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XXI < MİMARLIK TASARIM MEKAN < SAYI 107 < MART 2012 < AMANN CÁNOVAS MARURI < ARKİZON+MİMARLAR WORKSHOP < AVA < SHCA < TEĞET MİMARLIK < VANDER KOOIJ < ÜNİVERSİTE - PRATİK
Yİ R M İ B İ R M İM A R L IK TASA R IM M E KA N SAY I 10 7 M A RT 2 0 12 1 1 T L ( KIB R IS 1 2 T L )
When Modern architecture was first practiced, it was an avant-garde movement with moral, philosophical, and aesthetic underpinnings. Immediately after World War I, pioneering modernist architects sought to develop a completely new style appropriate for a new post-war social and economic order, focused on meeting the needs of the middle and working classes. They rejected HAN TÜMERTEKİN, KENAN GÜVENÇ, the architectural practice ofÖZLEM the academic NEVZAT SAYIN VE BERBER İLE ÜNİVERSİTE - PRATİK İLİŞKİSİNİ TARTIŞTIK refinement of historical styles which served the rapidly declining aristocratic order. The YAPI KREDİ ACCR approach of the Modernist architects was to Teğet Mimarlık’tan YKB Kampüsü’ne Yeni Bina removing reduce buildings to pure forms, historical references and ornament in favor Mutluluk Fabrikaları Sergisi of functionalist details. Buildings displayed their functional and structural elements, AMANN CÁNOVAS MARURI ARKİZON+MİMARLAR WORKSHOP Y A Z I L A R I Y L A exposing steelExtensa beams and concrete surfaces Bomonti Apartman AVA Swanke Hayden Connell Mimarlık DIRK VANDER KOOIJ instead of hiding them behind decorative forms.
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