ATF 2023 - Show Daily Day 2 by Asia TV Forum & Market (ATF)

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ATF ATF 2023 2021 D E C hybrid 7edition

THE 2023 OFFICIAL Brought to you by

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Ready to open doors and close deals at the Asia TV Forum & Market (ATF)? Bring your A-game to Singapore Hour — between 4 to 5 p.m. on 6 and 7 Dec — and get the chance to connect with the most influential veterans and up-and-coming talent in the regional media scene. Looking for inspiration for your next big hit? Discover the frontiers of emerging technology and its infinite possibilities as we bring to you a Virtual Production Afternoon and Generative A.I. panel session.

IT HERE

Don’t forget to check out the best of our D o n ' t8 Made-with-Singapore content at the C r yDEC , Singapore Pavilion at ATF booths F06 & H06! B u t23t e r f l y

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Last Madame: Sisters of the Night

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Brothers In Arms

Silk Road From Above

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Don’t Cry, Butterfly

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CONTENTS ATF Opening Ceremony—Enthusiasm Ignited at ATF 2023 p.08—16

project management project director YEOW HUI LENG senior project manager JOYCE CHUA senior account manager PHUA MEENYI assistant relationship manager SAMANTHA LEE relationship coordinator BRIDGET TONG project coordinator JOCELYN PHNG

In-Development Special

conference executive producer LULU MENDOZA assistant conference producer LERIS LEONG

p.04

Focus on Content | Sessions • Formats For Days: Asia’s Winning Formats • A Lifesaving Shot of Vitamin K This Year • Get in Line—The Jinxing Talk Show Is Coming • The Docuseries Divide: Asia VS Europe • Ja-panning For Gold • iQIYI Casts Its Eye Abroad for 2024 • A Game of Funds & Other Insights From Producing Original Content

p.16—18

• ATF x Beach House Pictures Unscripted Pitch 2023 • ATF x TTB Animation Lab 2023 • ATF IP Accelerator (Project Market) 2023

Plenary Sessions p.18—20

• Buyers’ Lunch Showcase—Euro-American Dramas: The Success of Crime Stories • Lunch Gathering with Taiwan

Market News p.22—36

Networking p.38—41

Specials p.42—44

• Indonesia’s Powder Keg of Growth Comes with Caveats • IMDA’s $30 Million International Co-production Fund to Help Singapore Stories Reach a Global Audience

Features p.46—51

Products p.52—64

• Pre-Sales • New IPs • Existing IPs

editorial editorial director LULU MENDOZA writers MARCUS GOH LIM JUN XI MARK LEONG DINESH PASRASURUM ADRIAN KUEK designer SHELLEN TEH photography ARTGRAPHY traffic TEO HUI HIANG SOH CHUAN TING marketing marketing director TEO HUI HIANG marketing manager CANDY CHEAH digital assistant manager AYE MIN THU digital executive LIEW BI LIANG operations operations director KAREN LEONG operations manager CHUA LAI SOON assistant operations manager KAREN LIEW

DAY2

WHAT’S COMING

ATF Main Stage | Later Today...

10 11 11 30 12 1 30 2 2 30

Linmon Content Showcase

Exclusive: Hollywood Dealmaking & the Lessons Learned

4 30 5 5 30

Trending Asia, Winning Animation (Adult)

Plenary/ Networking Sessions

LEVEL 4

9 30 AM

Dubit Limited

ATF x TTB Animation Pitch 2023

Acqui-missions

Trending Asia, Winning Dramas (APAC) Glance Médiamétrie

International Dramas, Winning Asia BB Media

ATF x Beach House Pictures Scripted Pitch 2023— Semi-Finals Followed by a closed-door FINALS @ 4pm

Trending Asia, Winning Kids (Pre-School) Dubit Limited

12 PM

Japan Networking Lunch (Accreditation Required)

LEVEL 5

12 30 PM

Producing & Distributing Remakes in the OTT Era

2 PM

1001 Frames Showcase: Thai Content Unfolded

@ Singapore Pavilion

@ Room 5103

3 PM

Happy Hour with Taiwan

@ Taiwan Pavilion

Vision from an OTT OG

3 30 PM

Investing Southeast Asia Focus Thailand

4 PM

Singapore Hour

EXCLUSIVE: Closing Keynote Panel

4 PM

MONO Streaming— Cocktail Party

Monetization of Kids’ Content

Exclusive Statistics by Ampere Analytics

Asia-Europe Supersized Edition!

A New Model in the Age of Co-Pros

Spain’s Content Goldmine: In Demand Like Never Before (Closed-door)

Media Assets—The Evolution of Financing

Job Transformation Training Open Forum @ Singapore Pavilion @ Singapore Pavilion

@ MONO Steaming (F32)

A pioneering documentary series shedding new light on nature’s iconic, mysterious and deeply threatened whales and other cetaceans.

Visit us at booth J18

fremantlescreenings.com

Enthusiasm Ignited at ATF 2023

OPENING CEREMONY

Bright and early to mark the start of ATF 2023!

Ayden Sng (left), Mediacorp’s trending actor, shares a moment with Jin Xing, China’s celebratory host, as they get acquainted with the crowd (and cameras) 04

Tan Kiat How, the Senior Minister of State for the Ministry of Communications and Information of Singapore, unveiled a new International Co-Production Fund amounting to S$30 million. This fund aims to facilitate collaborations between Singapore companies and international partners for the creation of high-quality content with global appeal. Additionally, another S$25 million will be injected into the Virtual Production Innovation Fund to foster talent development and enhance production capabilities. Institutes of Higher Learning here in Singapore are rolling out training initiatives for their teaching staff and students. This reflects Singapore’s dedicated commitment to investing in its local media ecosystems, with a particular emphasis on three key areas: Partnerships, People, and Potential.

Tham Loke Kheng shares a friendly moment with Jin Xing, before the Opening Ceremony of the Asia TV Forum & Market 2023

Meeting of the minds – ATF, IMDA, and the Minister

CELEBRATING OUR SILVER JUBILEE IN 2024 3 DECEMBER 2024 The ATF Leaders Dialogue 4 – 6 DECEMBER 2024 Market & Conference MARINA BAY SANDS, SINGAPORE

www.asiatvforum.com Produced by:

ln the business of building businesses

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CONFERENCE

ATF ATF 2023 2021 D E C hybrid 7edition

Michelle Lin Head of Data & Analysis K7 Media

Formats For Days: Asia’s Winning Formats Michelle Lin, Head of Data & Analysis, K7 Media brought a medley of formats that have shown particularly stellar performance in 2023. Seven is the magical number of top format categories that we will be running through today. The first is dubbed Nostalgia Melo because it revolves around music of bygone days with formats like singing competitions and karaoke shows. Next is the Unorthodox Quiz segment that plays on the classic quiz format with hilarious punishments and complicated game conditions. Third is the Japanese format category with the tried and true mix of athletics, child games, and celebrity antics.

Reality formats were a big hit this year with Chinese and Vietnamese formats. More cerebral, Elite Minds formats challenge brainy participants with intellectual puzzles. Love formats were a big hit too, with the staple of sexual tension in male and female group competitions. Love leaked over into the AI format category, with an AI augmented-reality format that ages participants as they try their shot at online dating. The AI category also includes a format where an AI acts as the producer of the show, punishing and rewarding participants as it deems fit. Overall, 2023 was a good year for formats.

A Lifesaving Shot of Vitamin K This Year

Entertainment can be an oasis on the trudge through the desert of life’s grind and the freshest water comes with a great big dose of vitamin K — for Korea, that is. The Korea Creative Content Agency (KOCCA), a big government sponsor of Korean entertainment content, has brought an exciting selection of Korean formats to ATF 2023. Part of their offering includes four unscripted formats: Wedding Fighters, Alumni Lovers, Golden Girls, and Still Alive. The themes in Korean formats we know and love are

here: wholesome love, nostalgic friendship, and, of course, K-pop star power. The two Korean scripted formats were no slouch either. Newcomer Doctor Cha came charging out of the box from the pen of a debuting writer, stunning all in the Korean industry with its performance and proving that K-Drama still delivers year after year. The Escape of the Seven, while lesser known, is a hidden gem with complicated plots, intrigues, and death.

CONFERENCE

Get in Line — The Jinxing Talk Show Is Coming

Asia’s Oprah Winfrey is coming to town in 2024 as Liberty Star Studios begins work setting up for production in Singapore. Jin Xing, the star hostess of the show, hails from China where she has had major success in the talk show business. She hails the debut of her show in Southeast Asia as a big step in getting more global coverage of Chinese content, and progress towards the goal of holistically growing the Chinese show industry in Asia at large.

In a taste of her prowess as a talk show hostess, she had guest stars Jeremy Ian Monteiro, known as Singapore’s King of Swing, and Yeo Yann Yann, another big name in the Chinese film industry, join her in her session at ATF 2023. Jin Xing thanked the audience for their support thus far and promised great things to come in Asia.

The Docuseries Divide: Asia VS Europe When it comes to docuseries preferences, Asia and Europe are as divided as they are geographically, based on findings by Florent Careme, Head of Research & Products, Glance Médiamétrie. From a global perspective, docuseries have had an incredible year — over 2600 were made in 2023, with distribution of 85% on linear TV and 15% on various streaming channels. Florent shared that the UK, US, and Denmark were the top three launchers of docuseries, while Netflix, Viaplay, and Hulu had the honour of being the top three platforms for docuseries. For Europe, Florent covered trends in the UK, Italy, and Spain, as well as four Nordic countries with Denmark, Sweden, Finland, and Norway. Across Europe, Florent noted a strong preference for docuseries in the genres of nature, crime, history, society, celebrity, and royalty — in descending order of popularity. Finland was noted for their taste for imported docuseries.

For Asia, Florent covered trends in China, Japan and Korea, where a strong preference for society, travel, food, art, and culture docuseries were evident. Specifically, the most popular society docuseries involved documenting senior citizens in their societies. Emphasizing the difference in trending preferences between both regional markets, Florent warned that globalising docuseries for export across regions might prove difficult and advised a measured approach in building a base of region-specific docuseries.

Florent Careme Head of Research & Products Glance Médiamétrie

VISIT OUR BOOTH AT FA-09

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CONFERENCE

ATF ATF 2022 2023 2021 D E C hybrid 7edition

Ja-panning For Gold Where some may churn out a tired rehash of classic genres, Japan appears to have Midas’ touch in reinventing the classics. The country’s biggest producers, from companies like Nippon TV and Fuji Television Network, have brought a veritable pile of gold to the shores of ATF 2023. The first of Japan’s offerings involve the dark and sinister, with titles like The Dark Postman, Black Familia, and Subscription Adultery and themes revolving around murder, suicide, and infidelity. Even the lighter ones like The Last Man: The Blind Profiler, One Day It’s Wonderful Christmas Ado, and The Greatest Teacher still involve some degree of murder, albeit on the side of a main of comedy, love, mystery and redemptive drama. The lighter Japanese offerings include heartwarming and funny series like Supermarket Basket is Life Itself and Traces of Grace to take the edge off the other edgier offerings. All in all, Japan brings a very palatable and balanced supermarket basket of goodies this year.

Goodies to buy: (L—R): Yusuke Kato, Senior Producer - IP Business / Head of International Co-Productions & Distribution, Fuji Television Network, Inc.; Sayako Aoki, Head of Scripted Formats, Global Business, Nippon TV; and Yusuke Odai, Producer, Drama, Nippon TV.

iQIYI Casts Its Eye Abroad for 2024 250 new shows are in the pipeline for international audiences, as iQIYI intends to produce original content to cater to diverse territories around the world. Yang Xianghua, President of Movies and Overseas Business, iQIYI, unveiled their plans at its iJOY event. He revealed insights about the genres that they would be focusing on in 2024, in order to appeal to international audiences like Southeast Asia. Period dramas appeal to international audiences, providing a dose of oriental Yang Xianghua President of Movies and Overseas Business iQIYI

fantasy for those who enjoy seeing the costumes and production design of that era. The other popular genre is romance, which Xianghua split into two subgenres. Romance dramas for older, more mature audiences, and romance dramas focused on younger viewers. XIanghua announced that they would invest in 30 original and licensed shows for the Taiwan market over 2024 and 2025. As for the rest of Southeast Asia, they planned to develop 4 original productions for Thailand, and 12 original productions for Malaysia in 2024.

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CONFERENCE

ATF ATF 2023 2021 D E C hybrid 7edition

A Game of Funds and Other Insights From Producing Original Content Secrets to success were revealed in a meeting of minds when producers of the best original productions by streamers and OTT platforms came together for a session moderated by June Tan, Director (APAC), Events & Digital Media, Motion Picture Association International, in a panel organised by the Asian Academy Creative Awards 2023 (AACA).

One of the biggest challenges is that the audience base today is very diverse. “We’re competing for a very limited attention span,” observed June. As a result, it’s about capturing the attention of the audience and going to where they are. To do that, it’s about finding different, unconventional, and new channels to reach audiences, such as through social media platforms like TikTok. There’s also the challenge of reaching the youth — who are

Dubit Limited Animation still dominates the entertainment lives of preschool children around the world—why after so many years is it so enduring? Brand Interaction & Immersion are important for today’s kids.

Ampere Analysis

very averse to any hint of propaganda in the content. One possible way to address this is for platforms to adapt existing IPs. Not only do existing IPs come with an audience base, but they also help introduce said audiences to the ecosystem of content on the platform which adapted the IP. But there’s no escaping the game of funds. Budgets for regional productions can pale in comparison to Western countries. It remains to be seen how producers can creatively circumvent such constraints, while still telling good stories.

only on

K7 Media

From Global to Local: A Year in Asian Adaptations of Unscripted Formats A Year in Asian Adaptations of Scripted Formats

BB Media

DEC

APAC: Streaming Insights in the Entertainment Landscape FAST Expectations: APAC’s Opinion vs the World

Glance Médiamétrie

How Content Preferences Should Influence Acquisition & Origination of Film & TV in Asia

Exploring the Latest Trends & Ongoing Dynamics: Co-Productions between Asian & Global Market

The Growing APAC Streaming Content Market

Global TV & Streaming Market: Trends in New Launches

ANALYST EXCLUSIVES ANALYST EXCLUSIVES

Sharing their insights, challenges, and lessons at the session were Celine Kao, Producer & Writer; Stanley Hsu, Executive Producer; Derek Wong, Head of Originals - SEA & MEA, Viu; Imillya Roslan, Director of Production, Viu Malaysia; Jean Yeo,

Creative Director, Ochre Pictures; and Rachel Ng, Assistant Lead, Content Commissioning, Mediacorp Pte Ltd.

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IN-DEVELOPMENT

ATF ATF 2023 2021 D E C hybrid 7edition

Unscripted Pitch 2023 (USA + International Edition)

Access and Funding are Key Concerns for Pitches

Eight hopefuls from across the region presented their ideas at the semi-finals of the ATF x Beach House Pictures Unscripted Pitch 2023 (USA + International Edition). Presiding over the event were four esteemed judges: Donovan Chan, Co-Founder & Creative Director, Beach House Pictures; Jessica Lee, Head of Development, Beach House Pictures; Kimberly Carver, Talent Manager / Producer, Anonymous Content; and Mandy Chang, Head of Global Documentaries, Fremantle. Spanning the gamut from serious investigative crime series to light-hearted dating travel

documentaries to profiles on cult leaders, the pitches were as diverse in tone as they were in subject matter. One key question that the judges often raised was the issue of access. Access to the subjects would make or break the exploration of the topic, and being able to secure access would provide fresh perspectives for the audience.

Huichieh Danielle Yen from Taiwan. It revolves around the eponymous Taiwanese golfer, her life, and her comeback story.

Funding was also a key concern for all involved — where it would come from, how much had already been acquired, and the viability of the budget. Five finalists emerged, from which the winning pitch was The Yani Tseng Story by

Danielle walked away with a full consultation and development package worth S$30,000 as the winner, prompting commendations from the judges and the rest of the participants.

“The pitches were all so different, and it was just a privilege to hear you telling your stories that you’re so passionate about,” shared Mandy.

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IN-DEVELOPMENT

ATF ATF 2023 2021 D E C hybrid 7edition

ADULT ANIMATION VALUATION

The atmosphere was buzzing for creators, producers and speakers alike with opening speeches from Justin Deimen, Managing Partner, Aurora Media Holdings and Juraj Krasnohorsky, Producer, Artichoke Film Production, followed by a series of lectures that delved into the market of animation productions.

Fireside Chat: Financing Films and Creating Value Creators and producers may know what makes the audience tick, but it is also equally important to know what catches the attention of financiers in the industry, as Sophia Yen, Partner, Mannat, Phelps & Phillips, LLP and Bennett Pozil, Executive Vice President, Head of Corporate Banking, East West Bank explained.

Behind closed doors: A truly exclusive panel for the select few: Sophia Yen, Partner, Manatt, Phelps & Phillips, LLP; Bennett Pozil, Executive Vice President, Head of Corporate Banking, East West Bank; and Justin Deimen, President, 108 Media, sit to dive deep into internationally viable structured finance plans and some of the most value destroying practices that the industry currently practices.

Participants engaged in a discussion on the differences between equity and debt financing, the content value chain in Asia versus the Western world, and the importance of having good representation. There was an unequivocal agreement on being open to ‘taking what’s offered’, but “you need to have a vision of what’s your endgame, what’s most important for you and sticking to it,” explained Bennett. So how should one plan their production for potential investment? “Financiers are looking for a business plan,” said Sophia, explaining that it takes more than just buying in to a story for investors or banks to make a decision. “The story can be great, but how it’s executed is important.” But the heartware is important too, explained Bennett: “Create value by surrounding yourself with the right people, have the right focus, and stay on that path.”

A familiar face: Leslie Lee imparts valuable knowledge from his years in the animation industry, being part of a global player for a significant amount of time.

Producers from Asia and Europe invest time and money to be part of the inaugural ATF x TTB Animation Lab 2023—this will be followed by an on-stage pitch (Dec 7).

FROM CONCEPT TO CREATION

(Top) It’s only a deal if they give us this much! (Below) Elevator pitch time: tell me what’s in it for me!

Competitive spirits: The in-it-to-win-it mentality is what it takes to be part of the ATF IP Accelerator (AIPA) Project Market, with promises of more than US$60,000 worth of prizes. 18

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PLENARY

ATF ATF 2023 2021 D E C hybrid 7edition

CRIME COULD BE THE NEXT GOLDEN GOOSE FOR APAC CONTENT “Crime and thrillers are one of the most popular drama genres in APAC,” revealed Orina Zhao, Senior Analyst, APAC Research Lead, Ampere Analysis. 30 of the top 100 most popular overseas dramas are crime and thrillers, her research has uncovered. Orina shared about the under-served market for overseas crime dramas in OPAC at a session moderated by Jeremiah McMillan, Executive Producer, International Content Executive & Strategist, Ambush 8. Crime and thriller shows account for 14% of all content in APAC. Such titles are not just limited to movie titles, but long-running TV shows too. Such shows are particularly well-received in markets such Australia, New Zealand, Japan, South Korea, and Taiwan. Audiences of this genre have a bigger appetite for overseas content. “This shows how portable and well-travelled crime dramas can be,” Orina said. What’s the panacea for this undersupply? Overseas crime dramas. She showed that the total number of crime drama titles from overseas markets far exceeded those available in APAC, among all overseas producers. Another possible balm is newly commissioned crime content for APAC. The hunger for crime and thrillers is real, and the appetite for this genre is an opportunity not to be missed.

DIVERSE TAIWANESE CONTENT DRAWS INTEREST International buyers and production companies convened for a sneak preview of programmes presented by Taiwanese companies. The strong turnout reflected the popularity and keen interest in Taiwanese content. 252 titles and projects from 100 companies were showcased at the Taiwan Pavilion organised by Taiwan Creative Content Agency (TAICCA). Notable works include the series Tabloid, from Mirror Fiction, about an entertainment reporter investigating the death of her colleague, and the series You are My Sister, from Gala Television, with its themes of love, family, and work, Imperfect Us, from Taiwan Public Television Service (PTS), which is directed by Mag Hsu, best known for the popular film Dear Ex, Boys Like Boys from Portico Media, billed as Taiwan’s first BL reality dating show, and Rock 40 Star Chaser from TVBS Media, a new talent show that gathers music heavyweights from record label Rock Records. 20

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DEMOCRATIZING QUALITY ENTERTAINMENT TrueID, a digital entertainment business unit under True Digital Group, has produced more than 35 original contents, including films, series, and variety shows for distribution on True’s proprietary platforms such as TrueID app, OTT box and TrueVision channel. These IPs have all enjoyed resounding successes in the local market. This year on the ATF market floor, TrueID is thrilled to introduce several titles co-produced with True CJ Creations. Amongst them are Start-Up, a drama about romance and entrepreneurship; Good Doctor, a globally successful IP remade from a Thai perspective; and Mouse, a suspensethriller with an intriguing plot. For fans of original Thai content, TrueID is featuring one of their newest releases, Spice & Spell, a delightful dramedy that not only entertains, but also showcases the richness of Thai culture, with Thai cuisine playing a central role in the storyline. As a leading digital content platform, TrueID is on a mission to democratize access to quality entertainment through various platforms. To this end, TrueID will be actively seeking partners who share their vision of making top-notch entertainment and lifestyle content affordable for all. Plawan Varinrata True Digital Group Co. Ltd. Thailand

ROM-COMS AND FAMILY DRAMA: THE BEST TURKISH DELIGHTS Yasemin Keskin Kanal D International Turkey

Thanks is given to Türkiye as they swoop in to ATF 2023, bringing us a delightful line-up of romantic comedies and Turkish dramas. Bearing these gifts is Yasemin Keskin, Sales Manager for Asia and the Pacific at Kanal D International. Yasemin shares that for many consecutive ATFs, Turkish romantic comedies have done remarkably well and complemented their core business of classic drama titles in Asia. In addition to bringing more of the same this year, she hopes to secure more collaborations with Asian partners — a deal she believes would be highly lucrative at both ends. Among Kanal D International’s offerings, three titles steeped in familial bonds and romance have stood out the most — Three Sisters, Love Trap, and Ruthless City. To this, Yasemin adds that an upand-coming drama in the same genre, A Father’s Promise, bears watching as a new leader of Turkish Drama. She also believes that prospective partners should dig deeper beyond their classic hits as they hold many cult series which are now being recognised and licensed regionally — finding such unconventional points of interest could produce new prospects, such as remakes from Turkish to local and vice-versa.

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TEACHING BEYOND ABCS ABC Commercial is an iconic Australian public broadcaster that is renowned for educational children’s content. They champion Australian talent and bring the best of Australian television, music and entertainment to audiences globally. One of ABC Commercial’s strongest titles this year is Beep & Mort Season 2, a puppet-based series on community and the enduring value of friendship. This series has been licensed to SKY in the UK and beIN in the MENA region, to name just a few. Other premium content buyers can look forward to at the ATF include Reef School, a series based on footages shot from the world-famous Great Barrier Reef, factual entertainment titles such as Muster Dogs (currently on Netflix in multiple English-speaking territories), and ABC Commercial’s well-known soft science series Catalyst that break down topics such as fasting, A.I. and Botox to make them accessible to young inquisitive minds.

Pelin Koray Inter Medya Turkiye

PREMIUM CONTENT & AFTER-SALES SUPPORT Inter Medya’s long-running dramas, which traditionally have elements of love, revenge and family drama, have always appealed to Asian markets, such as India, Sri Lanka, Bangladesh, Philippines, Malaysia and Vietnam. The family drama Tuzak is one such example. Starring Akin Akinozu, the series revolves around an age-old dilemma–whether one should choose love over family. Another example is Deception (Aldatmak), a highly-rated primetime title that is currently in its second season. To cater to East Asian markets that favour the mini-series genre, Inter Medya is presenting Interrupted (Yarim Kalan Asklar), an eight-episode crime drama, and Naked (Ciplak), a eroromance series. 24

Rounding up the Inter Medya catalogue are the Turkish historical series Mehmed The Conqueror (Mehmed: Bir Cihan Fatihi), a genre that typically garners widespread interest; and the horror movie Sayara, an original production directed by horror specialist Can Evrenol. On the deal-making front, Inter Medya is looking forward to clinching new deals with partners in the region. Pelin Koray, Senior Sales, Acquisition, and Strategy Manager asserts, “To maintain a long lasting business relationship, we need to offer not only premium content, but follow up with tip-top post-agreement delivery and operational support.”

All titles feature strong and engaging educational content that both entertain and enthral young audiences. Brian Lee, Digital Sales Manager at ABC Commercial, enthuses, “Our main goal will be to promote and distribute Australian content at ATF. We expect many deals to come through this market.”

Brian Lee ABC Commercial Australia

We bring you engaging, creative, compelling and entertaining films, series, mini-series, formats, and channels from the Philippines.

https://mqworldwide.mediaquest.com.ph/

The Beloved Affair

Love Until The End

Action Drama | Series 65 x 30 mins

Drama | Series 50 x 30 mins

Drama | Mini Series 14 x 60 mins

Sci-fi/Drama | Film Coming Soon

Comedy | Film 96 mins

Historical Drama | Film 122 mins

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MARKET

ATF ATF 2023 2021 D E C hybrid 7edition

SOMETHING FOR EVERYONE From preschoolers to young adults, the Australian Children’s Television Foundation distributes more than 60 titles of world-class live action, animated and factual content for every demographic. ACTF is showcasing three amazing and diverse programs at ATF this year.

Crazy Fun Park is a live action horrorcomedy series for teenagers. When Mapplethorpe is killed at an abandoned theme park, his spirit lives on, and his best friend Chester returns each night to see him and the other undead teenagers who haunt the fun park.

For preschoolers, Cheeky Little Media’s Kangaroo Beach is an animated series about the escapades of four young animal friends training with their lifeguard heroes. Every day is an action-packed adventure as the foursome explore seas, rivers and rock pools, with an underlying message about water safety in every story.

For viewers who love factual adventure content, Built to Survive is a series that sees host Phil Breslin getting up close and personal with the world’s most unique creatures that thrive in Australia’s most extreme habitats.

Roberta Di Vito Australian Children’s Television Foundation Australia

THE GOQUEST GLOBETROTTERS For GoQuest Media, the world is truly their oyster — and a delicious one at that. Jimmy George, VP of Sales and Acquisitions at GoQuest Media Ventures, shares with us their stellar level of success in crossing global boundaries with their internationally eclectic selection of shows, including a recent deal with media giant, Disney Star that saw them appointed as the sole distributor for Disney Star content in Africa. Jimmy believes that the feat “showcases the value of nurturing long-term relationships and building expertise in the regions we operate in”, a principle substantiated by their track record in licensing a Ukrainian crime romance to Japan, an Estonian espionage drama to Australia, and a Portuguese drama to Vietnam. Alongside their international catalogue, GoQuest Media also offers a good blend of both long-running and short series. Jimmy states that this year, there will be a strong focus on romantic and complex family dramas that appeal to Asian audiences, while offering variety with three new European highlights: crime dramas Erinyes and Crusade, and dramedy Troll Farm. GoQuest Media’s sales strategy this year will also involve complementing readymade drama licensing with several trendy daily series formats, with a good push for pitching and partnering on original projects for licensing catalogue expansion.

Jimmy George GoQuest Media Ventures Pvt. Ltd India

“No matter where they are from, kids love adventure, laughter, real-life stories, and a bit of harmless horror thrown in for good measure,” opines Roberta Di Vito, International Sales Manager at ACTF.

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COLLABORATION YES, CONFORMITY NO Wanida Boonprasertwattana, AVP of International Copyright Management at One 31 Company Limited, avidly believes that a whole is more than the sum of its parts. She shares that amidst their goal of highlighting premium Thai content at ATF 2023, “multi-dimensional collaboration, including co-production, co-investment, fostering positive relationships with established partners and expanding avenues for cooperation with newcomers should be the top priorities”.

In a consistently collaborative fashion, One 31 Company Limited is also remarkably positioned such that it is not the sole distributor of dramatic content — the other production investors enjoy the right to distribute such content on the global market as well. Along these lines, Wanida hopes to encourage industry players at ATF 2023 to discuss prospective collaborations that can leverage the strengths of all parties.

Wanida Boonprasertwattana One 31 Company Limited Thailand

And yet, One 31 Company Limited is no pushover. Wanida stresses their aggressive and boundary-breaking approach in show production, with their focus this year being the genres of drama and a second, less well-defined genre that Wanida promises would break Thai dramatic media convention. Their project involving the latter is an anthology of five narratives with an emphasis on high-quality production.

STOKING THE BOILERS WITH THAI POWER

“We are moving forward,” declares Nedpanit Potarakul, Chief Production Officer of Mono Next, Thailand, and full steam ahead they certainly are. Mono Next has assembled a powerful Thai production machine under its streaming service, MONOMAX, with a massive team of famous Thai screenwriters, directors, and actors to expand their offering of original shows. Nedpanit shares that the MONOMAX production team was specifically chosen for their strong Thai media artistic leaning in a bid to produce shows with a strong Thai influence that viewers cannot miss — a part of Mono Next’s strategy to capitalise on and project ‘Thailand’s soft power’ in the online streaming service battleground, as Nedpanit puts it.

Nedpanit Potarakul Mono Next Thailand

For their best offerings, Nedpanit puts forth three shows: Risk Lust Love, a drama that weaves the cautionary tale about the price of greed and lust; My Next Doll, a fun, but thought-provoking romantic comedy movie about a man who falls in love with his AI nurse robot; and HANGOUT, a drama about the personas and facades a group of old friends present to one another amidst social conflict. With their proven track record of scoring big in the genres of drama, comedy, and romance, Mono Next hopes to see a repeat success at ATF 2023.

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THERE’S SOMETHING ABOUT LOVE Love is in the airwaves, fresh out of Thailand and positively sparking with passion. Ziraviss Vindhanapisuth, VP of International Business at BEC World Public Company Limited, is lugging a smorgasbord of romance dramas to ATF 2023 with not one, but 10 romance shows as part of their line-up. While that may sound like a smothering amount of love, you’d be surprised by the diversity that can be achieved through the nuances of the romance genre. Never Enough is a coming-of-age drama about the love triangle between three best friends. Born a Goose, Soar Like a Swan is a period romantic comedy about a timetraveling courtesan. The Legend of Nang Nak is a horror comedy that, despite its initial label of horror, is actually a poignant tale of love that transcends the boundaries of death. Among the other classic romance drama offerings, a Boy Love series and a Girl Love series round out Ziraviss’ line-up. Leveraging their strong track record of international collaboration and this massive 2024 line-up, Ziraviss hopes to strengthen current partnerships and expand into new markets at ATF 2023.

Jimmy Elkington Fred Media Australia

WHEN CRIME PAYS Based in Australia, Fred Media is a content supplier that specialises in sourcing fresh and exciting top-tier nonfiction catalogues covering all genres from talented independent producers across the globe. This year, Fred Media is jumping into the deep end of the True Crime genre, with two exciting new series, which is the star in their showcase at ATF. The first series is The Hunters, a story about an investigative journalist who teams up with a behaviour and deception expert to solve some of Australia’s most incredible cold cases. The second is Australia’s Most Dangerous Prisoners, a series which outlines the 30

horrendous crimes that landed these inmates in Australia’s high security jails. The stories are told through firsthand accounts by ex-inmates, former correctional officers, journalists, and forensic psychologists who try to make sense of their world; how they got caught and what life is like now! While Fred Media has traditionally been very family-friendly focused, the company sees burgeoning audience appetite for the True Crime genre, an opportunity the company can readily capitalise on with its far-reaching access to talented storytellers from all corners of the globe.

Ziraviss Vindhanapisuth BEC World Public Company Limited Thailand

relevant issues. ATV’s latest hit, BEHOLD, THE socially Safir and upcoming drama, Altın Kafes these characteristics that make ASSIMILATION share them universally attractive shows. OF THE In qualifying the success of their strategy, she shares that ATV strongly INDUSTRY considers factors like audience adherence to market CHAMELEON engagement, trends, and their brand reputation.

Localisation is the name of the game, according to Müge Akar, Head of Sales for Global Distribution at ATV. The game plan at ATF is trusty and straightforward — barge into Asia with market research guns blazing, then tailor content to local tastes and reap the bountiful harvest.

Müge leads into the finer points of this generalist strategy by discussing their ability to adapt to any local market with a few constant qualities — well-produced content, collaboration with local talent, willingness to use new formats and adaptations, and constantly catering to

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Combined, they indicate the health of ATV’s distribution networks in the region and provide valuable information for future decisions. Müge also recognises the key role of ATF 2023 in providing a platform to set down roots in Asia by establishing local partnerships, aiding market research, and navigating the nuances of regulations in a foreign market. Gozde Dinc Ozcan (left) & Sena Kul Turkuvaz Aktif Televizyon Produksiyon A.S. (ATV) Turkiye

MYSTERY, MUSIC & PETS This year at ATF, Escapade is promoting all genres with a more prominent focus on scripted content. Under the spotlight are two prestigious scripted series, Sherlock & Daughter and Portobello Road, and a premium non-scripted series, For the Love of Pets. These titles reflect Escapade’s aim of providing content that has storytelling at its heart. Sherlock & Daughter is a story about a young Californian, who after witnessing her mother’s mysterious murder, learns that her missing father may be the legendary Sherlock Holmes. She journeys to London to find him, but he is not what she expected. With stellar names like Eric Clapton and Barry Gibb helming Portobello Road as executive producer and film composer, you know you are in for a treat. The drama follows the misadventures of Portobello Road Music, a fictional music management company based in London’s vibrant and ethnically diverse Notting Hill during the golden era of British pop. For the Love of Pets is a heart-warming series that offers fascinating insights into the world of people and pets at Animal Welfare League of SA and Vets4Pets, Adelaide’s busiest Emergency Vet Hospital.

Sarah Kwek Escapade Media Pty Ltd Australia

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GLOBAL AWARD-WINNING CONTENT Calinos Entertainment is constantly adding outstanding dramas to its impressive catalogue. Besides Turkish dramas, mini-dramas, feature films and TV programs, the Calinos global library also features exceptional Canadian, Romanian and Serbian dramas. This season, the star of Calinos’ Turkish drama catalogue is Farah. A global phenomenon that premiered in Turkiye, this first-rate series has garnered numerous awards including “Best New Series, “Best Cast Ensemble” and “Best Child Actor” at the Dizilah Güzel Awards; “International Best Actress Award” at the Kineo Awards in Venice; and “Best Actor Award” at International Emmy Awards and Seoul Drama Awards.

Gamze Besler Calinos Entertainment Türkiye

FUSION PRODUCTIONS A joint venture between True Corporation and CJ ENM, True CJ Creations’ staple productions are mainly Thai scripted series based in Korean format. The studio is a trailblazer in the region with such accolades as having the first Thai Netflix original, Oh My Ghost, that premiered globally in 2017. Since then, nine drama series have been awarded Netflix licensing. In addition, all drama series produced by the studio had achieved number one viewership on True ID, while Bad Guys and Unlucky Ploy placed 36th and 44th respectively on Netflix global rankings. This year at ATF, True CJ Creations is promoting their new Thai scripted and unscripted IPs. Amongst these is Hidden Gems, a docuseries co-produced with Ryoii Films. The series follows six passionate and talented local street food vendors as they travel around the world on a culinary journey sampling dishes that delight and inspire them. Whilst the studio is known for its high quality remakes of Korean hits, True CJ Creations is ready to embark on the production of their own new original scripted and unscripted IPs to capitalise on over six years of accumulated Korean scripted know-how going forward. 32

Ari Arijitsatien True CJ Creations Co., Ltd Thailand

Another Turkish global phenomenon that is on showcase is Forbidden Fruit. After six successful seasons, the highly anticipated finale was finally aired this year, making Forbidden Fruit one of the longest-running series in Turkish drama history. The Spanish adaptation enjoyed similar success, with Pecado Original being named “Best Fiction Premiere in a Decade” on Atresmedia’s Antena 3. From the global catalogue, there is Indefensible, a hit Canadian crime drama, which was awarded “Best Daily Serie” at the recent Prix Gémeaux Awards. The third season for this popular series is already slated for production so buyers can expect longevity from this title.

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NON-STOP HITS The Nippon TV creative team has a track record of producing trending series that resonate with young audiences around the world. Their hit series Homeroom, which has already been adapted in Turkey, is now being adapted in Thailand by the award-winning production team JUVE9 to be streamed as a TrueID original.

Sayako Aoki Nippon Television Network Corporation Japan

JUVE9’s latest scripted format, The Greatest Teacher was featured during the “Drama Gems from Japan” stage session, where the producer spoke about how this series recorded the highest streaming views on Nippon TV in 2023. On the unscripted format side, Nippon TV is showcasing Koso Koso at ATF. Koso Koso is a hilarious gameshow co-developed and co-produced with BBC Studios and Empire of Arcadia. The premise features a team of celebrity secret agents who must prank members of the public in order to win a cash prize. Having received rave reviews at MIPCOM, Koso Koso is sure to enjoy a similar reception here in Asia. Nippon TV also made a special announcement about the international adaptation of their award-winning hit series, Rebooting.

MUSIC AT YOUR FINGERTIPS Evan Buist (left) & Will Lewis Melodie Music Australia

“We’re really excited to have conversations with producers on better ways to find and licence quality music for their productions,” says Evan Buist, Managing Director at Melodie Music. With more than 20 million minutes of music broadcast on FTA and VOD platforms in productions such as Ninja Warrior, Real Housewives and EVOLVE, Melodie Music is fast becoming the number one music library of choice for savvy broadcast producers worldwide. The tech company recently made a series of enhancements to their search platform. Now, finding great music is faster and more intuitive than ever before with upgraded powerful AI search tools, search exclusions, a slick mobile first design, a new Dragand-Drop Playlist Creator, and visible track waveforms for each track listing. There is also a “My Library” section to store curated playlists, collections, and favourite artists. Powered by AI search tools, Evan notes that Melodie Music makes it fast and easy for producers to find and license quality music. Its simple blanket licensing structure offers clients unlimited access to more than 25,000 original, high-quality songs produced by a global roster of award-winning composers and independent artists, concluded Evan. 33

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THAILAND BRINGS LOVE AND FEAR TO ATF 2023 Joe Suteestarpon, CEO of Mediaplex International, comes across as an ardent champion of Thai media. His biggest expectation of their efforts at ATF 2023 is simple but profound — to showcase Thai content throughout and beyond Asia. To this end, Joe has brought two new shows to top off Mediaplex International’s not insignificant catalogue. The first, coming from a genre that has been a mainstay of Thai cinema since the turn of the 21st century, The Promise is a Thai horror film slated for a 2024 release with few details out yet — not to be confused with the 2017 Thai horror film of the same name. The second show, Lover Merman, rides the global wave of Boy Love fascination with a twist of fantasy — a man moves from the city to manage a beach bar and, through a series of mishaps, falls in love with a merman working incognito as a bartender. With the heritage of Thai horror and the promise of the Boy Love trend, Joe holds great confidence that Mediaplex International has something great in the making at ATF 2023.

THE AGE OF VIRTUAL In an effort to recognise and support the growing significance of Virtual Production (VP), IMDA will be “injecting $25 million to support VP over the next 2 years,” announced Justin Ang, Assistant Chief Executive, Infocomm Media Development Authority, in the building of a strong ecosystem of production companies, talent and even schools, to understand the technology, apply it and take it to the next level.

possibilities for filmmakers to explore sci-fi stages, dystopian lands, and fairtytale fantasies, blending them with real-world scenes.

‘A VP Afternoon’ at the Singapore Pavillion – which was wildly popular and packed with enthusiastic attendees – highlighted the competition jointly held by IMDA and Epic Games. The Singapore VP Challenge 2023 supported projects with the use of Epic Games’ Unreal Engine, and opened up more

“The future of filmmaking is becoming very exciting, because we can do so much more through different mediums,” said Tan Wen Hao, Founder & Director, Method & Madness.

In addition, the winner of the $20,000 prize in the Singapore VP Challenge 2023 – Method & Madness – took the stage to describe their exploratory process for Metafrontier in “enabling real world filming in a digital realm”.

“With VP, imagination becomes the new frontier.”

Joe Suteestarpon Mediaplex International Co., Ltd. Thailand

MARKET ORCHESTRATING ASIA’S EXPANSION THROUGH PARTNERSHIP Red Arrow Studios International entered into an exclusive agreement with Bomanbridge Media to represent its programme catalogues in Southeast Asia, Hong Kong, and Taiwan. In mainland China, Bomanbridge Media will specifically handle the representation of Red Arrow Studio’s formats. This strategic collaboration aims to bring compelling storytelling to the dynamic and diverse Asian landscape. Red Arrow Studios International’s catalogue include formats, scripted and factual entertainment content such as smash-hit relationship format Married at First Sight; premium English-language dramas like Vienna Blood and Departure; award-winning factual content, such as the prestigious The Weekly: Special Edition collection, plus an extensive collection of TV movies.

AN EXTENSION OF AN EXISTING PARTNERSHIP iQiyi x Singapore Tourism Board Strategic Partnership Signing Ceremony

DRIVE NEW HEIGHTS THROUGH STRATEGIC PARTNERSHIPS JSBC from China revealed multiple collaborations at ATF this year, joining forces with Singapore’s Mediacorp and Starhub, as well as the UK’s ITV to enhance the co-production of documentary and entertainment programmes, foster talent exchange initiatives, and establish licensing agreements. By leveraging cross-border expertise and distribution networks, all stakeholders can expand the reach of their content to new audiences beyond the region. 35

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LOVE IS IN THE AIR Highly anticipated content from China Huace Group were introduced; Only For Love (以爱为营), a romantic drama starring Bai Lu and Dylan Wang He Di. This rom-com has everything from rivalry to romance and friendship. Another highlight is Our Interpreter (我们的翻译官) featuring the youngest Chief Interpreter and a Chief Technical Officer who broke up and re-united after eight years. Through the course of working together, their love for each other is rekindled. Starring Yang Zi and Li Xian from Go Go Squid!, Flourished Peony (国色芳华) is a lively period drama about the daughter of a merchant who, after her divorce, ventured into cultivating rare peonies and built a business empire. Along the way, she joins forces with a General to suppress a rebellion and develop a romantic relationship.

Yang Zheng, Deputy Director of TV Drama at the National Radio and Television Administration of the People’s Republic of China (NRTA), with Yeh Chien Ee, President, APAC, RX Global, celebrating the opening of the China Pavilion with a toast.

QUALITY CHINESE CONTENT GAINED GLOBAL APPEAL Over the years, Chinese content has gained popularity globally. Participation in ATF has provided Chinese companies with the opportunities to foster partnerships and exchange ideas. Yang Zheng, Deputy Director of TV Drama at the National Radio and Television Administration of the People’s Republic of China (NRTA) expressed his appreciation for the robust partnership between the China Pavilion and ATF over the past 13 years. This year, 150 drams, animations, variety shows and documentaries were presented by 30 Chinese companies at the China Pavilion. 36

BEYOND BOUNDARIES: A FUSION OF CREATIVITY AND TECHNOLOGY Mediacorp has seamlessly incorporated virtual sets into two of its most recent dramas, Strangers in the Dark and Once Upon a New Year’s Eve, allowing for easy transitions between various time periods, locations, and imaginative settings. The convergence of creativity and technology in virtual production not only gave producers greater creative freedom but also significantly reduces the reliance on elaborate physical sets and onlocation shoots. As Singapore’s largest content creator, Mediacorp remains committed to innovate and augment its storytelling and production capabilities, pushing boundaries by seamlessly integrating real-world elements with computer-generated environments.

@G18

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HARDBALL IN NHK’S COURT NHK, Japan’s national broadcaster, has secured the rights to Australia’s beloved children’s series, Hardball. Announced by the Australian Children’s Television Foundation (ACTF), the acquisition includes both seasons of the series, and is set to premiere on NHK’s linear channels and NHK Plus in April 2024. Produced by Northern Pictures for ABC, the award-winning show follows Mikey’s adventures in the competitive world of schoolyard handball. Already successful globally with broadcasts in 19 territories – including the UK, Germany, and Spain – Hardball has garnered prestigious awards, such as the Prix Jeunesse award, BANFF World Media Festival Rockie Award, and an international Emmy.

Takako Hayashi, Senior Producer, NHK (left), with Roberta Di Vito, International Sales Manager, Australian Children’s Television Foundation

TECH IN MOTION Media technology is making its mark in this year’s showcase at the Singapore Pavillion – where media companies, talent, partners, and every mover and shaker in the industry gathered to connect with one another. Hosted by the Infocomm Media Development Authority (IMDA), Virtual Production (VP) became the buzzword of the day, defined as “reimagining storytelling beyond the physical environment”. To exemplify how far we have come in the realm of VP, Seng Choon Meng, CEO, Scrawl Animation led a life demonstration of motion-capture technology in real-time, where a motion-capture artist brought a virtual on-screen crocodile to life. There was a spark of excitement in the tech realm, as conversations flowed as smoothly as the bubbly did in the lounge.

Takako Hayashi, Senior Producer, Content Value Development Centre at NHK, expresses his excitement in sharing his love for Hardball with the Japanese audience, stating the leading characters’ resilience “will be a wonderful influence not only on children but also grown-ups in Japan.”

NETWORK FROM MORNING CALM TO EVENING BUZZ

The Korean Pavillion occupied a wide berth of real estate within the Market, with a smattering of content companies all eager to connect with potential creators, buyers, and distributors. Minutes before the actual networking event supported by the Korea Creative Content Agency (KOCCA), connections were already being made with deep conversations over light bites, no doubt with some excited over potential collaborations. As soon as cocktail hour began, handshakes and polite nods were exchanged over sandwiches, and jute tote bags handed out as conversation starters. While one can hardly hear each bottle of champagne being popped over the hearty chatter, the lighthearted atmosphere was punctuated by smiles and an eagerness to work with one another.

DO IT LIKE THE FRENCH Business, that is. To put truth to the cliché, there was a certain je ne sais quoi to the vibe at the French Pavillion. Each content network had their own section, making up 21 booths in total. It seemed the French TV world had garnered plenty of interest in recent years, and leading up to the cocktail hour supported by Unifrance, spirited conversations were already abundant. Then, just as the platters of hors d’oeuvres were served, the tables were flipped around as quickly as it should be – work is work, and playtime is sacred. Business chats switched from the formal to casual get-to-know-you’s, with many agreeing over the stellar quality of cookies. Perhaps “doing it like the French” simply means having a fine evening that’s meaningful beyond the expected.

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BONNE AFFAIRE! Throngs of today’s participants crowded the halls as the evening nears, ready to fill their bellies with an assortment of food and to share what they have learnt with good company

Finger heart or thumbs up? Either way, it was unanimously decided that the day’s events were both insightful and fruitful. Day 3, bring it on! It’s one for the memories – friends old and new come together for a party to celebrate ATF

Making photobooth memories: 1, 2, 3 – Say ‘TV’!

After a day’s hard work, it was only appropriate to revel in the comforting company of colleagues and new-found friends over local fare @ the ATF Opening Reception, while grabbing opportunities to snap pictures with local and international celebrities. As Day 2 of ATF 2023 drew to a close, the opening festivities made it clear that there were plenty more to look forward to from here. Pineapples and pizzas? No. Pineapples and Hamburgers? Yes!

There’s no greater joy than to wind down after an eventful and productive day. Who said being Out of Office means we’re on a break?

Priorities, priorities, priorities: Food first, photos later!

“What do you mean there’s only two days left to ATF?!”

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INDONESIA’S POWDER KEG OF GROWTH COMES WITH CAVEATS Undoubtedly, Indonesia’s media market is not fully realised, but that is a situation that is rapidly transforming. Sutanto Hartono, Managing Director of Emtek and CEO of Surya Citra Media (SCM) & Vidio, foresees an explosive surge in Indonesian content production that could catapult industry players to new highs if they know how to navigate it. Part of this is a high domestic demand for Indonesian movies.

IN 2022, 61% OF BOX OFFICE MOVIES IN INDONESIA WERE LOCALLY PRODUCED — THE FIRST YEAR THAT INDONESIAN MOVIES OVERTOOK FOREIGN MOVIES. Expanding that insight to local media production at large, Sutanto notes the unmet demand. By his estimate, below 40 local original titles are produced each year, 29 of which in the past year came from Vidio, an OTT platform under SCM. Another key area of growth is the OTT platforms host local content. “We are clearly in the early phase of OTT subscription adoption,” says Sutanto, referencing Vidio’s focus on Indonesia and Southeast Asia. Under 10% of the region’s one-billion population are paying subscribers, says Sutanto. Navigating this market as consumers habituate paying for OTT subscriptions is vital as a springboard for profits. Meanwhile, FAST must be recognised as a monetisation channel for a majority of their audience until the paid subscription trend matures in Indonesia.

Sutanto Hartono Managing Director, Emtek CEO, Surya Citra Media (SCM) & Vidio

Indonesia’s push for modernisation and 5G coverage would also boost OTT platform growth. According to GSMA, the 5G penetration rate for Indonesia is just 15% now, but projections estimate it at 80% by 2030. This would enable a high quality and consistent OTT platform experience for Indonesia’s large population. Yet, such rapid growth isn’t straightforward. “The investor is no longer focusing on growth, but on the road to profitability,” Sutanto bemoans, referring to investors who may begin pressing for returns on their investment, thus restricting funds for expansion in a barelytapped market. Despite this, Sutanto describes SCM’s path forward as “bullish” and remains confident in their ability to come out ahead. All it takes, perhaps, is more deliberate resource management. One non-negotiable area is their agility. According to Sutanto, their audience share for the past year has risen from 25% to almost 38%. Unfortunately, their market share of advertising has not grown as much. Sutanto attributes this to the shrinking TV 42

market and expanding venues for advertising. That, Sutanto stresses, demands room in your budget to invest in OTT platforms like Vidio that allow a shift from the stagnating conventional FTV TV to the growing video streaming market. Even Sutanto himself is not exempted from having to make drastic changes. He describes his role changing from a split between content selection and monetisation to one that emphasizes content selection and aggressively securing good content. “It keeps on changing,” Sutanto shares, referring to the market trends that shape his role.

More Then 100+ Hind | Tamil | Telugu | Kannada

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IMDA’S $30 MILLION INTERNATIONAL CO-PRODUCTION FUND TO HELP SINGAPORE STORIES REACH A GLOBAL AUDIENCE “Unity is strength,” said Justin Ang, Assistant Chief Executive of Infocomm Media Development Authority (IMDA). To that end, IMDA will focus on the “amplification of Singapore content and enterprises on international platforms”, with an eye towards “better visibility and discoverability”.

WITH THE EVOLUTION OF FINANCING MODELS AND A DECLINING NUMBER OF COMMISSIONS, CO-PRODUCTIONS ARE INCREASINGLY BECOMING THE MODUS OPERANDI FOR MEDIA COMPANIES. There are now more co-productions with financing and IP sharing between coproduction partners, as opposed to the older financial model of OTTs owning and paying for full IP. “Singapore is no stranger to this model,” noted Justin, as the country has been “acknowledged as the first SEA country to support coproductions.” To that end, IMDA will support enterprises with resources in IP development. “Our most recent announcement of a $30 million international co-production fund empowers Singapore media companies to go global,” stated Justin. “[We can] bring more stories with a Singapore flavour that will also appeal to a wider audience.”

opportunities are important in helping companies produce high quality content that has the potential to be acquired for foreign remake or for global markets, such as Last Madame. Projects also look towards other sources of funding to spread risk and bring in more value, observed Justin. “We are also investing efforts in enabling our companies to extend IP to other forms of media,” he shared, such as “from games to mainstream media and vice versa.” This will help companies grow more revenue streams, which has the knock-on effect of fueling the growth of their businesses. There has also been greater creativity when it comes to distribution platforms. “Proof point: Minibods went directly to Youtube rather than to mainstream OTT,” said Justin of the animated series. Financed by Mediacorp, the Moonbug Entertainment series is a spinoff of Oddbods, but geared towards preschoolers. IMDA will maintain its focus areas in ideation (such as the creation of new IPs) and capability development, with an eye towards upholding Singapore’s reputation for quality media services in the global digital economy.

Thankfully, Singapore talents are highly sought after as collaborators. Justin mentioned international successes such as Inside the Yellow Cocoon, Tiger Stripes, The Breaking Ice, and Falling into You as being part of Singapore’s track record of successful IPs. International partners also look to Singapore for joint collaborations, such as the Taiwan Creative Content Agency and the Film Development Council of the Philippines. “IMDA’s support helps to ensure that Singaporean storytellers can tell their stories to the world,” Justin said, and they have “curated match-making opportunities for businesses to come together”. Such 44

Justin Ang Assistant Chief Executive IMDA

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HORROR AS A GENRE IS HAVING ITS MOMENT, WITH FILMS RANGING FROM MICROBUDGET FARE TO BLOCKBUSTER SEQUELS PROVING TO BE FINANCIAL SUCCESSES. Sharing first hand success, Devin Carter, SVP (Sales & International Distribution) of Los Angeles-based production, financing, and sales company Premiere Entertainment Group (PEG), attributes its triumph to the resonance of its branded horror. Carter is leading the charge at ATF with pre-sale titles such as Sleeping Beauty’s Massacre and Inside Job, promising a thrilling line-up. More recently, the company had secured robust pre-sales on the upcoming slasher horror, Peter Pan’s Neverland Nightmare from the producers behind this year’s hit Winnie The Pooh: Blood And Honey. Carter articulates PEG’s strategy to maximise film distribution while ensuring fiscal prudence for investors. “(The goal is) to generate new deals with either new or existing companies who we’ve worked with in the past, and expand our revenue streams,” he said, underscoring PEG’s remarkable track record of over 150 films acquired or produced since 2012. At ATF, Carter will introduce PEG’s latest acquisition, Plan B by debutant filmmaker, Brandon Tamburri. The story involves a young woman’s one night stand with her awkward neighbour that leaves her pregnant and how she hoodwinks a successful businessman into thinking that he is the father of her unborn baby.

Devin Carter SVP, Sales & Int’l Distribution Premiere Entertainment Group

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100 MILLION VIEWS AND COUNTING

Since its inception in 2019, PunToon Kids has been creating content in fun learning and storytelling categories for 2 to 12-year-old kids, with a primary focus on 4 to 10-year-olds. PunToon Kids’ vision is to provide well-rounded videos that appeal to a broad audience by following current market trends and creating meaningful authentic content in multiple languages. Their extensive library of storytelling videos (300 eps x 6–8’), and fun learning videos (100 eps x 4’) are currently available in Hindi, English, Spanish and six other Indian languages, with all other languages rights being available globally. In addition, efforts are currently underway to dub their content in French, Arabic, Bahasa and Portuguese to expand the IPs’ global presence.

THE YARDSTICKS THAT PUNTOON KIDS USES TO MEASURE ITS SUCCESS ARE VIEWERSHIP NUMBERS, NEW PLATFORMS THAT ADOPT THEIR CONTENT, AND THE IMPACT OF THEIR CONTENT ON VIEWERS– CURRENTLY BOASTING OVER 100 MILLION MONTHLY VIEWS IN 2023 SO FAR. Sourabh Kumar, CEO & Founder of PunToon Kids shares what makes their content so well-received, “It’s storytelling based on the realistic day-to-day lives of kids, relatable and endearing characters, and the high quality of animation, music and voiceover. The content is always well-researched, which is why the videos have worldwide appeal.” The company sees ATF as an important platform to learn about new technologies, avenues and distribution channels to connect with audiences through their content, and work with industry experts to enhance the visibility, impact and commercial success of their content in new territories.

Sourabh Kumar CEO & Founder PunToon Kids 46

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ANIMATIONS THAT ENTERTAIN & EDUCATE As a content specialist in the space of preschool and kids edutainment for over 30 years, Agogo Animation’s deep specialisation has helped it grow its brand identity in the edutainment space. Within this genre,

THE COMPANY PRODUCES AND ACQUIRES DIVERSE NEW CONTENT EVERY YEAR TO MATCH THE DIFFERENT PREFERENCES AND INTERESTS OF VIEWERS,

and merchandise strategy that generates monetization opportunities for all stakeholders. An upcoming development at Agogo is the adaptation of the popular Chinese audiobook Uncle Dayou into a multi-season animated series, a co-production effort with its Chinese creators. The edutainment

so buyers can license them for specific target audiences. It continually engages effort in refreshing old topics and concepts by introducing innovative and fun content.

series for preschoolers will be called Mr Big Elly – STEAM Island and will be completed in 2024. It follows the adventures of Mr Big Elly, a smart and kind elephant who loves science, technology, engineering, arts and math, and his two young intellectually inquisitive friends, Joy and Dika. They explore an island, learn about why things happen, and how things work. This alongside learning about friendship, diversity and inclusiveness.

Steven Ching Founder Agogo Animation

Michael Koh and Steven Ching, Founders of Agogo Animation, say, “Our content needs to be popular not just with the children; it also needs to fulfill parents’ constant and invariable need to educate and entertain their children.”

Michael Koh Founder Agogo Animation

In addition to media content distribution and licensing, the company also has a toy

MEDIA AS MEDICINE “Music heals. Can a web series cure?” That is a question Curedemy wants ATF attendees to ponder upon.

suffering and developed techniques and processes to reverse the suffering. Our system has proven effective for several thousands of people over the years.”

CUREDEMY IS A first web series is on Sleep. 660 PRODUCTION HOUSE WITH Curedemy’s minutes long, it was developed in virtual environment using UNREAL engine and META AMBITIONS TO DISRUPT with VFX. The series explores how THE DIGITAL CONTENT AND HUMAN sleep relates to health and well-being from both scientific and spiritual perspectives. PUBLISHING INDUSTRY. Curedemy’s vision is to produce engaging, visually appealing and educational web series content that can become a tool for diagnosis, prevention and cure for various forms of suffering. Such content will be ageless, for so long as those forms of suffering persist. A health and well-being company, Curedemy has evolved into becoming a production house with the aim of converting their insightful content into relevant film and web series. Hem Khosla, Founding Member of Curedemy, elaborates, “We have a track record of 14 years of deep research in health and well-being, where we demystified the causes of various

With sleep being a 585-billion-dollar industry, Curedemy believes this web series will be relatable across cultures. In the pipeline are 21 new projects, including the feature film Taashi, a story that traces a young woman’s journey in the exploration of female sexuality. Intrigued? Curedemy is looking forward to meeting with publishers, distributors, and stakeholders who are keen to join their revolutionary journey to bridge health and well-being with media, so be sure to make a pitstop at their booth!

Hem Khosla Founding Member Curedemy

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TURKISH DRAMA EXPAND FOOTPRINT WITH NEW VOD PLATFORM

Renowned for their prestige worldwide, Turkish dramas have become a major export, second only to the USA. In this arena, the Turkish Radio and Television Corporation (TRT) has emerged as a powerhouse of global content provider, with Turkish dramas leading the way. Looking to solidify their position,

TRT IS PUSHING THE CREATIVE BOUNDARIES AND EXPLORING INNOVATIVE FORMATS WITH PLANS FOR AT LEAST THREE NEW PRIME-TIME SHOWS AND THE LAUNCH OF A NEW DIGITAL STREAMING PLATFORM — TABII.

ATF ATF 2023 2021 D E C hybrid 7edition

Mustafa Ilbeyli Director Of Advertising & Sales Turkish Radio and Television Corporation (TRT)

TRT’s dramas, notably those from the Turkish series, have consistently topped weekly prime-time ratings, captivating audiences both domestically and internationally. The winning combination of top-notch production quality and compelling narratives has not only garnered attention, but also sealed successful deals and partnerships. Mustafa Ilbeyli, Director Of Advertising & Sales of TRT, acknowledges the success of dramas in numerous markets, but qualifies that localisation is key to making a standout title. “We understand the importance of adapting our content strategy to suit the nuances of different regions. We have observed that dramas have performed exceptionally well, and we continually tailor our approach to ensure their success in diverse markets,” he explains.

This year, TRT is set to captivate ATF attendees with Saladin the Conqueror of Jerusalem, a highly anticipated historical drama that promises to transport viewers into the Originally starting in five languages: Turkish, world of Saladin Ayyubi, English, Spanish, Urdu and Arabic in 25 countries, a historical figure who TRT aims to make the platform available in more liberated Jerusalem than 100 countries and is on the lookout for centuries ago. global partners to collaborate with.

LEVERAGING THE TIMELESS APPEAL OF SPANISH IP In an insightful exchange with Jesus Iriepar, International Sales Executive of Caracol Televisión, discusses the enduring appeal of Spanish dramas and shares how it transcends cultural boundaries, finding a warm reception in diverse markets. Notably, the company’s slate of historical and detective genres such as Bolivar, Las Villamizar, and Entre Sombras, have struck a chord with audiences globally for their universal storytelling charm, skilled actors, and consistently high technical quality. Jesus attributes the company’s winning formula to its track record of

Jesus Iriepar International Sales Executive Caracol Television 48

that would appeal to today’s consumers. He cites the success of titles like Pablo Escobar, The Drug Lord, the first Spanish-language series to be made available on iTunes in 2015, and remarkably, has maintained its position as the number one title on channels and SVOD services worldwide for over a decade. The enduring popularity of the series eventually gave rise to the creation of an entirely new genre Narco, developed by Caracol Televisión. At ATF, the company introduces two captivating additions to their repertoire; The Price of Glory Ventino promises to deliver a riveting tale of intertwined destinies, while Power Romina Romina adds a contemporary twist with a storyline involving twin sisters seeking justice.

RECREATING UNIVERSES FROM RECOGNISED & CHERISHED IP & PACKAGING Looking forward, Jesus reaffirms the company’s commitment to fostering strong relationships THEM IN INNOVATIVE with their Asian partners, adding that buyers can anticipate more of the distinctive storytelling STORYTELLING FORMATS

that has made Spanish dramas a global favourite.

CHARTING THE COURSE FOR CANADA-ASIA PARTNERSHIPS Government agencies play a crucial role in promoting local film industries and fostering collaborations with international partners. Their involvement extends beyond mere financial support, encompassing various aspects that contribute to the growth and global recognition of the local film sector. Embarking on a mission that transcends borders, Creative BC, a government-supported organisation in British Columbia, Canada, is

ARMED WITH A CLEAR MANDATE TO CULTIVATE CO-PRODUCTION TIES BETWEEN ASIA AND CANADA. The organisation is teaming up with Telefilm Canada, the Canadian Media Producers Association, and the Canadian Media Fun, to foster partnerships and explore the potential for a larger Canadian delegation at ATF in 2024. The organisation has lined up over a dozen meetings with media companies and associations, laying the groundwork for potential collaborations. Robert Wong, Vice President of Creative BC, Canada, points out that British Columbia boasts a 35% Asian-Canadian population and strategic time zone advantages, which is conducive for cultural exchanges and collaborative productions. “ATF provides a great gateway to multiple Asian countries that we would love to work with,” said Robert, who is attending the market for the first time. “We are very hopeful for increased partnerships with Asian countries and Canada given our long and rich Asian-Canadian heritage. We hope our future partners will equally see the endless possibilities of global stories that we could create together,” he added.

FEATURE EXPANDING GLOBAL FOOTPRINT THROUGH CO-PRODUCTIONS

In the fiercely competitive landscape of television, the enduring adage ‘the customer is king’ serves as the cornerstone of Dangal TV’s rapid growth and success in India.

“UNDERSTANDING AUDIENCE PREFERENCES, WE CRAFT TIGHTLYKNIT, COMPLETE STORIES, NOT HESITATING TO CLOSE NARRATIVES WHEN NECESSARY. This approach aligns with our vision of creating content that resonates globally,” says Akshat Singhal, Director of Dangal TV. He explains that by actively evolving intellectual property through coproductions, the company has been able to produce a range of highquality, diverse, and culturally rich programming. This dynamic approach allows the channel to curate a diverse portfolio of high-quality, culturally rich programming. The result is a content library that stands out in the market, attracting buyers who are constantly in search of fresh and dynamic content with international appeal. As the company sets its sights on expanding its global footprint, recent initiatives speak volumes about its ambition. The launch of four new shows and an upcoming OTT offering, Dangal Play, in collaboration with CTV and Telecom partners, are parts of a strategic move to make Indian content accessible to audiences worldwide. “These strategic shifts are designed not only to maintain our status as India’s top TV channel, but also to evolve with the changing media landscape, ensuring our content remains relevant and engaging worldwide,” adds Akshat.

Akshat Singhal Director Dangal TV

Robert Wong Vice President Creative BC

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FEATURE

ATF ATF 2023 2021 D E C hybrid 7edition

GENRE DIVERSITY PROPEL CHINESE DRAMAS WORLDWIDE Chinese dramas, celebrated for their diverse genres, have achieved remarkable success on the international stage. Ashlee Xiao, International Business Manager of Youhug Media, China, notes the widespread acclaim for genres like costume idol dramas, costume martial arts dramas, and urban idol dramas. According to her,

GENRE SIGNIFICANTLY INFLUENCES CONTENT SALES SUCCESS, ACTING AS A CRUCIAL FACTOR IN THE GLOBAL RECEPTION OF CHINESE DRAMAS. While not the sole determinant, the strategic curation of genres plays a pivotal role in capturing diverse audiences worldwide. Extending beyond conventional boundaries, the company has monetised intellectual property across various media platforms, allowing for pollination across genres and formats. Examples include adapting Crossfire,

a series of tactical first-person shooter games, into an e-sports drama and the in-development of League of Legends. Ashlee attributes success to a combination of factors, from creating differentiation of content that allows the company to stand out in the market, to having a strong creative vision and a highly capable team steering the productions. Beyond their current successes and strategic adaptations, Youhug Media’s commitment to genre diversity is evident in their approach to content and their showcase at ATF. The exciting projects in development, including League of Legends, Panda & Me, and the highly anticipated Wuxia masterpiece series, Jin Yong Wuxia Universe, reflect a dedication to capturing diverse audience interests.

TRANSFORMING WITH TECH

As a web and mobile app development company, Alphanso Technology are architects of immersive digital experiences, where cutting-edge innovation is weaved into every facet of their solutions.

Gaurav Kanabar, CEO at Alphanso Technology, says, “In essence, our approach to content creation reflects a forward-thinking and adaptive mindset. We are excited about contributing to the ever-evolving media and entertainment industry with innovative solutions that cater to the dynamic needs of our audience. Our main goals at ATF are to network with industry professionals, explore partnerships, and showcase our latest content offerings. We aim to establish meaningful connections and discuss collaboration opportunities.”

THEIR STRATEGIC FOCUS ON OTT PLATFORMS UNDERSCORES THEIR COMMITMENT TO HELPING BUSINESSES MONETIZE 50

their streaming video and audio content effectively. By offering comprehensive strategies such as AVOD, TVOD, SVOD and more, they provide flexible tailored solutions that align with the evolving preferences of digital content consumers. Existing and potential partners will be interested to learn that Alphanso Tech has been working on enhancing production processes for faster, more efficient and streamlined content delivery, as well as expanding distribution channels for its diversified content portfolio to reach a broader audience. It has also partnered with NVIDIA and AWS to develop innovative technology solutions for media and entertainment industries.

Gaurav Kanabar CEO Alphanso Technology

Ashlee Xiao International Business Manager Youhug Media

FEATURE Wallace Chang Vice General Manager Muse Communication

GLOBAL ANIME RENAISSANCE UNLOCKS BUSINESS OPPORTUNITIES The dynamic anime landscape has witnessed a remarkable surge in popularity, with the global anime market size valued at over US$40 million in 2022. Research film, Intellect Insights Journal, projects that the market will reach over an impressive US$65 million by 2028. In response to this global anime renaissance, Muse, a distributor of Japanese anime in Asia, is doubling down its marketing on both business and consumer fronts to drive awareness of its slate, with its sights set on Asia. Between October 2023 and January 2024, the company has brought around 40 popular and high-quality simultaneous releases of Japanese anime, such as Spy Family Season 2, Frieren: Beyond Journey’s End, and Classroom of the Elite Season 3, to the Asian market. Wallace Chang, Vice General Manager of Muse Communication, shared that at the heart of Muse’s strategy lies a two-fold commitment – providing exemplary service and enhancing marketing promotion.

THIS APPROACH NOT ONLY ALIGNS WITH THE GLOBAL APPRECIATION FOR ANIME BUT INVOLVES MONETISATION THROUGH IP LICENSING AND MERCHANDISING,

On the lookout for new partnerships at ATF, Wallace added, “(We will) delve deeper into the anime market, strategically manage global fanbases, and optimise our localisation services. Through these efforts, we aim to create significant value and success with our collaborative partners.”

in addition to maximising distribution touchpoints. 51

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ATF ATF 2023 2021 D E C hybrid 7edition

DRAMA | Sci-Fi / Fantasy

ANIMATION | Teens (Ages 13 & UP)

909

BLUE MIBURO (青のミブロ)

In the realm of our Sci-Fi/Fantasy series, imagination emerges as the most coveted treasure for humanity. Yet, this invaluable asset is perilously discarded daily, falling victim to an unexpected adversary – Our Future Selves. In a cosmic war on imagination, our creative potential faces annihilation, orchestrated by the very entities that should propel us towards boundless horizons. As our future selves become the unwitting antagonists, the battle unfolds within, where the essence of our imaginative prowess clashes with the constraints imposed by evolving aspirations, shaping the destiny of fantastical worlds.

In 1863, during Japan’s twilight shogunate era, Nio, an orphan fuelled by a passion for justice, confronts the nation’s violent upheaval. Crossing paths with Hijikata Toshizo and Okita Souji, pivotal figures in the impending revolution, Nio joins the despised ronin group, Miburo, later known as the Shinsengumi. The nation’s turmoil mirrors Nio’s internal struggle to define justice amid brutal truths, as he embarks on a journey to shape a world aligned with his ideals.

COMPANY: THE WHITE RABBIT ENTERTAINMENT INC.

COMPANY: MAHO FILM CO., LTD

13 EPS X 45’

DRAMA | Series

SHIV SHAKTI Viewed through Shiv Shakti’s perspective, the narrative unfolds a couple’s dramatic odyssey encompassing love, duty, and sacrifice, highlighting the transformative impact they have on each other. The storyline delves into the essence of their efforts and celebrations, offering insights into the reasons behind the association of Shiv with the archetype of the ultimate husband and Shakti as the exemplar of a woman who triumphs in love through her unwavering intensity. COMPANY: INDIACAST MEDIA DISTRIBUTION PVT LTD

DRAMA | Drama

PRE-SALES DOCS & FACTUAL | Current Affairs

MY LOVELY JOURNEY

MH370: MISSING

10 EPS X 50’

6 EPS X 26’ / 3 EPS X 52’

Yeo-reum, a travel show reporter, tirelessly strives to please her boss and colleagues, often at her expense. Formerly an idol group member, her dreams shattered after the group’s disbandment. However, Yeo-reum remains hopeful that she would someday achieve the same success as her ex-bandmates. When a mysterious letter from the U.S. offers her a transformative chance to travel on behalf of the writer, Yeo-reum takes a leap of faith into a journey of self-discovery and new beginnings.

The disappearance of Malaysia Airlines Flight 370 is a complete mystery, both horrifying and fascinating. Seven years after the disaster, faced with the absence of any plausible explanation and the fear of the unknown, the human mind continues to search for answers. Each hypothesis is intellectually relevant, yet none completely solve the mystery. The investigation features witnesses who have never spoken publicly until now...

COMPANY: LIAN CONTENTS

COMPANY: FEDERATION STUDIOS

DRAMA | Series

NEERJA

130+ HRS

Born in Sonagachi, Asia’s largest brothel infamous for sin and debauchery, Neerja faces a stark contrast to a normal childhood. Her mother, a prostitute, battles to shield her from the societal disdain and the pervasive lust that plagues their community. Despite economic struggles, her mother prioritises Neerja’s education, hoping to break the cycle of fate common to girls born in Sonagachi. COMPANY: INDIACAST MEDIA DISTRIBUTION PVT LTD

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NEW IPs

ATF ATF 2023 2021 D E C hybrid 7edition

LIVE-ACTION | Kids (ages 7 & up)

DRAMA | Feature Film

LITTLE GHOST HUNTER

MR-9: DO OR DIE

Meet Rafi, Chacha, and Zidan, the Anak Penangkap Hantu (Ghost Hunter Kids). Tasked with aiding Gita, a girl residing in a secluded village plagued by drought and haunted by ‘forest spirits,’ the trio delves into the mystery. Initially attributing strange occurrences to human actions, they soon face inexplicable supernatural disturbances. As they seek to unravel the enigma of the ‘forest spirits’ and the apparent paranormal forces at play, Rafi, Chacha, and Zidan find themselves entangled in a chilling journey beyond the realm of the ordinary.”

Masud Rana is a Secret Agent with a code name, MR-9 of the Bangladesh Counterintelligence Agency. For over 55 years, he has appeared in the widely popular novels written by Qazi Anwar Husain, with over 550 novels published in the series to date by his publishing company, Sheba Prokashoni. This film is adapted from the original first novel, Masud Rana: Dhonghsho Pahar (Demolition Hill).

COMPANY: PT MNC DIGITAL ENTERTAINMENT TBK – MNC

COMPANY: PREMIERE ENTERTAINMENT GROUP

DRAMA | Series

FRENCH ROULETTE

4 EPS X 52’

French Riviera, the 1970s. Renée le Roux, owner of the casino Le Palais de la Méditerranée, is being bullied by her rival, Jean-Dominique Fratoni. Her daughter Agnès gets caught up in this battle: coerced by her lover, Maurice Agnelet, Agnès sells her shares in the family casino to Fratoni. A few months later, she goes missing. There is no doubt in Renée’s mind that Maurice Agnelet killed her daughter. And so begins a mother’s 37-year long battle to reveal the truth surrounding her daughter’s disappearance. COMPANY: FRANCE TV DISTRIBUTION

DRAMA | Miniseries

KEEPING MUM

6 EPS X 45’

Single mother Yi-an independently raises her fraternal twins, Cassy, and Lily. Cassy, sweet and likable, becomes the linchpin of Yi-an’s successful influencer career. Meanwhile, Lily, often overlooked due to her cleft lip, struggles with shyness. When Yi-an’s popularity diminishes, she orchestrates a controversial “Cassy is missing” plot to reclaim attention, unsettling Lily. The trio’s relationship confronts its most significant challenge, testing the bonds between mother and daughters as they navigate the complexities of fame, image, and familial dynamics. COMPANY: GOOD IMAGE CO., LTD.

DRAMA | Historical Period Drama

BEGUINAS (BEGUINES)

10 EPS X 50’

SET IN 1559, Lucia de Avellaneda celebrates her engagement party with the Marquess of Peñarrosa, a nobleman chosen by her brother who, with this marriage, will reinforce the financial and social status of the family. In the middle of the celebration, Lucia receives an unexpected letter from a woman who claims to be her mother on her deathbed. This prompts Lucia to travel to Beguinage, opening herself to possibilities of a new world. COMPANY: ATRESMEDIA TV

DOCS & FACTUAL | Lifestyle

RAPIDS OF TAIWAN

12 EPS X 13’ / 6 EPS X 26’

Brazilian adventurer Pedro Oliva, renowned for holding the world record in white-water kayaking, embarks on a new odyssey in Taiwan. Drawn by the island’s distinctive geography and formidable white-water challenges, Pedro decides to explore its rivers. Alongside a local professional kayaker with dreams of conquering over a hundred rapids, Pedro’s journey unfolds against Taiwan’s breath-taking waterscapes. The series captures the diverse spirit of these kayakers, showcasing their indomitable passion as they navigate the island’s unique and challenging waterways. COMPANY: MADA IDEAS COMPANY INC.

NEW IPS

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NEW IPs

FORMATS/ NON-SCRIPTED | Reality Show / Scripted Reality

THE LOST ONES Ten ordinary individuals are thrust into a remote wilderness, tasked with the ultimate challenge of striving to locate one another, and claim a substantial cash prize. Success demands not only personal survival but also the welfare of their fellow participants as they navigate a psychological game that tests their limits. To secure the highest prize, they must unite, ensuring each other’s safety, and escape the wilderness within the allotted time. The series unfolds as a gripping journey of teamwork, strategy, and personal endurance. COMPANY: FREMANTLEMEDIA ASIA PTE LTD

DRAMA | Historical Period

ZERO DAY Featuring a collaboration of ten award-winning directors and screenwriters, this ambitious project explores the diverse facets of Taiwan’s internal dynamics, offering a nuanced interpretations of Taiwan’s enduring encounter with Chinese red infiltration. Through the lens of each storyteller, this project aspires to weave a rich tapestry of narratives that illuminate the complexities, challenges, and resilience of Taiwan’s socio-political landscape, providing audiences with a deeper understanding of the intricate relationship between the island and the spectre of Chinese influence. COMPANY: ZERODAY CULTURAL AND CREATIVE

DRAMA | Crime | Suspense | Action

TWIST

8 EPS X 45’ Winn, a police officer is a victim of identity theft until he was accused of serial killing! The actual murderer is discovered to be the police hunting him! Winn needs to fight to take back his life and love. COMPANY: TRUE CJ

ATF ATF 2023 2021 D E C hybrid 6edition

ERINYES 12X45'

CRUSADE

13X45'

5X50'

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EXISTING IPs FORMATS / NON-SCRIPTED ENTERTAINMENT | Reality Show / Scripted Reality

STILL ALIVE

ATF ATF 2023 2021 D E C hybrid 7edition

DRAMA | Family

MISS GRANNY

2 EPS X 60’ (PILOT) 12 EPS X 60’

Ten challengers converge in a mysterious mansion, vying for the coveted prize, but there is a catch – no one knows the elusive hidden rule. With puzzle-like twists, contestants must navigate clueless or clued strategies to outwit others. A blend of wit, humour, and light-hearted treachery, this game show offers a thrilling and entertaining curve, ensuring the last one standing triumphs in a game that defies expectations.

In the series adaptation of the 2014 film ‘Miss Granny,’ Mal-soon, an elderly woman in her 70s, undergoes a transformative experience after taking a photograph, emerging as her 20-year-old self. As she grapples with the challenges of pursuing her dreams and navigating the complexities of love in her rejuvenated form, ‘Miss Granny’ intricately unfolds Mal-soon’s quest for happiness and self-discovery of a woman who finds herself in the unexpected embrace of youth.

COMPANY: SOMETHING SPECIAL

COMPANY: STUDIO V PLUS

ANIMATION | Kids (Ages 7 & up)

RUNES

26 EPS X 22’ In 11th-century Normandy, young William, destined for the titles of Duke of Normandy and King of England, faces imminent threats to his claim after his father’s demise. Adopting the alias Hugo, he seeks refuge with a peasant family to evade those plotting against him. Amidst the challenges of living incognito, William stumbles upon the Cave of Baligan. Within its Runes lie the secrets of Norman and Viking legends, unveiling a mystical dimension that intertwines with his destiny. COMPANY: PRIME ENTERTAINMENT GROUP

EXISTING IPs

ANIMATED FEATURE FILM | Teens (Ages 13 & up)

DRAMA | Thriller

GHOST OF THE DARK PATH

THE CONFESSION

Set against the backdrop of repressive rule, Shi Shuifang, a courageous leader of an underground political group, captivates Agent Seven, a secret policeman surveilling reformists. Witnessing her brutal assault during a mass arrest, he intervenes, killing his colleague, allowing her escape. As Agent Seven pursues her, he becomes entangled in a web of love, sacrifice, and duty.

A Catholic priest faces accusations of murdering a woman. As evidence mounts, he cryptically alludes to withheld confessional secrets, prompting a journalist’s frantic quest for the truth. A gripping narrative of suspense, justice, and morality unfolds, delving into the complexities of truth and trust, and the ethical implications that shape the course of this chilling tale.

COMPANY: TAIWAN PUBLIC TELEVISION SERVICE FOUNDATION

COMPANY: NH STUDIOZ LLP

DOCS & FACTUAL | Lifestyle

VOA 52 DOCUMENTARY 52 Documentary is a documentary series that connects you with the global community through human interest stories. These vital films will take you to new places with compelling visuals and brilliant storytelling, empowering you with new ways of engaging with the world. COMPANY: U.S. AGENCY FOR GLOBAL MEDIA

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EXISTING IPs DRAMA | BL Romantic Drama, Fantasy

TIME THE SERIES

ATF ATF 2023 2021 D E C hybrid 7edition

FORMATS / NON-SCRIPTED ENTERTAINMENT | Reality Show / Scripted Reality

10 X 45’

STRANDED ON HONEYMOON ISLAND

Renowned young actor, Foam wakes to devastating news when his exlover, Chris, faces police extradition for a crime the latter did not commit. Fate intervenes when a mysterious man bestows a time-traveling clock to Foam, granting him with a rare opportunity to rectify past mistakes. As Foam grapples with the power of time, the clock becomes his key to altering the past and potentially saving a life.

In this adventure dating format, four couples are stranded on an island with minimal resources. As they face the challenges of survival, their bonds are tested in the process, strengthening their connection and at times, driving them apart. After two weeks, the couples must decide – renew their commitment or part ways.

COMPANY: ARAIT MULTIMEDIA S.A

COMPANY: RED ARROW STUDIOS INTERNATIONAL GMBH

ANIMATION | Pre-School

GO GO DINO SEASON 9

26 EPS X 14’

The upgraded Dinosaur Museum returns with new members; Bobbi, Bibi, and Boo, and the kids; Andy, Joy, and Lucas. Together, the flock join Go Go Dinos on a journey to Ururu Planet. Exploring first-hand, they collect missing information about dinosaur fossils, learning extensively about these ancient creatures that once roamed in the land before time. COMPANY: GUANGZHOU LOTTA ANIMATION DESIGN CO., LTD.

ANIMATION | Kids (ages 7 & up)

EXISTING IPs

BUGSBOT IGNITION

DRAMA | Family

LIVE YOUR OWN LIFE

26 EPS X 22’

50 EPS × 70’

The top-rated ‘Bugsbot Ignition’ returns with its young protagonists embarking on heroic adventures to rescue forests alongside their insectshaped robot companion, Bugsbot. Together, the heroes and Bugsbot embark on thrilling escapades, facing challenges and adversaries as they strive to safeguard the natural world.

Hyosim is an unwavering fitness trainer, tirelessly catering to even the rudest clients. Things change when she is assigned to train Taeho and develops a bond with him. When her family discovers Taeho’s affluent background, they add further complications, making it challenging for Hyosim to navigate her newfound happiness amidst societal expectations and financial disparities.

COMPANY: COCKTAIL MEDIA CORP.

COMPANY: KBS MEDIA

ANIMATION | Pre-School

VEGESAURS Embark on a prehistoric adventure in an era ruled by flavourful creatures known as the Vegesaurs. In each episode, Ginger, the youthful Tricarrotops, and the adorable PeaRex babies, explore relatable themes for upper pre-schoolers such as meal times, sharing, and friendship. Arriving in the summer of 2024, the series promises of basket of delightful escapades with these veggie-filled dynamos. COMPANY: STUDIO100 MEDIA

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EXISTING IPs

D E C hybrid 7edition

DRAMA | Sci-Fi / Fantasy

DOCS & FACTUAL | Adventures & Travel

OUR MIDNIGHT SCARY TALES (夜半十一點學校見)

DISCOVER THE BEAUTY OF TAIWAN: EXTREME TAIWAN

Zhang Yi-Cheng possesses the ‘Yin Yang Vision,’ allowing him to see ghosts – an ability that he tries hard to conceal. His life takes a turn when his path intertwines with a ghost while exploring a haunted bus that is linked to a tragic bridge accident. Told through seven poignant tales, each story crafts a heart-wrenching narrative of love against the backdrop of supernatural encounters.

Four young professionals, together with Taiwan’s famous artists and extreme experts from various fields, will embark on an island exploration journey with no restrictions, be it the height of mountains or the depth of the ocean, hoping to show the true charm of Taiwan to the world. Through photographs from the program, the world will be able to witness the true beauty of Taiwan’s mountains and seas, as captured by the camera crew.

COMPANY: THREE-GIANT PRODUCTION CO.LTD.

COMPANY: SANLIH E-TELEVISION CO.,LTD

DOCS & FACTUAL | Reality/ Factual

LET’S DEBATE This is the first real-life debate program in Taiwan. The participants are divided into red and blue (pros and cons) teams. Each team consists of a team leader, two coaches, and 7—9 celebrity debaters. They will compete in various stages of debate on the theme. A panel of judges will be invited to provide professional and humorous insights and analysis for each battle. COMPANY: SANLIH E-TELEVISION CO., LTD

DRAMA | Action / Adventure

EXISTING IPs DRAMA | Romance

ZORRO

VIP ONLY

In the year 1834, Los Angeles, California witnesses the demise of the masked avenger, Zorro, engulfed in flames after a valiant battle. With Zorro’s fall, the people lose their sole beacon of justice. Yet, Zorro transcends individuality; he is more than a man – he is a symbol, an enduring emblem of hope that persists beyond the flames, ready to inspire a new chapter of justice and courage.

At his whimsically retro restaurant, Gu Jing opens shop whenever the mood strikes, yet eager customers swiftly claim tables. Among them is Liu Li, a writer of gay-themed novels, perpetually securing the quietest spot. Gu Jing, observing this pattern, begins a unique tradition – sending Liu Li a bowl of beef noodles. Through this gesture, Liu Li slowly form a deeper connection with Gu Jing, prompting introspection and unexpected revelations about love and resilience.

COMPANY: MEDIAWAN RIGHTS

COMPANY: VIDOL

10 EPS X 52’

DOCS & FACTUAL | Science & Knowledge

LIFT THE ICE We have long suspected that our cryosphere is hiding world changing scientific discoveries, historical mysteries, precious resources, rare viruses, and even the key to the search for life elsewhere in the universe. But we’ve never been able to see all this—until now. These secrets are melting, and a new world is emerging that will change our lives forever. COMPANY: BLUE ANT MEDIA

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EXISTING IPs DRAMA | Romance

TELL ME THAT YOU LOVE ME Jin-woo and Mo-eun, brought together by chance on Jeju Island, discover a mutual joy in offering and receiving assistance. Amidst their interactions, it is unclear whether Moeun’s concern stems from Jin-woo’s hearing impairment or if there is an underlying romantic interest in him. Despite the ambiguity, Mo-eun harbours a growing curiosity about Jin-woo. As their communication unfold gradually, the duo engage in delightful and meaningful conversation, transcending the boundaries of hearing ability. COMPANY: KT STUDIO GENIE

DRAMA | Series

BOUNDLESS

6 EPS X 45’

Setting sail 500 hundred years ago in pursuit of the mythical Spice Islands, 5 Spanish ships with 265 men, the voyage of Juan Sebastián Elcano and Ferdinand Magellan, would prove to be a critical junction in man’s perceptions of the world. Coming at the price of unimaginable suffering; starvation, death, punishing weather, mutinies and madness, this odyssey to the earth’s unknown ends, established that the world was, indeed, round, and the existence of an ocean route west. COMPANY: ZDF STUDIOS GMBH

DOCS & FACTUAL | Science & Knowledge

SPACE FACTORY Settling outside Earth has become our near future. Combining art and technology, architects are now designing homes that will be able to cater to and welcome the future of human colonies in the Universe. COMPANY: MEDIAWAN RIGHTS

ATF ATF 2023 2021 D E C hybrid 7edition

PRE-SALE INQUIRIES Mr. Gary Marenzi Marenzi & Associates gary@marenziassociates.com