Whether you’re toasting with a mimosa, sipping on a craft beer, indulging in the perfect cup of coffee, or enjoying a refreshing mocktail, Riverside’s local spots have you covered. While you’re savoring every bite and sip, don’t forget to support the businesses that make our city shine. Shop local, dine local, and make every moment delicious. Cheers to great flavors, good vibes, and a community worth toasting to—cheers, Riverside!
Inland Exposures
The Riversider | June/July 2025
Last year's spectacular Mount Rubidoux fireworks show viewed from Fairmount Park.
Photo by Julian Jolliffe
Photo by Julian Jolliffe
Blumenthal & Moore, Inland Southern California’s pre-eminent criminal defense firm, is devoted exclusively to the defense of the accused.
The firm’s trial-tested attorneys handle a range of criminal matters, from simple to complex. They are often retained in difficult cases, and defend people from all walks of the community.
In every case, the client benefits from a team approach. By combining their expertise, the attorneys at Blumenthal & Moore bring more than 100 years of legal experience to every case, providing each client with the best possible defense.
Virginia Blumenthal, Jeff Moore, Brent Romney and Heather Green all contribute unique strengths and perspectives, along with thorough knowledge of the court system in Riverside and San Bernardino counties. Mr. Moore and Mr. Romney are tough former prosecutors who put their experience to work in defending cases, while Ms. Green has a passion for defending those with mental health disorders – prioritizing justice for everyone, regardless of mental health status.
Founding attorney Virginia Blumenthal, known for opening the first female-owned law firm in the region, has been named one of the Top 100 trial lawyers in the United States by the National Trial Lawyers. Over time, she has received a long list of awards for her courtroom excellence and volunteer service in the community.
Most recently, Ms. Blumenthal was named Best Lawyer in the Inland Empire by Inland Empire Magazine (2024); received a Champions for Justice Award from the Fair Housing Council of Riverside County (2023); received the Civil Rights Law Giant Award from the Riverside County NAACP Youth Council (2023); and received a Lifetime Achievement Award from the Corona Chamber of Commerce (2023).
Also in 2023, the team at Blumenthal & Moore received the Small Business Eagle Award from the Greater Riverside Chambers of Commerce – an honor that reflects a culture of excellence, experience and nearly five decades of commitment to clients.
(951) 682-5110
3993 Market Street
Riverside, CA 92501
blumenthallawoffices.com
Love Letter to Riverside
This issue marks The Riversider’s four year anniversary! It’s been a wild ride these last couple years, and we are so thankful to the community’s support of our magazine.
As we go into our fourth year, we feel more established and even more connected to our community. We love what we do and what we bring to our town. We are grateful to our growing readership and appreciate the feedback. Many of you have told us that you keep every copy or that you send them to loved ones and that warms our hearts. It makes all the hard work behind the scenes worth it.
In this anniversary issue, we’re excited to shine a spotlight on Riverside’s new one-of-a-kind retail and entertainment venue, the Farm House Collective. The Bailey family, owners of Stronghold
Engineering, have transformed a run down motel, destined for demolition, into a unique shopping, eating, and entertainment center. We had been counting down the days until Farm House opened. It’s definitely our new favorite live music venue in Riverside. Be sure to check it out!
As our readers know, The Riversider is based on fantastic photography. So, in this issue, we feature the annual Show ‘n Go, Riverside’s biggest car show. What makes this event so unique is that it essentially showcases the whole spectrum of cool cars. The annual event is always a custom car enthusiast’s dream.
It’s going to be a hot summer in Riverside, and we want to remind everyone to enjoy yourselves and shop local. Now more than ever as the economy is in flux, it’s so important to support our fellow
Riversiders. We highly suggest trying the new Dapper Dine and Lounge featured in this issue as well as the Farm House Collective on a warm summer evening. They have sidewalk misters and gelato!
We’d also like to give a huge shout out to our small but mighty staff of writers and photographers. We could not do this without them being our trusted eyes and ears throughout the community.
Last, but certainly not least, we especially owe an abundance of gratitude to all of our loyal and new advertisers, for without their support, The Riversider wouldn’t be possible. From the bottom of our hearts, thank you Riverside!
Brad Alewine Group
2197 St. Lawrence Street | Riverside
Offered at $2,599,900
Arlington Heights
2886 McAllister Street | Riverside
Offered at $1,150,000
Poppy Hill
6842 Frances Street | Riverside
Offered at $899,900
Hawarden Hills
2645 Vista de Victoria | Riverside
Offered at $1,745,000
Hawarden Hills
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Victoria Woods
LAND LOTS
Featherstone Court | Riverside
Offered from $435,000 Alessandro Heights
Brad Alewine uses his unparalleled marketing expertise
Raymond Alva, Kevin Mijares, Anthony Solorzano, Scott K. Watson
Special Thanks:
Kaitlin Bilhartz, Patricia Lock Dawson, Philip Falcone, Evelyn Cordner, Jack Amarillas, The Standerfer Family, Amber Lussier, Leslee Gaul, H. Vincent Moses, PHD, Lucia Winsor, Riverside Museum, Mark from Riverside and all of our advertisers.
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Kimo Figueroa, Abijah Hensley Dedicated to the memory of Aaron Schmidt 1972-2022
Facebook.com/TheRiversiderMagazine @riversidermag
All inquiries, please contact info@theriversider.com
Riversider Magazine 17130 Van Buren Blvd. #595 Riverside, CA 92504
Riverside's Finest Susan Freeman
WORDS: ALONDRA FIGUEROA PHOTO: RAYMOND ALVA
I know a brilliant, powerhouse of a woman when I encounter one, and Susan Freeman is exactly that. Originally from New Orleans, she radiates that sweet southern charm. She is also the proud wife of Riverside City Manager, Mike Futrell, and a Navy mom—those roles ground her in humility and service. However, make no mistake, Susan Freeman is a force of her own.
Susan’s journey has taken her through boardrooms, classrooms, and legislative chambers. With a Ph.D. in Management of Complex Systems from UC Merced, a Master’s in Communication, and undergraduate degrees in journalism and political science, Freeman has spent her life studying how institutions interact—and more importantly, how they can evolve for good.
She is a self-purported nerd and loves working with data and technology. More than any title, she’s a storyteller who sees potential in people, places, and things. She’s here not just to witness change but to co-create it one conversation, one collaboration, one well-placed policy at a time. She is incredibly down to earth, warm and friendly. It’s no wonder she was chosen for this issue’s Riverside’s Finest!
When Freeman and Futrell began exploring Riverside as a potential new home, they didn’t limit themselves to downtown. “We drove through every ward,” Freeman recalled. “We wanted to understand the whole picture —where the challenges were, what people were passionate about, what stories weren’t being told.”
What they found was a city of contrasts: rich in culture, strong in spirit, yet grappling with inequities in education, access, and opportunity. When Futrell was appointed City Manager in January 2023, Freeman didn’t hesitate. “We chose Riverside not just for what it is, but for what it can become,” she shared.
Since arriving in Riverside, Susan has hit the ground running taking part in many things throughout town and not just for show, she’s actually willing to put in the work. She feels strongly about education for all and improving organizational dynamics by bringing in diversity not only skin deep, but diversity of perspective, of culture, and of experiences.
In our discussion, Freeman shared that building a resilient Riverside entails a systems
thinking approach to community development. She feels that many of the challenges we face today like economic instability, educational inequity, and cultural underfunding are interconnected. She points out that our response could be focused through a systems thinking lens that understands the city as an ecosystem of relationships that require feedback and support.
You may be wondering what exactly systemsthinking is? It’s an approach to problem solving that takes into account how individual parts of a system interact, evolve, and influence each other over time. Susan shared that systems thinking requires one to see the bigger picture, to analyze patterns, as well as to anticipate consequences. She believes that when applied to community development this approach helps ensure that progress in one area supports and sustains progress in other areas as well.
Susan’s vision for Riverside is one where local businesses, universities, and the city government operate not as silos, but as synergistic partners. When these sectors align their goals collaboratively, they can accelerate inclusive economic development, create pipelines to meaningful work, and foster a culture of civic pride through participation.
Doing the actual work in support of this systems-thinking approach, Freeman is very proud to serve as an Advisory Board Member for the University of California, Riverside’s School of Public Policy, Center for Community Solutions. In this role, she provides strategic guidance to advance research and policy solutions addressing regional challenges across the Inland Empire. This includes collaborating with academic leaders and community stakeholders to support equitable, data-driven initiatives that strengthen civic infrastructure and enhance public well-being. This work is critical in ensuring that local policies are rooted in rigorous research and aligned with the lived experiences of Riverside’s diverse communities. Phew! That is a lot and we are so excited to see her collaborative efforts continue to blossom within our community.
Education is near and dear to her heart, but specifically education for all. As a long time public educator, I share this passion and know that lifelong learning is the key to being successful. Susan goes deeper and believes that education
is not just a path to individual success; it’s the backbone of a healthy society. She also strongly believes that equity is essential to community development. “Equity is not an ‘add-on’ to community development; it is essential to its success. When historically marginalized groups are left behind, we all suffer from the lost potential.”
Her Conscious Inclusion Company is a consulting firm specializing in leadership development and inclusive communication. They analyze data to understand disparities in income, education, health, and housing. Strive to involve community members in the policymaking process, especially those who have been excluded. They’ve helped large corporate clients implement language access, transportation equity, and digital inclusion initiatives to bridge the gaps.
“As someone committed to inclusion, I believe we must move from performative statements to measurable outcomes. That means holding our institutions accountable and ensuring every resident feels a sense of belonging in our city.”
Susan is also committed to leadership development for women and girls. She firmly believes that communities cannot thrive when half their population is underrepresented in decision-making. We wholeheartedly agree! We must invest in the leadership potential of women and girls by creating mentorship and internship programs that connect young women to role models in government, business, science, and the arts. This also means ensuring representation of women in city leadership, commissions, and advisory boards. Freeman shares that studies consistently show that when women lead, communities are healthier, better educated, and more prosperous. Susan knows that a Riverside where women and girls see themselves reflected in leadership is a Riverside where everyone wins.
Freeman is also a visible presence in the cultural community. As a member of the Riverside Art Alliance and supporter of The Cheech Center for Chicano Art & Culture, she champions the arts as a pillar of civic infrastructure.
“A thriving arts scene doesn’t just beautify a city—it binds us together,” she said. “Art helps us process trauma, express identity, and imagine new futures.” Freeman sees creative expression
as essential to community health just as vital as roads or schools. “Public art, music in our parks, youth theater are not luxuries,” she insisted. “They’re part of what makes us human.”
Freeman contends that none of these goals exist in isolation. Their success depends on intentional, ongoing collaboration across sectors. Susan shares that resilience is not just the ability to bounce back from crisis; it’s the capacity to adapt, evolve, and thrive amid change.
“Resilience means long-term investment,” she said. “It means policies that address root causes, not just symptoms. It means leadership that listens, learns, and leads with empathy.”
She points to the Riverside University Health System Foundation, where she serves as a board member helping to raise funds for pediatric care and behavioral health services.
“Health equity, too, is a systems issue,” she noted. “And it’s one we must tackle with urgency and compassion.”
Freeman believes Riverside is ready for this kind of leadership. “We have the institutions. We have the heart,” she said. “What we need now is the shared vision and discipline to bring it all together.”
Susan and her work push us to imagine a Riverside where a young girl in the Eastside neighborhood dreams of becoming a city planner because she met one at a career day sponsored by the university and the city. Freeman wants to help build a Riverside where a small business owner can hire local youth trained in a program developed by the chamber and a local community college.
“Let us invest in a Riverside where the murals on our walls, the music in our parks, and the performances at The Cheech reflect the richness and diversity of who we are.”
Susan also hosts The Force, a podcast celebrating women in public service, and she mentors emerging leaders through local and national networks. “Leadership shouldn’t be a lonely path,” she said. “Especially for women, and especially for women of color.”
We love all of these ideas and the energy that Susan brings to any project she works on. We are excited and can’t wait to see where her vision takes Riverside.
Local Retailer
Pocket Change Thrift Store
WORDS: ANTHONY SOLORZANO
ZACH CORDNER
Her eyes fill up with tears as she reflects about being a small business owner. Since graduating from high school, 24-year-old Destiney Torres has been following the footsteps of the women in her family towards a career in apartment leasing.
After getting the opportunity to open her own shop at the Farm House Collective, she created her own path and followed her dream of making art her full time job.
Her canvas is unconventional. Rather than creating an art piece that will hang in a museum, Torres turned a corner of the Farm House Collective into her blank space.
Torres opened Pocket Change Thrift Store — a brick-and-mortar space just 200 square feet in size, yet home to 37 small businesses. The shop sells locally made handcrafted goods that range from clothes to jewelry.
“I think it’s cool to inspire my family and then also be a [trailblazer] for the future generations to show them,” said Torres sitting in the middle of her shop. “You don’t have to go a traditional route, or feel forced to do [something you don’t want to.]”
Throughout her formative years in school, Torres was always told there was no time for art in her busy schedule. Her counselors would advise her to take advanced placement classes instead of art classes. Yet, art would always find a way to sneak into her fully-booked life.
Torres and her cousin would take the bus to Redlands Market Night. She fell in love with the atmosphere and energy of the flea markets. After she started to work out of the Eastside Art House, Torres approached the owner Juan Navarro with an idea of starting a night market.
With no followers, no network of artists to work with, Torres launched the night market and took a risk.
“I don’t know any artists, I don’t know any vendors, I’ve never done a market,” said Torres. “I just remember what I would see in Redlands and I’m like, how can I replicate that on a small scale first?”
Pretty soon, Torres had a network of more than 10 thousand vendors to work with – outgrowing her flea market. A phone call from Navarro quickly changed her situation.
Initially, Navarro wanted to open an art gallery in the Farm House Collective, but passed on the idea. He gave Torres a call and asked if she finally wanted to open up a shop like she always dreamed of.
After dancing with joy in her room, Torres drove to a developing new venture. At the time, the Farm House Collective was an empty lot with minimal framing for a future shopping and entertainment center. However, for Torres, it was the beginning of her authentic self.
“I literally signed my name on the little wood,” remembers Torres. “I’m claiming this.”
Torres began to search through her network of vendors. Some passed on it after seeing the bare bones of the shop, while others trusted the vision. She bought books on how to run your own store, negotiated her own terms, and created an Amazon wishlist for the shop. Her family, her vendors and the community came together and helped Torres complete her canvas.
“I think as I get older, I learn you really need community, you need people to trust in you and you need people to work with you,” said Torres.
Everyone made this vision happen, because without them, this would probably be like a little empty store.”
Pocket Change Thrift Store is open from Tuesday through Sunday from 11 to 7 pm with 5 pop-up markets spread throughout the month.
PHOTOS:
Owner, Destiney Torres
R I V E R S I D E , C A
W H O W E A R E
L I S T I N G S
I S T H E M A R K E T
F A L L I N G ?
Nationally, the housing market is cooling with a slight dip in home prices and higher mortgage rates, but still shows a 4 .1% annual increase. Factors like increased inventory and buyer caution contribute to this shift. However, Riverside presents a more optimistic outlook.
�� Riverside Market Snapshot (May 2025): Median Price (City): $667,000 up from $655,000 last month
Median Price (County): Steady at $610,000
Days on Market (City): Down to 19 days (from 31 in January)
New Listings (City): 324, up from 280 Inventory Supply: At 3 months, moving toward a more balanced market
Activity is surging again. Open houses are packed with buyers from LA, OC, and San Diego looking for more space and value. While we saw some volatility around the election season, that’s now stabilizing.
�� What It Means
Sellers: It's still a strong time to list especially heading into summer.
Buyers: More choices, less competition, and some room to negotiate.
Investors: Riverside remains a solid longterm play with strong rental demand. Bottom line: Riverside isn’t falling it’s adjusting And if you're thinking of making a move, this could be your moment
Photo by: @Dads who drone
MEET YOUR LOCAL ARTIST
Presented by Eastside Arthouse
Written and photographed by Juan Navarro
Between Two Worlds, Beyond One Medium: The Art of Jonathan Godinez
Jonathan Godinez didn’t set out to be a digital artist. But somewhere between the graffiti-lined walls of Tijuana and the art studios of Southern California, he found his way into a practice that defies categorization—one that spans sculpture, digital media, and painting, all woven together by questions of memory, identity, and place.
Born in Mexico and raised in Riverside county, the Mexican-American artist grew up experiencing two cultures. This duality informs his work, which often reflects a search for belonging in both physical and digital spaces. Jonathan began his education at Norco City College before transferring to Cal State Long Beach, where he earned a B.A. in Studio Arts in 2021. Following this, he joined Eastside Arthouse, a dynamic Riverside-based art collective known for its community of boundary-pushing
artists. During his time at this community studio he supported multiple artists in implementing tech into their practice, reminding him of his passion for teaching others. He recently received his MFA from Claremont Graduate University in 2024 in an effort to teach college level art courses.
Initially trained in painting and drawing, Jonathan’s practice expanded dramatically during his undergraduate years. Woodworking and sculpture drew him in, and soon he was exploring 3D modeling and printing—using software to design intricate forms and bring them to life as physical objects. The result is a unique blend of tradition and tech.
HIS
By graduate school, his practice had evolved further, incorporating 3D scanning as a core method. His MFA thesis featured compelling 3D-printed sculptures that questions how we perceive form and material. By digitizing everyday objects and reshaping them, Jonathan asks where our perceived reality ends and the virtual world begins. His art is deeply rooted
in his bicultural experience. Architectural fragments, consumer culture, and digital layering serve as visual metaphors for the immigrant experience—revealing how external structures shape our internal narratives and beliefs. In fall 2025, Jonathan’s goal of becoming a professor comes to fruition as he takes on a new role as an educator at Scripps College, where he plans to guide students through the same intersection of traditional and digital media in his upcoming course titled Digital Fabrication in Fine Art.
Instagram @godinez.studio jonathangodinez.com
EASTSIDE ARTHOUSE
4177 Park Avenue
www.eastsidearthouse.studio @eastsidearthouse
ART IS DEEPLY ROOTED IN HIS BICULTURAL EXPERIENCE
Urban Decay - PLA
Cluster 3 - Art Supplies Digital Render of 3D scans
Tool Wall - Wood turned handles made of recycled skateboards
Drawing Dreams:
Sebraé Harris Brings Traditional Art to
Life in Riverside
WORDS: KEN CRAWFORD PHOTO: ZACH CORDNER
Sebraé Harris draws everything by hand , an anomaly in today’s digitally dominant art world. The Riverside illustrator and mangaka just finished his “Citrus Belle” series for the Raincross Gazette, but that’s only the beginning of what he has planned for the city’s arts community.
There’s something refreshingly straightforward about Harris’s approach. While most artists have moved to computers and tablets, he sticks with pen and paper, hand-drawn animation, and physical art-making because he believes they connect to something deeper.
“As we live in a digitally oriented world, we tend to forget the beauty of the traditional human heart of love and kindness,” he explained. “Here in the District of Arts & Culture, I want to encapsulate the beauty and gifts we’re blessed with that highlight peace, harmony, and joy. This is my message to the world.”
That philosophy of love and kindness runs through everything Harris creates, but don’t
mistake his optimism for naivety. He’s also a savvy promoter who believes strongly in his work and isn’t shy about getting it in front of people. This combination of genuine positivity and business sense has helped him build real momentum in Riverside’s creative scene.
His projects with the Inlandia Institute, Riverside Art Museum, and Main Library workshops have all built toward a bigger goal: opening a physical studio space dedicated to traditional animation, comic books, manga, and paper theater storytelling.
“My goal is to have a physical studio space to create, showcase, perform, and mentor traditional animation, comic books, manga, and paper theater storytelling to the Riverside generations of old and new,” Harris said.
This isn’t just about having a place to work. Harris envisions his studio as a training ground where “aspiring artists will come to get hands-on experiences to enhance their interests, educational
path, and careers.” He’s even planning to offer employment opportunities, turning his artistic vision into economic opportunity for others.
Then there’s “STAR-LAND”, an adventure park concept Harris has been developing since middle school where visitors can “explore to become everyday superheroes.” It might sound like a fantasy, but given his track record of turning creative ideas into actual community programs, it’s worth taking seriously.
What makes Harris compelling isn’t just his commitment to pen-and-paper artmaking or his unabashed optimism, it’s how he combines both with practical action.
As “Citrus Belle” wraps up and new projects take shape, he’s proving that hand-drawn dreams can become hand-built realities in Riverside’s growing arts district.
The Clinton & Geraldine Marr Residence #2
WORDS:
Along a quiet curve in Riverside’s Hawarden Hills, a modernist hillside home reveals itself slowly—never flashy, never loud. Designed by architect Clinton Marr in 1960 as a home for his family, this understated residence demonstrates how modern architecture can be personal, precise, and perfectly attuned to its place.
Clint Marr was a Riverside native, born in 1925 and raised in a working-class family. After serving in the Navy during World War II, he returned to Southern California to study architecture at the University of Southern California—a school that, at the time, was reshaping American architectural education.
SCOTT K. WATSON
JULIAN
JOLLIFFE
Marr enrolled in 1947, during a postwar enrollment boom that brought both veterans and a fresh sense of experimentation to the studio. His classmates included future modernist leaders such as Pierre Koenig, Frank Gehry, Conrad Buff III, and Donald Hensman. Marr studied under some of the era’s most influential voices: A. Quincy Jones, Calvin Straub, Gregory Ain, and William Pereira. These professors emphasized residential modernism grounded in climate, material honesty, and human needs—a philosophy that shaped Marr’s career.
After graduating in 1953, Marr spent a short time working in Los Angeles before returning home to Riverside, where he opened his own architecture firm in 1956. He quickly became a key figure in shaping the built environment of the city—from schools and civic buildings to churches and private homes.
But among all his projects, the home he designed for himself, his wife Geraldine (Gerry), and their two children may be the most personal reflection of his architectural approach. Built in 1960, the Marr Residence #2 sits on a keystoneshaped lot on a sloped street, with a seasonal creek running along one edge. The house steps with the terrain in a z-shaped plan, protecting its
from the public street while opening generously toward the private landscape at the rear of the property.
The design follows a strict three-foot structural grid—a system Marr developed based on the proportions of the Japanese tatami mat. He was drawn to the clarity and discipline of this modular logic and used it to organize everything from the spacing of columns to the dimensions of cabinetry and glazing. This was no passing influence. Marr admired how traditional Japanese architecture created visual harmony and spatial balance through repetition and proportion. In his own home, that translated into a consistent rhythm that gives the house both structure and serenity. Years later, Marr would reflect that he may have been too rigid in applying the grid, acknowledging that it led to narrow hallways and constrained spaces in places. Even so, it gave the house a framework that brought order to both form and function.
The house is built using a wood post-andbeam system, a familiar structural method in mid-century Southern California, but here it’s employed with particular clarity. Marr left the beams exposed, revealing the skeleton of the building. The grid is visible, and even over
emphasized, in the clerestory windows, the tiled floors, the spacing of each post. Rather than hiding the framework behind finishes, Marr allowed materials to speak plainly—wood, glass, stucco— each meeting the next with quiet intentionality. Entry to the home begins beneath a simple entry pergola, a later addition to draw attention to the entry, that leads to a stair and front terrace. From there, a clear axis cuts through the house— front terrace, entry, dining room, and out to a rear garden— underscored by glass that allowed you to view all the way through the house, drawing the eye and body through the space. Marr didn’t rely on full-height walls to divide rooms. Instead, he used changes in ceiling height, built-in cabinetry, and floor transitions to subtly define each area. The ceiling above the kitchen and dining room is raised and ringed with clerestory jalousie windows, allowing light and warm air to escape. The kitchen sits at the center of the plan, bridging public and private zones and embodying the idea—taught to Marr by Calvin Straub—that the kitchen, dining (also serving as family room) was the true heart of domestic life.
Natural light and climate response are handled with care throughout. The home’s west-facing
occupants
side, which receives the harshest afternoon sun, is more enclosed, with clerestories set high beneath deep eaves, resulting in nearly no direct sunlight. In contrast, the eastern and southern elevations are open and expansive, lined with sliding glass doors and full-height glazing that frame views of trees, lawn, and distant landscape. Marr understood that modern architecture in Riverside had to do more than just look good—it had to perform in the climate.
And yet, the home’s real magic lies beyond its structure. While Marr shaped the structure, it was Gerry who brought the landscape to life. She carefully selected and arranged the plantings that now define the property—an immersive garden that softens the lines of the house and connects it to its setting. Trees provide shade and privacy, while flowering shrubs, vines, and groundcover form a tapestry of seasonal color and texture. While Clint designed the frame, it was Gerry who filled in the canvas. Together, they created a home where the architecture and the landscape are in constant conversation—a place designed not just to exist in nature, but to live in it.
The Marr Residence #2 is modest in size and unassuming from the street, but it’s a
deeply considered work of architecture. Every line, proportion, and transition reflects Clint Marr’s values as both a designer. More than 70 years later, it continues to speak—not through bold gestures, but through quiet clarity, thoughtful proportions, and a garden that
grows more meaningful with time. Clinton Marr passed away on September 5, 2016, just shy of his 91st birthday. The home he created for his family remains one of his most personal and enduring contributions to the city he loved.
JULIAN
JOLLIFFE
ZACH
CORDNER
WORDS: KEN CRAWFORD
Part 1: Back from the Dead
The Farm House Collective is more than just another entertainment venue: it represents a family’s deep love affair with Riverside and their determination to breathe new life into a neighborhood they’ve watched decline for decades.
Beverly Bailey, owner of Farm House Collective and CEO of Stronghold Engineering, the construction company that built it, has a connection to the University Avenue corridor that runs soul-deep,
rooted in memories of first dates and family history that spans generations.
“My family was in the military stationed at March Air Force Base, and our family moved here in ‘76,” Beverly recalled. “I saw a lot of Riverside’s growth, and what stuck out to me was there was a lot going on in the area where the farmhouse is.”
The area held personal significance—she worked at Chan’s restaurant, her family owned the Hacienda motel next door, and she had her
first date with her husband at Cask ‘n Cleaver. All three buildings eventually burned down, leaving painful reminders of what was lost.
“Just watching all that go away and being able to hold on and sustain and bring life back through the farmhouse is really sweet and gratifying,” Beverly explained.
The programmatic architecture of the original farmhouse building, one of the last remaining character structures on University
Avenue, made preservation even more compelling. Rather than demolish and start fresh, the Baileys committed to a full restoration that would honor the building’s history while creating something new for the community.
For Beverly, the project represents more than business success. The Bailey family’s successful construction business provided the resources to tackle what others might have seen as an impossible restoration project. The Bailey’s have built from the ground up, taking Stronghold
Owner Beverly Bailey with Mayor Patricia Lock Dawson at the official ribbon cutting ceremony.
Engineering from a home-based electrical business to a successful full-service construction company. But this wasn’t philanthropy in the traditional sense; it was more personal.
“We’ve been blessed and fortunate to have a successful business in construction and being able to utilize some of those blessings into a project like this is a family legacy,” she said. “I just hope that my kids are embracing Riverside, that other families will feel the same way, and Riverside will be more than just something that you pass through, but people will realize and see how unique and wonderful our city is.”
The Farm House Collective sits strategically positioned to connect UCR students with the broader Riverside community, creating a safe, walkable destination that bridges campus life with city culture. It’s a vision years in the making, born from genuine love for a city and neighborhood that deserved better than decline.
Part 2: The Collective
The vendor spaces at Farm House Collective reflect the same commitment to quality and permanence that drove the building’s restoration. This isn’t a typical food court or strip mall collection of businesses: it’s what Beverly Bailey calls “a beautiful collective of independent creatives,” carefully curated to create a cohesive community experience.
The emphasis throughout the project has been on craft and quality over quick profits. Unlike many entertainment venues that start small and hope to grow, the Baileys front-loaded their investment to create something built to last from day one.
The contrast became evident during the ribbon-cutting ceremony—a well-attended but comfortable afternoon event that transformed into a parking nightmare by evening when the concert began, with cars filling what seemed like a square mile around the venue.
‘If you build it, they will come’ proved prophetic, but the success stems from the attention to professional details often overlooked in startup venues. This is a high-quality, clean, professional concept with excellent facilities—family-friendly and all-ages, representing something genuinely new for Riverside’s entertainment landscape.
The vendors themselves benefit from this professional infrastructure. Rather than the typical struggling startup scenario where businesses hope to eventually afford better locations, the Farm House tenants begin with proper plumbing, permits, and the kind of foundational stability that allows them to focus on their craft rather than survival.
Currently open vendors include Bricks and Birch (wood-fired pizza), Benedetto Gelato, Blue Bowl (acai bowls), Batter Rebellion’s (gourmet burgers), Bar Ni Modo (craft cocktails), Cold One (beer garden), Rat City (vinyl records), Eco Now (sustainable products), Pocket Change Vintage Finds, and Rooted in Love (plant shop).
The Farm House Collective has only been open a couple of months, but it has already become a place where families meet and gather. The transformation is remarkable: what was once a spot of actual danger has emerged as a destination where parents comfortably bring their kids to play. The vibe change is palpable.
These retail and food offerings complement rather than compete with each other, creating an environment where families can spend entire evenings. Parents can browse local artisan goods while children enjoy age-appropriate entertainment, then everyone can gather for dinner before a show. It’s a model that recognizes how people want to spend their leisure time: not rushing between disconnected venues, but settling into a space designed for lingering.
The Baileys’ investment in acquiring the adjacent Hacienda motel property for parking and additional vendor space demonstrates their long-term commitment to the concept. They’re not testing the waters; they’re creating an entertainment destination with room to grow and evolve with the community’s needs.
For local entrepreneurs, Farm House Collective offers something rare: a professionally managed space where their businesses can thrive without the typical infrastructure headaches that derail so many promising ventures.
Part 3: An Itch That Needed Scratching
When music industry veteran Phil Pirrone talks about Riverside’s entertainment landscape, he speaks with the authority of someone who’s spent over two decades building relationships and understanding markets. His partnership with Farm House Collective represents more than just booking shows: it’s a strategic effort to put Riverside back on the map for touring artists who have long skipped the Inland Empire.
Pirrone’s credentials speak for themselves. Since founding the Desert Days festival in 2012, he’s booked legendary acts like Iggy Pop, My Bloody Valentine, Stereolab, and Tame Impala.
“Getting Iggy Pop was a pretty surreal moment for me,” he recalled. “I was really sick, and I was in the UK on tour, and I was in bed, and I got the
ZACH CORDNER (2)
word, and I just yelped in my bed with my little sick, cracked voice. Never been so happy in all my life, outside of the birth of my two children.”
The connection to Farm House Collective developed organically. Kyler Bailey, who attended his first Coachella in 2003 as an eighth-grader and became a regular Desert Days attendee, reached out while the venue was still under construction.
“I grew up loving music, going to concerts, and we’d have to travel outside Riverside to go to shows,” Kyler explained. “I’ve been familiar with Desert Days and I was always thinking that they were hosting the festival. I thought it’d be a great collaboration.”
Pirrone consulted on everything from stage design to production infrastructure, eventually becoming the venue’s concert producer and talent buyer. The partnership reflects both parties’ shared passion for bringing quality live music back to the Inland Empire.
“Phil played his first show as a kid in Riverside, and I believe he’s from Corona. So, he’s from the area and he has a lot of passion about bringing quality live music back to the area, as well,” Kyler noted.
The partnership addresses a critical gap in Riverside’s music scene. “The market desperately needs a midsize venue,” Pirrone observed. “The only venues in town are thousand and two-thousandcapacity, so that leaves a lot of artists skipping the market.”
Farm House Collective’s 500-person capacity fills that void, potentially attracting acts that would otherwise bypass the Inland Empire entirely.
Pirrone sees broader implications for the venue’s success. “I think that Farm House has real potential to not only corner the market, but become a cultural institution in Riverside,” he said. “Part
Rooted in Love
Blue Bowl
Bricks & Birch
Eco Now
Rat City Records
Benedetto Gelato Batter Rebellion
Creative Director Kyler Bailey and Austen Zimarik, Head of Logistics. ZACH
JULIAN JOLLIFFE
Bar Ni Modo
JULIAN JOLLIFFE
ZACH CORDNER
the first shows to sell out at the Collective.
of my challenge, which I love, is to get Riverside back on the map for those midsize artists.”
Plans for potential festivals and partnerships with local promoters like Mucho Gusto suggest ambitions that extend well beyond typical club programming.
For Riverside music fans, Farm House Collective represents something they’ve waited decades to see: a professionally run venue with the infrastructure and industry connections to attract quality touring acts to their backyard.
Check out Mark from Riverside's behind the scenes video of the making of this article:
Riverside's Vicky Tafoya & The Big Beat were one of
Daptone Records artist Lee Fields recently performed at the Farm House.
KEVIN MIJARES
KEVIN MIJARES
KEVIN MIJARES
The Rumble Of Nostalgia
WORDS: KEN CRAWFORD
For one day each May, downtown Riverside transforms into the city everyone remembers—or wishes they could remember. Chrome gleams under California sunshine, engines rumble with the promise of open roads, and suddenly the streets feel exactly like they're supposed to feel. The Show and Go Car Show, now in its twentyeighth year, taps into something deeper than automotive appreciation. It's a collective act of memory-making, where classic cars become time machines carrying us back to an idealized version of our shared past. Whether you grew up here or just arrived, the event appeals to that universal longing for when things felt simpler, more beautiful, more connected.
KEN CRAWFORD
JULIAN
JOLLIFFE
Show and Go
KEN CRAWFORD
JULIAN
JOLLIFFE
KEVIN MIJARES
Show and Go
California is car culture, and many of us mark the chapters of our lives by what we were driving. The Model T that carried our grandparents through downtown's early days. The Mustang that defined teenage summers. The carefully restored Camaro that represents decades of weekend devotion. At Show and Go, these mechanical memories cruise the same streets where Riverside's story began, long before the automobile arrived to reshape everything.
The partnership between Riverside East Rotary Club and the Old Farts Racing Team reflects the event's inclusive spirit. You don't need to own a classic car to belong here—you just need to appreciate the artistry of chrome and steel, the symphony of perfectly tuned engines, and the simple pleasure of people gathering to celebrate something beautiful together.
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Downtown Riverside predates the automobile but became emblematic of car culture as one of California's first commuter communities. Show and Go honors both histories, creating a temporary overlay where past and present merge. The cruise route winds through streets that have witnessed a century of change, but for these few hours, time seems negotiable.
This isn't just a car show. It's downtown Riverside at its best, reminding everyone why they fell in love with this place and proving that sometimes the most powerful engine is nostalgia itself.
Show and Go
Dining: Downtown
The Riversider | June/July 2025
Dapper Dine and Lounge
On the corner of Mission Inn Avenue and Vine Street you’ll find the brilliantly remodeled Dapper Dine and Lounge.
While it’s the same footprint as previous establishments, you will be shocked at how beautiful and refined the new aesthetic is once you step inside. The dining room just looks really amazing and the open concept blends the inside with the outside patio seamlessly. As we sat outside, I enjoyed both the modern decor and laid back, yet fancy vibe.
Owner David Garcia dreamt up the Dapper Dine and Lounge concept because, as a foodie, he wanted to bring something wonderful to Riverside. A restaurant that really conveyed that high end dining feel found in places like Los Angeles or Orange County. Dapper Dine and Lounge opened this past January and has been enthusiastically welcomed by the Riversiders who’d been craving a classy, but unique dining experience.
The Riversider sat down with Lead Server Sheree Kamrani and manager, Angel Lomeli to tell us about the fabulous dishes they wanted to share with us. Head Chef, Hugo Porcayo, created an extensive menu filled with a variety of house made delicious creations.
We tried the popular Cajun Shrimp Appetizer and it was jam packed with flavor! Several large perfectly cooked shrimp are served in this amazing
dreamy and creamy garlic butter cream sauce with just the right amount of kick from real cajun seasoning. Trust me, you will want to lick the bowl!
Next they served us a refreshing roasted beet salad. This consisted of baby arugula, roasted red and golden beets, red onion, candied walnuts, orange wedges, and fresh feta cheese all tossed in a delightful lemon vinaigrette. It is not something I would normally order, but it was really good! I’d definitely recommend this for a great vegetarian option.
We also tried the Chipotle Chicken Pasta, and it was so unique and fantastic! It was bursting with creamy chipotle flavor, but be aware that it has lots of heat to it. The Honey Chipotle Chicken was so tender and juicy it seemed like it had been simmering in the house made tasty sauce that was poured over penne pasta, it was so so good! It was also served with a side of their garlic bread, yum!
The main attraction was their Wild Mushroom Hanging Tender Steak, and it did not disappoint. The steak was so tender and grilled beautifully and served over a smoked blue cheese demi-glace on a bed of perfectly sauteed wild mushrooms. It was delectable and felt very luxurious to eat. I highly recommend, you will not regret it.
We also had the pleasure of trying some of their signature craft cocktails all created by their lead bartenders from their full bar. They shared a few of their popular drinks starting with the mysterious ‘Midnight Tartini’ which is a blackberry
herb infused martini oozing with style. It is made with Tito’s vodka, rosemary simple syrup, lemon juice, and blackberry syrup. It was sweet and tart, making for a refreshing drink great for any time of the day.
The ‘Into the Jungle’ was their modern take on the classic Mai Tai, super good! The ‘Watermelon Sugar’ was a surprising mix of fresh watermelon puree, mint, coconut cream with lime juice, and soda water balanced nicely with Diplomatico rum making for a unique summer drink. They also serve a classic old fashioned that seems to hit the spot with those who know.
Last but not least are their mocktails. I got to try the cucumber lemonade, and it was absolutely delicious! This is a great idea because even if you're not into hard alcohol you can still hang out and enjoy a true craft mocktail that looks amazing and you know has been made with creativity and love.
Overall, our visit to Dapper Dine and Lounge was fabulous! The service was excellent. The attention to detail is noticeable. The ambiance was very modern and posh. The beautiful outdoor patio is both alluring and relaxing. I can’t say enough about this transformation! Next time you’re in the downtown area go check out Dapper, and enjoy all they have to offer.
WORDS: ALONDRA FIGUEROA PHOTOS: ZACH CORDNER
Wild Mushroom Hanging Tender Steak
Bar & Restaurant Guide
The Riversider | June/July 2025
AMERICAN (NEW)
Batter Rebellion 1393 University Ave (951) 901-9357
Bushfire Kitchen
5225 Canyon Crest Dr Ste 92 (951) 534-0697
ProAbition Whiskey Lounge & Kitchen
3597 Main St (951) 222-2110
The Rustik Fork Eatery 1355 E Alessandro Blvd Ste 101 (951) 656-3555
The State 3800 Main St (951) 728-3330
Yard House 3775 Tyler St (951) 688-9273
BAKERIES/DONUTS
American Donuts
3355 Iowa Ave (951) 329-3238
Baguette Bakery & Café
767 W Blaine St B (951) 788-5300
Baker’s Dozen Donuts
6100 Magnolia Ave (951) 369-0198
Beignet Spot 4019 Market St (951) 224-9830
Better-Be Donuts Café 1015 E Alessandro Blvd (951) 653-0166