Miami Art Basel 2023 / New Year Edition. ART E$TATE Curated Magazine

JASON PEREZ is a prominent Miami-based Art Broker, Art Dealer and Curator. Born into the legacy of renowned pop artist, Michael Perez, Jason’s entrepreneurial spirit inspired him to establish Jason Perez Art Collective – Representation and Agency. From New York to Miami, Jason Perez is dialed into his artistic passions and with tremendous momentum, is making moves in the world of art. As a highly motivated and focused Art Broker he is on a mission to “continue his Father’s legacy, help artists reach their highest potential, make dreams come true and inspire others.”

Jason Perez is making all the right moves and positioning himself as a leading art broker.

Jason is effectively combining his life passion/skills as an artist with years of hands-on experience operating his father’s Miami-based Fine Arts Gallery, Gallery 212, in order to successfully co-create Jason Perez Art Collective with a superstar team of passionate artists.

Distinguished by a series of Art Basel accolades, Jason Perez Art has earned its reputation in the art world. Such awards include the prestigious Spotlight Award at the 2019 Spectrum Miami Art show, the esteemed Best Sculpture award at the 2021 Art Expo New York and not one, but several Director’s Awards at the 2021 Red Dot Miami, 2022 Spectrum Miami Art Show, and the 2023 Art Expo New York.

03 Jason, you are a prominent art dealer, art curator and gallerist in the United States.

How did you manage to be so successful in the industry?

Becoming a prominent art dealer has been the result of a combination of strategic decisions.

One of the key factors behind my success has been my ability to consistently choose the right artists to represent and showcase. By identifying and supporting talented and underrepresented artists, I've been able to not only bring fresh perspectives to the art world but also tap into the evolving tastes of collectors and enthusiasts.

Equally important has been my focus on prioritizing relationships. Building and nurturing strong connections with artists, collectors, fellow industry professionals, and art enthusiasts has been instrumental in my journey. These relationships have not only provided access to exclusive artworks but have also created a network of support and collaboration that has proven invaluable in promoting artists and their work.

In essence, my success in the art world can be attributed to the careful curation of talent, an unwavering dedication to personal and professional growth, and the cultivation of meaningful relationships within the industry.

Why did you choose art industry to make it the occupation of your life?

My father achieved fame as a New York artist, and experiencing his journey in the industry was truly remarkable during my upbringing.

He wasn't just an accomplished artist; he also established galleries that offered fellow artists a chance to shine.

This was incredibly inspiring, especially as I was pursuing my own DJ career while nurturing a passion for music. Unfortunately, a life-altering event occurred when my father suffered a stroke, leaving me unable to continue my own music pursuits. This compelled me to step into the role of managing his affairs, returning artists' works, and ultimately transitioning into an art sales role.

The rest, as they say, is history.

What is your favorite art direction?

My favorite art styles include pop art, street art, graffiti, abstract, and contemporary art. I enjoy the vibrant, bold nature of pop art and street art, as well as the expressive and abstract qualities of graffiti. Additionally, I'm drawn to the thought-provoking and ever-changing nature of abstract and contemporary art. These styles cover a wide range of artistic expressions that resonate with me.

In your opinion, what type of art is dominating the market now?

If not art, what would you do, and why?

If things had turned out differently, I could see myself making a career in music, maybe as a DJ or a music producer. It's a world of endless creativity, just like the art scene.

Even though I chose art, music still plays a big role in my life, inspiring me and offering a different kind of creative outlet. When these two passions blend together, they make my journey even more exciting.

Your father was an extremely successful artist. Tell us in few words how his work had influenced your life and your artistic career.

My father's work and his relentless drive to constantly reinvent himself were incredibly inspiring. His ability to dream big and fearlessly pursue his artistic visions had a profound impact on my own journey. His example taught me the importance of pushing boundaries, thinking beyond limits, and fearlessly following one's dreams. His legacy continues to positively influence my life and my career.

ARTIST: MICHAEL PEREZ

ARTIST: NATHALIE MOULINET

Pop art and street art have been gaining increasing respect and recognition in the art industry. Their popularity has been on the rise, and they are no longer viewed as 'outsider' or 'underground' art forms. In fact, many well-established galleries and museums are now actively showcasing and promoting artists working in these styles. The art world is acknowledging the cultural significance and impact of pop art and street art, which is contributing to their growing influence and respect within the industry.

05

What do you like best about your work?

What I love most about my work is that it allows me to meet fascinating and diverse individuals who share a passion for art. I get to do what I'm truly passionate about, and in the process, I have the privilege of bringing like-minded people together. It's incredibly rewarding to connect individuals who might not have crossed paths otherwise, creating new opportunities for artists to share their work and fostering a sense of community within the art world.

How does a typical day of a famous art dealer look like?

Typical is not a word I would use to describe a day for me because every day is completely different.

Networking plays a vital role, as I connect with artists, collectors, and fellow professionals within the art industry. Gallery visits are a frequent occurrence, helping me stay current with the latest art trends and uncover emerging talents.

I'm continually on the lookout for new and exciting locations to display art, whether it's within galleries, exhibitions, or public spaces. Scouting venues for upcoming art events and brainstorming innovative concepts keeps me engaged and inspired.

Preparation for major art fairs like Art Basel and Art Expo requires meticulous curation, logistical planning, and collaboration with artists. These events are instrumental in connecting with a broader audience and showcasing exceptional works.

Meetings with artists are essential for understanding their creative visions and ensuring successful collaborations. Part of my daily routine involves the physical handling of art, from picking up to dropping off pieces, maintaining a close connection to the art I represent.

Every day brings new challenges and opportunities, making each one different from the last. Amid this dynamic schedule, I find solace and clarity by riding my bike. It clears my mind and helps me think more clearly, enhancing my ability to navigate the ever-evolving art world effectively.

You are constantly participating in the world-known art fairs. Tell us about this exciting experience.

Participating in world-renowned art fairs has been an incredibly exciting experience. I feel truly blessed to be a part of these prestigious events, where I can connect with a global audience, showcase exceptional artworks, and engage with fellow art enthusiasts, collectors, and professionals from all over the world. It's an exhilarating journey, and I'm grateful to be a part of this dynamic and vibrant art community.

This year you are participating in the Red Dot Miami.

What are your expectations from this event?

I have high expectations for this year's Red Dot Miami. I anticipate it to be the biggest show yet, drawing a substantial turnout of art lovers and collectors. My hope is to add another award to my wall, and I'm excited about the opportunity to showcase my artists in such a dynamic and prestigious event.

3. **Art Legends Event** - Date: December 9th - Location: The National Hotel - Time: 9:00 PM to 11:00 PM 4. **Perez and Party Event** - Date: December 10th - Location: BURO 79 - Time: 9:00 PM until closing Please check my website for any updates on additional events and dates.

What does Art Basel in Miami means to you?

Art Basel holds a special place in my heart, and to me, it's like the Super Bowl of the art world. This renowned event brings together the best artists, showcasing their most exceptional works and pushing the boundaries of their creativity to new heights. Art Basel is a vibrant celebration of artistic innovation and a platform for the global art community to come together. It represents an unparalleled opportunity to witness the evolution of art, connect with fellow art enthusiasts, and be inspired by the ever-evolving landscape of creativity.

Who are your favorite artists of all time?

Thank you for this amazing interview, Jason! Can‘t wait to see your booth at the Red Dot Miami this year.

My all-time favorite artists are Keith Haring and Salvador Dali.

Where can we see the art you represent during Miami Art Basel Week? What are your venues?

Here's my current schedule for Art Basel, with a note that I may be adding more events and dates in the future.

To stay updated, please visit my website: www.jasonperezart.com 1. **Art on the Bay** - Location: Rusty Pelican Restaurant - Date: December 5th - Time: 5:00 PM until closing 2. **Red Dot / Spectrum** - Date: December 6th to 10th - Location: Mana Convention Center

www.jasonperezart.com @jasonperezartcollective

MAQUIAMELO “BARBIE” OIL, COLLAGE ON CANVAS 47X47. 2023

CONTEXT ART MIAMI 2023 BOOTH B26 COLOUR SENSES PROJECT 3414 NW 7 AVE MIAMI FL 33127

EDITOR'S LETTER Dear Readers and our Art Family, I am so excited to share with you this new edition of the ART E$TATE Magazine, which is dedicated to the opening of a high art season in Florida, that started from a remarkable Miami At Basel Week in the beginning of December, and will last until Palm Beach Modern + Contemporary in the end of March 2024.

Also this edition is celebrating a New Year’s Eve, summing up all the achievements and welcoming the 2024 with new big goals and inspirations. We are very happy to spend this year with you, and we hope that our creative family keeps growing, receiving more gifted artists, art collectors, gallerists, curators, fashion designers and people who just love art.

During Miami Art Basel Week, we were extremely grateful and honored to participate in Context Art Miami 2023 with Colour Senses Project, and we are privileged to be at Art Wynwood fair next year, supporting and promoting Florida art community.

This time we devoted a lot of work and effort to the release of the ART E$TATE Magazine, we literally put our souls into the process of creating this issue. It grew out of emotions, new creative experiences, interactions with talented people and inspiration from working at the art fairs in real time. I hope you won't be disappointed.

With all my love and appreciation, I wish you a Happy New Year. Thank you for your support.

Photo credit to Peter Polyak @polyakart Yevhenii Sonev @evgeniysonev

a i r a D akova Rus

Hernando Alzate ‘SAKURA’ Plastic, epoxy resin, collectible toys Exhibitor: Colour Senses Project

Gonzalo Garcia ‘PANOPTICOPIA #5 / HEART MACHINE’ Watercolour on paper Exhibitor: Colour Senses Project

Zhanna Thomas ‘ALL WALKS OF LIFE’ 3D Acrylic on canvas / Cutting holes Exhibitor: Colour Senses Project

Dear Strangers, I really appreciate that you are holding in your hands our special Art Basel / New Year Edition, because here you can find truly unique and fascinating stories of people who are related to the most important art movement in the world - Miami Art Basel Week.

That week became a great impetus for me, and gave me a lot to reflect on it. I am really happy to share my thoughts with you now.

The soul of each artist is a magnifying glass that reflects their inner world. We are falling in love with their energies, and that what makes their work valuable. I am not a professional critic on the art market, but I feel that the most expensive and precious works are those with the strongest energy and the deepest story behind them.

Visiting Context + Art Miami Fairs, I had an opportunity to speak with the most successful artists who are already established at the art market worldwide. It was an honor for me that they were listening to my ideas, sharing my point of view and understanding my artistic visions. I saw that each of them was a reflector, a projector from the Universe, who was transmitting something bigger, something that we can’t describe. They were sent to the Earth to inspire us, to teach us, and to help us see something behind our lifetime and everyday reality.

We have prepared for you a selection of the artworks that really grabbed our attention and gave us a new impulse of inspiration. I am sincerely glad that you are moving into the New Year with our magazine, and may 2024 will be filled for you with positive energy, creativity and magic.

Yevhenii Sonev Image Director ART E$TATE Curated Magazine Photo credit to Peter Polyak @polyakart

i i n e h v e Y v

Sone

‘The burning of the heart is the most powerful energy that fuels your dreams. Modern people no longer burn with love, no longer burn with desires. They have lost their fire. They do things not because they passionately desire them, but because they have to. This is a direct path to failure. When I talk about the burning of the soul, I do not mean ardent love, although it can make a person happy. I'm talking about the burning that supports the fire of life in a person. You want to wake up in the morning and feel full of strength and desires?

Then light a fire of love in yourself for everything you do. ‘ Robin Sharma

Salustiano Garcia Cruz ‘Changer la Vie (ALBA)’ Exhibitor: Kavachnina Gallery

O’Neil Scott ‘For the Love of Ivy’ Exhibitor: 33 Contemporary Gallery

Art Basel Miami Beach this year displayed 277 international top exhibitors and attracted 79,000 visitors from all over the world.

The results of Art Basel 2023 are based on forecasting the global art market of the twentieth century, as well as the modern global art market.

The art pieces displayed at the fair this year are the universal sensor of the moods and tendencies shaping the industry.

ARTICLE BY IRINA BOGATIKOVA

Modern art is based on a reflection of current reality. At its best, art helps us see that the world can change into something better, identifies current problems and invites us to think about ways of their solution. This is the socalled “Protest” Art. I believe that in difficult times, art can bring us back to our values, and also be a source of strength for survival in those difficult times.

Today humanity, more than ever, needs eternal values and the masterpieces to rely on, as well as ways to replenish energy. I believe that the most powerful tool in this case is the power of nature landscapes, grounding, closeness to nature.

Another bright tendency announced by the artists at Art Basel Miami is the theme of turning religious codes into memes and rethinking humanity, which is going through a difficult stage.

The question is: What to believe? What to rely on?

This stage is characterised by the destruction of what was unshakable, bringing values to the point of absurdity.

Returning to the Tangible 2021 saw a boom in digital art and NFTs, but in 2022 the hype for this segment subsided. Real, handcrafted works with tangible textures and material support are dominating the art market in 2023.

Authenticity is the key word in 2023. Both the public and professionals in the art world are calling for a return to the roots. Tangible works, authentic artists from all around the world, and stories that make people think and move forward.

Once again, art comes out of the plane and attracts with the warmth of the direct human touch.

Manual labor is displayed in the form of textiles, carpets, weaving, and also in ceramics.

A new noticeable statement enters the current narrative, and it is transmitted with the help of totems.

Religious objects resembling idols, as well as works collected from magical symbols. This traces the appeal of magic in an attempt to rethink and change the structure of our world.

The most current art trend of this year is collage. That speaks of attempts to connect the incompatible. These are numerous layers of everything that is happening now in life, going beyond one or two techniques, creating your own new reality from existing objects of the past and present.

At the fair, there was a strong tendency towards manual labor, which in many cases carries ethnic roots, a statement about women's destiny... but at the same time speaks of conversion - rituals of slowing down and grounding. This is evidenced by close tactile contact - between the master and the work, and then between the viewer and the master’s creation.

REVIEW PREPARED BY IRINA BOGATIKOVA ART HISTORIAN CURATOR ART COLLECTOR ART INVESTMENT ADVISOR EDITED BY DARIA RUSAKOVA

PIERRE SOULAGES, 1974 OIL ON CANVAS EXHIBITOR: WADDINGTON CUSTOT

SARAH SZE FLICKER, 2023 EXHIBITOR: GAGOSIAN GALLERY

NJIDEKA AKUNYILI CROSBY TEA TIME IN NEW HEAVEN EXHIBITOR: VICTORIA MIRO

is a prominent modern artist who has made a career in media as a New York advertising agency partner, award-winning filmmaker, author of college textbooks and bestselling fiction sold to Hollywood and, most recently, pioneering in virtual reality.

Chris began his career on Madison Avenue, then founded an international production company with director Robert Gordon. He created awardwinning campaigns for advertisers such as Citibank, Heineken, JVC, Norwegian Cruise Line, and Steinway, and authored textbooks used in universities worldwide. Chris was selected by Advertising Age as one of the “100 Best & Brightest Advertising People in the United States.”

He also authored the bestselling Crazy for Cornelia (Warner Books) and The Devil’s Halo (Random House), and has sold his projects to New Line, Disney, and Alliance-Atlantis for film and television. Chris was also co-producer of Wildwood Days and Airplay: The Rise and Fall of Rock Radio.

As an artist, Chris Fox Gilson is famous for his outstanding work that combines the ideas of Renaissance with new technology.

I had an honour to spend a day with Chris, speaking about Old Masters, AI, human behaviour based on social media, and how our modern reality reflects in contemporary art.

INTERVIEW BY: DARIA RUSAKOVA PHOTO CREDIT TO: YEVHENII SONEV @EVGENIYSONEV

24 Chris, you are a great contemporary artist, an Advertising and Movie Industry Influencer, and just a person with a fascinating creative path. It is a great honour for me to have you in the Miami Art Basel Edition of our ART E$TATE Magazine.

First of all, I would like to tell, that I am very happy to be in the magazine, because each artist that you profiled had a fascinating story to tell.

They are not necessarily art school graduates who had a straight forward career in art, but came to it in different ways.

That’s very true! Tell us in few words about how you came to the Arts field.

In my case, I came to it, because when I was a child, I grew up in Manhattan. So I was fortunate that I could go to the art museums. I began to enjoy the Old Masters, the Renaissance era. And I realised later why I feel a connection to the protagonists depicted on those paintings: they were going through the same changes that we are, in our society. They were also created in the times of radical change of Renaissance. It had an effect on the medieval minds.

I’ve never had any academic training in arts, but I’ve always had an artistic career. I’ve started at the Madison Avenue, in advertising industry, as a Creative Director. But I really wanted to create (laughs). I’ve always loved a storytelling aspect, as well as shooting, and especially an editing, because that’s where you really can put together the elements. And then I was doing the music documentaries of my wife, about the rock stars.

Actually, I was really interested in how media and technology change people who use it. I made my whole career through media and technology, starting with home computing, virtual reality, Amazon, which changed an entire publishing industry.

CHRIS FOX GILSON IN HIS HOUSE IN GOLDEN BEACH, FL

I was writing the textbooks, but I had a really good agency in Hollywood - UTA, where I started doing fictions, and I really enjoyed that. The only thing left really, that I had a great desire to do something that could be framed and showed. That’s how I became an artist.

That is so interesting! Your work is mostly inspired by the Old Masters. How did you come to this idea, and what was the goal?

Well, I saw the article in New York Times: ‘Should we retire the Old Masters?’ Absolutely not! Because they have something very important to show and to tell to the new generation.

25 Yes, we’ll give you a television, and we’ll give it to you for free, but we’ll full it up with commercials, that will make you feel ugly, if you don’t use the products. Yes, we’ll give you the Internet and social media, so you can connect with anybody in the world. But we have algorithms that will bring out perhaps your worst behaviour, because we work with anger, and that’s the most addictive behaviour.

That fascinated me, and I wanted to show the art series about new technologies and the Old Masters.

I like how deep and profound you show the problem of a new technology, its good and bad sights, its influence on people’s behaviour through your work. Why did you choose to use the background of the Old Masters’ works and their characters?

CHRIS FOX GILSON IN HIS HOUSE IN GOLDEN BEACH, FL

To my mind, the art world is a large tent that has enough space for contemporary artists, for someone like Devon Rodriguez, who is painting in the subways, but it also has enough space for the old masters, like Caravaggio, Rafael, Leonardo. They connect us to this great drama of humanity.

In my paintings, you can see the characters from the works of the Old Masters, using the technology, holding gadgets in theirs hands. And somehow they are begging to have it: those beautiful girls, celebrating their youth on the pond, holding smartphones, so they can do selfies. It’s really interesting when you know something about human behaviour and how technology changes it. Every time there is a new technology, and it’s never enough.

I wanted to show the connection that we have with people from past centuries, and the fact that those protagonists, those original types of the Old Masters could be alive now, and be in the same places. I was studying psychology, and perhaps it was very useful for me as an author, and when creating the artwork. I really understand what these characters are thinking, what they are doing or planning to do. I see their aspirations and their desire for selfexpression, these human needs that bide us across the generations.

That is amazing! Who are your favorite characters from the Old Masters?

Well, most of all I like Caravaggio’s characters, and also ones of Bocaccio, because he was creating such expressive women. As he was always depicting a group of women, one of the group usually didn’t belong, disassociated herself with the others.

CHRIS FOX GILSON ‘BOCACCIO’S PODCAST’

In my artwork ‘Bocaccio’s Podcast’ all the girls in the composition are in the headphones. Only one girl who doesn’t belong to the group, took off her headphones and is thinking about something distracted.

I think, these characters are really inspiring.

I would call you the Artist of a New Generation, because you use a really unique and innovative technique in your work. Please, tell us in few words about that.

I call my technique ‘Illuminated Assemblies’. I’m taking a high res image of a beautiful face, a meaningful face.

I’m editing it through Photoshop and some other programs, adding a different technology elements, working on transparency. Even with the LED frame behind, my work still has the texture of a painting, so you can touch it. I use a ultra-thin distributed LED backlight frame, which always attracts attention.

Actually, with my work I would like to recreate this impact that the original Old Master’s painting was doing on the people of that era.

How do you think, who is the main viewer of your work?

Probably people who are attracted to both art and technology, because they know what effect my work has on the audience. For example, my ‘Bocaccio’s Podcast’ will be hanged in the studio of Spotify, which is really great! But I really want to know your opinion, too. Who do you think my main audience is?

First of all, people who understand art, because they should understand a background of each work, related to the Old Masters. And, of course, people with a broad mind. Let me ask you something: What is your purpose as an artist?

Well, I think my work is distinguished with two major things: truth and humour. I like to be able to communicate with people through my work. And it is not a superficial conversation.

INTERVIEW BY: DARIA RUSAKOVA PHOTO CREDIT TO: YEVHENII SONEV @EVGENIYSONEV @sonev.visions artist: chris fox gilson www.chrisfoxgilson.com @chrisfoxgilson

CHRIS FOX GILSON ‘DALI’S SECRET SAUCE’

I’ve just participated in the Spectrum / Red Dot Art Fair during Miami Art Basel Week, and it was very successful. But in future I would like to be part of creative community, to contribute something to the community. That is my main goal. Also I want to help people understand the Artificial Intelligence, because I feel like I know what’s coming. It’s going to dislocate a lot of people, but I think we should look how we can use it in a good purpose, as an advantage.

Art

&Fashion INTERVIEW BY DARIA RUSAKOVA PHOTO CREDIT TO: ANDREA SZATMÁRI

PHOTO CREDIT TO: ANDREA SZATMÁRI

is an internationally renown Fashion & Costume Designer with a unique artistic style. She casts the enchantment of obscurity upon the runway. Her collections spring forth from the darkness that most are reluctant to confront, drawing inspiration from the cultural fringes. As a former costume designer for the Budapest Capital Circus, resourcefulness is integral to her style. On occasion, she subtly weaves animal elements into her creations, imprisoning the essence of flies within the timeless realm of synthetic resin buttons or adorning skirts with neon chicken feet. At other times, she transcends our reality, presenting androgynous androids.

Some may recognize her designs from short films and theatrical productions.

Her aesthetic bears the indelible imprint of American drag queen culture, Alexander McQueen, and the enigmatic realm of extraterrestrials, channeling these influences through the unique perspective of a young Hungarian designer.

In 2022, when Disney undertook the production of a new Alien movie, "Romulus," Eszter seized the opportunity to collaborate with the renowned costume designer Carlos Rosario as a Costume Workshop Coordinator. Upon completing her university education in 2018, she pursued her ambition to become the costume designer for the Budapest Capital Circus, the sole stone circus in Central Europe. After a year, her responsibilities expanded to encompass not only costumes but also set design and props.

Simultaneously, she embarked on a career in the film industry, working closely with the Oscar-nominated costume designer Györgyi Szakács and the renowned Hungarian costume designer Krisztina Vavrinecz.

Her journey also brought her alongside Oscar-winning costume designer Michael O'Connor in the movie "Lee," where she served as Kate Winslet's dresser. Presently, she assumes the role of a costume coordinator alongside the Oscar-nominated costume designer Bina Daigeler on an upcoming film project.

Eszter boasts movie credits as both a costume and production designer.

Additionally, she has nurtured her own fashion brand for over a decade.

In 2022, she had a prestigious fashion exhibition titled "/NOT2B - The Last Fashion Show."

30 PHOTO CREDIT TO: ZOLTAN PRESENT

That year I was influenced by the designs of Alexander McQueen, and the paintings by Salvador Dali. So, when I came back home to Hungary, I decided to enter a Fashion University. That time it didn’t work, and I have studied a year in a Filmmaking School, which definitely was a necessary experience for my career. After finally finishing a Bachelor Degree in Fashion, I went to the University I’ve always wanted to enter, to get my Master Degree. But I had to leave in six months, because I wasn’t satisfied by the sense of style that the teachers had there. At that moment I’ve already had my own style, and It was not supposed to be something else.

I decided to get more practice, and fortunately had a unique opportunity to work with a Canadian Costume Designer in a Hungary Circus. After that, the Director of the Circus in Budapest asked me to become an official Costume Designer. I spent there three years, and it was very helpful for my creative path.

This experience completely changed my style: if before my outfits looked like the sculptures, literally the pieces of art, working in the Circus I started creating something more wearable.

Well, when I was in High School, I was planning to be either a lawyer or a doctor. When I finished the school in 2012, I went to Key West, Florida, where my brother - a very talented fine artist was living at that time, and that became a turning point in my life.

There I had a chance to work with Sushi - the Drag Queen, and I learnt how to sew. That was the point where I decided to be a Fashion Designer.

In my work, there is much more from Haute Couture, than from the street fashion. I like to work with transparent plastic, and it is not so usable for everyday outfits. Well, after I left the Circus, I started working in a Movie Industry, as a full-time job of a Costume Designer, and that had a huge impact on my style.

Talking about the exclusivity of the outfits I create, I like to work with not typical fabrics.

Besides that, I use very unusual details, like flies in resin buttons, chicken legs, and even skeletons.

31 PHOTO CREDIT TO: DÁVID VÉGH

With my work, I would like to show people, how important is to be yourself, to be unique, and not to look like the others. All my collections are different, but they do have a common thing. I truly like the Science Fiction world, and I use it in my collections. Also I was always looking for the escape from the everyday life, that’s why a chose a creative career. So, showing my work, I want this escape for everyone who sees it. I would like to serve an escape from the basic days for people.

Actually I like everything about that, because art and fashion is my life. My work is my lifestyle, and I am convinced that sometimes you don’t choose it: the art thing chooses you.

I think, it is my last collection, which is called /NOT2B. The main message of this outstanding work is to reach the final stage of abstract.

Watching this fashion show, the viewer looks behind the scenes of Non-Existence, with only one body left of what Human was, and the Last is about to surrender to Non-Existence.

And of course I am extremely proud of my last year project, where I was working as a Costume Workshop Coordinator with Carlos Rosario, at the ALIEN: ROMULUS movie (a production of the Walt Disney Company).

Well, besides the artists and fashion designers I named before, I really like Lady Gaga style.

Talking about my role model from the childhood, it is my brother, a talented artist Peter Polyak.

Talking about the profession of a Fashion Designer, sometimes it is so hard to succeed in those big brands and huge companies. Besides, I’m designing a truly unique clothes - for singers and actors, let’s say for the celebrities and creative people. The main difficulty is that I am based in Hungary, where it is not easy to find a lot of people of that category, who are wearing such artistic and extreme things.

PHOTO CREDIT TO: ANDREA SZATMÁRI

While I’m doing what I’m doing - designing clothes I feel like all my dreams came true. I really like my occupation

Be yourself, and do what you like to do. Design what you like to design. Keep your own unique style, and be passionate about that.

WWW.ESZTERPOLYAK.COM @THE.ESZTERPOLYAK @ESZTERPOLYAKCOM INTERVIEW BY DARIA RUSAKOVA

PHOTO CREDIT TO: ANDREA SZATMÁRI

Lissa Mel THE INSPIRING STORY OF

Dress: Le Réussi @le_reussi Earrings: Anna Zuckerman @annazuckerman

Dress: Gert-Johan Coetzee @gertjohancoetzee Earrings: UBS GOLD @ubs.gold

is an Israeli artist, gallerist, entrepreneur, and fashion designer whose work is represented by the Centaur Gallery in Las Vegas and at her own Santa Monica-based gallery, The Messengers Art Gallery.

Born in Uzbekistan and raised in Israel, Mel spent most of her life in Tel Aviv where her mother encouraged her artistic talents from a young age. In high school, her love for science led her to study physics, chemistry, and biology. But it was her passion for the arts that eventually took center stage and prompted a focus on painting, sculpture, and cinema.

Mel’s art explores matter at a molecular level using abstract depictions to capture performance while mirroring the vibrational waves of matter. Her view on the human body is that of a vessel performing the dance of the natural realm and depicting the interaction between the feminine and masculine energies.

Mel’s journey involved many challenges, including leaving the security of her business career to relocate to Los Angeles and become a full-time artist. It was a leap of faith, but looking back it was the best decision she’d ever made.

Mel’s artistic vision continued to evolve as she experimented with new materials and techniques. And in 2022 she combined her two passions, painting and fashion, and launched her own hoodie and apparel collection called Loren Marie. She’s since founded her own gallery, created hundreds of pieces of artwork, and collaborated with such iconic brands as Michael Kors.

This year Lissa Mel is participating in the Context Art Miami 2023 during Miami Art Basel Week, represented by Colour Senses Project Gallery.

Dress: VASEGHIA @vaseghia Earrings: Anna Zuckerman @annazuckerman Heels: L’Atelier de Charlotte @adc.charlotte

Well, I started when I was a child. I was about 6 years old when I took my first steps into the sketches and paintings. My mom was such a good sketcher. She used to show me how each object could be represented best through the colours and shadows, and slowly I started learning from her. She was my first teacher, and she gave me the first inspiration, the first look into the art world. I was also attending the art classes in my first grades in the school, but it was not the same.

After the army, I already knew that I was going into the art field. But I still didn’t know if I would be an artist or a fashion designer. I was 21, and at that point I decided to stay in Israel instead of entering the fashion academy in Milano.

I went to Avni Institute of Art and Design in Tel Aviv, and that’s how I took my first serious steps into the art world. That school really shaped me, not only helping me define who I was as an artist, but also instilling a good taste in me for real art. For example, one of the teachers was really rough with us. I remember that he was showing the students some piece of artwork. It was a painting that looked unfinished. Some parts of it were painted and some of them were just like sketches. The teacher asked “What is good about this piece?” And with that question he made us reflect and look at art from a different perspective, trying to understand the concept of the artist and the message of his work. That piece was not perfect, but its message was so strong that I still remember it today.

This example prompted me to look for different materials in my work, like glass and wood, which don’t necessarily go together, and to create a deeper concept of my work. In other words, I started to create something that I had never seen before.

37 My art is influenced by other artists, too, as well as the collections in the museums and galleries. My favourite artist is Olafur Eliasson.

He creates these amazing shapes that he takes from nature. This is what I’m looking to put into my works— those reflections of nature— using glass, plastic, etc. It’s really fascinating when a person is looking into the art and can see their own reflection. Whatever movement they do, they would be in the interaction with a piece of art. That’s what I would like to do.

Resin is my favourite. And I also like ink. I love to play with it. There is an endless source of the forms and creative opportunities there.

Most of my work comes to me as images from my meditations. I decided to dedicate my latest pieces to the theme of vibrations. Each colour is a vibration which has its own frequency, and I implement even more vibrations and frequency into my pieces.

Before I cover my works with the colours, I write a mantra on the basis of the painting.

Even if it is a sculpture, I write a mantra and chant it. And only after that I do put the paint or materials on the piece. I think my concept is really unique because I intentionally increase the vibrations of my works. That helps people to heal and to feel the connection with God and the Universe–to feel their love and inspiration, and to be connected to the Source.

There are many messages, not just one (laughs). But I think the main message to the viewer would be joy and love. I want everyone who looks at my pieces to feel passionate love for colours, for the Universe, for other people, and for everything around.

It means a lot! I was manifesting this many times, and I guess it is happening! I’m really honoured and excited to be the part of Miami Art Basel Week. For me, as an artist, it means that whatever I’m doing, I’m at the right place and doing the right thing. It’s definitely a bigger recognition and inspires me to keep doing what I am doing.

38 I gave myself time to understand my feelings.

And then slowly I started to see beauty in even the small things around me and began to sketch those little things in my notebook while sitting in the park. While sketching I said to myself, “It is good enough for now.” I was enjoying my works, even though they were just sketches. But it still felt good to create and be thankful for what I had. I understood that the most important thing was to enjoy the good things that I had. I was alive, healthy, and able to create. This realisation helped me to move forward and become successful.

That’s really inspiring! Lissa, you are the owner of your own gallery. What is its concept?

lissa mel. “love is you”

Totally agree! And what is your biggest dream ever about your artistic career?

Well, I have a lot of them. Of course I would like my art to be displayed in the Tate Modern in London and in the Guggenheim Museum in New York City. And I would like to be represented to a wider audience. Another dream of mine is to get closer to my favourite artist Olafur Eliasson, because he does such big-scale art, and I want to be at the same creative level.

Did you have any difficulties making your career as an artist?

What helped you overcome them?

Well, everybody has dark moments at times, or take wrong steps.

Life is like a mountain road going up and down. In the beginning of my path, I didn’t have much money for materials to create art, and I also didn’t have as many ideas as I have today. I couldn’t even express that few ideas I did have because of the lack of materials. So what I did was go into deeper meditations. I went deeper into myself. I said, “New ideas and more money will come somehow.”

And I just let it happen.

When I founded my art gallery in Santa Monica, I called it The Messengers Gallery. I believe that artists are messengers that convey something important to the viewer. Also, the artist is creating something from nothing, and it’s really amazing. In order to create, you have to be connected to the Source, to the Universal Flow of Energy. So you transmit this energy and high vibrations to the viewer.

There’s so much goodness in this world, and it’s amazing that we can be connected and able to transmit this message.

What artists and art directions are displayed in your gallery?

As a gallerist and art manager, I represent the work of different living artists as well as my own art. My gallery is like a family. I don’t receive everyone. I meet an artist and, if I feel connection with them and high vibration of their work, they become part of my family. I want to represent only the pieces with higher frequency. I don’t show only one type of art.

In the Messengers Gallery we have paintings, sculptures, and installations created in different art mediums. We have pop art, abstract art, and figurative art.

39

Well, it’s not easy (laughs). As an artist, I can say that sometimes I give away my time to create. It is a sacrifice. But it’s definitely a known sacrifice. Being a gallerist is tough work, but it’s worth it.

I think it’s my family. My daughter and my mom. They are my teachers. They inspire me to do what I am doing every day.

Keep doing what you are doing. Don’t stop creating, no matter what. Believe in yourself.

It’s crucial in our industry to see other artists, gallerists, to meet new people, and to network.

Connections are very important because this is how we can elevate and help each other.

Make it a point to attend an opening reception once or twice a week. Always look into new possibilities. Listen to other people.

There is so much information out there. Learn from the successful stories of famous artists and then make your own!

I believe that the most important thing you can do with art is to heal others. Everything is the energy. Art has an ability to heal, if it has high vibrations. My mission as an artist is to create as much as I can and to be able to heal people’s souls!

INTERVIEW BY DARIA RUSAKOVA

Photographer: Reinhardt Kenneth @reinhardtkenneth Stylist: Michelle Wu @michellewustyle Hair / mu: Carisa Arellano @carisadoesitall Lighting Director: Hugo Arvizu @arvizu_arts Dress: designed by Lissa Mel @lissamel_artist Earrings: By Chavelli @bychavelli Heels: Designed by Lissa Mel @lissamel_artist Publicist: Rick Krusky, MWPR Inc. @rickkrusky @mwprinc www.lissamel.com @lissamel_artist

heart-to-heart conversation WITH an ARTIST...

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MARGGIE HAZA was born in 1990 in Miami, Florida. She is a full-time emergency room nurse who during the woes of the pandemic rediscovered creating art as a form of healing and purpose. Her work ethic and drive has landed her in various group shows and exhibits in Miami and Texas, most recently “Women in Art”, “Visions”, and “Hispanic Heritage” at ColourSenses Project Gallery in Allapattah Arts District in Miami, Florida.

Creating expressive figures primarily in oil, acrylic, and charcoal, she navigates the themes of self-discovery through heartbreak, sexuality and cultural re-awakening.

She draws her inspiration from her multiethnic heritage, as a Dominican-American of middle eastern ethnicity.

I work primarily in oil, acrylic, and charcoal to create expressive portraits that capture the messiness of human emotion, that expose the universality of heartbreak, the strength in vulnerability, the temptuous journey of self-discovery.

My style changes with my emotions. Sometimes monochromatic, sometimes tight strokes, sometimes loose marks—but it’s always intentional to reach a soulful conclusion.

My paintings are often personal: each piece represents an experience, a lesson, an epiphany, or a conversation had with the self. Painting became meditative and healing for me during the pandemic. I found myself highly dissociated—I was physically far from my family in another state, isolated in a destructive and loveless marriage. I was a mere shadow of who I was after years of keeping that marriage from dissolving. During quarantine I was forced to rediscover and recreate myself. Creating art amongst that darkness kept me alive. I wasn’t seeking perfection or accolades—I was creating solely for myself, for my pleasure. Art for art itself.

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So many emotions would come up while I drew on my iPad or my old sketchbook. More often than not I sketched women like myself, seeking connection. The scent of femininity lingers on every piece, as I use my painting sessions of expressing my own curiosities as a sexual being, not afraid of representing fears of loneliness, abandonment, and shame; as well as portraying the joys and pleasures of intimacy and human connection represented as a single naked woman covering her breasts on a canvas.

The bright hues we intuitively reach for in the form of paint tubes are the same shades our ancestors expertly concocted with natural pigments derived from the vibrant natural sources surrounding them. We all have artwork in our houses that remind us of where we come from: paintings of a dark skinned beauty, a casita en el campo, blooming flamboyan trees, or a bowl of ripened fruits.

I appreciate people noticing my aim to showcase women with piel canela, big hair, big brows, a dark and fearless stare—strong, proud. The type of beauty I grew up admiring. If my paintings could talk, you knew she would have an accent and a strong personality.

It’s always hard opening up about inspiration and stories behind my work, but it’s all a part of who I am: being raised in a home of single Dominican women as a first gen American; navigating the world being bilingual, being the primary translator for my family, and all the unspoken challenges within that dynamic; struggling with mental health, sexuality within a highly conservative culture that discouraged those conversations; and navigating relationships, love, and gender roles.

Welcome, I hope my art resonates with you!

MARGGIE HAZA

Artist: Marggie Haza @mhaza.art Photo credit to: Franchesca Ali @iamfranchescaali Larissa Moreno @issamoreno

VALENTINA

ARTICLE PREPARED

BY TINA BILBAO

BILBAO

Valentina Bilbao’s art is gently encapsulating, where such harmonious movement appears to have an alluring effect, almost as if it were to pull the viewer into the canvas. The inspiration for the motion and color in each of her paintings is a reflection of the music that she listens to while painting, specific to each piece. Born in Venezuela in 1977, Currently based in Miami, Valentina Bilbao is an abstract expressionist painter who shares her messages of passion through her art. She began her career in art at the ripe age of 18 when she co-founded an art workshop for kids, which led her to discover her interest in helping and teaching children. She studied adolescent and child emotional psychology to fulfil this passion. Venezuela was beginning to dive into its political turmoil, and as the alumnus of child psychology, Valentina took on the responsibility of emotionally nurturing children from all backgrounds, using what she learned in the university, as well as her methods, to promote selfconfidence. She diligently uploaded those in need and continued to use her art as a means to spread messages of positivity to those around her. Her expertise in art caught recognition, prompting her first solo exhibition in 2005. Deeply influenced by the music around her, she would continue to produce mirages of the rhythm, melody, and emotion which the music would evoke, onto the canvases.

In the process, she would listen to the music on repeat.

Losing track of time and space, her consciousness would sink into the music and art. As a result, her creative process was created, which she would stay true to when producing every single one of her pieces. She feels this way as she claims: “I decode the Music to then transform and code it as color. For me, Music is not only an inspiration, it is the element from which all is born, it is the Artwork in itself, expressed differently. My Artwork is completed when I can bring the Music to a visual tangible dimension.” Since the 2010s, Bilbao’s art has been dispersed throughout the world, more specifically in: south Florida, New York, Paris, and Italy. She learned Italian as she was inspired by Italy’s culture, history, and most importantly its music which greatly inspired her art, which is why many of her prominent pieces bear Italian names. Her art is currently represented by distinguished galleries and it has been displayed in the Boca Raton Museum, Perez Art Museum Miami, collateral events during the Venice Biennale, Nader Museum, and an auction in Opera Gallery. Not to mention her audio-visual displays, sharing the unique experience of listening to the same music that she did while creating her art. She also holds solo painting performances so that the audience can see her painting in action, while she is in the presence of the music, most notably opening the Boca Raton art fair 2018 with her performance.

SCULPTURE

CHARLY SILVA

PUBLIC ART “CONNEXION”. (page 51) Is a renowned Miami-based sculpture, who was born in the Andean region of Colombia. Charly studied mechanical engineering in his native country and has developed as an entrepreneur in the metalworking and metalware sector, where he acquired experience at working and manufacturing metallic elements.

The representation of his conceptual artwork is accomplished through the use of everyday materials which allow the viewer to be seduced by imagination of Silva’s sculptures. His work transcends with ease from the figurative to the abstract, and from the abstract to the figurative, with such fluidity that a magical sense of abstract realism is created, as defined

by Charly in his work. The metal pieces

by Charly Silva are always emerging in a large format, and it is a starting point of their creation.

An interactive installation which conveys the message of the unity between people and nature, and also shows the bond between different people, who are occasionally or purposefully connected by this sculpture. Installed in front of the Context Art Miami 2023 pavilion, CONNEXION could be not only a conceptual piece of art, but also a functional subject, where people can rest, read a book, meditate or talk to each other. The installation also expresses the capacity of the human soul.

Metal constructions of the sculpture, shaped in opposite forms, is the symbol of purity and nature. The object conveys the abstract characteristics of large proportions, asymmetry, and aesthetic value. When the sculptor starts to create, his canvas is a sheet-metal and his brushes are welding and screw. All his works show the industrial processes that leads to transform the plates of metal in a warm element with a deep message.

SCULPTURE

CHARLY SILVA “TRIO”

SCULPTURE

CHARLY SILVA “CONNEXION”

ART & FASHION

Winston Bartholomew and Margarita Howis, NYC Fashion Week 2023.

Photo credits: J. Robertson. NYC

Renowned artist Margarita Howis and acclaimed fashion designer Bartholomew are making a creative collaboration during “Basel Renaissance” – a transformative art and fashion show. Strip away societal conditioning and embark on a profound journey into the intersections of your unique self. Rediscover your inner brilliance and embrace the artistry.

The launching events took place during Art Basel Week in Miami - Starting with a fashion show of new collection of handpainted jackets and accessories at The Gates Hotel South Beach together with Bikini Beach Brand, live painting events, exhibition and new collection pop-up at Soleman Fine Art Gallery.

THE ARTICLE PREPARED

BY SIMONE STUBGAARD

B.Gold NYC Runway show, NYC Fashion Week 2023

“ “FEARLESSLY FEMME”

BY MARGARITA HOWIS

ART & FASHION

Winston Bartholomew during ‘The Hype’ HBO Show Shoot

the founder of The House of Bartholomew, is a talented designer with over two decades of industry experience.

Known as Barth, he has collaborated with influential figures like Snoop Dogg and Fivio Foreign. His recent triumph as the winner of HBO’s The Hype Season 2 showcased his prowess in creating innovative streetwear designs. .

A Brooklyn native, Winston’s creative journey took an unconventional path. Initially awarded a full scholarship to Howard University’s School of Architecture, he transitioned to fashion after feeling constrained in architecture. Exploring career alternatives, Winston discovered a common thread with iconic fashion designers who began their journeys in architecture. This ignited his passion for fashion, leading him to self-learn pattern drawing, cutting, sewing, and branding.

As the CEO, Menswear Architect, and Head Pattern Maker at The House of Bartholomew, Barth has elevated the brand with B.Gold NYC, its distinct streetwear line. His pinnacle success manifested at New York Fashion Week 2022 and 2023, and a recent appearance at Paris Fashion Week 2023 marked a milestone.

Barth’s creative endeavours extend beyond streetwear, showcasing versatility in various accessories. Fans of ‘The Hype’ witnessed his adept use of ski masks, securing a triumphant victory.

Barth’s creative journey and unwavering commitment to pushing boundaries and innovation are truly inspiring.

55 Margarita’s artistic journey unfolded from art school to a degree in architecture.

Rooted in the societal conditioning of 90s Russia, Margarita broke free to become a global citizen, preaching and inspiring others to embrace their unique selves.

Now exclusively devoted to visual art, artist works and exhibits globally through galleries in Copenhagen, Paris, Montreal, Miami, New York and Cancun. Moreover, she engages in fashion collaborations, paints murals, facilitates creative workshops, and speaks at conferences.

Margarita’s art serves as a bridge between cultures, emphasising the strength and beauty in individual uniqueness. Exploring themes of self-discovery, self-acceptance, and self-expression, Margarita creates a powerful visual dialogue that challenges viewers to think critically about themselves and their surroundings.

Combining realism with experimental abstract motives, she utilises various mediums, from traditional brush and acrylic to sustainably sourced gold and silver.

Artist’s personal story is a true inspiration for women of diverse backgrounds. Having navigated different countries, she successfully built a career as an artist and entrepreneur, showcasing that dreams can be pursued and achieved regardless of one’s origin or societal norms.

a creative rebel and global artist, has lived in 7 countries, evolving into a staunch cosmopolitan. Her international experiences dissolve borders and question traditional notions. Margarita Howis’ artistic mission centres on celebrating authenticity, inspiring self-discovery, and urging liberation from societal conditioning.

Margarita Howis, studio in Copenhagen.

Photo credits: Daria Chipenko the articlr prepared by:

BY SIMONE STUBGAARD

56 Now, Margarita Howis steps forward to officially reveal herself as the talented artist behind the iconic Offset portrait. Inspired by the rhythmic beats and cultural impact of hip-hop, Margarita brings a fresh and dynamic perspective to the evolving landscape of contemporary art. This exclusive piece showcases Margarita's ability to capture the spirit of her subjects, infusing each work with a vibrant energy that transcends traditional portraiture. Her dedication to celebrating authenticity and inspiring self-discovery is evident in every stroke. Notable figures in the music industry, including Snoop Dogg and Dani Leigh, have recognized her work.

The one-of-a-kind painting goes beyond conventional fan art. It captures Offset's captivating gaze, roses tied to his iconic dreads, adorned with a gold circle on a black background, serving as an artistic expression of resilience, strength, and personal identity.

The golden bees on his garment pay homage to designer Winston Bartholomew and tie into Margarita's collaboration with 'Icons in Barth.'

CREDITS: celebrityhunters Offset’s Private Birthday party, Coco, Maimi

Margarita Howis, a rising star in the world of contemporary art, claimed the spotlight at Offset's private birthday celebration in Miami's Coco club with an exclusive portrait of the rap sensation. This visually stunning tribute captures the essence of Offset's unique persona and his profound influence on the hip-hop culture.

Offset, visibly impressed by the artwork, proudly showcased the masterpiece during the private event. The buzz reached new heights when TMZ and DailyMedia featured articles covering Offset's birthday, prominently displaying him with the captivating painting.

In a statement, Margarita said, "Hip-hop culture is the heartbeat of my artistic journey. The music, the stories, the struggles – it all moves me and shapes my artistry. I aspire to build a culture with my art that resonates with the community, just like the hip-hop culture has resonated with me."

Intrigued by Winston Bartholomew's and Margarita Howis's captivating creations and their ability to push artistic boundaries? Stay tuned for what they unveil next. Follow their artistic journey on Instagram @margarita.howis and @bgoldnyc. Witness the evolution of her unique vision and discover where creativity takes them next.

CREDITS: BENJI MAMBA OFFSET BY MARGARITA HOWIS

This year ART E$TATE Magazine had the honor of attending a private event organized by the founders of Winn Slavin Fine Art—internationally recognized blue-chip artist Sir Daniel Winn and gallerist Randall J. Slavin. In collaboration with the Asian World Film Festival (AWFF), Sir Daniel Winn presented a private exhibition and unveiling of his 'Indochine Impressions' on November 11th, 2023 at Winn Slavin Fine Art on Rodeo Drive in Beverly Hills, CA. From the 1860s through 1954, France controlled much of Southeast Asia, including present-day Vietnam. This French colonization of Indochina coincided with the Modern Art movement, the heart of which was Paris. Fine art in Vietnam was heavily influenced by the French Modern aesthetic from Impressionism through Surrealism, and despite (or perhaps because of) an isolationist period that began in the mid-1970s, that aesthetic is still evident in Vietnam's Contemporary Art scene.

‘Indochine Impressions’ examines that influence through the work of three distinct living Vietnamese artists: Sir Daniel Winn, TNT, and Dinh Ngoc Thang. The impact of the Impressionist period is evident in the vibrant paintings of TNT, characterized by an emphasis on momentary visual impressions and the shifting effect of color and light.

The paintings and sculptures of Sir Daniel Winn, a child refugee of the postcolonial war in Vietnam, demonstrate the influence of Surrealism. The work reinterprets the Surrealist philosophy, style, and methodology through the lens of Buddhist existentialism.

PETER POLYAK As Peter grew older, his artistic prowess expanded in various dimensions. At 14, he enrolled in an Art High school, pursuing graphic design and photography alongside his studies.

During his college years, he not only honed his painting skills but also composed his inaugural music album.

Summers were dedicated to mastering classical painting techniques under the mentorship of Italian master Matteo Massagrande. A pivotal moment in his journey occurred in 1999 when Laszlo Patay, his former mentor, selected him as the youngest apprentice to work on painting seccos in three different Hungarian churches.

Peter's journey led him across diverse artistic domains.

Peter Polyak, a remarkable multi-talented artist, embarked on his creative journey at a tender age when he clinched his first drawing contest victory in kindergarten. His passion for art remained undeterred even during years of competitive sports. At the age of 11, he delved back into art, commencing formal drawing studies that set the stage for a multifaceted artistic odyssey.

He delved into the world of filmography, directing his first music video and contributing to the production of "Mr. Bean: The Animated Series." In the realm of graphic design, he ascended to the position of Graphic Design Manager at a substantial printing house. Upon relocating to Florida, Peter narrowed his focus to Fine Art and Video Productions, steering his trajectory towards creative fulfillment.

PHOTO CREDIT TO PETER POLYAK

PETER POLYAK ‘REFLECTIONS SERIES. #5’

PETER POLYAK

PETER POLYAK ‘REFLECTIONS SERIES. #7’

His foray into fine art saw him collaborate with esteemed galleries and artists, including DeRubeis Gallery, Gallery Key West and Millionaire Gallery, working alongside luminaries like David Smith, Patric Guyton, and Adam Scott Rote. Here, he not only immersed himself in traditional painting but also had the opportunity to study with Drew Blair, recognized as the preeminent photorealist airbrush painter globally. .

Peter's diverse artistic education and experiences coalesced, culminating in the inception of distinct series characterized by a blend of styles and techniques. The "LaceLand Series" showcases his reverence for the nuanced beauty of the female form, predominantly employing airbrush techniques. Concurrently, he delved into the "Reflections Series," paving the way for his innovative "fRealism" approach, fusing realism and symbolism in a theatrical manner. This groundbreaking technique incorporates a blend of oil and acrylic, transcending traditional boundaries by integrating water-based elements into oil layers.

In the realm of film, Peter's journey has been equally stellar. He achieved acclaim as a multiaward-winning director, videographer, and luxury real estate production director. Balancing his videography pursuits, Peter dedicates his non video shooting days to his studio at Mifa, where he recently attained residency as part of the esteemed International Art Program.

Peter is currently represented by Mundo Arte Miami (formerly known as Top Art & Frame), Colour Senses Project and Buro79 Wynwood.

Peter Polyak's artistic journey stands as a testament to the power of persistence, innovation, and the willingness to traverse diverse artistic domains. His story serves as an inspiring beacon for aspiring artists, encouraging them to embrace creativity in its many forms and continually explore the boundaries of artistry.

In 2013, the members of The Sovereign Order of Saint John of Jerusalem, Knights of Malta Federation of the Autonomous Priories recognized that while Peter doesn't have a strong financial background, he consistently donated his artworks, leveraging opportunities to support children battling cancer, AIDS, and aiding local causes during health crises.

By 2014, the KMFAP acknowledged Peter's tireless dedication to philanthropy and humanitarian causes and knighted him for his efforts.

PETER POLYAK ‘REFLECTIONS SERIES. #6”

INTERNATIONAL ARTIST

In 1999, Christine moved to the USA and started her career in painting in the year 2000, at first, using brushes, with no texture, but creating very colorful artworks to bring joy to people discovering her paintings, always aiming at depicting her native country.

considers herself as a real Carioca, which means, in her birth country of Brazil, a person born and raised in Rio de Janeiro.

True Carioca enjoy life, have faith in their future, and are natural optimists.

She received her education at the French Lycée of Rio de Janeiro, Brazil. After her French Baccalaureat, she attended a business school in Paris, France.

In 2004, she saw a display of world-famous Ghana artist Professor Ablade Glover's work at Chicago O'Hare International Airport.

Discovering this painting helped her choose her own favorite tool for creating art. She let go of the brushes and started working exclusively with a palette knife. Using this technique enables her to find a new sense of freedom: she loves how, with bold strokes of her palette knife, she can create textures that make shapes and colors come to life on the canvas.

artwork by christine drummond

66 In 2009, one of her wishes as an artist became reality: she not only had the opportunity to work with Professor Ablade Glover, but also had the privilege to paint alongside him in his own studio in Accra, Ghana.

Today, Christine Drummond's artworks are showcased and sold all over the world: from Sydney to Paris, from Brussels to Monte Carlo, from London to Indianapolis, from New York to Sao Paulo.

In the United States, the work of Christine Drummond is represented by Colour Senses Project Gallery (Miami, Florida).

THE FRAGMENT OF THE WORK

BY CHRISTINE DRUMMOND www.chdrummond.com @christinedrummond_art

67

christine drummond ‘colorindo nossas vidas’

also known as Shoosty® was born in 1958, in Chester, Pennsylvania. He received a Bachelor of Fine Art with a minor in Architecture, in 1982 at The University of Florida, and enjoyed a successful corporate career by day and a prolific painting career by night. He is also the author of ‘The Horse Adjutant,’ a story about a survivor of the Nazi Holocaust, and is featured in Marquis’ Who’s Who in American Art. He is also currently on the board of the Florida Cultural Alliance.

Using the signature Shoosty® his painting career spans over 50 years and is recognizable by his trademark use of color and shape.

Influenced by travel, music, tribal cultures, and family, Shoosty’s work takes the viewer on a wild ride invoking the spirits of Picasso, Braque, Gauguin, Chagall, Matisse, Ad Reinhardt, Japanese Woodblocks, NW Indian stylized objects and Illustrated Manuscripts to create his paintings which range from the sublime to groovy. Shoosty’s sculptures and paintings are rare. They appear in a few public and private collections around the world.

Combining his artistic ability with his zeal for technology and lifelong learning, Shoosty® is as comfortable with oil paints as he is with technology. His primary concern is using the arts to provide creative leadership to those that surround him.

69 Stephen, you are a very multifaceted artist and businessman. Please, tell us in a few words how your creative brand ‘Shoosty ’ was born.

Well, my family owned and operated a company. Since I was a top officer I had check-signing privileges. I could not use the same signature on the checks and my paintings. While signing my name in script, I noticed that the "er" at the end of my name looked like a "y" so I kept it that way for the art. I was also aware of top artists like Picasso, Dali, Cézanne, Goya, and more all using a single name. I decided to take their lead and use the name Shoosty for my art. Since then it has been trademarked.

That’s impressive, how you combine your business and creative parts! What prompted you to become an artist?

INTERVIEW BY DARIA RUSAKOVA. PHOTO CREDIT TO: FAITH RAMIREZ

It started when I was a child, being the third of 4 kids. My parents had their hands full. They would give me paper and it kept me busy for hours. I was drawing and making models all the time. We were living in NJ when my father lost his job. At the age of 15, a junior in high school, we moved to Florida. It was in the Sunshine State that I shifted my attention to being an artist. I went to the University of Florida and entered the College of Art in my junior year. They gave me two choices, Graphic Arts, or Fine Arts. I didn't want to do graphic arts working for anybody, so I chose Fine Arts. Meanwhile, my father told me, "You can't be an artist for your career." He advised I take lots of other classes.

I ended up with a minor in Architecture.

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I was ready to enter the University of Ohio for my Master's in Architecture when my father asked me to stay home and help grow the business. I stayed with him. He owned a small company called, "Dinga-Ling Answering Service." In the 1980's call centers became a viable business and I built a call center from scratch using used equipment and writing software. It took off. Over the past 43 years, my career has been the convergence of computers and telephony. I have a software patent on this subject.

Absolutely! I was constantly creating new pieces of art at night and on weekends. Besides my family, it has been my biggest passion all of my life, and there is no question, that I always acted as an artist, creating computer code, visual art, and writing.

My current goal as an artist is to build the legacy of my work and to give my work life after life.

All of that! Each of those skills gives me inspiration for the others. Each is an integral part of the same creative process. My life is completely dedicated to creation.

Well, since I was retired, I have been doing a lot of art shows to figure out this exact question. I believe that the most important thing about an art show is feedback, especially negative feedback.

71 The bugs have developed into an entire brand with clothing, books, coloring books, paintings, and posters. The highlight of the bugs is my silk scarves.

They represent the latest in manufacturing techniques, capturing my lines and colors on silk that is printed with a duplex printer creating a color shift between the front and back. Each bug body is merged with an art period.

In my career, I have found a feedback loop is the most important thing I can pay attention to. When people tell me what they like and don't like this helps me see things I may not have seen when deep into the guts of creation. I especially like critical feedback from people who are trained in the arts. It may not be the easiest thing to listen to but if you pay attention you will grow. There is no growth without feedback. Most recently I have found Artificial Intelligence is superb at art criticism.

Listening and refining are what make my approach to creation truly unique. I focus on a few primary themes: The Art of Music; Landscapes; and Shoosty Bugs. Each style has its path. I use frenetic energy to create the music drawings. I start drawing when the music starts and stop when it stops. It is done as fast as possible using the music itself to set up the cadence of the marks. Watching me draw this way is a site to behold. Most of the Landscapes are created using a system I have refined over the years. I start with watercolor pencils and then switch to vector painting using an iPad Pro. The results are stunning, iconic, and technically masterworks. However, it seems that Shoosty bugs have a life of their own. I started making them as a lark after some minor surgery. I showed them to my editor and curator who both flipped on the bugs, creating a book and a large show.

When I think about my place in history I believe I represent our generation. I use all the latest tools, have access to the internet, and travel beyond anything the old masters ever dreamed of. I can easily compare my work to a great artist and show where we have converged and where we have diverged. The technology I use makes the biggest difference.

What would you call the art direction you are working in?

I coined a term for my art style; ‘Chromatic Fusionism’. Chromatic means the science of color and printing. And Fusion, for me, is humanities.

Sounds great! Each prominent artist have their own direction which is very different from what others are doing. Stephen, if a young artist approaches you to ask for advice, what would you tell them?

First of all, your art journey should be a creative adventure where you are constantly discovering things about the world and yourself. If you keep this as your primary purpose you will never be disappointed. Meanwhile, the Art Business is very tough and complicated. My editor, Jim Boring says, "Sometimes it takes the world time to catch up."

72 Many times they had no food on the table, living through WW1 and WW2, the Nazi Holocaust with its rampant antisemitism, the depression of the 1930's and much more. If it wasn't for their sacrifice I would not be here.

I had a birth defect. Most of my permanent teeth never developed. When I was 18 they were all pulled and replaced with the prototype today's titanium implants.

Needless to say, they have failed three times and I had to have my face rebuilt after each incident. Today's implants were built to last. The intense pain of having no teeth at the age of 18 was something so severe that I dedicated my life to doing something above and beyond.

Making art is the biggest challenge for me. I hope that when you see my work it will also inspire you. I think the greatest testament to my career is our four kids, all artists. Three musicians and one comic book writer.

Being a fine artist takes time. Time that is not normally paid. Time to refine your skills and become a better person and artist. A few artists will find an audience and make lots of money, many others will eke a way through, and most will never have a single sale. Being an artist is not about selling your work, it is about a creative life. My advice is to save money however you can and find a way to create passive income, especially while you are young.

Work the hours and save as much as you can.

Did you have any difficulties during your artistic career?

My family, Jewish immigrants, came to the United States from Russia 120 years ago, with absolutely nothing. I am the second generation and I have documented how desperate they were.

I come from a family of entrepreneurs and artists. My dad was a lyricist, and my mom, 98, plays piano. Her father was a metal worker. My father's dad was a tailor, and his dad back in Russia was a shoemaker. My brother Frank, is also a notable painter. My great-aunt played violin for the czar of Russia. My mom's sister, Pearl Nipon, was a famous fashion designer under the label Albert Nipon. Her clothing is in the Philadelphia Museum of Art and was worn by Nancy Regan.

The Shooster Heritage includes fashion and interior designers, musicians, and composers. Being a part of this rich tradition helped me reach the level where I am now, combining business and creative sights.

It definitely is! Stephen, what are your biggest accomplishments?

My marriage to Diane and our four kids, all artists is my biggest accomplishment. Writing the Catalogue Raisonné which includes every piece of art I have ever made is a miracle to behold. Living with all the art I have created gives me a great sense of confidence. It is exciting to see the colors and patterns invented over a lifetime.

Building a business that gives me the ability to pursue my passion full-time is also a well-earned accomplishment.

ART & FASHION

74

is a young fashion brand created by 16-year-old designer Sagdana Salahatdinova. Despite her young age, she managed to make two podium collections, show them at the Art Festival in Qatar, receive the Dress Code Award, become a member of Podium Seasons and Moscow Fashion Week, and much more.

We asked the young fashion designer questions about her collection and her path to fashion.

Sagdana, how did you decide to start your own clothing brand at the age of 16?

At first, there was still an art and pottery school, courses in cutting and sewing, many master classes in different countries in drawing, embroidery, and creative thinking. All this became the basis. In addition, my parents and I traveled a lot, and getting to know different cultures also helped a lot. I enjoy immersing myself in the nuances of the national fashion of each country.

Is that enough to start your fashion journey?

No, you have to be in love with fashion! As a child, when fairy tales were read to other children, my mother read to me about the jealous creative rivalry between Elsa Schiaparelli and Coco Chanel, about Paul Poiret and Cristobal Balenciaga, about Jeanne Lanvin. I was waiting for the evening to immerse myself in the wonderful world of fashion.

75 You recently presented your second collection, tell us about it.

It's called "The Way to the East" - my interpretation of the amazing and varied Eastern culture. I incorporated ethnic elements into a modern cut, decoded and reassembled. The collection used an antique Obi belt, which is 75 years old, a vintage kimono with hand-painted and embroidered gold, hand-woven fabrics. Some items in the collection are decorated with handmade Toho beadwork, which I think gives them a special charm.

Do you embroider yourself?

Yes, in different techniques: beadwork, creative embroidery - when you literally draw with threads on fabric, as if with paints. It is modern and very unusual. Sometimes my mother helps me, she also has this unique knowledge in embroidery. I also used silk with my prints - I painted chess inlaid with fine mosaics, viziers recklessly playing polo, wandering Tuareg, gentle geisha, Fuji many details to make them want to be seen and even more to wear. It is also very important for me that I am an artist, that I draw my world on fabric.

Aesthetics of which couturiers are closer to you?

I love the work of Japanese fashion designers - Rei Kawakubo, Yohji Yamamoto, Kenzo: they worked great with the cut, it is very architectural. I really like Celin, Sonya Rykiel, Slava Zaitsev. But I am looking for my own way, I have something to tell the world in a new collection, that I already prepared.

76

Fanciful ornaments, fabrics, and, most importantly, philosophy: the East is contemplation, harmony, beauty in details, slowness and a different perception of time, where traditions and modernity are intertwined into a single fabric of being. I travel a lot with my family, I have been to Japan, and Singapore, and the Arab East - Qatar, the United Arab Emirates, I love the culture of Azerbaijan, Uzbekistan, and, of course, my native Tatarstan. This is a huge treasure! I am imbued with the beauty of these cultures. I wanted to show how through clothes you can broadcast a text about yourself and your values ​to the world. And I also wanted my mother's poems to take on a new form: this is how dresses appeared in which the lines of her poems in their native Tatar language gently hug and protect their owner.

In different places - in the UAE, Italy, Singapore, Russia. The main thing is that they are intelligent, bright personalities who consciously choose clothes. Individuality is important to them, they appreciate the uniqueness and through clothes they tell stories about themselves, their vision of the world. I don't have a commercial collection, only catwalk items, and I'm lucky enough to communicate with each client personally. This is very valuable to me!

Happiness, harmony, being open to the world, to the new projects, to the new names and emotions. And I wish the ART E$TATE Magazine prosperity and creative readers!

INTERNATIONAL ARTIST

is a prominent Colombian artist represented by Mundo Arte Gallery and Top Art & Frame in Miami, Florida.

Once again, figuration and abstraction come together in the work of Fernández Granada to capture the universe of his paintings, the narratives of his inner life.

Validated by his rich chromatic values, excellent drawing, and precise sense of composition, he now speaks to us about what is perhaps the most essential and enduring trait of our condition throughout history: transhumance. The endless movement of people and civilizations across the geographies of the world and spirit; their defeats, conquests, all their joy, and the intricate labyrinth of their passions and labors.

In the mysterious atmospheres of his works, arising from the laborious solitude of his workshop, it is not easy to discern if the world he shows us is on this side or the other side of the mirror; the mirror is the mind, the bridge that connects or breaks on the journey from our interior to our body.

As in dreams, the recognizable images of men, animals, and objects parade, relating to each other in improbable forms that, like certain also unusual encounters of words in poetry, clearly indicate that they would like to reveal something to us

FANNI SARKOZY GIOVANNI VIRGIL ERB

PHOTO CREDIT TO: PETER POLYAK @POLYAKART

We are pleased to present to your attention the inspiring interview with two prominent European musicians, where we are speaking about they career, future plans and their success in the music industry of the United States.

FANNI SARKOZY, an internationally recognized, multi-award winner, highly trained pianist, singer and music educator who is equally proficient in jazz, pop and classical music.

GIOVANNI VIRGIL ERB, talented composer, pianist and singer.

GIOVANNI: I grew up in a musician family, a truly magical and inspiring environment.

Having instruments in every room created a constant symphony of melodies and harmonies throughout at home. That inspired me to become a musician.

In my 20s, my friends and I formed a boy band. We loved the famous American band Backstreet Boys, and we dreamed that one day we would go to America and write music...

82 How is your music related to fine arts?

FANNI: As a teenager, I started to draw and paint a lot, because of a teacher of mine in University, who inspired the class to find parallelisms between the structure of certain musical pieces and visual art. It went unexpectedly well, my pieces became very popular in school and I started to fancy a new dream of becoming a graphic artist. I never got to it properly though. My family was very determined to pave the way for me in music, as they firmly believed that's my strongest talent. Looking back I always feel some kind of a fracture in me. But everything serves a purpose. 15 years later I met my husband, Peter who happened to be a fine art painter. We moved to an apartment and of course he brought canvases, paint, and brushes... So I started to paint again. This time without the urgency to get into a fancy school. Again, my paintings became popular and people started to collect my pieces. I had the honor to do some exhibitions in Budapest, Hungary. It was a beautiful 3 years. Nowadays I fulfill my admiration for visual arts by following my husband's path.

Whom you consider to be your teachers and inspirers?

FANNI: Born in a family of musicians, I was lucky to be surrounded by great artists who influenced me probably from even before I was born. My Mom was playing Mozart Sonatas and Chopin when she was pregnant with me.

Everyone had incredible roles in music back to my great grand-parents. Teachers, performers, composers, I could experience all the aspects of what it means to be a musician through them. Basically it was never a question that one day I will try myself as a musician too. As my Mother was playing the piano, my very first memory is that I climbed up on a chair next to her trying to copy the melodies, the way she moves her hands. It was probably a funny thing to watch from a 3 year old, but they all agreed that I showed some talent and what is probably even more important, interest in music. The whole thing just grew on me, without acknowledging I was already participating in a music school program where I got special attention by my great teacher, Ms. Ildiko Szabo.

GIOVANNI: You are not gonna believe this right now! Fanny is just Inspiring me, but in my childhood I got inspiration from my music school teacher and my musician parents. Many famous artist influenced me a lot in my childhood, starting with Elton John, Earth, Wind & Fire, and The Beatles.

What is the concept of your new project?

FANNI: I would call it a collision of different worlds. Giovanni and I share the love of playing and singing, otherwise our approach to music is different. The idea of creating a very unusual concept with the two pianos and two voices came very naturally to us. I think both of us love to do things that people don’t expect to hear. We are aware of the L.A. type of "dueling pianos" with lots of beer and all that.

83 FANNI: Our approach is definitely more artistic and sometimes intimate, as we are playing duet songs especially written for female and male voices. On the very first rehearsal we had together we instantly recognized how well our voices sound together.

GIOVANNI: There are two different styles mixed. For example Fanny is more jazzy and me more style of pop, so the combination of two of us is a great combo. And two different piano techniques collaborate so great.

FANNI: I've never been in the U.S. before 2017, and honestly I've never been outside of Florida yet. It was and still is the first destination, which eventually became my second home over these years. As a Hungarian musician, anything and everything is interesting about the musical life of the States.

I met fascinating musicians from all styles, and I soaked up knowledge from every corner, even just listening to the radio streams. My future plans are broader. Besides this duet I'm launching a project which is going to be a super entertaining cover show. I'm aiming for the biggest stages possible.

GIOVANNI: Miami is the best place to write and perform music. Its diverse culture could inspire an artist like me. There is a wide array of live music venues, ranging from intimate jazz clubs to large-scale concert arenas. In 2009 I came to visit my uncle and his family.

Breathing Miami air was love at the first sight, and it turned out that I started working on luxury cruise ships departing from Miami.

FANNI: I believe music is a mirror. It reflects beauty, confusion, chaos, love, connection. This has never changed over the centuries.

What we can hear in the mainstream industry is an actual mix of all that. Like a palm reader you can tell by only listening to the top lists.

Whether you like it or not, there is an audience for each and every artist out there. For the sexual/violent content, for the depressing, for the minimalistic concept... I'm actually happy to hear some of the arrangements kept very simple, clear and easy to listen to. Not everyone can write a song like "Yesterday" but they are trying and that is a good thing. Improving might be a secondary question to influencing and making people happy, however small a group that would be. Being an artist with a strong desire to create and express herself, that is all that I can add to this very colorful palette.

GIOVANNI: The music industry landscape is influenced by technology, social media and globalisation and every year 10.000 excellent artists join the music industry, thanks to the Internet and YouTube. I love to be part of this community.

FANNI: Winning over 20 national and international awards is almost the biggest accomplishment of mine. Seeing smiling faces after a show is what really matters to me.

GIOVANNI: My biggest accomplishment was that I was offered to create the theme song for international reality TV show BIG BROTHER. The singer’s journey since 2005 serves as a testament to my musical legacy, successfully conquered the international stage, leaving an indelible mark on the world of music.

FANNI: I am a big fan of visiting less crowded places of the event where the artists can meet and greet visitors. This year I will definitely start my Art Basel routine by visiting the art show of MIFA - Miami International Fine Arts Institute.

GIOVANNI: Miami Art Basel is an exciting and stimulating event for anyone interested in contemporary art and cultures. This time I visited and enjoyed the multitude of exhibitions.

ART E$TATE CURATED MAGAZINE 3414 NW 7th Ave Miami, Florida 33127 DARIA RUSAKOVA Editor-in-Chief +1 (754) 269 03 86 artestatemagazine@gmail.com @artestatemagazine YEVHENII SONEV Image Director +1 (650) 656 6119 evgeniysonev@gmail.com @evgeniysonev MERLYN MANTILLA Fashion Editorial +1 (954) 459 9900 merlynmantilla82@gmail.com @merlyn.ms.florida23 Produced by COLOUR SENSES PROJECT, LLC +1 (754) 422 5942 coloursenses.miami@gmail.com @coloursenses_project

All articles that this magazine contains is copyright.

All rights reserved by ART E$TATE MAGAZINE, 2023

FRONT COVER: Daria Rusakova @daria.ms.nation Yevhenii Sonev @evgeniysonev Photo Credit to Sir Peter Polyak @polyakart Yevhenii Sonev (Yevhenii Trusov) @evgeniysonev BACK COVER: Chris Fox Gilson @chrisfoxgilson Photo Credit to Yevhenii Sonev (Yevhenii Trusov) @evgeniysonev

ARTIST OF THE ISSUE CHRIS FOX GILSON