HAMID ESHGHI President of the Djavad Mowafaghian Foundation
The Enduring Legacy of the Djavad Mowafaghian Foundation
Led Forward by Hamid Eshghi
At the forefront of one of Canada’s most impactful philanthropic organizations is Hamid Eshghi, president of the Djavad Mowafaghian Foundation and nephew to its visionary founder. Eshghi is more than a steward of wealth—he is a guardian of a profound family legacy grounded in generosity, resilience, and purposeful giving.
“We built a foundation because we have a vision,” says Eshghi. “It’s not just about transferring money. It’s about passing on values, ideas, and a belief in building something lasting through health, education, and community.”
Under his leadership, the foundation has donated over $75 million across Canada and abroad, fueling projects that transform lives—from brain health research and children’s hospitals to arts education and immigrant support. His commitment to transparency and accountability means each project is carefully nurtured, with many taking years from conception to completion.
In recognition of his work, Eshghi received an honorary Doctor of Laws from Capilano University in 2023 and was named alongside his wife Arya to Vancouver Magazine’s Power 50 list in 2024 for their influential roles in community advancement.
Dr. Djavad Mowafaghian Founder of Mowafaghian Foundation
Photo from centreforbrainhealth.ca
The Story Behind the Foundation
To fully grasp the heart of this foundation, we return to the early years of Dr. Djavad Mowafaghian, whose mother’s words shaped a lifetime:
“Djavad, I hope one day you become a rich and successful man. But when you do, remember—your money comes from the people. When you have enough, send it back to its original owners—the people.”
Born in 1927 in Iran and raised by a fiercely compassionate mother after losing his father at just one year old, Mowafaghian’s childhood was marked by hardship and humble generosity. His mother often fed neighbors before her own children and distributed coal to families struggling through harsh winters.
Despite facing bankruptcy twice as a young contractor, Mowafaghian’s courage and hope never faltered. His success eventually enabled him to build 26 schools in Tehran’s poorest neighborhoods, serving over 22,000 children, including girls and children with disabilities. These schools have been catalysts for safer communities and brighter futures.
Building a New Home, Expanding a Mission
After relocating to Vancouver in 1987, a city he describes as safe, clean, and full of kind people, Mowafaghian founded the Djavad Mowafaghian Foundation in 2003. Following a stroke in 2010, he committed all his assets to the foundation, affirming his lifelong dedication to philanthropy. Today, the foundation’s impact in Canada is immense. A $15 million gift established the Djavad Mowafaghian Centre for Brain Health at UBC. Donations exceeding $18 million have supported BC Children’s Hospital, including pediatric oncology and the Teck Acute Care Centre. Additionally, a $2.5 million contribution aids research and innovation at St. Paul’s Hospital. The foundation has also made significant contributions to Capilano University, the Beaty Biodiversity Museum, and organizations such as Canuck Place Children’s Hospice, Arts Umbrella, Bard on the Beach, and the Alzheimer Society.
Each project echoes Mowafaghian’s mantra:
“The health and education of children—regardless of nationality, race, or faith—is my guiding principle.”
Djavad Mowafaghian Atrium Blue Whale Display
Photo by Shanna Baker
“We built a foundation because we have a vision,” says Hamid Eshghi. “It’s not just about transferring money. It’s about passing on values, ideas, and a belief in building something lasting through health, education, and community.”
“Making a difference in the lives of others is very close to our hearts,” says Arya Eshghi. “Giving back will always be a key component across every part of our lives. And, quite simply, making meaningful gifts to important causes is the right thing to do”
A Future Fueled by Creativity & Care
Under Hamid Eshghi’s stewardship, the foundation is not resting on past laurels. The upcoming Djavad Mowafaghian Foundation Centre for Creativity at the Vancouver Art Gallery promises to be a vibrant space nurturing arts education and cultural dialogue—a testament to the foundation’s evolving vision.
Walking into the foundation’s North Vancouver office, one sees the tangible results of decades of giving: photographs, letters, and even poems in Braille from children in Iran, all reminders that philanthropy is deeply personal.
“This is the life,” Mowafaghian once said, voice catching with emotion. “Giving is the essence of life.”
Today, that essence continues through Hamid Eshghi, who embodies the foundation’s enduring spirit—combining humility, vision, and relentless dedication to uplifting communities near and far.
Mowafaghian Centre for Brain Health
Photo from centreforbrainhealth.ca
St. Paul’s Clinical Support & Research Centre Set to open in 2027
Photo from mowafaghianfoundation.com
Photo from mowafaghianfoundation.com
Mowafaghian Research Centre for Intelligent NeuroRehabilitation Technologies
Photo from mowafaghian.ir
Centre of Brain Health
Mowafaghian Foundation
Mowafaghian Atrium
ABOUT ALEPH
WE ARE ALEPH, Canada’s premier Persian lifestyle magazine based in Vancouver. Our mission is to be a confident and creative voice for the Iranian community while providing a vibrant platform for businesses to connect with an engaged and active audience. ALEPH is published seasonally, both in print and online, offering a unique perspective on what’s new, significant, and relevant.
Our goal is to bridge the gap between East and West, encouraging Canadians of all backgrounds to gain a deeper understanding of Persian culture. At the same time, we aim to help Iranians in Canada better appreciate Western traditions, values, and customs. We believe that luxury can be a source of inspiration, and our content reflects that belief—covering everything from fine dining and luxury automobiles to high-end fashion, premium travel destinations, and top-quality products and services.
If you seek the best life has to offer, you’ll find it within our pages. Welcome to Aleph Magazine, where we inspire dreams of a life well-lived.
Aleph Magazine is proudly produced by ALEPH MEDIA Inc., a dynamic company that not only publishes this sophisticated lifestyle magazine but also offers comprehensive marketing and advertising services.
VOICE & VISION
Dear Readers,
Welcome to the 11th issue of Aleph Magazine, a publication that continues to evolve through the voices we uplift and the visions we pursue. This issue’s theme, Voice and Vision, invites us to reflect on the extraordinary impact of those who not only dream, but also speak, and act, with purpose.
We are honoured to feature Sara Seyed on our cover, a woman whose life and work embody this theme with rare force. As both a Hollywood actor and a tireless human rights advocate, Sara uses her platform to amplify silenced voices and to bring visibility to the issues that matter most—from gender equality to global justice. Her story, captured in our editorial, is both powerful and deeply moving.
This issue also spotlights the legacy and forward-thinking mission of the Djavad Mowafaghian Foundation, through a special feature on Mr. Hamid Eshghi, the Foundation’s Executive Director. His reflections reveal a profound vision for building stronger, more compassionate communities—rooted in education, healthcare, and social responsibility. His words remind us that true leadership is often quiet, but always grounded in meaningful action.
On a more personal note, this issue includes a portrait of myself with my partner in life and creativity, Roya. It’s a small but symbolic gesture—a visual nod to the collaborative spirit that lives at the heart of Aleph.
Speaking of collaboration, I want to extend my deepest thanks to the entire Aleph team, whose talent, artistic vision, and tireless dedication bring each issue to life. Every layout, every word, every visual cue in these pages reflects their commitment to beauty, integrity, and storytelling that resonates. Aleph is what it is today because of their creativity and care.
As you read through this issue, I invite you to consider your own voice—how you use it, who it serves, and what vision guides it. Whether you are an artist, a leader, a parent, or simply someone in search of meaning, your voice matters. Your vision can shape futures.
Thank you for joining us on this journey—one defined not only by the stories we tell, but by the values we share.
With gratitude and purpose,
Farhad Mehrabi, Publisher ALEPH
On The Cover
In this issue of Aleph Magazine, we explore Voice and Vision, the courage to speak truth and the foresight to shape what lies ahead. True change begins when words and imagination come together, creating stories that resonate far beyond the individual.
Our cover photo, captured by Shayan Asgharnia , beautifully reflects this theme, featuring Sara Seyed in a minimal white coat set against a backdrop of delicate Persian patterns and colors. The composition mirrors her own path: a balance of simplicity and heritage, clarity and depth. Sara’s work as an actor, producer, and advocate is proof that when vision is paired with an unwavering voice, it has the power to transform culture and amplify those who too often go unheard.
As you turn these pages, we invite you to listen closely and look deeply, may the voices and visions within inspire you to speak, to dream, and to create with purpose.
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Sara Seyed is a distinguished actor, award-winning producer, and Harvard-trained creative entrepreneur whose path arcs from the Moscow Art Theatre to Netflix, Sundance, MoMA, and the United Nations. A former human-rights lawyer, she bridges art, advocacy, and innovation, with acclaimed projects reaching millions worldwide. Her TED Talk debuted top-three globally; her films have broken box-office records and won at SXSW and TIFF. As co-founder of Klippd, she pioneers live first human only media where authenticity becomes currency.
Actor, Producer, Entrepreneur & Human Rights lawyer
Photo by Shayan Asgharnia
Read our exclusive interview with Sara in this issue of Aleph Magazine, where she reflects on her journey, her advocacy, and the future she envisions.
How did your background, education, and experiences shape who you are today?
That depends on who I am today. Quite frankly, I’m still figuring that out. I’ve only just begun to scratch the surface by finally asking the right questions.
Like.. am I getting closer to becoming someone I respect? I believe our answers can only live up to the quality of our questions, and I only pray I never stop becoming. Iris Murdoch calls it the “process of unselfing.” I love that. Reinvention is how we become who we are meant to be. I’m just starting.
My life’s map is filled with beautiful people and random events. Chapter one is growing up in Iran. We Iranian kids from the ’80s had a lot of status quo force-fed to us; culturally, politically, socially, familially. A lot of structure that wasn’t exactly ergonomic for creative, free-spirited types. Which, honestly, was most of my generation.
I joked about it on the TED stage to a crowd of foreigners: I was thirteen the first time I got into trouble for being myself. My “crime”? Dancing to Michael Jackson in the schoolyard. Years later I was arrested again, for the same crime, to the same song. I asked the audience, any guesses? I’m “BAD” hahah! The crowd went half silent, half laughing. How do you summarize the paradoxes that shape us into these foreign creatures?”
Most Iranian kids grew up with the usual Friday morning antiWest chants, but my school took it to the next level. By seventh
grade we were forced to wear the chador, attend group prayers, and sit through fatwa style lectures, which I obviously dodged with Mission Impossible-level tact. My mum loved to call it the “genius people’s school,” to feel less guilty l about what we had to endure. lol.
I still remember walking into school after my mustache-threading ceremony. I knew it was naughty. I knew it would end badly. But when my hairy friends looked at me like WOW (Gregorian chants soundtrack), it was worth it for that one moment of glory. Good Muslim girls weren’t supposed to be objects of affection. Our mustaches were “the pride of the nation.” War veterans came in to tell us how they’d lost a leg or a testicle preserving that honor. And Persian girls? We’re hairy mofos (oh, sorry, can’t cuss). We grow mustaches before breasts.
“SEYED, COME HERE!” The headmistress inspected my missing fuzz with a magnifier and summoned me into a room with mummified guardians of the underworld whispering and pointing at my lip line. Comical in hindsight, yes. But for a girl just coming into her femininity, it was humiliating. Their solution? Grow it back… hahah ! My mother, queen strategist, diffused the scandal by saying I had permanently lasered it. And that wasn’t even close to the biggest hurdle we faced growing up.
“I became an artist because it ignited the deepest sense of vocation, to engage socially, politically, heart and soul, in the kind of storytelling that helps us understand each other better.”
When you have to fight for every ounce of identity, even in the mundane, you grow a rebellion under your skin. We weren’t just trapped by dress codes, but by expectations from every angle: political, social, familial. To hold a crush’s hand, read a banned book, watch a forbidden film, each tiny act cost us. The price of just being. And yet, I wouldn’t trade growing up in Iran: the warmth of family, bonds of friendship, secret crush rendezvous in Fereshteh, wild parties in Shemshak, trips to Shomal, teachers slipping us contraband literature. Those weren’t just memories; that was my first school of life.
No one does joy like Iranians. No one does grief like us either. I beam with pride seeing kids slay concerts, strut in markets, snag gold at AI competitions, content so brilliant it makes me grin hard. And yet, generations of youth with staggering potential are forced to wrestle with Stone Age rules and incompetent, brutal governance. The real tragedy is watching all that brilliance held back. Nothing paints that arc more clearly than Iranian cinema: artists forced to migrate at their peak, those suffocated by censorship, those silenced entirely.
Dictatorships always target artists first, the creative spirit. Our prisons are filled with them. Art is a disruptive force, and I hope to master against all forms of oppression.
How did your education shape you? Education took me from Tehran to UCL, LSE, SOAS, and Harvard. But it was idealism, and yes, naïveté, that carried me. I truly believed I’d go back and be the first female president of Iran. It still makes me laugh. Law taught me that systems need upgrading, political, social, cultural. Immigration gave me worldview and celebration of otherness. Iran taught me resistance is a lifelong duty. Theatre gave me the language of storytelling to transform and reveal. Cinema taught me democracy, for it unblinds us to each other’s realities.
Somewhere between international institutions, film sets, stages, and boardrooms, I became someone who can no longer separate her biography from her battle. And now, I hope to forge a new path as an entrepreneur and as an artist, and maybe just maybe help us elect the first female President in Iran. You never know.
What moments or turning points inspired you to speak up for justice, human rights, and women’s equality?
There wasn’t a single incident, and it wasn’t a meditated, conscious choice. I was sent to Vozara more than I can remember. I was arrested in front of the Iranian Embassy in London after the elections. During the Green Movement I watched a young guy get shot. I heard Mr. Karami beg for his son’s life and spoke to him. Then I was banned from returning home. Inspiration had very little to do with it. I didn’t choose activism; silence just never sat well on me. It was more like what my Russian teacher said: “If not you, who Sara ? And if not now, when?” I just threw myself in the mix, aware that people before me lost more than I likely ever will. I don’t have more to lose than anyone else.
I think of Kinnush: “Life owes me a homeland, one where I can think of living and not of homeland.” Its just Loaded, heartbreaking and honest. I’m not only speaking up for myself and my vote. I’m indebted to the ones who made the ultimate sacrifice. I’m fighting for the vote he never got to cast, the life he never got to live.
Sometimes I joke that I became a revolutionary by accident, but maybe rebellion was always my mother tongue. It came at a cost—one I’m still reeling from after almost two decades away. Do I regret the choices that led to my… exile? Never. Am I not heartbroken by it every single day? You tell me.
I’ve hear heart breaking stuff all the time: “What a shame you can’t come back; your talents are wasted.” “You’d be breaking box-office records in Iran.” “I wish we could work together.” “I wish you hadn’t gone so overboard.”
Moral posturing just isn’t my thing. I can’t post condemnations on social media and then fly back to Iran to party like it’s no one’s business. Kudos to those who can. The biggest lesson conservatory acting taught me is this: it’s not pretending, it’s living truthfully, even in imaginary circumstances. I carry that motto into my activism and my work, whether as an artist or an entrepreneur. If you want to leave a dent, you’ve got to be all in.
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“Most importantly, I want independent, people-led media. An enterprise of thought and discourse spotlighting our best people. With AI and synthetic content rising, independent platforms aren’t a luxury; they’re survival.”
What inspires you now? The renaissance and resistance of the youth, inside and outside Iran. We’ve achieved so much in the socio-cultural realm, even if politically and economically our people are enduring hell. We’re at the end of the beginning: change is not only possible but inevitable.
There’s synergy forming between progressive minds in the diaspora and inside. I watch them, collaborate with them, and I’m in awe. Critical thinking + hope. Tech entrepreneurs backing students. Artists creating film funds. Political minds shaping dialogue into solutions. If you ask what inspires me, it’s them. Youth saying NO to what doesn’t align with their humanity. I love them.
The government’s biggest mistake is underestimating them, the opposition also sidelined them. Their political depth, cultural antenna, technological savviness. They’re unstoppable. Any organized effort that doesn’t enable its youth will be left behind
by their grassroots movement. We’re watching fascist structures worldwide get decimated by youth-driven, people-powered uprisings. It’s amazing.
Do you believe everything that happened was good? Regarding recent political events: some good surfaced, some icky truths too. Decades of oppression left scars that spilled all over our media feeds. The real turning point? Realizing that justice isn’t preached, it’s practiced through listening. What we’re starved of is healthy, solution-driven dialogue, everywhere, not just in politics. But social platforms don’t reward humanity; they reward noise. Too many self-serving folks chasing virality over substance (you know the type). And we pay them in the currency of our time: attention. That’s the real danger.
My takeaway? Stay in service of something bigger than myself, and outsmart my very sneaky ego.
Photo by Shayan Asgharnia
What drives your work and what changes do you hope to see in the world?
What drives me? Refusal to accept cynicism as wisdom, even if it gets me labeled a naïve optimist. And to your second question: I want good impact through great media. Whether as an actor, writer, producer, entrepreneur, or former human-rights lawyer, that’s the engine. The medium changes; the intent doesn’t.
I believe in the power of art, media, cinema, and theatre. If created with nuance and independent vision, they become eternal leverage for good. I love James Baldwin, he says: “ The role of the artist is exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see”.
I believe artists should take leadership in politics or business. Creative types just tend to lead examined lives, they know enough to know we’re all flawed and biased. Our feeds are full of new-agey preachers, egomaniacs, and capitalistic greed, selfactualization at the expense of the collective whole. We must be conscious of what we’re fed.
Yeats said: “The best lack all conviction, while the worst are full of passionate intensity.” The baddies are louder; the well-intentioned doubt themselves more. The world loses out on their empathy and intellect. I want to change that. I want to give platform to creative, good people doing good. Build spaces, through film, tech, activism, where women and minorities aren’t symbols but sovereign human beings. That’s what drives me.
I became an actor because it ignited the deepest sense of vocation, to engage socially, politically, heart and soul, in the kind of storytelling that helps us understand each other better. When I raised funds for independent films with less-explored stories, it was for their social ROI, because everyone needs to see themselves in a character or a story. That’s how collective healing begins. I spoke on stages and panels for the same reason: to relay a message. I want to keep building on that résumé, it’s a selfish pursuit. And trust me, it hasn’t exactly been financially fruitful.
Most importantly, I want independent, people-led media. An enterprise of thought and discourse spotlighting our best people. With AI and synthetic content rising, independent platforms aren’t a luxury; they’re survival.
Is that going to be for the Iranian audience? There isn’t a day I don’t think about creating progressive, independent media for Iranians and even non Iranians but about Iranians, scripted or non-scripted series on impact entrepreneurship, a TV show about girls’ lives, a late-night show with Sara (lol, TBD). I’ve planned these for years, but wrestling with self-doubt. Artists think we shouldn’t start until it’s perfect. I’m saying it publicly to force my own hand. If your readers want to join forces and invest, you know where to find me. Switching the mentality to failing and failing fast instead of waiting for perfection.
Can you share a personal challenge you overcame that strengthened your resolve?
In my line of work; film, entrepreneurship, activism, rejection is practically a colleague and results are barely visible. People commend me for achieving a lot in six years of professional film and TV after three gruesome conservatory years, having left behind my home and the life I’d built as a lawyer in London. It doesn’t always feel that way. They don’t see the 99 percent rejections. They don’t see endless rehearsals, fundraising, the best work buried under NDAs and Vimeo links. They don’t see final callbacks where it comes down to you and two others, and the decision lands like a coin toss for reasons you’ll never know. It’s hardly ever about talent.
Toni Morrison explains it best : “If you surrender to the air, you can ride it.” That’s resilience in this business. Maria Popova calls it “the combinatorial nature of creativity”, showing up again and again, stitching failure, luck, and audacity into a life’s work.
The real resilience isn’t in the wins. It’s in loving the process and quietly believing it will all work out, somehow. It’ll either kill you or make you stronger, right? The audacity to stand back
up, dust off the rejection, and keep creating, that forges an artistic entrepreneur. I feel like a phony even saying this; I’m an unbearable mess every time rejection comes through. I have a long list of people to apologize to in my Emmy acceptance speech, haha.
The harder part is watching an influx of less-than-amazing content without substance hit platforms, while you’re stuck behind perfectionism and projects expired by it. Artists strive for greatness; nothing is ever good enough to broadcast. A bit of ignorance is the biggest bliss in the creative world, I swear, ignorance about how it’s received. I’m not talking about ignoring the world. If art doesn’t have socio-political commentary, it’s an advertisement for the status quo; it’s not art. And artists with a point of view suffer a double whammy, the daily blows of a volatile craft and the unhealed wound of displacement in this unjust world.
Wow, that was bleak, cue violin soundtrack. Sorry. All that said, I wouldn’t trade being a professional clown for any other job.
“I’ve only just begun to scratch the surface by finally asking the right questions. Like.. am I getting closer to becoming someone I respect? I believe our answers can only live up to the quality of our questions.”
Photo by Shayan Asgharnia
by Shayan
“I’m proud I never went against my ideals, even when it cost me. I’m not here crowdsourcing my conscience. My compass has always been laser-locked on the side of humanity and it won’t waver a degree. I’ve made peace with losing people, projects, prospects if it means standing in integrity. That’s not a loss. That’s alignment.”
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What projects or initiatives are you most proud of?
What’s next for you—personally, creatively, and as an advocate?
That’s the kind of self-fulfilling prophecy question I dodge. Ask me again in 40 years. There are projects that filled me with hope but mostly I’m proud of the friendships they made possible. Some of the work I’m proudest of is the work most people don’t know, unwritten chapters that make me smile. Like I met an interesting guy in a film class, a beautiful mind who had overcome addiction many times. Months later he pitched a short about “children of labour”, he only described the opening shot: a young girl and boy hanging from a bin, talking. That image and I was in. With a generous donor’s help, I backed him to buy his camera. He made a stunning short. His name was announced at a local Canadian festival; it made his day. It didn’t go viral. But I know he’ll get there one day. That kind of thing changes you. I can tell you so many stories like this.
I just hope people who I come across in life laugh with pride when they read my eulogy. I’m proud I never went against my ideals, even when it cost me. I’m not here crowdsourcing my conscience. My compass has always been laser-locked on the side of humanity and it won’t waver a degree. I’ve made peace with losing people, projects, prospects if it means standing in integrity. That’s not a loss. That’s alignment.
What about social media? You’ve made quite an impact there. Is that something you intend to leverage? Social media lures you into the illusion of impact, while most of it is noise with nothing tangible on the ground. At the same time, it tricks us into believing our words don’t bear consequences. That’s the paradox. It’s become an algorithmic wasteland. Creators turned into content machines who create for hit virality, meaning is missing. Now they’re promoting synthetic content for mass consumption.
We’re heading toward digital dark ages if creators get wiped out by algorithm roulette or replaced by AI. Where’s the impact, nuance, or trust in that? If humans stop creating, we don’t just lose meaning, we lose the economy built on it. Because once the novelty wears off, there’s no conversion of thought, money, or impact.
The real question isn’t whether AI can create great content. It’s what we lose when it does it for us. We lose meaning. We don’t come into the world pre-labeled with meaning; humans create it out of chaos, joy, and grief. AI can prompt the poetry of
heartbreak, but it doesn’t have to live through the consequences. And that is the real existential crisis.. think about it!
That said, if you can navigate the waves of social media, build a personal legacy people trust, and a community who listens, it’s powerful. I haven’t been as active as I wanted myself, it’s a full-time job. but I intend to. It can be a great tool, this social media thing.
It’s been a nerve-wrackingly exciting few years. I never thought years of law, film, TV, and activism would land me here, as a creative tech entrepreneur. But honestly, it feels like I had to wander through two decades of exploration just to get to this point.
Looking ahead, I see two clear paths I’m committed to. The first is about building a global, independent media company, one that highlights and supports the best of our creative force. My dream is to root it in the diaspora and then build real bridges back inside, so it flows both ways.
Second, and most importantly, I’ve spent the last nine months building a project with a small but brilliant team I consider both teachers and colleagues, tackling what I see as the existential crisis of our time: social media. Over 200 million creators drive a $250+ billion creator economy, yet most are trapped in algorithm roulette, burnout, and lack of ownership and only 4% make a living wage. Our mission is to change that, preserving authenticity and trust through a live-first, human-centered platform that puts creators back at the center.
We’re now in our pre-seed round with strong early traction and feedback from creators, advisors, and backers who recognize how urgent this gap is. The goal isn’t just another platform, it’s to set new standards for human-led content creation, where growth and cultural good are aligned.
Invitation is open for everyone to join us.
I used to think becoming meant collecting; degrees, roles, rooms. Now it feels like subtraction: fewer hedges, fewer apologies, the same clean vow. Do work that sees people clearly and refuses to waste their attention. Whatever I build next, on a set, on a stage, inside a product, will be human-first and consequenceaware. Bring your courage. Bring your curiosity. The rest we can learn together.
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THE ITALIAN SENSE OF BEAUTY
Kitchens, living, closets and bathrooms
Walk-in Fluida design Vuesse
Editorial and Advertising Photographer also, friendlier than he looks.
Shayan Asgharnia is an editorial and advertising photographer whose work balances intimacy and magnetism, capturing subjects with a rare depth that lingers beyond the frame. From Vice President Kamala Harris to Lady Gaga, his portraits invite viewers into a world where power, vulnerability, and humanity converge.
Born in Iran, raised in Texas and now living between Los Angeles and New York with his dog, Cher, and cat, Blueberry, Asgharnia has carved a distinctive space in contemporary photography. His images have appeared in The New York Times, Esquire, Vanity Fair, and The Wall Street Journal, as well as campaigns for global brands such as Amazon Studios, Nike, and AT&T, among many others across the worlds of media, culture, and commerce. Whether working with cultural icons, Fortune 500 companies, or nonprofit organizations like the ACLU and Families Belong Together, his lens consistently reveals the intrigue of the moment and the story behind the face.
Known for an energetic intensity on his sets, despite joking he’s “friendlier than he looks”,Asgharnia’s photographs speak in bold volumes. His work bridges the immediacy of advertising with the timelessness of fine portraiture, building a portfolio that stands as much for its breadth as for its unmistakable style.
Photos by SHAYAN ASGARNIA
DEMI MOORE right
Photos by SHAYAN ASGARNIA
WILLEM DAFOE left
SETH ROGEN right
Photos by SHAYAN ASGARNIA
DANNY TREJO left
OZZY + SHARON OSBOURNE
right
ANA DE ARMAS
left
Photos by SHAYAN ASGARNIA
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“Everything I did seemed to find its way back to creativity.”
The Artistic Journey of Kourosh Mirabian, Canada’s Rising Gem Expert
Kourosh Mirabian’s story begins not with gemstones, but with a sketchbook. “Even back then,” he recalls, “everything I did seemed to find its way back to creativity, first drawing, then sculpture.” Growing up in Iran, Kourosh explored art throughout his youth, but societal expectations led him to pursue a more traditional path in mathematics and architectural engineering. He spent nearly a decade working in Iran’s construction industry, managing design and concrete production. Though it was stable, respected work, it lacked the creative spark he craved. “It had very
little to do with my artistic soul,” he reflects. His love for painting never left, it simply lay dormant, waiting for the right spark.
That spark arrived unexpectedly during a yoga class in Iran. A returning instructor shared raw gemstones from India, uncut, natural, and captivating. “It stirred something powerful inside,” Kourosh says. Fascinated, he dove into the world of minerals and fine jewellery, igniting a deep passion that felt familiar and new all at once.
“I’ve found a medium where science, history, and beauty all meet, and I get to live in that space every day.”
Soon after, he immigrated to Canada on a student visa for architecture. But before starting the program, he reached out to the President of the Canadian Gemmological Association. That conversation changed his path. Encouraged to take a short gemology course, Kourosh instantly felt at home. “That one course reshaped everything,” he says. He switched programs, committed fully to gemology, and later enrolled in jewellery design and fabrication, finally aligning his technical background with his artistic drive.
Kourosh’s career began humbly. He took entry-level roles in jewellery retail, learning directly from each gemstone and customer. His dedication led to a role at Canada Gold, one of the country’s top jewellery buyers. There, through its premium brand 100 Ways, he handled pieces ranging from basic to museumworthy, deepening his understanding of both craftsmanship and history.
His involvement with the Canadian Gemmological Association grew, too. In 2021, he became the youngest-ever Board of Directors observer, and later, a full member. “To have my name beside people I admire is one of the great honours of my life,” he says.
Today, Kourosh Mirabian is not just a gemologist. He’s a designer, educator, and custodian of natural beauty. “Painting is still the soul of everything I do,” he says. “But now, I’ve found a medium where science, history, and beauty all meet, and I get to live in that space every day.”
His story is one of courageous reinvention, from blueprints to brilliance, proving that with passion, patience, and purpose, one can carve a truly radiant path.
High-Tech Dentistry in a Spa-Like Space
Welcome to Axiom Dental — a brand-new dental clinic in the heart of North Vancouver that’s redefining what it means to go to the dentist. From the moment you step through the doors, you’ll experience a fresh approach to oral care: sleek, modern design, spa-like comfort, and the latest in dental technology—all tailored to make your visit seamless and stress-free.
At the core of Axiom Dental are two passionate professionals: Dr. Reza and Dr. Soroush. With years of experience and a commitment to excellence, they’ve created a practice that blends advanced clinical expertise with a deep understanding of patient comfort. Their vision? To raise the bar on dental care by focusing on personalized treatments delivered in a truly welcoming space.
Whether you’re looking for a routine cleaning, cosmetic enhancements, or restorative work, Axiom Dental is equipped with nextgeneration tools and technology to ensure optimal results. Come see what modern dentistry should feel like—elevated, elegant, and always centred around you.
TRIBUTE TO GREAT CIVILISATIONS
LION DE DARIUS
Image courtesy of Vacheron Constantin
Vacheron Constantin Revives the Glory of DARIUS THE GREAT
In the quiet sanctum where fine watchmaking meets the echoes of ancient empires, Vacheron Constantin has carved out a masterpiece—a poetic tribute to humanity’s grandest civilizations. Partnering with the Louvre, the maison’s Métiers d’Art Tribute to Great Civilisations collection presents not just watches, but timepieces that read like carved scrolls of forgotten
legacies. Of the four works in this collection, the one that speaks most intimately to Persian pride, culture, and craftsmanship is undoubtedly the Lion de Darius. A reverent homage to the Achaemenid Empire and its visionary king, Darius the Great, this watch stands as a jewel of historical retelling and artisanal excellence.
The Lion de Darius takes its name and inspiration from the famed frieze unearthed at the Palace of Darius in Susa, an iconic lion in mid-step, exuding strength, control, and divine kingship. What makes this watch a true marvel is not only the historical symbol it evokes, but the medium through which it is brought to life: a rare and complex form of stone marquetry. While many dials lean on enamel or miniature painting, Vacheron Constantin’s artisans chose instead to recreate the lion’s original glazed brick palette with 69 pieces of intricately cut and polished stones. Yellow mochaite jasper and turquoise shimmer in organic hues, conjuring the heat, geometry, and mythos of the ancient Persian empire. Each tiny fragment is laid by hand, forming a mosaic that captures the power of the lion and the precision of the craft.
This approach avoids excessive gloss or stylization, what we are presented with instead is a texture and palette that whispers of archaeological discovery, of something unearthed rather than fabricated.
At the heart of the scene, a white gold lion motif, hand-engraved with astonishing depth, strides across the dial in noble stillness. Above it, sapphire crystal carries an engraving of authentic cuneiform script—an excerpt from the Charter of Darius that once adorned the ceremonial corridors of Persepolis. In this way, the watch doesn’t merely showcase Persian symbolism, it allows the wearer to hold a fragment of their ancestry, a relic woven with kingly decrees and imperial elegance.
“This watch doesn’t merely showcase Persian symbolism, it allows the wearer to hold a fragment of their ancestry.”
Image courtesy of Vacheron Constantin
The movement within the Lion de Darius is the self-winding Calibre 2460 G4/2, developed and manufactured entirely inhouse by Vacheron Constantin. Its clever architecture dispenses with traditional hands, instead using four rotating discs to indicate hours, minutes, days, and dates through peripheral windows. This innovative layout creates an unobstructed canvas for the dial’s artistry while reinforcing the seamless marriage of technical ingenuity and cultural storytelling. The case back, visible through sapphire crystal, reveals a 22K gold oscillating weight engraved with the Louvre’s eastern façade, a quiet reminder of the collection’s museum partnership and the scholarly rigor behind its conception.
The watch itself is cased in 18K 5N pink gold and measures 42 mm in diameter, sized for presence but proportioned with elegance. A matching blue alligator strap and a gold folding clasp complete the silhouette. But specifications alone cannot describe the emotional gravity of this timepiece. It is rare, with only five
examples created worldwide. For the Persian connoisseur, it is more than an heirloom. It is the embodiment of legacy—a private monument to an era where kings ruled not only through power, but through vision, architecture, and word.
Vacheron Constantin’s Métiers d’Art collection may span four civilizations, but in the Lion de Darius, it channels the soul of one. Through stones that recall the desert’s palette, engraving that whispers of ancient rites, and design that honors both form and function, the watch becomes more than a luxury object. It becomes a story, one worn, not just kept. For those who descend from the cradle of empire, for those who remember the lions that once lined the halls of Susa, this is not merely a watch. It is a return.
DETAILS
Image courtesy of Vacheron Constantin
These common misconceptions might be holding you back.
Life Insurance is Only Useful After My Death
Fact — Life insurance is a risk management tool. Risk must not only be associated with dying but also with living too long. Some Insurance policies can help you secure your financial future. You can build an asset inside of your insurance policy to make you financially independent during retirement, cover medical expenses, or build your wealth for flexible usage. You will always benefit from a timely investment in the right insurance product basis your needs and your financial gaols.
My Company Covers Me, So I Don’t Need Another Policy
Fact — Your employer covers you only till you are employed with the company. The policy gets terminated once you leave or retire. Employee insurance may be sufficient when you are young, healthy, and without responsibilities. However, it won’t be enough to cover your future family’s needs like children’s education, marriage, medical emergencies of aging parents, the rising cost of living, and so on.
It is advisable to supplement your employer-provided coverage with another insurance policy that is customized to your future needs. Take a policy that can support you financially all through your living years as well as keep your loved ones financially secure in case something were to happen to you.
Why Do I Need Insurance If I am Young, Single and Healthy
Fact — Life insurance is one product that cannot be bought when needed. It needs to be bought for a time when you need it. It is a very simple adage “You cannot insure a building under fire”. It must be bought much before you need it and there are
many reasons for this. Additionally, the best time to purchase a life insurance policy is when you are young and healthy since the premiums are lower and you can have a high life cover at very low premiums.
Claim Settlement is a Hassle and the Insurance Company Can Deny the Payout
Fact — An insurance company will pay claims on policies in existence. That is the fundamental purpose of the company. In this context, it is important to remember that the Insurance policy is a contract of good faith. So, the policy is only as valid as the information provided by the customer. Additionally, the premiums need to be paid regularly to keep the policy valid. Moreover, Every life and health insurance company authorized to sell insurance in Canada is required, by the federal, provincial, and territorial regulators, to become a member of Assuris under the Insurance Companies Act of Canada.. Assuris is an independent, not-forprofit, organization founded in 1990. Their mission is to protect policyholders if their life and health insurance company fails.
In conclusion — Every family and individual has their own distinct financial needs. What might suit one may not be the best option for another. It is advisable to consult an insurance advisor to find a plan that suits you best. You can contact me to go over the details and compare different policies offered by different insurance providers before you make a decision. Insurance is an important investment and money well spent only if you find the right plan. You will understand the value it offers in the long run. Don’t let these common misconceptions make you think otherwise.
Being a strategic asset in real estate transactions is crucial, and Sogol has excelled at this incredibly for the past 7 years — closing over $100 million in deals. Her success stems from building strong relationships, understanding local zoning laws and market trends, turning each transaction into memorable experiences for her clients. Sogol’s AUTHENTICITY and METICULOUS ATTENTION to detail, has made her a perfect fit at The Partners.
A leader at the office with her strong personality, her leadership role also extends to her own personal home as she’s a devoted mother of 11-year-old twins, as she juggles the idea of being a mother and business leader seamlessly. Grech loves that Sogol is relentless as he smiles at her often, as her fight and always wanting her clients to be overly successful in every transaction, is her mandate always. Her very rapid success in real estate speaks for itself and her partnership is infectious.
With 25 years of experience, Dr. Sherwin Nabi provides compassionate, pain-free dental care in Burnaby. A UBC DMD graduate with a VGH residency, he is passionate about implants, oral surgery and endodontics. Outside work, he enjoys soccer, jogging, and fitness.
Dr. Rojin Schmitt, a UBC-trained dentist, specializes in personalized care, prevention and cosmetic dentistry. She uses 3D visualization to enhance patient outcomes and teaches part-time at UBC. Outside work, she enjoys swimming, skiing, reading, and time with loved ones.
Dr. Borna Ansari, a UBC and University of Sydney graduate, specializes in fullmouth rehab, implants, Botox, Invisalign, and TMJ care. With advanced training in aligners, implants, and facial aesthetics, he prioritizes patient-centered, gentle dentistry. He enjoys yoga, tennis, cycling, and skiing.
CREATING CONFIDENT SMILES
Every Day
At The Dental Lounge, our dedicated team is committed to providing top-tier dental care in a calm and welcoming environment. Our serene and soothing lounge is an open and modern space equipped with complimentary refreshments, charging stations and comfortable seating. Whether it’s
a routine cleaning or a specialized treatment, we prioritize personalized care to help you achieve a healthy, confident smile. With a focus on patient comfort and excellence, our skilled professionals ensure every visit is a positive experience, making your oral health our top priority.
Consul General of The Republic of Türkiye
As one of the most dynamic voices of diplomacy in Western Canada, Hüseyin Emrah Kurt, the Turkish Consul General in Vancouver, shares his journey from a childhood fascination with world affairs to becoming a key cultural and economic bridge between Türkiye and Western Canada. In this exclusive Q&A, we explore his vision for promoting Turkish culture, fostering economic collaboration, and building deeper ties between diverse communities in Canada.
Interview with Turkish Consul General in Vancouver
Can you tell us a little bit about yourself, Emrah? What led you to a career in diplomacy?
My name is Hüseyin Emrah Kurt, and I’ve been serving as the Consul General of the Republic of Türkiye in Vancouver for nearly two years. I’ve always had a deep interest in history, geography, and world politics, an interest that led me to pursue a career related with diplomacy. I studied International Relations at Middle East Technical University in Ankara, and after graduating in 2004, I began my career at the Ministry of Foreign Affairs of Türkiye in 2005. Since then, I’ve served in various departments of the Ministry and held overseas posts in Tehran, Düsseldorf, Athens, and Islamabad.
How did you become involved in politics and foreign relations? What inspired your path to becoming the Consul General of Türkiye?
My journey into diplomacy was driven by curiosity on international affairs and a strong desire to contribute to my country on the international stage. Working across different embassies and consulates allowed me to gain a broad understanding of international relations. Being appointed as Consul General in Vancouver has given me the opportunity to serve the Turkish community abroad while promoting Türkiye in Western Canada.
You served in the Turkish Embassy in Iran. What was that experience like, and how did it shape your perspective on international relations?
Iran was my first foreign posting. I served as Third Secretary at the Turkish Embassy in Tehran between 2008 and 2010. Being posted in a neighbouring country early in my career was an incredible opportunity to develop a deeper understanding of diplomacy in a complex regional context. I also thoroughly enjoyed exploring the rich culture and deep historical roots of Iran, which greatly shaped my appreciation for cultural diplomacy.
What are your main priorities as the Turkish Consul General in Vancouver, and how do you envision promoting Turkish culture in Canada?
Our consulate covers a vast region—British Columbia, Alberta, Saskatchewan, the Northwest Territories, and Yukon. We serve a growing and vibrant Turkish-Canadian community in Western Canada. Supporting this community with consular services and engaging in their social and economic activities is one of our top priorities.
Equally important is our mission to promote Türkiye’s economy, trade, tourism, and rich cultural heritage. We organize concerts, art exhibitions, film screenings, and festivals throughout the year, often with the support of community members. These events aim to build greater cultural awareness and foster deeper connections between Türkiye and Western Canada.
“I’ve always had a deep interest in history, geography, and world politics, an interest that naturally led me to pursue a career in diplomacy.”
Cappadocia — Türkiye
One of the world’s premier destinations for hot air ballooning
Türkiye is becoming a major tourism hub, with Turkish Airlines expanding travel routes. How do you plan to further promote Turkish tourism in Canada, especially for leisure and medical travel?
Türkiye is one of the world’s top tourism destinations, welcoming 62 million visitors in 2024 alone. Beyond its beautiful coastlines, Türkiye offers a wealth of history, culture, cuisine, and natural wonders. We proudly host 19 UNESCO World Heritage Sites, with 84 more on the tentative list. Turkish cuisine and hospitality continue to attract visitors from around the world.
Medical tourism is another rapidly growing sector. With stateof-the-art hospitals and competitive pricing, Türkiye welcomed
1.5 million health tourism visitors in 2024. We’ve seen increasing interest in this sector from Canadian travellers, reflected in the rising number of visa applications for health-related visits.
Turkish Airlines operates three direct weekly flights between Vancouver and Istanbul, which has greatly enhanced both tourism and economic ties. We’re optimistic that more direct flights will be added in the near future.
I’d also like to inform readers that, as of January 2024, Canadian passport holders can travel to Türkiye visa-free for touristic purposes. We’re always available to assist through phone or email with any travel inquiries.
Drift above the surreal, moon-like landscape of Cappadocia in a hot air balloon, where fairy chimneys, ancient cave dwellings, and rolling valleys stretch as far as the eye can see. As the sun rises over this otherworldly terrain, hundreds of colourful balloons take flight, creating one of the most breathtaking sights on Earth.
“Türkiye’s strategic location, stong industrial base, and dynamic economy make it a natural partner for Canadian businesses across many sectors.”
What initiatives or programs do you have in mind to bring the Persian and Turkish communities closer together in Canada?
Vancouver is home to a large and vibrant Iranian-Canadian community. From my early days here, I observed a natural interaction between the Turkish and Iranian communities. Iranian residents often participate in Turkish cultural events, concerts, and exhibitions. We’ve also seen Iranian artists collaborate with Turkish performers, which speaks to the shared cultural affinities between our nations.
We welcome and encourage this exchange and are committed to supporting initiatives that bring communities together through art, culture, and dialogue.
Are there opportunities to strengthen business relations between Türkiye and Canada? Which sectors do you see as having the most potential?
Türkiye is one of the world’s fastest-growing economies, with an average annual growth rate of 5.3% over the past two decades. Our strategic location, young population, strong industrial base, and liberal investment environment make Türkiye an attractive destination for trade and investment.
In 2024, Türkiye’s goods exports reached $261.8 billion USD, and services exports hit $115.2 billion USD. As a member of the EU Customs Union and with free trade agreements with 30 countries, Türkiye provides access to a market of 1 billion people.
Both Türkiye and Canada are G20 nations, and there is great potential for collaboration—particularly in sectors such as construction materials, metals, energy, mining, defense industry, machinery, textiles, furniture, shipbuilding, agriculture, life sciences, and IT.
We’re seeing a growing interest from Canadian business circles, and I want to emphasize that our Consulate is open and ready to support entrepreneurs and companies looking to explore opportunities in Türkiye.
Turkish fashion and brands are gaining global recognition. Are there plans to introduce more Turkish brands to the Canadian market? What should Canadians expect from this cultural exchange?
Turkish brands are already making their mark in Canada, particularly in textiles, furniture, home décor, and construction materials. We’re pleased to see Turkish-made products appearing more frequently in local stores across British Columbia.
There is significant potential for Turkish brands to expand their presence and repeat their global success stories here in Canada. We look forward to deepening this cultural and commercial exchange in the coming years.
Maz Majidi is a seasoned professional in building design, construction, and real estate, holding a master’s degree in Business Administration and marketing. Specializing in real estate sales and innovative property marketing strategies, he expertly guides clients through the process of realizing their ideal homes. With a focus on luxury real estate, Maz is known for delivering exceptional results. With a decade of experience in Vancouver and British Columbia, Maz has a proven track record of record sales and exceptional marketing strategies, successfully helping clients find their dream homes. 604.724.0202
778.885.6658
Marble Construction specializes in high-end residential projects, and has over 20 years of experience in building homes in Vancouver, West Vancouver, and North Vancouver.
Marble Construction is an award-winning construction company in British Columbia and Canada. The company has won multiple housing awards including Best Single Family Detached Homes in Canada for years 2016, 2017, 2018 and 2019.
STO’s Journey Through Chaos, Creativity, and Transformation
In a world that often seeks clarity through control, STO, born Erick Stow, chooses creation through chaos. From the windswept plains of Saskatchewan to the cultural thrum of Los Angeles, his life has been anything but linear. A multidisciplinary artist who blends painting, poetry, film, and sound, STO doesn’t just make art, he transmutes lived experience into something luminous. Through his evolving philosophy of motionism and works like Temptations of The Power, STO invites us into a realm where inner conflict becomes sacred ground, and art becomes a form of personal and spiritual alchemy.
Born in the wide, open prairies of Saskatoon, Saskatchewan in 1985, Erick Stow has always existed between boundaries, geographical, creative, and personal. At the age of nine, he moved with his family to Lubbock, Texas, where he would go on to graduate with a degree in advertising from Texas Tech University. But STO’s connection to media and performance began even earlier, he was modeling by age six and later appeared in music videos and feature films.
From childhood, it was clear that Stow’s path wouldn’t follow convention. Over the years, he became a true multidisciplinary artist: painter, filmmaker, poet, designer, voice actor, editor, and composer. His creative output is as expansive as his life experience. What ties it all together is a consistent theme of transformation. STO doesn’t just create art, he uses it as a mirror, a tool, and a language for understanding the deeper aspects of self and society.
STO’s signature style, motionism, first emerged during his time in Los Angeles around 2015. It describes artwork that feels alive, filled with rhythm, emotion, and momentum. It was in L.A.’s Fairfax district that his independent journey truly began, attracting the attention of cultural tastemakers and celebrity circles alike. But behind the growing recognition was a deeply personal search, one filled with internal struggle, selfquestioning, and a need to make sense of the chaos within.
Throughout his creative journey, STO has never shied away from confronting difficult themes: identity, loneliness, temptation, and the push-pull between darkness and light. His lived experiences, navigating neurodivergence, dealing with personal loss, facing legal and creative challenges, have all shaped his artistic voice. And while his résumé spans everything from nationally syndicated columns to music albums, it’s his paintings that most clearly reveal his spiritual and emotional depth.
Among his many projects, one painting stands out as a pivotal point in his evolution: “Temptations of The Power.” This layered, emotionally charged piece was born from a moment of personal reckoning. During an ambitious art installation in Los Angeles, where he painted a massive labyrinth over 77,777 square inches, STO encountered a mysterious figure who would play an unexpected role in his growth. She called herself Ruth McArthur, and her challenge to him wasn’t technical, it was philosophical. She asked him to express something deeply personal, something tied to belief, meaning, and cultural misunderstanding.
Rather than write a formal answer, STO turned to his canvas. The result was “Temptations of The Power”, a bold visual meditation that combines ancient symbols, mythic archetypes, and intensely personal motifs. The piece is filled with esoteric language, imagery of light and shadow, and references to spiritual hierarchies. Angels, demons, sacred scripts, and emotional abstractions come together in a work that feels both timeless and deeply individual.
The painting explores the space between temptation and transformation, illusion and clarity. It reflects a universal human tension, how we often have to confront what is uncomfortable in order to discover what is true. STO describes the piece as a “layered exploration of inner conflict, self-discovery, and personal growth.” It is, in many ways, a map of his own spiritual path, marked by trial, surrender, and ultimately, creative rebirth.
72” X 48”
OIL ON CANVAS
Today, STO continues to push boundaries, across disciplines, across genres, and across perceptions. His work invites audiences into deeper reflection, not by offering answers, but by holding space for complex questions. Whether through painting, music, or storytelling, he challenges us to look beyond the surface and find meaning in contradiction.
“We understand more from the vantage of imagination,” he writes, a reminder that through creativity, we can begin to see ourselves more clearly.
In STO’s world, art is not an escape, it’s a confrontation. And through his journey, we’re reminded that the fire we walk through can become the light we create with.
Unican Is Here to Guide You
Whether you’re an entrepreneur with bold ideas, a skilled worker chasing new opportunities, a student pursuing world-class education, or an investor seeking stable growth, immigrating to Canada is an exciting yet complex journey. Fortunately, you don’t have to navigate it alone.
15 YEARS OF EXPERTISE
For more than 15 years, Mehran Halavi and his team of leading experts at Unican Immigration have helped individuals and families from around the globe transform their Canadian dreams into reality. From permanent residency to business immigration, Unican offers personalized guidance tailored to your specific goals and circumstances.
THE VISION BEHIND UNICAN
At the heart of Unican is Mehran Halavi, a licensed immigration consultant and proud member of the College of Immigration and Citizenship Consultants (CICC). Under his leadership, Unican has earned a reputation for professionalism, transparency, and a results-driven approach, making it a trusted name in the industry.
SERVICES FOR EVERY PATHWAY
With a team of over 30 experienced professionals across multiple offices, Unican provides a complete range of immigration services. From Express Entry and Provincial Nominee Programs to family sponsorships, business and investor pathways, and Startup Visa applications, they cover every possible route. They also assist with visitor visas, study permits, and more. Every application is managed with care, precision, and an in-depth understanding of Canada’s evolving immigration policies.
YOUR JOURNEY, OUR COMMITMENT
If you’re ready to build a future in Canada, Unican Immigration is here to guide you every step of the way. From your first consultation to the final approval, their team is dedicated to making the process clear, efficient, and successful.
Canadian Immigration Consultant
By Lauren Kramer
There’s something undeniably bewitching about Whistler. It starts with that magical 90-minute drive where the congested traffic of downtown Vancouver cedes to a snaking, open highway, jagged rock on one side and on the other side, steep slopes plummeting to the open ocean. Climb that highway into the mountains and you feel your cares slipping away, your mind energized by sights of gushing waterfalls, verdant forest, islands and the utterly wild
beauty of this pristine landscape. Whistler is a nourishing oasis close enough to home to be an easy weekend decision, and far enough away to separate us from the thrum of daily life. There’s no bad time to come to this mountain village, but Spring and Summer are a special time to retreat, rejuvenate and soak up Whistler’s nourishing beau
photo by Four Seasons Resort and Residences Whistler Luxury
Check into the Four Seasons for the perfect getaway. This classy hotel exudes warmth, friendliness and understated luxury, and its amenities distinguish it as an industry leader. Afternoon cookies and hot chocolate? Check. Complimentary guided hikes, sunset sound bathing and facial scrub-making workshops? That’s covered too, as are tickets to the Squamish Lil’wat Cultural Centre. Four Seasons offers yoga and pilates in a high-end gym equipped with peloton bikes and everything else you need for a solid workout, and its massive breakfast buffet will sate your appetite all day long. Don’t miss a moonlight swim in the heated outdoor pool, a decadent steep in the bubbles of the hot tub or a few minutes of bone-warming heat in the dry sauna. Then slip beneath the sheets for a night of deep, comfortable rest.
There are lots of eateries offering burgers, fries and wings in Whistler. Il Caminetto is most certainly not one of them. This fine dining Italian restaurant has been a local institution since 2009, consistently delivering exquisitely prepared meals to guests seated at tables draped in white tablecloths. There are no shortcuts at Il Caminetto, where everything is made in-house: thick wedges of crunchy sourdough bread for soaking up olive oil and balsamic; rich, creamy agnolotti pasta filled with fragrant bursts of mixed cheese and 38-oz porterhouse steaks served with rapini and red wine jus. Add a voluminous wine list that covers both Italian and BC vintages, and you have the recipe for a phenomenal meal. If you’re seeking a special dinner to be savoured slowly in a refined but completely unpretentious environment, this is the place to go.
Whistler’s culinarygem.
photo by Il Caminetto
photo by Scandinave Spa
I’m in a deep mist, the air so thick that if there are others around me, they’re barely visible. The scent of eucalyptus fills the mist and all I can hear is the drip of water. This is the Scandinave Spa, where guests’ only task is to immerse in heat, plunge into the cold and then sedate themselves with peaceful rest. The rules are strict: no chatting, buzzing phones or apple watches pinging on your wrist - in fact, no electronic devices whatsoever. Staff wear shirts emblazoned with the word ‘Silence’ and everyone who passes through the entrance adheres to one central rule: to keep the peace intact.
I move in a haze of relaxation between hot tubs, cold plunge pools, wet saunas, dry saunas and solariums overlooking forests of spruce and cedar trees, their branches laden with lime-green lichen. With no time limit you can take all day to rest, recuperate and use that serene stillness to soothe a tired mind.
It’s one thing to use Whistler as a recreational playground, but quite another to learn what this land means to those who lived here from the beginning. The Squamish Lil’wat Cultural Centre is a living museum designed to showcase the lives and history of the Squamish and Lil’wat people. Whistler is a shared territory for both of these two First Nations, who speak different languages and lay claim to different territories. To this day they honour their ancestral alliance, living side by side and revitalizing their culture and traditions. Tours through the centre are guided and personal, teaching guests about the nations’ story of survival and explaining the meaning behind their art, clothing and harvesting of food. Witness their stories and you leave with an appreciation of the injustices they have experienced and deep respect for the wisdom of their ancient ways.
Hear the voices oftheland.
photo by Squamish Lil’wat Cultural Centre (SLCC)
photo by Whistler Blackcomb
Thrills above the clouds
Whistler is an adventure-lover’s oasis, with a plethora of summertime activities designed to get your pulse racing. Fly through the air on ziplines or paddle furiously through whitewater on a rafting trip. Careen through mountain trails on off-road buggies or conquer high ropes, bridges and pulse-racing climbs. The Adventure Group offers these experiences and more, day trips easily accessible by shuttle from Whistler Village.
For a scenic experience that’s more relaxing, don’t miss the Whistler-to-Blackcomb Mountain Peak2Peak. The ride in a glass-bottomed gondola delivers birds’-eye views of the mountains and forests, with trails and rivers snaking hundreds of feet below. The astounding beauty of this wilderness is riveting, but take time to savour it with a meal at Christine’s at Blackcomb before you head back down the mountain. The only alternative to fast-food up in the mountain peaks, Christine’s offers a great mix of light, fresh fare that highlights the bounty of British Columbia’s fertile soil and seafood.
“I am armed with the considerable resources and expertise of 10+ years of experience.” — Hossein Mehrizy
HOSSEIN MEHRIZY
BMO MORTGAGE SPECIALIST
To experience your 911, contact Christina Haidari from Porsche Centre Langley at 778-939-9023.
