Vania Elettra Tam

The irony and the seduction of her screenplays are overlapped with a veiled social critique but always with light, amused and surreal eyes. The hause shelters, the delicacy and instability of its daily microcosms show us self-portraits of the artist while investigating the obsessive habits of the contemporary feminine world. The spectator is invited to play with units of time, places and spaces, with the awareness that nothing is as it seems.