YLVA LUND BERGNER
PALABRAS
VIOLA & ELECTRONICS
D U R A T I O N: 6’25
–2014–
EXPLANATIONS General information. Grades of the accidental
On the fingerboard
’Tasto’ in Italian
High up on the fingerboard ’Molto sul tasto’ in Italian
Harmonic. The finger position below and the sounding tone above.
Near the bridge
’Ponticello’ in Italian
On the bridge
’Molto al ponticello’ in Italian
Play a fast vibrato with intense small gestures.
Play hard pressure with a variation in speed. The dynamic should not be affected
Play an open string together with another tone.
Play with the bow on the tail piece (the black wood behind the bridge). Dark and mellow sound.
Gradually from molto vibrato to normal tone.
Play with the bow on the side of the instrument body (on the middle). The dynamic will be soft but it is necessary to play hard to get any sound at all.
A fermata without a specific length. Listen to the electronics.
Let the bow ’jump’ on the string. Play with molto vibrato while playing a glissando. Let the bow ’jump’ on the string with both hair and wood part of the bow.
Play normally with the bow but let both the hair and wood part of the bow touch the string.
Play a glissando between two natural harmonics. There will be no sound in between.
Play with the bow on the side of the instrument body (on the middle) and play at the same time a tone on the fourth string.
Move the bow between different positions on the instrument and play an open string together with a stopped tone. No vibrato.
Tremolo between normal tone and harmonic.
Play behind the bridge with both bow and finger.
Play a gradually transmission from normal pressure to hard pressure and back again.
Ylva Lund Bergner
; = 120
Always play without vibrato if nothing else is indicated.
Viola
q = 60
©. = 40
B
∑
∑
∑ Ó
Electronics
Vla.
Elctr.
&
B
! œ
œ ‰ Ó
p œ
œ
III
· œ
œ · ·
w
∑
Œ
·œ
F
‰ Œ
&
∑
œ œ
œ III
·
II
!
·
· J
I
·
F
œ
& w w
œ · I B · ‰ &‰ ( ")
Elctr.
II ‰ œ ˙
w
Molto vibrato
Vla.
B
œ
&
F
mœ
m œœ
mœ J II œ m œ J m·
jI ·
&
molto vibrato
norm.
p P #
· m·
· ·· ·· " œ œ
·
· ···· · ·····
P
p
j j œ œ œ œ œ œœœ œ
œœ œ
·. ·.
F !
· · ·
J p
·
‰
∑
B
qn
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ œ œ œœ œœ œœ œ œ œ ÷ ÷ ÷÷÷ œ œ œ mœ & J
1
&
Vla.
Elctr.
B
∑
"œ I
ä·
‰ Œ.
f
Vla.
Elctr.
P
II
·
mezzo legno tratto
·
J F
III
>
·
>
·
∑
>
©
jeté
p
f
œœ
œ
œ
mI· II III · · ·. . . h III · ·· · · · · B · · · · · Œ · F
Elctr.
mœ
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ "œ œ œ œ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ‰ ‰ ‰ ‰ w & mw
"m œ œœ &
Vla.
Œ.
I
œ
œ
©
· Œ ·
p
#
©
©
II · · Œ
F
I
mezzo legno battuto jeté
© , © · b ·. . . . . . . · II œ
f ƒ
‰
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ œ œ & m ww
B ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ? & w
2
m œ œ n œ bœ n œ œ m œ m œ # # # ‰. Œ & p qn I
Vla.
Molto vibrato
gliss
gliss
gliss
m œ œ N œ bœ n œ œ m œ # # # gliss
Ó
gliss
gliss
gliss
gliss
p
m œ ‰.
Ó
B
qn
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ $ $ m œ œ n œ bœ n œ œ m œ m œ m œ œ œ bœ n œ œ m œ mœ # nœ bœ # nœ œ # mœ ? mw m œ mœ œ # œ bœ #nœ œ # mœ . œ ‰ mœ mœ # Elctr. & mœ œ œ bœ nœ œ mœ mœ mœ œ mœ bœ nœ œ mœ mœ molto vibrato
gliss
gliss
gliss
gliss
no vibrato
Vla.
Elctr.
B Ó
no vibrato
Elctr.
gliss
mezzo legno tratto
∑
IV
m œ. . . . . . jeté ƒ
œ
m œ. . . . . . Œ jeté P f
œ.
fast vibrato
III
Œ
qn
gliss
œ J
F
&
Œ
III IV
œ
˙ ~~~~~~~~~~ fast vibrato
·
no vibrato
o
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ mœ mœ m œœ N œœ mœ mœ ? mw mœ & mœ
norm.
Vla.
arco batt.
gliss
gliss
œ
B ·
P
&
high up on the fingerboard
œ œ œ
· · · qn
œ
·
F
very near the bridge
œ
œ
qn
p
·
· ‰
hard pressure
arco norm.
Œ
N œœ
slow speed
˙
p
norm. speed
˙.
slow speed
˙.
ƒ
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
3
fast speed
Vla.
B
œ
‰ Ó
.œ .œ
Ó
Elctr.
Vla.
Elctr.
Vla.
÷÷÷÷÷÷÷÷÷÷ & ÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷
B
&
B
Ó
ƒ
qn
÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷
.œ .œ
÷÷÷÷÷÷÷÷
Instrument body arco
¿. > [ ƒ]
¿. >
¿. >
¿. >
œ œ
œ œ
œ œ
œ
∑
∑
Œ
œ
p
P
œ. [ #]
œ œ
œ.
‰
œ.
‰
jŒ
œ. [ ƒ]
œ œ
œ
?
œ
w
w ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
Normal pressure norm. pos.
∑ ! II Œ œ.
pizz
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ mœ ÷÷÷÷÷m œ m œ
Tail piece
gliss
Elctr.
Normal pressure
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
∑
œw
œ
arco
f
÷÷÷÷÷÷÷÷÷÷
norm. -œ pizz œ. œ # #
I
œ J
œ.
p œ.
œ. gliss
œ.
‰
gliss
>œ
Œ
( œ ) >œ m œ œ J J
œ J
gliss
œ œ œ w w w w w ? w w w ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
4
œ.
œ.
II œ m œ B J
œ.
I
Vla.
B
gliss
Elctr.
Vla.
I II
œ. m œ.
œ. œ.
P
&
·.
·.
h.
·h ..
h.
p
w w w mw ? wwwww & mw w ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
B
&
˙.
∑
œ
·.
o
Elctr.
œ
w & m ww
w
œ. ·. œ.
mœ
p
#
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ m w ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
Put on a metal mute
‰ Œ.
∑
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ‹‹ ‹ ‹ Knock on instrument
# ·. . . . . . . legno # ·œ legno batt. m œ tratto # · # · . . . . . . · . . . . . . B ‰m # ·œ # m # ·œ # œ ‰ N œ # m# ·œ # œ ‰ m œ # m œ J Œ ‰ Œ. arco batt. jeté
III
Vla.
F
Elctr.
arco batt.
arco norm.
f
m w ÷÷÷÷÷÷÷÷÷÷÷÷ mœ m œ œ œ &
P
‹‹ ‹
Knock on instrument
near the bridge
arco norm.
gliss
III
f
F œ
5
p
f
" gliss gliss m œ m œ œ m œm œ œ m œ œ m œ œ mœ mœ
œ
&
·.
light press
III
o
gliss mœ mœ œ m œ œ mœ
œ
Vla.
Elctr.
B
near the bridge
·.
·.
Elctr.
p
w
mœ œ & m œ m œ œ m œ gliss œ mœ mœ
œ œ & ‰ #
?
œ ( `)
m œ. & m œ. I II
Vla.
·.
norm. press.
œ
III
Vla.
norm.
f
&
Œ.
&
·œ
J &‰ II
œ
over the fingerboard
œ.
qn
œ ·œ J P qn
w
B
m œ. m œ.
P
Œ.
m œ.
III
p
p
P
nœ mœ nœ
·œ .. m œ· .. gliss
œ œ
I
nœ œ mœ
œ
II III
·
!
near the bridge IV
m œœ
© Nœ
mœ
mœ mœ œ
p
œ œ
mœ
F œ
œ
Extremely light pressure
Œ.
[almost no tone]
?
Œ.
Œ
p
#
norm.
&
œ
#
o
·
œ mœ nœ
·œ
mœ
œo
· ‰
w
&
·œ .. p
˙o
" mw
near the bridge
gliss
œo
Œ #· I II
œ.
œ.
œ m œ. J
m œ.
œ J
III
IV
mœ nœ mœ nœ ` %
œ
œ
‰ œ
B
‰ mœ
‰ œ
‰
qn
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ mœ
Elctr.
mœ w mœ & mw mw ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
6
B
Vla.
&
Elctr.
B
Vla.
&
Elctr.
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ mw ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
Light pressure
IV
Œ m œ.
#
mœ m˙ J p
œ
˙
Œ
!
mœ
mw
mw
∑
mœ
mœ
mœ
∑
mœ
mœ
&
œ
œ
hard pressure
Vla.
Elctr.
&
&
Œ.
mm ww
m œ m œN œ m œ flautando
III
#
F
mw
norm.
œ œ œ œ m ˙. J
p
P
˙.
qn
mœ
w
7
˙.
ƒ
qn
w mœ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
. & N ˙˙ . II
˙. ˙.
III
Vla.
o
Elctr.
Vla.
œo .
o
œo .
f
œo
On the tail piece
‰
# ## -œ -œ -œ [ fƒ ]
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ w # # ## & mw Nœ œ œ œ œœœœœ œ œ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
œ
IV · · . & #‰ B œ œ . J œnorm. pos.
·œ ..
On string and instrument body
·œ ..
˙· .. ¿.
p
o
Elctr.
œo .
Normal pressure
Nœ
&
Vla.
œ. œ. Ï
III
œ· .. ¿.
œ· .. ¿.
j norm. pos. ·œ ·œ ¿ !
œ· .. ¿.
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ w w w & # œ ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
·. B ˙.
·œ ..
P
ÿÿ
gliss
&
·œ J
œ
·h ..
·©
u
#
‰ Œ.
∑ - 6'23
Elctr.
&
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ m ww m ww
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
8