SIR DANIEL WINN WINN THE ARTIST THE ARTIST BEHIND BEHIND THE NEW FILM CHRYSALIS CLINT EAGAR’S CLINT EAGAR’S ARTISTIC JOURNEY ARTISTIC JOURNEY FROM SOUTH AFRICA TO SOUTH FLORIDA
ORSI SOGOR
CONVERSATION THE POWER OF MIND AND THE OCEAN
Artist: Sol Ressia
EDITOR'S LETTER
Dear Readers,
Welcome to our Hollywood Spring 2025 edition
This season, we ’ ve gathered a radiant blend of contemporary fine art, distinctive fashion design, and the freshest waves sweeping through the world of cinema. But above all, this issue is a celebration of the human spirit of those who, despite obstacles, rejection, and moments of doubt, found the courage to leap forward Their journeys echo with resilience and transformation, offering light to anyone who may be navigating their own storm, yet still dares to dream.
On our cover, we introduce the inspiring path of Serge Vorontsov, the brilliant young founder of SV Atelier, a global beauty brand His rise is not just a tale of success it's a vivid reminder that determination and vision can carve out a place in the world, even when the odds seem insurmountable
We are deeply honored to highlight Chrysalis, a soul-stirring new film by acclaimed Hollywood director Jordan Schulz. Centered on the early life of internationally celebrated artist and philanthropist Sir Daniel Winn, it traces his journey from a child refugee in Vietnam to a creative force of global influence His metamorphosis is one that lingers a reflection of the deep reservoirs of strength within each of us, and of our infinite capacity to grow, to give, and to transcend.
Also within these pages, you’ll discover the artistic universe of Victoria Mozgovaya, a gifted designer and painter whose Southern Californian fashion brand is as intimate as it is expressive Her creations are more than garments they are meditations on identity, spirit, and individuality. Each piece speaks without words, honoring the uniqueness of the soul who wears it
Daria Rusakova
ART E$TATE
As I worked on this issue, I found myself revisiting my own path from art curator and editor, to aspiring actress. Choosing a creative life means learning to walk through uncertainty There were times when I questioned everything What sustained me through those moments were the luminous lives of others the beauty they created, the truths they revealed, the strength they shared That quiet inspiration is what continues to carry me forward
And so, it is with great joy that I share this vision with you not as a destination, but as a journey in bloom. May these voices stir your imagination, lift your spirit, and remind you of the light you carry within
Daria Rusakova, M.A. Founder & Editor-in-Chief
Curated Magazine
SIR DANIEL WINN
INTERVIEW BY DARIA RUSAKOVA PHOTO CREDIT:
SIR DANIEL WINN: CHRYSALIS
Sir Daniel K. Winn is an internationally recognized bluechip artist, fine-art curator, awarded entrepreneur, and highly respected philanthropist.
In recognition of his direct support to humanitarian causes, having directly assisted in raising millions dollars for nonprofit aid in the United States and Asia, Winn was honored the prestigious title of “Sir” when knighted in 2018 under the Princely House of Schaumburg-Lippe-Nachod one of only five recipients of the title in the history of the royal family
As a child refugee to the United States from Vietnam, Winn excelled in academics while at the same time supporting his younger sibling, allowing his parents to earn a living He went on to study medicine; but during his study of reconstructive surgery at UCI medical school, he broke from family expectations and set out to pursue a life in the world of art. He went on to work with a number of artists, elevating them to blue-chip museum caliber, in addition to developing his own artistic philosophy, "Existential Surrealism."
Winn’s work ha exhibitions wor he is the CEO a Inc., and Found most prestigious art galleries in Beverly Hills In 2019, the NEST Foundation in Hollywood also awarded Daniel Winn the “Philanthropic Artist of the Year ”
Internationally renowned artist and philanthropist
Sir Daniel Winn embarks on his most personal project yet: Chrysalis, a cinematic journey tracing his remarkable life from orphaned child to celebrated creative visionary. In this exclusive interview, Sir Daniel opens up about the deeply symbolic nature of metamorphosis, the philosophy that drives his art, and the emotional intensity of portraying his own story on film. Set against the backdrop of war, survival, and transcendence, Chrysalis is more than a film it’s a universal reflection on pain, hope, and the human capacity to transform
Sir Daniel, it’s a great honor to have this conversation with you about your upcoming project, Chrysalis. It seems like a significant step in your life and career. What inspired you to begin working on this film?
This film has been in the works for several years Many producers and directors approached me with the idea of creating a mini-series about my life, but I turned them down I wasn’t ready Recently, I’ve been finishing up my memoir, which tells the story of my journey: leaving Vietnam at a young age, coming to the US as an orphan, and eventually becoming a successful artist
Over the last two years, the script for Chrysalis finally came together From that script, this film was born I chose Jordan Schulz to direct he also directed my last film, Ectropy, and served as the Director of Photography for Creation He’s the perfect person to lead this incredibly ambitious project
What inspired me to make this film is the desire to share my artistic philosophy with the world but not just the philosophy itself I wanted to show how it came to be, through my personal journey and life experiences It’s a way to help people understand why I create what I do
How would you briefly describe what Chrysalis is about?
Well, “chrysalis” means metamorphosis the transformation from a caterpillar into a cocoon, and then into a butterfly I believe we all go through our own metamorphosis, our own “chrysalis,” whether we emerge as a butterfly, a moth, or another form of life It varies for everyone
In my case, as an orphan who struggled during childhood, my own metamorphosis has been a positive one. But in the story in both my memoir and in Chrysalis the film there are many characters who aren’t as fortunate Some “chrysalize” into moths, drawn to a flame that ultimately destroys them, rather than evolving into butterflies, which symbolize beauty and hope
So, Chrysalis isn’t just the story of a child growing into who he becomes it’s also a metaphor for humanity, for the transformations we all undergo, often in unexpected ways It explores who we are as individuals and how we are shaped by our experiences The film carries a dark message, but it also offers something very uplifting In the end, how people perceive Chrysalis will depend on their own journey and that’s exactly what I want I want each viewer to find their own meaning in the story
In what ways is Chrysalis different from the short films you’ve worked on in the past, particularly in terms of your artistic philosophy?
In the past, I created short films that were more abstract and artistic works that explored the ideas of Existential Surrealism and universal truths. It’s a philosophy that’s both unique and deeply profound Those earlier films were designed to let the visuals speak for themselves, allowing people to interpret them in their own way They had no dialogue, which made the visual experience even more open to interpretation But Chrysalis is very different It’s a feature-length film with dialogue strong, powerful dialogue It tells the story of my life, based on my memoir It’s a true story about an orphaned child who rises from difficult beginnings to become who he is today While my previous films were artistic expressions of universal ideas, Chrysalis brings those ideas into a personal, emotional narrative It connects philosophy with real-life experience
What is the core message of Chrysalis?
At its heart, Chrysalis is about metamorphosis All of us go through a transformation from a caterpillar to a cocoon, and through that chrysalis stage into something new It’s also really about how we choose to transform ourselves whether we become a moth, a butterfly, or a truly radiant butterfly that brings beauty into the world I believe Chrysalis is about the shared transformation we all experience
How does your artistic philosophy influence the film?
Film is a unique artistic language very different from painting or sculpture While there are three-dimensional sculptures or twodimensional paintings, cinema adds movement, time, and rhythm Every frame can be seen as a painting in itself, but when those frames come together, they create something even more powerful I believe film has the ability to evoke emotions in a way that static visual art sometimes cannot It’s cinematic art an emotional experience that unfolds through light, sound, and motion
That’s why I find film to be such a compelling medium It allows me to express my artistic philosophy on a deeper, more immersive level than painting or sculpture alone ever could
In addition, having award-winning director Jordan Schulz directing this movie was critical in understating my philosophy. Schulz is an artist in film and thoroughly understands my history; hence, he can bring to the screen a very artistic interpretation of my life and vision Working with Schulz in several films has given us a better understanding of our artistic thoughts to collaborate instinctively in Chrysalis through the eyes of my childhood
What does it mean for you, as an artist, to work on Chrysalis?
It means I have the opportunity to share my vision in another form I can paint, I can sculpt, I can write, create poetry, and speak about my work but with cinematic art, there's yet another avenue
It allows me to share what I call my "artistic visual language" with the world No matter what culture you come from or what language you speak, when you watch the film, you can feel something deeply perhaps even more than you might from viewing one of my artworks
Film gives me a way to communicate further, deeper, and more profoundly It helps people not only see the art, but understand the story behind it the reasons why I create
Through Chrysalis, I can share my life, my tragedies, my triumphs, and everything in between I want the audience to connect the journey: from point A, where I began, to point B, where I am now with my art as the bridge between
What do you see as the biggest similarities between the different mediums of fine art and acting? Did you have to adjust your approach for this film?
Absolutely Acting is something quite foreign to me I am an artist who paints and sculpts, and I'm not a performative artist so I had to learn how to be myself on camera as an artist
What’s unique about acting is that there are several takes, and it’s not just about preparing yourself to be yourself on film, you also have to do it again and again It’s almost like when I sculpt: if I make a mistake, I can keep sculpting But in acting, we can do a second or third take, and I have to re-enter the character that is me the artist of that time
For me, it’s much more difficult because of the timeframe involved in filming. As an artist painting or sculpting, if I’m tired or not ready to finish a piece, I can step back and return to it a day, a week, or even a month later But in film, if your first take doesn’t work out, you may have only ten minutes to redo the same scene so you have to bring those emotions back in quickly
Acting is very unfamiliar to me, but at the same time, it’s exciting, even though it’s challenging There’s so much to communicate, and I find myself expressing my emotions more than I usually would It’s extremely exhausting because I constantly have to bring my true self the artist into the role, to portray my emotions and communicate who I am
I have a lot of respect for actors who play other characters and have to fully immerse themselves into that role Here, I’m playing myself, which is already difficult enough
I can’t imagine actors taking on fictional or non-fictional roles and fully becoming those characters. For me, this is a great opportunity to learn about this medium and acting skills, which ultimately enhances my abilities as an artist and helps me improve myself, too
Did your experience as a painter offer you a unique perspective when making this film?
Yes, absolutely As a visual artist, I brought a unique perspective to the film While most filmmakers are artists in their own right, their medium is cinematic In my case, I bring a deep, philosophical approach to art something that’s reflected in my paintings and sculptures I shared this perspective with the director and producer to help them understand the emotions I aimed to express By understanding me as an artist, they were able to shape the film in a way that stays true to who I am and what I represent creatively
How did your experience of storytelling change when you were acting in a film, as opposed to creating art as a painter or sculptor?
In my experience, storytelling through painting and sculpture is much easier than through acting, because I can always take my time pause, reflect, rest, and make decisions at my own pace But in filmmaking, the process involves many more people the director, the director of photography, assistants everyone is waiting, and that creates pressure It’s no longer just about my timing or my choices
So, storytelling through acting is a much more complex experience for me But because it’s so challenging and demanding, it also brings out deeper emotions and can have a stronger impact on the audience than my paintings or sculptures alone
Was it challenging to portray yourself in the film?
Yes and no In theory, playing myself should be easy But in reality, portraying yourself as an artist means you have to access and maintain your emotions constantly In filmmaking, if the first or even the tenth take doesn’t work, you have to keep shooting the same scene That means I have to be fully myself, emotionally and mentally, for an entire 15-hour shoot day without stepping out of character because the character is me In that sense, it was extremely challenging to play myself, because I’m not an easy person to portray. I am grateful to director Jordan Schulz for understanding me as an artist (my character) and encouraging me to be myself on camera and mostly, guiding me to be the best in this movie that I can be
What factors influenced your decision when choosing the actors for different stages of your character’s journey?
All the actors involved are incredible, and highly respected both in Vietnam and in the US I was fortunate to work with a fantastic casting director who auditioned thousands of people for these roles From there, he narrowed it down to 50 finalists, and we auditioned those actors together over the course of three days
It was a very difficult decision to choose who would play each role The main criterion for me was emotional authenticity I asked myself: can these actors truly communicate the emotional journey I experienced? That applied to child Daniel, young Daniel, and the actors portraying my mother, stepmother, and grandmother.
Ultimately, we chose those who could genuinely embody the emotions I lived through those who made me say, "That’s the one." And even then, it wasn’t easy, because there are so many talented actors out there But thanks to the casting director and my team, the process became much more manageable
What are your plans for Chrysalis? Where and when will the film be showcased?
There are two versions of Chrysalis The full-length feature film is set for worldwide release in 2026 However, we ’ re also creating a 40minute short version more like an extended trailer which will be released at the end of this year This release coincides with the 50th anniversary of the end of the Second Indochina War, and we want to honor that moment through this commemorative short
The short film will have a limited screening for around 2,000 viewers, after which we plan to submit it to film festivals around the world Meanwhile, we will continue production on the fulllength version of Chrysalis, with the goal of releasing the two-hour feature next year By then, we hope the film will have received recognition and awards on the festival circuit, generating strong interest and anticipation from a global audience
After the movie is complete, we ’ re also considering developing a limited series based on my memoir The writer is already prepared to outline five to six seasons When the time is right, we plan to approach platforms like Netflix, Amazon, or HBO to explore the project further
Right now, we're focused on taking it one step at a time Even though the film runs two hours, it only covers a small portion of the character’s life from age six to nine There's still a huge part of the story left to tell, from age nine to sixty, with so many experiences and chapters to explore. I truly believe the limited series will offer a lot of depth, and I’m very excited about that possibility.
Who is the primary audience for Chrysalis?
I believe the primary audience for Chrysalis is everyone In one way or another, people all over the world have experienced pain, tragedy, or suffering as well as joy, hope, and triumph Everyone can relate to the metaphor at the heart of this story: the innocence and purity of a child, and what happens when that innocence is lost It’s like tasting the “apple of wisdom” you begin to understand universal truths It’s a blessing, but also a curse
With understanding comes pain, and while that knowledge can be deeply meaningful, it also brings suffering.
This film speaks to anyone who has gone through loss, pain, or darkness, and still holds on to the hope that things can be better. It’s about the journey through death, through grief, and the strength it takes to overcome. That’s what this film is about. So, I feel it’s made for everyone, from children to adults, and I hope the audience will truly connect with it.
That’s amazing! I really feel like Chrysalis has the potential to be a masterpiece
I truly hope so from your lips to God’s ears! I'm praying this becomes the most meaningful moment of my life and something that leaves a lasting impact on cinematic art.
Artist: Sir Daniel Winn Chrysalis Series
SERGE VORONTSOV
COVER STORY
INTERNATIONAL SUCCESS IN THE BEAUTY INDUSTRY
INTERVIEW BY
DARIA RUSAKOVA
Serge, you’ve graced many magazine covers throughout your career Can you share a few words about those experiences and how it feels to be recognized in this way?
Working with global magazines has been an incredible and truly enriching experience But the most important thing to understand is that none of it happened overnight It’s been a journey a gradual, evolving process I often compare my career to a fine cognac: the older it gets, the more refined it becomes, and the more sophisticated the opportunities and expectations are
For me, the key is to keep moving forward constantly creating, innovating, and pushing boundaries I believe true success lies in continuous growth and reinvention, in embracing challenges and turning them into extraordinary projects Every collaboration, idea, and creative endeavor adds depth and meaning to my professional path.
That’s why I deeply value every opportunity to work on international platforms to bring bold creativity, fresh perspectives, and unique storytelling to the world of fashion and beauty It’s not just about being part of the industry it’s about shaping it, evolving with it, and leaving a lasting impact
You have such a unique style! How would you describe it, and what sets you apart from other fashion icons?
To be honest, I have a somewhat skeptical attitude toward fashion In this sense, I might even be a bit of a hypocrite, because I believe fashion is more of a state of mind than a defined style It’s always contradictory when we try to label things as “fashionable” or “unfashionable”
To me, fashion is all about emotion what evokes admiration or a sense of wonder. Trends come and go, but what truly resonates is what makes you feel something. My personal style is very simple: a white Tshirt, jeans two sizes too big, and my favorite comfortable sneakers That, I suppose, has become my signature
Can you tell us about your background in the fashion, art, and beauty industries?
It’s quite simple I’ve spent many years analyzing the beauty market and industry, dedicating a significant amount of time to mastering the art of premium service My focus on detail has always been central, and that commitment allowed me to eventually create my own brand
This meticulous approach laid the foundation for high-quality work and helped me succeed in this niche. Ultimately, it comes down to deep analysis, which naturally leads you to develop your own style and, eventually, a brand that stands out.
Let’s talk about your project, SV Atelier. What is its concept and core mission?
The mission is very straightforward: to create the best product in the world and offer exceptional service
Even though SV Atelier operates across five culturally different countries and salons, my goal remains the same ensuring that every product meets the highest standards of quality and excellence. Regardless of market or location, my focus is always on setting the bar higher and delivering the best.
I’ve heard the story of your brand is quite fascinating. Could you share it with us?
The story of my brand began ten years ago. At the time, I was already a successful hairdresser, but I wanted something more something beyond just offering services. I’ve always been naturally curious, and that curiosity drove me to create something truly innovative
It wasn’t just about refining techniques It was about revolutionizing the industry with a new product I realized that to grow, I had to build more than a skillset I had to build a brand, a name, and a larger presence
That’s how SV Atelier was born a brand that has become one of the most recognized and in-demand in the world The journey wasn’t always easy, but each challenge, insight, and breakthrough helped shape the brand. My vision then, as it is now, was to offer something truly unique and raise the standards of beauty and haircare.
Looking back, much has changed but one thing hasn’t: my passion for excellence and pushing the limits of what’s possible in this industry
You’ve had a major breakthrough this past year opening new offices, collaborating with high-profile figures, and launching partnerships How did you achieve this leap in your career?
Honestly? I don’t really know I say that with complete sincerity Sometimes, I feel like I’m simply moving forward and along the way, I meet incredible people: talented, creative individuals who inspire me I think it’s because of my energy and my inability to stop I won’t sugarcoat it relentless work and constant movement have allowed me to grow and realize my full potential That drive has brought the right people into my life
My lowest point was probably my unexpected emigration to America I could imagine it happening someday but not so suddenly, not so spontaneously. It felt like hitting rock bottom, yet it also gave me the strength to push forward. I realized my mission was to keep moving and trust my instincts. And so far, my heart hasn’t steered me wrong.
What project are you most proud of?
My children They are the biggest project and the greatest achievement of my life
What values matter most to you at this stage of your life?
For me, the most important values are kindness, genuine human connection, smiles, and sincerity. These are things that can’t be bought at any price. I’m incredibly lucky to have people in my life who embody these values, and I cherish them deeply.
You're a passionate collector of contemporary art What are your favorite styles or movements?
I have a deep appreciation for Japanese painting especially oil paintings that depict nature That’s probably one of my favorite artistic styles And yes, I also love Japanese anime
As a fellow film enthusiast, I have to ask: What films have inspired you the most?
One of my favorite films is A Single Man by Tom Ford It’s visually stunning and emotionally powerful
What are your business and creative goals for the future?
My creative goals are ambitious I want to produce at least 50 more magazine covers each one a piece of art, each telling a story For me, a cover isn’t just a visual it’s a feeling, a message, a moment that resonates Every one is a new challenge and a chance to push boundaries
And perhaps most dear to my heart is the future opening of the SV Atelier Museum This will be more than a brand showcase it’ll be a living story of our evolution, innovations, and the artistry that defines us I want visitors to truly feel the journey, to understand the dedication behind every product and idea
I’m also passionate about sharing my knowledge through trainings and seminars After years in this industry, I’ve accumulated a deep well of expertise not just in beauty, but in branding and high-level service I want to pass that on I envision a space where hairstylists, entrepreneurs, and creatives can sharpen their craft, elevate their mindset, and master the psychology of working with people You travel frequently. What global fashion trends are standing out to you right now?
For me, creativity has no limits What I do today is just the beginning of what I’ll create tomorrow My aim is to leave a legacy a lasting source of inspiration that goes far beyond trends
Yes, I travel often every one and a half to two months It’s not just about changing places, but expanding my worldview Every trip offers inspiration, cultural insights, and new perspectives
Most recently, I was in Japan, and what impressed me most beyond the beauty and tradition was the people’s deep-rooted sense of tolerance If I had to name one defining trend in the modern world, it’s that: tolerance The ability to respect and coexist with different cultures, views, and ways of life that’s what progress looks like
Travel constantly reminds me that the world is vast and full of wonder And no matter how much I’ve experienced, there’s always more to learn, more to explore That’s why I’ll never stop traveling
INTERVIEWBY DARIARUSAKOVA
KICKI EDGREN’S ‘UNQUITE STILLNESS’
HUMAN CANVAS
Artist: Kicki Edgren “Unpredictable”
KICKI EDGREN
born 1972 and based in Gothenburg, Sweden, has always painted, drawn and written as long as she can remember.
Ever since her first art exhibition at the age of 15 she has had about 25 solo exhibitions in Sweden, and recently her paintings has been exhibited in Galleries in several countries in Europe, Canada and US. Kicki Edgren has attended several art educations, including a master's degree from HDK-Valand - Academy of Art and Design, University of Gothenburg. However, she believes that the best art education is life itself, the life-long interest in watching and analyzing what other things really look like and the curiosity of what happens when you make your own interpretations and visualizations.
She gets her inspiration from human emotions and situations expressed in bodies and faces as well as patterns, abstract art, and street art. The soft, sweet and perfect doesn’t interest her, but instead she uses vibrant colors, rough lines and dynamic contrasts to exaggerate expressions. She always experiments with the meeting between the 3-dimensional and flat surfaces.
In addition to her artistry, she is also a multiprized designer for her graphic design, pattern design, and product design. Her creative soul is distinguished not least by her 3-dimensional wallpaper ‘Off the Wall’ that was exhibited in many places, including the design museum in Barcelona, at the same time as her selfwritten book was published in Sweden.
Kicki, you’ve been a professional artist since a young age. What inspired you to choose art as your lifelong career?
I was born to create As a child, I was told I had a talent for drawing, and I quickly began to identify with that Over the years, I’ve been creatively restless, shifting between different mediums and forms of expression. I started out painting, then moved into various design jobs. But whatever the job was, it always centered around creating. Now, I’ve come full circle back to painting, which is probably what I love the most This time, I want to stay with it, give myself the space to grow, and see where it can take me
Can you tell us about your artistic and creative background?
I’ve been creating for as long as I can remember I’ve always been the “I’ll do it myself” kind of person Instead of reading a book, I’d make my own If I wanted something specific even a piece of furniture I’d build it in my dad’s garage.
As a child, I mostly drew Eventually, I started exploring different materials and techniques At 15, I began painting with oils on canvas, and that’s when I had my first exhibitions
Painting full-time was never really the plan. Instead, I became an illustrator and graphic designer, and later, through education, including a Master’s in Fine Art and Design at the University of Gothenburg, I evolved into a product designer and brand strategist In the meantime, I also became a mother of two boys During those years, I didn’t paint at all But in 2017, I picked it up again and I haven’t stopped since
What challenges have you faced throughout your artistic career?
I’m drawn to challenges especially those that push me out of my comfort zone That’s what makes the process exciting: setting a goal, daring to go for it, and not giving up until I’m satisfied Creating is hard Every project involves thousands of small decisions It’s easy to get things wrong, and incredibly hard to get them right. Being a perfectionist doesn’t make it any easier.
One ongoing challenge is finding the right places to exhibit and recognizing which opportunities are worth pursuing It’s also frustrating that artists are often expected to shout the loudest to get noticed I’m not that type I’m quiet by nature Still, I’ve built a strong presence with exhibitions, gallery representation, collectors, and followers. In the end, good work often finds its way to the right people.
Artist: Kicki Edgren
Day”
ARTIST:KICKIEDGREN
What would you say is the core message of your artwork?
I try to capture people’s deepest emotions moments of inner crisis, decisions, or pure joy. With every painting, I aim to discover something new and human. That exploration never runs out Just like music can form endless melodies from the same notes, I can keep exploring the human experience through different expressions
At its core, what I want to convey is that it’s okay to feel all emotions. It’s okay to be exactly who you are. This is something I constantly struggle with myself, and so I paint the answers to my own self-doubt
Each piece holds layers of thoughts and untold stories I choose not to explain them in words I want the viewer to see themselves in the work, to connect it to something they’ve felt or lived through
Sounds inspiring! How would you describe the artistic direction and techniques you use in your work?
I have stories that need to be told, but I’m equally fascinated by color, composition, contrast, and technique. I want to find a unique way of expressing myself through my approach.
I start by covering the canvas with thick paint, usually using a palette knife and a mix of colors This first layer adds texture and creates a vibrant base From there, I build up the layers, painting the subject repeatedly until I get it just right But it’s not easy the canvas becomes a battlefield I often get frustrated and end up painting over the work several times before I’m satisfied In many of my pieces, there are four or five paintings hidden beneath the final layer That’s why I mostly use acrylics it suits my temperament and restlessness because it dries quickly!
How has your education in design influenced your artistic style?
My design education has shaped a minimalist mindset in me. I always want to help the viewer see what really matters the eye needs space to breathe. Decorations, colors, textures, or visual “noise” should never compete with the main subject. I pay close attention to where the focus should be, how color influences perception, and how the composition feels not just visually, but instinctively
That thinking has carried over into my painting I want the emotional expression to stand out. Everything else is toned down. I often use flat, almost lifeless surfaces and neutral backgrounds to let the subject take center stage. That subject the human figure is usually raw, expressionist, sometimes loud, and even brutal
Your work reflects a strong European influence. How do you think the European art scene differs from the American art market?
ARTIST:KICKIEDGREN ‘STILLHERE’
When I paint, it comes from within I don’t think much about what different markets might want The people who connect with my work come from all over the world, and the conversations I have with collectors or art lovers whether they’re from Europe or the U.S. are often surprisingly similar.
If I had to make a casual observation, I’d say European buyers tend to prefer more subtle expressions and clothed figures, while American collectors seem to prefer bold colors, energetic bodies, and more abstract, less emotional imagery Honestly, I don’t really know but if that’s the case, I guess I’m lucky, because I cover both ends.
With numerous international awards and participation in global art shows, is there a particular project you’re especially proud of?
I’m especially proud of a few solo shows in Sweden, where I sold out but one that really stands out was in Canada I didn’t know the market or anyone there, so I had no idea what to expect
The opening night was packed, and the whole event was spectacular with DJs, speeches, and even a live-painting session where I painted in front of a large crowd. I was completely overwhelmed by the warmth and appreciation from people who had come just to see my work and meet me It was a true “ wow ” moment
What are your creative plans for the future?
My goal is to become a world-renowned artist and make a good living from it To get there, I know I need to start promoting myself more actively So far, opportunities and collaborations have come to me, but I realize it’s time to start putting myself out there especially toward galleries in the U.S. and Europe that I truly admire.
But it takes courage And courage isn’t exactly my strong suit But I’m getting there step by step
What advice would you offer to young artists just starting out in their careers?
There are millions of talented artists out there many better than you or me and most are aiming high If you ’ re someone who enjoys selling, posting, networking, and attending meetings more than painting congrats, you ’ ve already unlocked the key to success. But many artists, like myself, just want to paint
So I’m not a role model for success because I’m too humble, shy, and self-critical.
But if I had to share one piece of advice straight from the heart, based on my own experience:
Studying others’ work is important, but copying it isn’t the way to grow
Keep doing what you love If you want to maintain your integrity and passion, don’t let others’ opinions or expectations steer you away from it
And if others start paying attention show them love. Your true fans will carry you further than you think
INTERVIEW BY DARIA RUSAKOVA
ARTIST: KICKI EDGREN
Artist: Kicki Edgren
JUANK VALENCIA: THE SCULPTOR OF THE ISSUE
JuanK Valencia is a Colombian sculptor whose work has been gaining solid and organic recognition in the national art scene His background in art history, curatorship, museology, restoration, metallurgy, and foundry has allowed him to develop a unique mastery in working with iron and marble materials he transforms into pieces of profound beauty and meaning.
Sacred geometry is a defining element of much of his artistic production His marble sculptures stand out for their exceptional technical precision, while his geometric compositions create a harmonious dialogue between form, space, and light. The solidity of his materials contrasts with the fluidity of his designs, giving them an almost ethereal quality.
Always seeking new sculptural processes and innovative technologies, Valencia is distinguished by his discipline and creative vision This drive has led him to participate in major international exhibitions and fairs, where he has established connections with collectors and fellow artists who share his interest in experimentation and artistic excellence
Beyond his personal practice, his commitment to promoting art is notable. As the founder of several artist collectives and the organizer of cultural events, he has helped create platforms that support the exhibition and dissemination of contemporary art in Colombia.
As director and co-founder of Avant Art, he has also established a space for both emerging and established artists to present their work in significant and relevant contexts
Juan Carlos Valencia’s work transcends the limits of formal and material exploration, becoming a bridge between sculptural tradition and the possibilities of contemporary art His innovative approach, technical mastery, and dedication to the art world position him as a key figure in today’s sculptural landscape
Belarmino Miranda
Geometry Abstract as a Language
JuanK Valencia is a renowned sculptor from Medellín, Colombia a versatile artist who works with a range of materials including basalt, slate, marble, granite, and metals such as iron, steel, and aluminum His sensitivity allows him to translate ideas into form with impeccable execution, celebrating the beauty of both nature and imperfection
A strong advocate for emerging talent and culture in the region, he is widely recognized for organizing exhibition spaces and leading art collectives that have had a significant impact on Colombia’s cultural sphere "A great artist, a great human being "
Susana Vega Franco
Stone and Its Sculptural Process
Juan Carlos Valencia did not arrive at sculpture by chance his journey is the result of deep artistic exploration A dedicated student of the arts in all their forms, he has built expertise in areas such as curatorship and metallurgy, and is a frequent participant in exhibitions and art fairs both in Colombia and abroad. His collaborative spirit and engagement with other artists have further enriched his sculptural vision and practice
While his formation as a sculptor may appear self-taught, his learning process has been both meticulous and structured He has shaped his art not only through handson experience but also through an in-depth study of sculpture, resulting in a bold and distinctive style
In his work, Valencia invites viewers to discover stone in its purest state revealing its soul through veins, colors, and natural textures His creative process continues with a meticulous approach to polishing and refinement, turning raw material into works that engage with space and geometry In his hands, the stone comes alive, balancing its intrinsic nature with the artist’s unique sensitivity.
By combining the textures and colors of each stone, Juan Carlos Valencia has forged a sculptural language that is entirely his own His artistic identity is unmistakable, and with each new piece, he reaffirms his dedication to creative growth and to the collectors who continue to admire and support his work.
Adriana Gómez
INTERVIEW BY DARIA RUSAKOVA
CLINT EAGAR
was raised and educated in South Africa. Finding his interest in art at a young age, he later attended ABM, the Johannesburg School of Art, there he was able to nurture his interest and skills in Perspective drawing, Painting, Mixed Media and Sculpture. After immigrating to the States, he attended the Fashion and Arts Institute in Dallas, TX.
Since then, he was later given an opportunity in the publishing business in California, his work was published internationally at an early age of twenty three Clint’s originals, lithographs, and prints have been distributed internationally, in Europe, Scandinavia, Japan, Australia, and North America His contemporary works are in private collections and exhibited in the Hong Kong International Airport. With a wide scope of talent and abilities, he stepped into a Director’s position with one of the largest Gift companies in North America at an early age. He designed consumer products for Bombay Co, Pier-1, Kirklands Home, Z Gallerie, Books-A-Million, Costco, Walmart, Wilton Industries, CBK, Steinmart, JC Penney, Dillards, etc.
Clint has also well known bra designed unde Studios - “Lion such as Fiestaware, and many others. He designed and developed products for Golfsmith, Sports Authority, Dicks Sporting Goods, Academy Sports. License work for Hank Haney (Tiger Woods Personal Trainer) training devices / Dave Pelz short game training Aids, etc
His recent works “Golden Girl”, “Day Dream”, “Impact”, “Attraction”, and “Pink Blossom” have been featured on Netflix “Grace and Frankie” Season 4 filming; his “Octopus Decorative Bowl” design is featured on HFN Magazine and his “The Splash” is featured on Home Accents Today magazine. His abstract was used on site for ‘Black Monday’ by Sony Entertainment. Clint also named as Artist of Year 2020 & 2021 by Safari Club International. Clint Eagar is now focusing on his fine art work after many years, and a deep connection to Africa.
CLINT EAGAR ADVENTURE QUEST SERIES ‘WARRIORS VISION’
CLINT EAGAR ADVENTURE QUEST SERIES ‘SACRED WATERS’
Clint, it’s a great honor for me to have this conversation with you, as your background and artistic journey are among the most fascinating I’ve ever encountered Could you share a bit about your early life in South Africa and how it influenced your artistic path?
Thank you it's truly an honor to speak with you as well. Growing up in South Africa profoundly shaped my artistic journey My early life there was marked by extensive travels, as my family moved frequently due to the social and political climate From Johannesburg to Cape Town, Durban, and eventually international destinations like Australia, I experienced diverse cultures, landscapes, and perspectives, all of which deeply enriched my creative outlook.
This global exposure at a young age allowed me to develop a universal perspective that continues to inform my art today The varied landscapes, vibrant cultures, and the dramatic shifts we experienced, especially leaving South Africa during the turbulent times of 1973, provided a rich tapestry of inspiration
Additionally, without the distraction of television, I naturally gravitated toward creating and building things by hand. This passion began with model building and evolved into painting and sculpture, nurtured by my education at the Johannesburg School of Art, where I was immersed in perspective drawing, painting, mixed media, and sculpture Ultimately, these formative experiences, coupled with my family's travels, laid the foundation for the diverse and global perspective reflected throughout my work.
How did you first get started in art, and what inspired you to pursue it as a career?
Art came naturally to me from an early age; it was something innate that I just felt compelled to do Growing up, I had the good fortune to be guided by a few exceptional art teachers who recognized and nurtured my passion and talent Their support was instrumental, especially at a time when I was frequently moving and adapting to new environments. Discovering art as my true calling, I was juried and accepted into ABM, the only specialized technical art school in Johannesburg. At ABM, my passion blossomed as I delved deeply into perspective drawing, painting, mixed media, and sculpture This pivotal experience not only solidified my love for the arts but also established the essential foundations that have defined my artistic career ever since
How have your experiences in fashion design, publishing, and product development influenced your artistic style?
My early artistic career was deeply shaped by diverse and demanding experiences that taught me to balance creativity with commercial viability Being internationally published at just 23 compelled me to innovate and push the boundaries of my ideas, yet still meet market demands. At 26, stepping into a directorship role at FIGI Graphics, one of North America's largest gift companies, significantly broadened my perspective on design and consumer appeal This leadership position was transformative, sparking my passion for industrial design and product development, ultimately leading me to collaborate with renowned brands such as Disney, Bombay Co, and Pier-1. These experiences enriched my artistic approach, instilling a practical understanding of global market trends and consumer needs, which continue to influence my fine art creations today
How would you describe the artistic direction you follow, and what distinguishes you from other artists?
My artistic direction is defined by versatility, curiosity, and a deep connection to both my inspirations and my audience's evolving tastes I explore an expansive range of subjects and styles, constantly adapting my vision to anticipate future art trends and market interests What distinguishes me from other artists is my unique ability to blend innovation with commercial relevance, always staying attuned to what resonates with my collectors My work is characterized by a distinctive fusion of bold creativity, thoughtful design, technical precision, and market insight, setting me apart through my commitment to continuous innovation and striking visual storytelling
What is the concept behind your work, and what is its central subject?
My artistic vision is deeply rooted in embracing innovation and originality I strive to be a pioneer rather than a conventional follower Inspired by my global experiences and profound connection to nature, life, and spirituality, my work spans various artistic styles such as modern, abstract, surreal, and mixed media
CLINT EAGAR FUTURESCAPE SERIES ‘AWAKENING’
CLINT EAGAR FUTURESCAPE SERIES
‘URBAN PILOT’
I’m particularly impressed by your collaboration with the movie and television industries, including Disney Studios, Netflix, and Sony Entertainment How has your artwork been incorporated into these projects?
During my career, I've had the privilege of collaborating with a wide range of organizations due to the diverse nature of my artwork My ability to work across different subjects and styles has drawn attention from notable brands and entertainment companies, opening doors to exciting licensed projects. For instance, my art has been featured prominently in popular television shows such as Netflix's Grace and Frankie and Sony Pictures' Black Monday Additionally, I've collaborated with Disney Studios on iconic projects like The Lion King and Pocahontas
These collaborations often emerge through the combination of the exposure my work receives, positive word-of-mouth, and the efforts of my dedicated agent who actively represents my portfolio across various industries. Each project has allowed me to blend my artistic vision with commercial appeal, enhancing both the storytelling and visual experience for audiences worldwide
Your art is featured in significant public and private collections around the world Which of these collections are you most proud of?
I'm always thrilled when prominent brands approach me for collaborative projects there’s something deeply gratifying about seeing my creative vision align with nationally recognized companies. Yet, I find immense fulfillment in working directly with private collectors who choose to invest in my original pieces Their genuine appreciation and personal connection to my art are profoundly rewarding Nothing compares to the excitement of receiving calls or messages telling me my work is featured in a gallery window halfway across the globe, like in Stockholm that's a uniquely satisfying reminder of the global reach and resonance of my art.
Currently, I primarily focus on 2D art but increasingly venture into mixed media to explore new dimensions of creativity and express diverse, captivating subjects.
Could you tell us about your new series of artworks, Futurescape, and what its concept is?
CLINT EAGAR. FUTURESCAPE SERIES
‘MOSAIC OF MEMORIES’
The 'Futurescape' series is a deeply personal exploration for me, rooted in my lifelong fascination with futuristic worlds depicted in iconic films like Blade Runner, Tron, and Star Wars This collection has been percolating in my imagination for over five years, and I finally found the opportunity to bring it to life. My goal is to capture the essence of those visionary worlds while expressing my own unique interpretation. I'm particularly excited about reaching a new generation of art collectors young professionals aged between 20 and 40 who resonate deeply with these cultural references. The 'Futurescape' artworks blend modern, surreal, and abstract styles to evoke a sense of wonder, hope, and adventure, reflecting both nostalgia and a forward-looking spirit And this is just the beginning; there's much more coming soon!
What are your future creative plans?
My goal is to continue building upon the themes and styles that have resonated deeply with my audience, expanding and evolving them with all the creative talent and passion I possess At the same time, I remain deeply committed to exploring new inspirations drawn from my global experiences, pushing the boundaries of my artistic expression across modern, abstract, surreal, and wildlife art. I aim to continuously innovate and captivate diverse audiences by merging my extensive international influences with the themes that define my work, ensuring each piece resonates profoundly and emotionally with viewers.
Which artists and designers inspire you the most, and why?
This artist that inspired me the most growing up in art school were people like Frank Frazetta, Michael Parkes, Patrick Nagel, Erte’, Geiger Movies that I think were visually stunning were the original Blade Runner, Lawrence of Arabia, original Tron movie, and so many more, like the opening battle scene of Lord of the Rings, truly creative
Who are your favorite film directors?
My artistic influences are diverse, much like my own creative style I'm inspired by cinematic masterpieces from the sweeping visuals and emotional depth in films like Gladiator and Master and Commander, to innovative classics like George Lucas's visionary work in Star Wars. Lucas's storytelling and visual innovation were ahead of their time, leaving a profound impression. Films such as Master and Commander and Gladiator stand out for their powerful storytelling, epic visuals, and emotional depth
My influences span broadly, drawing inspiration from timeless creators who masterfully blend visual artistry with compelling narratives
What advice would you give to an emerging artist who is just starting their career in the industry?
As an emerging artist, strategically approach your art career with these tips:
Stay Humble and Market-Focused: Keep your ego in check and create art that resonates commercially Align with Capabilities: Choose projects within your current skill set and progressively expand your range Be Proactive: Don’t wait to be discovered Actively seek opportunities, engage with communities, and promote your work through social media.Continuous Growth: Regularly develop your skills, explore new techniques, and seek constructive feedback.
Are there any countries you dream of visiting and showcasing your art in?
CLINT EAGAR ‘PURSUIT’
Throughout my career, extensive global travel has deeply influenced my artistic vision, fostering a rich diversity in my work across modern, abstract, and surreal styles While Europe has always been a significant inspiration due to its rich artistic heritage, my recent focus includes dynamic cultural hubs like Qatar, Dubai, and London Additionally, Asia, particularly Hong Kong and Tokyo, has increasingly inspired my latest collections. I'm excited about the possibility of further engaging with these vibrant art communities and bringing my art to new international audiences
Do you believe an artistic career is something anyone can achieve, or is it very difficult and competitive?
The art world is immensely competitive and often political. While exceptional talent and skill are essential, they're not always sufficient on their own Success frequently hinges on cultivating meaningful relationships, timing your opportunities effectively, and gaining exposure to the right people Building genuine connections and strategically showcasing your work can often be as important as the artwork itself.
What challenges have you faced on your creative journey, and how did you manage to overcome them?
The art world is highly competitive and often influenced by relationships, timing, and exposure rather than purely artistic skill and talent alone. While I take great pride in my creative capabilities, I've learned to appreciate the critical importance of building meaningful connections and seizing timely opportunities
Navigating this landscape requires not just artistic talent but strategic networking and genuine engagement with people who resonate with your vision. My international experiences, collaborations with prominent brands like Disney, and recognition in events such as Safari Club International's Artist of the Year have taught me the immense value of being adaptable, resilient, and authentic in a challenging environment
INTERVIEW BY DARIA RUSAKOVA
ARTIST: CLINT EAGAR
THE POWER OF MIND AND THE OCEAN A CONVERSATION WITH THE ARTIST
Orsi, your rise as a self-taught artist has been incredibly rapid. Can you tell us about the spark that ignited your creative journey and how it all began?
The first initial creative step took place when I picked up a pencil with the desire to design furniture during the times of pandemic. Then and there I experienced a realization, an epiphany. The passion I was missing my whole life, a hidden talent that I wasn't aware of
From that moment on I have been self-educating, practicing and exploring every creative aspect that drew my attention, and I haven't put the pencil or brush down since.
Your artwork delves into the power of the mind, suggesting there's a deep mental process behind each piece. How would you describe the underlying philosophy that drives your art?
In my opinion there is a great power when an individual finds its sparkle and willing to evolve truthfully in an unknown direction without a doubt It takes a lot of bravery and dedication to be able to ask yourself what is that you truly desire and what is that you have honest enthusiasm about.
We live in a world where we are told what is right, what is wrong according to society’s present perspective, and generally we accept things as they are My philosophy is simply based on aiming to reach my full potential with pure form of passion
How would you define your artistic style or direction, and what sets your work apart from others in the art world?
My work meant to have healing purposes with a twist of mystery and humor. I got gifted with a vision and my wish is to give back to the audience in the manifestation of art
Water seems to be a recurring theme in your work. What draws you to it, and why has it become such a central element in your creative expression?
The first piece I ever painted on my own wasn’t meant to be liked or disliked; it was simply a joyful act It came from a vision, a message from a place I call unmanifested consciousness, which was born on the canvas in the form of a painting. You might call it artistic inspiration, but I would say it was the Muse calling me. My water paintings are meant to remind you that we are One that we are vibrations, we are energy Taking a deeper look at the water and its patterns may bring you back to that realization Simple Beautiful Powerful
ORSI SOGOR
At the heart of your artwork, what message or emotion do you hope to communicate to your viewers?
I would like my story and my work to be inspirational to others It is never too late to dream and never too late to achieve your goals
Which artists have had the greatest influence on your journey, and what is it about their work that resonates with you so deeply?
There are major inspirational personalities and art styles that stimulate my interest, such as Jean-Michel Basquiat, Keith Haring, Jeff Koons and Damien Hirst's contemporary style. I am heavily influenced by Cy Twombly, Willem De Koonig and Mark Rothko's abstract expressionism
Most importantly, I must mention George Condo’s impressionism, which never ceases to amaze me His career and theories have had a huge impact on my life, especially his belief that anyone can be an artist anyone who has something going through their mind that they can somehow visually materialize. This idea made me believe that drawing and painting are pure examples of how you can express what you think you are, what you're good at, and also what you believe might inspire others.
Every artist faces challenges along the way What obstacles have you encountered in your creative path, and how have you overcome them to reach where you are today?
I believe our only limitations are the ones we set in our own minds. Art isn’t in the materials or equipment we use; it’s in the way we see the world. Continuously striving for selfimprovement and becoming a more fulfilled and authentic version of yourself will always help you overcome everyday struggles
You recently showcased your work at The Other Art Fair 2025 in Los Angeles. What was that experience like, and how did it shape your perspective on the art world?
It was my first time stepping into the LA art scene, and I’m so glad I did Especially this year, which anticipation was layered with a profound sense of resilience following the wildfires A joyful and vibrant art community have gathered and celebrated the dynamic energy of this unique city, which was incredibly heartening and encouraging.
Looking ahead, what are your creative aspirations as an artist? And in your view, what does success in the art industry truly mean?
Following your own excitement and not the audience’s represents true success to me. The goal is to progress and get better at my craft.
Orsi, your artistic philosophy is incredibly inspiring.
What advice would you give to young female artists who are just starting out, especially those struggling with doubt or a lack of inspiration?
Thank you so much What makes any artist great is the ability to access the inner world we all have but that most other’s cannot access Finding your truest self will allow you to be unlimited and capable of creating anything you desire. You’re successful as soon as you send your work out into the world.
There is a point in life where you discover an inner voice, sort of clarity that directs you to your higher calling. A path that you are passionate about.
I was fortunate enough to expand the perception of my personal limitations and to shift the general belief system I had I found a tool some may call it “gift”, which in my case is drawing and painting that inspired me to go further and gave me the courage to pursue an artist way of living where I could give myself a chance to reach my full potential
I have always been inspired by numerous amount of great artists, studied and did many researches of the art world in my free time Unfortunately, while growing up in Hungary I was never exposed to any artistic influences My life was always about dance and music. Not until recently I discovered a great interest in the world of Arts and Design.
My artistic philosophy is: Simple. Beautiful. Powerful.
Think of the Ocean. Think of it’s having lots of waves. Then think of someone photographing one wave
Thinking the photograph is the ocean, that is a frozen moment of attentionThat is what our body is
With all the waves that come on the surface of the ocean up and down, that is what the mind is But neither those waves that are changing all the time, nor the photograph are the Reality
The reality is the Ocean Which is always there It creates a mind form and then expresses itself in the body.
We are more than just a body and mind as a wave is to the Ocean. We are a part of a larger Whole. Once we truly realize that, we will be able to be healed on every level. This universe consists of an arrangement of pattern, in which every event is essential to the whole thing
My work meant to have healing purposes with a twist of mystery and humor I got gifted with a vision and my wish is to give back in a form of art
ORSI SOGOR
Deemed “The Picasso of Gen Z,” by Univision’s Despierta América, Juan Salcedo, known professionally as Salcedo, is a twenty year-old multi-faceted artist, whose talents span diverse creative mediums, such as visual art, fashion design, and poetry.
His works aim to reflect the boundless creativity and refracted perspectives of society's youth. His goal is not to attain socalled "perfection," or to work inside of the established notion of aesthetics. Instead, it is to demonstrate how he sees world, encapsulating all of the beauty and wretchedness within it.
Outcast
Growing descent, differenc be living throughout his childhood. Imposed limitations and hindered experiences served the same purpose cocoons seem to do for caterpillars.
The struggle and desire to escape has crafted the beauty that is the diverse perspectives and ambiguity Salcedo portrays within his artistry. Years of observation, analysis, and daydreaming, of unknown experiences were the key to enabling his unique vision and ability to create. He is the epitome of strategic risk-taking and self belief.
Salcedo is characterized by what seems to be an innate fire and sense of rebellion that can be seen by many, through his passion and dedication towards his career as an artist Confidence and integrity are sometimes misinterpreted as arrogance and egotism, but they are the keys to his success.
Completely self-taught, and fully immersed within his “autodidact life,” he has attracted the attention of names like Lil Yachty and Olaolu Slawn, amongst an abundance of celebrity names and art collectors across the world.
SALCEDO
‘BUCKET LIST’ (P.48)
‘SINNERS’ (P 49)
At his young age he has worked alongside galleries such as Aura Copeland Gallery, Colour Senses Project, and White’s Art Gallery, as well as garnered recognition from prestigious media outlets such as, ART E$TATE Magazine, El Tiempo, W Radio, and El Espectador.
The concept of failure is nonexistent in his mind. In his own words, “you can’t fear outcomes you don’t accept as possibilities and me personally, I don’t give a f**k to risk my entire existence on success. I rather die trying to live than live wondering what it’s like to die without doing so.”
The artist is currently based out of Miami where he continues to produce innovative work that consistently drives him up to be amongst today’s top emerging artists
SALCEDO ‘ROUGH’
JESSICA DE VREEZE
QUANTUM LEAP IN ART BUSINESS
A STORY OF SUCCESS
INTERVIEW BY
DARIA RUSAKOVA
PHOTO CREDIT: PETRO KITSUL
JESSICA DE VREEZE
is a French-American visual artist, born in Paris and now based in Miami, Florida
After 12 years as a lawyer in Luxembourg, she transitioned to full-time artistry nearly a decade ago, blending her professional experience with her artistic identity Her work, which spans photography and painting, captures the raw emotions, unexpected details, and interactions between people and places.
Jessica’s art has been featured in solo and group exhibitions across cities like NYC, Miami, Luxembourg, and Paris, with pieces collected by art lovers in 60 cities across 17 countries and 4 continents.
Known for creating large-scale installations, she has also represented Luxembourg at the United Nations during ‘Les Journées Mondiales de la Francophonie’.
Jessica is also known for her ability to “build bridges and loosen barriers, reminding us what makes the world ‘Human’ ” With a self-taught background in photography, her art emphasizes the power of visual storytelling, offering a voice to those who cannot speak, preserving memory, and allowing others to see the world through her lens Inspired by Fauvism, Jessica’s work explores different mediums, from photography to painting, ephemeral installations, street art, and even flash mobs, creating rich, evocative experiences for her audiences.
PHOTOCREDIT:
DAVECSMITH
FASHIONDESIGNER:
EVABESSAR
@EVBESSAR
Jessica, over the past two years, you've participated in numerous art projects worldwide, producing incredible pieces and forming exciting new collaborations. How did you manage to gain international recognition in such a competitive industry like the art world?
The foundation of my recognition lies in my commitment to using art as a means of raw emotion and empowerment Founding Unchained Mothering allowed me to create a platform to honor women, tell their stories, and shift societal perspectives Through art, I empower individuals, and my mission is always to connect people through emotional and transformative experiences. I’ve also co-founded a local artist collective, JDR Atelier, in Miami, with two talented local artists.
My international recognition has been shaped by my creative individual work and philanthropic efforts. Being an international person, as my family has roots across three continents, being global is an inherent part of my identity I could never have envisioned a solely local art career My work is all about shining a light on the good of humanity and bringing us together Recently, my collaboration with JC Fractal and AR Miami has expanded my art into the AR world, where I can now share my pieces as a hologram, bringing my work into the streets of Miami, more precisely at the heart of Wynwood, with plans to extend this innovative experience soon
Can you briefly tell us about your background and how you got started in art?
Art has held a special place in my life since I was a child My parents, both art lovers, took us to exhibitions and engaged in discussions about various styles, making art a natural way of expressing myself and perceiving the world. Even though I always knew I was an artist and wanted to make it my profession, I took a detour and spent a decade as a lawyer It wasn’t until nearly a decade ago that I fully embraced art as my career My journey truly launched with my first solo show in Chelsea, NYC, in 2016, followed by the honor of representing the Grand Duchy of Luxembourg at the United Nations for “Journée de la Francophonie” in 2017. These milestones propelled me into the global art scene and shaped my path as an artist.
What is the core concept behind your work that makes it truly unique?
The core of my work is human connection how people and places interact and the raw emotion that comes from those interactions. I focus on capturing these moments, reflecting the richness of human experiences. Through my art, I want to remind others of the beauty and strength inherent in all people and evoke the way I see the world around us, empowering a deeper understanding of our shared humanity
Artist: Jessica de Vreeze
“Let’s Get It!”
How would you describe your artistic style?
My style is very distinct, depending on the medium I’m using to express myself whether in photography, painting, or mixed media. I choose the medium based on what I want to convey. My photographic portraits are easily recognizable, with a strong play of light When it comes to capturing places, I focus on a multitude of details, often leaving people to wonder if my photographs are paintings, as I approach photography with the heart of a painter My paintings evoke a Fauvist vibe, using raw, expressive colors
My mixed media work combines both photography and painting, creating a dynamic and layered experience that reflects the emotional depth of the subject. I enjoy playing with different forms to convey my message and evoke an emotional response Whether I’m capturing intimate portraits or abstract landscapes, my aim is always to induce reflection and spark a deeper connection between the viewer and the subject Art, for me, is not just about what you see it’s about what you feel.
In which countries and collections can your work be found?
My work can be found in 63 cities across 19 countries and 4 continents, including cities like Miami, San Francisco, and recently, Los Angeles. My pieces are held in private collections worldwide and have been exhibited in prestigious galleries and cultural institutions I’m grateful that my art has been embraced globally and continues to connect with a diverse audience
Which projects that you've participated in are you especially proud of?
I’m proud of my interactive mural in Miami’s Coconut Grove, my first large-scale outdoor mural, which centered around goodness and acts of kindness. It stayed accessible to the public for over a year and a half, contributing to the community in a meaningful way
Artist: Jessica de Vreeze “Strong Perceptions Makes Reality. People Make Places”
I’m also honored to have created beautiful black-and-white portraits, always capturing the best in each of my subjects I believe that you can truly see the character of a photographer through their work, and I strive to bring beauty, goodness, and an element of surprise to my photographs People often find that they can look at my work repeatedly and always discover something new Additionally, I’m incredibly proud of founding Unchained Mothering, a non-profit dedicated to celebrating and empowering women Our first exhibition, focused on women the way they embraced their feminine side, their careers and family, is particularly close to my heart
What challenges have you encountered along your creative journey?
I am 100% proud and confident about everything I choose to share with the public However, there’s always a level of uncertainty when releasing a new piece I wonder who will bring it into their life who will make it a part of their home, office, or personal circle It’s a bit like a first date: exciting, but filled with nervousness and anticipation There’s also the challenge of balancing the business side of being an artist with my creative aspirations For example, during the pandemic, when many shows were canceled, I opened my portrait photography to the public, which had previously been exclusive to artist projects In everything I do, I try to remain true to my values and artistic vision It’s like sharing a piece of your heart and soul it’s both exhilarating and vulnerable, but it’s an essential part of the creative process
What are your upcoming creative plans for the future?
I will be traveling extensively in the coming months As Jessica de Vreeze, the artist, I’m currently showing at the Doral Cultural Center and recently participated in a group exhibition at Artly Mix in São Paulo, Brazil This April, I’ll be showcasing my work at Superfine Art Fair in NYC, and I’m honored to have become a permanent artist represented by Art After Dark Gallery in Las Vegas and The Old Print Shop Gallery in NYC I’m thrilled to present my work as a hologram in Wynwood, Miami, where you can experience it through the AR Miami app this new dimension of art is incredibly exciting! In addition to these exhibitions, through Unchained Mothering, we will be showcasing “Bringing the Invisible Visible” in both Miami and NYC Also, our JDR Atelier collective will be in Miami for a pop-up event in April and present at Spectrum during Art Basel Week
In addition to photo art and painting, you’re also involved in street art and large-scale installations. Could you share your experiences in these fields, and how they reflect your personality?
I love bringing art into the streets because art is everywhere around us My larger commissioned works are a blessing because they allow me to push myself artistically and fully embrace the available space Whether it’s through traditional painting, photography, or mixed media, these large pieces let me challenge myself and share my positive outlook with the public Every big piece is a unique opportunity to inspire and bring light to the world
Besides being an artist, have you ever considered becoming an art curator, gallerist, or collector?
I am an art curator for the Unchained Mothering project, where I bring together artists whose work and values I admire I either select existing pieces or collaborate with artists to create something specific for an exhibition Curating is a fulfilling way for me to help bring stories to life through art, but becoming a gallerist isn’t a path I want to take it requires too much time and would take me away from my own creative work However, I am definitely a collector I’ve built my own collection over the years, alongside my husband, and I truly believe in investing in living artists whose work I love Art is one of the most beautiful gifts you can give, and I strongly believe in supporting artists whose work resonates with you
Artist: Jessica de Vreeze “Turn Your Life Around”
VICTORIA MOZGOVAYA
INSPIRING STORY BEHIND THE BRAND
INTERVIEW BY
DARIA RUSAKOVA
PHOTO CREDIT:
VICTORIA MOZGOVAYA
Colors are everywhere in our lives. They reflect how we feel, who we are, and how we connect with the world around us. For internationally renowned artist and fashion designer Victoria Mozgovaya, color is more than just visual it's emotional, spiritual, and deeply personal.
Based in Los Angeles, California, Victoria is the visionary founder behind the Victoria Mozgovaya Clothing Brand a one-of-a-kind fusion of fine art, fashion, and the freespirited energy of Southern California. Her brand stands out in the global fashion scene for its signature approach: hand-painted couture that captures the essence of individuality, empowerment, and selfexpression.
Each piece in her collection is a wearable work of art individually hand-painted in her SoCal studio, designed to be truly 1 of 1. No two garments are the same. Whether it’s a fashionable coat, a bold jacket, or a statement piece for the red carpet of Hollywood premiere, every creation tells a story your story.
Victoria’s work is not just fashion; it’s a movement. A celebration of freedom, confidence, and the beauty of being unapologetically yourself. With roots in the art world and a flair for Hollywood glamour, her designs effortlessly blend luxury with authenticity.
In this exclusive interview, Victoria opens up about the inspiring journey behind her brand how art, color, and courage helped her build a creative empire that now resonates with clients around the world.
VICTORIA MOZGOVAYA CLOTHING BRAND @VICTORIAMOZGOVAYA BRAND
WWWVICTORIAMOZGOVAYA COM NTERVIEW BY
DARIA RUSAKOVA
PHOTO CREDIT:
TIM OZBUN @TIMOZBUNPHOTOGRAPHY
MODELS: TINA ATRIN @TINAATRIN
LATICIA LYNCH @LATIAMONE
Victoria, how did you start such a unique fashion brand?
I remember it was during the summer, about three years ago I was living in San Diego when I suddenly felt a strong urge to paint I kept having this recurring dream of an image it kept appearing over and over again so I felt compelled to paint it That image eventually became the logo of my brand
I went out and bought some materials canvases, paints and started painting. One day, I was walking past a friend’s art gallery when he offered to exhibit some of my pieces. Not long after, one of his clients asked me to create around 30 paintings for his home That’s how the whole process really began
Later on, I woke up one morning and found an old denim jacket in my wardrobe. I didn’t really like how it looked, so I took it with me down to the parking lot and just started painting on it The next day, I was traveling to Las Vegas wearing that painted jacket, and every single person at the airport was asking me about it: “Where did you get that jacket?” That’s when I realized this could be something special!
After that, things moved quickly. I began designing and selling custom outfits at wholesale. One day, a local magazine visited one of my shops in La Jolla, San Diego They noticed my hats and t-shirts, loved the style, and decided to publish an article about my brand
That’s incredible! It sounds like a quantum leap.
Honestly, I still don’t fully understand what happened. Just so you know I had never painted or designed clothing before. It was like an epiphany that came out of nowhere, as if something just woke up inside me Since that moment, my life has been divided into “before” and “after”
That’s impressive! What’s the concept behind your brand?
The logo of my brand represents the Higher Self It’s actually the same symbol I saw in my dream the one that started everything. The essence of the Victoria Mozgovaya brand is self-expression. When you're connected to the Source, to your Higher Self, you become truly unique and unafraid to show who you are
My philosophy is that every person deserves to be seen, heard, and recognized I believe that not only Hollywood stars, but every human being has the right to feel like a star. Each person is one-of-a-kind and that’s why every piece I create is unique. All of my designs are handmade, and through this process, I pass energy into each garment The person who wears it receives that energy
In a way, my work is a form of channeling helping people connect to their inner source through what they wear. My brand is here to support that transformation to help each individual move from where they are now to where they truly want to be Because what we wear is a reflection of who we are The slogan of the brand is: ‘You Have A Higher Power’, because this clothing helps to reveal your full potential
I know exactly what you mean. I was wearing one of your winter coats last December, and in January, I experienced a true quantum leap something shifted in my life in a major way. What are the projects you are especially proud of?
Honestly, I’m proud of all my fashion shows each one has been a special experience in its own way. I can’t choose just one, because the entire process of preparing for a show feels like an incredible journey every time That said, I’m especially excited about my recent show in San Diego It featured my new collection, and it was a tremendous success The energy, the feedback it was truly unforgettable
That’s exciting! What does a typical day in your life as a fashion designer look like?
My day always begins with taking time for myself. The first two hours after I wake up are sacred: I meditate, enjoy my coffee, and read something enriching.
After that, it’s a full-on creative flow Of course, there’s the business side too I work on sketches for upcoming collections, and I stay in touch with the stores that carry my designs checking in to see what’s selling and what feedback they’re receiving It’s a balance between art and entrepreneurship
How does the process of creating a new collection usually unfold?
It always starts with a sketch I draw the vision on paper Then I collaborate with my manufacturers to bring the pieces to life through sewing Once the garments are finished, I complete the process by hand-painting each piece
The most magical part is that I never truly know what the final result will be It’s always something different, something unexpected Honestly, I often only remember the beginning and the end of the process the in-between feels like a creative trance It’s very much like making love: you remember how it starts, and how it ends, but the rest is just pure feeling and flow
How do you ideally envision your near future as a fashion designer and creative personality?
I don’t just want to create clothing I want to create designs that carry a strong, positive energy Pieces that have the potential to uplift, even to heal, the people who wear them I’m still exploring how exactly to bring that vision to life, but my deeper mission is clear: I want to remind people that the strength they seek is already within them Clothing can be more than fashion it can be a tool for transformation Our physical bodies are temporary, but how we choose to express ourselves during this lifetime matters What we wear carries energy it reflects our state of being and can even help shift it
Yes, I envision global recognition for my brand, but not in the way of a pop star or celebrity I want to be seen as a visionary someone who contributes to awakening, to human awareness, to the art of conscious living I want people around the world to understand that my brand is not just about aesthetics it’s about purpose, intention, and spiritual presence.
I see my designs sold in many countries, but more importantly, I see people feeling the essence behind them That’s my true goal: to create something that connects us to ourselves and to something higher
MODEL: TINAATRIN
MODELS: VICTORIAMOZGOVAYA
MODEL: TINAATRIN
MODEL TINAATRN
MODEL: DARIARUSAKOVA
MODEL: VICTORIAMOZGOVAYA
MODEL: TVICTORIAMOZGOVAYA
PAMELA PIEDECASAS:
DIARIES OF LA MAESTRA A CONVERSATION WITH ARGENTINIAN MASTER ARTIST
From her early days sketching at the age of four in Argentina to earning international acclaim as a master artist and educator, Pamela Piedecasas has built a brilliant and multifaceted career rooted in passion, persistence, and creativity Known for her emotionally resonant artworks and dynamic live painting performances, Pamela seamlessly blends Impressionism and Hyperrealism,
capturing moments that tell stories and evoke deep feeling. As founder of her own studio and art brand, she continues to inspire the next generation through both her teaching and vibrant visual narratives In this intimate conversation, Pamela reflects on her journey, her greatest inspirations, and the power of believing in your dreams no matter what others may say.
Pamela, your art has achieved international recognition, and your career is truly impressive Can you take us back to the beginning? What sparked your initial interest in art, and how did your journey develop from there?
I started when I was 4 years old at the Ruben Dario Academy, where I learned drawing and painting with pencil When I turned 12, I continued my studies at the Fine Arts School. As an adult, my family moved to New York, which allowed me to take classes with great American masters such as Joseph Castellano and Maguie Cerillo, and also learn Bob Ross techniques. I dreamed of becoming an artist and being the best at what I loved I took classes with Silvia Mongelos, who gave me the opportunity to work alongside her at Bienvenidas magazine, which focused on decorative and country painting, as well as Aprendiendo a Pintar Cuadros magazine
I was also invited to teach painting techniques on TV shows like Manos a la Obra on national channels and local channels in my province I studied in Brazil with Professor Via Moreira, and from there, I never stopped
I continue to train so I can provide my students with quality education, whether they have natural talent or have never picked up a brush before, so they can express themselves and create like professional artists.
Today, I teach at my own studio (Pamela Piedecasas Studio), offering courses and technical programs in various specialties, certified by the Grassi Conservatory in Buenos Aires I am also the owner of my own artistic brand, Luz de Luna I can proudly say that I’ve fulfilled many dreams from my past self.
PAMELA PIEDECASAS ‘SILVESTRE’
Your artistic journey is fascinating and inspiring Could you share more about your academic background in the arts and were there any particular mentors or influences that shaped your creative vision?
I had many amazing and talented teachers, each of whom taught me something valuable, but I didn’t have a specific mentor With my mother’s support, I shaped myself based on my personal expectations, being very demanding with myself Fortunately, I was born with creativity and imagination, which made every creative process easier for me
Art often draws from various sources of inspiration. What would you say is the driving force behind your creative process, and how do you connect with that inspiration when you create?
I love creating the art pieces that tell a story, that convey a message I want them to leave an impression and stand the test of time I want the viewer to imagine what’s happening in the image they’re looking at, to feel as if they are experiencing it themselves I enjoy capturing places and details that have left a lasting impact on me, such as the spice market in New York and the people I’ve met. Inspiration burns brightly within me.
Many artists evolve their style over time How would you describe your artistic style now, and how has it evolved? Could you guide us through the techniques you enjoy using the most?
I’ve been painting for 42 years, and throughout my career, I’ve explored most of the techniques available. I don’t have a personal style I enjoy experimenting with various techniques, and my work allows me to explore different styles. Personally, I’m drawn to Impressionism in acrylics and Hyperrealism in oils The opportunity to work internationally has given me the freedom to express myself using the techniques I enjoy most, not as a job, but as a passion I get to play with vibrant colors and loose brushstrokes, discovering new effects with each crossed line
You’ve managed to balance both your creative career and your work as an educator What has your experience been like teaching art, and how do you see your role as a mentor influencing the next generation of artists?
I’m passionate about teaching, so balancing both aspects of my life has not been difficult. I aim to inspire both young and adult artists, regardless of age, by showing them that they are capable of much more than they think. My students leave my classes feeling happy because they realize they can complete their projects with my guidance, without me doing the work for them They leave grateful and always return for more I believe they not only learn a technique but also boost their self-esteem and enhance their confidence I’ve been able to awaken the thirst for knowledge and the creative side that was dormant in each of them.
Looking back on your career, are there any projects or exhibitions that stand out as particularly meaningful or formative for you? What made them so important?
As a multifaceted person, I can’t choose just one Each creation was like a baby I watched grow
I can mention a few that have grown significantly, such as the Pinta Tango project I did with my dear friend "El Polaco" Enrique Bozniak During each of his 3-minute interpretations of our native music, Tango, I painted a piece, which was raffled off at the end of each performance. We did this for 9 years. I also love live painting, such as the ones I did for the TV show Arriba Sábado, where I painted horses in 20 minutes or landscapes in 15 minutes whether it was through artworks or face painting at exhibitions, parades, or events, with a striking and unique impact for the audience Another important project was Las Guerreras, a collection of 13 paintings of women representing struggle, effort, bravery, and courage, inspired by the women in my family These large pieces (60cm x 80cm, with one at 120cm x 100cm) are quite imposing They were exhibited multiple times in various locations in my country and admired by many, which filled me with pride Before these, I created the Indios Siux collection (80cm x 100cm), which was a great success in different exhibitions and was sold in its entirety to national collectors
Sounds fantastic! Congratulations! Your work has been showcased in various prestigious collections How does it feel to know that your art is part of these spaces, and what does being included in these collections mean to you personally and professionally?
As the president of the Plastic Arts Association of VCP, I had the pleasure of exhibiting my work multiple times, both in group and solo exhibitions Today, I enjoy showcasing my art in both public and private spaces through my studio I always look for opportunities to involve my graduating students, who are now teachers at our atelier, as well as my current students, in collective exhibitions, allowing them to enrich their CVs and gain recognition as artists.
Every artist has a unique message they wish to convey. How would you describe the core message of your artwork, and how do you hope viewers connect with it?
Through my artwork, I aim to convey the true meaning of life by showcasing the variety of shades, forms, and colors that we encounter in it There’s a saying that goes, “Not everything in life is rosy, ” and it’s very true, but we must learn to see the deeper meaning in every situation Not everything is set in stone, and every perspective has its own brushstrokes, just like its own color palette.
What may be a problem for one person could be an opportunity for another Impressionism gives me this perspective: each brushstroke, no matter how different in color or form, comes together to create a beautiful whole Vibrant colors bring energy, joy, and light to what could otherwise be a dull moment I hope viewers can appreciate this and feel a spark of happiness within themselves.
The world of art is constantly evolving. Are there any new creative directions or projects you ’ re particularly excited about exploring in the near future?
I’m really excited about this year ’ s project, presenting at the Qatar International Art Festival in Doha, Qatar, and upcoming international art exhibitions I am painting creating works featuring modern landscapes, inspired by the places I hope to visit, and I’m preparing myself to impress the international audience and showcase my talent
For those just beginning their artistic careers, what key advice would you offer both in terms of developing their craft and navigating the challenges of the art industry?
Maybe it’s similar to what happened to me when I started as a child, people told me that art wasn’t a profitable career and had no future But I didn’t listen, and today I’m living proof that this isn’t true
My advice is to paint with passion, set clear goals, and work hard Dreams really do come true mine did, through painting
Be responsible, treat it like a job that runs from Monday to Sunday, but with the joy of doing what you love That way, it never feels like work.
With practice, dedication, and love, even you will be amazed at what you can accomplish
Nurture your imagination. Appreciate the nature around you it offers much more than we often realize.
The art world is vast, and there’s space for every style. Don’t let negativity hold you back. Keep moving forward, finding your place, and showing the world what you can do