Valiz autumn/winter 2023/2024

Schwartz

Interviews: A March Issue

Clara Balaguer & Czar Kristoff BLESS

Boot Boyz Biz

Akinola Davies Jr.

Eric Doeringer Experimental Jetset

Elisa van Joolen Hassan Kurbanbaev

Urs Lehni & Olivier Lebrun

Jonathan Monk

Matt Olson

Online Ceramics Mark Owens Printed Matter Nat Pyper Babak Radboy

Hassan Rahim

Shanzhai Lyric SHIRT

Oana Stanescu

ISBN: 9789493246294

→ AUTUMN/WINTER 2023/2024

→ HERFST/WINTER 2023/2024

BOOTLEGGING AS CREATIVE PRACTICE UNLICENSED

Over the last few decades the term ‘bootlegging’—a practice once relegated to smugglers and copyright infringers— has become understood as a creative act. Debates about homage, appropriation, and theft that are common in the art world, are now being held in the spheres of corporate branding, social media, and the creative industry as a whole. Today, bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T-shirts, publishing ideologies, to acts of high fashion détournement. UNLICENSED contains twenty-one interviews with a range of creative practitioners on the topic of bootlegging. The conversations in UNLICENSED investigate bootlegging’s creative and critical potential, and explore new ways bootlegging can be deployed in order to thrive as an impactful cultural force.

AUTHOR AND DESIGN Ben Schwartz INTERVIEWS WITH A March Issue (Line Arngaard & Sonia Oet), Babak Radboy, Clara Balaguer & Czar Kristoff, BLESS (Desiree Heiss & Ines Kaag), Boot Boyz Biz, Akinola Davies Jr, Eric Doeringer, Experimental Jetset (Marieke Stolk, Erwin Brinkers, Danny van den Dungen), Elisa van Joolen, Hassan Kurbanbaev, Urs Lehni & Olivier Lebrun, Jonathan Monk, Matt Olson, Online Ceramics (Elijah Funk & Alix Ross), Mark Owen, Printed Matter (Jordan Nassar & Christopher Schulz), Nat Pyper, Hassan Rahim, Shanzhai Lyric, SHIRT, Oana Stănescu

SUPPORT Creative Industries Fund NL, Prins Bernhard Cultuurfonds

explores many layers of high and low culture and how bootlegging is employed as a creative force sparks innovative, cross-disciplinary artistic processes accessible and versatile reads, beautiful visuals

BEN SCHWARTZ (1988) is a graphic designer and editor based in New York. He collaborates with several graphic design studios in the cultural sector across a variety of media.

to synthesize two seemingly contrasting forces within modernism: Futurism and Fluxus. In fact, a lot of our work revolves around this theme, trying to reflect on the plurality within modernism, treating it not as a static monolithic movement but, rather, as a maelstrom of conflicting accents and dialects. (Actually, in the poster, we also referred to yet another strand of modernism: post-punk. After all, Zang Tumb Tumb was also the record label of Frankie Goes to Hollywood—but that’s another story, for another time). A couple of years later, we were invited to transform this poster into a mural, during the group exhibition ‘Ecstatic Alphabets / Heaps of Language’ (MoMA, 2012).

A very similar project (attempting to synthesize two seemingly opposite strands of modernism) can be found in Dark Side of the Bauhaus (2003), a series of three record sleeves in which we referred to both the famous Pink Floyd album cover (originally designed by Hipgnosis in 1973), and the historical “square/triangle/circle” emblem of the Bauhaus school. Again, a way to pay tribute to two of our main influences, early modernism and psychedelic pop culture.What’s interesting about Dark Side of the Bauhaus is the fact that a couple of years later, our friend Mark Owens (of Life of the Mind) bootlegged this bootleg—by giving the Germs’ iconic G.I. sleeve the Bauhaus treatment as well (for his 2006 essay “Graphics Incognito”), thus creating a sort of “meta-bootleg.”

One last example we would like to mention is the facsimile we created in 2011, reproducing the first issue of Provo (originally published in 1965), a facsimile that was part of ‘Two or Three Things I

TK: Experimental Jetset, Zang Tumb Tumb (If You Want It) (2003)

132

133 Shanzhai Lyric Shanzhai Lyric

AUG 2023 PB

€ 29,50

CHRISTINE SCHRANZ (ED.)

ISBN 23 × 16,5 CM

CHRISTINE SCHRANZ (ED.) is Head of Research at the Institute

Contemporary Design Practices (ICDP) of FHNW Academy of Art and Design in Basel. In this role, she is responsible for the development of research across multiple institutes. Her research interests include common-based design and the changing role of (female) designers in the wake of digitalization.

The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods and knowledge. Commons in Design explores the meaning and impact of commons—especially knowledge-based peer commons—and acts of commoning in design. It discusses networked, participatory, and open procedures based on the commons and commoning, testing models that negotiate the use of commons within design processes. In doing so, it critically engages with questions regarding designers’ positionings, everyday practices, self-understandings, ways of working, and approaches to education.

CONTRIBUTORS

SUPPORT

Swiss National Science Foundation

DESIGN Virginie Gauthier, virginiegauthier.info

what does commoning imply for the design discipline, and the role of designers? focuses on dynamic, relational, social processes within design on co-creation, sharing knowledge and collective actions with many case studies from various parts of the globe OPEN-ACCESS FREE PDF

ISBN 352 PP

Zuzana Kostelanská, studiozuzana.xyz Maud Vervenne, maudvervenne.com

TOWARDS HOME / ᐊᖏᕐᕋᒧᑦ/ RUOVTTU GUVLUI INUIT AND SÁMI PLACEMAKING

VERS CHEZ SOI /ᐊᖏᕐᕋᒧᑦ/ RUOVTTU GUVLUI

CONCEPTIONS INUITES ET SAMIES DU LIEU

→ What could home become across Inuit Nunangat, Sápmi,

and the North when defined by Indigenous architects and designers?

JOAR NANGO

Sámi architect

TAQRALIK PARTRIDGE

Associate Curator of Indigenous Art, Art Gallery of Ontario

JOCELYN PIIRAINEN

Associate Curator, National Gallery of Canada’s Indigenous Ways and Decolonization department

RAFICO RUIZ

Associate Director Research, CCA

empower Indigenous communities. It con-

Towards Home / ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui, an Indigenous-led publication, explores how Inuit, Sámi, and other communities across the Arctic are creating self-determined spaces. It is informed by the perspectives of a group of Inuit, Sámi, and settler co-editors who advocate norther Indigenous forms of sovereignty shaped by an understanding of the land as home. The project emphasizes caring for and living on the land as a way of being, and celebrates practices of spacemaking and placemaking that empower Indigenous communities. It contains essays, artworks, photographs, personal narratives, and other forms that express Indigenous notions of home, land, future, kinship, design, and memory.

EDITORS Joar Nango, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz

CONTRIBUTORS Robyn Adams, Ella den Elzen, LiisaRávná Finbog, Napatsi Folger, Carola Grahn, Jenni Hakovirta, Elin Kristine Haugdal, Geronimo Inutiq, Ellen Marie Jensen, Tanya Lukin Linklater, Nicole Luke, Reanna Merasty, Johanna Minde, Joar Nango, Taqralik Partridge, Jocelyn Piirainen, Naomi Ratte, Tiffany Shaw, Sunniva Skålnes, Jen Rose Smith, Olivia Lya Thomassie

PUBLISHING PARTNERS Canadian Centre for Architecture/CCA,Montréal cca.qc.ca, Mondo Books, Tromsø mondobooks.no

DESIGN OTAMI-ᐅᑕᒥ otami.ca

[ENGLISH, INUKTITUT, NORTH SÁMI]

ISBN 978-94-93246-25-6

[FRANÇAIS / INUKTITUT / SAME DU NORD]

ISBN 978-94-93246-26-3

This publication was conceived in parallel to research, workshops, and an exhibition at the CCA, Montréal.

LET’S BECOME FUNGAL!

MYCELIUM TEACHINGS AND THE ARTS

→

Indigenous wisdom keepers, artists, curators, feminists and mycologists twelve inspirational lessons in fungal activism inspiration for artists, collectives, organizations, educators, policy-makers, curators, urbanists, gardeners, activists, farmers, and many others

There is a growing interest in fungi and mycelium as a material, the ever-branching connecting threads of the fungal world. The entanglements and how this rhizomatic network functions is not just a fascinating ecological system and material, but carries a profound usefulness as a metaphor for our potential new systems, ways of thinking and behaviors.

Let’s Become Fungal! takes its inspiration from the world of art and mycology and shares a range of innovative and Indigenous practices from Latin America and the Caribbean that are rooted in multispecies collaboration, symbiosis, alliances, non-monetary resource exchange, decentralization, bottom-up methods and mutual dependency.

AUTHOR Yasmine Ostendorf-Rodríguez

INSPIRED BY CONVERSATIONS WITH Francisca Álvarez

Sánchez, Carolina Caycedo, Annalee Davis, Maya Errázuriz, Juan Ferrer, Lilian Fraiji, Giuliana Furci, Sofía Gallisá Muriente, Yina Jiménez Suriel, Patricia Kaishian, Mirla Klijn & Olaf Boswijk, Lola Malavasi & Daniela Morales Lisac, Martina Manterola & Carmen Serra, Camila Marambio, Mariana Martínez Balvanera, Claudia Martínez Garay, Lina Meija & Luciana Fleischman, Tomaz Morgado Françozo & Marília Carneiro Brandāo, Marjon Neumann, Maria Alice Neves, Tara Rodríguez Besosa, Raquel Rosenberg, Juli Simon, Ela Spalding, Gianine Tabja & Gabriela Flores del Pozo & Lucia Monge, Fer Walüng, Tatyana Zambrano

ARTWORKS Rommy González, rommygonzalez.com

SUPPORT

Mondriaan Fund

Prins Bernhard Cultuurfonds

De Gijselaar-Hintzenfonds

DESIGN Andrea Spikker, andreaspikker.com

YASMINE OSTENDORF-RODRÍGUEZ works as curator and researcher on art and ecology, and is based in Mexico-City. She founded and directed many international initiatives at the intersection of art and ecology. greenartlaballiance.com

→ →

based on conversations with

DE RUIMTE DIE WE DELEN

Architectuur en stedenbouw zijn te belangrijk om niet publiek besproken te worden. Maar het betrekken van het publiek hierbij is grotendeels gereduceerd tot het afvinken van verplichte inspraakprocedures. Geïnspireerd door filosofe Hannah Arendt schetst Hans Teerds hoe de gebouwde omgeving de mens conditioneert, en daarmee niet alleen invloed heeft op het persoonlijke en sociale leven van haar bewoners, maar ook op de politieke vitaliteit van een samenleving. Ontwerp grijpt in, in de wereld die we delen—om een begrip van Arendt te gebruiken—en dat maakt architectuur en stedenbouw fundamenteel politiek.

AUTHOR Hans Teerds

DESIGN Meeusontwerpt, meeusontwerpt.nl BOEKHANDEL Niet leverbaar via CB, wel rechtstreeks bij de uitgever,lage korting PDF trancity.nl/downloads.html

HANS TEERDS is architect en stedenbouwkundige. Hij is werkzaam als senior docent en onderzoeker bij de leerstoel voor geschiedenis en theorie van de stedenbouw aan de ETH in Zürich.

C100 M100 Y100 K100

ook

Stadsessays geven een podium aan analyse, verdieping en reflectie, maar ook aan stellingname en discussie over de stad. Ze zijn beknopt, goed te lezen in een enkele avond of treinreis, in druk of digitaal. Via onze websites kunt u kiezen: gratis een pdf om zelf te printen of de e-pub om digitaal te lezen. De liefhebber van papier kan tegen betaling een gedrukt exemplaar via onze web-

MAXIMAAL, GELIJK, VOLDOENDE, VRIJ

SIMON FRANKE, WOUTER VELDHUIS, VERKENNING VAN DE RECHTVAARDIGE STAD

BINDING GENOEG

HERINNERING AAN DE RECHTSSTAAT

ARCHITECTUUR IN HET MIDDEN

DE NIEUWE STAD

VERANTWOORDELIJK VOOR DE TOEKOMST

STADSESSAYS STEDELIJKE DYNAMIEK LONGREADS BOTTOM UP STELLINGNAME → TRANCITY x VALIZ

→ JUST RELEASED — URBAN CULTURE

SMOOTH CITY

In cities around the world a new urban condition is spreading rapidly: an ever-increasing push for ‘perfection’, efficiency and control and the active eradication of any aberration, friction or alternative. The smooth city with its sanitized spaces and new technologies compresses urban life into a seamless experience. While the demand for safe, clean, and well-functioning urban environments is understandable, the rise of the smooth city hardly leaves space for anything that is experimental, non-normative, transgressive or otherwise out of tune.

AUTHOR René Boer

VISUALS AND DESIGN Kees de Klein,

SUPPORT

keesdeklein.nl

Creative Industries Fund NL

RENÉ BOER (1986, HE/HIM) works as a critic, curator and organizer in and beyond the fields of architecture, art, design and heritage.

CITY PLANNING

MULTIPLE EDITORS

ALTERNATIVE MODELS

THE CITY AS A SYSTEM

METABOLIC DESIGN FOR NEW URBAN FORMS & FUNCTIONS

C100 M100 Y100 K100 24 × 16 CM SEPT 2023 PB € 27,50 256 PP 19 × 12 CM 272 PP → ALREADY ANNOUNCED — TRANCITY x VALIZ

EDITORS David Dooghe,Eric Frijters, Catja Edens, Matthijs Ponte, Thijs van Spaandonk, Christopher de Vries, Jet van Zwieten

SUPPORT Creative Industries Fund NL

Van Eesteren-Fluck & Van Lohuizen Stichting

Lectorate Future Urban Regions

PHOTOGRAPHY Roosje Verschoor, roosjeverschoor.com

DESIGN Catalogtree, catalogtree.net

OVER (KUNST)PUBLICATIES EN UITGEVEN TOEKOMSTBOEK(EN)

SHARING IDEAS ON BOOKS AND (ART) PUBLISHING FUTURE BOOK(S)

→ 496 blz vol ideeën, inspiratie, optimisme over boeken, kunstboeken en de functie van kunst

→ 496 pages filled with ideas, inspiration, optimism on books, art books and the function of art

Wat is de toekomst van het boek? En wat specifiek is de toekomst van het kunst-, ontwerp-, architectuur- en cultuurkritiekboek? Aan een groot aantal Nederlandse en internationaal betrokkenen is gevraagd om op die kwestie te reflecteren. Journalisten, kunstenaars, architecten, curatoren, ontwerpers, filosofen, sociologen, docenten, boekwetenschappers, uitgevers, drukkers, boekverkopers, (kunst-)historici, critici, redacteuren, studenten en vele anderen hebben met verve hun visie hierop gegeven, in tekst en beeld, opwindend voor iedereen die van boeken houdt en/of met boeken en cultuurinhoud werkt.

What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of interested individuals to respond to this question. Journalists, artists, architects, curators, designers, philosophers, sociologists, teachers, book scholars, publishers, printers, booksellers, historians and art-historians, critics, editors, students, and many others have enthusiastically shared their views with us, in both text and images, exciting for anyone who loves books and/or is involved in books and cultural content.

SAMENSTELLING/EDITORS Pia Pol, Astrid Vorstermans DESIGN Line Arngaard, linearngaard.com

Wibke Bramesfeld, bramesfeld.com

Isa Grienberger, isayaela.nl

Elisabeth Klement (with Katla Einarsdóttir) elisabethklement.com, katlaeinars.com

Zuzana Kostelanská, studiozuzana.xyz

Dymfy van Meel, dymfy.nl

Victoria Paeva, vicpaeva.com

Laura Pappa, laurapappa.biz

Lotte Lara Schröder, termsofcircumstance.org

Irene Stracuzzi, irenestracuzzi.com

BOUWEN OP HET CULTUREEL ‘GEMEEN’

Hoe doorbreken we een cultuur van wantrouwen? De argwaan jegens medemensen, overheden en bedrijven groeit. Verantwoordelijkheden doorschuiven en gevoelens van machteloosheid worden als oorzaken genoemd. Remedies zoeken we in regels, contracten en procedures, verzekeringen, audits en consultancy. In goed bestuur en transparantie ook. Maar schenken ze wel echt vertrouwen?

Dit boek wijst op de cruciale rol die de culturele commons, of mooier in het Nederlands, het cultureel ‘gemeen’ hierin speelt. Vertrouwen is immers een kwestie van cultuur, van gevoel en zelfs van esthetiek. Breed maatschappelijk vertrouwen begint bij het delen van kwetsbaarheden en het gemeen biedt daar volgens Pascal Gielen de ruimte voor. Ademruimte. Hij vraagt zich daarom af hoe een samenleving en een beleid hierop kunnen bouwen.

PASSIVITY PASSIVITEIT

BETWEEN INDIFFERENCE AND PACIFISM

TUSSEN ONVERSCHILLIGHEID EN PACIFISME

‘A pacifist is a rare beast in a bomb shelter.’ The war in Ukraine challenged our idea of pacifism. Should Europe take up arms or not? Can it ease its conscience only with humanitarian aid? Isn’t Europe’s attitude towards the war mainly driven by economic motives? In Passivity, Ukrainian art curator Alexandra Tryanova and Belgian sociologist Pascal Gielen engage in a dialogue about this. In doing so, they not only talk about the current political situation, but also look at themselves; at their own fears and privileges. What is passivity in our own daily doings? When does pacifism turn into resignation?

AUTHORS

Alexandra Tryanova, Pascal Gielen

VISUALS Polina Frank

SUPPORT

Support Fund for Ukrainian Artists NL

DESIGN Lotte Lara Schröder, termsofcircumstance.org

[ENG]

[NL]

ISBN 978-94-92095-22-5

ISBN 978-94-92095-23-2

FRAGILITY / KWETSBAARHEID € 7,50

NED

ISBN 978-94-93246-09-6

ENG ISBN 978-94-93246-10-2

NEARNESS / NABIJHEID € 5,00

NED

ENG

ISBN 978-94-92095-87-6

ISBN 978-94-92095-86-2

AUTEUR Pascal Gielen TEKENINGEN Karina Beumer, karinabeumer.nl SUPPORT Departement Cultuur, Jeugd & Media, Vlaamse Gemeenschap DESIGN Lotte Lara Schröder, termsofcircumstance.org

RADICAL FASHION EXERCISES

A WORKBOOK OF MODES AND METHODS

researchers, lecturers and writers. Daphne holds a PhD from Bunka Gakuen University in Tokyo; Laura from RMIT University in Melbourne. They are both lecturers in the School of Fashion and Textiles at RMIT University in Melbourne, Australia.

activities, DIY how ion’s horizons as a medium for expression,

Radical Fashion Exercises contains a copious collection of bottom-up activities, prompts, and workshops designed by contributors (from all around the globe), who explore fashion in an expanded field. Designers, curators, artists, educators, fashion practitioners, DIY home sewers, students, and other creatives responded to the book’s open call with contributions that challenge how to practice fashion and reflect on its systems, politics and economics. The exercises collected in this book embrace interdisciplinarity, experimentation, and aesthetics and widen fashion’s horizons as a medium for expression, embodiment and sociality.

Radical Fashion Exercises assembles methods for learning and practicing fashion in meaningful, radical and responsible ways. The book is an inspiring tool for design students, designers, writers, and practitioners of diverse disciplines to challenge fashion as a commodity and polluting structure in these times of uncertainty and upheaval.

dents, designers, writers, and practitioners of

EDITORS

Laura Gardner, Daphne Mohajer va Pesaran CONTRIBUTORS Laura & Deanna Fanning, Kate Fletcher, Nakako Hayashi, Elisa van Joolen, Maria Kley, Martine Rose, Clemens Thornquist, Otto von Busch, and many many others

DESIGN Line Arngaard, linearngaard.com

WICKED ARTS ASSIGNMENTS, €22,50

ISBN 978-94-92095-40-4

ISBN 978-94-92095-75-6 PLAN AND PLAY, PLAY AND PLAN, €22,50

The development of RADICAL FASHION EXERCISES (open call and book) has, in part, been inspired by WICKED ARTS ASSIGNMENTS, by Emiel Heijnen, Melissa Bremmer, Sanne Kersten (eds.), Amsterdam University of the Arts/Valiz, 2020/4th print 2022.

AND LAURA GARDNER are fashion lecturers

→ Over one hundred tried, tested, and speculative exercises that expand the way we look at fashion, how we are part of its system, and how we can practice fashion otherwise.

SENSING EARTH

CULTURAL QUESTS ACROSS A HEATED GLOBE

Artists and cultural initiatives need circulation to be able to exchange ideas and create meaningful connections. Traveling and visiting international exhibitions are part of that. But this globalized system contributes largely to the ecological decay of the planet. In this book various artists/authors look for entrances to address this double bind, and explore possible ways out. They state that technology and science are not enough to solve the ecological issues, but that these should also be approached from the perspective of culture, aesthetics and politics. Our senses, cultural exchange and creative efforts can provide ways to avoid physical, emotional, intellectual and ecological ‘overheating’.

EDITORS Philipp Dietachmair, Pascal Gielen, Georgia Nicolau

CONTRIBUTORS Grégory Castéra, Center for Arts, Design and Social Research, Philipp Dietachmair, Futurefarmers, Pascal Gielen, Marina Guzzo, INLAND, Meander, Georgia Nicolau, Luciane Ramos

Silva, Noel B. Salazar, Joy Mariama Smith, Naine Terena de Jesus, Dea Vidović, André Wilkens, Ana Žuvela

PARTNER

European Cultural Foundation, culturalfoundation.eu DESIGN Metahaven, metahaven.net

For a complete ANTENNAE-ARTS IN SOCIETY list, consult w)).valiz.nl

SEVEN LOGICS OF SCULPTURE

ENCOUNTERING OBJECTS THROUGH THE SENSES

→

→

opens up new ways of looking at, understanding, and appreciating sculpture places the medium at the heart of art’s experience; how sculpture can be shaped, assembled, encountered, seen and embodied

Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. This book explores ‘seven logics’ of sculpture, with a contemporary analytical approach, drawing from literature, philosophy, psycho-analysis, and semiotics. It relates to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage.

es, the skin, the body, objecthood, narrative dy-

FEATURING WORK BY Carl Andre, Aldo Bakker, Gian Lorenzo Bernini, Louise Bourgeois, Constantin Brancusi, Anthony Caro, Joseph Cornell, Saloua Raouda Choucair, Jeannette Christensen, Lygia Clark, Salvador Dali, Marcel Duchamp, Alberto Giacometti, Dan Graham, David Hammons, Raoul Hausmann, Barbara Hepworth, Heringa/Van Kalsbeek, Eva Hesse, Hans Hovy, Ann Veronica Janssens, Donald Judd, Maria van Kesteren, Per Kirkeby, Katarzyna Kobro, Jannis Kounellis, Geert Lap, Sol Lewitt, Franz Xaver Messerschmidt, Michelangelo, Henry Moore, Bruce Nauman, Meret Oppenheim, Pablo Picasso, Giuseppe Penone, Robert Rauschenberg, Charles Ray, Auguste Rodin, Medardo Rosso, Fred Sandback, Marien Schouten, Richard Serra, David Smith, Alina Szapocznikow, Johan Tahon, Didier Vermeiren, Rachel Whiteread, and many others

SENSORIAL NARRATIVES

The vis-à-vis series provides a platform to stimulating and relevant subjects in recent and emerging visual arts, architecture and design. The authors relate to history and art history, to other authors, to recent topics and to the reader. Most are academic researchers. What binds them is a visual way of thinking, an undaunted treatment of the subject matter and a skilful, creative style of writing.

→ VIS-À-VIS SERIES → VIS-À-VIS SERIES → VIS-À-V

For complete vis-à-vis list consult w)).valiz.nl

VALIZ TEAM

Till Hormann, visual strategies, website, office management (and musician/graphic designer)

Simon Pillaud, general support (and artist/photographer)

Pia Pol, director and publisher (and initiator, editor, (e-)content developer)

Astrid Vorstermans, director and publisher (and initiator, editor, lecturer, content developer)

Simone Wegman, project editor (and art and media researcher)

Eli Witteman, communications and publicity (and writer, artist)

DESIGN (SERIES) Sam de Groot, w)).samdegroot.nl

TRANCITY x VALIZ

TRANCITY

Simon Franke (publisher, developer, editor)

Pia Pol (publisher, editor, organizer)

BOOKMARKS NL

Dinnis van Dijken, Isa Grienberger

Nicole Jessé, Erik Peters

DISTRIBUTION AND REPRESENTATION

NL Representative/ambassador: Jesse Presse, Jesse Muller, info@jessepresse.nl

Distribution: Centraal Boekhuis, centraal.boekhuis.nl

BE Representatives/ambassadors and distribution

Marcus Rooman, marcus.rooman@epo.be

Epo Uitgeverij en distributie, epo.be

Information platform: boekenbank.be

GB/IE Representative/ambassador: Oliver Griffin, oliver@valiz.nl

Distribution: Central Books, centralbooks.com

USA/CA/LATIN AMERICA D.A.P., w)).artbook.com

EUROPE/ASIA/AUSTRALIA Idea Books, w)).ideabooks.nl

REPRESENTATIVES OR DISTRIBUTION PARTNERS IDEA BOOKS

Australia and New Zealand: Perimeter Distribution, Justine Ellis & Dan Rule, w)).perimeterbooks.com

Austria: Michael Klein, mi-klein@t-online.de

China and Hong Kong: Helen Fung/China Publishers Services, hkcps@biznetvigator.com

Eastern Europe: Sandra Luis / Idea Books, sandra@ideabooks.nl

France, Switzerland and Walloon Belgium: Sébastien Richard, w)).macadam-diffusion.fr

Germany: Jessica Reitz, reitz@buchart.org

Japan and Asia: Julie Onishi, voice@sings.jp

Scandinavia:

Scandinavia: Valeria Marchesini, valeria@ideabooks.nl

Southern Europe:

Southern Europe: Bookport Associates, bookport@bookport.it

INDIVIDUAL ORDERS

INDIVIDUAL ORDERS w)).valiz.nl, info@valiz.nl

DESIGN FOLDER

Victoria Paeva, vicpaeva.com

PAPER white offset, 80 grs

TYPEFACES Cascadia Code, Atkinson Hyperlegible, Calisto MT PRINTER Veldhuis, Meppel

This folder has been printed on FSC-certified paper by an FSC-certified printer. The FSC, Forest Stewardship Council promotes environmentally appropriate, socially beneficial, and economically viable management of the world’s forests. fsc.org

© Valiz, Amsterdam / Trancity, Haarlem, artists, authors, designers, 2023

→ HERFST/WINTER 2023/2024

→ AUTUMN/WINTER 2023/2024