to this type of approach.

I.M.A.D.S and the development of the child...

Children's participation in I.M.A.D.S Krav Maga classes means concentration and openness. As a result, they will have better attention. It will also increase their attention in school, which is not negligible.

Krav Maga I.M.A.D.S taught in a sporty way, plays an important role in personal socialization. Children learn the social rules. Communicating, being accepted, interacting, being listened to...

In terms of physical and mental health, many reports demonstrate the positive effects of sport and activity as such: on health, on growth and on development.

Sport and physical activity are fundamental to a child's development. The knowledge and skills acquired through play contribute greatly to the development of not only the body, but also the mind. Sports also teach important values such as honesty, teamwork, fair play, respect for oneself and others, and respect for rules.

Thanks to the Academy's courses, the child becomes familiar with the spirit of competition, and manages his joys when he wins, as well as his frustrations when he loses. This learning will have an impact on his social and moral development.

I.M.A.D.S. long-term commitment to physical activity...

Physical activity, sport or activity practiced as such also allows the development of healthy habits and encourages the practice of physical activity on the long term. The potential impact of physical education on public health is real. To achieve broader educational and developmental goals, the I.M.A.D.S. program focuses on individual growth, not just technical skill development.

Krav Maga

Krav Maga I.M.A.D.S. "Quality is not an act, it is a habit".

Aristote

Stéphane Denis

Bachelor in Physical Education and Sport and Wingate Krav Maga trainer.

5th Dan Krav Maga IFMA (The Israeli Federation of Martial Arts)

I.M.A.D.S Krav Maga classes as bait...

I.M.A.D.S. Krav Maga classes must be attractive for the simple reason that they can be a gateway into health and education programs. They can also be used as a tool to deliver messages to participants and in some cases, spectators.

It is important to note, however, that it is not sport or physical activity per se that leads to positive educational outcomes. Indeed, most of the literature emphasizes the crucial role played by physical education teachers, coaches, support workers, etc., whose skills enable sport to make a significant contribution to the education of young people.

Krav Maga

How To Achieve! (3)

This is the third and final installment on how a student of Martial Arts can get the most out of their training. Ask questions, but don’t ask stupid questions and never make assumptions

A simple rule to follow is to always ask yourself whether you understand something or not? Of course, the best way to understand something when a person is teaching you is to give them 100% attention, listen, and watch carefully.

Hwa Rang Do

“Each movement has a purpose, and you need to understand how to use and apply the movements properly in order protect yourself.”

Often however, although you tried to pay attention, you just didn’t get it. Well, that’s when you must ask no matter how silly or embarrassed you might feel. This seems so rudimentary, but you would be surprised how often people never ask questions and make assumptions even when they know that they are completely clueless. There are three fundamental reasons why this occurs: First, they do not know themselves well enough; Second, they think too highly of themselves with ego and think they know when they actually don’t; Third, because they are scared and intimidated. This is really the true practice and benefit one can gain by training in the martial arts: To become more self-aware physically, mentally, and emotionally; to learn humility and practice being humble; and to overcome fear by becoming stronger and more self-assured. Once again this is about fighting so you cannot afford to be uncertain about what you are doing as you risk either yourself or your training partner being injured.

Hwa Rang Do

Some people say that there are no “stupid” questions, but I say, “yes there are.” For me a “stupid” question is something asked without thought, consideration, and discretion. You should always be prepared to be asked what you think about the subject of the question you are asking about. I always ask what my students think or why they are asking to see whether they have put thought into their questions or they are just frivolous outbursts. I believe that the most important job of a teacher is to teach their students how to think, solve problems, and find solutions on their own. So, if they have made no effort to find the answer on their own, then I reject their questions and tell them to think about it first. Therefore, the proper question would start with “I have thought about it, or I have tried to solve it on my own however, I can’t seem to do it,” something like that, but be assured that you do not just recite this as the next question would be “show me how you tried to fix it?”

Don’t Follow Others

So many times, I catch people just following along with the class even though they have absolutely no idea what they are doing. Remember once again this is martial arts and it’s not an aerobics or a fitness class that you just need to follow along with the movements. Each movement has a purpose, and you need to understand how to use and apply the movements properly in order protect yourself. It does no good to follow somebody else to just be able to perform the movement without understanding how and why it’s done a particular way. In addition, how do you the know the person you are following, or copying is doing it right? This is following blindly, and it will never serve you.

You can only go at your own speed. If you are a beginner and/or you don’t understand the movement well enough to move as fast as the rest the of the class, then you must take your time and do it at your own pace. Yes, you might feel embarrassed as the class is waiting for you to finish, but you must overcome that awkwardness and remain clear headed.

Hwa Rang Do

As you are overwhelmed with these negative feelings and thoughts as you sense the entire class is staring at you, you must learn to remain calm and perform the movements correctly. It is much more important that you do it right than it is to remain with the rest of the class.

If you feel that you are completely lost, then that is also the time to raise your hand and ask for clarification. Usually, the instructor will explain it to you more in detail or if it is hindering the rest of the class, he might pull you aside to show you and have you practice on your own until you get it. So, don’t be afraid to ask for help and always remember to stay calm and learn to do things the right way in the first place.

“Don’t be afraid to ask for help and always remember to stay calm and learn to do things the right way in the first place.”

Believe in Yourself

If you start participating in the class with doubt, fear, and disbelief that you are not even capable of doing it, then you will become extremely self-conscious that you will second guess everything and manifest your worst fears. Martial Art is not designed for a specific type of person, but it is for everyone. There is no specific person that will do better or worse, everyone can be proficient at it, but it will take some people longer than others. It only matters, how much you want to improve and how disciplined you are to train and practice on a regular basis as it is the case for most if not all physical activities.

If you keep thinking that this is not for you and whenever you make a mistake or have trouble learning the techniques, you use that as validation and proof that you couldn’t do it, then you will surely fail not only in marital arts but in all things. The purpose of Martial Ats training is to reveal your weaknesses and deficits to become fully aware of your limitations with the goal of fortifying your weaknesses and expanding your limitations. Living your life avoiding conflict as well as any uncomfortable and difficult situations cannot and will not allow you to grow, experiencing the full extent of life but rather confined in your own self-made prison of self-delusion and denial.

Hwa

Rang

“The purpose of Martial Ats training is to reveal your weaknesses and deficits to become fully aware of your limitations with the goal of fortifying your weaknesses and expanding your limitations.”

Believe that you can do it and be patient and persistent. As long as you do not give up, success will be achieved, only giving up and quitting is failure. It is like a long journey you decide to undertake, as long as you put one foot in front of the other and do not stop and continue to move forward you will get to your destination.

At this point you might be saying, “Yes, I suppose I can commit to something that better suits me, but don’t see why I should do martial arts.” Martial Art is like swimming, which I have stated previously in an article about parenting that all parents must teach their children how to swim. Swimming is a life, survival skill. You can try to live all your life avoiding bodies of water, but if one day something happens that you should find yourself in water, what will you do? Well, you don’t have a choice if you do not know how to swim and surely you will die. Martial Art is the same, you can try living your life avoiding any form of physical conflict or alteration, but what happens if you are confronted with a violent altercation. No one seeks or wants to be physically attacked, it is just a reality of life that it may happen, God forbid that it ever does. If you have absolutely no idea how to defend yourself, then surely your odds of survival are slim to none.

However, martial art is much more than just knowing some self-defense, it is a pursuit of wellbeing physically, mentally, and emotionally. It helps in so many ways to live and handle the struggles of life, allowing the individual to fully experience the miraculous, wonderous, beautiful God’s gift that is life.

Hwa Rang Do

“If you start participating in the class with doubt, fear, and disbelief that you are not even capable of doing it, then you will become extremely self-conscious that you will second guess everything and manifest your worst fears.”

“However, martial art is much more than just knowing some self-defense, it is a pursuit of well-being physically, mentally, and emotionally.”

If you want to learn a dynamic realistic self-defense system, then this is your chance to train with Frans Stroeven.

Do you want to train directly under Frans Stroeven?

Do you want to pursue or organize a seminar?

Do you want to pursue or organize a training camp?

Do you want to become an instructor in SCS?

Do you want to train and be part of an elite group with the same passion?

You can contact Frans Stroeven via Facebook, Instagram, WhatsApp, or email- info@scseskrima.com

Kajukenbo is an eclectic and versatile system that was born as a useful and credible tool for self-defense in modern times, it is not a martial art of sports or traditional profile and therefore its learning is suitable for all types of people whatever their condition and in which there is only one premise according to its creator Sijo Emperado. "Fight to train, train to fight, fight to win.... go for broke". The standard techniques, above all, have to serve as a model of application of different wellstructured basic principles whose purpose is purely efficiency, sometimes even supported by the ability of creative improvisation. This is basically achieved by training different combinations of the same principles and avoiding their excessive mechanization. Every aggressor has a plan or a predetermined intentionality, so it is unquestionable to be extremely effective in the blocking and subsequent response by correctly using coordination and synchronization to break the opponent's initiative and position ourselves with advantage, and as Emperado said, suffocate him with quick and forceful bursts of blows in specific areas and move with dynamic and overwhelming transitions that prevent the aggressor's reaction.

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Budo international.com ORDERS:

LARP and Soft Combat are spreading like wildfire and are increasingly present in medieval fairs and events associated with tourism and local festivals. Medieval fencing, in addition to its increasingly widespread presence in reproductions of ancient battles, has also become a new leisure activity and sport that is spreading around the world in dojos for children and adults, in the form of role-playing games, or preparation for actors in the increasingly frequent series framed in the Middle Ages. Because of his extensive martial experience, Avi adds veracity to the combat, conveying realism and completely unexpected approaches to the genre lovers will enjoy this video. His 6th Dan of Kendo, 5th Dan of Iaido, 5th of Jodo, his knowledge of Kenjutsu and so many other martial arts, put him in a great position to deal with the subject.

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Budo international.com ORDERS:

The Warrior who brings the others back home

The history of Lynchburg, Virginia is rich with military and martial arts history. Desmond Doss and David Rubinberg have stood out as exemplary paragons of bravery and combative expertise, each in their own way, but with similarities as well.

The Roman General, Heraclitus once said of soldiers: “Out of every one hundred men, ten shouldn’t even be there, eighty are just targets, nine are the real fighters, and we are lucky to have them, for they make the battle. Ah, but the one… one is a warrior, and he will bring the others back.”

Desmond Doss was one such warrior, despite the fact that he refused to shoot or even hold a rifle. A self-proclaimed “conscientious cooperator” (in contrast with the “conscientious objector” of World War II), he was a warrior who received substantial abuse during his basic training for his religious beliefs. Refusing to carry a firearm during bootcamp, he was called a coward, physically abused and even had his life threatened by his own fellow combatants. Despite this and despite the attempts his superiors made to discharge him from the service, he refused to leave and in lieu of being a combat infantryman, he opted for a position as a combat medic.

Once he landed in Guam in July 1944, his co-combatants that had previously threatened his life soon learned of his valor. Doss consistently and fearlessly ran into the field when others took cover, rescuing numerous wounded combatants and treating their wounds on the spot or bringing them back to safety. Again, at Leyte in the Philippines, Doss continued braving bullets and mortar shells, saving more lives and receiving

two Bronze Starts for his valor for both Guam and Leyte.

The battle-tested combat medic faced his greatest crucible during the Battle of Okinawa, high atop the Maeda Escarpment, also known as Hacksaw Ridge. Prior to his arrival in Okinawa, the 96th Infantry Division captured the ridge, having suffered heavy losses in the process. The 77th Infantry Division, to which Doss was assigned, was tasked with relieving the forces there. From May 2nd until May 5th, 1945 Doss and his Division were subjected to some of the most brutal offensives from the Japanese. The machine gun fire was so intense that one soldier was decapitated from the rain of bullets. Wave after wave of enemy attacks made the position untenable and the order was given to evacuate the Maeda Escarpment. While the majority of troops evacuated, Doss refused to leave the wounded and continued to provide succor and support the evacuation of others. Doss himself was wounded twice, once shot in the arm by a sniper and his body riddled with 17 pieces of shrapnel when a grenade exploded near him. Despite his own wounds, he stayed by his troops until he was finally evacuated on May 21st.

Exactly 50 years after Desmond Doss was born, in the year 1969, David Rubinberg moved to Lynchburg, Virginia to study at Lynchburg College. David had a long history of training by that time, having studied boxing from the age of 10 in a Jewish community in New York City and a few years later he studied Judo and Karate. David continued his martial arts studies while at college at the age of 18, earning his brown belt in Judo and Karate which was soon followed by his black belts in both styles at the age of 20. Sensei Rubinberg continued his study of Karate with Sensei Bob Williams while studying at Lynchburg College and in turn, trained Sensei Williams in Judo. David never missed an opportunity to train, and shortly after, at the age of 23, he received his second degree blackbelt in Judo. When his son, Bruce, turned 5 years old, David found a school in Lynchburg, VA and became a co-instructor, allowing him to continue his studies as well as pass on the legacy of his training.

From 1991 to 1999, David continued to develop his skills, obtaining his 5th degree blackbelt in Karate under Grand Master Charles Carey, the school’s owner. In 1997 Master David Rubinberg was inducted into the Blue Ridge Hall of Fame. In 2009 David obtained the rank of 8th degree blackbelt and named as the Grand Master Carey’s successor and later in 2019, was awarded 8th degree blackbelt in Kapap Krav Maga under Grand Master Avi Nardia. David continued to pass his legacy and knowledge on in the Lynchburg community and to his son who is now the owner of his own school – FEKS Martial Arts Center.

Having grown up in the Jewish community with the memory of the Holocaust still fresh in the minds of his aunts, uncles and close family members, David Rubinberg was taught from a young age that he needed to study, train and prepare to fight. The thought was always that he and his family would return to Israel and needed to be prepared to serve the country. As such, humility was also engrained from an early age, the idea that he shouldn’t talk about or demonstrate his martial arts skills unless absolutely necessary. To this day, Master Bruce Rubinberg continues his family tradition in Lynchburg, training and preparing the next generation to not become victims and to stand up for what is right.

The legacy of valor and standing up to the face of evil continues in the Lynchburg community to this day. From Desmond Doss’ extraordinary valor to the legacy of David Rubinberg and the lives he has impacted which continues through his son, Lynchburg has a long martial and military tradition. These role models stand as exemplars for all martial artists to be the one that brings the others home. Whether it’s continuing to press forward despite the opposition or it’s training up the next generation to not forget the atrocities of the former, we are all called to this standard to press forward and support our community and our country.

Professor Maurizio Maltese presents in this extensive and detailed work the "Scherma Jonica", Ionian fencing, an art cultivated century after century, perfected and made more and more effective by constant practice in every district, village and town of the area straddling the Ionian Sea, between Calabria, Apulia and Basilicata, and with very diverse influences from pre-Roman, Greek, Byzantine and Norman peoples, as well as Spanish and French origin. The knife was the weapon available even to the poorest of men, the farmer and the herdsman, who used it in most of their daily work, from cutting a piece of bread to defending themselves against an aggressor (be it animal or human). As fighting became indispensable to assert one's rights, the need arose to train, to attend a teacher and sometimes a school. In the schools of arms one learned to use other elements in aid or in concert with the knives, such as the jacket to camouflage the blade, which, unbeknownst to the adversary, or the hat. Thus, in Ionian fencing, century after century, many ideas and traditions of different schools, distant in time and space, are mixed: it is obvious to think that each region, if not each Italian village, used its own and different techniques, if only because of the great wealth of forms that the knife had in the country, both in its daily use and in its offensive use.

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Budo international.com ORDERS:

How safe do you feel in today's world? In this DVD, GM Pedro Rodriguez and Darylibeth Gil of Jeet Kune Do Cadre will teach you simple and devastatingly effective moves that can be learned in a matter of hours not years. In 2020, the violent crime rate in the United States was 398.5 cases per 100,000 of the population. End some of the Most common attacks in 3 to 5 seconds. Learn some of the best hand to hand skills used by military and law-enforcement and civilians around the world. Aggravated assaults accounted for 68 percent of violent crimes reported to law enforcement in 2020. Don't be a victim!, learn to use and apply these techniques with ease and become your own bodyguard, a MODERN DAY WARRIOR. GM Pedro Rodriguez, Martial Arts Instructor with over 40 years of training and teaching experience (Hapkido, Jeet Kune Do, Ju Jitsu, Arnis, Wing Chun ...), has collaborated with law enforcement and law enforcement personnel and Military Special Forces Units, and trained with some of the Top Martial Artists in the World. Thanks to this impressive background, he has blended the different styles and systems he has learned into a Simple, Effective and Direct "Purely Self Defense System"!

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Lei Tai, translated as "high stage", is a familiar term for martial artists of traditional Kung Fu styles. We associate it with the athletic competition in tournaments between two competitors, such as the high quality U.S. International Kuoshu Championship Tournament in Baltimore. But what is actually behind this term? Where does Lei Tai come from and how has it developed into what it is today?

Kung Fu

“Lei Tai has known no rules for centuries and was a platform on which it was about honour and not infrequently about life and death.”

Kung Fu

According to U.K. Kuoshu Federation the origins of the Lei Tai can be traced back to the year 221 BC, where imperial soldier competitions took place in a wrestling-like discipline (Shuai Jiao). The winner of such duels often waved prospects for coveted posts, such as for example trainers or bodyguards of the commander. The "conventional" Lei Tai has been known since at least from the Song Dynasty (from 960 AD), which was also used to organize a competition, to carry out duels and settle conflicts. There were so many different types of Lei Tai as today's numerous Kung Fu styles, but in principle it was always the same: a high stage on which a fight was carried out. Some sources report that new Kung Fu masters arriving in a village used this mean to make a name for themselves and to even take over the village. The newcomer should have set up the Lei Tai stage by hand and then challenge all the fighters present on a particular day. It was not infrequent that the new master or his partner were selling their homemade medicine (Dit Da Jow) besides the Lei Tai to treat the wounded. If the new champion defeated all challengers, he would have then become the new champion of the village. His school or his doctor's practise would have known a guaranteed success. It can be assumed that those relatively "peaceful" battles would have seldom resulted in deaths. Others people have also reported about private duels and disputes (for example, between gangs or schools) which have been carried out on the Lei Tai. In all versions of the Lei Tai, there were no rules except that the one who fell or dropped from the Lai Tai stage had lost the fight. In the case of very serious disputes, it was normal for the participants to sign a contract, that in case of death would forbid his relatives to take revenge on his opponent or the opponent's family. Some sources also report that Lei Tai stages were deliberately built so high that the loser could not survive a fall from the stage. Even poisoned weapons, spears and halberds would have been set up around the Lei Tai to ensure that the loser who falls from the stage would die.

Kung Fu

In human history, it has been shown that almost every culture has developed a kind of wrestling or fight to measure oneself without having to die. In the case of Lei Tai, this is of course the Asian / Chinese version of this wrestle. With the difference that, depending on the circumstance, conditions could change to a battle for life and death. Lei Tai developed itself over the years, however not even 50 years ago would fighters in China / Hong Kong sometimes still die during Lei Tai fights. This is different today and is at the same time in a certain dilemma: the rules should prevent in the present time that someone dies in a Lei Tai fight, but at the same time these rules need to let the seriousness and tradition of the art alive. To list all the rules would be beyond the scope of this article. The most important features of today's Lei Tai are probably the following:

- If possible, the fight is like in the past carried out on a stage.

- Attacks on particularly sensitive parts such as the eyes, genitals, joints, etc. are not permitted. The use of force is not restricted as long as the technique has been carried out in a controlled manner.

- Unethical, uncontrolled aggressive or disrespectful behaviour of a fighter is punished with disqualification.

- Protective equipment includes helmet (with lattice or mouth guard), protective cup (men), 4 OZ gloves, long trousers (uniform), soft shoes / Kung Fu shoes (uniform), T-Shirt from the competition's organizers.

The most important frequently asked questions about Lei Tai:

What is the difference between Lei Tai and Sanda?

Sanda also considers itself as a sporting version of the duel in Asian martial arts, but, unlike Lei Tai, does not come from the Kuushu (traditional Kung Fu) scene but from Peking or from modern Wushu circles. With Sanda, the sport's components are even more prominent, for

Kung Fu

“In the case of very serious disputes, it was normal for the participants to sign a contract, that in case of death would forbid his relatives to take revenge on his opponent or the opponent's family.”

example, one fight in a boxing ring with thick boxing gloves (10 OZ or more). A clear difference regarding the uniform can be noticed, as Sanda fighters wear boxer shorts and are bare chest. The differences in the rules are relatively small.

What is the relationship between MMA and Lei Tai?

Unfortunately, many people, especially younger people in the West, hold today MMA ("Mixed Martial Arts") as the last wisdom within the martial arts. Certainly, from my point of view, the MMA can be regarded as trying to combine the best of all available. It is a very nice idea, which many Chinese people already had 5000 years ago and successfully combined in today's proven, efficient and famous Kung Fu styles. This constitute a kind of similarity between Lei Tai and MMA, with the big difference that MMA was built from the beginning on rules. Kung Fu was designed for the war. To be fair, rules were also set in Lei Tai few decades ago to protect the participants from death. However the original Lei Tai never took place with any rules. This is also the reason why Lei Tai, at least in our KUNG FU SCHULE MARTIN SEWER, is only an intermediate step towards a good fighter. In the end our martial art knows no rules. It was created for street fights and survival.

In summary, there are always two sides for me when I talk or think about Lei Tai: on the one hand, we can be glad that it is now possible to go to a Lei Tai tournament with its resulting structure, rules and referees without directly having to fear for death. On the other hand, these rules naturally limit the possibilities of our fighters and of our art, which is equivalent to some kind of chain restricting the fighters. Depending on what it is, you will hear from me one side or the other.

One thing I think we should never forget: Lei Tai has known no rules for centuries and was a platform on which it was about honour and not infrequently about life and death. Today not as much as then. On the other hand, we can cultivate and maintain a different value on the Lei Tai more than ever before: making new friends in combat.

Großmeister Martin Sewer präsentiert in diesem Werk einen kompletten Kurs von Bak Hok Pai, dem Stil des weißen Kranichs. Der Kranich ist ein elegantes Tier. Mit seinem weißen Federkleid steht er im einen Moment wie ein Herrscher da und bewacht sein Revier. Im nächsten Moment schlägt er mit den Flügeln und bewegt sich blitzschnell vorwärts. Obwohl jeder ein klares Bild von diesem anmutigen Geschöpf vor Augen hat, fällt es den meisten schwer, sich diesen großen Vogel in einem Kampf vorzustellen. Wie kämpft ein Kranich eigentlich, wenn er bedroht wird? Wie alle Tierstile entstand auch der Kranichstil durch das Studium der Strategien und Taktiken der Tiere während eines Kampfes und deren Übertragung auf den Menschen. So entstanden auch die fünf Tierstile, die sich über die Zeit bewährt haben und heute in meiner Schule gelehrt werden: Tiger, Kranich, Schlange, Leopard und Drache. Die Beherrschung all dieser Tierstile und der dazugehörigen Elemente macht einen Menschen zu einem perfekten Menschen, sagen die Legenden des Kung Fu, und es gehört natürlich zur Philosophie eines wahren Kriegers, sich ständig zu verbessern und Perfektion zu erreichen. Obwohl das Wissen um die fünf Tiere zu den fortgeschrittenen Stufen gehört, sind vier der genannten Stile auch für Anfänger in Form von Seminaren zugänglich. In ihnen erhalten eifrige Schüler nicht nur einen tieferen Einblick in unser Hung Gar, sondern lernen auch die ersten Kampftechniken des jeweiligen Tierstils, und der häufigste Kommentar ist: "Ich hätte nicht gedacht, dass diese Techniken so effizient sein können...!".

Alle DVDs, die von Budo Internationalproduziert werden, sind mit einemspeziellen Hologramm-Aufkleber versehenund werden allein in den Formaten DVD-5oder MPEG-2, jedoch niemals in VCD, DivX o. ä. angeboten. Zudem zeichnensich unsere DVD Hüllen durch die hoheQualität in Druck und Material aus. Fallsdiese DVD und/oder die DVD Hülle nichtden oben genannten Ansprüchenentspricht, handelt es sich um ein illegale Raubkopie.

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Budo international.com ORDERS:

This ancient art that emerged more than 4000 years ago in northern India, is becoming a reference for the initiation of professionals and practitioners, for their contribution and development of numerous skills in hand-to-hand combat, for its effectiveness, quick response forceful and peculiar vision of combat with weapons, fencing and fighting. In this work, Docurdo (Master) Daniel Guijarro presents the Silaram methodology, which combines fencing, with the short stick and the Churi, razor or knife, and the long gypsy stick of 1.50m. In Silaram there is no center line because there is a continuous movement, while we move the center line disappears and the guard changes for defense and attack. A pragmatic approach that takes advantage of the natural qualities of the body's movement, with a natural methodology where self-control and instinctive responses to attack and defense are characteristic.

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Japan and Spain

Two geographically opposed worlds

Miguel A. Establés Elduque

That Japan contrasts with Spain in many aspects is obvious. From the most obvious qualities, such as physical features, to the most subjective ones, that is, culture, language, traditions and customs, and even the way of facing the challenges of life, it is clear that between Spain and the Land of the Rising Sun EVERYTHING IS DIFFERENT.

Obviously, life is ONE, and, in the East as in the West, in the North as in the South, it manifests itself through identical events and homogeneous results. However, the fact of observing things from different angles, with an opposite geographical location (as is the case), and, above all, an education conditioned by the particular history of each people, determines to a great extent the experience that, for better and for worse, human beings can draw from it.

Japan Versus A journey to A journey to Japan Versus

Spain o the heart of its culture the heart of its culture Spain

Fotos Gentileza de Juan López Camps Quatre Films S.L.

Japan Versus A journey to A journey to Japan Versus

The "mirror effect

My good friend, Professor Hashimoto, Hashimoto Sensei ( 橋本先生 ), excellent teacher, great Hispanist and better person, used to say that both cultures, Japanese and Spanish, being geographically located in such distant places on the globe (almost opposite, although the antipodes of Spain are in New Zealand and the surrounding sea), it was as if they were facing each other, and therefore, their differences could be compared to the vision we have of ourselves when we look in the mirror. In the contrasting image returned to us by the glass, our right ear occupies the left place and vice versa. Professor Hashimoto maintained with pleasant oratory, that this "mirror effect", as he called it, which conditioned our minds and the way we relate to each other, went far beyond what might appear at first sight, and could be observed in numerous details, large and small. For example, he said that Spaniards, as a rule, put our first name before our family name, while in Japan it is the other way around: first the family name or anthroponymic name of the family or clan is given, and then the personal grace of the individual.

Currently, in Japanese onomastics, proper names, Nihonjin no Seimei ( 日本人の姓名 ), consist of a family name, myōji (苗字 ), followed by a given name, in this order.

Prior to the Meiji Era, Meiji Jidai (明治時代 - October 23, 1868 to July 30, 1912), the family appellation, was a feature of nobility and high-ranking people, while common people generally had only one name. At that time, when the country began its modernization and adaptation to the West, the general citizenry was forced to take a family name. From then on, the official government policy was to make every effort to meet Western expectations as much

as possible. Thus, when it came to transcribing a Japanese name into the Latin alphabet, rōmaji (ローマ字),,, lit. "Roman characters," it began to be preferred to follow the "first-name-surname" order, according to the norm in Western countries. However, in transcribing the names of historical figures, out of respect for their cultural principles, the traditional Japanese "surname-name" order continued to be used. For this reason, the names of Japanese heroes and historical figures have come down to us in their original nomenclature. Thus, history books tell us of Toyotomi Hideyoshi ( 豊臣秀吉 ), the great unifier and founder of the Toyotomi Clan. Or of Tokugawa Ieyasu (徳家康 ), creator and first shōgun (将軍 - lit. "commander-inchief of the army") of the Tokugawa Era.

In both examples, as in all other cases of historical personages, the traditional Japanese onomastics is followed. However, as far as today's world is concerned, the Japanese themselves have internationally promoted Western usages.

Thus, in the world of cinema, for example, the very famous Japanese actor of epic films, Mifune Toshirō (三船敏郎 ), according to Japanese onomastics, is internationally known as Toshiro Mifune, following the Western standard that maintains the first-name-surname usage."

Another example known to fans of the seventh art is the celebrated director, screenwriter, editor, producer and writer Akira Kurosawa, originally Kurosawa Akira (黒澤明 ), who is regarded worldwide as one of the most important and influential filmmakers in the history of cinema.

The same goes for great sports figures, such as marathon runner Naoko Takahashi, in Japan Takahashi Naoko (高橋尚子 ), the first woman to break the 2 hour 20 minute barrier in the marathon and a gold medalist at the 2000 Sydney Olympics.

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In the scientific media there is talk of such eminences as Makoto Kobayashi and Toshihide Masukawa (both two Nobel Laureates in Physics), who the media in Japan cite as Kobayashi Makoto (小林誠 ) and Masukawa Toshihide (益敏英 ). And so we could go on in all walks of life.

Another common habit that Hashimoto Sensei included in the "mirror effect" of our facing position is that, to count with our fingers, we Spaniards close our fist and extend the index finger to point "one", the middle finger to add "two", the ring finger is "three", the little finger adds "four" and the last one, the thumb incorporates "five". The Japanese, however, do it just the other way around: with the hand completely open, to represent "one", they fold the thumb over the palm and, to continue counting, they fold the rest of the fingers over the thumb, starting with the index finger, to which they give the number "two", the middle finger "three", and so on.

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This inversion of elements, which shows the differences in approach and perspective between both mentalities, is present even when expressing condolences for the death of a loved one, to the family of the deceased or their relatives. In Spain, the intention of "pésame" is to offer our full support to the family of the deceased and to try to console them with kind words that show respect, affection and empathy.

In Japan, once again, the picture is reversed and, at a funeral, it is the people who come sad and tearful to express their condolences to the relatives, who, in turn, make an effort to comfort those who come to the funeral grieving, with the phrase Shikata ga nai (仕方がない ), whose literal meaning is "there is nothing to be done", "there is nothing that can be done about it anymore". The phrase Shō ga nai (しょうがない), "it could not be helped", is also used.

Shikata ga nai is a phrase is widely used and perfectly describes the ability of the Japanese to accept fate and maintain dignity in the face of inevitable tragedy or injustice, especially when the causes and circumstances are beyond their control. Historically, the concept has been applied to situations in which the Japanese people as a whole have had to face hard times and great suffering, such as the Allied occupation of Japan after World War II or the internment of Japanese-Americans and Japanese-Canadians in concentration camps.

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Thus, in 1975, during the first press conference in Tokyo given by Emperor Hirohito ( 裕仁 ), also known as Emperor Shōwa, Shōwa-tennō ( 昭和天皇 ), when asked his opinion about the atomic bombings on Hiroshima, he replied, "It is very regrettable that nuclear bombs were dropped and I am

sorry for the citizens of Hiroshima, but it could not be avoided, because it happened during wartime."

Something similar happens in the celebration of birthdays, name days and anniversaries. In Spain, it is common for those celebrating birthdays to "stretch themselves" by

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inviting family, friends and co-workers. In Japan, however, it is the people closest to the birthday party who prepare and pay for the cost of the celebration to entertain the honoree.

To these facts, which in themselves might seem curious and festive, Hashimoto Sensei added a host of similar examples that, in his opinion, were proof of the intellectual disparity between the two peoples. Whichever way you look at it, we are quite opposite, and not just geographically, it has to be said! And it is well known that opposites attract each other more than one can imagine. Among other things, because they complement each other.

Perhaps this is the reason why flamenco art is so popular among Japanese people. It is amazing the number of excellent "bailaoras" and virtuoso guitarists that proliferate in the Land of the Rising Sun, following in the footsteps of Carmen Amaya and Sabicas.

And the same could be said of the good reception and the boom that Japanese combat disciplines experienced from the first moment in the Hispanic soil, and in which Spain has distinguished itself at international level, giving the world extraordinary Martial Arts competitors with a glorious record that includes the Olympic Gold of our undefeated Sandra Sanchez.

We also share a common trait that identifies both the Japanese and the Spanish: our individualistic spirit. We like to do things on our own.

But there is little else we agree on, and the reality is that the differences between the two cultures, both in terms of fundamental values and simple, common things, are abundant and, in some cases, surprising.

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The historical legacy

It seems clear that the secret of the differences with Spain (and with the rest of the world in general) lies in the particular idiosyncrasy of the Japanese people, forged by fire during the long feudal era, when the country was dominated by the samurai ( 侍 ) warrior caste. The word samurai derives from the term saburai, and this in turn from the archaic verb saburau (侍う , alternative spelling 候う ), which meant "to serve", "to protect". That is, the derived term, saburai, referred to "those who serve", and this in itself already gives us an idea of the feeling of the Japanese people. The earliest known record of the term dates back to the 8th century. At first it was used exclusively to refer to domestic servants in charge of caring for the elderly, and lacked any martial connotation. Subsequently, the word, which eventually became samurai, drifted towards the military aspect. Its meaning, as it is known today, emerged with the gunkimono (軍記物 ), a series of war stories from the 12th century, thanks to which we have been able to learn about the behavior, methodology and even the appearance of the ancient military elite.

In 1192, Minamoto no Yoritomo (源頼朝 ) proclaimed himself shōgun (将軍 ), lit. "commanderin-chief of the army," a title that until then had been temporary, and thus instituted the military dictatorship of the shogunate, more properly called bakufu (幕府 ), as a permanent model of government. Under the new system, the emperor, Tenno (天皇 ), and with him the entire imperial court, became more of a symbolic figure, a mere spectator of the political and economic situation of the country, whose rule was exercised by the bakufu, which held the power.

Although they were generally known by the term samurai, they preferred to call themselves "warriors", bushi (武士 ). Throughout history, both terms, bushi and samurai have been used as synonyms, but in reality, they are not. Bushi meant "armed knight" on a generic level, regardless of the individual's position or hierarchy in the troop of which he is a part, while the word samurai, which referred to "those who serve," had been used by other social classes, even if it ended up defining members of a military elite.

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Samurai warriors were guided by the bushidō (武士道 ), lit. "way of the warrior," a strict code of ethics that demanded courage, loyalty and honor unto death. The Meiji Restoration of 1868 returned power to the Emperor, and represented the end of feudalism after nearly 700 years of despotic and dictatorial rule. The Samurai caste lost all its privileges, the bearing of arms was forbidden and the combat arts of the bushidō began to be taught to the common people, not as warrior disciplines, but as paths of development and improvement. Thus, with the Martial Arts, now converted into schools of personal evolution, the seven moral virtues of the ancient bushi were passed on to the common people:

Gi (義). Justice or Righteousness (right decisions).

Yu (勇). Courage.

Jin (仁). Compassion.

Rei (礼). Respect, courtesy.

Makoto (誠). Honesty, absolute sincerity.

Meiyo (名誉 [名譽]). Honor.

Chugi (忠義). Loyalty.

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These principles penetrated deeply into the spirit of the people, who absorbed them, adapted them to the new times and integrated them into their cultural heritage, making them the guide, the canon and the motto of the Land of the Rising Sun.

It is fair to recognize that humility combined with a high spirit of self-improvement is what gives the Japanese people that enviable ability to learn from their own mistakes and adapt to the constant twists and turns of life. This is demonstrated by the fact that, after being practically destroyed in the Second World War (1939 - 1945), and in a relatively short time, they managed to place themselves among the most developed nations on the planet. And the extraordinary thing is that it did so without forgetting its past or renouncing the sacred cultural traditions of its ancestors, which today they continue to honor and celebrate with true devotion. Whether it is because of their own history, their special approach to the spiritual world, their philosophical and scientific pragmatism or all of the above, the fact is that, in their way of feeling, thinking and acting, the Japanese people differ notably from the Spanish people.

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Broadly speaking, we could say that, while Spaniards, as a general rule, react on the fly, with that innate tendency we have to start from improvisation and adapt to the moment (a characteristic well known and demonstrated throughout our history), the Japanese people, before acting, stick rigorously to the precept of Yōi shūtō ( 用意周到 ), which could be translated as "meticulous preparation".

Moreover, the Japanese are aware of how important it is to put all five senses into what you are doing, and they know that, in order to successfully accomplish any task, you should avoid as much as possible that your attention is diluted (which is what happens when we multitask). These are the words of the old Zen master: "When I eat, I eat". So advises the aphorism Ichigyōzanmai (一行三昧), which conveys the idea of "concentrating fully on doing one thing."

These two guidelines, Yōi shūtō and Ichigyōzanmai, along with the application of the Kaizen philosophy ( 改善 , lit. "change for the better" or "improvement"), guide all the actions of the Japanese people.

The Kaizen philosophy, as such, appeared in the 1950s, the result of the encounter between the emotional intelligence of the East, with its millenary philosophy of self-improvement, and the rational intelligence of Westerners, with their work methods to optimize production.

The Kaizen spirit of continuous improvement encourages us not to let a single day go by without taking a step forward in progress, however small it may seem to us. This philosophy explains that by improving a little every day, we can eventually achieve great things and bring about the necessary changes that will bring us closer and closer to our goal.

It is a practical philosophy based on two fundamental pillars: gradualness and continuity. In other words, it is about breaking down our objectives into immediate, small and easy to carry out tasks, so that we take only one step at a time, to avoid feeling overwhelmed psychologically, and to keep us motivated.

At the same time, these steps must acquire a character of continuity; that is, we must advance every day, even if it is only a little and what we do is not 100% perfect. The Kaizen spirit holds that perseverance is the breeding ground in which progress germinates. Applied at the corporate level, the Kaizen Quality Improvement Strategy, as it is known internationally, carries with it the idea of constant improvement in quality management, which is well known in the world of industry.

The Kaizen Strategy is a process that is based on concrete, simple and comfortable actions, and involves equally all the people who work in the company: from top management to the last employee. By involving a change of attitude, both in the worker and in the company itself, both factions focus on their own fields, but, like the Taoist principles of Yin and Yang [in Japanese In - Yō (陰 -陽 ) that determine their entire culture, neither side can exist without the other and they never lose their interconnectedness. It was the application of this strategy to its industry and private life that led Japan to be among the world's leading economies.

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Onmyō wagō Harmony of In and Yō Japan today

Gradually, the old Bushidō virtues were adapted to the new times and somewhat softened the application of some concepts, especially those related to courage and honor. Things have changed a lot and, fortunately, today there would be few people who would commit seppuku ( 腹切 ), the samurai ritual suicide, vulgarly known as hara-kiri ( 腹切 - same Kanji), for a matter of honor. Among the current virtues, which, to a greater or lesser extent, are inherent to the average citizen educated in the high traditional standards of civility and coexistence that prevail in the country, it is worth mentioning:

Sonkei (尊敬), respect.

Kansha (感謝), gratitude.

Omotenashi (おもてなし), hospitality.

Ganbaru (頑張る), the virtue of effort and self-improvement.

Chū (忠), loyalty.

Meiyo (名誉), honor.

Omoiyari (思いやり), selfless compassion.

Shōjiki (正直), honesty.

Kenkyo (謙虚), humility.

Konki (根気), patience.

Taibō (耐乏), austerity.

Rentai (連帯), solidarity.

A brief review of some of the qualities listed above will help us better understand the Japanese mentality today.

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Respect and courtesy

In Japan, respect and courtesy, in Japanese Sonkei (尊敬 ), is a motto, which manifests itself in coexistence, and which begins by not making anyone uncomfortable. As such, personal space is highly valued and respected. It is common to see empty seats on the train or subway (except during rush hour, of course!), since, unless they are family members, co-workers or friends, people do not usually sit together.

The prudence of the Japanese in dealing with others is demonstrated by the fact that, even to help or lend a hand to someone, you must have the consent of the person you are trying to help. Unlike our way of being, in Japan, when you want to help others, whether in the street, at school or at work, you must first ask permission; otherwise, the action may be misinterpreted as an attempt to invade privacy, to steal or, worse, to belittle the effort or ability of the person in question. I understand that this may seem far-fetched, but it is something that is seen on a daily basis. It is not difficult to hear Westerners complain about the "little humanity" shown by people in the street, when they see someone in an accident in the middle of a public road and no one stops to "lend a hand". It takes some getting used to! The same thing happens when you intend to visit someone at home: no matter how much confidence you have with the person, unless it is a matter of force majeure, it is not well seen to appear suddenly and without warning, so it is advisable to ask permission in advance and, of course, always bring a small gift, such as some fruit, sweets, or anything else to flatter the person.

The reserve and modesty of the Japanese people are manifested from childhood. Japanese children begin early to master their emotions, and it is not easy to see any child crying in public.

For the same reason, it is frowned upon to congratulate in the New Year someone who has lost a loved one during the past year. In Japan, family mourning in Japan is traditionally kept for two years. The usual color of mourning clothes is white, which represents purity and is common throughout the Far East. Anyway, as we will see later, the religious sense of the Japanese is... Japanese!

Gratitude

If there is something in Japan as important as respect, it is gratitude, Kansha (感謝 ), or attitude of thankfulness for everything we receive, thus recognizing the effort others make for us. The person who receives assistance, support, a kindness or a favor of some kind, incurs a "debt" to the benefactor. Depending on the nature of the assistance received, this burden can be very hard to bear.

Acknowledgment or gratitude can be of two types:

The first is called Giri (義理 ), and corresponds more or less to the idea of what we might call "moral duty," "social bond," or "obligatory burden." The concept (which comes from feudal times), is also based on feelings of affection, but involves the idea of "serving one's superiors with selfless devotion", and is associated with the arduous traditional Japanese values involving "loyalty", "gratitude" and "spiritual debt". The Giri concept has been present in Japanese society for centuries, and emerged during the feudal period, when samurai warriors were morally obligated to return favors to others as a way of maintaining harmony and cordiality in their social relationships.

The second type, Ninjō ( 人情 ), lit. "human affection" or "compassion," responds to a pious feeling that can also be interpreted as "generosity" and even "sympathy for the weak." In the universal Japanese view, Ninjō gratitude complements and opposes the value of Giri , or social obligation.

Ninjō is generally said to be the human feeling that inevitably ends up conflicting with Giri or social obligation. This is such a precise value for Japanese culture that it is not for nothing that it has been the main theme of Japanese drama throughout history.

A classic literary example of this conflict between the two concepts is that of the young bushi who falls in love with a woman who is clearly unacceptable (because she is of a lower social class, or belongs to an enemy clan).

As a loyal member of his own clan, the young man is torn between his duties to his feudal lord, daimyō (大名 ), and his personal feelings.

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Obviously, in the Japanese worldview, Giri, or moral duty, occupies a superior position with respect to Ninjō, or human feeling, since the latter can weaken the warrior's bravery for fulfilling his obligations. In such circumstances, the drama usually ends with the ritual suicide of one or both protagonists, i.e., seppuku (切腹 , lit. "cutting of the belly") or harakiri (腹切 , more vulgar term) in the case of the man, or jigai (自害) in the case of the woman.

Harakiri is written with the same ideograms as seppuku, but in reverse order and with a different reading. The difference in pronunciation is because harakiri sticks to the original Japanese reading or reading by precept, kun'yomi (訓読み ), while seppuku uses the reading on'yomi (音読み) or reading by sound, also known as Chinese reading. Of course, the meaning is the same: "to cut the belly".

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As for the ritual suicide of the woman, it was not considered harakiri or seppuku, but "suicide" plain and simple (in Japanese, jigai), since, instead of cutting open the abdomen, a cut was made in the neck, severing the carotid artery with a dagger with a double-edged blade. Seppuku was part of the bushidō and was performed voluntarily in order to die with honor, rather than fall into the hands of the enemy and be tortured, or as a form of capital punishment for those who had committed serious offenses, or who, having been dishonored, wished to die with honor.

Hospitality

Another outstanding characteristic of the Land of the Rising Sun is its traditional hospitality, Omotenashi (おもてなし ), and it is something that is especially noticeable in public-facing establishments.

In Japan, treating customers with the utmost courtesy and solicitude is a precept that reaches levels we are not used to in the West. Sales clerks strive to serve and satisfy their customers with such dedication that, for the Western tourist, it can even be annoying. Upon entering any kind of commercial entity, store, bar, pub, restaurant or public-facing business, employees welcome the prospective buyer or customer with polite phrases such as Irashiaimasé ( いらっしゃいませ ), Yoku irashiaimashita (よくいらっしゃいました )...: "Welcome!" "You are welcome!", etc.

Once inside, you will be constantly reminded of the day's specials, and, every time you pass by an employee in the store's aisles, he or she will again thank you with a friendly phrase for your visit (even if it seems like he or she didn't see you).

In large shopping malls, two hostesses, stationed on either side of the escalators [esukareita (エスカレーター), transliteration of the English term "escalator"], on each floor, will repeat the welcoming slogans if you make use of the escalators to go up to an upper floor, or to go down.

If you purchase an item, when it is time to pay, the person in charge at the cashier's desk will be very friendly and ask you with a smile if they intend to buy whatever it is that you have just placed on the counter, and then, when you pass it through the cash register, will repeat the amount of your purchase. Then he will thank you for your visit another dozen times, with more and more bows. This kindness will be repeated in any type of retail establishment you enter, even if it's just to ask a question.

Spirit of Overcoming

The verb Ganbaru (頑張る ), "to strive," "to put effort into something," embodies the eternal virtue of effort and self-improvement of the Japanese, who, by nature, go to great lengths not only to protect their families and take care of themselves, but also to preserve everything they use in daily life. For the Japanese people, the material objects they use are part of the legacy of consciousness offered to them by the Infinite Universe, and caring for them and repairing them when they are damaged or broken is a humble yet exalted way of showing our gratitude to life for the help it gives us. For Japanese thought, with its strong tendency to symbolism, the repaired breaks of an object are part of its history, and should not be hidden; on the contrary, the fact of openly

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showing the repairs, if they have been made with care and neatness, gives an added value to the object and also beautifies it, by showing its history and its transformation.

To this current of thought responds the very ancient technique of the art of Kintsugi (金継ぎ ), or Kintsukuroi (金繕い ), whose translation comes to be "fixing with gold or with a kind of golden patch", and consists of repairing broken ceramic pieces with resin varnish, sprinkled or mixed with gold, silver or platinum powder, arrangement that, far from camouflaging the cracks, they are highlighted.

From the remains excavated in archaeological sites, it is known that the origins of the Japanese art of ceramic restoration, known as Kintsugi, date back to 10,000 B.C., within the Jomon Period (from 14,500 B.C. to 300 B.C.). Highlighting the repairs on an object that had been fractured does not make it lose importance, but rather gives it an added value, demonstrating that the object is still useful, and even adds beauty to it. This ancient practice, which is based on the use of gold or liquid silver to repair ceramic objects, transcends this practical sense and, in itself, constitutes a vital philosophy that symbolizes and enhances a series of spiritual values.

The esoteric meaning of Kintsugi is the search for true perfection, both interior and exterior, which arises precisely from wounds and imperfections. The ontology underlying the art of Kintsugi is the acceptance of damage: we should not hide our wounds or be ashamed of them; on the contrary, the fact of enhancing them helps us to become stronger.

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The valuable teaching of this practice is that we can extract valuable lessons from any negative experience, thus contributing to personal improvement and initiating a process of empowerment.

Applied to daily life, the spirit of Kintsugi calms our yearning for perfection. That is, throughout life, we experience losses, failures and disappointments. The human tendency to hide our frailty and weaknesses is meaningless. Once we learn to appreciate all that is broken within us, we acquire serenity and temperance. Therefore, we must accept and appreciate ourselves as we really are: eternally new, broken, unique and constantly changing.

The art of Kintsugi exalts and promotes patience as a key factor for personal resurgence and recomposition. The healing process is determinant in all individuals: healing may take weeks, or even months, to strengthen the spirit, but this guarantees the durability and cohesion of the process.

The spirit of self-improvement is innate to the Japanese people, who are convinced that success is a matter of effort and not luck. Good proof of this is the

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phrase ganbatte kudasai ( 頑張ってください ), a way of motivating whoever is going to undertake a new job, carry out an action whether it is study, sport, etc., and which is often mistakenly translated "Good luck!". The actual meaning of this expression is "Please do the best you can, don't give up!"

A somewhat more colloquial form is ganbatte kure (頑張ってくれ ). The word ganbatte (頑張って ) is a conjugated verb form of the verb ganbaru ((頑張る ), which can be translated as "to try one's best", "to work hard and tenaciously when things are difficult", "to persevere, persist, persist, insist, remain".

The term ganbaru is often translated as "to give one's best" or "to do one's best work," although in practice it means much more than that. In itself, the term, which is highly regarded and uniquely important in Japanese culture, emphasizes "working with perseverance" and "enduring adversity with courage".

The term Faito! (ファイト!) is also used, from the English "Fight!", literally, "Fight!".

In Spain, as throughout the West, when someone undertakes a new task, faces an exam, is about to take part in some sports tournament, or is even going to play a game of any pastime or board game, it is customary for peers, family and relatives, to show their support with a "Good luck!". This usually encourages the performer, and, on many occasions, is decisive in achieving success in their task. But there is no such expression in the Japanese language, and even if it were translated literally, the Japanese would not understand it, as they lack such a concept, relying instead on their own ability to cope with challenges and difficulties. If they fail to succeed, they will not seek blame or blame bad luck for their failure; if anything, they will blame themselves for not trying hard enough.

Wishing someone good luck in some way is very ambiguous, while the idea of trying hard (ganbaru) is much more realistic.

That is not to say that there is no hope that good luck will come their way, and this is evidenced by the popular phrase Un ga yokereba (運が良ければ), lit. "If only I were lucky..."

In even that they ask for it from divinity: Kōun wo inoru (幸運を祈る ) is an expression that literally means "pray for good luck."

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Loyalty

Loyalty, chū ( 忠 ) or chūsei ( 忠誠心 ), is the feeling of respect and fidelity to one's moral principles, to established commitments or to someone. It is the ability to maintain firm physical and spiritual adherence to precepts, institutions or people, and to keep one's word, even when circumstances become adverse. This honorable virtue, a legacy of an epic past, is particularly evident in today's Japan in the corporate world, but it is present in all strata of society, including the realm of personal relationships. The feeling of loyalty permeates any activity, habit or intention. For example, a curious way to show marital fidelity is to paint one's teeth black, Ohaguro (お歯黒 ), lit. "black teeth." For a bride to arrive at her wedding with her teeth painted black indicates her total commitment and loyalty, and, in itself, is an "oath of marital fidelity," Kekkon ni okeru chūsei no chikai (結婚における忠誠の誓い ). Nowadays it is not common to paint one's teeth black, but in the past it enjoyed great predicament in much of Asia as a symbol of social status, as well as beauty and charisma.

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The ancient practice of Ohaguro, or the technique of dyeing one's teeth black with a solution of iron filings and vinegar, began during the Heian period (794-1185) among the aristocracy. It began as a social rite to which adolescent girls of the nobility aspired, a sort of coming-of-age, showing the passage from girl to woman, and confirming the determination of the woman who had matured. Towards the end of this period the fashion had already spread even to young men, who associated the tradition with the idea of confirming their loyalty, expressed by the color black. In this way they reflected their decision not to serve another lord for the rest of their lives. This is why they did it for the first time in their initiation ceremony, at the age of 15 or 16.

Gradually, it began to be practiced mainly by married women and even some mature men, as a symbol of beauty, since black objects were considered so, especially if they were lacquered and had a shiny appearance. Soon the ladies of the court of the Imperial Family joined the fashion, although it did not last long and its specific use was gradually diluted by the elites. Eventually, the practice of Ohaguro spread among the female population of all social classes, and ended up being considered acceptable among commoner women, especially among married women and geisha (*), although it remained forbidden for the marginalized, the vagabonds and the poorest. This custom continued until the end of the 19th century, when the opening of the country to Western customs during the Meiji period led to its gradual disappearance.

Apart from aesthetic reasons, Japanese society's penchant for black teeth was also considered beneficial to health, as it prevented tooth decay by acting as a dental sealant.

Today, we can still find women painting their teeth this way in some tribes in the Malaysian Peninsula. Also, in some areas of Japan, India and China, the ancient custom has now become a vintage trend among women.

(*) Geisha ( 芸者 ), lit. "person of the arts," traditional Japanese artist of exquisite culture and refinement, whose duties consist of entertaining at parties, gatherings or banquets, and has nothing to do with prostitution, as is often mistakenly thought in Western countries.

The long and hard education of a geisha includes a deep study of Literature, Poetry and traditional Japanese Theater, as well as the mastery of different typical Japanese musical instruments, such as the shamisen (三味線 , a kind of three-stringed lute), the shakuhachi (尺八 , the bamboo flute) and the taiko ( 太鼓 , the drum), in addition to an extensive repertoire of traditional songs and dances. Likewise, the geisha are true masters in the tea ceremony, Sadō, Chadō (茶道 ) or Chanoyu (茶の湯 ), and in the ancient art of Ikebana (活花) or flower arrangements.

Spain

the heart of its culture

the heart of its culture Spain

Biography of the author Sensei Miguel Angel Estables

Undoubtedly one of the pioneers of Karate in Spain.

Miguel has a biography truffled with milestones, which make him a man touched by fate, someone whose passage through the lives of others, has been decisive. An adventurous youth, a parachutist, he worked as a young man in the rescue brigades in the Venezuelan jungle. He traveled to Japan in the sixties where he studied the language, culture and Karate that he was passionate about.

On his return to Spain he presided over the Goju Kai association of Yosuke Yamashita, whose right-hand man he was for many years. He also studied Oriental medicine in Boston with Michio Kushi, and revolutionized the subject when he arrived in Spain in the 80's, thirsty for guides and information on the subject.

He began giving Karate classes at the mythical Karen Taft in Libertad Street in Madrid. Miguel was then living in Catalonia. Years later he moved to Madrid where he stayed for a long time. He was the technical director of the first great modern clubs in Spain, the Abascal Club and later, the Castellana Squash.

Miguel has done many things, too many to fit in this biographical sketch. He is also a graduate Sensei of Kawazuki Togo, a cultured and educated man, with a wide and varied knowledge; when you least expect it, he surprises you with a hidden quote, an exceptional piece of information, or a curiosity about the most varied subjects, especially if they deal with a subject that no one has ever paid enough attention to.

A great master of Cervantes' language, he wrote the book "Las tribulaciones de un señor de provincias aficionado a la lectura" in which his extraordinary knowledge of Spanish is evident, and of course, that magnificent sense of humor that has always characterized him.

Japan Versus A journey to A journey to Japan Versus

Spain o the heart of its culture the heart of its culture Spain

In this new work filmed in the spectacular landscapes of Fuerteventura, declared Natural Heritage of Humanity, we will see part of the work done by the Federation of Garrote Canario Fighting along with the Cabildo, island government institution, to promote this traditional indigenous activity, the Garrote Canario or Lata Majorera. We will have the opportunity to see in action the Grand Master Jorge Domínguez developing "Torciadas" with the Garrote, learned directly from the old Majorero Masters like Simeón Alberto. In the Corralejo Dunes, Grand Master Carlos Barrera performs several series of Garrote Canario and Mano Canaria (empty hand) techniques, bringing the martial artist closer to the application and parallelism of these traditional techniques. This natural tatami on a fine blond sand, is the most suitable place to perform Zapatas and Trabas. Also presented are several technical series of work with the Tolete Canario, adapted to the field of Police Defense. An excellent sample not only of techniques, but also of the activities carried out by the Federación de Lucha del Garrote Canario in Fuerteventura, the Island of the Majoreros.

Ref.: •GLADIUS-1 Ref.: •GLADIUS-1

Budo international.com ORDERS:

The problem we have in Gracie Jiu-Jitsu is that many practitioners drop out after achieving a blue belt. This is because for most GJJ practitioners, the blue belt is not only considered the "first" higher level, but the understanding of the fundamentals, which is very important in Gracie Jiu-Jitsu, is achieved. In fact, achieving a blue belt is not as easy as in other martial arts or combat sports. In our case, we decided to follow the program given to us by one of the most important students of the founders of Gracie Jiu-Jitsu, Grandmaster Pedro Hemetério, and we elaborated a program of 54 lessons in four parts (Fundamentals, Intermediate, Advanced I, and Advanced II). This new DVD, GRACIE INTERMEDIATE, includes lessons 24 to 34, and is aimed primarily at those who are preparing for the purple belt. However, it is useful for anyone who is ready to learn more about the next level. The Gracie Intermediate DVD will help motivate you (and/or your students) by giving you a glimpse into the future of a Gracie Jiu-Jitsu black belt. This material helps people who feel lost in (Brazilian) Gracie Jiu-Jitsu. Regardless of the reason why you have lost interest in it, and will help you understand the connection between "Gracie Fundamentals" and "Gracie Advanced". A work that will provide a complete overview of the curriculum for the belt exam and a solid program for our future generations of Gracie Jiu-Jitsu.

Ref.: •publi VACiR-7 Ref.: •publi VACiR-7

Budo international.com ORDERS:

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- DVD Kung Fu ................................................................................................................................................................ 3 - DVD Tai Chi................................................................................................................................................................... 8 - DVD Shaolin Kung Fu ................................................................................................................................................ 11 - DVD Wu Shu................................................................................................................................................................ 13 - DVD Wing Chun.......................................................................................................................................................... 15 - DVD Wing Tsun........................................................................................................................................................... 19 - DVD Other Styles China............................................................................................................................................. 23 - DVD Judo and Ju-Jitsu.............................................................................................................................................. 25 - DVD Iaido..................................................................................................................................................................... 29 - DVD Karate.................................................................................................................................................................. 31 - DVD Aikido.................................................................................................................................................................. 37 - DVD Kobudo ............................................................................................................................................................... 42 - DVD Ninjutsu............................................................................................................................................................... 45 - DVD Other Styles Japan ............................................................................................................................................ 47 - DVD Kyusho Jitsu ...................................................................................................................................................... 51 - DVD Capoeira.............................................................................................................................................................. 55 - DVD BJJ Brazilian Jiu-Jitsu....................................................................................................................................... 57 - DVD Staff and Cane.................................................................................................................................................... 61 - DVD Kali Arnis Eskrima............................................................................................................................................. 63 - DVD Nunchaku............................................................................................................................................................ 67 - DVD Other Weapons .................................................................................................................................................. 69 - DVD Pro, Military, Police............................................................................................................................................ 73 - DVD Krav Maga........................................................................................................................................................... 80 - DVD Systema.............................................................................................................................................................. 85 - DVD Knife Fighting..................................................................................................................................................... 87 - DVD Women´s Self Defense ...................................................................................................................................... 89 - DVD Other Self Defense Styles................................................................................................................................. 91 - DVD Jeet Kune Do...................................................................................................................................................... 96 - DVD Kenpo.................................................................................................................................................................. 99 - DVD Kajukenbo......................................................................................................................................................... 102 - DVD Martial Arts Vietnam........................................................................................................................................ 104 - DVD Other Martial Styles......................................................................................................................................... 106 - DVD Pencak Silat...................................................................................................................................................... 110 - DVD Tae Kwon Do.................................................................................................................................................... 112 - DVD Hapkido............................................................................................................................................................. 114 - DVD Other Styles Korea........................................................................................................................................... 116 - DVD Muay Thai ......................................................................................................................................................... 118 - DVD Kick Boxing...................................................................................................................................................... 121 - DVD Grappling Wrestling......................................................................................................................................... 124 - DVD MMA - Vale Tudo.............................................................................................................................................. 126 - DVD Other Contact Sports....................................................................................................................................... 129 - DVD Health - Wellness............................................................................................................................................. 132 - 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DVD Traditional Ju Jitsu Vol 4 Ground Combat Ref. DVD/DAB4

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DVD Judo and Ju-Jitsu

DVD Traditional Ju Jitsu Vol 3 Upright Techniques Ref. DVD/DAB3

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DVD Iaido

DVD Toyama Ryu Iaido Ref. DVD/TOYAMA2

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DVD Karate

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DVD Karate

DVD Goshin Jutsu Kata Ref. DVD/BIERMAN2

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DVD Karate

DVD Goju Ryu Karate Vol 1 Kihon Waza Ref. DVD/CHINEN

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DVD Mastering Karate Dan Kata Ref. DVD/KANA6

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DVD Karate JKA Masters 70's Ref. DVD/BC6

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DVD Karate

DVD Karate 1924 Kata & Vintage Footage Funakoshi

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DVD Shotokan Karate Nakayama, the last interview Ref. DVD/NAKENT

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DVD World Karate Championships 2004 Pack

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DVD Karate

DVD Karate Wado Ryu - I Dori, Tanto

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DVD Classic Martial Arts Masters of Budo Japan & Okinawa

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DVD Meitoku Yagi Meibukan Goju Ryu. Okinawa Karate Kobudo Vol.1

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DVD Katsuya Miyahira Shidokan Shorin

Ryu. Okinawa Karate Kobud...

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DVD Shuguro Nakazato Shorin Kan Shorin Ryu. Okinawa Karate Kob...

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DVD Eiichi Miyazato Jundokan Goju

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DVD Kanei Uechi Uechi Ryu. Okinawa Karate Kobudo Vol.7

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DVD Yoshimatsu Matsuda Shorin Ryu. Okinawa Karate Kobudo Vol.12

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DVD Masaji Taira Bunkai Master. Okinawa Karate Kobudo Vol.16

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DVD Hojo Undo Supplementary Training. Okinawa Karate Kobudo Vo...

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DVD Yoshitsune Senega Uechi Ryu. Okinawa Karate Kobudo Vol.20

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DVD Jundokan Old School 1984. Okinawa Karate Kobudo Vol.22

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DVD

DVD Aikido

DVD Aikido Technique Yamada Ref. DVD/YAMA4

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DVD Advanced Aikido, Kisei Dojo Ref. DVD/KISEI2

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DVD Aikido Osaka Aikikai vol3 Keiko Ref. DVD/NOMURA3

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DVD Aikido Osaka Aikikai Vol 2 En-ten & Sabaki

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DVD Aikido Osaka Aikikai Vol 1 Ref. DVD/NOMURA1

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DVD Aikido Tanto Dori Ref. DVD/FUR4

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DVD Dynamic Aikido Ref. DVD/AVK

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DVD Aikido Kobayashi Ryu Ref. DVD/SAVE Price Inc. Tax......20,00 EUR

DVD Aikido Tenshin Dojo Vol 1 Ref. DVD/MIYA1

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DVD Aikido Combat Vol1 Ref. DVD/LONG6

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DVD Aikido

DVD Shinno Aikido Aikido & Bokken Ref. DVD/SHINNO

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DVD Aikido Kisei Dojo Basic, intermediate & advanced Ref. DVD/KISEI

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DVD Aikido Evolution Ref. DVD/LONG5

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DVD Advanced Aikido Longueira Ryu Ref. DVD/LONG4

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DVD Aikido Defense Longueira Ryu Ref. DVD/LONG3

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DVD Old & Rare Aikido Ref. DVD/LONG2

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DVD Aikido Furuya VOL3 Ref. DVD/FUR3

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DVD Aikido Furuya VOL2 Ref. DVD/FUR2

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DVD Aikido Furuya VOL1 Ref. DVD/FUR1

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DVD Aikido Moriteru Ueshiba Interview & Seminar Ref. DVD/DOSHU

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DVD Aikido Yamada Seminar Barcelona Ref. DVD/YAMA2

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DVD Aikido

DVD Aikido Yamada Seminar Peru Ref. DVD/YAMA1

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DVD Aikido Kisshomaru Ueshiba Interview & Technique Ref. DVD/KISHO

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DVD Aikido Classics MUeshiba Ref. DVD/BC2

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DVD Takemusu Aikido Empty hands Ref. DVD/BC11

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DVD Takemusu Aikido Jo Technique Ref. DVD/BC10

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DVD Takemusu Aikido Bokken Ref. DVD/BC7

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DVD Aikido 100% Uchi Kaiten Ref. DVD/AKIS5

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DVD Kobudo & Aikido Bo-Jutsu Ref. DVD/AKIS6

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DVD Basic Bokken Aikido Ref. DVD/AKIS10

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DVD Aikido 100% Kokkyu Nage Ref. DVD/AKIS1

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DVD Police Aikido Ref. DVD/AKIS2

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DVD Aikido DVD Classic Martial Arts Masters of Budo Japan & Okinawa DVD Aikido Ni-To Ichi Ref. DVD/AKIS8

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DVD Kobudo

DVD Okinawa Shorin Ryu Karate-do Ref. DVD/KOBU2

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DVD Okinawa Kobudo Shorin Ryu Karate-do Ref. DVD/KOBU1

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DVD Kobudo Kata Ref. DVD/BIERMAN1

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DVD Naginata & Kumidashi Kihon Ref. DVD/NAGI1

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DVD Kobudo Akamine Ref. DVD/BC19

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DVD Traditional Okinawa Kobudo Ref. DVD/BC17

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DVD Bo Jitsu Okinawa Ref. DVD/BC22

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DVD Webbs Kobudo Ref. DVD/JUKO3

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DVD Classic Martial Arts Masters of Budo Japan & Okinawa Ref. DVD/BC8

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DVD Meitoku Yagi Meibukan Goju Ryu. Okinawa Karate Kobudo Vol.1 Ref. DVD/RS607

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DVD Katsuya Miyahira Shidokan Shorin Ryu. Okinawa Karate Kobud... Ref. DVD/RS608

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DVD Shuguro Nakazato Shorin Kan Shorin Ryu. Okinawa Karate Kob... Ref. DVD/RS609

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DVD Eiichi Miyazato Jundokan Goju

Ryu. Okinawa Karate Kobudo V...

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DVD Kanei Uechi Uechi Ryu. Okinawa Karate Kobudo Vol.7

Ref. DVD/RS613

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DVD Yoshimatsu Matsuda Shorin Ryu. Okinawa Karate Kobudo Vol.12

Ref. DVD/RS618

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DVD Masaji Taira Bunkai Master. Okinawa Karate Kobudo Vol.16

Ref. DVD/RS622

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DVD Hojo Undo Supplementary Training. Okinawa Karate Kobudo Vo...

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DVD Yoshitsune Senega Uechi Ryu. Okinawa Karate Kobudo Vol.20

Ref. DVD/RS626

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DVD Jundokan Old School 1984. Okinawa Karate Kobudo Vol.22

Ref. DVD/RS628

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DVD Okinawa Bujutsu Motobu Udunti

Ref. DVD/SU

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DVD Kobudo

TITLES

DVD Ninjutsu

DVD Bujinkan Budo Tai Jitsu

Ref. DVD/FLE1

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DVD Japan Ninjutsu Shinobiken Ref. DVD/JH5 Price Inc. Tax......20,00 EUR

DVD Bujinkan Dojo Taijitsu Taikai Vol 1 Ref. DVD/HATSU1

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DVD Iga Ryu Ninjutsu Empty Hands Techniques Ref. DVD/JH4

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DVD Koga Ryu Ninjutsu Weapons Ref. DVD/JH3

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DVD Koga Ryu Ninjutsu Empty Hands

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DVD Other Styles Japan

DVD Toyama Ryu Batto Jutsu

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DVD Ju-Jutsu Torite Ref. DVD/JTORITE

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DVD Tenshin-Ryu Hyoho Vol.3 Ref. DVD/TENSHIN3

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DVD Tenshin-Ryu Hyoho Vol.1 Ref. DVD/TENSHIN1

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DVD Advanced Kendo Ref. DVD/KENDO2

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DVD Yoseikan Budo complete course Ref. DVD/HIRO3

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DVD Aiki Yoseikan Budo Ref. DVD/HIRO2

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DVD Yoseikan Budo Ref. DVD/HIRO

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DVD Bugei Kusari-Jutsu Ref. DVD/EBUGEI1

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DVD Fuji Ryu Tai Jutsu Ref. DVD/TAIJ

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DVD Other Styles Japan

DVD Bugei Shuriken-Jutsu

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DVD Kendo Ref. DVD/KENDO Price Inc. Tax......20,00 EUR

DVD Kyudo Kyu-Jitsu Ref. DVD/KYUDO1

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DVD Yari and Shinai Ref. DVD/IAIDO6

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DVD Nihon Taijitsu Vol 1 Defense against Front Grabs Ref. DVD/NT1

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DVD Yawara Jitsu Ref. DVD/YAW Price Inc. Tax......20,00 EUR

DVD Yawara Kubotan Ref. DVD/YAW2

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DVD Kempo Jutsu Ref. DVD/KIMO

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DVD Bugei Ogawa Ryu

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DVD Jo Jutsu Ref. DVD/JO

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DVD Genbukan Ninpo Bugei Ref. DVD/VERME1

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DVD Naginata & Kumidashi Kihon Ref. DVD/NAGI1

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DVD Kubotan Ref. DVD/KUBOT1 Price Inc. Tax......20,00 EUR

DVD Jukoshin Ryu Jiu Jitsu

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DVD Other Styles Japan

DVD Kyusho Jitsu

DVD Kyusho Vitality. 5 Pressure Points for Self Defense and He...

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DVD Kyusho & Tegumi in Wing Chun

Siu Nim Tao Ref. DVD/KYUSHO28

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DVD Kyusho & Pencak Silat

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DVD Kyusho and Boxing Connection

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DVD Kyusho 2, Close Encounter

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DVD Kyusho Tactical Control Program Module 1

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DVD Kyusho Pyramid Vol.2 Ref. DVD/KLINE2

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DVD Kyusho Pyramid Vol.1 Ref. DVD/KLINE1

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DVD Kyusho Sanchin Kata Vol.2

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DVD Kyusho, First Encounter Ref. DVD/KFRISAN1

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DVD Kyusho Handicap Ref. DVD/KYUSHO27

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DVD Kyusho and Kali. Empty Hands Vol.2

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DVD Kyusho Jitsu

DVD Kyusho and Kali. Empty Hands Vol.1

Ref. DVD/KYUSHO24

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DVD Kyusho Sanchin Kata Vol.1 Ref. DVD/KYUSHO23

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DVD Kyusho Self Protection for Women Ref. DVD/KYUSHO21

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DVD Kyusho First Aide Ref. DVD/KYUSHO19

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DVD Kyusho Jitsu in Forms Siu Nim Tao Ref. DVD/KYUSHO12

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DVD Kyusho Gock'Ng 'Sing Ref. DVD/KYUSHO14

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DVD Kyusho Jitsu Seizing Ref. DVD/KYUSHO18

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DVD Kyusho The 6 Ji Hands Ref. DVD/KYUSHO17

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DVD Kyusho Compressions Ref. DVD/KYUSHO16

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DVD Kyusho Jitsu Kyusho Top 10 Points Ref. DVD/KYUSHO15

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DVD Kyusho Jitsu Takedowns & Controls

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DVD Kyusho Jitsu Points for Sex Enhancement

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DVD Kyusho Jitsu KO Energetic Transfer

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DVD Professional Self Defense Ref. DVD/DEL1

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DVD Pro, Military, Police

DVD kokkar Special Combat Black Cobra II Vol 2

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DVD Pro, Military, Police

DVD Scuba Fighting Ref. DVD/CARTER2

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DVD Enigma 2 Vol.1 Paul Vunak Contemporary JKD Ref. DVD/VUNAK7 Price Inc. Tax......20,00 EUR

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DVD

DVD Krav Maga

DVD KMRED VOL.4. R.E.D. Training

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DVD Kapap Israeli Jiu Jitsu Vol.2 Ref. DVD/KAPAP10

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DVD Krav Maga I.M.A.D.S.

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DVD Best of Commando Krav Maga

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Disarming Keys

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DVD Krav Maga

DVD Original Krav Maga Blue Belt program Vol3

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DVD Self Pro Krav Evolution Ref. DVD/LEVI8

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DVD Krav Maga RED Research, Evolution, Development Ref. DVD/KMRED1

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DVD Krav Maga

DVD IDS Krav Maga Ref. DVD/IDS1

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DVD Krav Maga for Security Professionals

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DVD Kapap Empty Hands Self Defense Ref. DVD/KAPAP8

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DVD Original Krav Maga Bukan School Ref. DVD/YARON1

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DVD

DVD Systema

DVD RMA Systema SV Empty Hands & Knife

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Ref. DVD/SKOGOREV-1

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DVD Russian Martial Art Systema SV Training Program Vol2

Ref. DVD/SKOGOREV-2

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DVD Systema, Fighting Basics

Ref. DVD/SYSWEITZEL1

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DVD Russian Martial Arts Systema Ref. DVD/SYSTEMA1 Price Inc. Tax......20,00 EUR

DVD Russian Systema Ref. DVD/KADI1

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DVD Russian Systema, Disarm techniques

Ref. DVD/SYSTEMA2

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DVD Knife Fighting

DVD Lameco Eskrima Essential Knife Vol4 Pakawalan Ref. DVD/GOULD5

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DVD Knife Tactical Response CSSD Ref. DVD/FRANK1

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DVD Novascrimia Defense against Knife Ref. DVD/NOVA4

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DVD Close Quarter Combat Knife & Counter Combatives Ref. DVD/HOCH1

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DVD Lameco Eskrima Essential Knife 3 Ref. DVD/GOULD3

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DVD Lameco Eskrima Essential Knife 1 Ref. DVD/GOULD1

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DVD Ultimate Knife Training Ref. DVD/SARG13

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DVD Knife Survival Evolution Fighting Systems Ref. DVD/EFS

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DVD Seal Program Knife Combat Ref. DVD/FAR2

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DVD JKD Knife Fighting Survival Ref. DVD/SALVA2

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DVD Women´s Self Defense

DVD Kyusho Self Protection for Women Ref. DVD/KYUSHO21

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DVD Kids Self Defense: Dealing with strangers Ref. DVD/TRUST1

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DVD Women's Self Defense Ref. DVD/CYNTHI2

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DVD Female Self Defense Kenpo Ref. DVD/DPF

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DVD Other Self Defense Styles

DVD Keysi Risk Situations Fighting Technique

Ref. DVD/KEYSI2

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DVD SOG Real Close Combat Vol-7 Ref. DVD/SOG7

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DVD Paul Vunak PFS Asymmetrical Violence

Ref. DVD/VUNAK1

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DVD Keysi Original Ref. DVD/KEYSI1

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DVD SDS Concept Ref. DVD/SDS1

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DVD Russian Martial Art Systema SV Training Program Vol2

Ref. DVD/SKOGOREV-2

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DVD KMRED VOL.4. R.E.D. Training Ref. DVD/KMRED4

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DVD Krav Maga RED Vol.3. Knife Defense Ref. DVD/KMRED3

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DVD Kids Self Defense: Dealing with strangers

Ref. DVD/TRUST1

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DVD Russian Martial Art Systema SV Training Program Vol1 Ref. DVD/SKOGOREV-1

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DVD Russian Martial Arts Systema Ref. DVD/SYSTEMA1

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DVD Russian Systema, Disarm techniques

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92/139

DVD Other Self Defense Styles

DVD SOG Close Combat Vol 6

Ref. DVD/SOG6

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DVD SOG How to be your own Bodyguard Ref. DVD/SOG5

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DVD Close Quarter Combat Pistol Disarming Ref. DVD/HOCH2

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DVD Self Defense with everyday objects Ref. DVD/MONTES3

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DVD Kaisendo Self Defense Ref. DVD/KAISEN5

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DVD Jukoshin Ryu Jiu Jitsu Ref. DVD/EDSAN1

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DVD Self Defense 5 Experts x 5 Street Attacks Ref. DVD/DP1

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DVD Verbal Self Defense Ref. DVD/VERBAL1 Price Inc. Tax......20,00 EUR

DVD SOG Extreme Close-Combat Ref. DVD/SOG4

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DVD Military SOG for civilians Ref. DVD/SOG3

Price Inc. Tax......20,00 EUR

DVD SOG Close-Combat DAS Techniques Ref. DVD/SOG2

Price Inc. Tax......20,00 EUR

DVD SOG Close Combat Vol 1 Ref. DVD/SOG

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DVD Other Self Defense Styles

DVD Russian Systema Ref. DVD/KADI1

Price Inc. Tax......20,00 EUR

DVD Realistic Self Defense Vol 2 One step ahead Ref. DVD/PAYNE2

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DVD Realistic Self Defense Vol 1 Ref. DVD/PAYNE

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DVD The Street Fighters Toolbox Vol 1 Ref. DVD/HUBAR

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DVD Kasen Ryu - Operative SelfDefense vol 2 Ref. DVD/KANSEN2

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DVD Progressive Street Fighting Ref. DVD/PSF1

Price Inc. Tax......20,00 EUR

DVD Kansen Ryu Self Defense Ref. DVD/KANSEN1

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DVD Close Combat Vol 2 Ref. DVD/MALTE4 Price Inc. Tax......20,00 EUR

DVD Close Combat Vol 1 Ref. DVD/MALTE2

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DVD Elite Combat Program Hand to Hand Combat Ref. DVD/ECPO1

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DVD Jukaikido Ref. DVD/SAN Price Inc. Tax......20,00 EUR

DVD Airplane Security Ref. DVD/AKIS11

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94/139

DVD Other Self Defense Styles

DVD

Ref. DVD/KAISEN1

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Whistle Stick Ref. DVD/DULAS1

Contemporary JKD Ref. DVD/VUNAK7

Price Inc. Tax......20,00 EUR TITLES

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Kaisen Do DVD DSDWS Dulas Self Defense DVD Enigma 2 Vol.1 Paul Vunak

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DVD Jeet Kune Do

DVD JKD Elements of Attack Ref. DVD/JKDTIM4

Price Inc. Tax......20,00 EUR

DVD Jeet Kune Do Sparring Ref. DVD/JKDTIM3 Price Inc. Tax......20,00 EUR

DVD Jeet Kune Do Self Defense Ref. DVD/DELJKD2 Price Inc. Tax......20,00 EUR

DVD Bruce Lee in Memoriam Documentary Ref. DVD/BL Price Inc. Tax......20,00 EUR

DVD Bruce Lee The Man & his Legacy Documentary Ref. DVD/TV2 Price Inc. Tax......20,00 EUR

DVD Jeet Kune Do Unlimited Ground Fighting Ref. DVD/BURTON2 Price Inc. Tax......20,00 EUR

DVD Jun Fan Jeet Kune Do Vol 2 Ref. DVD/JKDTIM2 Price Inc. Tax......20,00 EUR

DVD Jun Fan Jeet Kune Do Vol 1 Ref. DVD/JKDTIM Price Inc. Tax......20,00 EUR

DVD Jeet Kune Do Unlimited Ref. DVD/BURTON Price Inc. Tax......20,00 EUR

DVD Jun Fan Gung Fu Ref. DVD/DELJKD1 Price Inc. Tax......20,00 EUR

DVD JKD Streetfighting Ref. DVD/ALM5 Price Inc. Tax......20,00 EUR

DVD Wooden Dummy Jeet Kune Do Sets

Ref. DVD/ALM3 Price Inc. Tax......20,00 EUR

TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided

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DVD Jeet Kune Do

DVD Wooden Dummy JKD Jun Fan Sets Ref. DVD/ALM2

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DVD Jeet Kune Do Trapping to Grappling Ref. DVD/ALM1

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DVD JKD Street Trapping Ref. DVD/SALVA7

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DVD Explosive Dumog Filipino Grappling Ref. DVD/SALVA6

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DVD JKD Street Defense Tactics Ref. DVD/SALVA5

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DVD Filipino Kino Mutai PFS Ref. DVD/SALVA4

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DVD JKD Profesional Fighting System Ref. DVD/SALVA3

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DVD JKD Knife Fighting Survival Ref. DVD/SALVA2

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DVD JKD Street Safe Ref. DVD/SALVA

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DVD JKD Seal Program Hand to Hand combat Ref. DVD/FAR1

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DVD Enigma 2 Vol.1 Paul Vunak Contemporary JKD Ref. DVD/VUNAK7

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DVD Paul Vunak PFS Asymmetrical Violence Ref. DVD/VUNAK1

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DVD Kenpo TITLES ARE AVAILABLE IN DVD FORMAT AND VIDEO ON INSTANT DOWNLOAD (mp4). This catalog is provided by Budo International Publ. Co. All content of this catalog is owned or controlled by Budo International Publ. Co. and is protected by worldwide copyright laws. More info: www.budointernational.com - Contact Email: shop@budointernational.info 99/139

DVD Kenpo

DVD Kenpo, My Favorite Techniques Ref. DVD/LARRY4

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DVD Free Style Kenpo Ref. DVD/LARRY3 Price Inc. Tax......20,00 EUR

DVD Extreme Kenpo Ref. DVD/LARRY2

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DVD Kenpo Ed Parker's System Ref. DVD/LARRY

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DVD Fu Shih Kenpo Vol.2 Tiger Forms & Self Defense Ref. DVD/FUSHIH2

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DVD Kenpo Golden Rules Ref. DVD/PLANAS3

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DVD Ed Parker's Kenpo Rules and Principles

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DVD Ed Parker's Kenpo Planas Lineage Ref. DVD/PLANAS1 Price Inc. Tax......20,00 EUR

DVD Ed Parker's Kenpo Trejo Lineage Ref. DVD/TREJO1

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DVD Blended Kenpo Ref. DVD/KOVAR1

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DVD Kosho Ryu Kempo Ref. DVD/KOSHO1 Price Inc. Tax......20,00 EUR

DVD Fu Shih Kenpo Ref. DVD/FUSHIH1

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DVD Kenpo

DVD Kara-Ho Kempo Karate Ref. DVD/KARA1 Price Inc. Tax......20,00 EUR

DVD Kenpo Knife Defense Ref. DVD/NEGRE2 Price Inc. Tax......20,00 EUR

DVD Ed Parker's Kenpo IKKA Ref. DVD/PARKER1 Price Inc. Tax......20,00 EUR

DVD American Kenpo Karate Ref. DVD/NEGRE Price Inc. Tax......20,00 EUR

DVD Wolf Extreme Defense Ref. DVD/WOLF1 Price Inc. Tax......20,00 EUR

DVD American Kenpo Karate Police Instruction Ref. DVD/KENPOL Price Inc. Tax......20,00 EUR

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DVD Kajukenbo

DVD Kajukenbo Emperado

Ref. DVD/KAJ4

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DVD Kajukenbo Essential Ref. DVD/LPRIETO1

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DVD Kajukenbo WHKD Forms & Techniques

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DVD Kajukenbo Gaylord's Method

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DVD Kajukenbo Dirty fighting Ref. DVD/NEW1

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DVD Kajukenbo Wun Hop Kuen Do Ref. DVD/WHKD2

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DVD Kajukenbo Modern Concepts

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DVD Kajukenbo Weapons Ref. DVD/KAJ6

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DVD Kajukenbo Evolution Ref. DVD/KAJ5

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DVD Kajukenbo Vol 3

Ref. DVD/KAJ3

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DVD Kajukenbo Vol 2 The Training Method

Ref. DVD/KAJ2

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DVD Martial Arts Vietnam

DVD Viet Vo Dao Long staff Vol 2. Quyen Tu Tuong Con Phap Form... Ref. DVD/VIET8

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DVD Viet Vo Dao Con Phap. Long staff Vol.1

Ref. DVD/VIET7

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DVD Integral Vovinam Ref. DVD/VIET6

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DVD Vovinam Viet Vo Dao saber and Halberd Ref. DVD/VIET5

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DVD Vo Co Truyen Vietnamese Martial Arts

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DVD Viet Vo Dao Phan Don Counter Techniques

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DVD Vovinam Viet Vo Dao Moc Ban Phap & Vat Ref. DVD/VIET3

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DVD Vovinam Viet Vo Dao Vol 2 Ref. DVD/VIET2

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DVD Vovinam Viet Vo Dao Vol 1 Ref. DVD/VIET1

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DVD Other Martial Styles

DVD Self Defense for Everybody

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DVD Verdadera Destreza Española, Spanish Fencing Ref. DVD/DESTREZA1

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DVD Filipino Kino Mutai PFS Ref. DVD/SALVA4

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DVD Creole Fencing Ref. DVD/ECRIOLLA1

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DVD Kaisendo Self Defense Ref. DVD/KAISEN5

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DVD The Tai Karate Way Ref. DVD/GERMAN1

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DVD Chin Na Catching & Locking Ref. DVD/HARFOU2

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DVD Chokes & Strangulations Shorite Ryu Tai Jutsu Ref. DVD/HARFOU3 Price Inc. Tax......20,00 EUR

DVD Kaisen Do Ref. DVD/KAISEN1

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DVD Psi Power for Martial Artists Ref. DVD/LILLA

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DVD Aloe Lima Lama Samoa Ref. DVD/LIMA Price Inc. Tax......20,00 EUR

DVD Hawaian Lua Ref. DVD/LUA1

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DVD Other Martial Styles

DVD Martial Arts Night Gala Italy 2005 Ref. DVD/MAN1

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DVD Novascrimia Abraçar Ref. DVD/NOVA5

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DVD Filipino Panantukan Ref. DVD/PANAN1

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DVD Vital Points Atemi & Kuatsu Ref. DVD/PV

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DVD Wind Warriors XXI Ref. DVD/RIBEIRO1

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DVD Indonesian Sarong Ref. DVD/SARONG

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DVD How to Martials Arts Show Ref. DVD/TEO1

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DVD Lan Do Chen Siue Pay Vol 1 Ref. DVD/VIL1

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DVD Lan Do Chen Siue Pay Vol2 Ref. DVD/YANIS2

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DVD Other Martial Styles

DVD JKD Knife Fighting Survival

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DVD Budo Martial Arts International Festival 2002

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DVD Budo Martial Arts International Festival 2003

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DVD Budo Martial Arts International Festival 2007

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DVD Hall Of Fame ISMA 2006

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DVD Martials Arts Night Gala Italy 2006

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DVD Pencak Silat

DVD Pukulan Pencak Silat Serak. Weapons Ref. DVD/SERAK2 Price Inc. Tax......20,00 EUR

DVD Kyusho & Pencak Silat Ref. DVD/KFRISAN3 Price Inc. Tax......20,00 EUR

DVD Pukulan Pencak Silat Serak. Empty Hands Ref. DVD/SERAK1 Price Inc. Tax......20,00 EUR

DVD Warrior Silat Ref. DVD/WSILAT Price Inc. Tax......20,00 EUR

DVD Buka Jalan Pencak Silat Ref. DVD/SILAT3 Price Inc. Tax......20,00 EUR

DVD Pencak Silat Java & Sumatra Ref. DVD/SILAT Price Inc. Tax......20,00 EUR

DVD Pencak Silat Ref. DVD/MALTE3 Price Inc. Tax......20,00 EUR

DVD Tae Kwon Do

DVD Traditional Taekwondo Hyeong

Ref. DVD/TKDOWINT1

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DVD Martial Science Ref. DVD/RONDY1 Price Inc. Tax......20,00 EUR

DVD Super Taekwondo Ref. DVD/TEAM

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DVD Taekwondo WTF Basic Poomsae Ref. DVD/TKDE2

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DVD Taekwondo WTF Superior Poomsae Ref. DVD/TKDE1

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DVD Kyusho in Taekwon Do Ref. DVD/KYUSHO20

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DVD Taekwondo Superior Poomsae & Applications

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DVD Taekwondo Basic Poomsae Ref. DVD/PUM1

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DVD Taekwondo ITF Tul Vol 1 Ref. DVD/TUL

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DVD Taekwondo ITF Leg Techniques

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DVD The Power of Combat Taekwondo Ref. DVD/MAURI

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DVD Taekwondo Fighting Secrets Ref. DVD/MAURI2

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DVD Hapkido

DVD Hapkido WHF

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DVD Hapkido Technique WHF Ref. DVD/FEH1

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DVD Hapkido Official Program Ref. DVD/HAPFET1

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DVD Combat Hapkido Self Defense Ref. DVD/COMH3

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DVD Combat Hapkido Ref. DVD/COMH2

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DVD Combat Hapkido Tactical Pressure Points Program Vol1 Ref. DVD/COMHTTP1

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DVD Combat Hapkido Ground Survival Ref. DVD/COMH4

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DVD Hapkido Hoi Jeon Moo Sool Vol 1 Ref. DVD/KIM1

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DVD Sin Moo Hapkido Ref. DVD/SMH

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DVD Other Styles Korea

DVD Hwa Rang Do Gumtoogi Sword Fighting Ref. DVD/HWA3

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DVD Hwa Rang Do Hoshinsul Vol.2 Joint Manipulation Ref. DVD/HWA5

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DVD Hwa Rang Do Hoshinsul Vol.3 Joint Manipulation Ref. DVD/HWA6

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DVD Modern Farang Mu Sul How to develop Speed and Reaction Ref. DVD/FARANG1

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DVD Haidong Gum Do Ref. DVD/GUMDO

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DVD Hwa Rang Do Knife Fighting Ref. DVD/HWA1

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DVD Hwa Rang Do Extreme Takedowns Vol1 Ref. DVD/HWA2

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DVD Kuk Sool Won Ref. DVD/KUK1

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DVD Sib Pal Ki Ref. DVD/PALKI

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DVD Sun Mu Do Ref. DVD/SUN1 Price Inc. Tax......20,00 EUR

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DVD Muay Thai

DVD Muay Thai & Kick Boxing Punching Bag

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DVD Muay Thai Boran Elbow Techniques Ref. DVD/CESAR9

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DVD Muay Boran Mae Mai Vol2 Ref. DVD/CESAR12

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DVD Muay Thai Boran Mae Mai Vol 1 Ref. DVD/CESAR11

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DVD Phasom Muay Thai Ref. DVD/CESAR1

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DVD Muay Thai Boran Flying Techniques

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DVD Muay Thai Boran Master Pimu Ref. DVD/BORAN

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DVD Muay Thai Boran Chap Ko Ref. DVD/CESAR2

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DVD Muay Thai Boran Kon Muay Kee Ref. DVD/CESAR3

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DVD Cross Fighting Muay Thai & Brazilian Jiu Jitsu Ref. DVD/CESAR4

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DVD Muay Thai Kick Boxing Sparring Ref. DVD/CESAR5

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DVD Muay Thai Boran Muay Kaard Chiek

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DVD Muay Thai

DVD Mae Mai & Look Mai Muay Thai Ref. DVD/CESAR7

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DVD Muay Thai Program 1st to 4th Khan Ref. DVD/EC1 Price Inc. Tax......20,00 EUR

DVD Muay Thai Competition Training Ref. DVD/EC2 Price Inc. Tax......20,00 EUR

DVD Modern Muay Thai Ref. DVD/EC3 Price Inc. Tax......20,00 EUR

DVD Muay Thai Cheng Muay Ref. DVD/LEK1 Price Inc. Tax......20,00 EUR

DVD Sillapa Muay Thai Ref. DVD/LEK2 Price Inc. Tax......20,00 EUR

DVD Kapap Combatives Muay Thai Self Defense Ref. DVD/MUAYKAP Price Inc. Tax......20,00 EUR

DVD Kung Fu & Muay Thai Dragon & Tiger Ref. DVD/MUAYKUN1 Price Inc. Tax......20,00 EUR

DVD Muay Thai Master Woody Ref. DVD/WOODY Price Inc. Tax......20,00 EUR

DVD Kick Boxing

DVD Kick Boxing Defense & Counter Ref. DVD/EGUZ

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DVD WKA Kick Boxing Ref. DVD/WKA1 Price Inc. Tax......20,00 EUR

DVD Full Contact & Kick Boxing

Ref. DVD/DON2

Price Inc. Tax......20,00 EUR

DVD Kick Boxing Training with Equipment

Ref. DVD/KARIM2

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DVD The training of Kick boxing and Full Contact Ref. DVD/CONDE1

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DVD Sport Karate, Full & Kick-Boxing Ref. DVD/MIKE1

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DVD Kick Boxing Explosive Low Kicks

Ref. DVD/KARIM1

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DVD Full Contact & Kick Boxing On the Ring Ref. DVD/FULL3 Price Inc. Tax......20,00 EUR

DVD Kick Boxing Joe Lewis Seminar Germany

Ref. DVD/LEWS

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DVD Semi Contact Ref. DVD/SEMI

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DVD Super Sparring! Full Contact & Taekwondo Ref. DVD/BARADA1 Price Inc. Tax......20,00 EUR

DVD Police Defense Kick Boxing Ref. DVD/KIKPOL

Price Inc. Tax......20,00 EUR

DVD Kick Boxing DVD

Boxing for Martial Artists

DVD/JEPSON1

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DVD Grappling Wrestling

DVD Advanced Grappling Vol.1

Ref. DVD/TBELTRAN-1

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DVD Advanced Grappling Vol.2 Ref. DVD/TBELTRAN-2 Price Inc. Tax......20,00 EUR

DVD Combat Submission Wrestling Vol 1

Ref. DVD/ERIC1 Price Inc. Tax......20,00 EUR

DVD Combat Submission Wrestling Vol 2

Ref. DVD/ERIC2

Price Inc. Tax......20,00 EUR

DVD Olympic Wrestling Ref. DVD/LUCHA1 Price Inc. Tax......20,00 EUR

DVD Pancrase Ref. DVD/PANCRA Price Inc. Tax......20,00 EUR

DVD MMA Brazilian Grappling

Ref. DVD/ALEXP Price Inc. Tax......20,00 EUR

DVD Police Grappling Ref. DVD/PGRAP1 Price Inc. Tax......20,00 EUR

DVD Police Grappling Techniques Ref. DVD/PGRAP2 Price Inc. Tax......20,00 EUR

DVD Sambo Techniques

Ref. DVD/SAMB1

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DVD MMA - Vale Tudo

DVD MMA Brazilian Grappling

Ref. DVD/ALEXP

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DVD Brazilian Thai Boxing Ref. DVD/FEITO1 Price Inc. Tax......20,00 EUR

DVD Ultimate Fighting X-Treme3 Ground fighting

Ref. DVD/HUB3

Price Inc. Tax......20,00 EUR

DVD Ultimate Fighting X-Treme2 Upright fight

Ref. DVD/HUB2

Price Inc. Tax......20,00 EUR

DVD Ultimate Fighting X-Treme1 Takedowns Ref. DVD/HUB1

Price Inc. Tax......20,00 EUR

DVD Shoot Vol3 Fighting Techniques

Ref. DVD/SHOOT3

Price Inc. Tax......20,00 EUR

DVD Shoot System Ref. DVD/SHOOT1

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DVD Shoot Mix Fight Ref. DVD/SHOOT Price Inc. Tax......20,00 EUR

DVD Total Grappling & Vale Tudo Escapes & Submissions Ref. DVD/TG4

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DVD Professional Vale Tudo Ref. DVD/TG3

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DVD Total Grappling & Vale Tudo Vol 2 Evolution Ref. DVD/TG2

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DVD MMA - Vale Tudo

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DVD Ruas Vale-Tudo Ref. DVD/FERRE2 Price Inc. Tax......20,00 EUR

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DVD Vale Tudo The Very Best of IVC 6 & 9 Ref. DVD/BRA2 Price Inc. Tax......20,00 EUR

DVD Meca World Vale Tudo The Very Best Ref. DVD/MECA1

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DVD Meitoku Yagi Meibukan Goju Ryu. Okinawa Karate Kobudo Vol.1

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DVD Katsuya Miyahira Shidokan Shorin Ryu. Okinawa Karate Kobud...

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