Trauma and Affect Keeping Culture The Architecture of Storage
Museums and archives are repositories for our cultural heritage, besides having many other tasks. These collections are often vast, and only a fraction can be shown at one time. The majority of stored objects will never or very seldomly be presented to a wider audience. This is not only an issue of workforce, but also of the collection’s architecture or spatial structure and the institute’s mission and ambitions. In recent years, visible and visitable storage strategies have gained traction with museums, promising to increase the accessibility of reserve collections, while also announcing newfound institutional transparency and public accountability for those objects in their care.
Keeping Culture explores the scope, scale, and significance of contemporary cultural storage facilities, providing new insights into their implications for collecting, conservation, and for our broader understanding of cultural heritage. It also brings this current interest in visible and open storage design into dialogue with the spatial evolution and programmatic disruptions that have defined the history of museums, and the architectural experiments that have accompanied the cultural work of keeping things.
Editors Susan Holden, Ashley Paine
Contributors
Wouter Davidts, Carroll Go-Sam, Susan Holden, Owen Hopkins, Valerie November, Marina Otero-Verzier, Ashley Paine, Scott W. Perkins, Deyan Sudjic, Julian Worrall, Albena Yaneva
Partner and support
University of Queensland, School of Architecture, Design and Planning
Info
c. 240 pp, pb, Eng, 23,4 x 16,6 cm (h x w), November 2025, ISBN 978-94-93246-55-3, € 26,50
Keeping Culture
(Mis)Understanding Pain in Art and Culture
Trauma and Affect: both concepts have become increasingly important in the critique of art, literature, and of culture in general, since the 1990s. In those years, a turn to trauma and a bit later also to affect took place. The concepts were being used in a great variety of ways, and in many disciplines and domains, such as queer studies, feminism, cultural analysis, art critique, literary studies and postcolonial studies, as well as in disciplines such as sociology, and even in economics. Although the gain of this turn to affect and trauma is interesting, it has also resulted in major confusion; the terms have been overused and exhausted, and thus lost their power.
Ernst van Alphen looks at both trauma and affect through the lens of visual artworks and literature, drawing from many sources and disciplines. In the first part of this book, devoted to trauma, he explains how trauma originates in the past and what explains its re-enactment in the present. This assessment of trauma, of how it originates and manifests itself, is necessary in order to restore its critical power as a concept. The second part is devoted to the transmission of affect. In order to prompt reflection beyond affective responses that result in immediate strong emotions, he discusses artists who develop strategies that process affect into critical making and thinking.
Author Ernst van Alphen
Artists/Writers discussed Vasilii Aksenov, Armando, Francis Bacon, Christian Boltanski, Tadeusz Borowski, Dmitrii Bykov, Charlotte Delbo, Carl Friedman, Yevgenia Ginzburg, Felix González-Torres, Eva Hoffman, Roni Horn, Ram Katzir, Zbigniew Libera, David Levinthal, Steve McQueen, Roland Ophuis, Roee Rosen, Douglas Sirk, Andrew Wyeth, Artur Zmijewski, Andrei Zvjagintsev, and many others Info
c. 272 pp, pb, Eng, 23,4 x 16,6 cm (h x w), November 2025, ISBN 978-94-93246-56-0, € 27,50
The vis-à-vis series provides a platform to stimulating and relevant subjects in recent and emerging visual arts, architecture and design. The authors relate to history and art history, to other authors, to recent topics and to the reader. Most are academic researchers. What binds them is a visual way of thinking, an undaunted treatment of the subject matter and a skilful, creative style of writing. Design: Sam de Groot, samdegroot.nl
Thinking Back, Making Forward Platform Brutality
Artistic Research in Practice
In the last three decades, creative practice disciplines, such as art, design, architecture, creative writing, fashion, and others, have undergone a ‘research turn’, strongly stimulated by doctoral programmes to deepen artists’ reflections on the roots, relevance and urgencies of their work. There are many reasons why an individual practitioner might decide to undertake a PhD: a desire to uplift one’s practice, to contribute to the intellectual artistic climate, to teach, to pursue an academic career, or some combination of these, or other reasons.
The rise of artistic research or practice-based research is subtly transforming these disciplines. The integration of research into practice, however, has not always been smooth, and the transformations not unequivocally positive.
For this book we issued an open call to ask artists how PhD research has influenced their making and thinking. Our questions were: What are the impacts, urgency, and significance of the PhD for creative practitioners? How are these understood, captured, communicated? How did it change your practice? We even asked: should creative practitioners undertake a PhD in the first place?
Through its thirty contributions Thinking Back, Making Forward tackles these questions in an open way, to acknowledge, equally, the advantages and disadvantages of the creep of the PhD into artistic practice. At the same time, this book shows a wide range of possibilities of what research in artistic practice can entail.
Editors
Brad Haylock, Charles Anderson, Jessica Wilkinson
Contributors
Annie Bellamy, Nicholas Boyarsky, Jeremie Brugidou, Jessica Bugg, Carla Cruz & Nina Hoechtl, Lionel T Dean, Anne Douglas, David Gates, Ismini Gatou, Joost Grootens, Graeme Harper, Andrew Hodgson, Alexander Hunter, Jessyca Hutchens & Naomi Vogt & Nina Wakeford, Åsa Johannesson, Eduardo Kairuz, Roger Kemp & Anthony Fryatt, Ilona Krawczyk, Victoria Lynn, Clare McCracken & Pia Johnson, Fraser Muggeridge, Yogan Muller, Libby Myers, Gerrie van Noord, Katerina Olivová, Alvin Pang, Cecilie Sachs Olsen, Benjamin Sheppard, Keg de Souza, Alice Twemlow, Chanda Vanderhart Partner and support RMIT University, Melbourne
c. 400 pp, pb, Eng, 24 x 17 cm (h x w), December 2025, ISBN 978-94-93246-53-9, € 29,50
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Closing Down Internet Toxicity
The internet has become an integral part of all human activities. Its toxic aspects have fully permeated our personal, social and political lives, with people using it to attack others, normalise violence, spread fake news and make propaganda for extreme-right causes, to name just a few. This brutal turn ultimately affects all. The central thesis is that social media no longer just distracts—it wounds. And yet, we stay.
Technological violence is essentially remote, invisible and indirect. Exclusion, which many do not immediately notice, happens deep inside the code and network architecture. The answer will not be pacification or regulation but the dismantling of the platform principle itself.
Platform Brutality not just offers critical analyses but also dives into alternatives. Topics range from the violent turn of the internet and techno-feudalism debates, to loneliness on social media, radical data critique, mythologies that surround the smart phone, dreaming in the computer age, offline romanticism to question how to leave the platforms, bring back social networks and design a new balance between analogue and digital.
Author Geert Lovink
Info
Making Public series, c. 240 pp, pb, Eng, 24 x 14,5 cm (h x w), September 2025, ISBN 978-94-93246-58-4, € 26,50
Geert Lovink is a Dutch media theorist, internet critic and author of many publications, translated into various languages. In 2004 he founded the Institute of Network Cultures at the Amsterdam University of AppliedSciences (HvA). www.networkcultures.org
The ‘Making Public’ series investigates ‘the public’, the civil domain, both online and offline, where knowledge, values and commodities are shared. What does this notion of ‘public’ mean?
How does this domain change under the influence of social, political and technological tendencies? Where are the boundaries of ‘the public’ and how are they determined? What forms of responsibility and solidarity does ‘the public’ invoke? And how do artists and culture critics shape the debate on these issues?
Series design: Irene Stracuzzi, www.irenestracuzzi.com
Stedelijk leven onder algoritmes
Afslag Rotonde
L G O R I
De stad digitaliseert. Daarmee verschuiven ook de krachten die het stedelijk leven organiseren. Data, algoritmen en platforms bepalen steeds vaker wie toegang heeft tot mobiliteit, werk, wonen en hoe de publieke ruimte vorm krijgt. Paul Rutten en Martijn de Waal onderzoeken hoe deze digitale ordeningsmacht de stad steeds dwingender bepaalt, en hoe beleidsmakers en overheden publieke waarden en kwaliteit van leven kunnen borgen in deze geprogrammeerde stedelijke realiteit. www.trancity.nl
Auteurs
Paul Rutten, Martijn de Waal
ISBN 978-94-93246-54-6, € 17,50
Design
Meeusontwerpt, Janna Meeus, meeuwsontwerp.nl
Info
Paperback, 21 x 13,5 cm Elk € 17,50 (PDF gratis te downloaden) Voor de boekhandel: niet leverbaar via CB, wel rechtstreeks, lage korting
Stadsessays geven een podium aan analyse, verdieping en reflectie, maar ook aan stellingname en discussie over de stad. Ze zijn beknopt, goed te lezen in een enkele avond of treinreis, in druk of digitaal.
Auteur
Paul Kempers Ondersteund door Mondriaan Fonds, het Cultuurfonds, Jaap Harten Fonds
Design
Marius Schwarz, www.mariusschwarz.com
Info
304 blz, pb, Ned, 24 x 15 cm (h x b), Juni 2025, ISBN 978-94-93246-49-2, € 27,50
Paul Kempers (1960) is kunsthistoricus en publicist. Van zijn hand verschenen onder meer monografieën over de roemruchte theatergroep Alex d’Électrique en de Sandbergvleugel van het Stedelijk Museum Amsterdam (Valiz, 2010). Voor zijn biografie van oud-Van Abbemuseumdirecteur Jean Leering (Valiz, 2018) kreeg hij de AICA-prijs 2021 toegekend.
Vanaf 1978 verandert het Nederlandse straatbeeld voorgoed. De overheid roept op tot meer kunst in de openbare ruimte. Op rotondes en pleinen, in parken, vinexwijken en langs snelwegen, maar ook in semipublieke ruimtes als ziekenhuizen, scholen en zelfs de Tweede Kamer: kunstenaars geven vorm aan bruggen, viaducten en lege landschappen; de openbare ruimte wordt podium én materiaal. De werken zijn soms wild, soms poëtisch, soms ronduit absurd.
Afslag Rotonde is een onconventionele reisgids en beeldarchief in één. Het neemt de lezer mee op een odyssee langs meer dan duizend werken, tot stand gekomen onder de hoede van het Praktijkbureau Beeldende Kunstopdrachten (PBK) en later de Stichting Kunst en Openbare Ruimte (SKOR). Met beschrijvingen, foto’s, een visuele ‘roadmap’ en verhalen over de totstandkoming van de werken biedt het boek een verhelderend perspectief op een uniek cultureel fenomeen.
Tussen de regels door stelt het boek prikkelende vragen: hoe verhoudt kunst zich tot beleid? Wat betekent het om kunst te maken waar iedereen iets van vindt, waar iedereen zich over opwindt? En: als we door het land reizen, wat zien we en wat leren we dan.
Afslag Rotonde is een geestverruimende kunstsafari op vier wielen—van Vrouwenpolder naar Hoogezand, van Bergen Binnen naar Klazienaveen.
Exhibiting for Multiple Senses Love & Lightning
Art and Curating for Sensory-Diverse Bodies
Exhibiting for Multiple Senses explores how artists and curators engage with experimental practices that foreground the multisensory and diverse nature of our interactions with art. At the forefront of these practices are lived, embodied experiences drawn from disability art activism and crip theory. Sensory disability is often understood as a concern limited to specific groups—primarily those with visual or hearing impairments. With the growing awareness of diverse experiences and understandings of being disabled— including neurodiversity—it becomes clear that sensory diversity concerns a far broader population. Their experiences challenge conventional approaches to the presentation and perception of, and interaction with art. By combining contemporary curatorial theory with disability art activism, this book proposes a way of thinking about exhibitions as spaces for experimentation and knowledge production, highlighting the role that multiple senses play in our encounters with art, culture, and society.
Editor Eva Fotiadi
Contributors
David Bobier, Luca M. Damiani, Stephanie Farmer & Hettie
James, Eva Fotiadi, David Gissen & Georgina Kleege, Adi Hollander, Lillian Korner, Elke Krasny, Renata Pękowska, Caro Verbeek
Partner
Avans Centre of Applied Research for Art, Design and Technology (CARADT), Breda, NL
Support
Mondriaan Fund, het Cultuurfonds, de Gijselaar-Hintzenfonds
Design
Lotte Lara Schröder, www.termsofcircumstance.org
Info
PLURAL series, 192 pp, pb, Eng, 23 x 17 cm (h x w), September 2025, ISBN 978-94-93246-48-5, € 27,50
A Collection of Queer-Feminist Manifestos
Love and Lightning is a thematically ordered, inconclusive collection of queer, feminist and queer-feminist manifestos. These powerful manifestos cross borders, forms and disciplines, refuse binary logics, transcend our concepts of time and space and surpass the neoliberal logic. Girls Like Us Magazine and author Sarah van Binsbergen have composed a meandering collection showcasing the specific resistance and different forms a manifesto might have. Not only does this publication give new insight in the proposed activism of the manifesto, it aims to emancipate the reader and challenges them to create their own revolution, whether big or small.
The PLURAL series focuses on the intersections between identity, power, representation and emancipation and how these evolve in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts, and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from cultural and social researchers, theorists, artists, arts professionals and activists.
Editors
Sarah van Binsbergen, Jessica Gysel, Sara Kaaman, Liz Allan
Authors
Sarah van Binsbergen, Liz Allan
Contributors
Manifestos include: Ain’t I a Woman by Soujourner Truth; Work Will Not Save Us: An Asian American Crip Manifesto; Rest is Resistance by Tricia Hersey; The Manukan Declaration of the Indigenous Women’s Biodiversity Network; W.I.T.C.H. Manifesto; Fag Hags Fight Back!!!; Manifesto for Maintenance Art by Mierle Laderman-Ukeles; Dyke Manifesto from the Lesbian Avengers; I want a president by Zoe Leonard; Killjoy Manifesto by Sarah Ahmed; Xenofeminism: A Politics for Alienation by Laboria Cuboniks; The Empire Strikes Back: A Posttransexual Manifesto from Sandy Stone; Refugia! Manifesto for Becoming Autonomous Zones by subRosa; Countersexual Manifesto by Paul B. Preciado; and many, many more
Partner
Girls Like Us Magazine, www.girlslikeusmagazine.com
Design
Lotte Lara Schröder, www.termsofcircumstance.com
Info
PLURAL series, c. 356 pp, pb, Eng, 23 x 17 cm (h x w), October 2025, ISBN 978-94-93246-47-8, € 29,90
Moments of Meaning-Making
On Anachronism, Becoming, and Conceptualizing
Mieke Bal (1946) is a Dutch theorist, video artist, and a well-known writer and feminist. She is internationally known for intertwining her research with various disciplines, such as contemporary and nineteenth-century literature, psycho-analysis, gender studies, philosophy, bible studies. Now that Mieke Bal is getting older—being remarkably active and involved in many art and research projects—she has been ruminating on how to reflect on a full life shaped by different roles, ideas and experiences. She did not want to write a conventional autobiography, nor a scholarly retrospective, but instead conceived an ABC of Memories: an abecedarium that collects key terms of personal and conceptual significance.This is the 50th book authored by Mieke Bal, and her most personal one.
Author
Mieke Bal, www.miekebal.org
Photography
Lena Verhoeff, @Lenaverhoefffff
Support
Jaap Harten Fonds Foundation
Design
Lotte Lara Schröder, www.termsofcircumstance.org
Info
408 pp, pb, Eng, 24 x 16,5 cm (h x w), June 2025, ISBN 978-94-93246-43-0, € 29,90
Disarming Design
Slow Technology Reader
Politics of Participatory Practices A Tool for Shaping Divergent Futures
How can design be a tool for emancipation and solidarity? How can design catalyze the activation and imagination of locally anchored knowledge? How can others use this book to define questions, stepping stones and ‘scratching posts’ to set up their own way of starting a project and work on participatory design trajectories? Disarming Design takes three projects as its starting points that show the intricacies, questions and challenges that these political participatory processes incur:
1
• Subjective Editions (publishing platform);
2
3
• Disarming Design from Palestine (design label);
• Disarming Design (Temporary Master’s programme Sandberg Institute), all initiated by De Vet. It is a plea for sustainable collaborations and rooted connections— through design.
Author Annelys de Vet Partners
Subjective Editions, www.subjectiveeditions.org
Disarming Design from Palestine, www.disarmingdesign.com ARIA, Antwerp Research Institute for the Arts Support
Creative Industries Fund NL Design
Annelys de Vet, www.bureaudevet.be Info
c. 400 pp, pb, Eng, 22 x 16,5 cm (h x w), December 2025, ISBN 978-94-93246-44-7, € 27,50
ISBN 978-94-93246-44-7
9789493246447
Water Works
Water is a central concern in the ecological and social issues that we are faced with. Wading, floating, testing and tasting: through a collection of essays and case studies, Water Works shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, Water Works allows us to learn from places and makers that build on the intricate relationships between people and other life forms, materials and (infra)structures.
Art, culture and the incorporation of existing structures and collaborations play a crucial role in changing our way of dealing with climate change and water.
Editors
Ecosocial Design
Henriëtte Waal & Clemens Driessen
Contributors
Mari Bastashevski, Janna Bystrykh, Carolina Dominguez-Guzman, Clemens Driessen, Shahnoor Hasan, Clara Helbo, Ils Huygens, Francesca Masoero, Coltrane McDowell, Mirko Nikolić, Maria & Joana Pestana, Benedetta Pompili, Esha Shah, Mihnea Tananescu, Serina Tarkhanian, John Thackara, Moreno Schweikle, Henriëtte Waal
Interviews with: Atelier LUMA, Natsai Audrey Chieza, Achmed Salem
Dabah and Heidi Vogels, Julien Fargetton, Anab Jain & Jon Ardern, Zairah Khan, Rebecca Lave, Mary Maggic, OOZE Architects, Marjetica Potrc, Qanat Collective, Rimini Protokoll, Fernando Felipe Riojas, Susan Schuppli, Islam Shabana, Thijs de Zeeuw (and many others).
Support
Creative Industries Fund NL, EFL Stichting, het Cultuurfonds, Wageningen
University Design
Bart de Baets, www.bartdebaets.nl
Info
400 pp, pb, Eng, 24 x 17 cm (h x w), August 2025, ISBN 978-94-93246-45-4, € 29,90
Slow Technology Reader gathers contributions from diverse disciplinary fields and knowledge traditions to consider technology through a ‘Slow’ lens. By turns artistic, speculative, and academic the contents here probe alternative potentials for the digital entities proliferating in our midst by invoking variable pacings and temporalities of engagement; reflecting through tools and techniques that have endured the test of time; and looking to non-Western and more-thanhuman sources to inspire technological development.
This new volume in the Slow Reader series gestures toward a fuller spectrum of what technology is and can be, moving beyond the limited perspectives and legacy structures that dominate technological development today. It includes the rich insights and intelligences of feminist, queer, Indigenous, activist, and ecological practices—offering them as vibrant data points for shaping more just and generative futures. At a time when the digital reaches into nearly every facet of planetary existence, this book aims to disrupt and recalibrate how we think about and relate/live with technology, illuminating more expansive pathways forward.
Editor
Carolyn F. Strauss
Contributors
Paula Albuquerque, Kader Attia, Scott Benesiinaabandan, Pacôme Béru, Cláudio Bueno, Derrais Carter, Raven Chacon, Joana Chicau, Guy Cools, Laura Coombs, Siobhán K. Cronin, Will Daddario, Edwidge Danticat, Thierno Dia, Mamadou Taslim Diallo, Silvia Federici, Mariana Fernández Mora, Ella Finer, Jem Finer, Mashinka Firunts Hakopian, Dakin Hart, Faïza Hirach, Candice Hopkins, Christine Hvidt, Carol R. Kallend, Theun Karelse, Danel Khojayeva, Suzanne Kite, Fran Kourouma, Jaron Lanier, Jason Edward Lewis, Pia Lindman, Gļeb(s) Maiboroda, Pierre Marchand, Michael Marder, Nanako Nakajima, Florence Okoye, Marina Orlova, Jogi Panghaal, Moisés Patrício, Rory Pilgrim, Elisabeth (eli eli) Raymond, Milady Renoir, Oscar Santillán, Laurel Schwulst, Mindy Seu, Camila Sposati, Christel Stalpaert, Corey Stover, Melita Stover Janis, Foluke Taylor, Alberto Isifin Tchama, Ovidiu Ţichindeleanu, Rolando Vázquez Melken, Evelyn Wan, Halidou Wuandaougo, Arkadi Zaides, Joanne Zerdy, Martín Zícari
Partner
Slow Research Lab, www.slowlab.net
Support
Creative Industries Fund NL, het Cultuurfonds Design Haller Brun, www.hallerbrun.eu
Info
480 pp, pb, Eng, 21 x 16 cm (h x w), September 2025, ISBN 978-94-93246-46-1, € 29,90
* Partner or/and Support 1. Mondriaan Fund
het Cultuurfonds 3. Creative Industries Fund NL
NWO, Dutch Research Council 5 Design Academy Eindhoven 6. Jaap Harten Fonds
7. Gravin van Bylandt Stichting
8 De Gijselaar-Hintzenfonds
9. Stichting Stokroos 10. HFBK, Hamburg
11. AHK, Amsterdam Univ. of
12. Source Type, Zürich
Swiss National Science Foundation
Centraal Museum, Utrecht
Nest, Den Haag
Radius, Delft
CCQO, Antwerp Univ.
CCA, Montreal
Future Urban Regions 20 Dr. Hendrik Mullerfonds 21. Urban Futures Studio, Univ. Utrecht
EFL Stichting
BPD Cultuurfonds
Trancity
Antennae-Arts in Society Info
This series maps the interaction between changes in society and cultural practices. It looks upon the arts as ‘antennae’, feelers for the cultural interpretation and articulation of topical political, economic, social, technological or environmental issues. It is a peer-reviewed book series that validates artistic, critical, speculative and essayistic writing as an academic publishing method.
Editorial board
Pascal Gielen, Thijs Lijster, Astrid Vorstermans
Series design
Metahaven, www.metahaven.net
Info
Size 21 x 13,5 cm, paperback, English, price € 22,50 each
Valiz is an independent international publisher and addresses contemporary developments in art, design, architecture and urban affairs. Our books offer critical reflection and interdisciplinary inspiration in a broad-based and imaginative way, often establishing a connection between cultural disciplines and socio-economic questions.
Our programme consists of three components:
— Theory and texts on visual culture in a broad sense (art and culture theory, art sociology, art and politics, critical art history, artists’ texts, design, daily visual culture and communication);
— Books that are conceived and elaborated in close collaboration with artists, designers and art institutes;
— Programmes, events, lectures that deal with urgent topics in contemporary culture.
• Till Hormann, coordinator of operations, co-director (and musician/graphic designer)
• Simon Pillaud, lead of logistics, co-director (and artist/photographer)
• Dennis ter Wal, coordinator of communications, co-director (and design historian)
• Simone Wegman, project editor, co-director (and art and media researcher)
• Eli Witteman, project editor, co-director (and writer, artist)
trancityxvaliz
Simon Franke (publisher, developer, editor)
Eli Witteman & Astrid Vorstermans (publishers, editors, organizers) www.trancity.nl
BookMarks NL
Dinnis van Dijken, Nicole Jessé, Erik Peters
Design of this Folder
For the second time we have invited the Rotterdam-based Chinese designer, Xiaoyuan Gao to work on the Valiz folder. She specializes in graphic and type design, and has been creating playful yet serious typefaces since 2019. Her interest in images and type has led her to discover different ways of looking at and playing with typography in unexpected ways.
As Xiaoyuan's work mainly focuses on experimental type design, she decided to create something that reflects the concept of a ‘Series’. Inspired by Valiz's many publication series, she explored how this concept could be realized typographically, using three variations of Garamond as her foundation. EB Garamond served as the base, but she gave each glyph a playful twist by adding dots and stretching and dragging elements in unexpected manners.
Each variation becomes its own typographic 'series'—related, yet distinct—echoing how editorial collections often share a theme, yet express it differently.
www.notyourtype.nl or @notyourtypefoundry
Distribution
NL
Representatives and ambassadors
• Jesse Presse, Jesse Muller, info@jessepresse.nl
• BookMarks NL
Distribution: Centraal Boekhuis, www.cb.nl
BE
Representatives/ambassadors and distribution
• Epo Uitgeverij en distributie, www.epo.be
Information platform: www.boekenbank.be
GB/IE
Representative/ambassador
• Oliver Griffin, oliver@valiz.nl
Distribution: Central Books, www.centralbooks.com
USA/Canada/Latin America
D.A.P., www.artbook.com
Europe/Asia/Australia
Idea Books, www.ideabooks.nl
Representatives or distribution partners Idea Books
• Australia and New Zealand: Perimeter Distribution, Justine Ellis, Dan Rule, Ash Holmes, www.perimeterbooks.com
• Austria: Michael Klein, mi-klein@t-online.de
• China and Hong Kong: Ben Bai, Annie Zuo, China Publishers Services, hkcps@biznetvigator.com
This folder has been printed on FSC-certified paper by an FSC-certified printer. The FSC, Forest Stewardship Council promotes environmentally appropriate, socially beneficial, and economically viable management of the world’s forests. fsc.org
