The Art & Culture Magazine is a publication which will be produced every quarter and is centred around art and culture, both in Gibraltar and internationally.
Being the first edition to be published, the pages of this magazine will introduce you to the Art Space Contemporary Art Gallery, the artists whose work fills its bright white walls, and shed light on the power of creativity, as we uncover the hidden gems that exist in the art world today.
With a variety of articles, artist biographies, visual content and exclusive interviews with some of our favourite artists such as Christian Hook and Anna Briukhovetska, this first edition brings to light the Art Space portfolio, interesting reads about past and current concerns within the artworld, an introduction to some of our favourite art movements in history, and an insight to the faces behind the scenes.
In preparation for our first International Contemporary Art Fair in September 2024, this magazine will be widely distributed both online and in print, as we welcome you to advertise your business in the pages of our exclusive product, and in doing so, become a part of our journey to promote and foment the cultural sector.
As a high-end product created with passion and love, we strive for the magazine to be an interesting read, informative, approachable, academic and ultimately bring the works of our renowned contemporary artists to the global art stage.
With a variety of highly skilled feature writers and designers, the Art & Culture Magazine is full of promise, brimming with exciting reads as we carefully curate each and every page to stimulate, educate, and awaken, in-keeping with our vision and overall ethos. With a plethora of visual and literary surprises on the horizon, we eagerly anticipate sharing our content with you and filling the hearts of many through beauty and creativity.
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WHATSHISNAME
The intrigue and surprise of Sebastian Burdon
TONY HINCHLIFFE
Energy, exploration, creativity and escapism
SAMUEL THOMAS
Be truly engaged with the natural world
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56 66
NANA ARTAMONOVA
A Ukranian artist who uses art to bring goodness into people’s hearts
CHRISTIAN HOOK
A Gibraltarian artist who is inspired by his travels
ANNA BRIUKHOVETSKA
A Ukranian artist whos uses colour and contrast during turbulent times
PHOEBE NOBEL
From artist to princess
WHATSHISNAME Childhood Nostalgia with Sebastian Burdon
TONY HINCHLIFFE
Depicting the fluidity of movement
SAMUEL THOMAS An Electric Autumn
EDITOR’S NOTE
Tammy Levy
ABOUT THE ART FAIR At the Sunborn Yacht Hotel
THE ART OF IMPERFECTION The Kintsugi method
ABOUT OUR ARTISTS Featured at Art Space
VENICE BIENNIAL Celebrating the 60th Anniversary
POP ART Art of the 1950s
MICHELANGELO’S DAVID Unveiling the magnificence
LOCAL ART HUNT
Our must see gallery guide
ART AS THERAPY
Enriching people’s lives
LONDON BIENNIAL 23
Mark Purllant and the Sculpture Prize
MANAGING EDITOR
Tammy Levy tamara@theart.space
MAGAZINE DESIGNER
Emma Long Graphic Design emmadesign@btinternet.com emmadesign.co.uk
ART SPACE (+350) 200 17777 art@theart.space artspace.gi
LONDON ART SCENE
What’s on
AI ARTICLE
The digital renaissance
ABSTRACT EXPRESSIONISM
Stimulation amidst a crisis of faith
GUERRILLA ART
Unmasking the street art movement
MY ARTWORK BUCKET LIST
By Tammy our editor
THE ART OF NEGATIVE SPACE
The Japanese concept of ‘Ma’
FRIDA KAHLO Fight for resistance
WHAT IS CONTEMPORARY ART?
Mind over matter
MEET OUR TEAM
The people of Art Space
ARTICLE CONTRIBUTORS
All articles written by Tamara Levy with the exception of:
Guerrilla Art Unmasked by Kassidy Spight
The Art of Imperfection & The Art of Negative Space by Petra de Letras
The Digital Renaissance & Unveiling the Magnificence by Amber Williams
PHOTOGRAPHY
Artist photography supplied by the artists
Stock photography by Shutterstock, istock & Unsplash
Sunborn Yacht Hotel photography supplied by hotel
COVER IMAGE
Mermaid by Nana Artamonova
I would like to begin by thanking the team at Art Space. For the first time in my professional career, I have felt truly valued and supported in my work. I would like to thank Paul, Director of Art Space, for giving me this wonderful opportunity to create a magazine centred around art and culture, and for being a source of inspiration to me both personally and professionally. I would also like to thank Phoebe and Kassidy for being unparalleled sources of joy at the gallery and Ana for all her help with every task and challenge. I am blessed to be a part of such a great team and inspiring creative individuals who always bring their absolute best to the table every single day. This magazine would not be possible without all the hard work put in by us all.
As an Art-Historian and creative individual, I have sought to propel this magazine forward to the best of my ability, and take on this challenge with drive, heart and soul. As you turn the pages of this magazine, you will delve into a world of contemporary art and culture. Unlike any other gallery or museum in Gibraltar, Art Space is the first of its kind. A space for artists to showcase their talent and be recognised for their skill; what they know, not who they know, and serve as a refreshing platform for local and international talent.
You will get to know some of our favourite international artists whose artworks fill the walls of our gallery, read a variety of articles relating to different subjects within the art world, and gain access to exclusive interviews with our Art Space artists. You will also be able to scan QR codes for an interactive reading experience and be introduced to some of the greatest contemporary artists of our time.
Dearest reader I hope you enjoy the first edition of our Art Space magazine as much as I enjoyed creating it.
With love
Tammy Managing Editor tamara@theart.space
At Art Space we are proud to present Gibraltar’s first International Contemporary Art Fair at the Sunborn Yacht Hotel. Aligned with our vision, mission and values, we aim to welcome some of the most celebrated artists of our time to Art Space, whilst also giving the opportunity to Gibraltar’s local talent pool to exhibit their portfolio.
The Art Fair shall be taking place from August 27th to September 1st 2024 and will feature a variety of local and international artists peppered around every corner of the Aurora Ballroom.
With the aim of exhibiting the artworks in various layouts and designs, you will easily be able to access the different corners of the space in a fluid and interactive manner.
We shall be featuring a variety of scheduled events during the Art Fair, as well as a preliminary gala dinner for our sponsors hosted by the Sunborn Yacht Hotel.
The Art Fair can be accessed at no charge for locals with an ID card, and entrance fee proceeds shall be going towards the education of early learners.
The Art Fair shall provide the space for you to not only enjoy admiring the art, but to be enveloped in the space and become a part of it.
Whatshisname (Sebastian Burdon) is one of the most ironic names out there for an artist.
Scan here to find out more about Whatshisname (Sebastian Burdon).
With his Giclée artworks and sculptures that intrigue and surprise, Sebastian Burdon has taken over the global art stage by storm. Specialising in sculptures, prints and public art projects, Burdon’s contemporary art pieces have gained popularity in major cities such as London, New York, Los Angeles, Hong Kong and Singapore. His art is characterised by playfulness and exudes a tongue-in-cheek provocative attitude in a pop-inspired style which has been pleasantly received with much acclaim.
My work aims to show the unusual way of creative thinking by connecting the dots that already exist but have not yet been connected. The ideas that on the surface seem simple, but have never been executed before.
“ “
Kintsugi (Japanese: 金継ぎ “golden joinery”), also known as kintsukuroi (金繕い, “golden repair”),
is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
In a world obsessed with perfection and the illusion of flawlessness, Kintsugi stands as a rebellious act of defiance, a celebration of life’s scars and flaws.
Kintsugi, literally meaning ‘golden joinery’ is an ancient Japanese art, which honours the beauty in brokenness. Delicate ceramic fragments, once shattered, are meticulously reassembled using lacquer infused with powdered gold. The golden seams celebrate the flaws, transforming the object completely. By highlighting the cracks and repairs with gold, it allows an awareness and respect for the events of the object’s life. Kintsugi is where something had to be broken to become a work of art. Ultimately, this Japanese ancient artform is a symbol of honouring one’s imperfections.
The tradition of Kintsugi dates back to the 15th century in Japan. It is said to have originated when shogun Ashikaga Yoshimasa broke his favourite tea bowl and sent it back to China for repairs. Upon its return fixed with unsightly metal staples, Japanese craftsmen sought a more aesthetic solution, giving birth to Kintsugi. It is said, once a pot is broken, the Kintsugi master holds onto the broken pieces for a while before repairing it. There is no rush to fix anything. Some masters hold on to the fragments for generations without doing anything to them in order to respect what has happened. Honouring the fact that traumas take time before you even think about mending them. The art of beholding. The journey of healing.
Modern artists and creatives may be inspired to experiment with this ancient technique as a means of analysing ideas of loss and improvement through destruction and repair, ultimately expanding on the concept of rebirth. Through an artistic lens, a Kintsugi object is remarkably both a confirmation of a crisis and the evidence of a cure.
The philosophy behind Kintsugi extends far beyond pottery; it’s a metaphor for life itself. We are all broken in some way, by our experiences, our mistakes our losses. The art of golden repair is a tale of beauty born from the broken and imperfect. Kintsugi stands as a shimmering reminder that as painful as scars can be, they are also sacred, telling stories
of strength, grace, and restoration. Can something so broken see any hope in repair? Kintsugi is the artistic approach to what we all strive for in some way. To put the pieces back together, rather than dwell on our scattered shards. To see ourselves, accept the hurt and mend what has been wounded. There is no shame in imperfection. There is no shame in healing.
In a world that values youth, beauty, and success above all else, Kintsugi invites us to look beyond the surface, to see the beauty in the broken, the strength in the shattered. It teaches us that true resilience lies not in perfection, but in our ability to rise again, to honour our healing and to shine brighter after being so broken.
Nana Artamonova is a Ukrainian artist based in Spain. Specialising in contemporary female portraits in her signature NANAart style, her artworks are characteristically recognised by their fauvist complimentary colour combinations.
After a short interview with Nana, I have discovered her to be very open about her ideas and the way in which she expresses herself. Learning that fundamentally, she champions art and creation as something that “brings goodness into people’s hearts”.
What inspires your artwork?
I am inspired by the modern world around us. Everything we see daily, I try to highlight in my painting style, so that the viewer pays attention to how beautiful our world truly is. People are my primary inspiration in creating my paintings: their images, mood, style, and individuality. I also find inspiration in their pets, as I adore animals, and therefore portray them in my paintings as individual characters with their own personality and world-view. The vibrant and non-living nature also inspires me greatly.
Paying attention to architecture, design, new technologies, and other aspects of modern life, I find new ideas and perspectives. I also draw energy and inspiration from the creativity of other artists, designers, photographers, and so on. I believe that the culture we create is necessary for humanity, and I believe that the world cannot exist without aesthetics, as art brings goodness into people’s hearts.
What is the process & medium you use to create your art?
I have been involved in art for over 20 years, and in the past, I constantly experimented with various techniques and styles of painting. However, I eventually settled on oil paint, as this technique truly captures the grandeur of painting that we have observed
for centuries. The atmosphere when creating art is of great importance to me. I value being alone in my studio; I cannot create when someone distracts me. Additionally, the appearance of my workspace is very important to me. It is not just a place where many of my paintings are kept, but also an environment of design and style.
I eventually settled on oil paint, as this technique truly captures the grandeur of painting that we have observed for centuries. “ “
I believe that the culture we create is necessary for humanity, and I believe that the world cannot exist without aesthetics, as art brings goodness into people’s hearts.
“
Who are your biggest artistic influences?
Significant creative influence on me was exerted by my first painting teacher, Alexey Horoshko. Back then, he was a student at the art academy, where I subsequently enrolled thanks to his lessons. Among the renowned artists of that time, Andy Warhol had a particular influence on my style. Once I attended his exhibition in Rome, and many things fell into place regarding the direction I should take. My artwork distinctly reflects the trace of pop art.
What reaction do you wish for your art to incite in the public?
Of course, I expect emotions of joy and delight from the viewer, but criticism also helps me understand what feelings my paintings evoke. The most important thing for me is for my paintings to be memorable. The worst response would be no emotions and indifference. I would like people to feel energized and positive after looking at my artwork.
Have you encountered difficulties when creating your artworks?
In the process of creating my paintings, I haven’t encountered many difficulties, except for the years spent searching for my own unique style, but that was more of an experience than a challenge. The only thing important to understand is that the art of painting isn’t just about creating pictures, as every contemporary artist presents their works as their own brand, requiring a broader skill set. This process demands a bit more versatility.
What motivates you to create art?
My motivation for creating paintings stems from the fact that it’s an interesting and unconventional job. Nothing else interests me as much as painting does. Therefore, I don’t seek special motivation or inspiration, as art is an integral part of my life.
How has your style changed over time?
Personally, I don’t notice significant changes in my style, except perhaps for it becoming more elegant. After all, my painting style reflects my inner state. When I was younger and more energetic, my paintings were more dynamic and vibrant. As I mature and become more conscious and calm, my works also evolve — they become deeper, and the colour palette I use becomes more complex.
What do you think of the Art Space gallery and having your artwork exhibited with us?
I am very pleased that representatives of the Art Space gallery noticed me through Instagram, and we started collaborating. I am confident that we have many more joint projects and exhibitions ahead of us. I am grateful for the opportunity fate has given me to showcase my creativity in such a wonderful gallery in such a beautiful country like Gibraltar.
If you could describe your art in 3 words, what would you say?
Three words to describe my art: contemporary, positive, and impressive.
Do you have a favourite art gallery or museum?
My favourite museum is the National Gallery of Modern Art in Rome, and when it comes to private galleries, my favourite is the White Lab Gallery in Madrid. We have collaborated on several successful art projects together. And now, the Art Space Gallery will also be added to my list of favourite places.
Andy Warhol had a particular influence on my style... my artwork distinctly reflects the trace of pop art. “ “
The Art Space gallery is quintessentially Modernist and embraces new forms of art which break free from local traditions. The gallery features a plethora of different artists.
With a rotating monthly exhibition, Art Space strives to bring the best of the international artstage to Gibraltar, whilst bilaterally introducing local talent worldwide by opening the doors to a new contemporary art vision.
Stemming as a product of love for art and culture, Art Space is a contemporary art gallery with its headquarters based in Gibraltar, the British Iberian Peninsula situated in the south of Spain. What was once the iconic old police station, is now home to a wide variety of paintings and sculptures.
As the first of its kind in Gibraltar, one can visit the works of renowned contemporary artists such as Tony Hinchliffe, Anna Briukhovetska, Mark Purllant, Whatshisname, The Trunk of Funk and others.
Indeed, Art Space aims to develop a series of cultural events over the coming months and provide a space for artists to showcase their talent both digitally and in presence.
As an Art Historian specialising in the art of Renaissance Italy, contemporary art of the twenty-first century was not my forte. In keeping up to date with the artists of our time, the Art Space gallery has introduced me to some incredible talent taking over the international art stage by storm.
The gallery features the works of some remarkably successful artists such as Mark Purllant, winner of the sculpture prize at the 2023 London Biennale, Isabelle Breitkopf whose paintings and sculptures captivate the viewer with their abstract play of colours, and Donna Murphy, a former professional athlete currently residing in Leamington Spa who specialises in the representation of human anatomy infused with muscular dynamism.
Among many others, some of the team’s favourites include Lindsey Vowell whose atmospheric Cornish coastlines serve as a meditative feast for the eyes, Joss Clapson and Bozhena Fuchs’ textured eccentricity, Ben Jefferey’s stylistic diversity, and the vintage compositions of Robert Mars.
With a strong focus on championing femininity, Mark McDonnell and Sannib certainly master blending mixed media elements to create contemporary portraits with a bold and rich colour palette. From skatedecks and saxophone lamps, to neon installations, paintings and sculptures, Art Space is a perfect demonstration of reframing traditional notions of art.
After years of collecting art, Director of Art Space Paul Sharpley shares his collection. Featuring a varied portfolio of sculptures and paintings, at Art Space we strive to bring the very best of the current cultural climate to Gibraltar.
Curated by the first Latin American Adriano Pedrosa, in 2024, the famous Venice Biennale celebrates its 60th anniversary.
Taking place from the 20th April until the 24th November this year, the International Art Exhibition celebrates culture in the form of art, architecture, cinema, dance, music and theatre.
Established in 1895 and having been around for 130 years, La Biennale di Venezia is considered one of the most prestigious cultural institutions in the world.
With last year’s Biennale featuring Lesley Lokko’s The Laboratory of the Future, the thematic concerns of decolonisation and decarbonisation welcomed 285,000 visitors during the opening period.
This edition of the Biennale Arte features both a contemporary and a
historical nucleus, with a large presence of Italian artists from the 20th-century diaspora. The curator seeks to reflect his personal approach to academia in which he embraces exploration, elation and disorientation casting a light on Modernism outside the Anglosphere and foregrounding overlooked geographical locations.
After an 11-month long journey travelling South America, Pedrosa constructs his own notion of Venice. A city renowned for travellers and a mixture of ethnicities. Titled as “Foreigners Everywhere”, the primary focus of this year’s Biennale involves artists who are foreigners, immigrants, expatriates, diasporic, exiled, or refugees.
We are all too familiar with the histories of modernism in Euroamerica, yet the modernisms in the Global South remain largely unknown. “ “
The motifs which appear in this year’s curation are textiles and artists as a family. Revealing a recurring interest in crafts and artist relationships, the exhibition questions the boundaries of modernism and what defines it. As stated by Pedrosa himself, “We are all too familiar with the histories of modernism in Euroamerica, yet the modernisms in the Global South remain largely unknown”.
Breaking the limitations between abstract and figurative, high and low art, the large-scale artworks featured this year refer to the patterns and palette of traditional woven indigenous creations, considered by Beatriz Milhazes as “an incredible source of motifs based on the human observation of nature’s inner regularity”.
GONE BEAR NECESSITIES by Whatshisname
LIMITED EDITION
39.8 x 39.8"
Burdon’s clearly recognisable figures from Disney’s Jungle Book depict the characters of Mowgli and Baloo in monochromatic tones seamlessly placed behind a veil of flatbed giclée on innova cold pressed paper. With comic books and popular cartoons serving as a personal refuge for the artist, his Gone series encapsulates the sense of melancholy associated with the process of ageing, maturity and one’s transition into adulthood.
The enduring enchantment of childhood heroes fades away as the beloved characters place their hands on the canvas, thus creating a barrier between one’s present life and a distant happy memory fading into oblivion. The shadowed blurry silhouettes are compositionally simplistic, blatantly recognisable and lacking in colour. Indeed, this is symbolic of their distant memory, in which one can barely remember their pigmentation, facial
features, and anatomical accuracy. Their outstretched hands can either serve as a finite goodbye alluding to the passing of time in which innocence and childhood will never again be experienced, or serve as a constant reminder of their presence, reminding the viewer of the child within, which is buried yet unforgettably omnipresent.
Whimsical, eclectic and nostalgic, Burdon’s tongue-in-cheek compositions appeal to any viewer regardless of age. From little ones and adolescents to seniors and mature adults, Whatshisname shatters the boundaries of traditional artistic principles in both subject, thematic concern and technique.
GONE I AM by Whatshisname
LIMITED EDITION
39.8 x 39.8"
Re-entering one’s contemporary consciousness in fleeting moments of nostalgia, Burdon’s Gone I Am has also graced the Art Space gallery walls.
Featuring the iconic Yoda from the 1980 Star Wars: The Empire Strikes Back, the character’s green alien silhouette makes him an unforgettably heroic character. Mounted in a simple and effective black frame, Yoda’s aura surrounds him and provides a mysterious yet cinematic effect to his artistic portrayal. Obscured but immediately recognisable, the figure reminds the artist of “good times sitting by the television” throughout his life.
With other beloved characters including Mickey and Minnie Mouse, the Pink Panther, the Simpsons, E.T, the Ghost Busters, the Yellow Brick Road, Toy Story, Winnie the Pooh, Snoopy, the Mario Brothers and DC comic book heroes among others, Whatshisname continues to surprise and captivate the hearts of adults and children alike with each and every artwork he carefully crafts. Paying homage to the power of the imagination and a rose-tinted world full of magic, Burdon’s iconic compositions are stagnant heartwarming displays which permeate the passing of time.
Scan here to find out more about Whatshisname (Sebastian Burdon).
Coined with terms such as “popular”, “transient”, “expendable”, “low cost”, “mass produced”, “witty” and “gimmicky”, Pop Art became an art movement which appealed to the masses after the war.
Key artists associated with this movement include Andy Warhol, Eduardo Paolozzi, Peter Blake, Roy Lichtenstein and Richard Hamilton. With recognisable mass-produced images that connote the ideals of mass production, controversial and even sinister undertones were regularly at play.
Popular culture was constantly alluded to in the highly sexualised images of women, repeated superimposed imagery, and blend of banality, glamour and pathos. An example of such imagery includes the comic strip artworks by Roy Lichtenstein, where speech bubbled pictures are blown up in size therefore juxtaposing banal content with a grandiose sense of scale.
Other iconic images include those of Andy Warhol’s Marilyn Monroes and Campbell Soups. As some of the best-known images of American modern art, this series of thirty-two canvases was created in 1962 and gained much notoriety. Exhibited to mimic products in a supermarket, each soup can was labelled as a different flavour. Inspired by his personal life, Warhol stated that “[he] used to drink it. [He] used to have the same lunch every day, for twenty years… the same thing over and over again”. Unable to grapple with the flagrant appropriation of such a commonplace object, Warhol’s soup cans became all the more intriguing, juxtaposing pure replication with the artist’s hand embellishments. With slight variations in the lettering and hand stamped symbols on the bottom of each can, these bold grocery store items widely gained international acclaim during a time of turmoil in which belief systems were shattered, and humanity was questioned.
From tomato and vegetable, to pepper pot and green pea, Warhol’s popularised soup cans were viewed as either an acrid criticism of capitalist society, or heralded for denoting the war effort, home comforts and rationing during a tumultuous era. Turning mundane objects into a strike against the principles of fine art, the movement challenged preconceived notions of what makes art and connected painterly traditions with television, advertising and accessibility. Such commonplace techniques challenged the boundaries of art throughout the decades, and led to the evolution of mixing different mediums to create a contemporary artistic rivalry which is confident, bold, stark, unafraid and a highly subjective statement.
VINTAGE STAMP PRINTED IN FRANCE SHOWS MARILYN, ANDY WARHOL (1928-1987)
In the heart of Florence, amidst the splendour of the Italian Renaissance, stands a masterpiece that has captivated the world for centuries — the iconic David, sculpted by the legendary Michelangelo.
As I stand before this towering figure, carved from a single block of pristine carrara marble, I am overwhelmed by its sheer magnificence and timeless allure.
Michelangelo’s David is not merely a sculpture; it is a symphony of form, a testament to human ingenuity, and a beacon of artistic excellence. Its creation, shrouded in myth and legend, is a story of passion, perseverance, and unparalleled skill.
The genesis of David dates back to the early 16th century, when the city of Florence commissioned Michelangelo to sculpt a statue of the biblical hero as a symbol of the city’s defiance against its enemies. What emerged from Michelangelo’s chisel was a masterpiece that surpassed all expectations — a figure of unparalleled beauty, grace, and strength.
Standing at an imposing height of 17 feet, David is a study in anatomical perfection. Every muscle, sinew, and vein is painstakingly rendered with astonishing detail, a testament to Michelangelo’s profound understanding of human anatomy. From the delicate curvature of his lips to the intricate folds of his robe, every aspect of David’s form exudes a sense of lifelike realism that is nothing short of miraculous.
David is more than just a marvel of technical prowess; it is a work of profound symbolism and cultural significance. In depicting the biblical hero poised for battle against the mighty Goliath, Michelangelo captures the essence of courage, determination, and triumph over adversity. David’s expression, one of serene confidence and quiet resolve, serves as a timeless reminder of the human capacity for
greatness in the face of insurmountable odds.
Moreover, David embodies the ideals of the Renaissance humanist movement, celebrating the beauty and dignity of the human form. Unlike earlier depictions of David as a triumphant warrior, Michelangelo’s David is presented in a state of contemplative repose, embodying a sense of grace, dignity, and inner strength that transcends time and space.
David’s influence on art and culture is immeasurable. It marked a departure from the medieval emphasis on divine intervention, highlighting instead the potential of human creativity and intellect. Michelangelo’s work emphasised that humanity itself, with its capacity for thought and creativity, was worthy of admiration and emulation.
As I continue to gaze upon David, I am struck by the ingenuity and foresight that went into its creation. Michelangelo undertook this monumental task when he was just 26 years old, demonstrating a level of confidence and vision that is truly extraordinary. The sheer scale of the project was daunting; the marble block from which David was carved had been abandoned by other sculptors, who deemed it flawed and unsuitable. Michelangelo, however, saw potential where others saw only limitations.
The meticulous process of carving David took over 2 years. Michelangelo worked tirelessly, often in solitude, to bring his vision to life. His dedication to his craft is evident in every chisel mark, each one a testament to his unwavering commitment to excellence. The resulting sculpture not only captured the physicality of the human
form but also conveyed a profound psychological depth. David’s intense gaze, directed towards an unseen adversary, encapsulates the tension and anticipation of the impending battle, a moment frozen in time yet brimming with dynamic energy.
The unveiling of David in 1504 was a momentous event for Florence. Positioned originally outside the Palazzo Vecchio, the statue stood as a guardian of the city, embodying the ideals of civic virtue and resilience. Its placement was a statement of defiance and pride, reinforcing Florence’s identity as a republic that valued freedom and individualism. The statue quickly became an emblem of Florentine pride and a rallying point for its citizens.
The significance of David extends beyond its artistic mastery; it also represents a philosophical shift during the Renaissance. This period was characterised by a renewed interest in classical antiquity and a focus on humanism. Michelangelo’s work reflects these ideals by celebrating the potential of the human spirit and intellect. David’s perfect proportions
and harmonious form echo the classical ideals of beauty and balance, while his thoughtful expression suggests a depth of character and introspection.
Today, Michelangelo’s David continues to inspire awe and admiration as one of the greatest masterpieces of Western art. Its influence can be seen in countless works of art, literature, and popular culture, serving as a timeless symbol of human potential and aspiration.
As I gaze upon this majestic sculpture, I am reminded of the words of Michelangelo himself: “I saw the angel in the marble and carved until I set him free.” In David, Michelangelo has indeed set free the angel within the stone, giving life to a masterpiece that will endure for eternity.
The legacy of David reaches far beyond its own time, bridging the gap between the Renaissance and the contemporary art world. Today, the principles that guided Michelangeloanatomical precision, emotional depth, and humanistic valuescontinue to resonate with modern artists. Contemporary art, while often diverging in form and medium, remains
deeply influenced by the Renaissance ideals of individual expression and the exploration of human experience.
In today’s art scene, we see echoes of Michelangelo’s approach in the works of sculptors like Anish Kapoor, who manipulate space and form to evoke emotional responses, or Jeff Koons, whose larger-than-life sculptures challenge our perceptions of scale and material. The digital revolution has further expanded the possibilities for artistic expression, with artists like Refik Anadol using data and algorithms to create immersive installations that explore the intersection of technology and humanity.
Moreover, the themes of resilience and triumph over adversity that David embodies are as relevant today as they were in Michelangelo’s time. Contemporary artists like Ai Weiwei and Banksy address social and political issues through their art, using their platforms to advocate for change and challenge the status quo. Their work, much like Michelangelo’s, serves as a powerful reminder of art’s capacity to inspire and provoke thought.
The evolution of art from the Renaissance to the present day highlights a continuous thread of innovation and exploration. While the tools and techniques have evolved, the core pursuit remains the same: to capture the essence of the human condition and reflect it back to the world. Michelangelo’s David stands as a testament to this enduring quest and a symbol of the limitless potential of human creativity.
As I leave the presence of David, I carry with me a renewed sense of inspiration and awe. The sculpture is more than an artistic masterpiece; it is a profound statement about the human condition, a reflection of our struggles and triumphs, our fears and our hopes. Michelangelo’s David, in its silent grandeur, continues to inspire generations, reminding us of the limitless possibilities that lie within each of us and forging a timeless connection between the art of the past and the creative expressions of the present and future.
Travelling along the Costa del Sol one can find hidden gems peppered along the Mediterranean coastline. Highlighting 5 must see galleries and artistic spaces in the area, below you will find a short review of unmissable recommendations.
Featuring both permanent and rotating exhibitions, the Museo Peinado is dedicated to the memory of the renowned author and painter Joaquin Peinado. Featuring Picasso’s ceramics, the author’s artworks, art from the 60s, watercolour prints and drawings, neocubism, geometric abstraction and erotically charged artworks, the museum offers a wide variety of traditional and contemporary art.
Considered a leading reference in Europe for beach and sea photography, the Atlas Beach Gallery in Tarifa is a local hidden gem. This bright and airy unique space showcases a selection of stunning ocean themed artworks suitable for a large variety of spaces. Spearheaded by the artist himself, Manuel Caminero captures a highly unique point of view while shooting from the water, rough seas and majestic waves, exploring micro lighting. From advertising to fine art photography, the artist has gained great notoriety for his highly detailed and peculiar take on oceanographic art.
The Fornara Art Gallery located in Marbella Puerto Banús opened its doors in 1964. Featuring a young talent pool, the gallery aims to make art accessible to the public and art collectors. Investing in beauty and innovation, the gallery’s artworks are highly contemporary, bold, colourful, and pay tribute to renowned art movements such as Pop Art and female driven icons in pop culture.
The Reserva Club located in the affluent community of Sotogrande presents a recurring Art Expo which showcases a plethora of artworks. As a rotating exhibition, the Expo has a continuous stream of different artists exhibiting in their outdoor space and hosting events during the weekends. With events taking place during the summer months, one can attend a variety of workshops and gastronomic experiences all while enjoying the art which peppers their luxury space.
What once used to be 2 residential homes, is now a hidden cultural gem in the quaint town of Mijas. Housing the second most important collection of Picasso’s ceramic work after the Picasso Museum in Paris, the CAC Mijas also features original works of Salvador Dali, Braque, Miró and Foujita. With 3 exhibition spaces distributed over 2 floors, one can visit a variety of artistic mediums including lithographs, paintings, etchings, sculptures and archaeological findings.
The term “art” is an inherently broad and highly subjective one. Whilst one specific aspect of the word is used to describe the physical forms of artistic expression resulting in a final tactile object, art encompasses a vast array of dimensions, also alluding to music, film, theatre, other cultural spheres and personal usage of the word in what one considers art to be.
Venturing outside of the confines of the gallery, art is also used as a tool for integrative methods, one of them being what is described as art therapy. In an attempt to engage the mind, body and spirit in ways which deviate from verbal articulation, psychotherapy and art merge together thereby creating an amalgamation of creative methods to serve a particular purpose.
Extensively used by qualified therapists to help people resolve their thoughts and emotions, patients are able to better understand their innermost conflicts which cause them distress. Using art to find resolution, art therapy can involve a variety of practices which ultimately result in the enrichment of the lives of many. Allowing for non-verbal cues and freedom of expression, art therapy is founded on
the notion that we as human beings are all creative, irrelevant of the subjective considerations of skill and talent.
Primarily used in times of personal conflict, trauma and grief, art therapy involves creation in any given form, traditionally opting for common media tools such as pencils, clay, paints, collages and organic matter. One can express themselves through the process of creation allowing one’s mind to roam freely, resulting in a work of art as initiated by a qualified therapist’s recommendations. Visual art has the ability to offer people an alternative to depict in an image that which cannot be expressed with words. One’s personal artwork becomes the narrative which tells a story and encourages self-exploration and vulnerability. Externalising emotions onto a canvas
or other creative medium, provides control and allows patients to make decisions and choices that help them cope with their personal circumstances.
Whether kinaesthetic, sensory or perceptual, art therapy supports the mental, emotional and physical wellbeing of clients, and is grounded in the field of research-based science which ultimately fuses together active artmaking and its creative process with applied psychological theory and the human experience. Enriching the lives of people and fomenting communities through art, cultivates self-awareness, emotional resilience and social skills leading to the overall empowerment of individuals and positive societal transformation.
Using art to find resolution, art therapy can involve a variety of practices which ultimately result in the enrichment of the lives of many. “ “
£2,200
£9,950
FLOATING IN INNOCENCE
Tony Hinchliffe strives to evoke emotion through his paintings. His artwork embodies the feeling of energy, exploration, creativity and escapism.
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to find out more about
With his preferred medium being oil paint, the artist enjoys the behaviour of oils when placed over acrylic. Highly renowned for his figurative works, Tony Hinchliffe depicts the mood and intimacy of a single moment in time using loose brushwork and contrasting depths. Details such as body language, and the ever-changing movement of clouds and dynamic weather conditions observed from his paramotor greatly influence his artwork.
I have always loved the sense of escapism that comes with creating artwork. “ “
Known as the “true artistic centre of London”, the London Biennale champions contemporary artists in submitting their artworks in the borough of Chelsea.
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to find out more about the London Biennale.
With its inauguration reserved for critics, art collectors and selected artists, creative individuals from fifty different nations have exhibited their art pieces at the London Biennale. Representing global art in its entirety, and spanning a plethora of artistic movements and styles, the exhibition brings to light works on paper, in digital format, sculptures and paintings professionally curated to offer viewers a coherent and stimulating experience.
Upon being awarded the sculpture prize at the 2023 London Biennale, Mark Purllant’s Freedom (oil painting in sculpture) artwork gained international recognition. As Purllant’s representatives, Art Space is honoured to house several jaw-droppingly intricate artworks by the artist which are prominently featured in the gallery.
Specialising in large mixed media pieces in wood and oil pigment, Purllant’s abstract sculptures boast an intricate weaving of materials which demonstrate circular and elongated forms creating dynamism and flowing movement from every angle.
Offering a variety of different viewpoints as one encircles his pieces, the Art Space gallery is home to the artist’s oil painting in sculpture artworks, glasswork and mixed media sculpture series. Initially starting as abstracted representations of the human figure, Purllant’s pieces showcase the manipulation and movement of various materials coming into contact with each other. Inspired by martial arts, sport and dance, the fluidity and contortion of human anatomy forms the basis of the artist’s series.
Finding balance through art has certainly become a feat for the artist. Expressing the dichotomy between tension and harmony, movement and stillness, materials and colour, and structure and chaos are used to stimulate the senses and encourage discovery and inquisitiveness. The tangibility of his sculptures allows the viewer to carefully unwrap a profound instant attraction exuded by them. Compositionally, Purllant experiments with positioning and manifests his creativity in his graceful structures.
Focusing on the unusual, Purllant’s journey as an artist has expanded into different realms. From the creation of bric a brac for pubs and clubs in the United Kingdom, to building historical displays for museums and furniture, his sight specific creations have spanned the entirety of social, commercial and public realms.
Aiming to inspire all that gaze upon his artworks, Purllant continues to exhibit both nationally and internationally, and truly immerse himself in his notorious forms of self-expression beloved and valued by so many.
These works are an emotional representation of my love of the human form and its movement. “ “
1 June - 7 Sep 24
The Beyond Fashion Exhibition at the Saatchi Gallery in Chelsea tells the story of how fashion photography has evolved and stretched beyond the limitations of being used as a commercial device.
Pushing the boundaries of creativity, the exhibition celebrates fashion as a visual language in its own right and combines photography, film and installations, highlighting their importance in the fashion world and in art in today’s world.
An exhibition not to be missed is that of Lee Jin Woo at the White Cube Gallery in London. Born in Korea and based in Paris, the artist’s creative process is integral to the artwork.
The artist begins by burning wood, thereby creating charcoal and ash which is overlaid with Korean paper derived from the mulberry tree bark, also known as “hanji”. Its surface is repeatedly scraped with wire brushes which form highly abstracted compositions with varied shadow formations.
Exhibiting some of the most ground breaking modernist artworks produced in Ukraine during the 1900-1930s
This exhibition brings to the forefront the political and social upheavals occurring in the country during the First World War, the fight for independence and the establishment of Soviet Ukraine. Experimentation in art was rife during this time, and the exhibit exemplifies such notions by showcasing a range of artistic styles which materialised in the turmoil of the time.
IN THE EYE OF THE STORM: MODERNISM IN UKRAINE, 1900–1930S
Royal Academy of Art, London 29 June - 13 Oct 24
EXPRESSIONISTS
KANDINSKY, MÜNTER AND THE BLUE RIDER
Tate Modern, London
25 April - 1 Sep 24
The renowned feminist artist Judy Chicago proudly presents her largest solo art exhibition in London yet.
The exhibit features a combination of drawings, installations, personal backstage footage, preparatory sketches, and various audio-visual components which radically retell the story of a just and equitable world-view. Through craft and experimentation, Chicago contents the absence of women in the Western cultural canon. The themes of birth, masculinity, power, Jewish heritage, climate and extinction all come to the forefront in this unmissable artistic, educational and highly informative experience which champions women, femininity and the human condition.
For the first time in the UK for over 60 years, the Tate Modern is exhibiting the works of The Blue Rider, a story of friendship told through art.
Shaping and transforming what we understand by modern art, Kandinsky and Münter experiment with colour combinations, sound, light and immersive viewing experiences. Displaying a varied collection of sculptures, photography and paintings, the exhibition provides an informative and nostalgic experience for the viewer to better understand the ground breaking moments that preceded us.
Serpentine
23 May - 1 Sep 24
In the sprawling, ever-evolving landscape of modern art, a new force is making its presence felt. This force is not a human with a brush or a chisel but an artificial intelligence with an algorithm.
AI art, a novel intersection of technology and creativity, is revolutionising the way we conceive, create, and appreciate art, but what exactly is AI art, and how is it influencing the world today?
AI art involves the use of artificial intelligence algorithms to generate artwork. These algorithms, powered by machine learning and neural networks, can produce everything from images and music to literature and sculptures. Tools like DeepDream, GANs (Generative Adversarial Networks), and DALL-E have become popular for their ability to create pieces that are both stunning and sometimes startling in their originality. The AI learns from vast datasets of existing artworks and uses this knowledge to forge new and unique creations.
One of the most remarkable aspects of AI art is its accessibility. It democratises the creation of art, allowing people who may not have traditional artistic skills to produce compelling pieces. This inclusivity opens the door to creative expression for a broader audience, breaking down barriers that once limited artistic participation.
Moreover, AI art is pushing the boundaries of innovation. The technology can generate new styles, blend elements in unprecedented ways, and even invent entirely new forms of art. This capacity for endless innovation is expanding the horizons of what art can be, challenging our preconceptions, and inspiring new possibilities.
Efficiency is another significant advantage of AI in the art world. AI can produce art quickly and in large volumes, making it an invaluable tool for industries that require a constant stream of fresh content, such as advertising and media. Furthermore, AI can assist human artists in their creative process, offering new ideas
or completing parts of their work, and thereby fostering a unique humanmachine collaboration.
However, the rise of AI art is not without its controversies. A major point of contention is the issue of originality and authorship. Who owns the rights to an AI-generated piece — the programmer, the user, or the AI itself? This question is still a legal and ethical grey area, sparking intense debate within the artistic community.
Critics also argue that AI art lacks the emotional depth and intentionality of human-created art. While it may be technically impressive, they say, it often misses the soul and story that come from human experiences and expressions. Additionally, there are concerns about job displacement. As AI becomes more proficient at creating art, there is fear that it could replace the human hand, especially in commercial fields.
Ethical concerns are also prevalent. AI relies on large datasets of existing art, which can raise issues of plagiarism and the ethical use of other artists’ works. These datasets, often compiled without the consent of the original creators, pose significant moral questions about ownership and creativity.
Looking to the future, the potential of AI art is both thrilling and uncertain. As AI technology advances, it will likely become an even more integral part of the art world. We may see more collaborative projects where human artists and AI co-create, blending the best of both worlds. AI could also play a crucial role in preserving and restoring art, analysing artistic trends, and offering new ways to experience and interact with art through augmented and virtual reality.
The impact of AI art on the art world is already profound. AI-generated pieces have been sold at major auction
houses like Christie’s, sometimes fetching exorbitant prices. Museums and galleries are beginning to feature AI art, recognising it as a legitimate and fascinating branch of contemporary art. This technological artistry challenges our understanding of creativity and the value we place on human effort.
In many ways, the controversy surrounding AI art mirrors that of abstract art in the early 20th century. Abstract art, which broke away from traditional aesthetic representations to focus on form, colour, and emotion, was initially met with resistance. Similarly, AI art challenges conventional notions of artistry and creativity, pushing us to reconsider what art is and can be. Both movements force us to confront our biases and expand our definitions of art.
However is AI art truly art? This question is at the heart of the debate. Art has always been about pushing boundaries and exploring new frontiers. If we consider art to be a reflection of human creativity and expression, then AI art, which involves human input and innovation, fits within this definition. While it may not replicate the emotional depth of human-created art, it certainly adds a new dimension to the artistic landscape.
As we navigate this new terrain, it is crucial to embrace the possibilities while also considering the ethical and societal implications. AI art is revolutionising the art world, offering new tools and perspectives that challenge and inspire. Whether AI art will stand the test of time remains to be seen, but it is undoubtedly reshaping our understanding of what art can be in the 21st century. This digital renaissance invites us to explore the limitless potential of creativity, where human ingenuity meets the boundless capabilities of artificial intelligence.
During
my interview with Gibraltarian artist
Christian Hook, we delve further into his sources of inspiration, painting technique and life as an artist.
From travelling the world, to constantly finding new and insightful ways to create art, Christian’s diverse interest in every facet of the artworld creates a fusion which culminates in the everchanging and dynamic nature of his artistic vision.
What inspires your artwork?
Travelling inspires my artwork. I travel a few months per year to different countries and see what contemporary artists there are doing. I attend art fairs and artist’s studios and see what materials and concepts they are using. I learn from that and bring back ways of painting, seeing and interpreting that are new to incorporate them in my work. For example, in Japan, Africa and so on, they have traditional ways of making things. This keeps my work changing all the time and gives it a sense of newness every year.
How do you create your artworks and what is the process and medium you use?
plenty of freedom to create, and that’s the part that I love. I experiment all the time with materials, and try to create a new palette every year and create my own painting tools as well.
Have you encountered difficulties when creating your artworks?
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Every year I have a different concept I try to find. It is usually based on something scientific. I try and explore the subject and find a new way of seeing it. Other artists in different fields such as theatre or music sometimes inspire my art. This diversity inspires me to cross over from one artform to another. In an attempt to interpret an idea from a piece of music or a feeling from a poet in paint, it gives me plenty to think about as they’re impossible tasks and not something you can synthesise logically. The impossibilities of things are the interesting things. There’s
Every year when I start a new concept, I find it difficult to merge the concept with its visual representation. As the work is layered with a concept, putting everything together in a harmonious way is difficult at the beginning. As I fail, the fifth or sixth painting finds its way, and things become clearer so I can focus on the expression of things and work a lot more freely.
Every real artist is concerned with creating something that is interesting and an expression of themselves. “ “
I learn from [artists and travelling] and bring back ways of painting, seeing and interpreting that are new to incorporate them in my work. “ “
Do you intend for your artworks to be received in any particular way by the viewer and what reaction do you want to incite in the public?
I don’t really have a clear idea of how I want to be received, but just like with music, you have to allow the viewer to interpret and feel what they want and not dictate too much. I do set up a series in a particular location which is part of how I want to present a work of art. At Clarendon, we set up a viewing next to the theatre which provided a back story for the people attending the exhibition. Art is subjective, and the most important thing is that I like
what I am creating. Every real artist is concerned with creating something that is interesting and an expression of themselves.
Who are your biggest artistic influences?
There are many artists that I’ve learnt from, like Francis Bacon and his emotional concepts behind his work. I loved Francisco Farreras in the way of abstracting something and his use of materials to create a concept in the given space. I have really enjoyed Picasso, whose cubist idea influenced my art early on. The idea of having more than one angle on something gives you more information about the subject as it is multi-layered. I also based a lot of my early work on a Spanish artist called Antonio Lopez. He is a realist painter whose work I followed, not for the sense of realism, but rather one painting he did of Madrid that really captured my attention. He painted in situ on top of a building for years. He would paint for a season every year. Cities are alive, they change, buildings go up and come down. When he finished the artwork, he captured Madrid from a very unique point of view. For me, it was a time machine. He captured all these years on a single canvas. I took this idea with me and started recording things which allowed me to paint the amount of time
passing through the object instead of the physical object itself. My paintings became about the amount of time that exists in the life of something, instead of the something itself.
What motivates you to create art?
For people who are more inquisitive, you become incessantly focused on a certain moment which leads you to create. If you are born as a sensitive person, you can visually see your sense of balance within the parameter of the canvas. It’s a place where your sensitivity
can blossom and creating is the way to do it. Science has focused on the visible world around us, but the important thing for artists is the expression of something, not the object itself. For example, the magic of a bomb is in the visual explosion, not its inner workings despite its negative effects. Who am I? Christian Hook is made up of molecules and cells, but you still can’t see me. I am only my expression.
How has your style changed over time?
I never thought of my work having a style even though I know it has one. Nowadays things have changed a lot. Beforehand, people would follow an “ism”, art followed a path, but now everything is mixed. Firstly, we had rock music, then R&B and now there’s an eclectic mix of everything, so the same goes for art. I don’t follow style, but rather, concept. Everyone has a way of putting paint down but this isn’t my primary focus. With every collection I do there’s a slight change, but it’s not something I tend to focus on at all.
What do you think of the Art Space gallery and having your limited editions up on our walls?
I think the Art Space Gallery is such an inspiring thing for Gibraltar. It
is creating something new for the younger generation to do something creative here. The creativity of artists is becoming a very important part of human existence in the world. Years ago, academic subjects were far more important than art, and this has now changed and I believe it will continue to do so even more, in all facets of the professional world.
If you could describe your art in 3 words, what would you say? I would say the past, the present and the future.
Do you have a favourite art gallery or museum?
The National Portrait Gallery in London has always been one of my favourite ones. As far as inspiration goes, I usually find it in other genres of art such as music and theatre. I also like the Saatchi Gallery in Chelsea, and many others around the world, so it’s very hard to pick a single one.
My paintings became about the amount of time that exists in the life of something, instead of the something itself. “ “
From Action Painters like Jackson Pollock, to Colour Field Painters such as Mark Rothko, the Abstract Expressionists were artists who emerged from an existential crisis of faith. Commencing with American painters who aimed to convey emotion through abstraction during the 1940s and 1950s, the artistic movement comprised of a very diverse range of styles.
With the term “Abstract Expressionism” being coined by art critic Robert Coates, he referred to such painters as “inventing new idioms of abstract art to communicate their deepest feelings”. In pursuit of automatism, the artists of the time rejected utopian geometric abstraction which had predominated the global art stage prior to this movement. Influenced by other artistic movements such as Surrealism and Expressionism, they allowed their subconscious mind to freely dictate their compositions and flow wildly on their canvases, devoid of external constraints.
Shaped by the ongoing existential crisis exacerbated by the war, philosophical concerns surrounding the human condition and how “existence precedes essence” (Sartre) were paramount to creativity. Sartre’s intellectual impetus gave way to the widespread exploration of isolation and meaninglessness of human existence during this difficult time. Such futility was represented in existential motifs by the Abstract Expressionists as a metaphor for the dehumanising effects of warfare. Optical sensations of harrowing events, splintered by textured turbulence and illusionistic dynamism alluding to the strong sense of emotion the Expressionists felt towards their dystopian reality became the embodiment of this movement. Thus, questioning whether “life has no meaning the moment you lose the illusion of being eternal” (Sartre) became a key focal point for creativity.
When considering compositions such as Number 15 by Jackson Pollock, it truly embodies the notion of controlled chaos on canvas. Pollock’s notorious method of rhythmically pouring paint straight from the can on to unstretched canvases splayed on the floor defined his portfolio. Described as a “shaman in a trance” and a “saxophonist improvising freely”, his projecting swirls of paint categorised the artist as an action or gestural painter, whereby physical movement in his creative process became the final product.
Whereas action painting mapped the artist’s movement and process, colour field painting was all but the opposite. Identified by large soft-edged areas of colour, such painters aimed to evoke feeling and emotion in the eyes of the beholder. With its visual impact becoming the main focal point during the movement, the lack of surface detail and expanses of unbroken colour not only juxtaposed with the artworks produced by action field painters of the time, but alluded to the boundaries of metaphysical realms.
With Mark Rothko being considered as one of the most prominent colour field painters of the time, his paintings which filled up entire walls from floor to ceiling used a soak-stain technique in which the artist would thin down paint to create abstract compositions, thereby replacing opaque oil paint with a more diluted consistency. Exemplified
Abstract Expressionism was a crucial movement in the artworld... creating art which heavily relied on the process of creation. “ “
by his Orange and Yellow of 1956, Rothko intended for the viewer to be moved by his large-scale canvases and bring them to tears, stating that his interests lay in “expressing basic human emotions – tragedy, ecstasy, doom, and so on… the fact that a lot of people break down and cry when confronted with [his] pictures show that [he] can communicate those basic human emotions”.
Indeed, Abstract Expressionism was a crucial movement in the artworld. Defying previous notions of what art is considered to be, and what makes an artwork beautiful is a highly subjective matter. The pioneers of this time challenged such concepts, and created art which heavily relied on the process of creation, deviating from aesthetic concerns, only to propel forward a socio-political awareness of their current events in the world.
£795
£1,595
£3,950
As one of our favourite artists at the Art Space Gallery, Hinchliffe’s figurative compositions rely on the depiction of mood and intimacy of a single moment in time.
SYNCHRONICITY by Tony
HinchliffeLIMITED EDITION
101 x 101 cm (shown right)
Primarily using oil and acrylic paint, Hinchliffe’s loose brushstrokes and dynamic aesthetic predominate his canvases. The artist’s ability to infer motion, fluidity and movement in conjunction with the stillness of a present moment is a remarkable feat captured in his compositions.
Drawing inspiration from the outdoors and his continuous practice of life drawing, Hinchliffe features a variety of popular paintings in the gallery.
As one of our most recent arrivals, Hinchliffe’s Synchronicity artwork which measures 101 x 101cm is a large-scale limited-edition painting which features a graceful ballerina in motion. Capturing the stillness of intimacy, the artist is able to infer the sense of dynamism and fluidity of movement as the figure in the centre of the composition balances on one leg on the verge of an arabesque. As the figure looks down in concentration with her arms outstretched and pointed toes, her anonymity creates an open dialogue with the viewer which is open to interpretation. Her idealised physique demonstrates an accurate rendering of a dancer’s anatomy encircled by light pastel colour tones associated with femininity. The artist’s loose brush strokes further heighten the figure in movement as she spins, twists and turns in a rhythmical dance, highlighting a different form of artistic expression.
ORIGINAL
105 x 105 cm
In Hinchliffe’s Thunder Cloud composition, the artist depicts a stark white horse emerging from obscurity. Featuring thick textured brushstrokes in cobalt blue, Hinchliffe’s recognisable textured style enhances the sense of speed whilst also alluding to the turbulent weather conditions perhaps inspired by his exploration of the skies in his paramotor. The idealised white horse reminds one of a mythological unicorn and childhood fairy tales in which prince charming saves the damsel in distress. Hinchliffe’s contrast between the dynamic weather conditions and the lull of stillness from which the horse emerges, is certainly inkeeping with the recognisable painterly techniques that constitute the artist’s portfolio.
“
I have always loved the sense of escapism that comes with creating artwork. I am passionate about exploring my creativity, constantly looking at developing my techniques so I can keep that feeling of energy within my work.
“
Guerrilla art is a street art movement which allows artists to express their views anonymously. Typically influenced by their current social and political climate, Guerrilla art is intentionally controversial and forces the viewer to confront such issues, thereby raising awareness.
Unlike other art movements, Guerrilla art has no external limitations that separate the artwork in question from the world. Whereby a painting on a canvas can be re-framed and placed in different galleries and environments, Guerrilla art is static, permanent and a constant reminder of the relationship between creativity and its environment. Historically, Guerrilla art was founded and developed in the United Kingdom and primarily focuses on cause and effect. Its predominant street art style has now been found to emerge from all corners around the world, with artists finding new ways to explore and develop their creative portfolio. One of the most recognised Guerrilla artists to reside in England is the notorious Banksy, who has dominated the art scene and spent his time globetrotting around the world to spread his politically infused messages, all while protecting his anonymity till this very day.
The intrinsic nature of mankind and one’s moral compass is something that Banksy has addressed and explored in his artwork. Using unconventional methods to dissect the matter, Banksy has often doubled as a street artist and political activist debuting his creative repertoire as a freehand graffiti artist in the early 1990s. Although the world has grown terribly fond of the lovable rogue,
Banksy’s antics have not always been tolerated, stating that “most artists have an obsession that defines their work. Monet had light, Hockney has colour, [he has] police response time.”
Banksy takes a light hearted approach in acknowledging the limitations his art has and emphasises how he does not have the privilege of time unlike other artists. Not having the luxury of agonising on the finer details of his work, his priority has become the speed with which he creates his art, thereby adapting and embracing the challenge to continue spreading his message.
Banksy has thus become one of the most memorable and recognisable street artists to this day. The artist switched to using stencils in his creative process during the early 2000s, which enabled him to complete more of his works before fleeing the scene in order to remain undetected and reach a wider audience in Bristol and London, whilst hiding behind the guise of a mysteriously mischievous individual.
“
Most artists have an obsession that defines their work. Monet had light, Hockney has colour, I’ve got police response time.
Despite the monetary value of Banksy’s works averaging between £200,000 to £300,000, Banksy rarely reaps a single penny! Instead, he makes a living through his various other projects which involve writing books and developing documentaries.
Considering his anti-establishment political stance, the artist adds important controversial layers to his artwork for society to consider whilst simultaneously adding a vague hint of irony in that the profits of his labour are filling the pockets of wealthy art dealers and by proxy, the establishment itself.
One of Banksy’s most notable moments would be the iconic shredding of Girl with Balloon during an auction hosted by Sotheby’s in 2018. A spokesperson at Sotheby’s confirmed it to be “The first work in history ever created during a live auction.” As far as the public is concerned, Banksy’s art often criticizes the capitalist consumerist society in which we live. Originally, Girl with Balloon was stencilled on an East-London wall but has been reproduced time and time again, thereby becoming Banksy’s most recognisable artwork. The exact moment that made history in the artworld began with the confirmation of the sale of Girl with Balloon for $1.4
million. The artwork was then viciously shredded and pulverised from top to bottom in a room filled with spectators.
This single moment certainly made its mark on the contemporary artworld. The speculation as to whether the elaborate prank was genuine still remains, as Sotheby’s continues to reiterate its authenticity.
Throughout the decades, Banksy has remained true to his original message and does not seem to be coming to a standstill any time soon! His most recent art is a display of artificial leaves cast behind a bare and lifeless blossom tree, in an attempt to draw attention to the negative impact mankind is having on the natural environment. The piece has been widely celebrated, although its deeper, more intrinsic intention is yet to be addressed. Indeed, one continues to look forward to seeing what Banksy has in store for the world, in the progression of his ongoing journey as an artist and anonymous educator.
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The colour and contrasts of
Ukrainian artist Anna Briukhovetska peppers the Art Space Gallery walls with her female driven paintings in all shapes and sizes. With her recognisable stylistic tendencies, she creates her artworks amidst the chaos of the Ukrainian War.
Scan here to find out more about Anna Briukhovetska.
Upon interviewing Anna, her inspiring creative journey is openly shared with us and serves as motivation to continue the pursuit of creativity and happiness despite the current socio-political climate.
What inspires your artwork?
Life itself, nature, travel, music, books, art and most importantly, people. The main theme of my creativity is women, and internal and external beauty. Therefore, it is important for me to observe a person, their feelings, emotions and sensations, that are expressed in a glance, slight smile or even in a tilt of a head.
What is the process & medium you use to create your art?
I paint mostly in oils. It gives more opportunities to create new tints and shades. I do not use pure colours, I always mix several, creating a new shade. For me, oil is living paint. With each layer on the canvas, the pattern changes. I also like experimenting with painting, discovering new combinations for myself such as using acrylic and charcoal, brass leaf or spray paints.
Have you encountered difficulties when creating your artworks?
For creativity, I need solitude, space, light and silence. Unfortunately, now during the war, silence is very rare. The sounds of sirens and explosions often intrude into my creative process. I have to spend a lot of time in shelter, or stop working due to blackouts. However, despite these external conditions affecting my creative process, internally they motivate me, giving me more
OH THOSE SWEET SUNNY DAYS 120 X 100CM Signed & dated
“ “
The sounds of sirens and explosions often intrude into my creative process. I have to spend a lot of time in shelter, or stop working due to blackouts.
strength and desire to continue my creativity. Possibly, when your life is in danger, you start to appreciate every moment of it even more.
The main theme of my creativity is women, and internal and external beauty. “ “
I am inspired by many artists of different eras, styles and genres. “ “
What reaction do you wish to incite in the public?
Through art, artists broadcast ideas, emotions, experiences, and their views. Creativity is a mediator, and thanks to it, the creator can both tell stories about the world and influence it. Art has a tremendous power of influence: it can evoke emotional reactions, influence thoughts, inspire, and move people to action. Therefore, my works are not an exception and are not only a means of broadcasting my ideas, but a
reflection of my emotions and feelings. There’s always a story in my paintings, and everyone finds in them something close to themselves, something experienced or desired. By buying a picture, the collector acquires not only an original decoration for his space, but also a mood, an emotion, and memories. It is important for me to hear feedback from the audience. And knowing what emotions, feelings, and possibly actions my art evokes in the viewers is the highest reward for an artist.
Who are your biggest artistic influences?
It is difficult to single out one or even several. I am inspired by many artists of different eras, styles and genres. But the greatest influence on me is not so much the result of their creativity, but rather their path, the process, their selfexpression through art, their ideas and their impact on the world. These are not only artists, but also writers, composers, and creators in general.
What motivates you to create art?
Simply desire to create, pleasure from the process of painting or modelling clay. Enjoying the feeling of creation, when my emotion, an idea, a feeling, a dream or a memory becomes a colour, a line, a silhouette, and later appears on a blank canvas or becomes a ceramic figure. It’s a tendency to discover myself and the world through creativity, and of course the strongest motivation is satisfaction from the result and perception that my art is desirable and popular.
How has your style changed over time?
Certainly, the military events have a very strong influence on me as my art is always a reflection of my feelings and emotions. My painting style has become more expressive, with more bright colours and contrasts, but I can’t say the genre I work with has changed dramatically, with the female portraits remaining the main subject of my paintings.
What do you think of the Art Space gallery and having your artwork exhibited with us?
Behind each gallery there are people, their efforts, energy and soul. People who create the image and style of the space. I am impressed by the team and creative approach of the Art Space gallery and the way it carries out its cultural mission, introducing the world to art and artists. I’m really glad to be a part of this project.
If you could describe your art in 3 words, what would you say?
Impression, emotion, sensation.
Do you have a favourite gallery or museum?
The Uffizi Gallery in Florence, the Kunst museum in Basel, and the Zentrum Paul Klee in Bern.
Ever since I was a young girl I have been fascinated by art and culture. Being deemed as a creative individual, over the years I have found a safe haven in art galleries and the works of those we herald as the masters.
TAMMY Editor
I spent years dragging some of my best friends to international art galleries. “ “
From Parmigianino to Botticelli, Pollock to Van Gogh, or Fragonard to Boucher, my interest in the arts flourished during my History of Art degree at Warwick University. Living in Venice and studying my favourite artworks first hand was an invaluable experience. Researching and presenting a never-ending stream of artworks at the London National Gallery was an honour.
This propelled my interest in art and academia, and influenced my travel experiences greatly. Not only did I find myself catching the travel bug to visit different countries and experience various cultures and ways of life, but also embarking on trips to specifically visit the works of art which I had spent so many years studying and learning about.
I began to create an “art bucket list” which would soon form the basis of my reason for travelling and dictate the voyages I would embark on. I spent years dragging some of my best friends to international art galleries which I was elated by, although the feeling was unreciprocated!
DAVID Michelangelo Galleria dell’ Academia, Florence
From Benvenuto Cellini’s Salt Cellar at the Vienna Kunsthistorisches Museum, to Mantegna’s depictions of the Bella Maniera in Milan’s Pinacoteca di Brera, my love for art has led me to some of the most beautiful cities in the world. One of the most memorable artistically driven trips was my visit to Monet’s home in Giverny, where I stood on his famous green bridge by the water lily pond surrounding the property. Being
enveloped in the scenery where the artist spent so much of his time painting his surroundings was an emotional experience to say the least! A nostalgic throwback bringing forth the notion of time as ephemeral, and the artworks created as eternal.
A bi-yearly trip I never fail to miss is to Florence. Being unable to leave the Galleria dell’ Academia where Michelangelo’s David lies has become a reoccurring dilemma! Such mastery permeates the very essence of time, enveloping the viewer in every remarkable detail. Michelangelo’s David represents David as a strong, virtuous and brave warrior. The colossal sculpture is exemplar of the classical notions of perfection and exemplifies the ideals of proportion and the idealised male nude. David not only connotes the theme of the victor over the vanquished, but also serves to represent the power, prestige and strength of the Roman Empire and the Florentine state. One of my all-time favourite works in the History of Art to say the least!
While my last “art bucket list” destination was the Moco Museum in Amsterdam which showcases a large portfolio of Banksy’s controversial street art, there are still various paintings I aim to see during my lifetime. One of them being Edvard Munch’s The Scream. While this harrowing image at the National Museum of Oslo may seem unsettling, the image not only reflects an existentialist philosophy, but depicts a palpable sense of gravitas
once having delved into the story of the painting. Depicting a patient who escaped from a nearby asylum, Munch captures the anguish and sorrow of the figure by splintering the canvas with textured dynamism; certainly a sight for sore eyes!
Among many other artworks on my treasured list also lies Van Gogh’s renowned Starry Night located in the MOMA in New York. Painted in 1899, the artist depicts the view from the eastfacing window of his asylum room at
Saint-Rémy-de-Provence. After reading The Yellow House by Martin Gayford, the book sparked my fascination with the works of the post-impressionist. Having visited his Sunflowers piece at the London National Gallery and the Van Gogh Museum where one can find the artist’s paints and palette restored and intact, Van Gogh will always hold a special place in my heart.
After reading The Yellow House by Martin Gayford, the book sparked my fascination with the works of the post-impressionist. “ “
Going beyond visiting the artworks themselves, I have also travelled to specific areas which inspired some of my favourite artist’s works. One of my most memorable was that of Guernica.
After intensely studying Picasso’s Guernica, I had to visit the town in the north of Spain where the bombings took place.
I continued my way down to Madrid’s Reina Sofia Museum to see the large-scale mural Picasso had created. Upon eagerly entering the room in which the painting was exhibited, my nerves only intensified. When I finally reached the artwork I was absolutely speechless! Unable to even move and barely blink for twenty minutes straight, I was overwhelmed trying to digest the beautiful chaos unravelling throughout the image.
In his revolutionary Cubist style, Picasso fragmented and abstracted visual representations of the world
around him. From aquatints to etchings, and monochromatic pieces to jarring splashes of colour, Picasso’s famous Guernica documents the crude realities of war. Depicting the bombings of the small Basque town, Picasso captures an intense theatricality with his dismembered figures in a whimsically tragic large-scale composition brought to the limelight. Being extremely avantgarde for his time, Picasso’s artistic influence was prolific, and heralded for its fluidity by altering previous neoclassical elements, and creating a sense of angular distortion which brought modernism to the forefront of the times.
While my list could almost continue eternally, my all-time favourite painter who is truly unparalleled and must be mentioned is the prolific Italian painter Caravaggio. Caravaggio, the grand master of the Italian Renaissance is hailed for his dramatic compositions of
religious scenes. His spellbinding use of chiaroscuro enhances the tension of the unfolding narrative, and allows the viewer to become overwhelmed with emotion and empathise with the figures’ plight. Easily recognisable for his stark contrast between light and dark, his apprentices and followers were nicknamed the “Caravaggisti” and followed in his footsteps, adopting his painterly techniques and employing them in their own artistic practice.
The paintings I have mentioned are not only incredible examples of the artistry and genius we are capable of possessing as human beings, but are
far beyond a painting on a canvas. They are stories, sources of inspiration, important symbols and canons within our history. The subjectivity of an artwork is what truly makes it beautiful. The ability for each and every individual to connect with a piece that evokes a sense of emotion. A sense of permanence, weight and a reminder of everything that came before us which has evolved and shaped the world we live in and “art” as we know it and choose to define it.
The subjectivity of an artwork is what truly makes it beautiful. The ability for each and every individual to connect with a piece that evokes a sense of emotion. “ “
In the bustling chaos of modern life, the Japanese concept of ‘Ma’ offers a sanctuary of silence amidst the harshness of constant noise. A profound lesson in the art of stillness and space.
‘Ma’ is a complex concept that can be difficult to capture because it encompasses aspects of space, time and the intervals between objects or events. However, it is commonly translated as negative space, pause, emptiness or interval. It is the deliberate use of space.
It is about finding the beauty in the negative space between things, appreciating the profound charm of emptiness and realizing how the gaps we often overlook can hold deep meaning.
‘Ma’ could be seen as a necessary antidote to the overstimulated world we inhabit. In a society obsessed with multitasking and constant connectivity, the art of ‘Ma’ is the ultimate rebellion –a deliberate pause in a world addicted to perpetual motion.
In art, ‘Ma’ refers to the intentional use of negative space to create balance, harmony, and depth. By incorporating ‘Ma’ into compositions, artists allow for moments of silence and emptiness, enhancing the overall emotional and aesthetic impact as
well as inviting viewers to engage with the work on a deeper level. The gaps between elements are just as significant as the elements themselves. Without the negative space around it, the thing itself would cease to exist.
The Japanese concept of ‘Ma’ is used in various forms of art. In calligraphy, the empty spaces between characters and strokes play a crucial role in creating a harmonious composition. ‘Ma’ is used to balance the inked elements and convey the beauty in simplicity.
The Japanese tea ceremony is a ritualistic practice that emphasizes mindfulness and connection with nature. ‘Ma’ is present in the deliberate pauses and silences during the ceremony, creating a sense of harmony and reverence.
Ikebana (the art of floral arrangements) is an artform that emphasizes the use of space as much as the arrangement of flowers. The spaces between stems and blooms are carefully considered to create a sense of balance and elegance, reflecting the concept of ‘Ma’.
To embrace ‘Ma’ in our daily lives is to invite moments of stillness and reflection into our routines. It is about creating space, both physical and mental. Where everyone is clamouring to be heard, those who embrace ‘Ma’ are the ones truly worth listening to.
Integrating ‘Ma’ means valuing quality over quantity, depth over superficiality, and silence over noise. It is about recognising that sometimes the most profound moments happen in the spaces between words, actions, and thoughts. ‘Ma’ would be the pause that speaks volumes without saying a word.
‘Ma’ invites us to explore the significance of what is not there as much as what is present. It encourages us to appreciate the power of stillness and silence, not as mere absence but as a fundamental part of our experience. The spaces in between are an essential element of our experience.
In a world that never stops talking, sometimes the most revolutionary act is choosing to remain silent.
Art Space is delighted to sponsor and support our Art Consultant Phoebe in her modelling endeavours.
After being crowned First Princess during the 2024 Miss Gibraltar Pageant, Phoebe is currently preparing to participate in the Miss Supranational Competition in Poland. After months of hard work and endurance, our beloved Art Consultant will be rehearsing day and night during the month of June before hitting the catwalk.
Aside from her modelling career, Phoebe has had a deep-seated interest in the artworld since she was a little girl. After studying Art, Photography and Graphics during her A-Levels, Phoebe has travelled extensively and gained much inspiration from her globetrotting experiences, which inform the basis of her art.
Phoebe enjoys embracing new cultures and engaging in Street Photography. She experiments with her photographs and creates mixed media artworks which derive from a single moment in time captured by her camera.
Her artwork ranges from abstract circular canvases splashed with bright coloured paint, to detailed ink portraits, private commissions, digital graphic design, illustrations, textured landscapes, photography and brightly coloured portraits.
Phoebe skilfully highlights the essence of human connection and individual expression through her works. Her invigorating use of neon colours, bold brushstrokes, and anatomical accuracy place her art in a highly contemporary setting of the 21st century which greatly appeal to the eye and awaken emotion in the viewer.
Her abstracted landscapes and mixed media circular canvases remind one of the Abstract Expressionists,
particularly the art of the masters such as Mark Rothko and Jackson Pollock, which showcase the pure pictorial properties of colour, proportion, surface, scale and controlled chaos.
CONTEMPLATION
“ “
Phoebe has travelled extensively and gained much inspiration from her globetrotting experiences, which inform the basis of her art.
How do you create your artworks?
I love creating large scale portrait/ full body paintings working from my own photographs. I usually paint in acrylics but often use plaster and other textured materials to provide depth and movement to the work.
Do you intend for your artworks to be received in any particular way by the viewer?
I want people to look at my art and see the combination of my abstract style with my initial image which usually stems from my photography where I try to capture candid moments of people.
Who are your biggest artistic influences?
I’ve always looked up to an artist called Sophie Tea, as I like that she makes her art an experience as well as a painting.
How has your style changed over time?
No one photograph I take is the same, so I would say that reflects in every piece of art I do. I’m always making changes and trying new things and I think that reflects in my art.
Who is your favourite artist at Art Space?
Art Space is like no other gallery I’ve been to before, not only does it have a variety of artworks, but the friendly inviting atmosphere is what sets it apart. My favourite artist in the gallery right now would be Whatshisname (Sebastian Burdon), as I find his creative process very interesting, and I like that his work appeals to both children and adults.
Why did you decide to join the Miss Gibraltar competition?
I entered this pageant as I’ve always liked to be out of my comfort zone. I think that’s one of the best ways to grow as a person.
What are you most looking forward to about competing in Miss Supranational?
I’m looking forward to meeting many inspirational women from all different cultures and backgrounds to share a very unique experience with.
What has been the greatest challenge you have had to overcome during your modelling venture?
For me it would be self confidence. I started my journey with very little confidence but throughout the process I have learned that I can achieve anything I put my mind to.
After struggling with depression, Samuel Thomas found that painting was his solution.
Scan here to find out more about Samuel
He aims to inspire one to feel uplifted and truly engaged with the natural world. A unifying theme that runs throughout his paintings is that of escapism. He captures idyllic places and sunnier visions of the world to escape the darkest days we may find ourselves in. The theme of optimism is explored through his geometric Pop Art, as he shares the purest parts of his recovery with the viewer.
My paintings are aspirational projections of the self into a better future. The reminder to keep persevering in our everyday towards a brighter future - even when that may feel far away in the distant future.
Renowned as one the world’s most famous feminist artists, Frida Kahlo’s fight for resistance has unequivocally shaped the art world as we know it today.
Championing women in art, the Art Space gallery features a wide variety of female-driven portraits created by female artists. From Anna Briukhovetska and Nana Artamonova, to Susan Hartley and Jennine Parker, the depiction of women by women forms an important part of the gallery’s foundations.
Born in 1907 in Mexico City, Frida Kahlo is coined as a pioneer of Surrealism, Modern Art, Cubism, Symbolism and Magical Realism. Recognised for her uncompromising and brilliantly coloured self-portraits, the driving force of Kahlo’s art lies in controversial social and existential concerns during the 1900s, surrounding the themes of identity, human anatomy and death. Upon struggling with ill health during most of her life, Kahlo survived a serious bus accident in 1925 which informed much of her art and led her to study the art of the old masters during her convalescence.
Her stylistic tendencies began to develop and change after her marriage to Diego Rivera. Whilst depicting herself in self-portraits wearing traditional Tehuana dress and
The driving force of Kahlo’s art lies in controversial social and existential concerns during the 1900s. “ “
a flowered headdress which gained much notoriety, Kahlo also presented a version of herself dressed as a traditional Mexican wife alongside her husband. Inconspicuously alluding to the role she presumed he wanted her to fill, such issues of misogyny and sexism continued to play a vital role in the artist’s portfolio. After the unveiling of numerous extramarital affairs and her sexual exploration with other women, the indigenous Kahlo carefully crafted her own personal iconography which featured her impassive steadfast gaze.
With her Casa Azul becoming a cultural hub for writers, artists and political activists of the time, the famed Leon Trotsky, André Breton and Marcel
As a pioneer of feminism in art, Kahlo exacerbated the concept of freedom and acceptance of individuality.
Duchamp championed her work and eventually led to the acquisition of The Frame (1938) by the Louvre in Paris. Her posthumous reputation continued to flourish from the 1970s, and reached its peak of popularity by the 21st century, referred to as “Fridamania”. The dramatic turbulence of life events she endured was of great interest to the public. From injuries and adultery to drug abuse and sensational love affairs, her notoriety has transcended the boundaries of art and trickled into the world of film and literature.
As a pioneer of feminism in art, Kahlo exacerbated the concept of freedom and acceptance of individuality. Setting an example for modern women, she was deemed as a strong personality who dared to express her character irrespective of outside judgments. The artist not only took pride in her overt bisexuality, but also defied gender stereotypes by attending a coeducational school and appearing as a rebel wearing men’s clothes in family photos. Kahlo adopted the habits of
smoking, boxing and rejecting the traditional standards of beauty that women were expected to possess. Embracing her “masculine” facial features as well as her “feminine” tastes in wearing flowers and bright colours, Kahlo has set an example and negated the traditional aesthetic representation of the female form in art.
Indeed, not only has Frida Kahlo gifted the world with her artistic talents, but also served as a symbol of female strength, iconoclasm and selfexpression.
ANNA BRIUKHOVETSKA
ANNA BRIUKHOVETSKA
CAROLINE WENDELIN
JACQUIE BOYD
VANESSA VANCATE
JOSS CLAPMAN
MARK MCDONELL
BEN JEFFREY
PETE HUMPHREYS
MONIKA LUNIAK
ANNA BRIUKHOVETSKA
SANNIB
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Others have seen what is and asked why. I have seen what could be and asked why not.
The gallery inspires one to reflect upon the ideals perpetuated by the artists of the twentieth century, in which the key feature of the modern era was the intention to break with tradition and progress into new artistic territory. This signified a departure from the classical traditions of the Renaissance heralding innovation and experimentation in the art world. The bravery of disclosing fundamental truths in their current historical climate propelled this movement forward, shaping the global art stage as we know it.
With “contemporary” art strictly referring to art created by artists of our time, those who work within the postmodern movement embrace the notion of “artistic pluralism” whereby the acceptance of various artistic intentions and styles are favoured, and the concept of mainstream art is rejected.
The experimentation with alternative ways to paint, sculpt and print was normalised in the mid 20th century as the quest to create something new and rebel against the conservative became commonplace.
While contemporary artists certainly pay homage to and recognise the masters that preceded them, they have redefined fine art through conceptualism. By challenging preconceived ideas of art as a commodity, art has moved beyond being valued as an aesthetically pleasing product, to a creative tool used for change. Being a medium for ideas, the conceptual nature of art offers a different dimension altogether, with the viewer becoming a part of the artwork itself.
From Damian Hirst’s The Physical Impossibility of Death in the Mind of Someone Living to Joseph Kosuth’s One and Three Chairs, renowned conceptual masters have made substantial break-
throughs challenging the notion of what constitutes art, and ultimately, life itself. Opening the flood gates for mundane everyday objects to carry significant weight in the world of philosophy, this redefinition of art is a novel phenomenon. Among the many shapes and forms that exist within a more stringent definition of “art”, installations, site-specific work and video art formats are gaining substantial notoriety. Contemporary artists of our time continuously strive to pull inspiration from an infinite variety of sources and materials, therefore becoming a fluid never-ending evolution of creation as we know it
Exploring optimism and the natural world, Samuel Thomas delves into geometric Pop Art, and captures idyllic panoramic scenes through rose-tinted lenses.
After struggling with depression, the artist found solace in creativity, and always aims to inspire and engage the public with his art. With a recurring theme being that of escapism, Thomas depicts brightly coloured picturesque landscapes which share the most vulnerable and purest parts of his recovery with the viewer.
His romanticised world-view comes to life in his Electric Autumn which decorates the gallery walls of Art Space.
Scan here
to find out more about Samuel Thomas.
brighter future - even when that may feel far away in the distant future. “ “
My paintings are aspirational projections of the self into a better future. The reminder to keep persevering in our everyday towards a
TIME FOR REFLECTION
Samuel Thomas
ORIGINAL
100 x 100
In-keeping with his romanticised view of the natural world, Thomas’ Time for Reflection depicts a highly inviting scene using linear perspective. The artist almost invites the viewer to enter the painting and partake in his artistic experience. With a row of brightly coloured trees parallel to one another converging into a single point in the centre of the canvas, the artist plays with texture, colour, geometry and reflections. Indeed, the presence of water creates a symbiotic relationship with the real world, and that of a mirage. Thomas’ dream world continues beyond the confines of reality and transcends physical boundaries. With a starlit sky enveloping a gradation of blue hues, Thomas truly captures a mystical and alluring depiction of nature and brightly coloured foliage thereby enticing the viewer to see the world as he does.
ELECTRIC AUTUMN
Samuel Thomas
ORIGINAL
90 x 190
Depicting a serene and inviting landscape, Thomas experiments with a variety of complimentary colours and textures. With a heart-shaped tree in the centre of the composition, its autumn leaves splinter the foreground and demonstrate the passing of the seasons thereby speculatively initiating a new beginning and time of change. The fluorescent beams of neon orange mimic the colours of a sunset, and serve as the primary focal point which draws the viewer’s gaze into the scene. Alluding to the themes of love, peace and nature, Thomas portrays a world untouched by civilisation, where the earth, sky and sea converge into one. As the moon begins to rise over the horizon, two small figures are depicted looking out into the distance admiring the natural world that surrounds them. The sense of peace and stillness captured by the artist is addictively captivating, and much like the colour field painters of the 1950s, serves as a catalyst for provoking an emotion through colour in the viewer.
£1,750
£1,595
Paul manages the gallery’s collection of original art & limited editions. He works alongside both new and established artists to bring a range of art into our gallery. Opening Art Space is his dream come true after several years of collecting artwork around the world.
Ana focuses on expanding the gallery’s network and establishing partnerships for Art Space. Working on building relationships with the community, Ana works to expand business and marketing opportunities for Art Space both locally and internationally.
Art Consultant
Aside from offering advice and guidance to clients wanting to purchase art, Phoebe draws on her own artistic experience as a painter and photographer. With a hand in Social Media Marketing, her creative expertise is truly invaluable as one of our Art Consultants.
Millie creates content for the gallery’s social media platforms. She markets the gallery’s upcoming exhibitions and provides the public with exclusive behind the scenes updates on the inner workings of the gallery.
With a degree from Warwick University in History of Art & experience in academic presentations & research for the London National Gallery, Tammy has spent years working in the creative fields. As Managing Editor of the Art & Culture Magazine, she is the main point of contact for all editorial enquiries and feature writing of Art Space.
Specialising in Fine Art, Photography, and with plenty of experience in a customer service capacity, Kassidy offers our clients quality care and ultimate customer satisfaction. Being a main point of contact upon entering the gallery, Kassidy can assist clients with any queries.
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