book of shadows #1 of 2

Page 1


[rsptRilt0 www. desperadopublishing.co=

Joe Pruett Publist|€'

written Ly

MorL Clr"JLourlt

April Doster Creative Director

-

Gary Reed Business Development

Brett Smith Controller

lan Feller Media Liaison

Tim Hegarty Foreign

R{hA Representative

Wilfredo Pesante i-egal

Coun-l

Shinn Uehara Prodtrrbr

3. ksign Joe Karg

ProOtxY !i;;stant

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cs.com

Erik Larsen h.tlisher

Todd McFadane

prsiJent

Marc Silvestri CEO

Jim Valentino

lett.*eJ Ly

YrePresijent Er.|<

Ion Martin

SleE renson

ao.oe )rrtor

Pn E

Jim Derrpnakos UrtEiiE Cs&Etq Mia l,{a<}lanon

A.cr*s flJEg(

Lr..J on the r.oo.l trilogy

Laurenn l'{<Cubbin Art

Die<tq

Allen Hui

Tlr" Asn

"f

M;sruln

Productim Aftin .Joe Keatinge Tnffic Manage

Jonathan Chan Production fusistant

Drew Gill Production Assistant

Traci Hui AdministEtive fu sistant

April zoo6. Published by Image Comics, Inc.. Office of publication: r94z UniversiS .\\enue. Suite 3o5, Berkeley, California 947o4 and. Desperado Publishing, 5r South Peachtree Street, Suite 8, Norcross, CA 3oo71. Coplright ! zoo6 (including all prominent characters featured herein)- its logo and all Mark Chadbourn, All rights reseryed. BOOK OF character likenesses are trademarks of Mark Chadbourn, unless otheruise noted. Image Comics@ is a trademark of Image Comics, Inc. Desperado and its logos are '" and @ zoo6 by Desperado Publishing Company, Inc. AII rights reserued. No part ofthis publication may be reproduced or transmitted, in any form or by any means (except for short excerpts for review purposes) uithout the erpress rrritten permissionoflmageComics, Inc.Allnames,characters,eventsandlocalesinthispublicationareentirel-vfictional.,$r resemhlanceto actual persons (living or dead), events or places, without satiric intent, is coincidental. PRINTED IN CAN.{D-\. BOOK OF SHADOWS. #1.


oo Tl.lEy KNOW THO5E FRAGILE CPEATUPES OF SKIN AND BLOOD

ff

mLL COttlE TO TI4EIT LIKE AN AWAKENING FNIIA LONG SLEEP FILLED WTH PL^SANT

AS EWR, THEY WANT THE

FlxEo

u{os

FOP |IIEIP

V stsrep? WAy ilHAT SAY acK To THE FIXED ^(,\ YOU?

EPOTI4EPS AND

STSTEPS

HAW yEr FOUND TtlElP


...4

ud{r... to AJIDETEA BACX.

WI.IERE'5 YOUR

gPootsftcK,

WITCI{Y ANNIE?

The-

Book, Barn


T DONT KNOTV

wHyyou sTtcK

tT

you KNorv... rcA{ETHIN6

ffircRTANT. you...

I

DOES HE THINK AN'T RECOGNIZE IT? IIY LIFE REEKS LIKE A FUNERAL IIOITE, T MSII COULD FLY AWAY FP€.il TT ALL.

I

aRASEBALL ELLIS IS RrcHT. WMT USE IS AWI|CH WTHOW A WORKING BPOOTISTICK IO 6ET HEP OUT OFTPOUBLE?


AND TI4ERE ARE SOIIE THINoS TI4AT MLL NEWP |MKE sENsA HilVNEP ttUCH

I

50 HER'= WE ARE A6AIN.

TI4INK ABOUT THEiIL

l^y t{oAtE FRoAt

HOw ARE YOU,

INICA,EL?

YOU KNOIV THE PATHETIC TI{ING ABOUT ALL'IAI3? T KNOII I SHOULDN'T BE I{AN6ING 'ROUND A GRAIEYARD AT NI6HT, I{AVIN6 A COI{IERSATION WIH AY

IN TI{E SAAITE WAY T KNOTV ALL A{Y DABBLING WITH THE CPAFT E JUST A SPONGE TO SOAK UP

r'lE 6R|EF. ^1AG|C...


my

hia6

hrqh. -

$oR.th€ skY-ls

anaramachlla o[ the qo6s.

BIII IWAsALWAYS SHOLIflNA INTO EIIFI')/

I

N

POOl,l, UMIL llAD TO ACCEPT THE TRUTH...

que€n o$ heaven, queen o9 h€LL, hoPnea hunt€n o$ th€ nlght,

'

Len6 youR pow€R

unto my sp€Llr an6 woPk my wLL DJ magrc Ht€.


T'D I{A!E LEARNED


AREF ttttAKES IOU STUP|D. SIfiULD I4AVE ARRIED ON hPPING AROUND IN W OrtN

T

PATHETEWN.

aUT, NO, I HAOTO KEEP MTTLING AWAY AT SI66ER

aaEs.

wtsHtNo NID t&PtNGt

WTHOUT KNOYIIING WMT IWAS REALLY ASKINo FOR.


.,S"rf;,qEE -:'x"STraqa€.if'* -;

:Tr' I

COULD rELL TT WASN'T

HER t{41{E

60lNG TO LEr 60. rr WAS EUPNED TIIERq ilAKING TE FEEL

AU^9YWTH

'n'

I5

THE /IIORR16A*

SISTER TOUCHED

YOU.,.C'1AN6,ED YOU. I CAN sEE TT. A

TTS

tNfEusfiv,

SHADOTV

IN

YOUR HETD.

M{ATA^{

I

DOING IN lHE GARDEN?

I

REALLY

l{A!E LOST

rr

...T1{AT

WOfiAN...II{AT.., DID TI{AT REALLY ruqPPEil2

F t*or.oF I t+w ooxe rHose I rusHpooms rr Lor surm{ERil


RUNNING, FOOLISH

SHE I{A5 NOTTCED yOU. AND NOIV THERE IS NO ruRNING AWAY

THE A4ORRIGAN M5 LEFT HER ltARK ON yOU. YOU CAN

U5. AND THAT '{FdRIS JUST THE BEGIN.

DONTruRN YOUR BACK ON HER, sHE WON'T

sllE woN,T ALLfi(

A{lcMEL...

rr!

WHY DID YOU LEAVE /vlE? WHAT

At1

I

6OING TO


I

IELL YOU, CANT FIX

TI.{EY

HotV,l{uCH LONGER ARE WE SUPPOSED TO MNG AROUND HERE?

ANYTHING THESE DAYS. THE WORLD I5 GOING TO HELL IN A I{ANDCAPT.

.

DAILY TELEGRAPI] THAT TT'5 NOT JUST THE ELECTREIry. CARS AND BUSSES...COAIPUTERS ,,.JU T sTOPP|NC WORKING FOR HOURS AT A Tl,tlE.

TI{ESE POTVER FAILURES..,THEY'RE GETNNG WORsE,

you

KNovy.2

THE GOVERNAIENT. YOU C,ANT IRU T THE& CAN YOU?

WMT DO

5N3 TI'3IERRORIsTs.

YOU THINK,

T DONT BELIEIE

DF.ARIE?

PEalyzygt* \ NOT BEEN READING THE PIPERS? OP, WATCI{ING

I\E

BEEN SlrflNG ROOIA WITH lHE DOOR LOCKED AND THE

IN

A4Y

...TELLIN6 AAYSELF T'ilA NEIER

GOING OI,II AGAIN.


I

IF YOU DONT iUIND iIlE SAYING,

I II'S

CAN sEE YOU DONT

WANT TO TALK AEIOUT TT,

50

WONT PRE55, WHEREABOIITs ARE YOU 6OING IHEN?

ALL

RELATI\E.

IliE

HAD WORSE

SO,$ETHING TO CHEER YOU UP? GET AWAY FRO,tl

ALL YOUR

OITT OF AlY HEAD FOR

THREE HOURS ON THE'NET BEFOP.E I COULD TRACK DotVN

WHEREfTWAS. ITHOUGHT THE BESI IHING I COULD DO WAS GO SEE IT.

THE sTONEs DATE BACK THOUSANDS oF yEARS, yOU KNotV. TO

lHE

NEOLITHIC A6E, ONE OF THE BEST PRE5ERVED CIRCLES IN THE WHOLE

ARE SUPFOSED TO

gE ytoilE,,, PETR|F|ED FOR DANCING ON THE SABBATH, HEART5 SIILL BEATING INSIDE THE

ROCK...mnppgg

,*,t

TI{E END OF TIiIIE.


I

FELT

If

A6AIN...TMT COLD MD COITETIUT

MNDTI1AT

IN TI4E 6ARDEN. THE HNT OF SOilETHNG UNA"ASANT

N6,HT

APF@ACIIIN6 FAST.

TI4E TPA|N SHUDDER5 FPOIT

THE

EUST OF

SUPEPHFATED

A]P, THE STINK OF SULPHUP COTIES IN A WAVE.


I14W WIN6S EEAT

THE AIP WTH

A SOUND LIKE THE PENDING OF SAILCLOIII, ON THE NIoHIWINDS IT SORq HLLED MTH ilAJEgil AND hIONOER ANDTHE WHISPER OF ANCIEM DAE.

I

WATCI4ED WtrH TI{E AWED

INNOCENCE OF

A ClltLD, ANO

IIY

OEN UP LIKE

FELT

frIIND

A LOTUS BLOSSO|L


TUE OLD

$OMN IS DAAD, AND

TI4E BOY, AND EyEPYONE ELSE IN

ilY ARRA6E. T fi THE ONLY ONE ANq DESMEEWPMHNaI I ANN HELP BW IHINK THEPE'S LEFT

NO JUSTICE IN TI4E IIORLD.

-\DONT WAIT HERE.

PUN! NOT NOTV,

P.E',.6E. NOTflot7. IIIIS DR. DOOLITILE

THING I5 GETTING OLD RETLLY QUICKLY.

-.il-ryofl SENSE TI{E,$?

IHETRE

COATING

TtlEN r COULO FEEL rr, CPACKLING LIKE WIER LINES, SETTING WTEETH ON EDGE.


TIiIN6S SWRIY\ED ArcUND THE WPECI<AaE LIKE DlsTuREED tNSECrq

5MN

AND FErcCDUS.


A

AAN PICKED

IE W A NLE

MAY.

T &AEBLEO INCOIIEPEMLY AEOUT

FLNN6

N#

9AST AIIDTI]E CP^ruPES

THAT COULD CHANaE 1I1APE.

YEAH? sOA{E AiONSTER? PrcffT,IHE RADIO SAID rI WAS A VAN ON

BLOODY

DRU6GIE. CTSIP

(

7*_:

\.<



FRAAILE CPFATUPE!

50 DELICATE. WMT WONDERS EXI9TENCE MS CREATED FOR

i{y }lAllE r5 cAUflN. YOU,$AY CALL AtE LORD AND

...IN

THE

stloeT Tt,E Tl.lAT REiIAINS

I-I

DON'T

UNDERSTAND WHATS HAPPEN.

T TI{INK

rilaoNaTo BE SICK.

I{AS TURNED. ]HE WORLD NOw,r,lC^Es AWAY FRO,$ THE

LIGHT, AND THE J TL$E OF FRAGILE


DON'T IIUPT IIE. SHOULDN'T BE

I

JOINED

A}I/ RANKS/

DONT

KNOTV

I4APPENING

-

THEN

THEY

I{A!E NOT TOLD

T

u,

WMT'S

70 AE!

:

THEN? I'Nt 6ONM DIE WTHOUT KNOUNG T'Ol E!EgYTHING'5 GONE

YOU

youR i^tsstoN? Ho,r,

OilPUS!

THEIR SKILLS AT ATANIPUI.ATING YOU FRAGILE CREAruRES ARE UNDl,l{lNlSHED.

I ANTICIPATED... QUEST/o.NING YOU.., ABOUT WHY THE GOLDEN ONES WOULD GIFI SO A,IIJCH TO A WEAX PAIHETIC FRAGILE

I

FRAGILE CREAIURE5 sL{UGHTERED WHINED AND WHL$PERED TO


WI{AT'S THE POINT? M{AT's THE POINT tN AMIHING?

rT,s JusT so...

GO ON, DO

IT.

I

DONT

CARE.

I

DON'| KNOW Hq( LONA PASSED. TIIERE WA, JUST THE PAI& AND THOSE THIN65 tll/C[4M6 AROUND FURTHER DO\IN TllE 51otr, LIKE sOfiIEONE MD KICKEO OWR AN ANT-HILL.

I ilWAYS HATED THAT , A)ZZLES. BOOKS A}ID IDWES M4EPE YOU I4AO TO CONNECT THE DOTS TO FIND OO WHAT REALLY MPPENED. JUSI GTVE IlE THE PU,N UINAPNISIIED TRUTH AIID BE DONE WITH IT.


AND IHEY'LL HAIE YOU ROASTING O/ER Tl{ElR FIRES BEFORE YOU CAN

sAy'FlLTl{/ 5|{APE-

NoiV yOU CAN sTAy STUPID HERE AND THOSE FOA4ORII IDLE TALK WHILE ^[AKE BAS-IARDS SMRPEN THEIR BLADES, OR YOU CAN WAIr UNIIL WE'RE FTVE E5 AWAY AND KEEP YOUR HEAD ON YOUR SI{OULDERs.


IF YOU DONT IELL AlE WHAT'S ONI I'LL BEAT YOU TO DEATH W[I}I

@ING

Z

- ALLPI6HL v

ANDBEFoRE

\

SNIPPI, YEs, YOU 79UOEl GET slllPPTrrE9r fI'S NOT ruCH OF A

lhrp V{E,-BuI Jf:s fiswcrop. .L_ THE oJ{LY oNE

xeep Voup

YOU'RE A FEI5TY LTNLE BLEEDER,

ON. r,,$ Tl{E

BOivE

ARENT

BO .IBED

BY DRA6ONS, TALKED TO DEATH BY BIRDS AND IER,\,iIN, NEIRLY TORIURED BY...W|{AIEIER

MTRVAY ACRO5S THE COUNIRY BY PICIURES

CANT 6ET

OI.,T OF

I

I KEEPAN EYE ON ALL lHE OLO SITE5,.. THE STANDING STONES, THE HEN€E5.,.FROAi CALLENISH TO A\EBUPY, ARBOR LotV

YOU Y IHERE'5 BEEN sAY A BONE INSPEcIOR

COULD

TI{AT.

..,

FOR FI\E-THOUSA}ID

I

FIMLLY @BELIY UP, THERE'LL BE ANOIHER


TI{AT'5 SUCH A COINCIDENCE. TI{AT PCruRE I CANT GET OI.JT OF,$Y I{EAD...

,..rT,s THE AIERRY

illAlDENS.

FIRST LESSON: THERE AREN'T

AM

cotNctDENcEs.

FOR,GEI LOGICAL AND RATIOML THOUGHT. IHAT TIA1E I{AS

$NU 4N TAKE TMT STUPID LOOK OFF IOUR FACE. GODS. BACK IN CELTIC TIIIE5 fHE 6OLOEN-5KINNEO ONES WEPE CALLED TI4E

IUAIIU OE OAMNN.'

"FOP CENTUPES US rcOP BASTARDS SUFFERED AT T'IEIR MNOS, UNflL FIMLLY

FOLEflT ONE U5T TEPPIBLE UTTLE.4

THEY


lHEY'RE FIGHTING THEIR

NEIER.ENDING WAR ON OUR TURF AGAIN, AND WE'RE ALL 6OING TO

BE CATJGHT IN

-

WE'LL SORT Tt{AT Ol'.rI TO^/iORROW. YOU GET A COUPLE OF HOURS st{r..tr-EvE.

TI4E BONE COLLECTOR'S A aPUIIP/ OLD BASTr'RO, BW IlE KNEW JUST THE |PICKS TO 6Ef Us PAS| THE FOtlDRll SWAR ilI NG ACPOSS TI4E UNDSAft.

TT il,rcHT MW BEEN fIlE LI6HT... OP THE PUCE..OP THE COO' FPESH DAWN AIP,8W IT PFALLY FEL| LIKE A NEfl DN.


THERE'S A POWER IN TI{E EARTH, AND IN U5, CALL IT AIAGIC..,IF YOU'RE AN IDIOT.

THE STONE CIRCLES

,,,ALL ]HE OLD 5ACRED PLACEs,..THEY'RE A FOCUS FOR TT, YOU JUST NEED

A/

[(t'. r\

1J

)--

-f;;r

I

DON'T KNOYI WMT IlE FELT SOtttEHtNO CHANGE INgIOE OF IIE.

Dlo, BW

I

WHEN T LOOKED

A6NN, THE

RISING SUN WAS JUST HffTINg ONE OF THE 5TONES. AND...


THE BLUE FIRE's

IAAPRESStlE,

ISN'T TT?

TI{E LIFE.BLOOD OF EXISTENCE. TT RUNS IN LINES ACROSS THE EARTH.

AN' rT'S tN U5, TOO.

US AND THE

WORLD. JOINED TOGETHER FOR ALL TIME,

-/

d--

THE BLUE FIRE TURNS 1HE5E ANCIENT srlEs rNTo GA]EWAyS. WALK THROUGH THERE AND YOU'LL END UP WHERE TI{E

TIP MA NOC, II{EY CALLED rI...

-

I'VE 60T TO 6ET THI5 THING OUT oF l,ty HaqD, BUT I'i^ NOT READY TO GO

TI]ERE.

RIGHT TO BE 5CARED. THE ANCIENT CEIIIC PEO%:E THOUGHT ]I{AT PI.ACE WAs THE LAND OF THE DEAD.

(D


ffiBqDltrro [g IIIarfr Qtattonru

thousands ofyears we have been haunted by stories of a world that exists alongside our own. You can get to it through mysterious FOR

doorways that lead under hills or beneath lakes, or via the fairy rings of toadstools that dot the quiet countryside, or the ancient stand-

ing stones. It's the place where King Arthur lies in a sleep like death alongside his knights waiting for the call that will return him to this world in its time of greatest need. lt's the home of the fairies who would steal newborns from their cradles and replace them with hideous changelings. It's where J. M. Barrie, Lewis Carroll, Charles

Dickens and many others visited in their dreams. And maybe it's where those little grey aliens plot their nightly abductions from our sleeping popula-

tion. ln the earliest times, the little people who lived in this place weren't little at all - they were the golden-skinned gods of Celtic mythology, known as the Tuatha de Danann, who could be kind and loving to humanity, but also mischievous, brutal and cruel. Over the centuries, as our beliefs changed, the gods diminished in our lives and became fairies,leprechauns,little people. But we were still afraid of them. No one ever called them by name for fear of offending. They were the Fair Folk or the Good People. Tales of the existence of these beings have continued right up to modern times. They exert such a strange, powerful grip on our unconscious, even in this so-called Age of Reason. We still knock on wood, or cross ourselves to deter their unflinching gaze. Why does the mysterious Otherworld and its strange, dangerous denizens still affect us so deeply? Not so long ago I published three novels under the collective title The Age of Misrule - World's End, Darkest Hour and Always Forever - which dealt with that very question. The story was deceptively simple. What would happen if the doorways between this world and the next suddenly opened and all the old gods and fabulous beasts came pouring through? How would our logical, rational society cope when faced with the existence of things that are not logical or rational? The books sold...and sold,through numerous printings,while being translated into many languages around the world. The Otherworld, it seems, still haunts us. And so to Book of Shadows. The comic you hold in your hands is effectively a prequel to The Age of Misrule, but if you haven't read the books, don't worry... it stands alone as a self-contained story. Book of Shadows is about why we need to believe in the Otherworld, why we love fantasy, however dark it may be. lt's a story about bringing magic back into a world that so desperately needs it. And it,s about why the artist Goya was right when he painted a work entitled:"The Sleep of Reason produces

Monsters"... Remember: do not wander from the path. Do not taste the food and drink. And carry cold iron at all

times... Mark Chadbourn England,2006

Ends.........

www.markchadbourn.net




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